Tracklist:
Requiem: 1. Requiem • Requiem: 2. Куrie • Requiem: 3. Dies irae • Requiem: 4. Tuba mirum • Requiem: 5. Rex tremendae • Requiem: 6. Recordare • Requiem: 7. Lacrimosa • Requiem: 8. Domine Jesu • Requiem: 9. Hostias • Requiem: 10. Sanctus • Requiem: 11. Benedictus • Requiem: 12. Agnus Dei • Requiem: 13. Credo • Requiem: 14. Requiem • Three Sacred Hymns: No. 1, Hail Mary, Full of Grace • Three Sacred Hymns: No. 2, Lord Jesus Christ • Three Sacred Hymns: No. 3, The Lord’s Prayer
Spotify ♪ Youtube
6 notes
·
View notes
Who needs the Wizarding World of Harry Potter when you have the World of Harry Partch?
6 notes
·
View notes
Rachmaninov - Piano Concerto No. 2 in C minor, arranged for two pianos. From the anime Nodame Cantabile. This is from the episode where Nodame and Chiaki are learning the concerto for a performance by the school orchestra, and the scene where Nodame plays the piano part while Chiaki plays the orchestral accompaniment. Sadly it’s only four minutes of the first movement.
13 notes
·
View notes
A wonderfully challenging piece for soprano saxophone.
7 notes
·
View notes
In this week's column, I celebrate an American composer who united both eastern and western traditions, and give an update on my writing projects.
0 notes
Currently Playing
Matt Haimovitz
THE 20th-CENTURY CELLO
Works for Cello Solo by Luciano Berio, Benjamin Britten, George Crumb, Claude Debussy, Mario Davidovsky, Henri Dutilleux, John Harbison, Hans Werner Henze, Paul Hindemith, Zoltán Kodály, György Ligeti, George Perle, Max Reger, Roger Sessions, and Anton Webern
0 notes
A Reclining Exotic Beauty by Delphin Enjolras (Early 20th Century)
3K notes
·
View notes
Thomas Kennington - Pandora, 1908
6K notes
·
View notes
Alexander Voormolen (1895-1980) Een zomerlied : voor orkest (1928) Orchestra: Omroeporkest Conductor: Kenneth Montgomery dedicated to Albert van Raalte
Alexander Voormolen was a Dutch composer. He studied composition in Utrecht with Johan Wagenaar and with Willem and Martinus. In 1916, on the recommendation of Rhené Baton (who conducted his overture to Maeterlinck's La mort de Tintagiles at The Hague in 1916), he went to Paris, where he worked with Roussel and became close to Ravel, Casella, Delius and Florent Schmitt. He returned to settle in the Netherlands in 1920, first in Veere and moved to The Hague in 1923. For many years he was music critic for the Nieuwe Rotterdamsche Courant, and then from 1938 to 1955 he was librarian of the Conservatory of The Hague.
6 notes
·
View notes