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#20th Century Classical
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Tracklist:
Requiem: 1. Requiem • Requiem: 2. Куrie • Requiem: 3. Dies irae • Requiem: 4. Tuba mirum • Requiem: 5. Rex tremendae • Requiem: 6. Recordare • Requiem: 7. Lacrimosa • Requiem: 8. Domine Jesu • Requiem: 9. Hostias • Requiem: 10. Sanctus • Requiem: 11. Benedictus • Requiem: 12. Agnus Dei • Requiem: 13. Credo • Requiem: 14. Requiem • Three Sacred Hymns: No. 1, Hail Mary, Full of Grace • Three Sacred Hymns: No. 2, Lord Jesus Christ • Three Sacred Hymns: No. 3, The Lord’s Prayer
Spotify ♪ Youtube
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literally-1894 · 3 months
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Who needs the Wizarding World of Harry Potter when you have the World of Harry Partch?
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mellowchouchou · 1 year
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Rachmaninov - Piano Concerto No. 2 in C minor, arranged for two pianos. From the anime Nodame Cantabile. This is from the episode where Nodame and Chiaki are learning the concerto for a performance by the school orchestra, and the scene where Nodame plays the piano part while Chiaki plays the orchestral accompaniment. Sadly it’s only four minutes of the first movement.
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rafiknyclassical · 1 year
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A wonderfully challenging piece for soprano saxophone.
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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cavegirl66 · 17 days
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Johan Halvorsen
" La Mélancolie "
🖤
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pushingthewave · 2 months
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In this week's column, I celebrate an American composer who united both eastern and western traditions, and give an update on my writing projects.
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onenakedfarmer · 4 months
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Currently Playing
Matt Haimovitz THE 20th-CENTURY CELLO
Works for Cello Solo by Luciano Berio, Benjamin Britten, George Crumb, Claude Debussy, Mario Davidovsky, Henri Dutilleux, John Harbison, Hans Werner Henze, Paul Hindemith, Zoltán Kodály, György Ligeti, George Perle, Max Reger, Roger Sessions, and Anton Webern
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the-evil-clergyman · 8 days
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A Reclining Exotic Beauty by Delphin Enjolras (Early 20th Century)
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truelovedotcom · 4 months
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Thomas Kennington - Pandora, 1908
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die-rosastrasse · 8 months
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Hans Zatzka
Austrian, 1859-1945
The Belly Dancer (details)
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solcattus · 2 months
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Retrospection, c. 1913
By Ernest Haskell
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constanzarte · 3 months
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Ferederic Leighton - Crenaia, the nymph of the Dargle; 1880
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rafiknyclassical · 1 year
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Alexander Voormolen (1895-1980) Een zomerlied : voor orkest (1928) Orchestra: Omroeporkest Conductor: Kenneth Montgomery dedicated to Albert van Raalte
Alexander Voormolen was a Dutch composer. He studied composition in Utrecht with Johan Wagenaar and with Willem and Martinus. In 1916, on the recommendation of Rhené Baton (who conducted his overture to Maeterlinck's La mort de Tintagiles at The Hague in 1916), he went to Paris, where he worked with Roussel and became close to Ravel, Casella, Delius and Florent Schmitt. He returned to settle in the Netherlands in 1920, first in Veere and moved to The Hague in 1923. For many years he was music critic for the Nieuwe Rotterdamsche Courant, and then from 1938 to 1955 he was librarian of the Conservatory of The Hague.
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escapismsworld · 8 months
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Sterner's Studio, Brussels (1902)
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onlinesweetheart · 6 months
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Winter Sunshine, Maxfield Parrish
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