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cypher2 · 8 months

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2023 Women's World Cup records

In addition to breaking numerous worldwide social media and viewing records, the 2023 Women's World Cup set and broke a number of unique tournament records as well. The players and teams that participated in this WWC should all feel extremely proud for the history they have made. Their performances continue to show the world that these athletes are capable of so much more than they are ever fully recognized for.

First team from their nation to qualify for a men’s or women’s senior FIFA tournament: Vietnam WNT 8 nations had their debuts for first time appearing in a FIFA women’s World Cup: Haiti, Portugal, Zambia, Vietnam, The Philippines, Republic of Ireland, Morocco, and Panama. Canadian midfielder Quinn starts for Canada and becomes the first non-binary athlete to play at a FIFA World Cup.

Christine Sinclair (Canada) and Marta (Brazil) become the 3rd and 4th players in history to appear in 6 World Cup competitions men or women, with Homare Sawa (Japan) and Onome Zeno (Nigeria) being the other two. The player with the record for most world cup appearances in history remains Brazil’s Formiga, the only player to compete in 7 world cups (men or women).

Kristine Lilly still holds the record for most WC appearances by men or women with 30 games played - a record set and held since 2007. Followed by Formiga with 27 as of 2019 and Lionel Messi with 26 as of 2022. Brazil’s Marta still holds the all time leading record for most goals scored across all World Cup competitions with 17 goals in 23 appearances across 6 tournaments.

Zambia’s Lushomo Mweemba scores the fastest goal of this year’s tournament in group stage at 2min 11 sec, also marking Zambia’s first ever world cup goal in their debut. The fastest goal in a FIFA Women’s World Cup has stood for over 30 years - it remains the goal scored by Lena Videkull of Sweden, who scored after just 30 seconds against Japan in the inaugural 1991 tournament. Zambia’s Barbra Banda scores the 1000th goal in WWC history. Nouhaila Benzina of Morocco becomes the first Women’s World Cup player to wear a hijab.

Ary Borges of Brazil scores a hat trick in her WWC debut and the first hat trick of the tournament. First Caribbean nation to reach the round of 16 in WWC history - Jamaica First Arab nation to qualify for a WWC and reach the round of 16 in WWC history - Morocco Of the eight debutants, Morocco was the only one to advance to the round of 16. Two teams reached the round of 16 having conceded no goals so far in the tournament- Japan and Jamaica.

First time four African nations have been represented at a WWC with three of them qualifying for the knock out stage at this years competition - South Africa, Morocco, and Nigeria. 3 of the 4 African nations appearing in this year’s WWC all finished 2nd in their groups (Morocco, South Africa, and Nigeria). The US suffered its earliest elimination in WWC history, getting knocked out in the round of 16. The U.S. has never finished below 3rd place in all previous editions of the competition. Sweden’s Zećira Mušović sets a new record for most saves in any WWC 2023 game with 11 saves vs the US in the round of 16.

First manager to lead two different nations to a World Cup final (Netherlands and England)- Sarina Wiegman First goalkeeper to take and convert a PK in a WWC penalty shootout - Alyssa Naeher

Golden ball (best overall player of the tournament) - Aitana Bonmatí Silver ball - Jenni Hermoso Bronze ball - Amanda Ilestedt Golden boot (most goals scored in the tournament) - Hinata Miyazawa (5 goals) Silver boot - Kadidiatou Diani Bronze boot - Alexandra Popp Golden glove (best goalkeeper of the tournament) - Mary Earps

FIFA young player award (best player of the tournament under 21 years old) - Salma Paralluelo FIFA fair play award (team with best record of fair play during the tournament) - Japan Best mascot of the tournament (unofficial) - Waru Longest penalty shootout in World Cup history (20 penalties taken) - Australia vs France quarter final

The 2023 competition was hosted by Australia and New Zealand, making it the first edition to be held in the Southern Hemisphere, the first Women's World Cup to be hosted by two countries, and the first FIFA senior competition for either men or women to be held across two confederations (Asia and Oceanic).

First edition of the women’s tournament to feature an expansion to 32 teams and 64 matches, and largest women’s sporting event in history with 32 teams and 736 players. Only team to play all matches (group stage + knockout) undefeated with a 6-0-0 record - England All 4 previous winner nations (US, Germany, Norway, and Japan) were eliminated before the semifinal stage, marking the first time this has happened in the competition’s history.

For the first time in its 32 year and 9 tournament history, the WWC has a new champion (Spain) and new runner up (England) in 2023, with both nations never having made it to the final stage before. Only the 2nd nation in history to win both a men’s and women’s World Cup - Spain Top scoring country at the 2023 WWC - Spain with 18 goals First time a senior English football team has made it to a WC final in 6 decades - England WNT

First time advancing past quarterfinals in their WWC history and first host nation to advance to semifinals in 20 years - Australia placed 4th place for best in all 8 WWC competitions they’ve participated in and broke attendance records through all stages of the tournament, with an overall stadium attendance across all matches at 1.978 million. More than 1.5 million tickets were sold for the WWC, surpassing the entire tournament’s projected target in the first 5 days alone.

Two attendance records were broken for both host nations on day one of the WWC - largest crowd ever for a men’s or women’s football game in New Zealand (42,137) and largest crowd ever for a women’s football game in Australia (75,784).

Brazil's opening match v Panama was simulcast live on TV Globo and SporTV, delivering a combined audience of 13.9 million viewers - higher than any audience in the territory during the 2007, 2011, and 2015 WWC. China v England produced the highest audience for a single match, reaching 53.9 million viewers, becoming the highest in any global market so far. 17.15 million people tuned into the Australia v England semifinal cumulatively across Channel 7, Optus Sport, venues, and live-sites, comprising approx 64% of the entire Australian population - the biggest television event not just in any sport in the country, but in Australia’s television history.

The record for highest single match attendance still remains the 1999 WWC final between the US and China with 90,185 in attendance - a number that hasn’t been reached since the men’s tournament at the 1994 WC final between Italy and Brazil at 94,194.

The largest 2023 attendances were at Stadium Australia in Sydney, which saw four capacity-crowd fixtures, including Australia's opening win over Republic of Ireland and the final between Spain and England. The crowd of 75,784 was a record home audience for a women's football match in Australia and the third largest individual crowd attendance in Women's World Cup history. Over 50% of all matches had near sell out or at stadium capacity with a total of 1,977,824 fans in attendance at the 64 games in total, setting a new record for highest overall attendance in Women’s World Cup history across all 9 editions of the tournament. Highest grossing Women’s World Cup in history with a revenue of over half a billion dollars ($570 million), surpassing the projected revenue estimate by $100 million.

#wwc23 #wwc 2023 #fifa women's world cup #woso #attendance and records #wwcedit #I had to throw the waru one in there #for my own heart #waru 🥺

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damianstarbradley · 2 months

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Neptune in Pisces – the "end times", fear mongering, and right-wing hysteria

Back in 2012, Neptune entered Pisces just in time for the 2012 phenomena; a cultural conspiracy movement which believed the world would come to an end in 2012. During the time of the 2007-2009 recession, the percentage of Americans who were unemployment doubled. Poor economic circumstances lead to more Americans attending church and we are seeing similar patterns today as inflation and rent prices continue to rise in the US.

Neptune is currently in the late degrees of pisces, and as Neptune closes out this cycle, we are collectively frustrated and disillusioned with our current systems. shrinkflation. It is no surprise to me that with the rise in popularity of new age spirituality during the pandemic of the early 2020's came this movement of Christians as we are seeing today.

The homesteading community has sent my girlfriend and I straight down the conservative pipeline on both Tiktok and Instagram. With this has come a slue of videos outcrying about how we are in the end times -- a young man is close to tears as he describes a Canadian law that would "put Christians in jail for quoting the Bible" and that is was proof of the supposed end times. What this young man described was the proposed Bill C-367, "currently under review in the House of Commons, would repeal “religious exemption” in Section 319 of the Canadian Criminal Code, which critics say could open up Christians and other religious groups to “hate speech” charges over any comments or criticisms of the LGBT movement."

Jupiter and Uranus are currently conjunct in the sign of Taurus right now. The divide between the far left and the far right, the rich and the poor, and the privileged and underprivileged, has never been more palpable, and tensions are high. The two planets will exact one another around April 21st 2024, I expect some major world news/events to take place, perhaps an increase in protests.

Saturn is also in pisces. This week, the NYC governor declared a state of emergency and called in the national guard to patrol subway stations for vague and unclear reasons. This has lead many to speculate about what this could mean and understandably there is a lot of fear.

Overall: Loss of faith (neptune, pisces) in existing systems, structures and institutions (saturn) leading to belief in a higher power.

Confusing, vague circumstances surrounding security. Conspiracies surrounding homeland security. Our institutions and government systems (saturn) are lacking clear definitions and boundaries (pisces). Boundaryless authority (saturn pisces). Fear (saturn) of the unknown (pisces).

#mundane astrology #astrology #neptune in pisces #Jupiter in taurus #astrology transits #saturn in pisces #nyclife #astrology thoughts #astrology community #astrology observations #astro notes #zodiac #zodiac signs #capricorn #capricorn rising

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kwebtv · 7 months

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Sir Michael John Gambon CBE (/ˈɡæmbɒn/; October 19, 1940 – September 27, 2023) Film, stage and television actor. Gambon started his acting career with Laurence Olivier as one of the original members of the Royal National Theatre. Over his six-decade-long career, he received three Olivier Awards, two Screen Actors Guild Awards, and four BAFTA Awards. In 1998, he was knighted by Queen Elizabeth II for services to drama. Gambon enhanced his stardom through his role of Albus Dumbledore in the Harry Potter film series from 2004 to 2011, replacing Richard Harris following his death in 2002.

For his work on television, he received four BAFTA Awards for The Singing Detective (1986), Wives and Daughters (1999), Longitude (2000), and Perfect Strangers (2001). He also received two Primetime Emmy Award nominations for Path to War (2002) and Emma (2009). Other notable projects include Cranford (2007) and The Casual Vacancy (2015). In 2017, he received the Irish Film & Television Academy Lifetime Achievement Award.

In 1967, he made his television debut in the BBC television adaptation of Much Ado About Nothing as Watchman No. 4. He also appeared in British programmes such as Softly, Softly (1967), and Public Eye (1968). From 1968 to 1970, he featured in the BBC historical series The Borderers as Gavin Kerr. He also had a recurring role in the Canadian series The Challengers (1972). He also appeared in drama anthology series including Play for Today, Play of the Month, and ITV Playhouse.

His craggy looks soon made him into a character actor. For his lead role in Dennis Potter's The Singing Detective (1986) he won his first British Academy Television Award for Best Actor. He starred as detective Inspector Jules Maigret in an ITV adaptation of twelve of Georges Simenon's books. In 1990, he played Jerry in Harold Pinter's Betrayal for BBC Radio 3. In 1991, he starred as Tommy Hanbury in an episode of the ITV series Minder called "Look Who's Coming To Pinner". He also appeared in the BBC serial Wives and Daughters (1999) based on the Victorian novel by the same name by Elizabeth Gaskell. He portrayed Squire Hamley and received his second BAFTA Award nomination and win for Best Actor. (Wikipedia)

IMDB Listing

#Sir Michael Gambon #TV #Obit #Obituary #O2023 #The Singing Detective #Wives and Daughters #Longitude #Emma #Cranford #Path to War #Maigret

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if-you-fan-a-fire · 4 months

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BOOKS I READ IN 2023 Here's what I read in 2023. What has now become an annual tradition of sorts!

An unusual year in reading for me. The first half of the year was very slow, and I mostly finished two long books I've been trying to finish for years by William Morris and Robert Musil. Then the PSAC strike, and more time to read. After that, I made a reading plan and stuck to it, trying to read every day at least a chapter of a book on the list. I also ended up re-reading several books this year - transcribing notes at first, I ended up going over the entire book a second time. I also tried to take extensive notes on every new book. I also snuck a few theses I read onto the list - it feels weird not to include a several hundred page work I went over with a fine-toothed comb. Mostly academic books, germane to my own research and writing, but some strong forays into topics I don't normally think about much. Plus some genuinely good 'amateur' history, too.

Re-reads are marked by a plus sign and my most enjoyable or interesting reads are marked with an asterisk.

First Row:

Jesper Vaczy Kragh, Lobotomy Nation: The History of Psychosurgery and Psychiatry in Denmark (2021)

William Morris, The Well at the World's End (1896, Ballantine edition 1975)

Robert Musil, translated by Sophie Wilkins, The Man Without Qualities (1930, Picador edition 2017)*

Gavin Walker, ed., The Red Years: Theory, Politics, and Aesthetics in the Japanese ’68 (2020)*

Garrett Felber, Those Who Know Don't Say: The Nation of Islam, the Black Freedom Movement, and the Carceral State (2020) *

Robin Jarvis Brownlie, A Fatherly Eye: Indian Agents, Government Power, and Aboriginal Resistance in Ontario, 1918-1939 (2003)

Second Row:

Steve Hewitt, Riding to the Rescue: The Transformation of the RCMP in Alberta and Saskatchewan, 1914-1939 (2006)

Maeve McMahon, The Persistent Prison?: Rethinking Decarceration and Penal Reform (1989)+

Rebecca McLennan, The Crisis of Imprisonment: Protest, Politics, and the Making of the American Penal State, 1776–1941 (2007)+

Anne Guérin, Prisonniers en révolte: Quotidien carcéral, mutineries et politique pénitentiaire en France (2013)+

Anson Rabinbach, The Eclipse of the Utopias of Labor (2018)

Scott Thompson & Gary Genosko, Punched Drunk: Alcohol, Surveillance and the LCBO, 1927-1975 (2009)

Third Row:

Erin Durham, "In Pursuit of Reform, Whether Convict or Free: Prison Labor Reform in Maryland in the early Twentieth Century." (2018 thesis)

Chester Himes, Yesterday Will Make You Cry (1998)*

Harvey Swados, Standing Fast: A Novel (1971, 2013 Open Road edition)

Charles Upchurch, "Beyond the Law": The Politics of Ending the Death Penalty for Sodomy in Britain (2021)

Barry Godfrey, David J. Cox & Helen Johnston, Penal Servitude: Convicts and Long-Term Imprisonment, 1853–1948 (2022)

W.J. Forsythe, Penal Discipline, Reformatory Projects And The English Prison Commission, 1895-1939 (1991)

Fourth Row:

Neal A. Palmer, To the Dark Cells: Prisoner Resistance and Protest in Nineteenth-Century Britain (2008)

Frances H. Simon, Prisoners' Work and Vocational Training (1999)

Meera Nanda, Science In Saffron: Skeptical Essays On History of Science (2016)*

Gene Wolfe, The Book of the New Sun (four volumes, 1980-1983, Folio Society edition 2021)+

David J. Rothman, Conscience and Convenience: The Asylum and Its Alternatives in Progressive America (2002)+

Kathryn Cooper, "The Infamous Convict Museum Ship Success : an Archaeological Investigation of Material Culture and Identity Formation Processes." (2014 thesis)

Fifth row:

Barry M. Gough, Gunboat Frontier: British Maritime Authority and Northwest Coast Indians, 1846-1890 (1984)

Edward Jones-Imhotep, The Unreliable Nation: Hostile Nature and Technological Failure in the Cold War (2017)*

Larry A. Glassford, Reaction and Reform: The Politics of the Conservative Party under R.B. Bennett, 1927-1938 (1992)

Don Nerbas, Dominion of Capital: The Politics of Big Business and the Crisis of the Canadian Bourgeoisie, 1914-1947 (2013)

James Naylor, The Fate of Labour Socialism: The Co-operative Commonwealth Federation and the Dream of a Working-Class Future (2016)

Michael Martin, The Red Patch: Political imprisonment in Hull, Quebec during World War 2 (2007)

Sixth Row:

Ruán O'Donnell, Special Category: The IRA in English Prisons, Vol. 1: 1968-1978 (2012)*

Ruán O'Donnell, Special Category: The IRA in English Prisons, Vol. 2: 1978-1985 (2015)*

Cheryl D. Hicks, Talk with You Like a Woman: African American Women, Justice, and Reform in New York, 1890-1935 (2010)*

Clarence Jefferson Hall, A Prison in the Woods: Environment and Incarceration in New York's North Country (2020)

Scott Thompson, "Consequences of Categorization: National Registration, Surveillance and Social Control in Wartime Canada, 1939-1946." (2013 thesis)

H.V. Nelles, The Politics of Development: Forests, Mines, and Hydro-Electric Power in Ontario, 1849-1941 (2005)+

Seventh row:

Chief Thomas Fiddler & James R. Stevens, Killing the Shamen (1985)

Ashley Johnson Bavery, Bootlegged Aliens: Immigration Politics on America's Northern Border (2020)

Patrick Brode, Dying for a Drink: How a Prohibition Preacher Got Away with Murder (2018)

Hamish Maxwell-Stewart & Michael Quinlan, Unfree Workers: Insubordination and Resistance in Convict Australia, 1788-1860 (2022)*

Victor Serge, translated by Ralph Manheim, Last Times (1946, 2022 NYRB edition)

Christopher Cauldwell, Studies in a Dying Culture (1938)

#books #reading #books 2023 #year end list #2023 reading list #canadian history #prison history #academic quote #academic research #academic books #australian history #british history

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theaskew · 2 months

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Barry Allikas (Canadian b. 1953), My Back Pages, 2007. Acrylic on canvas, 64 x 64 cm. (Source: MNBAQ, Musée national des beaux-arts du Québec)

#art #artwork #modern art #contemporary art #modern artwork #contemporary artwork #21st century modern art #21st century contemporary art #abstract #abstraction #post-painterly abstraction #Canadian artist #Canadian painter #Montreal #Barry Allikas #MNBAQ #Musée national des beaux-arts du Québec

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dweemeister · 2 months

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Best Animated Short Film Nominees for the 96th Academy Awards (2024, listed in order of appearance in the shorts package)

This blog, since 2013, has been the site of my write-ups to the Oscar-nominated short film packages – a personal tradition for myself and for this blog. This omnibus write-up goes with my thanks to the Regency South Coast Village in Santa Ana, California for providing all three Oscar-nominated short film packages.

If you are an American or Canadian resident interested in supporting the short film filmmakers in theaters (and you should, as very few of those who work in short films are as affluent as your big-name directors and actors), check your local participating theaters here.

Without further ado, here are the nominees for the Best Animated Short Film at this year’s Academy Awards. The write-ups for the Documentary Short and Live Action Short nominees are complete. Films predominantly in a language other than English are listed with their nation(s) of origin.

Yet again, this completes this year’s omnibus write-ups for the Oscar-nominated short films for the upcoming Academy Awards:

Our Uniform (2023, Iran)

Director Yegane Moghaddam used to be a primary school teacher in Iran and often “observed the students… struggling with their uniforms and headscarves all day.” These observations informed her film and narration in Our Uniform, which won Best First Film at Annecy (the largest animation-only film festival, in the French Alpine resort town of the same name) in 2023. Only the fourth ever non-Western/European and non-Japanese nominee in this 92-year-old category – following 2014’s Bear Story (Chile; that year's winner), 2020’s Opera (South Korea) and 2021’s Bestia (Chile) – Our Uniform adopts a unique style never before seen in this category. Instead of traditional cel animation with ink and paper or computers, Moghaddam nearly single-handedly painted images directly on clothing fabrics (pants, jackets, shirts, scarves – all from her personal wardrobe) to illustrate the memories her narration shares. These memories, of attending public school in Iran, invariably intersect with Iran’s theocratic politics. There are references, never pedantic, about government propaganda as part of the school curriculum, and the segregation between boys’ and girls’ education. Most vividly, Moghaddam remarks on the restricting school uniform and compulsory hijabs for girls at school, issues which enflamed protests against such laws beginning in 2017 (and spiking after the death of Mahsa Amini in 2022).

Moghaddam, who cites graphic novelist/director Marjane Satrapi (2007’s Persepolis, 2011’s Chicken with Plums; the former I consider among the finest animated films of this young century) as her primary artistic inspiration, curiously does not contain as much messaging in her film as one might expect. As an Iranian citizen who currently has no plans to officially distribute the film within her home nation due to fear of retribution, how could she? But the film’s slightness cannot distract from its painstaking, loving artistry. Without relying on inventive camerawork, Moghaddam uses the natural pockets and folds of her clothes to suggest dimension and personality. To Moghaddam, all clothing has a personality and personal history to the wearer, even compulsory clothing, all of which she uses to wonderful effect. What originally began as a fun side project that Moghaddam had no expectations for gifts audiences a truly original viewing experience.

My rating: 7.5/10

Letter to a Pig (2022, Israel/France)

Qualifying for the Academy Awards after winning the Grand Prize for Best International Short Film at Anima, the Brussels Animation Film Festival, in early 2023, Nal Kantor’s Letter to a Pig sees a Holocaust survivor retelling a story of survival to a group of largely disinterested and scornful teenagers. As the elderly man recounts how he wrote a letter to a pig that inadvertently saved his life, a handful of students start insensitively snorting. Quietly, Letter to a Pig adopts the standpoint of one of the girls in class, half-listening at first. Here, Kantor seamlessly switches between the man’s memories and the reality of the classroom, through heavy rotoscoping to outline her figures, mixing it with live-action footage for the limbs or eyes, but only using a few ink scribbles to outline facial features and hair. Generally, the more movement either the schoolgirl or Holocaust survivor show, the more scribbles and live-action footage that appear. For all other figures, they remain mostly abstract.

As a young man, the Holocaust survivor recalls how filled with rage he was, long after his near-death encounter. Now, physically unable to exact retribution on those who harmed him, he tells the students “you are my revenge” – passing along his trauma to those not realizing what they have just received. The schoolgirl’s vision in the surrealistic final minutes is her absorption of the Holocaust survivor’s story. This masterfully drawn finale is the emotional apex of Letter to a Pig, fully justifying its black-and-white palette (with one exception: pink for the pigs, considered an impure animal in Judaism) in service for its profound sense of dread. Symbolizing memory, the pig appears throughout the film as a savior, a monster, or something worthy of mockery, depending on who is on screen. It is in these final moments Letter to a Pig leaves the audience with pressing questions. Can one impart painful memories without the trauma that gives such memories form? Most urgently, can we choose not to act on the trauma we inherit? May it be possible not only in dreams.

My rating: 8.5/10

Pachyderme (2022, France)

Stéphanie Clement’s Pachyderme, like Letter to a Pig, is an unsettling short film that delves deeply into the mind of a troubled character. In this film, a young woman named Louise (Christa Théret) recalls her days visiting her grandparents in Provence (southeastern France) during her childhood. The sun-bathed rural landscape is picturesque, the grandparents’ house gorgeously stylized. Beyond this, some of Louise’s recollections feel incomplete, with no apparent structure or chronology. That might read as a criticism, but Clement and screenwriter Marc Rius fully intend for Pachyderme to seem fragmented. The film strongly implies – and some viewers will pick this up earlier or later than others – that the grandfather sexually abused Louise. In reaction, Louise, while recounting her memories for the audience, has repressed her memories and is showing signs, in her narration and in her visual recollections, of disassociation. I do not recall ever seeing disassociation, a common symptom of those who have been sexually abused, portrayed as cinematically as seen in Pachyderme. It is best exemplified, metaphorically, in the scene where our protagonist disappears into the wallpaper (this scene was originally the first bit of test footage made for the film).

But perhaps there is no better visualization of all Pachyderme has to say than the moment where Louise’s grandfather notices her index finger bleeding. He grasps her hand, and his hands dwarf hers. The simultaneity of Pachyderme’s picture book visuals and its horrifying implications show the viewer a woman who has not fully processed what has happened to her. It is not helped by the defensiveness of Louise’s grandmother following the grandfather’s death. Family denial, too, is playing a role in how Louise is choosing, consciously and subconsciously, to remember the past. In its eleven minutes, Pachyderme passes in a dreamlike haze, its illusory moments enabling the viewer to more closely connect to Louise’s (both the young adult narrating the film and the child on-screen) feelings. Unlike many nominees in Best Live Action Short Film down the years that addressed childhood trauma (it's a long-running trend for that category), Pachyderme prioritizes healing in as cinematic a way as possible.

My rating: 8.5/10

Ninety-Five Senses (2023)

If the names Jared and Jerusha Hess are familiar, that is because this husband-and-wife directorial team also made Napoleon Dynamite (2004) and Nacho Libre (2006). Some of those same comedic sensibilities carry over to Ninety-Five Senses, which qualified for the Academy Awards by winning Best Animated Short at the Florida Film Festival in 2023. The film features an old man named Coy (Tim Blake Nelson, a Coen Brothers regular whose voice fits the narrative here) reflecting back on life – a reverie that jumps, hops, and skips across time and place. At first, Ninety-Five Senses, with its wildly shifting style changes, does not seem to have much of a point or purpose. But the film gradually reveals itself: first through the subtle shading of what appear to be prison bars and, later, the mountain of discarded food cartons sitting on the table in front of Coy. We soon realize that Coy is in the final hours or minutes of being on death row, and he is describing to the audience his internal peace before he meets his fate.

Ninety-Five Senses is not here to make a point about capital punishment, incarceration, or the terrible actions that landed Coy in prison. Foremost, this is a film that attempts to capture the last gasp of humanity of an individual before their execution. In contrast with the drab grays whenever Coy is seen in his cell, his flashbacks are intense – a fount of color, with both crude and elegant character designs, hand-drawn and computer-generated (sometimes appearing side-by-side). Not every vignette – of which there are five, one for each human sense – showcases as much aesthetic excellence as the others, such as an early instance where Coy recounts his childhood. That vignette does not evoke the respective human sense it covers as well as it thinks it does; the art style of that vignette also recalls hand-drawn television animation, but flows too smoothly to exactly replicate it. In any case, this is a promising first foray into animated film for the Hesses.

My rating: 8/10

War Is Over! Inspired by the Music of John and Yoko (2022)

War Is Over! (you cannot make me write or say the full title ever again) has the basics of a promising animated short film. Yet its simplistic take on humanity and warfare and close association with John Lennon and Yoko Ono’s “Happy Xmas (War Is Over)” condemns the film as pure hogwash. On second thought, I retract “hogwash”. That is an insult to Letter to a Pig and to porcine animals. This is self-congratulatory treacle from director Dave Mullins and co-writer Sean Ono Lennon (the son of John and Yoko). In a supposedly alternate World War I reality, a pigeon delivers messages between an Allied and a Central Power soldier on opposite sides of No Man’s Land. The messages contain chess notation, as they, somehow, began a game of chess with each other without ever meeting. One day, at presumably Christmas, the two armies inexplicably charge toward each other and, amid gunfire and a mass mêlée that should leave many more soldiers dead than shown, our two soldiers encounter each other on the battlefield in combat shorn of its gruesomeness.

Despite the film using the Unreal Engine for its animation, I admire the film’s lighting effects, character movements, pigeon animation, sound effects, and art direction for the otherwise sanitized trenches. That may be all the positives I can offer.

The contrived scenario sinks even further when our two chess-playing soldiers discover a critical message from their pigeon messenger. Cue the second-most embarrassing needle drop among this year’s fifteen short film nominees (somehow, the closing moments of The After are worse than this). Unlike The After, War Is Over! feels as if constructed around its respective song. Is this now a glorified music video? In an instant, the film reduces the tragedy of the Great War to something akin to a soft drink commercial or that “Imagine” video (could we stop disrespecting John Lennon and his fellow Beatles?). The sanitized depiction of war and farfetched resolving actions undercut the film’s message, embarrassing itself as it lurches through its excruciating final minutes. That the first credit in the end credits read “music and message by John and Yoko” rather than director Dave Mullins leaves an even more sour taste. At the heart of War Is Over!, Mullins and Sean Ono Lennon want us to know that war is bad. I never could have guessed!

My rating: 4/10

^ Based on my personal imdb rating. My interpretation of that ratings system can be found in the “Ratings system” page on my blog. Half-points are always rounded down.

From previous years: 85th Academy Awards (2013) 87th (2015) 88th (2016) 89th (2017) 90th (2018) 91st (2019) 92nd (2020) 93rd (2021) 94th (2022) 95th (2023)

Two other films played in this package as honorable mentions: Wild Summon (2023, dir. Karni Arieli and Saul Freed; 6/10) and I'm Hip (2023, dir. John Musker; 6/10).

For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.

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miloscat · 24 days

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[Review] Avatar The Last Airbender: Bobble Battles (PC)

A budget licensed RTS, it's about what you'd expect.

Frima Studio is a successful French Canadian developer: over the years they've done lots of casual, Flash, and mobile games, as well as some console stuff. I just found out they're working on a Risk of Rain spinoff currently. But one of their first jobs was making a tie-in Avatar strategy game in 2007, and they did it competently enough.

Based on Books 1 and 2 of the show, Bobble Battles takes its name from the "bobblehead" art style, better known as chibi or super deformed, which was employed in a few other spinoff projects like animated shorts, comics, and video games. It's an appealing look and helps a bit with readability of the characters when you're zoomed out (although character design could have differentiated common unit types a lot more), but you can't appreciate the look too well unless you're zoomed in, in which case the game is much less playable.

As a real-time strategy game in the vein of your Warcrafts and Dune 2s, it's been simplified and streamlined to the nth degree. There's only one resource, no upgrading, a handful of unit types that act identically between factions, and a basic control scheme. The limited nature of the controls hurt it as moving between the arrow keys to shift your view and the numbers for control groups is uncomfortable. Those are pretty much your only functions by the way; there's no attack-move or other specialised move commands, although hero units do have more flashy attacks.

I'm no RTS die-hard but even having played a bit of Starcraft and Age of Empires back in the day I couldn't help but find Bobble Battles wanting in gameplay. There's no rally points, few hotkeys, and just getting your units to do anything is a hassle. Selecting control groups instantly shifts the camera over to them, there's always a pause before they execute your commands, and they need to be heavily micromanaged to attack targets. Pathfinding in narrow spaces can be atrocious, with your guys often milling around or getting stuck on walls when you're on a city-based level. On the whole there's a lot of pain points in the micro scale, and little need for macromanagement at all. I understand the desire to create a game in this genre for younger audiences, but it's not just dumbed down, it feels shonky and shallow.

The game is structured in three campaigns. The first two more or less cover the heroes' journey through the first two seasons of the show, while the third has you playing as the Fire Nation trying to stop them. After completing these you unlock the Timeline mode, which rearranges the scenarios into chronological order... this seems superfluous. The missions do try to have some variety between small-scale hero exploration and production maps and to give you different kinds of objectives. They do a decent job at this, although the scope never gets very big. The most that will ever be demanded of you is juggling three control groups to defend three settlements that are pretty close together, but again this is baby's first RTS so I don't knock it for lacking difficulty.

As an Avatar game, it's kind of cool seeing events from the show reinterpreted into a new genre. You rarely had squads of people running around battling in the series, so there's some novelty to that. The characters having unique abilities is fun, and I got a kick out of seeing the designs of building and units between the nations. There's even one unique creature here, the goat-like mount that Water Tribe riders use. [EDIT: This beast does actually appear briefly in the North Pole episodes.] Only covering two-thirds of the show is a bit of a letdown, although to be fair it's an unavoidable consequence of the passage of time and when the game was commissioned. Can't argue with the immutable laws of time and space.

Bobble Battles is essentially fine. It works. There's even some creativity in how it's interpreting the source material and in the scenarios, but by attempting to simplify what is generally a complex genre, I think they went too far and actually hurt the playability. And that's before mentioning the dodgy behaviour of your units. It gets points for its uniqueness within the sphere of Avatar games, but it's hard to recommend except for completionists like me, and they would just play it anyway so it doesn't matter what I say about it!

#avatar #avatar the last airbender #avatar the last airbender bobble battles #frima studio #review #pc

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figureskatingcostumes · 1 year

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Brittany Novakowski's short program dress at the 2008 Canadian National Championships.

(Photos by Melanie Heaney and Janet)

#Brittany Novakowski #Canada #Women #Figure skating #2007–2008 #2008 Canadian Nationals

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custer-mp3 · 1 year

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The Pink Panthers Patrol (often shortened to Pink Panthers) were a civilian patrol group based in New York City, founded by members of Queer Nation in the summer of 1990 in order to combat anti-LGBT violence in Manhattan's West Village. They received notoriety when they were successfully sued in 1991 by MGM Pictures, the owner of the rights the Pink Panther cartoon. The neighborhood watch group would patrol areas that had a large number of gang assaults on homosexual men. In NYC, where the Pink Panthers was founded these patrols would generally be in the East and West Village.

A French-Canadian offshoot, Les Panthères Roses, focusing on protest actions over neighborhood patrols, operated as an affinity group in and around Montreal from 2002 - 2007.

[ clips here ]

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ruminativerabbi · 3 months

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The Two-State Solution

You would think that by now no amount of hypocrisy on the part of the great world out there could surprise, let alone startle, me at this point. Even I think that! And yet I find myself consistently amazed to find myself amazed at the duplicity of our so-called friends, not to mention the out-and-out phoniness of self-proclaimed allies who insist that they only want the best for the Jewish people or for the State of Israel.

If I had nothing to do for the rest of my life I could begin a list. But since my time is limited, I’ll settle for writing about our “friends” who have suddenly discovered, or rather re-discovered, the “two-state solution” as the cure for all that ails Israel and its neighbors. And they are legion: I’ve lost track of how many different newspaper articles I read this last week alone in which the author breathlessly announces that the reason the entire Arab-Israeli sikhsukh wasn’t resolved long ago has to do with the intransigence of Israelis with respect to the famous “two-state” solution, the compromise invariably touted by such authors as the obvious panacea to all that ails the Middle Eastern world. Here, for example, is a story from Taiwan explaining to readers of the Taipei Times how things would calm down instantly if only Bibi would heed President Biden’s call for a “two-state solution.”

The notion itself of a two-state solution to the Arab-Israeli problem, of course, is as old as the state itself and, in fact, there actually are two states, one Arab and one Jewish on the territory of the old British Mandate of Palestine. Or, rather, there would be had the British not unilaterally sawn the entire kingdom of Jordan, then called Transjordan, off of the mandated territory and offered it to the Hashemites as their own country. So the U.N. was dealing with the part that was left and that, indeed, they voted on November 22, 1947, voted to split down into two nations, a Jewish one and an Arab one.

The next part, everybody knows. The Jews of the yishuv accepted the plan and declared independence on May 14, 1948. (Our apartment in Jerusalem is actually just half a mile or so from November 22nd Street, a pretty place named specifically in honor of the U.N. decision.) The Arabs of British Palestine, however, did not follow suit and declare their own state. Instead, they went to war and lost, which failure laid the groundwork for the subsequent seventy-five years of hostility towards the Jewish state.

Whatever the problem really is, it certainly doesn’t have to do with not enough ink having been spilt—or time wasted—trying to work things out. The Madrid Conference of 1991, the Oslo Accords of 1991 and 1993, the Wye Plantation Memorandum of 1998, the Camp David Summit of 2000, the Annapolis Conference of 2007, the John Kerry shuttle diplomacy of 2013, the Trump administration’s “Peace to Prosperity” plan of 2020—all of these were “about” the two-state solution, each in its own way an effort to finesse the details while ignoring the fact that only one party to the dispute seemed even remotely interested in recognizing the other’s right to nationhood. Nor does the concept lack international sponsors: a quick google of “international leaders in favor of a two-state solution” yields a very impressive list, a list that includes President Biden, Chinese Foreign Minister Wang Yi, German Chancellor Olaf Scholtz, British P.M. Rishi Sunak, French President Emmanuel Macron, Canadian P.M. Justin Trudeau, Australian P.M. Anthony Albanese, New Zealand P.M. Christopher Luxon, and, saving the best for last, Saudi Foreign Minister Prince Faisal bin Farhan. They are all on board!

Most impressive of all is that a full 138 nations have alreadyrecognized the State of Palestine, the fact that none of the above efforts to create a viable two-state solution has succeeded waved away as a mere detail hardly worth mentioning.

So, all that being the case, what actually is the problem? Just this week, we were exposed to the current administration’s pique with Israeli P.M. Netanyahu for not being fully enough behind the two-state solution. The L.A. Times had a particularly interesting op-ed piece on the topic (click here). CNN’s piece (click here) was also quite good. And, of course, nothing could ever deter the New York Times from trying to pry some space out between the Biden and Netanyahu administrations, of which only the latest examples appeared in the last few days: Peter Baker’s “Netanyahu Rebuffs U.S. Calls to Start Working Towards Palestinian Statehood,” Thomas Friedman’s “Netanyahu Is Turning Away from Biden,” or Aaron Boxerman’s “Biden Presses Netanyahu On Working Towards Palestinian State.”

So, okay, I get it. The only solution is the two-state one. But why is everybody so irritated with Israel? The Palestinians could solve the problem overnight by declaring their independence, agreeing quickly to exchange ambassadors with the 130+ nations that already recognize their state, and getting down to the gritty business of negotiating safe and secure border with Israel. Bibi would probably not be pleased. But what could he do? The entire world would be on the Palestinians’ side and all it would take was a single unilateral announcement on the part of the Palestinians to get the ball rolling. The presence of Jewish so-called “settler” types in Judah and Samaria would not be a problem unless the State of Palestine intended itself to be totally judenrein—otherwise, why couldn’t those people live on their own land in an independent Palestine if they wanted to? (Most, I think, would not want to. But some surely would.) Nor would the status of Jerusalem itself be an issue: while the Palestinians are in unilateral-proclamation-mode, they could simply declare East Jerusalem to be their capital, then get down to work organizing a workable plan with Israel for policing the city, controlling traffic, and figuring out who picks up whose trash on which days.

Yes, I’m making light of intense issues. But, at the end of the day, why precisely couldn’t this happen? Everybody is happy to be irritated with Bibi, but Israel has demonstrated over and over—including in the context of all the above-listed conferences—that it is ready to negotiate for peace. And declaring independence would assist in Gaza as well: terror organizations like Hamas flourish in the atmosphere of hopelessness and desperation, but that would quickly move into the past if the Palestinians were occupied with nation-building and self-determination instead of endlessly complaining that the world hasn’t given them enough aid. If the Jordanians were big-enough hearted to create a kind of economic union with New Palestine, then there really would be no stopping the peace train. Even the United Nations would be unable to stop the momentum.

But, of course, none of the above has happened or, I fear, ever will happen. It’s much easier for the Biden administration to waste its time trying to bully Bibi into making concessions in the context of theoretical negotiations in which the other side has not given the slightly indication it wishes to participate. Yes, it’s more dramatic to build terror tunnels, murder babies, rape women, and take innocent civilian hostages. But that cannot—and will not—ever lead to statehood for Palestine. What will lead in that direction is the clear indication that the Palestinian leadership is prepared to create a viable Palestinian state and then to live within its borders peacefully and productively.

If the United States wants to defang Iran and lessen the likelihood that the Iranians will lead the world into World War III, it could take no more profound and potentially meaningful step forward than convincing the Palestinians to stop complaining, to take the independence the entire world wishes to offer them seriously, and to get down to the actual business of nation-building. The mullahs will be outraged. But they’ll get over it. And the world will be a safer and better place.

#Israel #Two-State Solution #Netanyahu

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brookstonalmanac · 3 days

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Events 4.25 (after 1940)

1944 – The United Negro College Fund is incorporated. 1945 – World War II: United States and Soviet reconnaissance troops meet in Torgau and Strehla along the River Elbe, cutting the Wehrmacht of Nazi Germany in two. This would be later known as Elbe Day. 1945 – World War II: Liberation Day (Italy): The National Liberation Committee for Northern Italy calls for a general uprising against the German occupation and the Italian Social Republic. 1945 – United Nations Conference on International Organization: Founding negotiations for the United Nations begin in San Francisco. 1945 – World War II: The last German troops retreat from Finnish soil in Lapland, ending the Lapland War. Military actions of the Second World War end in Finland. 1951 – Korean War: Assaulting Chinese forces are forced to withdraw after heavy fighting with UN forces, primarily made up of Australian and Canadian troops, at the Battle of Kapyong. 1953 – Francis Crick and James Watson publish "Molecular Structure of Nucleic Acids: A Structure for Deoxyribose Nucleic Acid" describing the double helix structure of DNA. 1954 – The first practical solar cell is publicly demonstrated by Bell Telephone Laboratories. 1959 – The Saint Lawrence Seaway, linking the North American Great Lakes and the Atlantic Ocean, officially opens to shipping. 1960 – The United States Navy submarine USS Triton completes the first submerged circumnavigation of the globe. 1961 – Robert Noyce is granted a patent for an integrated circuit. 1972 – Vietnam War: Nguyen Hue Offensive: The North Vietnamese 320th Division forces 5,000 South Vietnamese troops to retreat and traps about 2,500 others northwest of Kontum. 1974 – Carnation Revolution: A leftist military coup in Portugal overthrows the authoritarian-conservative Estado Novo regime and establishes a democratic government. 1980 – One hundred forty-six people are killed when Dan-Air Flight 1008 crashes near Los Rodeos Airport in Tenerife, Canary Islands. 1981 – More than 100 workers are exposed to radiation during repairs of at the Tsuruga Nuclear Power Plant in Japan. 1982 – Israel completes its withdrawal from the Sinai Peninsula per the Camp David Accords. 1983 – Cold War: American schoolgirl Samantha Smith is invited to visit the Soviet Union by its leader Yuri Andropov after he read her letter in which she expressed fears about nuclear war. 1983 – Pioneer 10 travels beyond Pluto's orbit. 1990 – Violeta Chamorro takes office as the President of Nicaragua, the first woman to hold the position. 2001 – President George W. Bush pledges U.S. military support in the event of a Chinese attack on Taiwan. 2004 – The March for Women's Lives brings between 500,000 and 800,000 protesters, mostly pro-choice, to Washington D.C. to protest the Partial-Birth Abortion Ban Act of 2003, and other restrictions on abortion. 2005 – The final piece of the Obelisk of Axum is returned to Ethiopia after being stolen by the invading Italian army in 1937. 2005 – A seven-car commuter train derails and crashes into an apartment building near Amagasaki Station in Japan, killing 107, including the driver. 2005 – Bulgaria and Romania sign the Treaty of Accession 2005 to join the European Union. 2007 – Boris Yeltsin's funeral: The first to be sanctioned by the Russian Orthodox Church for a head of state since the funeral of Emperor Alexander III in 1894. 2014 – The Flint water crisis begins when officials at Flint, Michigan switch the city's water supply to the Flint River, leading to lead and bacteria contamination. 2015 – Nearly 9,100 are killed after a massive 7.8 magnitude earthquake strikes Nepal.

#Events

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virtchandmoir · 2 years

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Olympic great Scott Moir credits coaches-turned-colleagues for rediscovering his love of skating

Gold medallist now head of Ice Academy of Montreal's satellite program in London, Ont.

September 1, 2022

Scott Moir, seen here during an unveiling of his Canada's Walk of Fame Hometown Star in Ilderton, Ont., in 2019, has transitioned from his figure skating career to coaching and is now head of the Ice Academy of Montreal's satellite program in London, Ont. (Geoff Robins/The Canadian Press)

Tessa Virtue and Scott Moir came out of retirement to compete at the 2018 Olympics with a "stone cold" focus."T and I . . . we wanted to win, and nothing else," Moir said.

Their ferocious gold-medal pursuit led to a fierce push and pull with Montreal coaches Marie-France Dubreuil and Patrice Lauzon, whose focus was on the process and not the outcome.

"They helped us understand that [gold] actually wasn't the goal. Our goal was to be the best we could possibly be . . . but the double-edged sword of it is it allows you to be your best as well, when you have your priorities and you're connected with the joy of skating and why you started skating," Moir said Wednesday at Skate Canada's national team training camp.

"And the higher you get, the higher the pressure is. And you forget that so easily."

Virtue and Moir retired after winning gold at the 2018 Games as the most decorated ice dancers in history.

Dubreuil, Lauzon serve as inspiration

Moir hadn't considered coaching as a career, but he was so sold on the philosophy instilled by Dubreuil and Lauzon at the Ice Academy of Montreal (I.AM), he became the head of their satellite program in London, Ont.

"My time in Montreal changed . . . well, it changed my life. I know Tess feels the same way," Moir said. "I fell back in love with the sport again."

Of the 23 dance teams at the Beijing Olympics, Dubreuil and Lauzon, who captured back-to-back world silver medals before retiring in 2007, coached 10 of them at I.AM, including gold medallists Gabriella Papadakis and Guillaume Cizeron of France.

Dubreuil, Lauzon and former French skater Romain Haguenauer co-founded the academy in 2014. They had one team in the Sochi Olympics that year. They had four teams four years later in Pyeongchang, including Virtue and Moir.

In Beijing, country allegiances seemed to melt away between the 10 Montreal-based teams. Instead there were plenty of hugs and high-fives.

"We take care of the human being more than anything else," Lauzon said in Beijing. "I think that's what draws people in."

'His love for skating has not faded'

Haley Sales and Nikolas Wamsteeker, who are at this week's national team camp, are one of Moir's dance teams.

The two, who've twice been fourth at the Canadian championships, described Moir as a positive, high-energy coach who spends most of his time on the ice rather than behind the boards.

"His love for skating has not faded," Wamsteeker said.

They've noticed a shift in their skating since moving to London a year ago.

"The really unique thing about having a coach so fresh off the circuit was interesting, and more in tune with the modern kind of ice dance," said Sales. "I would say we've learned a lot more of the artistic side of skating, which we felt like we really needed."

"I'm starting to realize more and more of [Moir's influence] in my skating, watching the videos from years past it wasn't there," added Wamsteeker. "And it's hard to put my finger on it, but it's a fluidity, it's performance."

They're one of nine dance couples based in London. There are another 17 in the Montreal program.

While there's been criticism about coaching skaters who compete for countries other than Canada, Moir said the program works for the Canadians as well.

"We see the strength in the numbers . . . we believe that it makes our Canadian kids better, stronger," Moir said. "There are some people that it doesn't work for, which is fine. But usually it is life changing, and in this day and age, we need sport done in the right way more than ever. That's the whole commitment we made to each other. And hopefully, we can continue to uphold it."

'It's the little victories that I find extremely rewarding'

The 34-year-old Moir recently married longtime girlfriend Jaclyn Mascarin after COVID-19 twice threw a wrench into wedding plans. They have an 18-month-old daughter.

Moir's mom Alma and his aunt Carol, who were Virtue and Moir's first coaches, run the nearby Ilderton Skating Club, and can provide a developmental feeder system for dancers.

"So they're bringing up little teams, and they're also involved in the I.AM Ontario campus. So it's a nice little crossover that helps us," Moir said.

Moir, who often reaches out to Virtue if he has a skating question he can't figure out, said there's a big sense of satisfaction in the success of his athletes. But it comes in the moments away from competition.

"It's the little victories, and they mostly happen in training when you have a day and everything's clicking, and you're like, 'Oh, my God, I am actually having an impact!' I do have those moments," he said. "Sometimes it's the actual skills that they're getting, such as doing a perfect rocker turn that we've been working on forever.

"Most of the time, it's how the kids behave, and their skills that they'll take on to do whatever they do in the rest of their life — little things like being vulnerable, giving everything they have and even showing up on time and writing an email that they're supposed to.

"It's the little victories that I find extremely rewarding."

—CBC

#scott #off ice #i.am ontario #coach #interview: cbc #this is what i call a narrative builder #like including him never considering coaching #... lol lies #the part about #him getting married literally just threw in there #to be clear #i don't put that on scott #it's just so obvious but every day fans #will buy into it

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boy-with-the-demon-blood · 7 months

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in doing research about our disorders we have stumbled across something that has absolutely BLOWN OUR COLLECTIVE MIND and thus feel the need to share it with you all. the information here is about ADHD and DID, but mostly ADHD. we found the article through a website about DID but most of what we are talking about is about ADHD

coming from did-research.org's section on comorbid disorders, we read the paragraph:

There is a growing body of research showing that ADHD can be caused, exacerbated, or mimicked by childhood maltreatment. Although ADHD is known to be strongly heritable, there is evidence that genetic vulnerability interacts with an adverse family environment to increase the risk of ADHD (Laucht et al., 2007). Among those with childhood-diagnosed ADHD, the majority will not meet full ADHD criteria in adulthood, but childhood adversity increases the likelihood of continuing symptoms (Fuller-Thomson et al., 2015). Child maltreatment is strongly associated with symptoms also found in ADHD, including inattention, impulsivity, difficulties managing anger, extreme passivity, peer rejection, poor academic functioning, and cognitive delays (Briscoe-Smith & Hinshaw, 2006; Guendelman et al., 2016), and childhood physical abuse is so strongly associated with ADHD that some studies have found that ADHD is more likely to result from physical abuse than any other disorder, including PTSD (Sugaya et al., 2013). Most notably, ADHD symptoms are conceptualized as one of the clusters of symptoms associated with developmental trauma disorder, a proposed diagnosis meant to capture the extremely wide-reaching effects of severe childhood neglect and abuse (D’Andrea et al., 2012).

(bold font added by me to increase readability because tumblr's font is not very wall-of-text friendly)

AND THE PHRASE "Among those with childhood-diagnosed ADHD, the majority will not meet full ADHD criteria in adulthood" WAS SO FUNDAMENTALLY LIKE. PARADIGM SHIFTING. THAT WE LOOKED AT THE ARTICLE CITED AND IT ONLY GETS WORSE FOR OUR PAST PERCEPTION OF ADHD.

This is the article cited.

This is a paragraph from the abstract of the article, so not even the actual research conducted yet, just the background.

Research has begun to demonstrate a relationship between ADHD and adverse childhood experiences (ACEs), including physical abuse, sexual abuse, and witnessing parental domestic violence. Using the National Longitudinal Study of Adolescent Health, Ouyang, Fang, Mercy, Perou, and Grosse (2008) showed that adolescents with a history of childhood physical abuse had higher odds of self-reported symptoms of both inattentive and hyperactive subtypes of ADHD. Those with a history of sexual abuse also had significantly higher odds of the inattentive subtype, but not the hyperactive one. Another large study, this time using a representative sample of adult Canadians, found that those with a history of physical abuse had over six times higher odds of self-reporting a health professional diagnosis of ADHD (Fuller-Thomson, Mehta, & Valeo, 2014). Several smaller clinical studies have also linked ADHD to ACEs: Briscoe-Smith and Hinshaw (2006) found that a higher percentage of girls with ADHD reported any type of abuse than a matched comparison group. They also showed that most of the abuse occurred in the combination ADHD type as opposed to the inattentive type. Ford et al. (2000) revealed, among children and adolescents, that a history of physical or sexual maltreatment was associated with a diagnosis of ADHD. Finally, Biederman et al. (1995) found that children presenting with ADHD at a pediatric clinic disproportionately came from families who had experienced high levels of conflict.

(again, bold font added by me)

and i don't know enough about the categorization of developmental disorders and trauma disorders to really make this judgement but my brain semi-jokingly said "so when are we going to start classifying (adult) adhd as a trauma disorder" because like. the majority of people who i know that were diagnosed as kids violently hated being on medication and now don't use it, but every adult or late-teen-diagnosed person i know is endlessly grateful for medication. this is just personal experience, and i haven't made specific notes of it, but over half of my cousins (i have 30, so at least 15) have been diagnosed with adhd at some point or another, and they follow this pattern as well. the ones diagnosed past the age of like 16 or so have stayed on medication and we have talked about how much it has helped us, and the ones diagnosed as children look at us like we have three heads when we say we want to be on medication.

idk i just want to know you guys' thoughts! can be personal experience or professional knowledge, sorry that the second article is behind a paywall, i'm at university rn so i have access to it if you want me to like send you a pdf of it.

#adhd #actually adhd #did #actually did

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