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#70's/80's comics
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heedra · 6 months
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current library haul btw
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outta-my-mind2018 · 3 months
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Doris gets along well with the 80’s kids.
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metrixnos · 1 year
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also adding to the photographer tommy post, i like to think all the rolls of film from exile have some form of damage to them. be it over exposed because some rolls got exposed while being loaded; water damage because some rolls weren’t properly capped and tommy went into the ocean; or the film he shot on was expired. leading to strange light brakes, color floods, exposure levels, black point imbalances and so on.
he has as least 15 rolls from exile. all old film he was determined to take with him. not every roll made it back though. some are still scattered about at his camp, or at the beach, or lost in the explosion of logstedshire. or taken.
one roll of photos blended in with exile, the last photo on that roll of film is a landscape of the camp he was moved to at sunset.
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hollow-keys · 5 months
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I think my ideal JSA characterisation is like, mean but in a "take no shit" kinda way. They're Justified Assholes (most of the time, of course they'll lose their temper every now and again). So, I guess pessimistic takes where they can't fucking communicate with each other and seem to resent each other annoy me.
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ladyloveandjustice · 9 months
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I saw a post in the My Adventures with Superman tag claiming that Lois "finally" has a character. I really like the show and it's version of Lois too, but I want to make this clear: Lois Lane has been around for over 80 years and she's always been a distinct, dynamic character with a lot going for her, every bit as admirable as Superman. This isn't a new thing!
Like any character Lois has had some bad adaptations, but she's been a great character from the beginning, and I wanted to show off some panels from comics over the years so anyone new to Superman lore can see why she's a beloved character and the MAWS portrayal is building on that, not starting from scratch.
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Lois in the golden age comics (1939 through the 1940's) was shown to be a career-driven woman who didn't take shit from anyone. This was an era where a lot of women were entering the workforce because men were serving in WWII and there was excitement and change in the air, and Lois was meant to be a reflection of that. She fought against the sexism of her boss sticking her with the advice and gossip columns because she was a woman, and she was go-getting reporter out to get a real story. From the beginning she was fearless (sometimes reckless), driven, and had no patience for Clark Kent's (feigned) cowardice (and was always full of sick burns). She never let anyone push her around.
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And she's been pretty consistently like this her entire run as a character. Of course, there were some bad writers, and there was a time in the 50s when all female characters had to be marriage obsessed (Lois wasn't the only one hit with this, Wonder Woman was too), but she reverted back to her firebrand self in the 60's and 70's, and when the 80's came along, characters started getting more filled in backstories, including her- this was where we started seeing stuff about her home life, her childhood moving around as a military brat, and her troubled relationship with her father and sister. She had an interior life, inner conflict- and she still kicked ass and always got the last word in. As someone invested in journalism, she is THE coolest fictional journalist to me.
This was also when comics started focusing on Clark being who Superman WAS rather than a pure act, and we got to see their relationship really grow and Lois fall for Clark, not Superman. So here, have some panels of Lois being great and see the scope of her own personality.
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Lois also has lots fun little quirks and hobbies comics readers know about- she takes her coffee a certain way, she doesn't cook much because she's so on the go (so Clark is the one who cooks in the fam), she likes to sit on Clark's desk when they're talking (this happens in other Superman media too), she REALLY likes monster trucks and Clark REALLY doesn't but will support her anyway:
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Also, she's always seen through to who Clark really is:
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Anyway. Have more of my favorite Lois panels because I have a lot:
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also this one because I'm gay:
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kcaosart · 1 year
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Cafecito.app/kcaos Linktr.ee/kcaos
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age-of-moonknight · 2 years
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“Enter the Conquer-Lord,” Marvel Spotlight (Vol. 1, 1971), #28.
Writer: Doug Moench; Artist: Don Perlin; Colorist: Irene Vartanoff; Letterer: Debra James
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browngirl-inthering · 5 months
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decade accurate marauders era wardrobes - james potter
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james' is a more stereotypical take on the seventies. i feel like he embodies the common characteristics of this period of fashion, with its exaggerated collars and pant legs, vibrant colors and patterns including paisley print.
paisley print has origins dating back to thousands of years ago from somewhere between modern-day iran and the india-pakistan border. along with indian music, fashion, and hinduism, it gained major popularity during late 60's/early 70's in us and european pop culture due to the quickly growing hippie and psychedelic movements.
although southern asian influence has held a place in european fashion, its mid 20th century renaissance was largely pioneered by the beatles (a band that i think james would've really liked).
indian!james is a popular headcanon so i feel especially inclined to include paisley and other patterns derived from india/southern asia that had influence on british pop fashion as a nod to this interpretation of him.
idk what it is about it but something about sherpa lined denim jackets and just denim in general scream james to me. such a shame he didn't get to live through the 80s god he would have loved double denim 💔
contrary to popular belief james fleamont potter did in fact strut, in platform shoes with chunky heels that alerted everybody on hogwarts grounds that he was approaching from miles away
in the 60s and 70s glasses shifted from being used solely for eyesight to fashion accessories. this change gave a rise to a variety of glasses styles such as different frame shapes, lens colors, and sizes. james is commonly depicted as wearing teashade/john lennon glasses but comically large square shaped aviator glasses are so much more uniquely 70s (and james coded) imo.
i'm not sure who said it first but red converse are also very james coded. he has a pair of beat up chuck 70s that he wears on early morning runs, sneaking around the castle, quidditch practice, etc etc
james was a male athlete in the 70s him leading quidditch practices in short shorts and a crop top might as well be written in canon idc‼️
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nappingpaperclip · 6 months
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🎃 Happy Halloween! 🎃
my friends keep cancelling last minute on our plans so I’m throwing a tumblr Halloween party here instead
💀 reblog to invite your followers! 👻
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niuniente · 3 months
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in awe and in fear of the newest DHD update. also thank you for the shot of alrick getting dressed, I love the way you draw especially how you simplify anatomy.
Thank you! My working method is "As long as it works, it's fine". I hate the naive thought that all art needs to be realistic or semi-realistic only, and everything else is worthless.
Oh and I also love vintage manga from 70's and 80's (some 90's comics go, too) which simplifies shapes and anatomy, and use only few lines.
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androxys · 5 months
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Task Force What? An Incomplete (Yet Still Very Long) Guide to Some of the DCU’s Government Groups [Part 1]
So, you’re reading DC comics and a government agency pops up that you’re reasonably sure doesn’t exist in the real world. Who are they? What’s their deal? Here’s a quick primer on some of the groups that you may encounter.
A few notes and disclaimers: This writeup is primarily based on post-Crisis, pre-Flashpoint/New 52 comic canon. I’ve tried to note every exception to that general rule. Also, several of these groups and comics use historical markers tied to the real world, which makes less and less sense as we-as-readers get farther away in time from when these comics were originally published. DC eventually stopped using real people and events so frequently in comics to help with their timelessness, but I’m going to include the historical figures and times as depicted in the source material, even if that means the same Batman is supposed to have been active in the 70s and also in 2011. Just don’t worry about it.
This writeup is split into three parts, described below. This section is the most dense, dealing with the history of 13 agencies, some of their key players, and the organizations' general missions. Special thanks to my editors and beta readers for helping me shape this up.
Part 1: Organization Descriptions and Histories
Task Force X
Argent
The Suicide Squad
Checkmate
Central Bureau of Investigation
The Agency
Project: Peacemaker
Department of Extranormal Operations
All Purpose Enforcement Squad
Project Cadmus / The DNA Project
Human Defense Corps
A.R.G.U.S.
Spyral
Part 2: Timeline
Part 3: Reading Suggestions
Task Force X
One of the most famous of DC’s government groups, Task Force X is sometimes used interchangeably with “The Suicide Squad.” However, that’s (at least originally) not quite accurate! Task Force X was a government program that housed two clandestine programs: Argent and The Suicide Squad. Task Force X was originally started in the 50s by President Truman to make up for the disappearance of the Justice Society of America after Senator McCarthy summoned them before his House of Un-American Activities Committee and tried to force them to unmask. Task Force X was designed to deal with the “extraordinary” (read: metahuman and alien) threats that might face the U.S. government. Argent was the domestic program, while the Suicide Squad was international. The leader of Argent took his team and disappeared in the 60s, while the Suicide Squad disbanded soon after due to budget cuts.
Task Force X would be revived in the 80s when then-congressional aide Amanda Waller would present to President Reagan a plan to revitalize The Suicide Squad, this time utilizing supervillains for high risk, clandestine missions in exchange for reduced prison time. Waller also envisioned the reorganization of intelligence group The Agency, which would become the intelligence-focused division of Task Force X. The Agency would be led by former Doom Patrol member Valentina Vostok until its reorganization into Checkmate, at which point Harry Stein was named Checkmate’s King. Although Central Bureau of Intelligence leader Sarge Steel had significant reservations about Task Force X, the President ultimately approved the project. 
After an inter-departmental war known as the Janus Directive, Task Force X was dissolved as an umbrella organization. The Suicide Squad and Checkmate were made fully independent of one another, with Sarge Steele assuming direct control of Checkmate from Waller, who stayed on as the director of the Suicide Squad.
Argent
Argent was the U.S. based division of the original, 50’s Task Force X that dealt with domestic and civilian “extraordinary” encounters. Originally led by a man named only as “Control,” Argent went underground after Control killed a man connected with the assassination of President Kennedy in 1963. Control’s vision for this new, even more secretive Argent was an internationally focused spy agency for justice, though little is known about how effective he was. Presumed defunct, Argent was not revived when Amanda Waller proposed her new Suicide Squad. Eventually, the new Suicide Squad made contact with the remenants of Argent, and were witness to the ultimate end of the program.
The Suicide Squad
Originally, the Suicide Squad was the self-given name of WWII platoon with a depressingly high fatality rate. Over the course of the war, the squadron found themselves on Dinosaur Island, which certainly didn’t help those numbers. Richard Montgomery Flag Sr. was brought in to help lead the group, turning the squadron around into a highly decorated division of the Army.
In 1951, after the Justice Society was driven underground, President Truman created Task Force X to be able to combat “extraordinary” threats now that there were no costumed heroes to rely on. Truman requested that Flag Sr. lead The Suicide Squad, which focused on international threats. This group was largely composed of veterans of the WWII Squadron S. This version of the Suicde Squad was disbanded after the death of Flag Sr.
A third version of the Squad was created by General Stuart, tapping Rick Flag Jr. to be its leader. This team continued to deal with extranormal threats, but disbanded after a mission in Cambodia that saw the loss of half the squad. It was also revealed that regardless of the fatalities, budget cuts demanded the end of the program.
The most famous version of the Suicide Squad was proposed by congressional aide Amanda Waller to President Reagan in the 1980s, following the Legends event. Waller envisioned a revival of Task Force X as an umbrella program, with the new Suicide Squad being staffed by incarcerated supervillains. These villains would undertake high-risk, clandestine operations in return for reduced prison sentences. Part of the appeal of this model was the deniability: in the event that an operation went poorly, the government could simply blame it on the supervillain. President Reagan approved the program–Waller was the leader of Task Force X, which included both the Suicide Squad and The Agency, which was soon remade into Checkmate.
This Suicide Squad operated out of Belle Reve penitentiary, which was a maximum security prison specializing in holding supervillains. The initial administration of the Suicide Squad consisted of Amanda Waller as its director, Belle Reve’s warden John Economos, psychologist Simon LaGrieve, bureaucratic assistant Flo Crawley, and pilot Briscoe. Waller brought in Rick Flag Jr. to serve as her field leader and Ben Turner, the Bronze Tiger, as second in command. While the Squad certainly lived up to its name and reputed high mortality rate, notable team members include Eve Eden, Nightshade; Floyd Lawton, Deadshot; June Moone, Enchantress; and George Harkness, Captain Boomerang. I’m not going to spoil the whole Oracle plot for you, but know that Barbara Gordon actually debuted as Oracle in the pages of Suicide Squad, so consider this your sign to go read Suicide Squad (1987).
After the events of The Janus Directive, Task Force X was dissolved as an umbrella organization. While Waller was left as the director of the Suicide Squad, she no longer had any leadership in Checkmate, which had passed into the control of Sarge Steel, director of the Central Bureau of Investigation.
After a number of missions, Waller eventually disbanded the Suicide Squad, finding herself disillusioned with the Squad’s goals. However, because this is comics, the Suicide Squad would not stay dead for long. Waller would periodically create new incarnations of the Squad to address spontaneous issues that would arise, often crossing over with other superheroes' adventures. During Lex Luthor’s presidency, Waller would be appointed Secretary of Metahuman Affairs, taking Sarge Steel’s place.
After Checkmate was rechartered as an United Nations organization, Amanda Waller took a position as the White Queen. To limit conflicts of interest, this effectively meant that the Suicide Squad was permanently disbanded, as Waller was prohibited from operations and could not be involved in the leadership of both organizations. This didn’t stop her, however, and Waller formed a new incarnation of the Suicide Squad that began Operation: Salvation Run. This project involved rounding up all supervillains and deporting them to a prison planet via Boom Tube (yes, really) where they were supposed to stay indefinitely. Waller was eventually ousted from Checkmate, but not before she and her Squad managed to deport the majority of Earth’s villains. The Suicide Squad would have to confront its ghosts during the Blackest Night event, when zombified fallen members of the Squad came after living members, but further adventures were cut off by Flashpoint.
Checkmate
Checkmate started from The Agency, a quasi-independent intelligence focused division of Task Force X led by former Doom Patrol member Valentina Vostok. Vostok brought in former NYPD lieutenant Harry Stein, who soon reorganized the group into Checkmate. Borrowing from chess’ hierarchy, Stein was King, working with his Queen counterpart to coordinate various agents. Bishops oversaw Rooks, who planned missions for support agents–Pawns–and special agents–Knights. Checkmate operated out of Konig Industries in Shelby, Virginia until the events of the Janus Directive. During that event, Checkmate lost roughly 40 Knights and its Konig cover was blown. With only a third of its agents, Checkmate was subsequently forced to relocate to a NORAD base in Colorado.
Harry Stein resigned as head of Checkmate after his son was shot, leading Sarge Steel to promote Phil Kramer to King and Kalia Cambell to Queen. They would lead Checkmate against Jade Nguyen, the assassin known as Chesire, during the time she took control of several nuclear warheads and bombed the nation of Qurac. At some point Checkmate would establish their division between black side, which ran operations, and white side, which was primarily intelligence.
Bishop Jessica Midnight recruited Sasha Bordeaux, Bruce Wayne’s former bodyguard, into Checkmate. Bordeaux had been imprisoned due to suspicion that she was an accomplice to Bruce Wayne's alleged killing of Vesper Fairchild. Checkmate faked Bordeaux’s death in prison and provided her with plastic surgery to assume a completely new life as a Checkmate operative.
After Kramer, former Knight David Said would become the new King of Checkmate. He would lead Checkmate against Batman in Gotham City, a campaign that saw them abduct Helena Bertinelli, the Huntress, and install her as Queen in an attempt to have her share secrets from Batman. This arrangement was actually a plan between Batman and Huntress, however, and Bertinelli ended up serving as a mole for Batman on Checkmate. 
For this next section, I choose to believe that Checkmate was a victim of Superboy-Prime’s altering of reality in the leadup to Infinite Crisis. Checkmate is suddenly headed by Maxwell Lord, Said and Bertinelli are nowhere to be seen, and Lord’s motivations are massively different from any of his previous appearances. Regardless, under Lord, Checkmate amassed information on every metahuman on Earth with plans to eliminate them. To do this, Lord was given access to the Brother Eye satellite, and together they controlled over one million OMACs–civilians that had been injected with nanotechnology to make them unwitting cyborg sleeper agents. When Ted Kord, the Blue Beetle, discovered what Lord had been up to, Lord killed him and instructed Bordeaux to dispose of the body.
Sasha sent Blue Beetle’s goggles to Batman, alerting him of Kord’s death. Once Lord knew that Batman was on his tail, he accelerated his plans, using his mental manipulation powers to take control of Superman and send him on a rampage to keep other heroes occupied. When Wonder Woman caught up with Lord, she bound him in her Lasso of Truth and commanded him to tell her how to set Superman free. The only option he gave her was for him to die, so Wonder Woman snapped his neck. Upon Lord’s death, Brother Eye immediately activated all OMACs and began the King_Is_Dead protocol, which involved killing every current Checkmate agent. Bordeaux, who had been imprisoned by Lord after he discovered her subterfuge, escaped, though not before her own unique OMAC programming activated. Lord had intended for her, as his Knight, to be a special type of OMAC, leaving her somewhere between human and machine. Later, Bordeaux would team up with Batman and other heroes to take down Brother Eye.
After Infinite Crisis, Checkmate was recharted by the United Nations to be an international group with a stronger system of checks and balances. Checkmate operated under a system of twos: two Kings and two Queens, with a Knight and Bishop for all four royals. Most specifically, the U.N. charter set out a Rule of Two: each position had to be balanced with meta and non-metahumans. As before, Black side was operations while White was intelligence. Bishops advised their royals, while Knights were special agents. Rooks were an elite Black Ops unit, while numerous Pawns were standard agents.
At the time of its chartering, the new Checkmate had the OMAC enhanced Bordeaux as its Black Queen, Taleb Beni Khalid as its unpowered Black King, JSA Green Lantern Alan Scott as White King, and Amanda Waller as White Queen. After Scott resigned as White King his Bishop, fellow JSA member Michael Holt–Mister Terrific, took his place.
This Checkmate frequently clashed with Kobra, the international cult intent on bringing a new age of chaos to the world. However, they also had a non-insignificant amount of infighting. Significantly, Waller was forced out as White Queen after she tried to preemptively remove Bordeaux and Holt, knowing that they were getting close to uncovering her illicit Suicide Squad and their Operation: Salvation Run.
After the events of Brightest Day, Maxwell Lord returns from the dead and uses his power to make nearly everyone on Earth forget about him. He immediately begins to try to regain control of Checkmate, beginning a misinformation and discrediting campaign against Checkmate’s leadership.
Central Bureau of Intelligence (C.B.I.)
The Central Bureau of Intelligence is a sort of corollary to the Federal Bureau of Investigation within the DC Universe. The organization primarily focuses on information gathering from domestic and international sources, then utilizing that information for operations. However, while other groups are focused on “extranormal” threats, the CBI is primarily concerned with “normal” missions. When special assignments do come up, special agents are dispatched.
The CBI was known to be active when Task Force X was being revived by Amanda Waller. While Sarge Steel was both known to be involved in the CBI and important enough to sit in on Waller’s meeting with the President of the United States, it is not clearly stated that he was the director of the CBI at that time. However, Sarge Steel would officially be the director of the CBI by the time of the Janus Initiative. Despite the massive reorganization at the time, the CBI was left largely alone. Steel would be promoted to the Director of Metahuman Affairs, a Cabinet level position wherein he would oversee all metahuman related operations for the federal government.
Among the most notable CBI agents are the aforementioned Sarge Steel, King Faraday, and former Teen Titan Roy Harper. After leaving the Titans, Harper would work for the CBI as a special agent–it was during this period he met Jade Nguyen, the assassin known as Chesire, and conceived their daughter Lian.
Eventually, the CBI would be incorporated into the Department of Extranormal Operations.
The Agency
The Agency was a group led by former Doom Patrol member Valentina Vostok that aimed to monitor superheroes. When Amanda Waller presented her plan to reform Task Force X, the Agency was reorganized into Checkmate. Among its divisions was Project: Peacemaker.
Project: Peacemaker
Project Peacemaker was the program that created and maintained Christopher Smith’s activities as Peacemaker. Originally, Project Peacemaker was a division of the Agency. When Task Force X was revived under Amanda Waller’s proposal, the Agency was reorganized into Checkmate, and Project Peacemaker is implied to have been made its own entity. However, when Task Force X was dissolved after The Janus Directive, Project Peacemaker became folded into Checkmate under the supervision of Sarge Steel.
The Department of Extranormal Affairs (D.E.O.)
In terms of real-world publication, the DEO began in 1998 as DC’s effort to begin consolidating all of the various federal metahuman organizations under one umbrella. In this author’s opinion, this was for the better.
The Department of Extranormal Operations is the U.S. government’s most modern and comprehensive agency to assess and combat metahuman threats through intelligence gathering, field operatives, and their own research.
The DEO conducts extensive research on metahumans and extranormal entities, with various degrees of transparency or consent. The DEO has been depicted to hold individuals against their will in order to study them, to the point of sending either their own agents or other affiliated groups to hunt down subjects that escape. This research seemed to be, in its early depictions, its primary focus. However, the DEO would take broader forays into intelligence, using that information for good… and sometimes to blackmail heroes into working for them.
In most depictions, the DEO is led by Director Bones, a former member of Infinity Inc, who reports to the federal Director of Metahuman Affairs. Bones is the direct supervisor of operative Cameron Chase, who has proved herself an exceptional agent. Through Chase, Kate Spencer–the Manhunter–was brought in to work for the DEO for some time.
The DEO is expansive enough to have several subdivisions within it. One such group was the Department of Metahuman Affairs, where Wonder Woman would work after Infinite Crisis. This subdivision would focus specifically on gathering and preparing intelligence on active metahumans, should the government need it. This subdivision would be led by Sarge Steel, who had left the White House upon the election of Lex Luthor and Luthor’s subsequent appointment of Amanda Waller to Secretary for Metahuman Affairs.
Another group known to be active during Luthor’s presidency was Knightwatch, a more militaristic division that responded to possible metahuman attacks on federal personnel and buildings.
The DEO’s research facilities are detailed in various comics across the 90s. It is gradually revealed that the DEO either maintains or sponsors a variety of training camps and research facilities, sometimes called “orphanages,” that hold metahumans under various states of duress. One example is Secret, the Young Justice member who is shown escaping from a DEO orphanage, and later gets Young Justice’s help shutting down similar experimentation programs. A group of metahumans who escape from the DEO collectively get taken in by the Titans. Conversely, some of the individuals who go on to be the Relative Heroes are depicted to be in a more traditional fostering environment, though it is still connected to the DEO. 
Within the continuity of the Supergirl TV show, as part of the Arrowverse, the DEO is a governmental organization that specifically deals with extraterrestrial threats and encounters.
All Purpose Enforcement Squad (A.P.E.S.)
The All Purpose Enforcement Squad is an international, interdepartmental group of highly trained special agents. APES features most prominently in the Young Justice series, represented by Donald Fite and Ishido Maad. 
While APES has connections to international organizations such as Interpol and Scotland Yard, they seem primarily U.S. based, as APES was the primary group trying to recover Secret, a metahuman who escaped from a DEO research facility.
Project Cadmus
Project Cadmus, sometimes also known as the DNA Project, is a government supported genetic research lab. Cadmus is involved with cloning and gene sequencing for the purpose of creating new life, with their most famous creation being Superboy.
Originally led by Director Paul Westfield, Cadmus employed various scientists engaged with genetic manipulation. The most notorious of these scientists was Dabney Donovan, who created “DNAliens” with inhuman powers. These DNAliens include Dubbilex, the grey skinned, horned telepath who would serve as a mentor to Superboy. Cadmus also employed the adult members of the original Newsboy Legion. These adults cloned themselves to create a new Newsboy Legion, and additionally cloned former NYPD officer Jim Harper–the original Guardian. This new cloned Guardian would serve as head of security of Cadmus.
Donovan was eventually fired from Cadmus due to the extremity of his experiments. Donovan would go on to align himself with The Agenda, another genetic lab responsible for their own Superboy clone: Match. Cadmus would also have an enemy in the form of the Evil Factory, led by Mokkari and Simyan, servants of Darkseid.
After a virus affecting clones and DNAliens breaks out, Cadmus began to receive intense scrutiny. A purification by fire was attempted, with missiles aimed to destroy sections of Metropolis and stop the virus. After the missiles were stopped, Donovan revealed himself to be the mastermind of the virus and killed Westfield, leading Mickey Cannon to be named the new administrative director of Cadmus. This scrutiny forced Cadmus to withdraw from the public eye, going deeper underground.
Under Cannon, Dabney would be kept imprisoned in Cadmus to serve as a scientific advisor under armed guard. Cannon also brought in Serling Roquette to be the new head of genetics–Roquette would eventually be responsible for curing Superboy of the genetic quirk that kept him from aging. Cadmus would continue to withdraw from attention, especially under the presidency of Lex Luthor.
Human Defense Corps
The Human Defense Corps was a group started under President Luthor’s administration with the goal of having an entirely non-metahuman taskforce that could respond to meta-level threats. This was in line with Luthor’s goal of reducing dependency on superheroes, and as such only recruited from decorated military veterans.
A specific subgroup within the Human Defense Corps was Squad K, a division specifically armed and trained to take on Kryptonian targets.
A.R.G.U.S.
You may have noticed that I didn’t put what A.R.G.U.S. stands for up above. That’s because sources disagree. According to the wiki, A.R.G.U.S. stands for Advanced Research Group Uniting Super-humans. A.R.G.U.S. was created post-Flashpoint to be a governmental organization associated with the Department of Homeland Security. Specifically, A.R.G.U.S. aims to support super- and meta-human endeavors, rather than having an antagonistic relationship with the superhuman community.
A.R.G.U.S. took on a life of its own within the TV Arrowverse shows, where it’s called the Advanced Research Group United Support. There, A.R.G.U.S. is the de facto government agency for dealing with metahuman threats. It was formerly led by Amanda Waller before leadership passed to Lyla Michaels. 
Spyral
Before I start to give the details on Spyral, I have to disclaim a few things about it. Spyral was first mentioned in the New Earth timeline, during Grant Morrison’s time with Batman Incorporated (2011). This was immediately before Flashpoint and the New 52 reboot. However, this run of Batman Incorporated kept going within the New Earth continuity past when Flashpoint happened, meaning that the comics had to disclaim that they were still the old continuity, even though the reboot happened. But then! Batman Incorporated (2012) was a direct sequel to the New Earth run, even though this Volume 2 explicitly happens in the post-reboot continuity.
All of this to say, Spyral is an organization that has roots in the New Earth continuity, but was largely fleshed out in the post-Flashpoint universe. Because of the relative lack of information in the pre-Flashpoint continuity, however, we can assume a lot of the later established details can be retroactively applied.
Technically, Spyral is not a U.S. agency. Originally, Spyral was founded during the Cold War to be a United Nations affiliated spy group. The U.N. made former Nazi spy Otto Netz, under the pseudonym Agent Zero, the head of the organization. He was subsequently tasked with recruiting Spyral’s agents and building the organization for the U.N.
Spyral continued into the 80s, at which point Netz was revealed to be a double agent and imprisoned in a lighthouse. Though the organization seemingly collapsed at that point, Spyral’s operations continued. At some point before his imprisonment, Netz recruited Gotham City socialite Kathy Webb Kane into Spyral and tasked her with discovering the identity of the Batman. Kathy developed the Batwoman persona to get close to Batman, though the revelation that Netz was her father caused her to break off contact with both Batman and retreat from Spyral. Kathy Webb Kane was believed to have been killed by Ben Turner, the Bronze Tiger, during his period of being controlled by the League of Assassins.
Netz would be broken out of his imprisonment by the Leviathan Organization, which is a militaristic group led by Talia al Ghul, after her estrangement from her father Ra’s al Ghul. Leviathan seeks to undo much of modern society in order to rebuild the world in a “better” way. Talia set Netz up as Doctor Dedalus to combat Batman and his Batman Incorporated initiative, designing elaborate traps across the globe to keep Bruce Wayne and his operatives occupied. Netz was eventually killed within one of his traps by Damian Wayne, who was attempting to save his father.
It was revealed after Netz’s death that Kathy Webb Kane was still alive, and had faked her own demise in order to become the secret headmistress of Spyral. After Netz’s death, the U.N. officially reactivated Spyral in order to combat Leviathan’s continued growth.
Spyral operates out of St. Hadrian’s Finishing School for Girls. Initially in the New Earth continuity, the school had been a Leviathan facility, training young women as infiltrators and assassins. It was the site of Stephanie Brown’s mission as Batgirl on behalf of Batman Incorporated, and she and Batman managed to stop the Leviathan plot. In the post-Flashpoint continuity, St. Hadrian’s is Spyral’s base, where elite students are trained as spies. It’s assumed that Spyral just took control after ousting Leviathan.
After Dick Grayson was publically unmasked as Nightwing, he joined Spyral to investigate the organization. During this period, he worked with Helena Bertinelli, who was working as the Matron of Spyral. Grayson would continue as Agent 37 of Spyral for some time, until his identity was restored. At that point, he and Bertinelli both returned to Gotham to take up the mantles of Nightwing and Huntress, respectively. With Bertinelli’s departure, directorship of Spyral and the title of Patron passed to Agent-1, the operative known as Tiger.
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archietransdrews · 1 year
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literally talking to the walls of my room like. riverdale's internal logic relies on the explanatory power of one's origins to an absurd degree, framing the actions of the protagonists as prescribed by their generational predecessors to such an extreme that the town's founding years not only provide meaning, context, and motive to current events as is typical in an archetypal place-based narrative but futhermore exert a horrifying control over the characters, compelling them to repeat or rebel against the actions of long-dead townspeople to whom they are only distantly related. these scenes from the past, when included in the show, are filmed using the same actors as the present-day scenes, producing the past as not only reminiscent of but in some aspects identical to the present. blood and bloodlines are used by various characters as explanatory schemas for the behavior of different characters throughout; riverdale is a place overdetermined by its own origins to the point that our protagonists spend years trying and usually failing to escape the combined generational curses of an entire town whose entire history consists in the repetition of its own genesis ad nauseum. does this seeming over-reliance on origins exaggerate the process to the point of effective parody, or does it merely & more straight-forwardly reinforce the [genetic] origin as privileged locus of [fictional] meaning?
a potentially conflictual reading of riverdale's historical "origins" is that they are invented or produced through the act of jughead's narration of riverdale as text; this reading posits that there is no "before" the pilot of riverdale, save what jughead invents to give additional meaning to the events which make up his plots. riverdale is his puppet show; everything in the text has been filtered through his point of view, which is to say that everything acquires the exact same level of (un)reality, whether it's a comic book character come to life or the sins of one's ancestors. in this framing, the true origin, and the key to whatever meaning might be made of this text, is the moment jughead's narration begins in the pilot with "our story is about a town.." in foregrounding jughead's ongoing acts of authorship and creation which function to continually produce the narrative & all it contains, riverdale destabilizes epigenetic origin as a locus of meaning by framing it as in some way artificial, invented, unreal; however, it does this by substituting another, no less authoritative, specifically authorial origin in its place.
and there is still a THIRD possible genealogy through which we can read riverdale as understanding itself, namely the genealogy of the cinematic canon. we well know that riverdale is constantly referring back to earlier moments in the history of film, from 70s noirs to 80s coming of age movies to 90s thrillers to etc. etc., not so much situating itself within this history as aiming to encompass all of the various stages of the medium's development. this argument could be broadened to include the histories of other prominent cultural forms, namely the novel and the comic strip; the meaning in riverdale might be said to be primarily derived from comic conventions, the principles of character creation and economy of image that have governed strips for decades and which now cause riverdale characters to wear outfits that have no in-world meaning except to refer back to their original iconic wardrobes, e.g. archie and jughead's S and R t-shirts.
which of these frames has the most explanatory power? which best helps us to understand or analyze why events in riverdale play out the way they do? i think in most cases one needs some combination of the three to be able to even begin getting at what's going on, which suggests that at least part of riverdale's project is the destabilization of the genealogical narrative via the introduction of several distinct, at times competing, narrative origins. riverdale is a story whose meaning is located simultaneously in the past, the act of narration, and the development of cinema and comics as mediums. while this structure does not necessarily step outside of the dominant symbolic framework that looks to origins in order to generate the meaning of a text, it is in typical riverdale fashion that the show wants to do everything at once, meaning in this case that rather than privileging one frame through which we are meant to make sense of the show's content, we are given to several possible readings which are all compelling in their own ways & when taken together succeed in troubling the final authority of any one interpretation.
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scotianostra · 1 month
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Anthony Robert McMillan was born on March 30th, 1950 in Rutherglen, we knew him better as Robbie Coltrane.
Robbie was educated at Glenalmond College, an independent school in Perthshire, from which he was nearly expelled after hanging the prefects' gowns from the school clocktower. Though he later described his experiences there as deeply unhappy, he played for the rugby First XV, was head of the school's debating society and won prizes for his art.
From Glenalmond, Coltrane went on to Glasgow School of Art, where he was ridiculed for "having an accent like Prince Charles" (of which he quickly disposed, though not before gaining the nickname "Lord Fauntleroy"), and thereafter the Moray House College of Education (part of the University of Edinburgh) in Edinburgh.
In the early 70's Robbie took the name Coltrane, due to his love of jazz musician John Coltrane, and began a career of a stand-up comedian at night clubs, at the Edinburgh Festival, as well as an actor with Edinburgh's renowned Traverse Theatre.
After picking up a few bit parts in films and TV series I first remember Robbie appearing in the BBC Scotland comedy sketch series A kick up the Eighties, he went on from there to appear in The Comic Strip Presents films during the 80's The Supergrass and The Pope must die being the most successful. At that time Coltrane had a drinking problem, downing as much as a bottle of whisky a day. In 1986 he flew to a clinic in Mexico and was treated for obesity. In 1987 his partner for 15 years, Robin Paine, left him for good. A year later he met Rhona Gemmell in a pub. They married and had a son, Spencer, and a daughter, Alice. His career took off during the early 1990s with the leading role as Dr. Eddie "Fitz" Fitzgerald, a forensic psychologist, in the popular TV series Cracker.
Coltrane is one of only a few to have played "baddies" in 2 Bond films, playing Russian mafia man Valentin Dmitrovich Zukovsky in GoldenEye and The World Is Not Enough. He went on to play Rubeus Hagrid in seven Harry Potter films.
Robbie has also featured in factual TV series, Coltrane's Planes and Automobiles, as well as a host of other TV series, none of which, surprisingly are Taggart! He was voted No. 11 in ITV's TV's 50 Greatest Stars and sixth in a poll of 2000 adults across the UK to find the 'most famous Scot', behind the Loch Ness Monster, Robert Burns, Sean Connery, Robert the Bruce and William Wallace.
Robbie passed away on October 14th 2022, he had become a virtual recluse, living a a rented converted barn near Stirling, living off takeaways from a local Chinese. Coltrane was cremated and his family spread his ashes around several of his favourite places around Manhattan, New York.
His death certificate shows that the actor died from a string of conditions including multiple organ failure, the causes of death given were sepsis, where an infection triggers an extreme reaction throughout the body, lower respiratory tract infection and heart block.
I always loved Robbie, from his early days right through his career, it's sad when the people you grew up laughing at and enjoyed in folms and TV pass away.............Rest in Peace big man.
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Teen Titans Masterpost And Reading Guide -
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This is mostly a passion project of mine about my favourite team in DC Comics The Titans ! The general consensus I have seen on this website is that their history is confusing and people don’t know where to start so …. This guide includes ALL ( worthwhile ) pieces of Titans Media .
Ok so this is heavily inspired by @bitimdrake ‘s guide so check that one too !
Just to preface this is all my opinion and you can really start wherever you feel like it if you want to ! Sound Good 👍🏻 Good
TEEN TITANS
Ok so before you begin the og TT series you should read
- Brave and The Bold ( 1955) #54 and #60 if you want to read right from the start chronologically!
The Original Team of the TEEN TITANS was a series that ran through the 60s beginning in 1966 - 1973 and having a comeback in 1976 .
The OG series consisted mostly Robin Wonder Girl Kid Flash and Aqualad with many a cameo from other teens.
You can either read the OG Series but its completely optional it’s pretty outdated and silly but it’s a fun ride even then . In my opinion its best to leave for after you have been endeared to the characters .
If you really enjoy the Silver Age Teen Titans there’s also Showcase #59 before Roy joins and a story in the 80 page Flash Giant ! And after reading issue #20 you can also read #83 of Brave and The Bold.
After #31 theres TBANB #94 and after #34 theres World Finest Comics #205 ( read at your own discretion - totally optional)
Aswell as BANTB #102 and #149
And the utterly delightful Teen Titans lost annual & A story ( worlds oldest teenagers ) in the 80 page Flash giant.
All optional ( they get really weird)
Alternatively just read TEEN TITANS : YEAR ONE .
Some Issues I recommend from the OG Series
- #1 #2 #12 #53 ( last issue )
\ The series continues on from 1966-1976 \
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NEW TEEN TITANS
NTT is arguably the seminal run and its best an absolute mustread . ( at it’s worst ….)
- DC PRESENTS #26 ( totally optional)
- THE NEW TEEN TITANS Vol.1
#1-40
- BEST OF DC #18 ( optional again.)
- Tales of The New Teen Titans ( miniseries #1-4 included in the NTT Omnis)
- read the 1st annual after issue #25
- By Issue 40 the series rebrands To TALES Of TEEN TITANS
This continues on from issues #41 to #58 it runs alongside NTT VOL.2 but is set 6 months before .
Read annual 3 as Part of Judas Contract !
- NEW TEEN TITANS VOL.2
#1-49
- TT Spotlight Miniseries !! ( SO GOOD SERIOUSLY)
- There’s also a drug awareness special at some point ( it’s its …. Certainly something)
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NEW TITANS
By this point they remembered that “hey these guys aren’t teens anymore ” and thus renamed it to NEW TITANS . This series started off well enough and quickly devolved into arguably one of the worst runs EVER.
New Titans #81 is part of War Of The Gods and Annual 7 is part of Armageddon 2001 ( don’t bother ) annual 8 is part OF YET ANOTHER EVENT . Again don’t bother .
It’s pretty much highly recommend giving it up at #70 regardless .
-THE NEW TITANS
#50 - 100
ECTERA -
- running alongside NEW TITANS by 1992 was TEAM TITANS a series so awful I cannot recommend to you in clear conscience but if your a completetionist ( trust me I get it ) It’s there and Donna shows up alot !
- TITANS SELLOUT SPECIAL (1992)
NEW TITANS : MELTDOWN
The last decaying remains of NT walks on like a zombie on acid but by #100 all of the NTT crew is gone ( well most Mirage Donna as a Darkstar ect ) and leave to be replaced by an all new government sponsored Titans team lead by Roy .
- NEW TITANS
#0 / ZERO HOUR don’t worry about it/- 130
( IF YOU WANT CONTINUITY FOR KORI Showcase ‘94 #11 )
NT end’s with a whole 11 annuals
Ok so I am aware that they aren’t strictly Titans series BUT PLEASE TAKE a minute to read
The Arsenal Special!! Its a short single issue and BRILLIANT !! It informs a-lot of his character later on as well as of course the actual Arsenal Miniseries.
ALSO THE TEMPEST (1996) a absolute must read also informs basically everything about Garth and arguably his best story ever … just take a minute and read these if you want !! Before the Titans (1999)
TEEN TITANS (1996)
Ok so in the 90’s DC decided to start the TT from scratch ( huh see how long this’ll last )
This all new team was comprised of 4 half alien teens and a freshly deaged Atom. It didn’t last very long and while I am fond of it AGAIN you don’t HAVE TO read it
TEEN TITANS (1996)
#1-24
Also a few specials ! And 1 annual
Titans Beat #1
Impulse/Atom DoubleShot #1
Robin/Argent DoubleShot #1
Superboy/Risk DoubleShot #1
Supergirl/Prysm DoubleShot #1
New Year’s Evil : Dark Nemesis #1
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JLA/TITANS : THE TECHNIS IMPERATIVE #1-3
Absolute MUST-READ . Literally one of my favourite comics of all time . Also essential because it kickstarts a certain run..
TITANS (1999)
One of If not the best run on Titans ( don’t @ me ) It slowly loses momentum after #26 but I still generally LOVED it . Stellar A++ Titans content !!
( you can also read the Beast Boy #1-4 miniseries prequel . But uh unless you really love Bette it’s not worth it )
TITANS (1999)
#1-50
Also TITANS Secret Files and Origins !!! ( ♥️♥️♥️ )
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YOUNG JUSTICE
OK OK NOW IK THIS ISNT A TITANS OR TT RUN but this gen WILL eventually become TT 2003 ( 😒 ) and honestly ……
READ YJ 1998
It’s GREAT.
YJ/TITANS : GRADUATION DAY
Oh brother. Ok so I am pretty salty about this whole comic but it’s essential and has some good moments soo yeah read Graduation Day .
OUTSIDERS/TT SECRET FILES AND ORIGINS ♥️☝️ please read this after Graduation Day It’s heartbreaking and I love it !
TEEN TITANS 2003 - ( until OYL )
After the unfortunate events of graduation day the aforementioned YJ Gen ( - Anita and Greta 😞) and the OG NTT Crew ( Vic Kory Deaged Raven ) join to become …..
TEEN TITANS ( 2003)
( I have mixed opinions on this run some think it a masterpiece some think it awful I generally think it’s…. Fine ? Well “sigh” not fine but give it a go I guess ) I recommend #2-26
- #1-33
After #33 OYL hits
OUTSIDERS 2003 - ( until OYL )
Ok so this run isn’t really…. A titans run but it has fantastic Roy and Dick characterisation and KORY JOINS LATER AND SO TECHNICALLY-
#1-33
Read Annual 1 before #46
Don’t bother after #
POST - OYL TT 2003
Ok so I basically consider post OYL TT ‘03 to be a totally different team because… well it is . All of the NTT crew leave and are replaced by a handful of cameos and eventually like Rose Wilson and Kid Devil and because at this point half of the YJ gen is well…dead . It was pretty awful at this point though I find the character interactions endearing. This series remains like that until N52 .
#33-100
OUTSIDERS/TT 2003 ECTERA
- DO NOT UNDER ANY CIRCUMSTANCES READ TERROR TITANS PLEASE . Unless you really love Rose..( like me..)
- RETURN OF DONNA TROY ♥️♥️♥️ !!!! Excellent MUST READ !!!!
- TEEN TITANS : COLD CASE - seriously don’t read this if you don’t have too .
- TEEN TITANS : Spotlight - awful . Seeing a pattern ?
THEN - TITANS EAST SPECIAL !!
DC SPECIAL CYBORG #1-6 ( optional)
TITANS (2008)
After all the bullshit THEY ARE BACK TOGETHER AGAIN YAY !!!! To bad there’s so much shit going on OUTSIDE of the Titans that ends up fucking over the characters. E.G Bruce dying so Dick has to go be Batman and …. Hell . Fucking Rise Of Arsenal. If you know what happens in that book well yk that Roy ends up relapsing and going down a much darker mindset .
Series swings between being really good and being a mischaracterising MESS.
TITANS ( 2008 )
#1-23
By Titans #12 the Deathtrap crossover ( pretty mediocre) starts it goes like this
TITANS #12
Vigilante #5
Teen Titans #70
TITANS #13
Vigilante #6
But Amanda why did you put it’s end at 23 when Ik for a fact that goes on for #38 issues ????
Oh boy .
TITANS ( 2008 ) : VILLAINS FOR HIRE
So at issue 23 DC had the genius idea of taking the Titans and …. Turning them into a mercenary and hitman group lead by Deathstroke himself ( why ? I wish I fucking knew.) Filled out with hitman and villains and …. Roy who was now really dark and #edgy . Whatever It was bad and a wannabe secret six .
#23-38
However they’re was almost light at the end of the tunnel …. Jericho ( Joey Wilson yes he IS ALIVE ) seemed to have plans to assemble a new TITANS team and reunite their family and Roy well it seemed he was on a path to redemption he was almost there close to moving to recovery and healing and he could do it with—
N52 . POST FLASHPOINT TITANS.
The N52 was bad isnt a particularly outrageous statement but IT WAS EXTREMELY fucking bad in relation to the Titans . Bluntly put None of it ever happened and the only titans ( TEEN TITANS ACTUALLY) that had ever existed were the TT2003 guys . Just them. Fab Five never existed. NTT never existed.And all of the other og TT guys were …… WALLY never existed. Donna was a one note villain Garth never existed Dick was …. There I guess.. ROY was a dumbed down alcoholic with no purpose other than to gawk at how cool and oh and ahh at Jason Todd . ( KORY …… truly just awful what happened to her )
You can read the TEEN TITANS N52 . I guess .
They have 2 series . Read at your own peril they’re better if you pretend that the characters aren’t supposed to be … like the characters that they are . ( scott lobbell shouldn’t of been allowed to touch a pen )
REBIRTH
- TITANS HUNT ! - WALLY IS BACK
-TITANS VOL.3 is exactly what I wanted in the first half and then falls on it’s ass and burns like a trash fire . recommend stopping at #20
TITANS VOL. 3
#1-40
Justice League : No Justice- happens around this time and it was trying to create a new status quo ( uh-huh DC AGAIN ..) soo
Teen Titans Special #1 before
TEEN TITANS VOL.3
( also as your reading this read #54-55 for context in TT #27 )
“Yeah sure put the 11 year old in charge ”
Do not read this comic . And if you do ? THAT IS NOT DAMIAN . The series starts with Damian leading alot of the OG NTT guys like Kory and Vic + Ace and then it later just becomes Damian + Emiko + Ace and a couple other guys like Crush .
Drowned Earth happens ( not important) but it happens at #28 . And they have a crossover with Deathstroke in
TEEN TITANS / DEATHSTROKE : Terminus Agenda ( it’s vol ) optional though
But
- TITANS : Burning Rage
Slots in at this point so !!
A more obscure pick but no half bad
- #1-7
- Titans Academy
Haven’t actually read this one . Art looks gorgeous though
AND …
It leads too
- TITANS United
And
- TITANS : BLOODPACT
I love both of these Bloodpact in particular and it gives me Dickkory back aswell !! Good story and stellar art !!
NIGHTWING #100 - 104 to explain what is going on in …
- TITANS BY TOM TAYLOR ( Ongoing )
Also BEAST WORLD I guess 🤷‍♀️
Mid at BEST . #1-4
- Tales Of The Titans
A miniseries but so far the best Titans content we have gotten IN A WHILE . ♥️ ( sorta )
#1-4
ECTERA -
- NTT GAMES !
Fantastic and stellar art an standalone (?) dubiously canon graphic novel by Marv Wolfman and George Perez !
- TITANS AND NTT CONVERGENCE
- worthwhile and exactly what’s on the tin ! Love these gave a happy ending to the Post Crisis universe !
- Teen Titans WORLDS FINEST
- wonderful art by Dan Mora . Story is fine
- DC PRESENTS THE UNCANNY X-MEN AND NTT CROSSOVER.
SOOOOO GOOODD
- TITANS : Paper Scissors Stone
Okok elseworlds Titans book but I remember liked it !
OTHER MEDIA -
- TEEN TITANS ( 2003 THE TV SHOW )
A solid adaptation of … most of the characters please don’t go into this show and come out expecting the same from the comics . Did a lot of good for Terra’s character and influences ALOT of public perception. Just … don’t be annoying about the comics after watching this .
- TEEN TITANS GO
YES IK IK BUT ITS AN ADAPTATION AS WELL DONT JUMP ME
- TITANS ( TV SHOW)
….I wouldn’t recommend this show too anyone EXCEPT Titans fans who want more content of the team it’s it’s an experience. ( FUCK YOU FOR DOING THAT TO DONNA )
SO YEAH . Feel free to question me if I have forgotten any I don’t have spectacular memory lol
Happy reading ! !
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