#2018 billboard music awards

[bts-boys]

180520 BTS at 2018 Billboard Music Awards‬‬‬‬‬‬‬‬ © nuna v do not edit, crop, or remove the watermark

#180520 #bts #bangtan #bangtan boys #jin #kim seokjin #rm #kim namjoon #suga #min yoongi #jung hoseok #j-hope #jimin #park jimin #kim taehyung #v #jungkook #jeon jungkook #2018 billboard music awards

[datshitrandom]

Some of my personal favorites

Part 1

#Darren Criss #Artios Awards 2018 #amfAR Gala 2018 #Bring Change to Mind Gala 2019 #Spotify 2017 #Hunger Magazine #Billboard Music Awards 2018 #Grammys TSG Party #Aladdin Premiere #Elsie 2018 Portrait #Michigan Avenue Magazine #People’s Sexiest Man Alive Photoshoot #Rogue Magazine #GQ Magazine 2019 #Fault Magazine #Backstage Magazine #Emmys magazine #nytimes photoshoot #Jon Magazine #Vanity Fair 2018 #should i make a part 3? #🤔 #random favorites

[jiinjiinjarra]

BTS // Memories 2018 // Photobook // BTS Special Moments // 2018 // Pt.15

1,2 & 3 pic -> date: 2018-01-25 // 28th Seoul Music Awards

4 & 5 pic -> date: 2018-05-17 // The Ellen Degeneres Show

6,7,8 & 9 pic -> date: 2018-05-20 // Billboard Music Award

Scan Cr. Jiinjiinjarra (me)

↳ Full Memories 2018 link (incl. other members)

#bts #bts jin #bts jungkook #jin #jungkook #jinkook #kookjin #bts memories #bts memories 2018 #memories 2018 #bts scans #bts Billboard Music Award #bts The Ellen Degeneres Show #bts 28th Seoul Music Awards

[doyoulikethissong-poll]

Dolly Parton - Jolene 1973

Dolly Parton is an American singer-songwriter, actress, and philanthropist. With a career spanning over fifty years, Parton has been described as a country legend and has sold more than 100 million records worldwide, making her one of the best-selling music artists of all time. She has had 25 singles reach no. 1 on the Billboard country music charts, a record for a female artist (tied with Reba McEntire). She has 44 career Top 10 country albums, a record for any artist, and she has 110 career-charted singles over the past 40 years. She has composed over 3,000 songs. She has founded a number of charitable and philanthropic organizations, chief among them is the Dollywood Foundation, which manages a number of projects to bring education and poverty relief to East Tennessee where she grew up. In response to the COVID-19 pandemic, Parton donated $1 million towards research at Vanderbilt University Medical Center, which funded the critical early stages of development of the Moderna vaccine.

"Jolene" was released on October 15, 1973, as the first single and title track from her the thirteenth solo studio album Jolene, and became Parton's second solo number one single on the country charts. "Jolene" became Parton's first top ten hit song in the UK, reaching number seven in the UK Singles Chart in 1976. It also re-entered the chart when Parton performed at the Glastonbury festival in 2014.

According to Parton, the song was inspired by a red-headed bank clerk who flirted with her husband, Carl Dean, at his local bank branch around the time they were newly married. In an interview, she also revealed that Jolene's name and appearance are based on that of a young fan who came on stage for her autograph.

During an interview on The Bobby Bones Show in 2018, Parton revealed that she wrote "Jolene" on the same day that she wrote "I Will Always Love You".

"Jolene" was nominated for the Grammy Awards for Best Female Country Vocal Performance twice, in 1975 and 1976. The first nomination was for the original recording, and the second was for a live recording from the TV series In Concert. It did not win either time, but in 2017, a cover by the a cappella group Pentatonix which featured Parton as a guest singer won the Grammy Award for Best Country Duo/Group Performance.

In 2023 she released her forty-ninth solo studio album, Rockstar, a collaborative project with a variety of rock musicians and where "Jolene" is sung by Italian rockband Måneskin, listen to it here!

"Jolene" received a total of 94,3% yes votes!

#finished #high votes #high yes #high reblog #low no #70s #dolly parton

[maaarine]

MBTI & Celebs

Sinéad O'Connor: INFP

"Shuhada' Sadaqat (born Sinéad Marie Bernadette O'Connor; 8 December 1966 – 26 July 2023), known professionally as Sinéad O'Connor, was an Irish singer, songwriter and activist.

Her debut studio album The Lion and the Cobra was released in 1987 and charted internationally.

Her 1990 album I Do Not Want What I Haven't Got was her biggest success, selling more than seven million copies worldwide.

Its lead single "Nothing Compares 2 U" was named the year's top world single at the Billboard Music Awards. (…)

O'Connor consistently brought attention to issues related to child abuse, human rights, racism, organised religion, and women's rights.

She tore up a photograph of Pope John Paul II during a 1992 Saturday Night Live performance to protest abuse in the Catholic Church, triggering controversy.

Throughout her music career she spoke about her spiritual journey, activism, socio-political views, as well as her trauma and mental health struggles.

O'Connor changed her name to Magda Davitt in 2017.

After converting to Islam in 2018, she changed it to Shuhada' Sadaqat, while continuing to perform and record under her birth name.'"

sources: video, wiki/Sinéad_O'Connor

#sinead o'connor #sinéad o'connor #skavlan #infp #mbti #mbticelebs #mbtimus

[d-criss-news]

Betty Buckley, Darren Criss, and More To Headline BROADWAY SERIES In Provincetown

Tony Award-winning Broadway, film and TV legend Betty Buckley, and Emmy and Golden Globe Award-winning actor and singer Darren Criss will headline Town Hall performances as part of a revived and expanded Broadway music series produced by the Grammy and Emmy Award-winning artist John McDaniel and presented by Post Office Cafe & Cabaret and Tin Pan Alley.

———————

July 21, 2024: Darren Criss

The actor, singer and songwriter Darren Criss first came to the public's attention as an actor and songwriter for the YouTube viral hit “A Very Potter Musical” in 2009. Criss rose to fame soon after on the television musical series “Glee” from 2010 to 2015. His performances of popular songs on that show landed him several times atop the Billboard charts. In addition to an Emmy nomination for “This Time,” a song he wrote for the finale of “Glee,” Criss received Emmy, Golden Globe, Screen Actors Guild and Critics' Choice awards for his lead role as Andrew Cunanan in “The Assassination of Gianni Versace: American Crime Story” (2018). Criss appeared on Broadway several times including in “How to Succeed in Business…” (2012), “Hedwig and the Angry Inch” (2015), and the 2022 revival of David Mamet's “American Buffalo” with Laurence Fishburne and Sam Rockwell. He recently finished an Off-Broadway run starring as Seymour in “Little Shop of Horrors.” In addition to TV and stage credits, Criss has worked in film, and released several albums of original music and holiday favorites.

#darren criss #broadway world #john mcdaniel's broadway series #darren criss with john mcdaniel #upcoming events #april 2024

[the-tortured-artists-department]

TSwift Red Carpet Madness: Round 1, Matchup 16

Our sixteenth matchup is a battle between three Billboard Music Award looks! Be sure to follow tsredcarpetmadness for all upcoming polls!

#taylor swift #taylornation #midnights #evermore #folklore #lover #1989 #fearless #red #speak now #reputation #ts poll #ts polls #taylor swift poll #taylor swift polls #tsredcarpetmadness

[roo-bastmoon]

The Great Radio Debate: Roo's (limited) Understanding of this Issue UPDATED

Disclaimer: Sensitive topics are discussed below the cut; please do not incite drama, speak hate, or engage in bullying. This is a collection of my thoughts about what is currently happening with regard to Jungkook's single SEVEN and the implications it could mean for Jikook and ARMY. If you click below this cut, you are assuming responsibility for your own behavior and agreeing to engage with my blog and others respectfully, or you will be blocked.

We now by know that Jimin's music was not promoted to radio. We know this because when we went to request it from various major radio stations, it was not an option in the drop-downs; we had to manually type it in. Being "sent / promoted / serviced to radio" means a compressed file is sent from the company to radio stations so DJs can play high-def spins that are universally compatible with their station's set up.

None of Jimin's songs for Face were serviced:

The airplay audience was the lowest for any song this decade:

The controversy around Jungkook's SEVEN began last week when one DJ tweeted the following:

As we now know, "serviced to radio" means they sent a compressed file (which they SHOULD have done for Like Crazy English Version, but didn't). They did service to radio for Butter and Dynamite and it was a huge help. Even Yet to Come was serviced, so it cracked Top 50 on the charts, but none of Face's songs were sent, which makes zero business sense any achievement on that chart amazing.

Because even when serviced, it doesn't guarantee spins... "Add" means they hope radio stations will add the song to rotation:

But then the DJ had to go and say this:

So they have already sent SEVEN to the radios, hoping for spins. And now one person is publicly saying the song absolutely will get spins immediately. This heavily implies payola, because why else would a song without demand or requests immediately spin multiple times on everyone's shows the second it was released?

I feel (I, Roo Bastmoon, personally think and feel) Seven is being pushed this way for two reasons:

Billboard's recent changes around what kind of sales (physical, digital, bundled) will counts on the charts puts songs without radio play at an extreme, nigh-insurmountable disadvantage; even with excellent streams (which are heavily culled and filtered), it will be hard to break into the top 50.

Additionally, Taylor Swift's Speak Now re-release has dropped this week and will be gunning for the charts next week when Jungkook debuts, and that is a personal problem for Scooter Braun.

For those not familiar (as I surely wasn't; I live under a rock), Taylor Swift felt compelled to leave her old management company back in 2018. To do so, she had to abandon the rights to any original music she made with them. They kept her masters and sold them off to Scooter Braun.

Each time someone wanted to play one of her original songs, they had to ask his permission and pony up money for a license fee. Scooter Braun also managed Kanye, and I'm sure everyone knows the Beyoncé is the Greatest of All Time award show fiasco that led to some bad blood between those two artists, so it added insult to injury for Taylor.

Taylor has now re-recorded everything and released Speak Now: Taylor's Version. Of COURSE her fans are motivated to support her and get every single song they can into the highest position on the Hot 100 for as long as possible... and frankly, I am not a Swiftie but I can't blame them because if someone did that to BTS, I'd make it my life's mission to chart them as a big Fuck You, too.

But it does put a lot of pressure on Jungkook's single, because now it's very likely been weaponized in a personal dick-measuring contest where Scooter is concerned. Not sure if I mentioned it but I truly hate that man so I'm not sure I can be impartial when talking about him but I will try.

So Jungkook's single has been set up so far with pre-orders on iTunes and compressed files to radio, which is a first for any member's solo work. He also has a debut stage on Good Morning America, which has a huge range beyond k-pop.

So far, none of this is foul play. It is a company doing its best to represent and set up the best conditions for its artist under changed circumstances. You can make a case for favoritism, clearly, but at the end of the day, companies are about making profits and sometimes they grossly underestimate what has potential and what the market wants.

The issues fans are facing now around Seven lie in:

1) the neglect around Jimin's Like Crazy English Version, which is still so stable that it could be smashing charts if only it would get radio play so this just seems to make zero business sense and be more of a slight than anything else, so Jikookers are left wondering what that means for the relationship and,

2) the fear that Hybe America under Scooter Braun has abandoned BTS' founding values and taken the easy way out by paying to play on radio, which would severely damage credibility that BTS worked so hard to build as an organic, fan-driven success.

I think we'll have to wait to see how many sales, streams, and spins Jungkook gets to figure out if payola was likely. Maybe that one DJ was tweeting his own assumptions like they were facts. Or maybe Hybe has now decided to do payola. If that is so... not gonna lie, I will be extremely disappointed. I will need to take a break and figure out what this means for me as a fan.

The next question is how much did Jungkook know about all this? There seems to be two camps of thought here: one says the boys are involved in every step of the way and choose everything that happened around their releases.

(I know Jimin is very humble but I HIGHLY doubt he ever said to his company "Please rush my release in between other releases so I get physically sick trying to keep up with it; please never restock my physicals in WeVerse and don't send a file for the English song I studied for to US radios; and please also never post about my world record nor celebrate my albums' success in any way; yes, I worked 10+ months on this very personal opus but I absolutely don't want any of that." I very, very much doubt the ways Face was handled after Hot 100 #1 was Jimin's choice. This also makes me doubt if all the ways Seven will be handled will be Jungkook's choice.)

The second camp of thought is that the artists have absolutely no say in the marketing and promotion styles of their work, and that they are kept out of sales matters altogether. And here's the limit of my understanding, because I've not seen or read much on Hybe / BigHit's strategic plans around distribution for either BTS' group or solo works.

(Side Note: I have seen them set up TXT for a Billboard Top Ten, only for their collab to come in at #135, which shows a gross misunderstanding of their market right now--as well as disregard for their artists' feelings and reputations. My heart goes out to those boys; they worked hard.)

But drawing on my own experience decades ago when I used to work in entertainment out in LA, I can tell you, even as Chief Editor, plenty of my media content was changed without anyone informing me--back-cover blurbs, cover designs, release dates, shelf talkers, pop ups, print runs, print houses, store placements, advertising, interview articles--at some point in my former career, all of those things got changed around and I found out after the fact, on my own projects. Which pissed me off but I'd signed NDAs and couldn't do a single thing about it. And the authors / creators didn't know until *I* had the hard job of informing them. And they couldn't do anything about it because they were under contract.

So I think the level of members' involvement in solo works is somewhere in between. I think as artists and performers, BTS members can have a great deal of say in their look, styles, lyrics, choreo, merch, and venues. But not total say. Definitely not deciding-factor say.

I think the company can make them water down their lyrics, change up the choreo, and flat-out tell them no when it comes to music videos, performance venues, pretty much anything budget-related. They don't even have to explain why; it's their budget and their bottom-line. (In the old days, it seems like the members could freely express opinions around the works and even challenge management when it came to creative content. Maybe that is still true.)

As far as Jungkook's involvement in Seven's style, we have a stylist going on record about how some of the options were their ideas and that Jungkook had a lot of input on the look and feel, so it was a mixture:

For this reason alone, the fact that things like mud were added to clean pants or spikes to a jacket after Jungkook had input makes me truly feel this was his way of honoring Jimin and Face. It just seems like something our Jungkook would do--he may not always say it, but he's always watching Jimin-ssi.

As for sales and marketing strategies? The boys may never get looped in. Or they may be told the plans, but not invited to give input. Or they may sit down and plan it all out to the last detail with each department. I genuinely don't know. And because I don't know, I will not be assuming the worst of Jungkook or any member until I have all the facts. That is anti behavior, in my mind, and I just cannot stomach it. I can never bring myself to believe the worst of anyone until they fully and consistently show me that's who they are.

We've spent ten years with these guys. They are flawed human beings, yes, but not cheats, not assholes. I think they omit plenty of details but I don't think they straight-up lie to us. I don't think Jungkook would ever look his staff and executives in the eye and say "Yes, I want you to illegally pay money under the table so this single will top the charts." Jungkook is competitive, but also a stickler for fair play. You spend any amount of time watching Run, and the only time he "cheats" is when he wants to be with Jimin (lol) and he's pretty endearingly obvious about it; guy has almost no game face.

Okay but joking aside, I'm honestly very worried for JK. It sort of feels like he's being set up. Many questions have arisen over the stylistic choices for Seven. There's the fan frenzy around having a hot female protagonist in his video. And now the question about how much radio play Seven will get, and why. That's a lot of controversy to hang on a young man's shoulders. Especially in light of the recent book that's come out, in which it's clear now that the company and the artists are aware of hate-trending hashtags in English. GOD THAT MAKES ME SICK TO MY STOMACH.

To me, it feels (it feels--as in, my gut is telling me this; I have no receipts) like the company is using JK to experiment with a different way of doing business--a way that may stray from their founding values.

And there's so much potential for this to blow up in JK's face. There are solos who will insist he's stealing Jimin's style. Antis who will insist he's cheated on the charts. Insecure shippers who will lose their minds if anything flirty goes down with Han So-hee on screen. K-poppies, Swifties, and local racists all insisting on undermining his creativity, talent, and character because they fear the competition.

This release on Friday has the potential to be a blood bath. And I just don't trust the company to have his back and take ownership of their part in this, if so. From everything I've seen about Jungkook, he deserves the benefit of the doubt.

My biggest question mark is how Jimin will respond to all of this. If he comes on live one day and says in a flat tone something like: "I was really surprised to see how similar Jungkookie's concept was to my own." or "How interesting that Seven got sent to radio--good for him, good for him. I wonder how that happens?" Then I'll take that to mean Jimin wasn't looped in on JK's plans and he doesn't feel great about it; that won't sit well with me.

Then again, if Jimin raves about Seven and plays it on live or joins JK in New York and mentions how flattered he was that they share the same style, how they click, how proud he is of JK's hard work and asks please ARMY give it a lot of love? Then I'll infer he was definitely looped in, this is a homage, and JK's actions were always above board. I will assume that because I will never doubt Jimin's integrity. If Jimin approves, I will approve. Jimin has earned my complete trust.

So this week is a very tense one (for me at least). But it does provide quite the distraction from the stress tests and specialist consults I have lined up, I'll give you that. Never a dull moment. (I am so ready for this fandom to have some dull moments.)

In the end, I'm going to chose to believe in the very best of our members until there's solid evidence to think otherwise. As of now? I think the only dirty cheater in the mix is the music industry at large. I know the entertainment world is corrupt, but Jesus, they are so blatant about it all.

Anyway, we may not get radio data for several days or weeks after the initial drop date, so I'm prepared to hang in there for a good bit. And if there is evidence of payola and JK knew about it... I'm gonna need time to process that and figure out where I go from there, as a Jikooker, as an ARMY. I will honestly be shocked.

One thing you'll never see me do is spout hatred for human beings. I will likely rant about the company. And there are plenty of people Scooter Braun that I viscerally dislike. But I'm making a commitment now not to spread dehumanizing hate speech on the timeline.

That's not what BTS or Jimin would ever want. That's not what I want for myself, especially if my days in this life are limited. I don't need that kind of toxicity or karma.

Am I furious about all the crap that's gone down for Jimin (and other members too, to a lesser degree)? You bet your buttons, as my Nana used to say. I could rage and froth all day about it.

But I also remember who came online over and over to say Jimin's name, play Jimin's songs, mimic Jimin's interviews, giggle at Jimin's video clips, and invite Jimin into his life.

And based on moved lamps and dog scratches and Jimin bulking up, it's likely Jimin has accepted those invitations.

Whenever we do get to glimpse Jimin with Jungkook, he seems as endeared and besotted as he always has.

I trust Jimin to know if someone did him dirty, and to act accordingly. I do not believe any aspect of the Jikook relationship is performance.

For those reasons, I'm gonna be withholding judgement until all info around Seven comes in.

I hope you will too, but I understand if you feel differently and I'm not on this Earth to judge other people's viewpoints or experiences. I just ask that if you want to be friends with me here, you try to be civil in your words and actions, even in the sway of big feelings. Every person behind the screen is a work in progress; we are all fighting invisible battles; there are many sides to each story.

All any of us can do is our best with what we are given. Let's wait and see what Jungkook (and Jimin, and the company) give us.

If you made it this far through my ramblings, kudos! I welcome ideas, so feel free to comment--but just remember, rudeness will be removed. There's no space for meanness on my blog.

Love and deep respect to you all,

Roo

UPDATED:

So, it would seem the DJ who is hyping JK's Seven is also open to playing Like Crazy. This would imply it's been sent to some radio because before I remember he tweeted that he needed the compressed file in order to play it on his station (I am sorry I didn't save that link but he was talking about Hobi and Jimin if I recall, back at the time!).

UPDATE 2:

The radio stations that took requests (including the one mentioned above) back at that time were playing the music video version available to the public, not a compressed file sent by the company:

And when I check on this linktree of top radio stations in the US, Like Crazy does not come up as any option in rotation. I have to manually request still, after four months of being stable on the charts.

So if Jungkook gets immediate spins and requests immediately come up in rotation... is that because radio stations really love Jungkook? Or is this a company "networking" deal? (And in any case, would JK be involved in that aspect?) Everything still remains to be seen. Let's be patient and try our best not to assume the worst.

Many thanks for JMDBJK for mentioning in the comments the likelihood that a title track would be sent out, which prompted me to go look soon as I could get to my computer. I really do value anyone willing to take the time to help me learn more info about this industry!

#jungkook #jimin #jikook #seven by jungkook #Youtube

[lesbiansloveseokjin]

day 393/548 of hobi's military service

these selcas were posted on 180520, the day of the 2018 Billboard Music Awards, with the caption:

Thanks ARMY 😍😘 #jhope

[#Today’sBangtan] We’ll be making history together with ARMYs😉 First broadcast of at Billboard Music Awards! We were able to wrap it up nicely with the overwhelming cheers from everyone. ARMYs who came to the Billboard Music Awards, those who streamed live, and all the ARMYs who supported us in your hearts, thank you so much!

(trans cr: Soren @ bts-trans)  

bts episode filmed that day:

Fake Love performance from that day:

#hoseok #jhope military countdown #180521 #bbmas 2018 #award shows #fake love #on stage #bts episode #ot7 #Youtube

[wearelatinamericanrockers]

Pitty is a Brazilian Metal rock singer. She was a member of two musical bands, Inkoma and Shes. She is been a soloist since 2003.

The debut album "Admirável Chip Novo" was inspired by the book (Brave New World) and sold more than 250 thousand copies the first year.

Her most famous songs are "Na sua Estante", "Me Adoro" and "admirável chip novo". Fansubmitted propaganda below;

"shes such an amazing singer and her songs are so good and go so hard and she sings a lot about society and i'm honestly just a big fan. i went to see her show and she's just so stunning. pls listen to "admirável chip novo" it's like one of her most popular songs and with reason!" "Um marco na música brasileira, a cantora mais foda desse país, formou uma geração e as músicas são atemporais. Shout out pra as crianças que choraram com o clipe de Sua Estante. Pra quem não assistiu, vale a pena conferir: https://youtu.be/DP3j6hgS4VY?si=4PJ6cSc_TwEf7vyV"

--------------------------

Maná or Sombrero Verde is a Mexican Pop Ska Rock band made in 1986.

The group has won four Grammy Awards, eight Latin Grammy Awards, five MTV Video Music Awards Latin America, five Premios Juventud, twenty-four Billboard Latin Music Awards, one Billboard Icon Award and fifteen Lo Nuestro Awards. they has also won multiple awards for his work in favor of caring for the environment. In 2012, the members of Maná left their mark on the Rock Walk in Hollywood, United States. Later, on February 11, 2016, Maná became the first rock band in Spanish to receive a star on the Hollywood Walk of Fame, in recognition of their artistic career.

In 2018, the Latin Recording Academy (Latin Grammy) paid tribute to Maná, becoming the first Latin group to receive that honor. Propaganda below;

"son el grupo favorito de mi mamá y va a estar tan feliz si ganan" "mi mamá y yo hemos llorado con sus canciones innumerables veces y eso es razón suficiente para mi tbh" "Escribieron Labios Compartidos"

#Latino rock tournament #round 1 #polls #pitty #maná #i am currently listening to Admirável Chip Novo as making this poll

[bts-boys]

180520 BTS at 2018 Billboard Music Awards‬‬‬‬‬‬‬‬ © nuna v do not edit, crop, or remove the watermark

#180520 #bts #bangtan #bangtan boys #jin #kim seokjin #rm #kim namjoon #suga #min yoongi #jung hoseok #j-hope #jimin #park jimin #v #kim taehyung #jungkook #jeon jungkook #2018 billboard music awards

[beautifulpersonpeach]

Hi BPP,

I'm convinced Billboard has a spilt personality for real because how do you write an article about it being difficult to produce big stars right now, turm around a do a hit job on K-pop and Jimin specifically in order to quash his chances for any American noms and awards

***

Hi @ejassy

Lol Billboard doesn't have a split personality, you're just not really listening to all they're saying.

(Brian is something of a twat sometimes but even he has his moments)

Billboard's problem is not that it's difficult to produce big stars right now, it's that (1) the big stars that are being produced are doing so outside the legacy framework and direct influence of the American rainmakers - the American labels and middlemen who would demand their cut, and instead it's fans of various artists who can influence which artists rise to the top; and (2) that the big artists that are being produced (by fan engagement) are increasingly non-white, non-American, and non-English-speaking.

That's their conundrum.

It's a problem they've had since 2018 when BTS out of nowhere showed up in the top 10 on the Hot 100 with Fake Love after it not just went viral, but was sustained on the charts driven by demand from American pop listeners (this was the time many members of the Bey hive joined the ARMY fandom and BTS caught on with the pop-listener 'gp' in huge numbers). Since then, every award-season article Billboard has published (since 2019) has had the same tone as the one published yesterday, with each year Billboard getting more overt in their disdain, and the quiet part of what they actually mean to say, getting louder.

I've been writing on this blog for over a year about BTS, k-pop, fandoms, and the music industry, and if there's one thing I suggest people take from it, it's this: it's important to understand that everything about BTS represents a world in which the industry gatekeepers as they're currently structured, are rendered obsolete.

It's why the Korean music establishment had a similar reaction to BTS from 2013 - 2017. BTS should not have been as successful as they became, they didn't come from a Big 3 company with all their industry connections as most successful groups did, they didn't have the backing of an American conglomerate as more recent breakout groups like Fifty Fifty did, they didn't have the typical visuals, sound, vocals, styling, etc that the most popular and successful groups did.

All they had was their hunger, their talent, their hopes, and their pride, with Bang PD using every bit of streetsmarts he had to navigate the cutthroat competitive environment in the industry. And the fandom quickly realized, as early as 2014, that they could not possibly operate like every other k-pop fandom if they wanted BTS to ever have a fair chance.

It wasn't until BTS became too big to ignore both inside and outside Korea, that the Korean music establishment start giving them their dues. Personally, I expect the same pattern for Western recognition. BTS was well on pace to deliver on that promise in 2020 with their MOTS tour - it was planned to be bigger than Taylor Swift's tour is today, back then. It was rumoured to be bigger than anything anyone, even Beyonce, had done till that point.

...but we all know what happened. Dynamite was a huge hit but in comparison to what could've been, it was a pitiable substitute.

Cue the English trilogy and Grammy attempts, snubs, and hiatus. Now there's a vacuum left by BTS, that most k-pop groups are trying to use to establish themselves with the same toolbox ARMYs and Western stans are using, while leveraging BTS's reputation, and the American middlemen are watching to see which groups are most compatible for them to partner with so they too can get in on the action and not get left behind.

Because the reality is that the landscape has changed. Fan engagement is not going away and will have to become a key consideration for creating 'big stars'. Everybody recognizes this. Not everybody likes it, not everybody accepts it, but everyone understands that this is now how the cookie crumbles, and that BTS and ARMY are a big reason this is now the status quo.

And the fact is this has earned the group and fandom, more enemies than friends.

Jimin, by virtue of being a BTS member, is not exempt.

Like I said before, there are many types of people in fandom spaces and everyone has their own reasons for being here. Some trivial, some not. But anybody who actually considers themselves an ARMY should take the time to understand what it means to be a fan of BTS. In my opinion.

#I suspect the nominations we see for the Grammys will show how the industry is adapting with non-BTS k-pop players #It's going to be educational #bts #bangtan #jimin #park jimin #kpop #kpop music #music industry #kpop industry #hybe #bighit #grammys #grammys 2024

[doyoulikethissong-poll]

Blur - Song 2 1997

"Song 2" is the second song on English rockband Blur's eponymous fifth studio album. Released in April 1997, "Song 2" peaked at number two on the UK Singles Chart, number four on the Australian ARIA Singles Chart, and number six on the US Billboard Modern Rock Tracks chart. At the 1997 MTV Video Music Awards, "Song 2" was nominated for Best Group Video, and Best Alternative Video. At the 1998 Brit Awards, it was nominated for Best British Single, and Best British Video. In 1998, BBC Radio 1 listeners voted "Song 2" the 15th Best Track Ever. In 2011, NME placed it number 79 on its list "150 Best Tracks of the Past 15 Years".

According to Graham Coxon, "Song 2" was intended to be a joke on the record company. Damon Albarn had recorded an acoustic demo of the song which was slower but featured the song's distinctive "woo-hoo" chorus in whistle form. Coxon then suggested that they pump up the speed and perform the song loudly, with Coxon deliberately seeking out an amateurish guitar sound. From there, Coxon told Albarn to tell the record company that they wanted to release the song as a single to "blow the flipping record labels' heads off". To Coxon's surprise, record executives reacted positively. When asked if the band had any idea of the song's commercial appeal, Coxon replied, "We'd just thought it was way too extreme". Some writers have stated that the song is intended to be a parody of the grunge genre, while others state that it was a parody of radio hits and the music industry with a punk rock chorus.

On 20 October 2018, at the Demon Dayz Fest LA, Damon Albarn's other band Gorillaz played the familiar "Song 2" theme but in characteristic Gorillaz style with dub/funk elements, before Graham Coxon joined Gorillaz onstage and launched into his original riff.

"Song 2" received a total of 84,3% yes votes! Previous Blur polls: #56 "Coffee & TV"

#finished #high yes #high votes #high reblog #90s

[gone2soon-rip]

TINA TURNER (1939-Died May 24th 2023,at 83).American-born and naturalized Swiss singer, dancer, actress and author. Widely referred to as the "Queen of Rock 'n' Roll", she rose to prominence as the lead singer of the Ike & Tina Turner Revue before launching a successful career as a solo performer.Turner began her career with Ike Turner's Kings of Rhythm in 1957. Under the name Little Ann, she appeared on her first record, "Boxtop", in 1958. In 1960, she debuted as Tina Turner with the hit duet single "A Fool in Love". The duo Ike & Tina Turner became "one of the most formidable live acts in history".They released hits such as "It's Gonna Work Out Fine", "River Deep – Mountain High", "Proud Mary", and "Nutbush City Limits" before disbanding in 1976.In the 1980s, Turner launched "one of the greatest comebacks in music history".Her 1984 multi-platinum album Private Dancer contained the hit song "What's Love Got to Do with It", which won the Grammy Award for Record of the Year and became her first and only number one song on the Billboard Hot 100. At age 44, she was the oldest female solo artist to top the Hot 100.Her chart success continued with "Better Be Good to Me", "Private Dancer", "We Don't Need Another Hero (Thunderdome)", "Typical Male", "The Best", "I Don't Wanna Fight", and "GoldenEye". During her Break Every Rule World Tour in 1988, she set a then-Guinness World Record for the largest paying audience (180,000) for a solo performer.Turner also acted in the films Tommy (1975), Mad Max Beyond Thunderdome (1985), and Last Action Hero (1993). In 1993, What's Love Got to Do with It, a biographical film adapted from her autobiography I, Tina: My Life Story, was released. In 2009, Turner retired after completing her Tina!: 50th Anniversary Tour, which is the 15th highest-grossing tour of the 2000s. In 2018, she became the subject of the jukebox musical Tina.Having sold over 100 million records worldwide, Turner is one of the best-selling recording artists of all time. She has received 12 Grammy Awards, which include eight competitive awards, three Grammy Hall of Fame awards, and a Grammy Lifetime Achievement Award. She is the first black artist and first woman to be on the cover of Rolling Stone. Rolling Stone ranked her among the 100 Greatest Artists of All Time and the 100 Greatest Singers of All Time.Turner has a star on the Hollywood Walk of Fame and the St. Louis Walk of Fame. She has twice been inducted into the Rock and Roll Hall of Fame, with Ike Turner in 1991 and as a solo artist in 2021.She is also a 2005 recipient of the Kennedy Center Honors and Women of the Year award.https://en.wikipedia.org/wiki/Tina_Turner

#Tina Turner #American Musicians #Musicians #Music Legends #Notable Deaths in 2023 #Notable Deaths in May 2023 #What's Love Got To Do With It #We Don't Need Another Hero #Ike & Tina Turner

[lacasadelasmunecaspreciosas]

Rihanna

Robyn Rihanna Fenty (Saint Michael, Barbados; 20 de febrero de 1988), conocida simplemente como Rihanna, es una cantante, actriz, diseñadora y empresaria barbadense. Es conocida por fusionar algunos géneros caribeños con música pop y por reinventar su imagen a través de los años. Su impacto en la cultura popular la ha llevado a convertirse en un icono de la música y de la moda, por lo que se refieren a ella como la «Princesa del R&B» y «Reina de la Moda».3​4​

Nacida en Saint Michael y criada en Bridgetown, Barbados, Rihanna hizo una audición para el productor de discos estadounidense Evan Rogers en 2003, quien la invitó a los Estados Unidos para grabar cintas de demostración. Después de firmar con Def Jam en 2005, pronto obtuvo reconocimiento con el lanzamiento de sus dos primeros álbumes de estudio, Music of the Sun (2005) y A Girl Like Me (2006), ambos influenciados por la música caribeña y alcanzaron su punto máximo dentro de los diez primeros puestos de la lista Billboard 200 de Estados Unidos.

El tercer álbum de Rihanna, Good Girl Gone Bad (2007), incorporó elementos de dance pop y estableció su estatus como símbolo sexual en la industria de la música. El sencillo «Umbrella», que encabezó las listas de éxitos, le valió a Rihanna su primer premio Grammy y la catapultó al estrellato mundial. Continuó mezclando géneros pop, dance y R&B en sus siguientes álbumes de estudio, Rated R (2009), Loud (2010), Talk That Talk (2011) y Unapologetic (2012), el último de los cuales se convirtió en su primer número uno en Billboard 200. Los álbumes generaron una serie de sencillos que encabezaron las listas de éxitos, incluidos «Rude Boy», «Only Girl (In the World)», «What's My Name?», «S&M», «We Found Love», «Where Have You Been» y «Diamonds». Su octavo álbum, Anti (2016), mostró un nuevo control creativo tras su salida de Def Jam. Se convirtió en su segundo álbum número uno en los Estados Unidos y contó con el sencillo «Work» que encabezó las listas de éxitos. Durante su carrera musical, Rihanna ha colaborado con muchos artistas, como Drake, Britney Spears, Eminem, Jay-Z, Kanye West, Adam Levine, Paul McCartney, Ne-Yo y Shakira.

Con ventas de más de 250 millones de discos en todo el mundo, Rihanna es la segunda artista musical femenina con mayores ventas de todos los tiempos. Ha obtenido 14 números uno y 31 sencillos entre los diez primeros en los Estados Unidos y 30 entradas entre los diez primeros en el Reino Unido. Sus elogios incluyen nueve premios Grammy, 13 American Music Awards (incluido el Icon Award, por su trayectoria y contribución al mundo de la música), 12 Billboard Music Awards, siete MTV Video Music Awards (incluido el Michael Jackson Video Vanguard Award, un reconocimiento entregado a músicos que han tenido un profundo impacto en la denominada «cultura MTV», a través de su discografía y videografía5​) seis Guinness World Records y el premio del presidente de la NAACP. Spotify le otorgó el título de la artista femenina más escuchada de todos los tiempos.6​7​8​ La revista Billboard la nombró «artista digital» de la década de 2000, «artista Hot 100» de la década de 2010 y «artista mainstream» más importante de los últimos 20 años.9​10​11​12​ En 2023, fue incluida en el puesto número 68 de la lista «Los 200 mejores cantantes de todos los tiempos» de la revista Rolling Stone.13​ Es considerada por dos medios de comunicación estadounidense como la artista musical más influyente y exitosa del siglo xxi.14​15​ Time la nombró una de las 100 personas más influyentes del mundo en 2012 y 2018. Forbes la ubicó entre las diez celebridades mejor pagadas en 2012 y 2014.16​17​18​19​ A partir de 2022, es la música femenina más rica, con un patrimonio neto estimado de $1.4 mil millones.20​21​

Aparte de la música, Rihanna es conocida por su participación en causas humanitarias, proyectos empresariales y la industria de la moda. Es la fundadora de la organización sin fines de lucro Clara Lionel Foundation, la marca de cosméticos Fenty Beauty y la casa de moda Fenty bajo LVMH; ella es la primera mujer negra en encabezar una marca de lujo para LVMH.22​ Rihanna también se ha aventurado en la actuación, apareciendo en papeles importantes en Battleship (2012), Home (2015), Valerian and the City of a Thousand Planets (2017) y Ocean's 8 (2018). Fue nombrada embajadora de educación, turismo e inversión por el Gobierno de Barbados en 2018, y fue declarada Héroe Nacional de Barbados el primer día de la república parlamentaria del país en 2021, lo que le da derecho al estilo de «The Right Excelente» de por vida.23​ Rihanna encabezó el espectáculo de medio tiempo del Super Bowl LVII el 12 de febrero de 2023.

#rihanna #fhm magazine #umbrella #wetgirl

[d-criss-news]

An Evening with Darren Criss by CUPB Cornell University Program Board

Sat, Apr 13, 2024 5 PM – 6 PM EDT (GMT-4) Statler Hall

Join the Cornell Program Board and the Cornell Asian Pacific Student Union for an exclusive Q&A event featuring the multi-talented Darren Criss! Happening on Saturday, April 13th at 5 pm in Statler Hall this event is an insightful conversation with the Emmy-winning actor, singer, and songwriter.

Since bursting onto the pop-culture landscape over a decade ago in Fox’s hit TV show GLEE, Emmy and Golden Globe winner Darren Criss has embodied the kind of kaleidoscopic artistry that’s entirely uninhibited by form or genre. For this concert, Darren will be performing well known songs featured throughout his wildly eclectic career as both a songwriter and performer, including those from Glee, Starkid and the Broadway shows he’s starred in.

Before Darren Criss exploded into the internet’s subculture as both an actor and songwriter for the YouTube viral hit A Very Potter Musical in 2009, he had made a small name for himself playing unique interpretations of popular songs he’d perform at cafes and bars in his hometown of San Francisco. Little did he know that the same knack for covering tunes would serve him well in 2010, when he was cast on FOX’s massively successful musical series Glee, from which many of his performances of popular songs would lead to several Billboard-topping records. In 2015 his songwriting also landed an Emmy nomination for Best Original Music and Lyrics, from penning the song “This Time” for the show’s series finale. Criss has continued to write and produce music extensively through the years, whether for his own releases as an artist or as a songwriter for theater, film & television. In 2019 Criss created, executive produced, starred in, and provided all the original songs for his short-form musical comedy series Royalties, and earlier this year provided the music & lyrics for the opening number of the 2022 Tony Awards: Act One. As an artist, he most recently delivered a genre-diverse collection of "character-driven" singles as part of his 2021 solo EP titled “Masquerade” (BMG) , and in the same year, released a full-length Christmas album titled- aptly- A Very Darren Crissmas (Decca).

As an actor, Criss is a veteran of the stage whose Broadway credits include the titular role of Hedwig and the Angry Inch (2015), How To Succeed In Business Without Really Trying (2012), and the most recent 2022 revival of David Mamet’s seminal play American Buffalo alongside Laurence Fishburne and Sam Rockwell. In 2018 his work in Ryan Murphy’s The Assassination of Gianni Versace: American Crime Story received wide critical acclaim, earning him a Primetime Emmy, Golden Globe, Screen Actors Guild, and Critics’ Choice Award. He was most recently seen starring in Netflix’s hit series Hollywood, for which he also served as executive producer.

Don't miss this opportunity to hear from one of Hollywood's brightest stars and engage in meaningful dialogue about his career, influences, and future projects. Mark your calendars and join us for an unforgettable event!

#darren criss #cornell program board #cornell capsu #cupb & capsu presents an evening with darren criss #upcoming events #march 2024