#ATG Productions

[bespokeredmayne]

Report: Eddie Redmayne’s lengthy commitment to Cabaret on Broadway — and its whopping budget

A exclusive report today from Philip Boroff and his Broadway Journal says Eddie Redmayne is committing to an expensive New York production of Cabaret for six months. ‘CABARET’ IS COSTLIEST BROADWAY REVIVAL

by Philip Boroff 

EXCLUSIVE: Investing in Cabaret  at the August Wilson Theatre this spring might seem like a safe bet, after the success of the Kander & Ebb classic in London and earlier productions in New York.

That's until you see the price tag: $24.25 million, a record for a Broadway revival.

Broadway Journal reviewed a preliminary budget and recoupment chart for the transfer from the West End, which is being presented by the multinational theater operator and producer Ambassador Theatre Group and U.K.-based Underbelly, which creates shows and festivals. Tony and Oscar-winner Eddie Redmayne will reprise his role as Kit Kat Club emcee on Broadway. 

Revivals of musicals by John Kander and Fred Ebb have been golden on Broadway, particularly the concert version of Chicago, now in its 27th year; and two Roundabout Theatre Co. engagements of Cabaret. This production, which follows several new musicals into the financial stratosphere, needs to be a smash to repay investors. 

Cabaret‘s largest line item is its $9.4 million physical production. That includes millions from investors to transform the August Wilson into a Weimar-era nightclub, designed by Tom Scutt, where the show will be performed for an audience of about 1050. (There’s also a pre-show with actors and musicians interacting with the audience.) Another $1.5 million is allocated for a “refurbishment reserve,” presumably for cost overruns. A production spokesman declined to comment for this story.

For the 2021 premiere, Ambassador Theatre Group paid most of the expense of renovating London’s Playhouse Theatre (where the show’s performed in the round), someone familiar with the production said. As is standard in the industry, backers benefit from the sale of tickets but don’t share in revenue from drinks or food.

The New York production is what’s known as a related-party transaction: ATG is both producer and landlord. It recently bought a majority stake in the August Wilson along with Jujamcyn Theaters’ four other Broadway venues.

One of the busiest players on Broadway, ATG and subsidiary Sonia Friedman Productions are producing four of the 16 plays and musicals opening this season through December: The Shark is Broken, Gutenberg! The Musical!, Merrily We Roll Along and Appropriate (with Second Stage Theater). It’s controlled by Providence Equity Partners, a mammoth private equity manager that buys companies with the eventual aim of reselling them at a profit.

Cabaret must thrive to survive, requiring a weekly $1.2 million at the box office to pay its bills. That’s one of the biggest nuts on Broadway, even more than the time-travel spectacle Back to the Future projected in its recoupment chart. Back to the Future‘s home, the Winter Garden Theatre, has about 50 percent more seats than the reconfigured August Wilson, which will lose about 200 seats in the renovation.

Investing may be most appealing for patrons who prioritize backing a prestigious and artful show (and a leading Tony contender) over return on investment. Rebecca Frecknall’s dark revival won seven Olivier Awards last year in London, including for Redmayne. He’s committed to reprising his role for six months, two people familiar with the production said. ATG and Underbelly haven’t disclosed details about the transfer, including casting.

When it opened in London in 2021, Cabaret got flak on social media for its prices, now as much as £375 (equivalent to about $465, which includes a light three-course meal and champagne). Producers have told investors that the show played to 96 percent occupancy through July, with the highest average ticket price in London.

Broadway seats may be costlier. The average ticket at 110 percent capacity of the August Wilson — i.e. with premium pricing — is projected to be $248. That’s approaching Hamilton in its peak years, when it was charging as much as $849 a ticket.

If Cabaret can command that $248 average and sell out — grossing $2.1 million a week — recoupment will take about a year. (Hamilton, which cost half as much as Cabaret and has low running costs, was distributing profits six months after opening night.)

By selling out with an average ticket of $176 — Sweeney Todd  territory — Cabaret‘s recoupment would take closer to two and a half years.  With an average ticket of $158 — $1.3 million a week — recoupment would take four and a half years. (Projections in this story are based on recouping $20.9 million, which excludes Cabaret‘s reserves, deposits and advances; and receiving a $3 million state production tax credit, which can take years to get to investors. If the show dips into reserves during construction or the run, recouping may take longer.)

Musical revivals have gotten ever-pricier to produce, but none has approached Cabaret. For example, Sweeney Todd was capitalized at $14.5 million and appears to be on track to recoup later this fall, after about 33 weeks. Hello, Dolly! was capitalized at $16 million in 2017 (about $20 million today) and earned a small profit; last year’s $16.5 million Funny Girl  recouped and is expected to make a profit.

Shows that required extensive renovations have a mixed record. Most recently, Here Lies Love, the $22 million disco-themed historical drama around the corner from the August Wilson, is struggling at the box office; whereas Harry Potter appears to be enjoying a long life in ATG’s souped-up Lyric Theatre, after producers trimmed the two-part show to one. But it arrived from London at considerable expense. In addition to Harry Potter’s $35.5 million capitalization, ATG, which competed against other landlords for the play, spent tens of millions of dollars clearing out and renovating the Lyric, Michael Paulson reported in the New York Times.

Revivals are typically short-lived, Cabaret as well as Chicago being obvious exceptions. The Roundabout Cabaret revival directed by Sam Mendes and Rob Marshall opened at the Henry Miller’s Theatre in 1998 and ran through 2004. It initially starred Alan Cumming, who stepped in again when the Roundabout revisited the revival in 2014.

Two decades ago, the Roundabout bought its revival’s most recent home, Studio 54. The nonprofit company, with help from the city of New York, paid $22.5 million for the real estate, which looks like a bargain today.

#eddie redmayne #cabaret on broadway #philip boroff #august Wilson theatre #ATG Productions #cabaret at the Kit Kat club london

[adventuressl]

#IFTTT #WordPress #Second Life Birthday Shop & Hop #SL Events #Adventures SL #ATG Productions #Katheryn Llewellyn #Lilly Anne Smith #Missoni #Second Life #SL #SL20B #Tim Huntsman #Tsukino Suki #Zack Haiku

[litapeanut]

Netflix's Alexander the making of a god: pretty rad actually

My judgement: 8/10

While I'm not a history professional but a humble Alexander-the-great enthusiast, and I must admit I cannot judge the historical accuracy of all bits of information presented in the documentary either, I'm still impressed by the overall production as well as the producers' intention.

Firstly, I appreciate the presentation of a "non-Europe-centric" world at the time of ATG (which is objective since this was a pre-colonialism era, where multiple powerful nations outside of Europe existed, such as ancient Persia, ancient India and ancient China) and ancient Persia is portrayed as a strong rival instead of an uncivilised foreign hostile (I laughed every time the Greeks or Persians refer to each other as "barbarians" because this was how almost every ancient kingdom viewed the others, which is funny from a modern perspective). In the same respect, Darius is given a rationale for his motivation and shown as a worthy opponent.

In regards to acting, to me this series has the most accurate casting choices so far, and even if Buck Braithwaite (the actor portraying Alexander) doesn't deliver the sort of grandiose performance one would expect to be suitable for a figure like ATG, I'm moved by how human and nuanced his version of Alexander feels.

I'm definitely pleased with how truthful the relationship between Alexander and Hephaistion is portrayed, it's probably the very first time in human cinematic history that we see a portrayal like this (confettis!).

Regarding the low ratings, I'm aware that there are primarily two concerns resulting in this: 1) conservatives being deeply upset about Alexander being explicitly bisexual. I disregard such opinion completely since I know it is decidedly conservative which I don't agree with; 2) a neutral concern about the show not offering enough historical facts / not being accurate enough. As mentioned above I'm not a history professional, so as a common viewer I can only "blindly" trust the scholars being consulted.

In fact, I found the ratings of nearly all the ATG cinematic productions to be relatively low, from the 1963 Alexander, to the 2004 Alexander, and to this Netflix production. I understand that people throughout the ages have had mountainous expectation for any portrayal of ATG since he was not only a truly competent ruler but also a cultural legacy. And there's also another layer: even though he had accomplished monumental success as a conquerer, nonetheless his conquering brought wars and suffering to the civilians. Although the geopolitical dynamic then was different from that of now, meaning the countries he conquered were not considered "less developed", still you CANNOT tell the contemporary audience, some of whom are descendants from those conquered countries, who are people of colour, that Alexander's conquering of their countries was a natural result of social Darwinism, that these countries deserved to be conquered and casualty didn't matter – it's insensitive. As a POC myself, in my eyes Alexander was very much a hero of his time who had some greatness that all people can aspire to, but his military exploits are morally debatable according to modern standards (I don't hate him, I almost named my cat after him, I only want to view him as dialectically as possible). In sum, positioning the moral of his story for the post-colonial modern audience is tricky. Therefore, this Netflix documentary is the best reimagination of him, at least in my personal opinion.

#review #long opinion #alexander the great #alexander x hephaestion #netflix #alexander making of a god #documentary #history

[tavyliasin]

5 Songs, 3 Outfits

RULES: post 5 songs associated with your oc, followed by 3 outfits they would wear

Tagged by @twistedapple - thank you~ And tagging in: @miradelletarot @morb-untamed @littleprincepaladin @daiya-owoda and @firlionemoontav Also if anyone is reading this and hasn't been tagged and wants to join in, well I'm terrible at choosing and remembering usernames so consider me tagging you in~ Going to put all of this below the cut so it doesn't clog your feeds, but this will all be based on my favourite Tav from @atavsguide, (all chapters are on that side blog as well as AO3). She is my absolute disaster of an elf and a woman who knows so few limits I'm genuinely concerned for her safety. Split heritage leaves her with a pale tone to her skin and long dark hair that's more often tied back to keep most of the blood out. I don't often describe her much in the fic and honestly don't have any good screenshots that I'd say really embody who she is to me, so you'll have to live with outfits and vibes~ Anyway, Tav's outfits and music below the cut!

Formal Outfit

Tav...doesn't really do formal, but Raphael did make her a dress in her dream which was later brought into vivid reality. Hardly the finery suited to the upper classes of Baldur's Gate, the inspiration was arguably more about making her feel uncomfortable and acutely aware of the particular eyes on her form. Tav is far more at home in leathers that carry a lingering scent of blood and sweat, something she can fight and escape in, but even the seasoned rogue knows when a distracting disguise is useful.

Product image from La Belleza Boutique https://www.labellezaboutique.co.uk/product-page/red-silk-dress

Casual Outfit

Tav is fond of red and black, but half her outfits are scavenged and stolen. Lacing and corseting isn't for fashion, it's to make sure things fit in the first place. A jacket keeps out the cold, but a distracting top underneath can be useful for a variety of scenarios... Pair all this with a comfortable pair of boots that come halfway up her shin, nice flat soles and well worn leather, soft to running down the harsh streets but still tough enough to withstand planting a solid kick when necessary.

Corset top, Ebay https://www.ebay.co.uk/itm/386162837704

Long Jacket, Violent Delights https://violentdelights.co.uk/products/devil-fashion-libertines-remorse-womens-gothic-aristocrat-dovetail-coat-red-black

Lace up leather trousers, Leather City https://www.theleathercity.com/product/womens-lace-up-flare-brown-leather-pant/

Lingerie

I struggled to find anything that matched what I'd see our favourite disaster in, so I went with something sturdy but sexy. Dark, alluring, she knows what she wants at the end of the day and that's clearly [explicit redacted] with whoever falls into her bed - "take pleasure where you can, you never know when this night might be your last".

Velvet and Lace Lingerie Set, Killstar https://www.succubus.com/products/killstar-sacred-spirits-velvet-bralet-black

---

The Music Of ATG's Tav

1. Empire of the Sun - Solence

An old favourite, playing on the shifting moods between longing and a need to find a way out of a loop that never seems to end. Warming up to the idea of love being for herself and not just what other people get to enjoy is not easy for Tav but that doesn't mean she doesn't desperately want to hold on to every moment of sunlight on her skin.

2. Break Me - Serenity

Lyrics of resilience wrapped in a sensual tune with a harder edge. Tav has this on repeat now and then. She's never sure if she feels strong or sad, but it's a song that resonates with a lifetime of troubles interspersed with whatever moments of bliss she can steal for herself.

3. Dawn - Echo Black

Listen this might be becoming a battle of "who needs therapy more, Lia or Tav" but I promise this is all her~

4. Masks - Aviators

I'm not saying that Tav has trust issues...but she definitely does. You don't survive for 2 centuries on your own without building up your defences and learning to see through the convenient lies and faces everyone hides behind in the street.

5. Fire Up The Night - New Medicine

When Tav cuts loose, she thoroughly enjoys herself. Lust is a chance encounter to indulge in, an opportunity to explore, and she's not letting a single one of those chances pass her by.

--- --- OK that'll do it! I spent way too long on this but it was fun~ Thanks for the tag! I'll have to get some more OCs in my head eventually, but not until Tav's found the end of her story~

#baldurs gate 3 #bg3 fanfiction #bg3 tav #a tav's guide #oc headcanons #OC personality #music recommendation #oc outfits #Youtube #Spotify

[jeannereames]

Hi Jeanne I'm Elena of @alessandroiiidimacedonia

I'd like to know if there is a term that indicates all the literary production about Alexander the Great, of any genre fiction and non-fiction, poetry or not, which see it positively and also negatively, by ancient and modern authors, contemporaries and later.

Thank you,

Elena

Hi, Elena!

Ernst Badian dubbed us "Macedoniasts" some decades ago, ha.

I like that term, as it's inclusive of the study not just of ATG, but also of Philip, the kings before them, the Macedonian people and culture, and also of the Hellenistic era that followed.

So we (professional, semi-professional, or amateur) are all Macedoniasts.

Welcome to the club. ;)

#Alexander the Great #Macedonian history #Philip II of Macedon #ancient Macedonia #ancient Greece #asks #Ernst Badian

[deepdarkdelights]

How would atg jimin react if mc sent him to the store to get her a feminine product for her period? Except that it doesn't exist, it is made up, like a rechargeable and heatable tampon / oochie coochie 3000 max and he only realises it in the store when the assistants all starts laughing at him?

Jimin is far more perceptive than he may seem. And, well, he's a stalker. He's broken into every apartment the MC has lived in, he's gone through her things, and he knows what feminine products she uses.

So, he would definitely know what the MC is trying to pull on him. Instead, he would come home with what she normally uses, a heating pad, and her favorite snacks with a smug look on his face 😂

#asks #all that glitters

[seek--rest]

Yay!!! A new ATG update!!

@promiseofthepremise and I took a lil break to post some other things but we are Back and our latest premseek production is Resumed 😌

#seek speaks #spideychelle #petermj #prem tag #atg gets the best anons

[stinkek]

After seeing a bit of The Flintstones, I find it even weirder that Asterix the Gaul has a similar art/animation style. Imagine showing AtG with credits removed to someone who knows The Flintstones but never heard of Asterix. Would they assume it was made by Hanna-Barbera based on its look?

No wonder Goscinny and Uderzo dissed it, cut production of other Asterix films and took control.

#the flintstones #asterix the gaul #cartoon #text

[adventuressl]

#IFTTT #WordPress #ATG #ATG Productions #ATG Sports Plus #Tsukino Tsu #Zack Haiku

[mthguy]

‘ILLINOISE’ TO SQUEAK INTO 2023-24 SEASON

by Philip Boroff 

Producers Orin Wolf and Greg Nobile are preparing to move the acclaimed dance piece Illinoise to the St. James Theater, packing another new musical into the busy 2023-24 season.

The transfer from the Park Avenue Armory — where Illinoise is scheduled to play its final, sold-out performance on March 26 — would be so quick that the show may not have time for previews on Broadway, industry sources said. To be eligible for Tony Awards this year, productions must open by April 25.

Based on its generally strong notices, Illinoise will be a formidable contender in a wide open awards season. According to a pitch prepared for prospective angels, it will be produced for $5 million — a bargain for a new musical — and capitalized for $6.5 million, which includes a $1.1 million financial reserve.

Should it achieve average weekly published box office grosses of about $1.1 million, it could recoup its production costs in ten weeks or less, assuming a $2.5 million tax credit from New York state, according to a preliminary recoupment table. (Recouping may vary from projections, of course, especially as the recoupment chart assumes a 1400-seat theater. The St. James has about 1700 seats.)

The piece was originally commissioned by the Fisher Center at Bard College and Chicago Shakespeare Theater, among others, and received nonprofit development funding from foundations and wealthy patrons. Directed and choreographed by Justin Peck, the resident choreographer of New York City Ballet, it’s inspired by and scored to the 2005 concept album Illinois by indie composer Sufjan Stevens. Peck was a teenager studying at the School of American Ballet at Lincoln Center when the album was released and became deeply affected by it.

“It helped me understand the world and myself and my place in the world,” Peck said at a talkback March 14 at the Armory. He worked with playwright Jackie Sibblies Drury on the story, which doesn’t have spoken dialogue.

The reviews for the show at the Armory offer any number of positive quotes for ads. (Advertising will be handled by AKA, which like the St. James is part of Ambassador Theatre Group. Last year, ATG acquired control of the St. James and Jujamcyn’s four other theaters.)  The New York Times’ Jesse Green called it “a mysterious and deeply moving dance-musical hybrid;” Vulture’s Sara Holdren wrote that its “extraordinary corps of dancers, musicians, and singers throws open a window to the cosmos, and we all turn like hungry wintering plants toward the sun.”

The St. James becomes available on April 7, thanks to the early closing of the revival of Spamalot after five months. The Illinoise transfer was earlier reported by Jonathan Lewis, otherwise known as Sweaty Oracle on TikTok. (Credit where credit is due.)

Illinoise would be the 15th new musical of the season, according to IBDB credits. (Only 14 of those will be competing for best musical, because the Tony administration committee ruled that Gutenberg! The Musical! will be eligible in the best revival category.)

Nobile’s ever-busy company Seaview is scheduled to open Lempicka, the long-gestating new musical about the artist Tamara de Lempicka, at the Longacre two weeks before Illinoise. He’s also a lead producer of Stereophonic, David Adjmi’s play with music that opens April 19 at the 805-seat John Golden.

Stereophonic appears to be selling well — a sign that a show without stars or a well-known brand, like Illinoise, still stands a chance of succeeding. By opening on Broadway this season, Illinoise producers are capitalizing on the buzz, but they’ll be under pressure to sell a lot of tickets fast.

#illinoise #broadway #i love this show #imthrilled it's going to broadway

[wavwax]

IDK (I Don't Know) - Lil Reese, ATG Productions

IDK (I Don't Know) - Lil Reese, ATG Productions - #trending #pop #dj #musicstreaming #music #video #indie #artist #hiphop #rap

#Exc.NewMusic #facebook #HipHop #NewMusicReleases #Video #VideoHighlight #ATGProductions #LilReese

[karenonlinereviews]

Player Kings - Wimbledon Theatre - 6 30pm Friday 1 March 2024

I got an ATG+ discount for opening night, but the prices for this production were higher than most, so for the normal price of a dress circle seat, I was near the front of the upper circle. I was pleased that I had watched the BBCs Hollow Crown of Richard II and both parts of Henry IV in the week’s before this as the story is very complicated. They wore modern costumed and had modern props,…

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[copierleasingofaustin]

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[pavanpj]

Navigating the Future: Trends and Analysis in the Rail Gangways Market"

 Railways have always been an integral part of the public transport system around the world and will play an important role in the coming years, with rapid urbanization, growing passenger density, and changing travelling mediums. This has led to surge in the global demand for railway products, influencing the development of rail gangways market. The global rail gangways market has been envisaged to grow steadily at a CAGR of 4.9%, reaching a value of US$ 634 million by the end of the forecast period (2018-2028).

The offer in this portion accompanies many open doors including fabricating items, appropriation, retail, and showcasing administrations. Broad rounds of essential and far reaching optional exploration have been utilized by the examiners at Fact.MR to show up at different assessments and projections for Demand of Rail Gangways Market both at worldwide and provincial levels.

Download a Sample Copy of This Report: – https://www.factmr.com/connectus/sample?flag=S&rep_id=3043

Global Rail Gangways Market Structure

The global rail gangways market exhibits a primarily consolidated structure, with dominant players commanding a significant market share. These leading companies are anticipated to achieve revenues exceeding US$ 50 million from their global rail gangway sales. Alongside these major players, mid-sized enterprises operating within the global rail gangways market are expected to capture a market share ranging from 25% to 35%.

Notable participants in the global rail gangways market include industry leaders like Hubner GmbH & Co. KG, Bellow and Bus (Pty) Ltd., Chongqing Hengtai Electromechanical Equipment Co., Ltd., Schliess- und Sicherungssysteme GmbH, Airflow Equipments (India) Pvt. Limited, ATG AUTOTECHNIK GmbH, Hutchinson, Dellner Couplers AB, Narita Mfg. Ltd., KTK Group, Qingdao Victall Railway Co., Ltd, Kasper Elektronik GmbH, Korea Railway Parts Co Ltd, and Vulcanite Pty Ltd. These prominent players are at the forefront of driving innovations, setting industry standards, and serving as key contributors to the growth and development of the global rail gangways market. Their expertise, extensive product portfolios, and widespread presence further solidify their dominance in this sector.

Recent Industry News:

Focus on Passenger Safety and Accessibility: Recent industry news highlights the significant emphasis on passenger safety and accessibility. Manufacturers are developing innovative gangway solutions that comply with strict safety regulations, ensuring smooth and secure passenger flow between rail carriages. These solutions incorporate advanced technologies, including obstacle detection systems and wheelchair accessibility features, making rail travel more inclusive.

High-Speed Rail Developments: High-speed rail projects continue to be a significant driver of the rail gangways market. Notable projects, such as the California High-Speed Rail and the High-Speed 2 (HS2) in the United Kingdom, frequently make headlines. These projects require state-of-the-art gangways to ensure passenger safety and comfort at high speeds.

Urbanization and Commuter Rail: With growing urbanization, the demand for commuter rail systems is increasing. Recent news reports showcase the expansion and modernization of commuter rail networks in various countries. Gangway solutions are vital for these networks to accommodate the influx of passengers efficiently and safely.

Technological Advancements: News often features technological advancements in gangway design. Manufacturers are introducing lightweight materials and innovative structural solutions that enhance rail carriages’ overall performance and reduce energy consumption. These advancements aim to improve the sustainability and cost-efficiency of rail systems.

Sustainability and Energy Efficiency: The rail industry is increasingly focused on sustainability and energy efficiency. Recent developments in gangways highlight efforts to reduce the environmental impact of rail travel. Manufacturers are exploring lightweight materials and aerodynamic designs to minimize energy consumption and improve the overall sustainability of rail transportation.

Sustainability and Market Growth:

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Furthermore, the accessibility features incorporated into modern gangway solutions align with the broader goal of inclusivity. Making rail transportation accessible to passengers with reduced mobility, such as wheelchair users, contributes to a more equitable and sustainable transportation system.

The development of high-speed rail networks is a testament to the rail industry’s commitment to sustainability. High-speed rail not only offers a rapid and efficient mode of travel but also reduces the environmental impact of long-distance transportation by shifting passengers from less energy-efficient modes of travel.

Rail Gangways Market Segments

Based on product type, the global rail gangways market is segmented into two piece rail gangways and single rail gangways.

On the basis of material type, the global rail gangways market is segmented into aluminum rail gangways, alloy rail gangways, steel rail gangways, and composite rail gangways.

Based on train type, the global rail gangways market is segmented into, high speed train, passenger train, metro or subway train, and special train.

The global market for rail gangways is also segmented across 8 different regions including Latin America, North America, Eastern Europe, Western Europe, SEA & Pacific, Japan, China, and Middle East & Africa.

[wwwquickpakinccom]

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These Glue Dots are non-toxic, photo-safe, and acid-free. They are a safe alternative to hot-melt glue guns and liquid glue. They can be applied faster than hot-melt glue and leave no sticky residue as in double-sided tapes. Their mess-free application improves productivity and reduces costs in industrial applications.

Are Glue Dots safer than conventional products?

These are non-toxic, odorless, photo-safe, and acid-free. They are far safer as compared to hot-melt options. Since they don’t leave any residue behind, they are safer than double-sided tapes.

How should I apply Glue Dots?

For applying, you need to press the substrate against the adhesive glue dot and peel it off. Then, you should press the dot onto the intended surface. Take care not to contaminate the dot with dust or oil, as that can reduce its effectiveness.

Is there a faster method for applying Glue Dots?

Glue Dots can be applied quickly by using a tape dispenser. Unroll the tape from the ATG dispenser and press it against the intended surface. Then peel away the substrate tape. Now you can stick a paper card or label to the adhesive glue dot.

What are the materials that Glue Dots adhere to?

Adhesive dots are quite versatile and can be applied to a variety of materials, such as paper, plastic, wood, foam, aluminum, foil, and glass.

How should I prepare a surface before applying Glue Dots?

The surface where you intend to apply the adhesive dots should be wiped clean. It should be free from moisture, dust, oils, lotions, or tape residue because that can reduce the bonding effectiveness of the adhesive. Silicone coating can also interfere with its bonding quality.

What is the shelf life of Glue Dots?

Glue Dots do not degrade over time. However, like most other adhesives, they should be stored at normal temperatures, and in a clean and dry environment. It is advisable to store them in their original packaging and prevent their exposure to extreme heat, humidity, or sunlight. These factors can degrade their bonding qualities.

Call us today 813 242 6995 or email [email protected] for Glue Dots for your specific application.

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[bespokeredmayne]

Eddie’s Emcee to Broadway?

Another report — this from the LGBTQ news source Queerty — that Eddie Redmayne will bring Cabaret at the Kit Kat Club to Broadway. The production won seven Olivier Awards (the British equivalent of the Tonys) in London in 2022, among them all four musical acting honors, including Eddie’s star turn as the Emcee.

Details + speculation on the “3 tantalizing choices” for Sally Bowles (sorry— Jessie Buckley isn’t among them) by clicking below.

Beyond casting is the question of how much of the stylized + highly praised “immersive” nightclub setting would be replicated. (Photos: @marcsbrenner in @Queerty article; Oliviers from @JustJared; @kitkatclubldn + B&W Redmayne from @atg_prods.)

#eddie redmayne #cabaret at the Kit Kat club #broadway 2024 #queerty #michael musto #ATG Productions #olivier awards #Jessie Buckley