#Bulldog mask | Explore Tumblr Posts and Blogs

linkedspirit-fanartfunart · 8 days

Text

[Image Description: A colored line-up of various Legend of Zelda characters for the Linked Spirit AU. The characters read left-to-right: "Marin, she/her, pre-Hyule Warriors" is a young redhead girl with a purple cloak and maroon and white dress. She has her hands politely held in front of her. "Groose, he/him, Skyward Sword" is a redheaded man with his hands on his hips, wearing a blue tunic and a green caplet. "Greg Moblin, he/him, LoZ 1" is a large gold bulldog like moblin holding a flower in his hands. He wears a red shirt and pants, with a green poncho. "Purah, she/her, Breath of the Wild" a young teenager wearing a black poofy skirt and a tan shirt and coat with red accents. She has a red streak in her white hair, posing with her hand next to her face. "Tulin, he/him, Breath of the Wild" is a pullet age white Rito with one arm as a wing and the other arm ends with a Wind Waker style hand and wing 'sleeve' "Aror, he/him, Twilight Princess, Crossbow Training" is a child Twili oc with red hair and wears a green over the shoulder wrap over a white tunic. "Midna, she/her, Twilight Princess" is a older Twili, with long fluffy ears wearing a black and teal collared cape, She wears a dark purple skirt with a grey fur trim and a wolf head belt clip on the side of her hip. "Medli, she/her, Wind Waker" is a teenaged white Rito, her red hair in a ponytail. She holds a hand to her chest. "Aryll, she/her, Wind Waker" is a young teen with her hand raised excitedly. She wears a purple skirt with a skull pattern, and a blue shirt with flower patterns. She has the Wind Waker's starter sail wrapped around her waist. "Ol' Niko, he/him, Wind Waker, Spirit Tracks" is an elderly man, smiling with his hands on his cane. He wears a red and white stripped shirt with a blue vest. "Gulley, he/him, A Link Between Worlds" is a blond child wearing Link's Cap and a matching green vest over his yellow tunic. He has his hands on his hips. "Ravio, he/him, A Link to the Past, A Link Between Worlds" is a teenager with dark hair that fades into light blue. He waves, winking, wearing a floor length purple robe and dark purple blue. "Grandpa Smith, he/him, Minish Cap, Four Swords Adventures" is a greying beared man, drying his hands on a cloth. He wears a long leather apron over his green tunic, and wears a green bandana. "Skull Kid, he/him, Ocarina of Time, Majora's Mask" is a Skull Kid wearing a orange hat and tunic, with green shorts, collar, and gloves. He has a v like mark on his forehead. He holds up a horned skull mask in front of him. "Lady Alma, she/her, Wand of Gamelon" is a young woman with short red hair and a tiara. She raises a hand to her chin dantily, wearing a teal shirt and darker teal skirt. End ID]

A few "NPCs"

I can't say ALL of them will make an appearance in the comic, actually, but these are NPCs that are important to the Links, in one way or another, while also having a few significant design differences from canon (thus why no Linebeck or spryte lol.)

49 notes · View notes

sahonithereadwolf · 8 months

Text

I went down another research hole the other night. Y'all might know about "Big Rock Candy Mountain" from O Brother, Where Art Thou...

youtube

But it, like most of the songs from that movie comes from a tradition of American folk songs. Big Rock Candy Mountains very specifically this tradition of hobo ballads. And, like setting aside the overtones of American colonialism that purvey all these sort of "there is a dreamland to the west for you to claim" songs, there is a cultural tradition of these. "Life is a struggle but there is a place where it's not if you can find it" is a very human sentiment.

There are plenty of medieval works on Cockaigne, which has a similar kinda tone to it. A land where the harsh realities of a blue collar or peasant class struggle can not exist.

But did you know about the secret gay lyrics of Big Rock Candy Mountain?

After Harry McClintoc recorded his version of this ballad, which he claimed he wrote in 1895 based off the stories he heard as a kid working on the railroad, a bunch of people took him to court because they claimed he stole and took parts of his song from a bunch of other hobo songs in the same traditions. Sweet Potato Mountain, Hobo's Heaven, An Appleknocker's Lament... As part of the court dispute, McClintock was told by the judge to perform the song. As art of the court record we have a last stanza which is not used in the cleaned up version used for records and "reputable venues". This was recorded as:

"The punk rolled up his big blue eyes And said to the jocker, "Sandy, I've hiked and hiked and wandered too, But I ain't seen any candy. I've hiked and hiked till my feet are sore And I'll be damned if I hike any more To be * * * * * * * * In the Big Rock Candy Mountains." Now NO ONE KNOWS what that last lyric is. However we can make some very educated inferences. This is about gay sex.

And it's not like "Big Rock Candy Mountains" is immune to commentary despite the more sanitized versions you'd see later from the likes of Burl Ives.

I'm thinking very specifically: "In The Big Rock Candy Mountains All the cops have wooden legs And the bulldogs all have rubber teeth" and

"In The Big Rock Candy Mountains The jails are made of tin And you can walk right out again As soon as you are in There ain't no short-handle shovels No axes, saws or picks I'm a-goin' to stay where you sleep all day Where they hung the jerk that invented work In The Big Rock Candy Mountains" Going back to the lyrics "The punk rolled up his big blue eyes"

Punk in this context and original use, especially in it's use in hobo culture refers to a younger man or boy being kept for sex and other menial task.

Which, you know, should put a whole new context to see how it's been used against other forms of youth culture. Hippies, greasers, punks,ect. And at least for me makes it's misuse feel even more slapdash and pathetic.

If you doubt this, it is quickly followed up by the term "Jocker" "And said to the jocker, 'Sandy," a slang term of the era referring to an aggressive and usually straight passing dom top, especially in the context of prison.

To be a little flippant, this is a twink grumbling to a daddy.

As I mentioned before, no one actually knows what that missing lyric is. Or at the very least it's never been made public.

But give it's proximity to "sore" and "more" a lot of guess tend to jump to the word "Whore".

Sam Eskin actually interviewed McClintock for Folkway Records and which, when asked about the lyrics said “the ambition of every hobo was to snare some kid to do his begging for him, among other things,”

This is something you see in a lot of early gay panic lit all the way up through the 80's. Especially as the moral authoritarianism of the Hayes code kicked in. But it also found itself in the early pulp lit where queerness could still exist (if behind a little mask and a performative, if dramatic, finger shake)

Queerness and homelessness were intertwined. Still are, both from my own personal experiences and if you look at the statistics. And it's not much of a leap to understand why. ---

But we do have some offered lyrics from other authors: "To be buggered sore like a hobo’s whore,” Is a popular one, which has it's origins from a 2002 folk music site called mudcat and waaaaay too British to read naturally if you ask me.

“And be cornholed till my ass is raw.” is another one you see passed around a lot. Which feels too forum humor.

George Milburn in 1930 offers "To be a homeguard with a lemonade card.” which is naive and sweet to say the least.

The fact is we still don't know this lyric, gay punchline (or at least gay panic) as it might be. All we know is that Big Rock Candy Mountain "Was never meant to be a parlor song" in McClintock's own words.

Well that and the insight it offers into social perceptions of queerness at the time and how it's shaped and shifted in the future.

What do you think this secret gay Big Rock Candy Mountain lyric is?

#big rock candy mountain #folklore posting #homelessness #queer history

163 notes · View notes

pianokantzart · 1 month

Text

The One to Blame (Part 3)

Part 1 Part 2

Content Warning: Blood, trauma, graphic description of injuries

______

As the airship rose to the top of the castle where Bowser stood, Mario, Toad, and Princess Peach shared a silent agreement that their only goal at this point was to get Luigi to safety. They soon learned, once they got a better look at the situation, that this would require the difficult task of freeing Luigi from Bowser’s grasp without accidentally breaking his neck, as the koopa’s hand was still clamped down over the man’s face like the teeth of a bulldog. But they had the element of surprise on their side. The appearance of Peach outside of her cage and the reemergence of a “conquered” foe was a dual shock that caused Bowser to lower his guard, and Toad used the opening to launch a cannonball into the koopa king’s shoulder. Incredibly, the impact wasn’t enough to cause any serious damage, but it was enough to elicit a roar of pain as he released his captive to hold his injury. The second Luigi was dropped Mario and Peach rushed in and ushered his limp form to the deck of their airship.

Their greatest stroke of luck was that the warp whistle hadn't been wasted. Early in Mario's journey there was no small amount of temptation to use it to avoid certain dangers they encountered on their way to The Dark Lands, though they knew it was far wiser to save it for the journey back when things would likely be at their worst– which proved to be an understatement. By the time Luigi was on board the stollen vessel, Bowser’s pursuing forces had joined the battle, and the great flying galleon was rendered barely able to stay airborne amidst the damage laid into its hull by the attacking clown cars, bullet bills, and the jet of flames Bowser spat out in rage.

Toad, clinging to the ship’s controls in a struggle to keep them from free falling, blew into the whistle on Peach’s command, and with a shrill tweet the quartet disappeared from Bowser’s view along with the crumbling ship.

In a flash, they reappeared in The Mushroom Forest just outside of Peach’s beloved kingdom. A gentle rain shower had blown in during their absence; another stroke of luck that extinguished the flames of the airship as it finally succumbed to the damage and crashed, toppling giant mushrooms in its path as it landed with a heavy thud in the cool, damp earth. Toad braced himself against the steering wheel. Princess Peach and Mario pressed around Luigi to hold him steady.

Once all was still, save for the sound of falling rain and the creak of the airship as it settled deeper into the mud, Mario was first to act, his greatest impulse being to start carrying his brother toward civilization. When Toad emerged from the driver’s seat and finally got a proper look at the severity of Luigi’s condition, he followed suit, struggling to find some unbroken part of the man by which to pick him up until Princess Peach stopped him with a gentle hand on his shoulder.

“We’ve moved him around too much already. Wait for help to come.”

She pointed to the Mushroom Kingdom in the distance. Toad looked, and could see glimmer of lamp lights already venturing closer– excited soldiers and citizens who had noticed the ship’s appearance from a distance, and were now eager to see whether or not Mario’s mission had been successful.

Toad nodded and stayed put.

Mario, however, seemed blind and deaf to everything except his own misguided determination. He grabbed Luigi under his arms, struggling to lift his dead weight until he caught a good look at his brother’s face, and froze. Up until now, Mario had seen little of Luigi’s features through the fog of adrenaline. They had mostly been either hidden in Bowser’s hand, or masked by a thick layer of blood.

The rain had now washed most of the blood away, though more continued to flow from Luigi’s mouth, nose, and ears, turning Mario’s white gloves a ghoulish shade of pink in his effort to carry him.

Mario's mind– struggling to comprehend what it was seeing– couldn’t help but compare the appearance to smashed bread dough or a dropped cake. He felt lightheaded and distant, like all was little more than a lucid nightmare.

Luigi’s lips, purple, swelled, and split, parted to mutter something that Mario struggled in vain to understand, and in his anxiousness he mistakenly stepped on the ruined remains of the shattered leg, causing the mutter to break into a gargled scream so horrible that Mario panicked and collapsed under his brother’s weight. Toad and Princess Peach acted quickly. They grabbed the duo as they fell, Toad taking charge of Luigi to carefully guide him back down to the floor while Peach wrapped her arms around Mario and pulled him off the deck of the downed ship, away onto the grass at the base of the wreckage. She did so with more aggression than intended. She was expecting a fight, but was dismayed when the plumber numbly allowed himself to be dragged away without resistance, fists clenched and shaking with sobs. Seeing this, she switched tactics. She held him tight and spoke quiet reassurances, struggling to hold back tears of her own. “He’ll be fine. You did it. You saved him. I promise you, with all of my heart, he’ll be alright.” Mario barely heard her over the continued patter of rain. The distant lantern lights rushed closer, rumbling in on a blur of color and voices. There were tugs on his sleeve that were batted away and a few muffled voices saying his name– conversations swelling and falling in volume as his mind drifted. ___

Mario recalled that in the short span of time since he had moved to The Mushroom Kingdom, he became renowned as the one who put an end to Bowser's reign of terror. Naturally, this meant Mario was the first person everyone looked to when Bowser was broken out of prison by his minions and successfully captured Princess Peach during his escape. They gave a lot less credence to Luigi’s abilities. The toads liked him well enough, but he was rarely regarded as anything more than “Mario’s brother.” Up until Bowser’s escape Mario had found this annoying, but when his own reputation came with the burden of responsibility he saw a bright side: Luigi had no obligation to go anywhere or do anything that would put him in danger. Mario had hoped to one day go on adventure with his brother (albeit in circumstances far less dire), but he knew that his own dreams and those of the ever-cautious Luigi were not always going to perfectly align, and this time Mario was determined not to act mindlessly like he did back in Brooklyn when he first started the plumbing business, or when he tried to save the flooding city. He would not throw himself into danger while fully expecting his sibling to follow in his footsteps.

To his surprise, Luigi had already readied a backpack full of supplies the moment he heard word of The Princess’ capture, fully anticipating adventure well before Mario relayed his plan to embark on a rescue mission. He even seemed almost disappointed to hear that the effort was in vain, as Toad already had a pack prepared with the essentials. “Well, it couldn’t hurt,” Luigi shrugged, shoving an extra box of matches into the front flap of the backpack before hoisting the straps onto his shoulders and heading toward the doorway. In the long run, his extra provisions would provide them with only some ramen cups and an extra blanket before the pack met its end in The Seaside Kingdom– grabbed in the beak of a cataquack, ripped from his back, and torn to pieces. But in that moment of preparation, losing spare supplies was the last thing Mario was worried about, and with a determination that surprised even himself he moved to intercept his brother before he reached the doorway. “Wait! Luigi, are you sure you want to do this?” Luigi stopped and stared with a confused expression. “What do you mean?” “This journey is going to eventually take us to The Dark Lands. Do you really want to go back there?” “Ha! no!” Luigi said, forcing a laugh. “But The Princess risked her life to save me. It’s only right that I do the same for her.” Luigi tried to side-step his brother, but Mario mirrored his motions to stay in the way. “We may end up facing up against Bowser again! This time we won’t have any superstar to help us out.” “But I’ll have you, won’t I? And nothing can hurt us as long-” “-As long as we’re together. I know. I know. I just…” Mario trailed off, unable to quite find the words to explain why he was so uncertain. There was more to his hesitation than just a desire to allow Luigi to make his own choices. At this point, his choice his clear. But ever since the incident in the warp pipe (and everything that followed), Mario had become far too aware of the effect his actions had on his brother. He suspected that was why he had this ugly feeling in the pit of his stomach that if they took on this mission as a team, something terrible would happen. Luigi sighed. He gave the tops of his hands an anxious rub before he spoke again. “Look, Mario, I won’t go if you don’t want me to, but first you gotta look me in the eye and say it…” He leaned down so they were face-to-face, and stared at him with a somewhat comedic intensity. “… Just say ‘Luigi, I don’t want you to come with me,’ and I’ll leave you to it. Promise.” In the end, Mario didn’t have the heart to say it. His nagging fear did not outweigh his desire to embark on this adventure with his brother by his side, and part of him knew Luigi wouldn’t have given that ultimatum if he suspected he’d actually follow through. He wanted to come, that much was clear. Who was he to tell him “no”? And it had gone so well up until the end! They were as good adventurers as they were plumbers, if not better. Mario was certain he wouldn’t of gotten half as far as he did without Luigi watching his back, and whenever Luigi was scared or cornered all he needed to do was shout “Mario” and– ___

Before he could finish the thought, Mario felt his heart seize up. His whole body felt in free-fall when he suddenly realized what Luigi had been trying to say earlier through shattered teeth and a broken jaw. Mario. “My name.” Mario looked up from his daze with a frantic desperation. “He was trying to… oh Luigi…” As the world came back into view, Mario saw that there were toad guards scattered about, working on the wrecked airship to unload its artillery and ensure that the fire was fully put out. A few of them startled when Mario moved, most of them giving sympathetic glances before returning to work, but the only truly familiar face to be seen anywhere was Toad. He was holding out his umbrella, dedicating its entirety to shielding Mario from the steadily increasing downpour, paying no mind to how soaked his own clothes were becoming with every passing second. When Toad saw Mario finally recover his senses he couldn’t help but smile with relief as he stepped a little closer.

“Hey! You' okay?” “Luigi.” Mario gasped like he was coming up for air, “Where’s Luigi?” “Don’t worry, he’s safe. The Princess is with him. He’s going to– well, he’s probably at a hospital by now. We can–” He hadn’t even finished his sentence before Mario bolted toward town. Toad tried to fold his umbrella and put it away, but finding he didn’t quite have the time he simply tossed it aside before chasing after his friend, struggling to keep up with the plumber through the heavy rain.

#my writing #the one to blame #Mario #Luigi #Princess Peach #Toad #angst #blood cw #injury cw #Mario Movie #super mario bros #piano can write

71 notes · View notes

chewbaxter · 1 year

Text

I have this headcanon that when Dick was still young and training as Robin, he made up this game for him and Bruce to play to warm up before their patrols. It's called “Catch the Mask”, and it's a game of bulldog essentially. Dick has to get his mask, sitting on the Batcomputer desk, but Bruce is standing in the way. Dick has to get passed Bruce and get it. If Bruce tags him at all, they start over.

But the best part is the game evolved. Dick used his flippy, acrobatic ways to get the mask.

Barbara got better at stealth through the game; she could do the whole “disappearing act” Bruce does with her dad the moment the game started and could get to the mask in complete silence sometimes.

Jason, when he started training and played against both Bruce and Dick in the cave, knew to play with the relationship between his two opponents against each other at the time.

Tim wasn't the best at the game, but he could get the mask by hacking the internal radio and playing Bruce’s least favourite songs through it (he still has the playlist programmed in the Batmobile).

Stephanie did the same trick as Tim but through full speakers hidden around the cave training area. Bruce has uninstalled them multiple times. Every time she plays again, They're *always* there again.

Cass is like Babs and uses pure stealth. But unlike Babs, when Bruce’s team occasionally catches her, she blitzes through them all. She has a streak of wins in the game and is very close to beating Dick's score.

Dick has trained Damian in the game 1-1 as his protegé. Though his style is still a little blunt and straightforward (charging for the Mask, sword swinging), it's still one of his favourite games to train with.

Duke isn't great at it, but he has spirit and to be fair, he's up against almost all the Batfam at once. They almost feel bad for him. Almost.

#batfamily #batfam #batfamily headcanons #dick grayson #jason todd #tim drake #damian wayne #stephenie brown #barbara gordon #cassandra cain #duke thomas

216 notes · View notes

wishing-stones · 1 year

Note

okay very random and very specific but

the boys’ reaction with someone who has a constant poker face and looks uninterested in everything but the moment they see those dumb compilations of funny/adorable clips of puppies and kittens doing dumb stuff they’re laughing and giggling and smiling so hard

I know this is very random but I can’t keep thinking of killer always showing them those kind of videos just to see them smile and laugh

Good luck anon. They see this as a challenge.

Killer most especially. You like cute things, huh? Do you like laughing at cats leaping like they've been shot? Always tickles the funny bone. Also, he loves cats, so if you're having an especially down day, it's actual kitten therapy time. You can't frown while you're holding a kitten that's determined to climb all the way up you like a ladder. Dust enjoys sitting and watching these, too. It's a nice chill activity and cute aggression is much better than Actual Aggression. Plus, getting to see you smile makes it all the better. Also, it's an excuse to laze about and watch videos. Win/win. Axe naturally loves those kinds of videos anyway, animals doing cute and/or silly things make him feel better. He sometimes feels a little bad if he watches a bulldog eat absolute shit going down stairs or something like that, but they seem to walk it off okay. Cross utilizes this as the most reliable means to get a smile out of you. He's pretty stoic and poker-faced most of the time himself, and sitting and watching silly, cute animal videos with you gets that rare smile and laugh that he absolutely adores. Him too, for what it's worth; he will also smile and laugh in such a quiet, sweet little moment. Baggs will indulge in them occasionally, but if he's busy and hears the laughter, he finds a good stopping point to come sit for a moment and watch with you. It's so nice to hear your laugh and see you genuinely happy. It's a moment he treasures because he knows the mask is up most of the time for one reason or another... but he gets to see you with the mask off and enjoy your company at the same time. Nightmare doesn't much care for sitting and watching with you, but he will casually observe if you're watching on your phone while he's doing something else, and almost always will move to somewhere that he can see your face. Even if he's not watching the videos, he's watching the genuine light in your eyes and the warmth on your cheeks and knows that he gets the privilege of seeing this. He's not likely to bring it up unless he's being especially sweet, in which case he'll tell you how adorable you look when your face lights up with joy (no matter how it might itch or sting on an emotional level)

#k answers #k headcanons #feat. r&r crew

56 notes · View notes