The Morrigan ✨
✨In shadows deep, the Morrigan's embrace,
Dark goddess, veiled in mystery and grace.
Raven's wings, a cloak of night,
Weaving fate, a mystical sight.✨
✨Battles fierce, a warrior's guide,
In the swirling mist, she doth reside.
Threefold aspect, a trinity divine,
Morrigan's essence, in every line.✨
✨Whispers of magic, cauldron's brew,
Under moonlit skies, her power grew.
Anoint the earth with reverence and fear,
Dark goddess, Morrigan, always near.✨
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[Marauder Era/HPHM] Hermia “Mia” Flume Moodboard
Tagging @magicallymalted and @dat-silvers-girl so as to introduce this girl properly! 💗
“Could dress up to get love,
But guess what?
I'm never gonna be that girl
Who's living in a Barbie world...
Could wake up, and make up, and play dumb,
Pretending that I need a boy
Who's gonna treat me like a toy...
I know the other girls wanna wear expensive things,
Like diamond rings,
But I don't wanna be the puppet that you're playing
On a string...
This queen don't need a king.”
~“Sit Still, Look Pretty” by Daya
x~x~x~x
The owner of Honeydukes, Ambrosius Flume, is a very sweet man with a rather appropriate talent for manufacturing unique magical sweets. He also has three daughters, all of whom have a certain level of sweetness to them. The youngest, Callisto “Callie” Flume, had men of all stripes eating out of her hand, while the eldest, Hestia “Tia” Flume, earned the affection of the well-respected Head of the Goblin Liaison Office, Dirk Cresswell, and now the pair are happily married with two children. Ambrosius’s middle child -- who was also, in most people’s view, his favorite daughter -- is more akin to a bitter dark chocolate, compared to her soft-spoken, sensitive older sister and her flighty, flirty younger sister.
Hermia -- or “Mia” as she’s almost exclusively called -- is a witty, relentless young firebrand whose love for her family and hard work ethic dwarfs anything else, including her strong intellectual curiosity and her high aspirations. Mia was both the most ambitious and industrious of her siblings at school, doing her Head of House Pomona Sprout very proud by relentlessly putting 120% of herself into absolutely everything she did. She excelled at the Dueling Club, sang proficiently with the Frog Choir, and earned ten OWLs and NEWTs with nothing but her own sweat and tears. As a girl, Mia was determined to never do anything half-assed -- and this eventually included staying to work at her father’s shop as a chocolatier and pastry baker, even as Callie pursued a career with the Wizarding Wireless Network and Tia settled down into life as a stay-at-home mother.
Mia’s primary passion is integrating magic and potioneering into the sweets she creates, so as to hopefully heal people just as much as feed them. Mia also -- during the Second Wizarding War -- uses her magical treats to smuggle in secret messages from the outside to Dumbledore’s Army, which her twelve-year-old nephew has aligned himself with, some of which came from Callie, who works as a correspondent for the underground anti-Death-Eater radio show Potterwatch. Mia also is instrumental in helping keep the many people kept in safehouses during the Second Wizarding War fed and in good health, even while staying in hiding. One of these such people who delivers her magical baked goods to different safehouses, including his own, is Jacob Cromwell, who ironically enough actually attended school at the same time Mia did. (Not that that people-dumb idiot remembered this fact, until Mia bluntly reminded him of it.)
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Comics Review: 'Talli: Daughter of the Moon' #1
Talli: Daughter of the Moon #1 by Sourya, Francois Vigneault
action
adventure
fantasy
medieval fantasy
mythology
summoner
swords and sorcery
violence
My Rating: 5 of 5 stars
The last of anything ancient and feared often begets the first of something new and revered.
They say the summoners, daughters of deities long past, were all hunted and slain. They say the beasts they commanded, and the remnant forests within which they communed, have gone astray. And they say the few remaining believers of these summoners and their ancestral deities, they say these disciples of a dying religion are naught but heretics whom the ruling authorities possess every right to stab, to bleed, and to hang.
TALLI: DAUGHTER OF THE MOON v1 is a tightly-wound fantasy graphic novel packed with rusty swords, ornery archers, underground sects of forbidden faiths, doting fathers, greedy innkeepers, and one irascible princess who may be the key to unlocking a war between fabled beasts (chimeras) and human folk — the second in written memory.
Lady Talli is the last known summoner: In her blood rests the mythic ability to call forth giant, destructive creatures, among other cool skills. Too bad she's still a teenager and has no idea how to control her power. She's yet to truly come of age, but circumstances being what they are, she must flee her home, seek safety among strangers, and pledge to protect herself against an array of forthcoming danger.
But it's not all bad. Things could be worse. The obsessive Lord Ulric and his troops have swarmed the countryside, hunting for the girl. And Lord Ulric's top soldier, Captain Nina of the Special Brigade, is an ace tracker and is the best in the land with a bow and arrow.
In just one volume, TALLI v1 offers a splendid mix of sword fighting, castle intrigue, and fantastical lore. Lady Talli isn't particularly well-informed about her bloodline, but kind and curious strangers fill in the gaps for her (and the reader). Can she trust the annoying old merchant, Pavel, who seems to know more about rare jewels and ancient artifacts than a street vendor probably should? Can Talli trust the sleepy-eyed young man, Lélo, who calls Pavel his grandfather, despite Lélo's peculiar habit for sleeping during the day and never when the sun goes down? Talli is blessed/cursed as a summoner, but what's the deal with Lélo?
The tale of Lady Talli has only just begun, but readers already know the young woman must contest with a history she does not know, a future others dread may come to pass, and a present she claims, fearlessly, she will meet head-on.
The book's author, Sourya, has produced a delicious meld of consequential compositional aesthetics from European comics, on one hand, and humor and narrative design elements from Japanese comics on the other. Of the former, the comic book's environmental design includes roving and wide-angle views of old brick bridges, pastoral panoramas of castles among fields, as well as strong overhead and aerial shots of fight scenes in the middle of a rainstorm. Of the latter, readers encounter lush, Ghibli-styled food spreads, inimitable character expressions marking fear or surprise, as well as kinetic action sequences that gleefully marry purposeful panel arrangement with minimal dialogue. The level of detail afforded the book's stone streets, dirt roads, sunset skies, tiled roofs, tufted hills, dark alleyways, and more speak of an artist who loves their work.
TALLI v1 artfully balances humor, adventure, and the wicked uncertainties of ancient magecraft. The comic's emphasis on Talli as an ambitious young woman with a flawed sense of bravery is an exquisite model for future narrative surprises. Talli flees her home because her life is threatened, but in doing so, she sees wildflowers for the first time and must learn to speak with other classes of people to negotiate fair fares. The young woman amazes as often as she frustrates, as expected of the last daughter of the moon.
❯ ❯ Comics Reviews || ahb writes on Good Reads
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another bit of odd reporting in an otherwise average article, the CBC explicitly frames the most outspoken pro-war pro-occupation MP in the current neutral government as a ‘spokesperson for his [the Jewish] community’ while neglecting to frame the most outspoken pro-ceasefire MP as just that, an MP.
Less obvious than the usual lopsided reporting, the implication is that Housefather’s continuous, vocal, unhinged support for the found-by-the-international-court-to-be-in-violation-of-genocide-prevention actions of the Occupation Forces a) is an intrinsic part of his ethnic background, b) is a universal belief among Jewish people in Canada, c) is somehow different from the solidarity shown between Muslim/Arab Canadians like Zahid and majority Muslim/Arab Palestine. Why is she not The Voice of the Arab Community while he is The Voice of the Jewish Community? Obviously it’s stupid to dumb down a diverse group of people spread across the country into one singular opinion. Which begs the question. Why do it. ‘Emerged as a voice’ my ass. This means that he pretty much has no significance until Canada’s studiously milquetoast Liberals took the same tack they’ve taken as for every other issue that’s ever crossed their place and he decided he was going to become the Mr Ethnic Cleansing of his caucus
Sure, use that phrasing when talking about the government’s response to antisemitic threats/attacks in Montreal and Toronto. Those are things that are happening in Canada to people who live here. Putting that frame on this story in this place paints Housefather as pro-genocide by reason of inherent ethnocultural disposition, not by reason of dumb fucking pea brain. It’s a dissonant choice and whatever the reason it comes off as Bad to say that advocating against genocide prevention is somehowwwwww tied to your ethnicity
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