Tumgik
#(link leads to the best song of the game which is sung by characters voiced by hiyoko’s and juri’s vas btw)
deus-ex-mona · 1 year
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i j u st. want my funny idols jrpg back p ls—
#(link leads to the best song of the game which is sung by characters voiced by hiyoko’s and juri’s vas btw)#(warning: very long rambling in the tags due to my rapidly deteriorating sanity. sorry)#(sorry it’s suiyoubi and this song from the game popped up in my playlist today s o—)#(and also bc i happened to open that ig app and saw the game thief at the top of my dash and i— (ʘ‿ʘ))#im just. aaakajxjsjsjakajsj i’ve been wanting to replay this game since juri’s and chiz’s vas were announced but!!!! aaaaaaaaaaaaa—#it’s been 2 years since i lent it out man… i really should’ve asked for the game back before the dude became public enemy no. 1 of the club…#it’s just!!!!!!! man!!!!!! the va crossovers between this game and hw is kinda wackkkkkkkkk#the protag is voiced by chiaki (and later stuff(?) happens and a dude voiced by saku-nii fuses with his body or sth) so he’s chisaku now ig#he’s also very funny in his own right and he fights with sth like a persona voiced by kumamaru#(even though i say ‘persona-like’ those dudes are originally fire emblem (like both the game and the song lol) dudes…)#(though they just act like personas in here so yeah. it’s persona emblem. with idols. and it’s great!!!!!)#his childhood friend is a cute little idol girl voiced by hiyoko’s va and her persona-like thing is voiced by the chiz lol#and there’s also an aspiring actress voiced by juri’s va and the protag’s boy best friend’s persona emblem is voiced by dai ft4#and also!!!! the idol girl’s older sister is voiced by manager uchida’s va and said sister p. much becomes their manager of sorts so i!!!!!#(and as a bonus ken’s og va voices some idol dude in here so he’s here too ig)#i just!!!! really wanna make so many hw aus involving this game!!!! but!!!! i don’t have it anymore aaaaaaaaaaaaaaaaa#like!!!!! a jk trio idol au??? with manager nagisa??? (and agency presidents chisaku bc lol) and the!!!! the!!! aaaaaaaaaaaaaa#im sorry… this game that no one cares about (lol) lives rent-free in my head 40% of the time#is it bc of the jk trio? …yeah… it’s bc of the jk trio…#had i known that dai’s va voiced someone in this game i… prolly would’ve skipped his dialogue less. lol#though wait. waiiiiit. the (equivalent of a) persona user of the dai-voiced character is voiced by koga enstars… and if dai = rei then… hmmm#uaaauauauauauauauauuaa i really should just. be more normal about voice actors… ahahahaha… im so sorry#i just wanted to cry about my 2 years hostage victim of a game cartridge h o w did it end up like thisssssss#to think that the only reasons why i lent it out was bc he was a fellow smt fan… and i just wanted to talk about the game with someone ;-;#not only did he not care that much for the games and songs… he also never gave it back so b s#im sorry. i m having a moment. of crisis. ahahaha… i’ll be less cringe tomorrow i promise (lies)#it is suiyoubi my dudes
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mysticgalaxychaos · 2 years
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Tanukineiri (Sham sleep) (Google translate+)
So, the actual reason I'm kinda back here is to post my Google translate kinda version of Masa's new songs' lyrics (that makes sense)
Before I do, I'll annoy you a bit with how I get these lyrics. I use multiple translators and disect the sentences to derive the most sense I possibly can out of it, plus I look for extra things on it to get as much culturally right as I can. It is still google translate and I only know the very bare bones of the language (like, huge begginer stuff) so you should take this with a grain of salt, but this is esentially what you'll be seeing here... I haven't been fully accurate in the past, but a few things do make sense and it's one extra sourse of translation at the end of the day, so I think it's worth it. I'm saying all this, because in the past, google translate has caused discourse in the fandom. Read at your own discretion
Tanukineiri
Dead poems sung by child
The story of the Miasmic Mountain Temple
What should a woman eaten by insects do?
Take the head of the temple’s shrine
The miasma-eating insects that have abandoned the eternal world
Exterminated by the Baketanuki
In the depths of the mountain where the sun is always set
The Bunbuku Chagama temple’s guardian deity
A rusty tea kettle that sucks people in
The fishy-smelling monk has abandoned the eternal world
Tanuki worshiping bōzumekuri
Fukuwarai scattered in the back room
Wiped off the blood off
The voice of the centipede echoing in my head
Come on, give me this tea kettle I want
Hell’s sound of the tea kettle in the underground
Eating up life regardless of whose
Centipede and the married girl’s song
Return to hell and sing to the tanuki
A mountain smelling of miasma that leads to the eternal world
In the back of the temple hell’s gates
Enma’s messenger right hand
The Bunbuku Chagama temple’s guardian deity
Golden lotus and the spider’s web
Betray Enma and take the world
Tanuki worshiping bōzumekuri
Deva’s gate in the back hall of the temple
A shrine maiden holding a tea kettle
Touch the taboo and sing to the tanuki
The last job of Enma’s centipede
The demi-god’s new born centipede
Shared life with the world’s half dead
The monk and the tanuki’s forbidden dance
Go back to hell and sing to the centipede
Hell’s sound of the tea kettle in the underground
Eating up life regardless of whose
Centipede and the married girl’s song
Return to hell and sing to the tanuki
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Notes:
Tanukineiri: The title of the song is the literal word for "fake sleep", but interestingly the first character (狸), seen in the romaji as well, translates to Tanuki, a word wich appears constantly in the songs and means "Racoon dog". Racoon dogs or Tanuki as i keep refering to them here are considered powerful shapeshifting yokai. The yokai is specifically named Bakedanuki and is supposed to be a trickster shapeshifter type yokai, similar to the Kitsune
Bunbuku Chagama: The Bunbuku Chagama is a folk tale about a Tanuki which transforms from a kettle, a symbol seen in the story/songs a lot
fishy-smelling monk: a corrupt monk
bōzumekuri: This was a nightmare to figure out, but this was the best I could do... Apparently the bōzumekuri is a japanese card game. In this case the interesing part about it is, it seems the monk card is a major loss card... And the word monk (bozu) is in the name... But i cant help further
Fukuwarai: Children's game similar to pin the donkey. You have to place the feautures of a drawn face on it correctly.
married girl’s song: I couldn't decipher if the gir and the centipede are the ones supposed to be married here, but it's doubtfull. The original translation was "couple's girl song"
Enma: Buddhist king of hell
Deva’s gate: The "Nio" gate, entrance to a temple guarded by two Devas
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That's all! Hope you enjoy!
Edit: I'm awful, i forgot to post links
the awsome original translator on youtube who inspired me to do this
where i got the lyrics from, again huge thanks!
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nejackdaw · 7 months
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Moonstone, Quill, and/or Cistern for the Skyrim Ask Game :)
Ty for the ask :)
I've gotten a few of them [link], and because nepotism he's the most developed of my Skyrim characters, I'll be answering them with Askild :)
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-- Moonstone: what do you do during downtime between quests to unwind? Do you even take a rest?
Askild absolutely enjoys having downtime: he doesn't rest so he can get the work done, he gets the work done so he can rest. Reading wasn't ever something he had much of an opportunity to do, and he keeps a couple books with him wherever he goes, regardless of genre or content. (He's always been able to brag he could read the best out of the bandits, even if it was just wanted posters, stolen mail, and guard schedules. He enjoys the fact that he can read at all.) He also likes picking up new skills and cheating at playing cards, so he spends an even amount of time with the rest of the Dawnguard and away from them.
-- Quill: if your character is the Dragonborn, how do they want their story to be told? Sung in a song, penned in a poem, written in a lengthy tome, etc.
Preferably not at all, but Askild understands people talk. If it has to be told, that's how he prefers it: talk. Truth gets skewed that way, twisted, stretched. People are forgotten that way, and he's had enough of being remembered by crowds, for good or bad. Recognition leads to being bothered.
-- Cistern: which guild hall is your favorite? Why?
We know where this one's going: for myself and Askild it's Fort Dawnguard. Forts are cool. It's scenic. It's not in a city. (Neither of us much like cities.) I play on my Switch, so mods are inaccessible, but I've seen a few nice looking ones such as this. The Dawnguard is my favorite faction/guild, and they're there, so I love the place. It helps that it's not cramped, like the rest tend to be.
For Askild, it houses what he reluctantly came to view as family. He never thought he'd see a stable place to return to in his life, but he found it in the Fort, with everyone's voices and laughter and presence. He could do without Isran, but it's home, and he never thought he'd see one.
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lover-of-midnight · 4 years
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The last dragon-Chapter 10 +11
Rating: Mature Archive Warning: Creator Chose Not To Use Archive Warnings Categories: F/M M/M Fandoms: Wiedźmin | The Witcher - All Media Types Wiedźmin | The Witcher (Video Game) Wiedźmin | The Witcher Series - Andrzej Sapkowski Merlin (TV) Relationships: Merlin & Arthur Pendragon (Merlin) Merlin/Arthur Pendragon (Merlin) Geralt z Rivii | Geralt of Rivia/Jaskier | Dandelion Geralt z Rivii | Geralt of Rivia & Jaskier | Dandelion Leon/Morgana (Merlin) Morgana & Arthur Pendragon (Merlin) Gwen & Morgana (Merlin) Characters: Merlin (Merlin) Arthur Pendragon (Merlin) Kilgharrah (Merlin) Uther Pendragon (Merlin) Morgana (Merlin) Gwen (Merlin) Jaskier | Dandelion Geralt z Rivii | Geralt of Rivia Yennefer z Vengerbergu | Yennefer of Vengerberg Additional Tags: Fae Jaskier | Dandelion alternative universe Pre-Relationship Established Relationship Established Geralt z Rivii | Geralt of Rivia/Jaskier | Dandelion Mild Language Merlin's Magic Revealed (Merlin) tired Merlin Tired Jaskier injured geralt Author Notes: The link here, leads back to Chapter 10 since I had trouble loading on to here. I just want to say a big thank you to my amazing beta @aalizazareth for the patience with this fic, and the missed documents I thought I send. I appreciated it.
Geralt relaxed against the wall. He knew why Jaskier had forced the issue about the boy’s magic. He would be the first one to admit, he’d never loved destiny, and he more than likely would never come to like it. He rotated his shoulder slightly. The bite was healing as well as it could. At least the poison was finally out.
Both ignored the words coming from the room. This was not something they would interfere with, as Merlin and Arthur needed to figure it out on their own. Jaskier gave Geralt a soft smile. He still remembered the day Jaskier had to tell him the truth.
He watched as the prince walked out of the room. He could see Arthur’s jaw was clenched and set firmly. Geralt easily fell into step with him. Arthur gave him a short glare, but he did not say anything.
“Where do you practice?” Geralt tried to keep his voice on the relatively low side.
Arthur gave him an unsure look. It was barely a day since the attack -- how could Geralt already be healed up?
“Outside. Follow me.” Arthur’s voice cracked slightly, and he knew it would help to try and get the frustration out on the training ground.
They walked silently for a while. Geralt broke the silence suddenly. “I knew Jaskier for ten years when there was a situation and he was forced to tell me the truth about what he is.” Geralt trailed slightly off, trying to figure out how to string together the words he wished to say.
“We accidentally stumbled onto a fairy ring. Not a large group, but they were strong enough to invade my mind, quickly.” Geralt fell silent again. To this day, he was not proud of his reaction to what had followed.
“Faeries can work on the mind. They inrail your mind with their chaos so that you are more open to their suggestions. When I found out about it, I was furious, and I felt betrayed. Do not make the same mistake I made. Listen to him. There is a reason why he kept this from you.” The words were a quiet admission to the part of himself that still felt the guilt.
Geralt looked as Jaskier danced in front of him. He’d always wondered where he got the stamina to dance and play his lute.
He wished he had paid more attention to their surroundings. They were about two miles away from where they planned to camp. The last clear thought he remembered having was a wish the weather was slightly cooler.
Suddenly, Geralt stiffened. He could hear a song being sung. A wince left his lips as he sank to his knees, and his head felt like it was going to explode.
“Let him go, he is mine.” Geralt barely heard Jaskier’ voice.
“Why should we, son?” The responding woman’s voice was harsh. “ This would be the easiest way to get you back home. You have a court to rule.”
“I left court Mother, I decided to be a free fae. That means I don’t belong to one of the courts. Now, let him go.” Geralt realised he’d never heard Jaskier furious.
The song started up suddenly again. Geralt clutched hard at his head as he fought against the sway of the music. Before long, Geralt could feel himself relax slightly at the sound of a new tune.
Just as soon as it started, it finished, and Geralt slumped forward.
“Geralt?” Jaskier’s voice was soft. Geralt could sense and smell how nervous he was. He hated the scent of overripe oranges in the air.
“What happened?” Geralt asked, his voice slightly strained.
“We have moved into a fairy court. Fuck. Geralt, I am sorry...” Jaskier trailed off.
Geralt wished he knew what to say, but the dots were clear as day: Jaskier was a fae.
“Why didn’t you tell me?” Geralt could feel the quiver in his voice. He felt the betrayal deep in his bones. He thought they were at least friends.
Jaskier was silent for a long time.
“Because I thought you would have hated me.” The fae’s admission was quiet.
Jaskier winced at how heartbroken Geralt sounded.
“Why did you forgive him?” Arthur’s voice was quiet.
“He was and is my best friend,” Geralt answered quickly. “My only friend, truth be told. He will always be Jaskier to me, even if he didn’t have chaos. It is part of him. I tried to think about what my life would be like if he should suddenly disappear, or die. And I did not like the feeling at all.”
The adoration in Geralt’s voice made Arthur feel small.
“I am an idiot. From the day I met Merlin, I knew he was something else.” Arthur thought back on all the times a branch would suddenly drop on a bandit’s head, or how he would be knocked out suddenly, but when he woke up, the fight would be over and everyone would be alright.
“How did I never see it?” Arthur kicked a pebble.
“Never see what?” Both spun around suddenly when a voice spoke behind them.
Geralt looked the knight up and down quickly. He seemed to be a fair man. The prince would need fair and wise advisors when the time came.
“Nothing, Sir Leon.” Arthur knew it was better than to let anyone in on the secrets. The last thing they needed now was for Uther to find out the truth.
Leon gave Arthur a strange look. Anyone with eyes who had truly been looking would have seen the stress he was under these last few weeks. That, to Leon, only meant one thing.
“Is it about Morgana?” Leon inquired, making sure he kept his voice low.
The hustle and bustle of the people around them helped to keep them from being overheard.
“No, it is about Merlin.” Arthur stopped himself. “Sorry. I am being rude. Leon, this is Geralt. Geralt, this is Sir Leon, my first knight.”
Geralt gave the knight a firm handshake before he pulled Arthur to one side.
“Do you trust him?” Geralt looked Arthur steady in the eyes.
Arthur’s gaze shifted to one side. “Yes,” he said, and though the word was clipped, there was a firmness to it.
“Then, talk to him,” Geralt said softly. “You will need a wise and fair man next to you.”
Arthur silently made his way back to Leon as Geralt left.
Jaskier could hear the faint sound of crying, which made him wince slightly. He knew he had no right to force this. A deep breath later and he pushed open the door. There was a slight sadness in his blue eyes when he saw Merlin on his knees.
“Merlin.” Jaskier made sure to keep his voice soft.
Merlin’s head snapped up. “What do you want?” There was a tiredness to him, that Jaskier knew too well.
“I just want to talk to you.” Jaskier crouched down next to Merlin. “I know you don’t like what I did but believe me, it is for the best.”
Merlin wiped at his eyes. “How are you so sure it was for the best?”
Merlin moved to stand up. His mouth felt dry and he could feel the start of a headache forming. He easily poured for them each a tankard of water.
Jaskier watched his movements with careful eyes.
“I was there. I hurt my beloved because I didn’t tell him the truth until there was a situation that forced me to tell him everything. And I know now that if I’d told him earlier, then his reaction wouldn’t have been so severe.” Jaskier's voice was quiet.
Merlin handed one of the tankards to Jaskier.
“Merlin, you need to understand one thing: people intertwined by destiny will always somehow find each other. You can try and run from it, but in the end, you will be forced to meet again...” Jaskier trailed off. “My destiny is to protect Arthur, make sure he is the one to bring peace to the five kingdoms. There is nothing else to it.” Merlin could feel his heart almost breaking again with the thought that one day he would be forced to watch the prince marry another.
“Yet you love him, and from the looks of it, he loves you as well,” Jaskier said firmly.
Merlin gave a sad shake of his head. He knew that there was no possibility of them ever getting together. It was just not meant to be.
“Will you tell me more about Fae, please?” Merlin asked, easily changing the subject.
“Only if I can tell you about what had happened all those years ago as well,” Jaskier said, so firmly Merlin could only nod.
“There are three types of Fae. Those who are part of the Seelie Court normally rule over summer and spring. Fae from that court are known to be good-willed but, at the same time, they are mischievous. They are prone to overreacting in situations.  
“On the other side, you have the Unseelie Court who normally rule over Autumn and Winter. These Fae are, again, known to be merciless and cruel for no reason.
“And then there are Fae like me, who are court less for the simple reason that we do not want to dabble in court politics.
“Another part that you should understand is that Fae have soul-bonds. Most of the time we bond with another Fae, as it is rare that a soul-bond will cross into the other world. When a bond forms and the Fae find their bond-mate, they need to connect.
“We do that with music and song.
“I met Geralt when I was only four years in as a Court less Fae. Before that, I used to belong to the Unseelie Court.
“I was so happy to have found my mate yet I was too scared to tell him that one: we have a bond that can never be broken, and two:  I was a Fae.  And so, I waited.
“In the time we learned more about each other, my music strengthened the bond we had. At night when he slept, my magic would seep into his mind. I never controlled him, but there was something alike to a protective shield around him.
“One day we stumbled upon a court. Well, a fairy ring. They almost immediately started with a song, and even with the shield, Geralt was led straight into the ring. One thing you have to understand about a court is, once a human enters, they can’t just walk out.
“Unless there is a stronger Fae, or the human is bonded to a Fae.
“Unfortunately for us, we did not happen over a Seelie court, as they would have let us go as soon as they realised we were bond-mates.
“This was my mother, the Queen of the Unseelie. She is a cruel Fae who rules her court with an iron fist. One of the reasons why I decided to leave.
“The fight between us was to get me back into the court and I didn’t want to.
“But at the same time, I knew that if Geralt was too long under their spell, he would be lost to the human world for good.
“For the first time, I forced control over his mind as well.
“I managed to win that battle, but at the cost that Geralt was furious with me. Not that I blame him. I learned later on that, with both of our chaos in his mind, he felt weak, nauseous and extremely dizzy--almost as if he was going to faint.
“When we left, he asked me why I never told him the truth. And I had hurt him. The person I should have protected, I hurt the most.
“He left soon after, and I didn’t see him again for a year.
“Merlin, we made it. When we saw each other again we had a serious talk and I proved to him that I could be trusted. Because that was in the end what almost ruined us.” His voice raw, Jaskier took a deep drink from the tankard.
“Thank you,” Merlin said softly.
Jaskier gave him an uncertain look as Merlin rushed out of the room. Knowing they could only wait and see what the Prince would decide to do, Jaskier hoped that Arthur would make the right decision.
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bluerighthand · 5 years
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I’ll set you a little candle
Summary: Alfie’s backstory: from a snowy Hanukkah in 1898, to the loss of his mother, dealing with antisemitism and starting a family of his own. A bit of Alfie/Tommy at the end. Set in the GUAS AU.
Notes: Full notes on AO3, but please keep in mind that this is based off real events. 
Words: 7,186
AO3: Not sure if the link issue has resolved itself so I put a space in it:  
https: //archiveofourown.org/works/16988913
!!!WARNINGS!!!: character death, antisemitism, references to Russian pogroms, self-injury, depression. NO actual violence is described, it’s all from Alfie’s POV.
Hanukkah had always been Alfie’s favourite holiday. Well…it was true as a child his favourite holiday changed frequently; usually to whichever one it was at that moment, but Hanukkah was always special. There was just something about the warm candles, the snow outside, the wafting smell of delicious food, and all the laughter and games that made him feel content. Complete.
He mostly kept these opinions to himself, however. Although everyone enjoyed Hanukkah, and recognised it was an important reminder of past struggles, it was still considered a minor holiday in the grand scheme of things. His father would launch into a lecture about Yom Kippur, the Day of Atonement, the minute the words ’importance’ or ‘favourite’ came up in relation to holidays, and his mother simply grinned and showed him plans for next year’s sukkah, even more extravagant than the last.
His little brother Harry had always insisted Purim was the greatest holiday, but whether he was six or thirty, it was just because of the dressing up. Always one for theatrics.
Hanukkah also seemed to be the only festival that his non-Jewish school friends knew anything about, and it always made Alfie smile to be wished a happy holiday, or asked questions about the celebrations. In a gesture of holiday goodwill, most years he even made up with Sabini, which was usually a relief for both of them, as well as the entire teaching staff at school.
Winter was definitely his favourite season too. A crisp chill in the air, the chance of a day spent in the snow before curling up near by fire with his brother, as their dad, Isaac, read to them. Their mum, Sarah, was permanently surrounded by wool and knitting needles at this time of year, which made Isaac groan at the thought of which hideous looking jumper she’d force him into this Hanukkah.
“It’s tradition innit!” she claimed, tweaking one of the many brightly coloured pom-poms attached to her husband. Despite pointing out that it was in fact not a tradition, Isaac suffered through a family dinner in the garish yellow thing, with his sons and wife snickering at him at every opportunity. He condemned it to the back of the wardrobe after the meal was over, returning to his usual black garments.
He did think about donating it, but Sarah already gave so many clothes to charity, and he would be lying if he said he didn’t love that she knitted him things. Even if he couldn’t pull off the pom-pom look. Maybe it would fit Alfie one day, he could see him enjoying it. Just like his mum, he was.
Some of the happiest memories of Alfie’s life were from the early Hanukkahs. In particular, one when he was around nine or ten. The snow had been falling thickly, creating the most beautiful scene outside the window, he and Harry spending most of the evening with their noses pressed up against the glass. After they’d lit the candles and sung the blessings, and their father had fallen asleep on the sofa, their mother put her finger to her lips, bundling him and Harry up in their coats and opening the door.
They’d played in the snow in their small yard for hours, the sky pitch black. Snow angels and several attempts at snow people covered the grass, and the boys could only be tempted inside again with extra sufganiyot: jelly doughnut treats traditional at Hanukkah. The next night, the snow had settled, and by the look of the clouds there was more to come. Isaac had kept up a pretence of being irritated about the weather the whole day, but they all knew he was only grumpy as he’d missed out the night before. Hence, all three boys were plastered to the window, and Sarah sighed fondly as she lit the shamash candle.
“Baruch atah adonai” she began to sing, waving her free hand at her family to gain their attention. Isaac shot her an apologetic smile.
“Eloheinu melech ha’olam” he joined, deep voice complimenting that of his wife’s, the tune more upbeat than that which they used for the Sabbath. Alfie joined in on the next line, knowing all the blessings by heart by now, and if Harry got muddled up and finished with “shel Shabbat” rather than “shel Hanukkah” nobody minded.
The second blessing followed, and by the time all the candles were lit, Alfie had found the stick he’d brought in last night, and was swinging it around as he pretended to be Judah Maccabee. The religious significance of Hanukkah had come to him with age, but for now, Alfie was content darting around the kitchen, leading his people to victory against the Seleucid army. Harry already had his coat, scarf and mittens on, (though admittedly all inside out and back to front) and was jumping up and down next to the window.
“Come here chicken” his mother laughed, attempting to loosen the huge knot he’d managed to tie his scarf into.
“When can I blow them out?” asked Alfie eagerly, the urge already unbearable as he plonked his ‘sword’ down on the table. There was just something about a lit candle that children couldn’t deal with.
“You know you’re not supposed to do that” said Isaac, subtly removing the stick from where they ate. “We’re meant to let them burn out. Hanukkah is the festival of lights after all”. Ten minutes later, when Alfie was lying on his back in the snow, staring up at the warm glow from the window, he was glad they’d kept them lit.
By the next year, Basil had joined their family. Sarah had found him in a cardboard box by the road, a small chocolate brown ball of fur. She’d brought him home in her coat, shielding him from the wind. There’d been an argument when Isaac saw the puppy; he’d recognised the breed, and knew that those things grew to be the size of a house, but once Sarah had her heart set on something nothing could dissuade her.
Alfie was ecstatic, he’d always wanted a dog, but he’d spent the first few weeks terrified his father was going to get rid of him, and even took it in turns with Harry to creep downstairs and check Basil was still nestled in his basket. They needn’t have worried however. An ear scratch here, an extra treat there, and soon enough Isaac had fully accepted that his house (and his heart) was now full of dog.
By the time next winter rolled around, Basil was ten times the size, with no sign of slowing down. He still had the hyperactivity of a puppy, and didn’t realise his own strength, often knocking various members of the household over in his enthusiasm to lick them. Harry had managed to ride him once, for a few seconds, before Basil was off, shooting across the park in pursuit of a squirrel. There wasn’t an abundance around to begin with; not many green areas to live in, but Alfie was sure Basil’s eagerness to befriend them was lowering the population further still.
He was a lovely dog, though. His fluffy brown fur was thick, and stuck out in all directions, and his tongue was always lolling out happily as he was petted. The best friend he could have had growing up, really.
A couple of years later, they went to Russia for Hanukkah. Alfie loved the bustle, the noise, the excitement of his Russian family, especially when they went for a holiday. He already had five cousins to play with, with more likely on the way according to his mum. They also had chickens, a cow, and an old donkey, who Alfie decided he could tolerate. He definitely preferred dogs though, and dreaded each time they had to leave Basil in the care of a neighbour.
As fun as it was when they got there, the journey to Russia was always pretty terrible. Train delays, seasickness, no fires, no proper bed; being bundled up in a train carriage with his irritable younger brother and his sleep-deprived parents wasn’t exactly fun. They made the most of it though, Isaac attempting to teach them card games, and Sarah knitting woollen socks for the little ones, to get them through the harsh winters. They sang songs, whispering the lyrics though muffled laughter after someone had complained, and Alfie wrote stories in his head.
Maybe he could do that one day, write books.
They were always exhausted when they arrived at the little station in rural Russia, though thankfully this time they were able to call for a horse and cart to save them dragging their vastly over packed trunks along the bumpy, frost covered roads. The driver didn’t look very happy about it, carelessly shoving their cases up into the cart and setting off, barely giving them all enough time to get seated.
They shuffled closer together against the cold, Sarah tucked under Isaac’s arm and Alfie rubbing at his brother’s freezing fingers. Despite being late morning, and there was nobody else about, the only sounds the trundle of the cart as it bumped over rocks and uneven dirt. Arriving at the house, Alfie was struck by how quiet and still it all was. Usually their cousins all rushed out to greet them - and with at least half the family inheriting the fondness for long rambling speeches, it was a good while before they actually got through the door.
But something was different this time. The cart pulled to a stop, and the driver snatched the coins from Isaac quickly, not bothering to help as they attempted to drag their cases down from the cart. He cracked the whip, Alfie starting at the noise, and headed off without a word.
“He was mean” said Harry, shivering as another strong gust of wind whipped around them. There was a twitch from an upstairs curtain across the road, and Alfie’s unease increased. Was it just because of the awful weather? Or was it something else?
There was a tap on a window, and Alfie turned to see his auntie waving at them. She vanished, the door scraping against the floor as it was opened. They hurried towards the warmth, but Rebecca had other ideas, stepping out into the cold and wrapping her arms around her sister. They hugged for a moment, before she pulled back shivering, grabbing a case and heaving it inside. They all started to speak at once as they crossed the entrance, but Alfie was confused.
“Where’s the mezuzah?” he asked, staring at the gap in the doorframe. The familiar box containing the small scroll was missing, the wood slightly discoloured. It was custom to touch the box containing the Shema prayer, and then kiss your hand, as a show of faith. Auntie Rebecca usually had one here, and on every other doorway inside the house.
“Oh” his auntie floundered for a second. “It got sort a’…damaged, yeah, a bit dirty. Cause of the weather. Your uncle’s gonna bring a nice new one alright? Come inside now”.
Alfie frowned, but shrugged his shoulders, placing his hand over the empty gap anyway before entering the house. Harry had to jump up to reach, and was on his third attempt before Rebecca pulled him inside, shutting the door quickly.
Their cousins ran towards them, and soon they were engaged in several games at once. There were stick swordfights, a Derby and a grocery shop all going on in one room. Harry was way too excited to stop running about when they were called for lunch, but Alfie sunk gratefully into a chair, eyeing the table laden with hot food. Another drawback of the long journey was the repetitive bland array of sandwiches, but eating a large cooked meal with his family made it all worth it, especially when his oldest cousin Hana was such talented cook.
Alfie was pretty sure they all fell asleep at some point that afternoon, but after a much appreciated nap, they were ready to enjoy the evening. It was rather crowded in the house, what with the four Solomons’ adding to a household of seven, but that was part of the fun, and the first night of Hanukkah was spent playing dreidel to the sound of the crackling hearth. It was more fun with lots of people, and though Alfie wasn’t having much luck at winning he was enjoying spending time with his family.
With the distance, and the expense of getting to Russia, they didn’t see each other enough.
When it was time to light the hanukkiah, Alfie and Harry looked at each other in confusion. Rather than gathering at the window, as was custom, their uncle called them all to the table, the hanukkiah and heap of unused candles in the centre.
“Why ain’t we putting it in the window, mum?” Harry asked. Sarah gave some offhand reply about how they thought it would look nicer on the table this year, but Alfie didn’t miss the way Hana’s eyes widened and flicked to the window, relaxing when she saw the curtains were drawn. He grew curious, wandering over just before the blessings and pulling up a corner, peeking out into the black beyond.
“Come away from the window, sweetpea” said his mother. Her voice was slightly strained, and his auntie wore a matching expression of unease, so he let the curtain drop, re-joining his family in the centre of the room. Why was it such a big deal?
After the blessings were sung, the candles lit, and general excited confusion settled once again over the household, children running this way and that and the adults all talking over each other, Alfie crept back to the window. He slid beneath the curtain, and onto the windowsill. It was wide, wide enough for him to balance on, and he was just small enough to stretch out his legs in front of him, so he wouldn’t be seen.
The thick layer of frost had hardened to ice, and the only light was from a lone lamppost down the street, which guttered and flickered out for several minutes at a time. There were a few slithers of light, from the edge of the neighbour’s windows, but all the houses had their curtains drawn, closing them off to the world around them. It was a strange sight to Alfie, so used to seeing the glass lit up with menorahs, with laughter and the wafting smell of good food tricking outside.
He was old enough now to understand the stares, the muttered comments, the names the kids hurled at him at school. But…everyone here was Jewish. What were they all so afraid of?
He pulled his knees up to his chest, resting his chin on them and hugging his legs as he watched the festival of lights pass by in near total darkness.
Two and a half years had passed when Sarah had told them the news. Alfie was fifteen, and due to start working full time in his father’s bakery. Old scars now wound their way up his arms, and his hands were growing rougher from working and fighting. He towered above his little brother now, having grown almost as tall as his dad in the past year, and perfected that slightly manic glint in his eyes that made other kids back away.
Despite his permanently bruised knuckles, and the painfully fresh tattoo of a crown on his wrist (that had almost made his father faint when he saw it), Alfie still loved to spend time with his family. The last person to joke about him ‘going soft’ had ended up in the river after all, so he was content to squish onto Harry’s bed in the evenings with him and their mum. On this occasion, it was getting late, and Harry was angling for another story, but Sarah shook her head, saying she had something important to talk to them about.
“I’m goin’ away for a bit boys. To Russia, stayin’ with your auntie and uncle”.
“Are we not coming?” asked Harry, confused.
“Not this time chicken”.
“How are you long for?”.
“I’m not sure” she said sadly. “Prob’ly at least a few months”. Harry’s jaw dropped.
“A few months?” echoed Alfie.
“That’s too long!”.
“I need t’ be with your auntie right now sweetie” said Sarah. “She’s sick”.
“What’s wrong with her?” Harry asked. Alfie’s thoughts jumped to Tommy’s mother. Hadn’t he said that she was sick?
“It’s the baby. Pregnancy ain’t easy on a woman”.
“Was it ‘ard for you mum?”.
“Nah, I was alright. Went as well as they could’ve. But your auntie’s strugglin’. Your uncle’s trying to look after yer cousins, and keep his job, but there ain’t no one to look after Becca in the day”.
“Is Uncle Yakov gonna lose his job? Why? He’s the best tailor in Russia!” piped in Harry, before frowning, and falling silent. Alfie watched him, bitter thoughts crawling to the forefront of his mind. He couldn’t stand that his brother had to learn these things. That some people would always stare at him with hate, deny him jobs, housing, basic fucking human respect.
“Let’s jus’ pray he doesn’t” said Sarah, avoiding the question.
“Are you gonna be back for the High Holidays?” asked Harry, voice small.
“I dun’t think so, darling. Baby’s due in the winter”. His bottom lip wobbled. “Hey now” she said. “None of that. Your dad’s gonna need you to be big n’ strong to help him with the sukkah okay?”.
“But…you always make the sukkah” protested Alfie. “Dad won’t do it the same”. Their sukkah, a temporary tent-like creation made for the harvest festival of Sukkot, put the whole street to shame every year. Isaac’s job was to stay as far away as possible until it was finished, as he was usually more of a hinder than a help; concerned with things like straight walls and measurements (and many other things Sarah didn’t have time for).
“I’ll leave ‘im a plan” she grinned, but her face fell at the disappointment in her sons’ eyes. Basil padded in, flopping down on the rug and resting his head on Alfie’s foot, which hung off the edge of the bed.
“Do you really have to go?” said Alfie, bending down to scratch behind Basil’s ears in an effort to cover the slight desperation in his voice.
“I gotta be there for your auntie, I’m so sorry Alf”. Harry leant against her, and she wrapped an arm around shoulder, pressing a kiss into his hair.
“Will you ring us, every day?” said Alfie.
“Not every day, sweetpea. It’s real expensive over there innit. But as often as I can. Can’t go a week without hearing from my best boys”.
“I can write letters” said Harry proudly, perking up a little. “We learnt how in school”. Sarah grinned.
“You send me them letters then chicken, and Auntie Becca and your cousins can write back to yer too”.
“Are we goin’ to Russia for Hanukkah then?” Alfie asked. Sarah patted the empty space beside her, and Alfie shuffled over, freeing his foot. Basil had taken the pat to be aimed at him, so launched himself onto the bed, the wood creaking under their combined weight as he settled himself across their legs.
“I’ll be back by then. You think I’m gonna let your dad make the latkes again?”. The boys laughed, remembering the strange burnt objects their father had sheepishly presented them with a few years before. It was even funnier as he could bake the best bread in London, but add some oil or frying into the mix and he was hopeless. He just burnt everything.
“It’s just too quick!” he defended. “With bread you’ve got time to sort yourself out, this - one second you look away and then it’s gone and burnt itself!”. Alfie was the proud owner of both gifts, and was often the designated chef at meal times.
“And no, you ain’t going to Russia this year”.
“Why not? We could meet ya out there n’ all come back together”. Sarah gave him a sad smile.
“You’ll ‘ave a much better time here sweetie, trust me”. Alfie frowned, remembering the strange atmosphere last time they went. Had it got worse? What was going on in Russia?
“Promise? Promise you’ll be back by then?” said Harry.
“I promise”.
Alfie was dreading the day she’d leave. They all were, really, even in Russia. Their dad had told them Becca felt awful, needing help, even trying to persuade Sarah to stay in England. But their mother could see through the forced energy on the phone, the over-cheerfulness of the letters. Nothing happened until it happened, their father said. But the day came, and Alfie dragged his feet along with his mother’s case all the way to the station. Just to delay it that little bit more. Maybe she’d even miss the train if he walked slowly enough. They’d left early deliberately though, with plenty of time for goodbyes, and Alfie’s dawdling.
To be honest, Sarah was no better, spotting a tiny dog on the way, and starting a long distracted ramble about how Basil was the perfect size. He bounded along ahead of them, tail wagging excitedly as he barrelled towards his new friend. The other dog wasn’t so keen, and Sarah had to kneel down in the street to console Basil, Isaac giving passers by an awkward nod as they stared at his cooing wife on the ground.
They reached the station…eventually, Sarah and Alfie taking a seat whilst the others went to check on the train time. Alfie had a feeling she wanted to talk to him, when she’d convinced Harry to go off with their dad, and he was right.
“Be good” she warned, turning and tapping him on the nose. He waved her off, but laughed. “I’m serious Alf. Dun’t give ya dad a hard time while I’m gone, mm? If I ‘ear about a single fight, I’m gonna be very disappointed”.
“Okay mum” he said after a moment, staring at his knees. This wasn’t how he wanted their goodbye to go. He knew how much it hurt both of his parents when he came home with cuts and bruises, with someone else’s blood all over his knuckles. They thought it was their fault, that they’d raised him wrong, but it was all him.
His temper was like a matchstick, sometimes. All it took was one little spark, and the whole fucking world could go up in flames.
Sarah bopped him again, making the corner of his mouth twitch.
“Cheer up you” she said. “Didn’t mean t’ upset you. Jus’ think of ya dad’s poor old heart. It can’t take the strain”.
“I heard that” called Isaac, as he strode across the platform with Harry. “I’m as fit as a fiddle”. The next twenty minutes or so were spent in a family huddle, as they waited for the train to pull into the station. Basil was happy to sprawl at their feet, playing with Harry’s shoelaces as they all wrapped their arms around each other. Alfie squeezed his eyes shut.
The train chugged to a stop on the platform, and the tinny shriek of the guard’s whistle and the bustle of disembarking passengers surrounded them. Sarah gave them all one last hug, and Alfie dug his fingers into the wool of her coat instinctively as she tried to pull away.
“I love you Alf” she said, ruffling through his hair. “I’m gonna be back soon alright, I’ll ring as soon as I get there, sweetie”.
“I love you too mum”. And then she was gone.
“What’re ya gonna do on the train without us?” asked Harry, as a guard waved them back from the platform edge, shutting the carriage door firmly. Sarah rolled down the window.
“Oh” she said, grinning. “I’m sure I’ll find somethin’ to get up to”.
“I know that face” said Isaac, “what trouble is your mother going to get into, ey?”. Harry smiled sadly. Sarah blew Isaac a kiss in reply, and he caught it, pressing his palm against his cheek. Alfie and Harry didn’t even make sick noises. There was a hiss of steam, and the train started to move, slowly inching across the tracks until it gathered speed. “L’hitraot” Isaac called. See you again.
People didn’t like to say goodbye in Hebrew, because it sounded so final. But as Sarah waved at them from the window, hair flying around her face as she grew smaller and smaller, Alfie couldn’t help but feel a sense of finality.
The months passed slowly. It was strange at home, without her. Sarah called every week, like she’d promised, but it wasn’t the same. Their dad was quieter, spending more and more nights working late in the bakery, or squinting over the Torah scroll for hours on end. Harry had started skipping school more often than not, and if he did go, well, Alfie was glad their mother couldn’t see the purple stripes lashed across his fingers.
Alfie had tried not to fight. Honour his promise to his mum, keep himself to himself. It hadn’t lasted long. Sabini had pushed him too far: leaving two of his friends in hospital and snatching a crate full of weapons. He had to fight back. If Sabini saw him as weak now, he’d lose all his territory. Afterwards, when his dad wiped the blood out of his eye and stitched up the jagged gash to his stomach, the guilt set in.
“Please don’t tell mum” he begged, grabbing at his dad’s shirt. “Please don’t tell her”. Isaac regarded him for a moment, bloody cloth hanging limply in his hand, before he left without a word. Alfie cried that night. He couldn’t remember the last time he’d done it, but once he started, he couldn’t stop. By the time Isaac had returned, whispering apologies into his son’s hair, Alfie’s cheeks were raw where he’d scraped at them, nails leaving a bloody trail down his skin. Half-moon imprints cut deep into his palms, but Isaac unclenched Alfie’s fists and soothed the stinging with a cool flannel.
The looks he got in shul were enough to make him tug on his sleeves, until his shirt covered the ruined skin of his hands. He didn’t care what people thought of him, that much was clear from school, but it was different with G-d. He started going more often, at quieter times where the world around him could fall away, and it was just him and HaShem.
He knew his mum would be doing the same, thousands of miles away. Maybe like this, they could get through it.
Alfie started to suspect something was wrong about two weeks before Hanukkah. Sarah was supposed to be back by now: Alfie had been planning her ‘welcome home’ meal for weeks, but Isaac had told them that her train across Europe was cancelled, and she was waiting for another ticket. It wasn’t unusual, it had happened to them as a family before, so the boys didn’t think much of it, distracted by the newly fallen snow and the happy news of a new baby cousin.
The suspicion started when the phone stopped ringing. They both badgered their father with questions on why their mother hadn’t called, but he’d answered them all in vague terms, not really listening. Alfie and Harry concluded that it meant she was on the train right now, and could hardly sleep that night with their excitement. But Sarah didn’t arrive home the next day. Or the one after that.
Their dad had also been acting strangely lately, scanning every inch of their Jewish newspaper twice over before throwing it down in frustration. They heard him pacing around at night, and he didn’t seem to be sleeping at all if the dark circles under his eyes were anything to go by. One night, the slight creaking of the floorboards stopped, and Harry crept into Alfie’s room, desperate to know what was going on.
They tiptoed across the hall, peeking through gaps in their father’s panelled door, hopeful that he had finally gone to sleep. Isaac’s shoulder shook as he cried, and Alfie pulled his brother away quickly, stomach sinking.
What the fuck was going on? Harry tightened his grip on Alfie’s hand.
The next night, Isaac read Harry a story, Alfie sat listening in a chair across the room. There was something strange about the way his father seemed to savour each word, almost stalling and turning the pages reluctantly until he reached the end. He put the book down with a sigh.
“Alfie, come downstairs a minute”.
“What about me?” Harry asked, frustrated to be left out as Alfie rose.
“I’ll come and say goodnight in just a minute” he promised, and Harry lay down apprehensively, wrapping an arm around his teddy bear as Isaac pulled the door shut. Alfie followed him downstairs, stomach flipping. He’d had enough of all this secrecy.
“Dad, what’s happened?” he said, once they were out of Harry’s earshot. “Something’s happened to mum, ain’t it? Will she not be back in time for Hanukkah? It’s okay, we can still ‘ave a good time-”. He was cut off as Isaac drew him into a hug. Taken aback slightly, he returned the gesture. “Dad?” he asked, voice small. “Tell me what’s wrong”. Isaac pulled back, gripping his arms tightly.
“I’m going away for a few days” he said. “Could be a week, could be longer”.
“What?” Alfie cried. “You’re gonna leave too? Why would you-”. Isaac shushed him quickly, glancing up the stairs before pulling him into the kitchen and shutting the door.
“Why are you going too?” Alfie asked anxiously.
“I’m going to find your mum”.
“Find her?” he repeated, confused. “Isn’t she at Auntie Becca’s house?”. Isaac scrubbed a hand over his beard, pulling out two chairs for them. He drummed his fingers on the table, trying to find the words. Alfie stared at him impatiently.
“There’s things happening, in Russia” said Isaac, “to people. Jewish people”. His tone was low, serious, and Alfie swallowed.
“What things?”.
“You remember what I told you, about some people not liking us?”
“I’m not fuckin’ six years old” said Alfie, rising from his chair, resisting the sudden urge to kick something. “I know people hate-”
“Sit down” said Isaac firmly. Alfie sat reluctantly, leg jumping.
“In Russia, there’s a lot of folk like that at the moment”. Alfie considered this. This information wasn’t exactly new. Alfie couldn’t remember a time when he hadn’t known he was different. But the tension in his father’s face made him think things were worse over there than in Camden.
“Is that why Uncle Yakov lost his job?”. Isaac nodded. “But what do you mean, find mum? What happened?”.
“Those people…some of them are soldiers. They’ve been going to a lot of villages, Jewish villages, and a week ago they went to ours”. Alfie felt a renewed wave of nausea pass over him. He gripped the table, knuckles turning white. “Everyone had to split up, and your mum hasn’t made it back yet. I’m going to go and find her”.
“But…what if you can’t?” managed Alfie, thoughts spiralling. “Why wouldn’t she have jus’ gone back to the house?”.
“Because it’s not safe there anymore” Isaac blurted, loud and unrehearsed. “Not for us”. Alfie fell silent, a deep crease in his forehead. It wasn’t safe at all? He’d grown up with warnings like that all his life: don’t go down this street, or to this shop, or that market. But…they’d spent so many winters in that little Russian village, made so many happy memories there. They hadn’t changed, but it seemed the world had.
“I’m so sorry, Alf. I don’t want to involve you in any of this, but I’ve got to go away. You’ve got to be brave for me, okay?”. Alfie nodded, eyes stinging as he inferred what Isaac was leaving out. What the soldiers had done to their village. What they could have done to his mum.
“When are you coming back?” Alfie sniffed, rubbing at his eyes furiously. “For Hanukkah?”.
“I’m going to do everything I can to make that happen, okay?”. What if they never came back?
“I can help” Alfie cried, chest heaving, “let me come with you”.
“You can help me by staying here” said Isaac, cupping his son’s cheek. “I need you to look after Harry for me”. Alfie groaned, twisting away. Isaac grabbed his shoulder. “Alfie, look at me. I need you to take care of your brother, do you understand?”.
Looking into his father’s eyes, Alfie could see the raw grief there. He was noticeably thinner, and the bags under his eyes were darker than ever. Alfie had never seen him like this before. “Your granddad’s coming tomorrow, but until he gets here, it’s just you and Harry”.
As stupid as it sounded for a gang member, who’d had more fights than he could count and also sliced up a fair few people with knives by now, Alfie was scared. There’s a lot of folk like that at the moment. What if they were coming here too? What if he couldn’t protect Harry?
Isaac disappeared upstairs, turning off Harry’s light and returning with a small bag slung across his shoulders. He kissed Alfie’s forehead, pressing a key into his hand to lock the front door with.
“Keep it bolted” he whispered. “Don’t let anyone in but your granddad, okay?”. Alfie only stared up at him, stomach churning.
“What if they come-”
“They’re not going to come here” said Isaac. “I promise, Alfie”. Another hug, the last one this time. Alfie clung to his father’s coat. “Brave boy” he said, before opening the door.
“Find her” Alfie whispered.
“L’hitraot”.
“L’hitraot”.
See you again.
Alfie bolted the door quickly, running up the stairs and resting his elbows on the windowsill as he watched his father cross the street. He didn’t sleep that night, whispering the Tafilat HaDerech, the traveller’s prayer, over and over, long after his father had passed out of sight.
The rough wood of the coffin scraped into Alfie’s palms as he lifted it. He was numb to the sting and walked blindly, guided by the dead weight on his shoulder and the rhythmic thud of the damp ground beneath his feet. He vaguely sensed his brother beside him, felt his small hand slip into his own once they’d lowered the casket. Someone was speaking to him, but he didn’t react, eyes locked on the blurring grass.
He was jostled slightly, as a rip was torn into his jacket. Keriah. He’d look at the loose threads later, run his fingers over the tear that symbolised a loss, but now he couldn’t move.
He didn’t recite the blessings. He didn’t say anything at all.
Alfie had attended a shiva house once before, when his neighbour’s wife had passed away. Shiva was the period of mourning. The whole community came together, cooking meals, cleaning, and praying for the mourners. Alfie hated the pitying glances, the sympathy. He wanted to be left alone, to fight and hurt and bleed until everything just stopped.
Someone had gone into his room once, tried to sweep the floor, change his bedsheets. They hadn’t stayed long. The look of disappointment on his dad’s face was punishment enough for the abuse he’d yelled at them.
He wanted to write to Tommy about it, maybe even call him if his father was away, but thought better of it. His mother was sick, he shouldn’t bother him with thoughts of death. So, he was alone. He’d pushed Harry far enough away that he’d stopped coming to Alfie at night, when the dreams got too bad. Stopped throwing his arms around him, or gripping onto his fingers in shul. Alfie’s own nightmares had him waking up screaming, what could he do for his brother. Basil whined and pawed at his closed door.
Alfie was usually loud, wanting to talk to anyone and everyone, but this lump in his throat and the weight on his shoulders had made him mute. A closed book. He hardly left his room anymore, despite his dad’s attempts to get him outside. Not even when he’d smashed his mirror, blood running in rivulets down his forearm. He let it bleed, cursing himself for forgetting.
He’d not seen his mother for so many months that the details were escaping him. What had he already lost? Had he imagined the little wisps of her hair, that curled in the rain? The tunes she used to hum when she knitted?
Her rings lay in a small jewellery box on his dresser. Harry had slid it into his room, hoping to get some sort of reaction from him, but Alfie had nothing to give. He took them out sometimes, like he’d done as a kid. They could only fit on his little finger now. Alfie’s favourite was a thick gold one with a square face. Which hand had she worn it on?
Weeks had passed now, since the funeral. Harry had started going to school again. Just seeing those bruises, from a teacher or other kids Alfie couldn’t tell, stirred up that crippling guilt. He should be there for him, but he wasn’t. Their dad had also re-joined the community, as far as Alfie could tell. He couldn’t bring himself to ask. He was so fucking selfish.
Was this it for him? Saying the mourner’s kaddish for the rest of his days?
It was late in the evening when his father pushed open his door. Alfie was lying on top of the covers, eyes glazed over as he stared blankly at a loose thread. Isaac patted his leg, and he shifted over an inch, just enough for his father to sit down.
“She was born blind, you know” said Isaac. The statement caught him off guard, and Alfie replied without thinking, before realising he hadn’t spoken properly in weeks. Only shouted, or spoken with his fists.
“What?”
“Your cousin. According to the doctor, she can’t see a thing” he said, rubbing his eyes. Alfie closed his own, imagining what it would be like to live this way. He didn’t like it, the light got lost in all the darkness. He supposed he’d been living like that too.
“Can’t they do anything?” he asked quietly, rolling the thread between his fingers.
“No” said Isaac, but softened at Alfie’s expression. “It’s not for lack of trying, son. Sometimes there’s nothing you can do”. They were silent for a while, and Alfie just lay there, too exhausted to put up a fight, to push him away.
“Why do people hate us, dad?”.
“Oh Alfie”.
“Mum didn’t do anything wrong” he managed, before the first tear dripped onto his pillow, and everything came crashing down.
“I know” his father soothed, pulling him up and into his arms.  
“It’s not fair” sobbed Alfie, hands fisting in his father’s shirt. The thought of letting go was impossible.
“I know”.
“Why didn’t G-d do something? Does he even fuckin’ care?”.
“He always cares. He’s suffering with us”.
“Why didn’t he stop them?”. Isaac squeezed his shoulder.
“You can choose what to do with yourself in this world. Some people spread love, while others get caught up in hatred. It’s awfully hard to stop an idea, but with good people – like you, and your brother, we’ll get there”.
“I ain’t a good person” Alfie cried. The words hitched in his throat, but he forced them out anyway. It was true. “I fight”.
“You are kind, and strong, and brave” Isaac countered. “I know you fight to protect your friends, and to stand up for yourself, and what you believe in. I know that, Alf. I just don’t want you to get hurt”.
“So G-d can’t stop people from gettin’ hurt?”. Isaac considered this.
“Can you think of a time where he did?”. Alfie thought for a moment.
“Hanukkah?”
“Mhmm”
“Pesach?”
“Yes”
“Purim?”
“That’s right. Do you see?”. Alfie nodded, shoulders drooping.
“But ain’t there still bloody…thousands of people in pain?”
“Don’t be daunted by how vast it all is. Some people can’t be reasoned with, as there’s no reason to their thoughts, but if you can help one person, you’ve helped us all. A little bit of light dispels a lot of darkness”.
“But I couldn’t help her” he whispered. Not his mother. Isaac rubbed a hand over his back
“You know your grandmother died when I was a boy” he started. Alfie squeezed his eyes shut, but nodded. His father’s voice was soothing. “I thought that was it. I loved her so dearly that her loss-” he swallowed, “made me certain I would never experience happiness again”. Alfie sniffed. “Then your mother came along. With that smile, and her ridiculous way of speaking”. They both chucked a little, Isaac squeezing Alfie’s shoulder. It was the first time he’d smiled in weeks. “Didn’t know what to make of her at first. But the matchmaker seemed to think we were perfect for each other, so I took a leap, went for it; and it turned out we were. Now, you’re the eldest, so it’s tradition” he said, reaching into his shirt pocket, and pulling out a familiar gold band. His mother’s wedding ring. “One day, you’re going to meet someone who will make your world light up again”. Alfie’s eyes stung with tears again, and he took the ring shakily. Isaac closed his fist around it. “And you give them this ring”.
— Fifteen years later —
Alfie carefully placed the shamash candle back into its holder, in the centre of the hanukkiah, and stepped back; the warm glow of all nine candles reflected in the glass of the window. He sang the two blessings, eyes roaming up the wall to the framed picture of his mother. Sarah was laughing, hair blowing out behind her from a country breeze. His brother had the same one, in his own home. So did their father.
There was movement at his side, and Alfie turned to look down at Tommy, their sleeping new born son cradled in his arms. Charlie looked so cosy, in the warm blanket Alfie had knitted him, and he stroked a hand over his son’s head. The candlelight flickered in Tommy’s blue eyes, making the gold ring on the chain around his neck glow even brighter. Alfie stared down at his family, and felt as if his heart would overflow with love for them both. Cyril had padded in behind Tommy, and sprawled at their feet, covering their bare toes with his warm tummy.
“Chag sameach” said Tommy softly, leaning up to press a kiss to Alfie’s mouth. Alfie smiled into the kiss, wrapping an arm around Tommy’s waist and holding him close.
Yeah, he thought. He may not have defeated armies, nor could he make everything right in the world, but he had his own little miracle right here.
Chag sameach = happy holidays.
So this holiday fic definitely turned into something more serious, and I'm so nervous to post this because I'm not sure what the reaction will be. Many, many, parts of this are based on me & my family. These experiences won't be the same for everybody, and while I am Jewish, I'm young and I definitely don't know everything, so if there's a better way I could have handled this topic please let me know. I’m also not Orthodox, so there may be some mistakes on that front too.
With that said - thank you for reading! <3 I hope everyone had the best Hanukkah/is enjoying the run-up to Christmas! 
Also...you know where GUAS is heading now! Though I'm sure it's not much of a surprise that it will eventually be Alfie/Tommy.
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kim-lexie · 6 years
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july favorites.
music.
‘you make my day’ by seventeen. this one has it’s own post because i could not contain it all in a rewind. here it is
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here we are by ashley. thank you joan kim for introducing me to this incredible vocalist. this is such a summer bop, and it has been on repeat since it’s release. (p.s. the music video is nothing less than bright summer aesthetics.)
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pentagon. so remember how i was not going to allow myself to fall into the pit of another boy group. well, pentagon happened and i am so glad it did. literally, all of their songs are incredible. i esp love ‘like this’ from the demo_1 album. dang, it deserves so much more. their vocals and choreo always on point. i am so glad that i kept looking into them after listening to ‘shine’. this is a group full of cute dorks and i love them. cannot wait to see where this upcoming year will take them. 
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dance the night away by twice. twice always delivers those insanely cute catchy tunes that i absolutely overplay the crap out of. i also love that i can actually attempt the choreo. they are just so great, and i love all of their title tracks. just look at how cute and soft the mv was. i love them!
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crazy sexy cool by astro. so i just started the new drama ‘my id is gangnam beauty’, and the male lead is in this group. of course, i needed to do some digging to see who this cutie was, and stumbled upon this soft beat. i love this song and it has been on replay. i love the balance of their vocals with the track, and those ‘oooooos’ get me right in the feels. i am about it. i shall keep an eye out for more astro in the future. 
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 dramas & movies. *spoiler alert*
[p.s. i am watching a lot of on-air dramas lately so next rewind will be full of reviews]
koinaka. i rate this drama a 4.5 out of 10. it was a little too extra, and a little too much back and forth for me. i also did not appreciate how they tried to trick me in the last episode. like what the even man?!?
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about time. wow. just wow. i love this drama. i love all the members of the cast in this drama. lee sang-yoon is an incredible actor and i absolutely loved him in ‘twenty again’. and of course, the queen lee sung-kyung absolutely became this character and portrayed it well. there were so many plots and subplots. his hyung’s death and the family relationship was a fascinating way to expand upon how everything came to be. i love the ending line “we hope the moment you’re in right now is the moment you want to pause for a long time.” i rate it 10 out of 10. 
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be with you. i truly don’t know who came up with this concept but it is not okay. why must i always watch films that make me sad? this was beautifully filmed, and i loved how we got to see both of parallels of the same story of how they fell in love. what a plot twist at the end as to how this meeting came to be. i loved the boy that played ji ho he did a fabulous job. i loved that my park seo joon came in to play the adult version of him, i would not have had it any other way. this one requires a box of tissues and water for rehydration. i rate this film a 9 out of 10. i continue to love so ji sub because he is incredible! i absolutely loved son ye jin in “something in the rain” and i have fallen more in love with her acting. she always plays such lovely characters and i need to see all of her dramas. 
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what is wrong with secretary kim? i absolutely loved the easy-go-lucky heart of this production. i absolutely love all of park seo joon’s dramas and this one did not disappoint. i fell in love with all the characters, and subplots. i also appreciated the ‘because this is my first life’ inception that happened in episode 10, i was living my best life. don’t understand how the whole issue of them being kidnapped and the trauma afterward sort of dropped out of the drama, but you know dramaland works differently than the real world. what matters is that the vice chairman grew as a person immensely and mi-so grew to love herself and find her place in this world. the OST was also perfect and i am absolutely in love with the track from jeong sewoon ‘it’s you’. always gets me in a puddle of tears. (i love his voice and everything he does is perfect, but that’s a side note) i can totally see myself watching this hilarious drama again, it had everything that you could want in a drama. funny one-liners, cute moments, romance, childhood flashbacks, everything! i rate it a 10 out of 10. (also i have a love-hate relationship with watching dramas while they are airing like i want to binge watch but my life does not allow for that so it is better to have small doses, but ya know)
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this inception, i ship it so hard.
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other faves.
book crazy rich asians by kevin kwan. THIS BOOK WAS HILARIOUS AND PERFECT AND FUN. i haven't had a chance to read for pleasure in a while since university is great and takes all your pleasure reading in exchange for textbooks. but this was a great way to start my path to pleasure reading again. i picked this one up because the movie is coming out AUGUST 15th. everyone must go out and support this release, i am so excited to see an asian cast killing the game. okay back to the book, it was hilarious and i loved all the plots that we followed. his writing style was just what i needed and i can't wait to read the rest of the trilogy. i am not good at book reviews but i am sure there are some out there to summarize this great read. just go pick it up and read before the movie! 
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youtuber dearnessie. this girl is so cute. i stumbled upon her youtube channel this month. she is studying abroad in seoul and all of her videos are insanely aesthetically pleasing (so is her instagram). her channel consists mainly of vlogs and q&as, which i love! i cannot wait to continue to follow her on all her adventures. here is the link to her channel to go subscribe. and here is her latest video: 
youtube
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blogsmith57 · 3 years
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Movies Ansd Tv With Pina Colada Song
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Movies And Tv With Pina Colada Song Rupert Holmes
Pina Colada Song Wikipedia
Escape The Pina Colada Song Video
Two Pina Coladas Song
Pina Colada Song Video
Janet learns the lyrics to the Pina Colada song. Janet learns the lyrics to the Pina Colada song. On the movie the sweetest thing who sings the pina colada song its a womens group?
In The Number Ones, I’m reviewing every single #1 single in the history of the Billboard Hot 100, starting with the chart’s beginning, in 1958, and working my way up into the present.
***
At least in retrospect, the ’70s must have been the wildest, most motley, most all-over-the-place decade in the history of popular music. Some genuine musical revolutions either started in the ’70s or matured during the decade: Hip-hop, punk, disco, funk, prog. But if you look at the ’70s through the lens of the pop charts, as this column does, you see excitement and tedium locked in a constant struggle for dominance throughout the decade, with novelty sneaking around the outside and getting some jabs in.
So really, the ’70s ended the only way they possibly could’ve done: With a badly-sung, infernally catchy soft-rock ditty, an infidelity-themed story-song that ends in an O. Henry twist. Rupert Holmes’ “Escape (The Piña Colada Song)” has popped up on movie and TV-show soundtracks countless times in the past four decades; it has earned its place within our shared consciousness. And yet I can’t imagine ever being in a situation where I would actively seek the song out, where I would want to hear it. But then, I was three months old when the thing hit #1. Maybe I’m not supposed to know what motherfuckers were thinking.
Rupert Holmes, the man who wrote and produced “Escape” and who thus owns the chart transition from ’70s to ’80s, had been part of the pop-music dream factory for a decade when he got to #1. Holmes was born in the UK, the son of an American Army officer and an English woman. He spent the early years of his childhood in the English village of Northwich and the later years in the New York suburb of Nanuet. Holmes’ parents were both musicians, and Holmes went to the Manhattan School Of Music on a clarinet scholarship. Pretty soon after he finished school, he went to work as a pop-music professional.
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Holmes was working as an arranger in the late ’60s when he joined the Cuff Links, an anonymous bubblegum group that also featured Ron Dante, the lead singer of the Archies’ “Sugar, Sugar.” When the Cuff Links broke up, Holmes recorded a song called “Jennifer Tomkins.” The single, released under the name Street People, peaked at #36. In 1971, Holmes wrote a cannibalism-themed joint called “Timothy” for the Pennsylvania band the Buoys, and that one peaked at #17. Holmes also wrote ad jingles and scored a little-seen 1970 Western called Five Savage Men. He was in the game.
Holmes released Widescreen, his solo debut, in 1974. Before 1979’s Partners In Crime, the breakout album that gave us “Escape,” Holmes knocked out four solo LPs. None of them sold, but those records helped Holmes build a name for himself as a writer of funny, irony-infused story-songs. Barbra Streisand was a fan, and Holmes wrote songs for her and for the absurdly popular soundtrack for the 1976 film A Star Is Born. Holmes didn’t score a charting single of his own until 1978’s “Let’s Get Crazy Tonight,” which peaked at #72. Private Stock, the label that released “Let’s Get Crazy Tonight,” went out of business when the song was still on the charts.
Holmes got the idea for “Escape (The Piña Colada Song)” one night when he was flipping through The Village Voice, the newspaper that once employed me. (“Escape” is the second #1 hit built around classified ads; it arrived eight years after the Honey Cone’s “Want Ads.”) Inspired, Holmes hatched the narrative of a bored couple who, while attempting to cheat on each other, accidentally go out on a blind date with each other. As originally written, the chorus started with the line “if you like Humphrey Bogart.” While he was getting ready to record it, though, Holmes decided that his own songs had too many references to older movies, and to Bogart in particular. He changed “Humphrey Bogart” to “piña coladas” at the last possible minute simply because he didn’t want to let down any of the real Rupert Holmes heads out there.
If you stop to think about “Escape (The Piña Colada Song)” for even a second, it’s a pretty nasty little song. The very first line is this: “I was tired of my lady/ We’d been together too long.” The song’s narrator is unhappy with relationship, but he doesn’t do anything to end it. Instead, he sneaks around behind his girlfriend’s back, falling for a sentence in a classified ad. The person described in that ad seems hopelessly basic. Likes: Fruity mixed drinks, rain, champagne, beach fucking. Dislikes: Yoga, health food. But apparently the guy is basic, too, since a few lines of small-print newsprint text are all he needs to ditch his relationship. He takes out his own ad, responding to the first, and he includes grandiose verbiage about planning an “escape.”
He does not successfully execute that escape. It turns out that the girl who took out that classified ad is his own girlfriend, who is just as bored with the relationship as he is. They meet up at an Irish pub and instantly figure out exactly what just happened. The song presents this ending as a happy surprise. In interviews years later, Holmes says that the guy was supposed to be an asshole, and a passive one. The girl, who is also attempting to cheat, was at least the one with the wherewithal to instigate the whole episode. Holmes was hoping that they’d both realize how much they had in common, that they’d recommit themselves to each other. This seems unlikely.
Movies And Tv With Pina Colada Song Rupert Holmes
I have questions. For instance: Where does this couple go from here? They both know that they can’t trust each other. They also know that they don’t really know each other. They’ve got all these completely elementary preferences that they haven’t communicated. After that initial rush of recognition, how does the rest of this relationship look? How long do they stay together? How are they not incredibly pissed off at one another from the moment they spy each other across the bar? How are they not, at the same time, both consumed with guilt upon getting caught? I don’t like this couple’s chances.
I don’t know if this is a good story, but it’s good storytelling. I don’t much like the characters or where they end up, but Holmes sketches out the whole narrative in a few quick words, never losing sight of his own melody. This doesn’t change the reality that the actual music behind this story is exactly the kind of wack-ass soft-rock pablum that I cannot stand. It’s got an awkward, clumpy beat that Holmes recorded with two drummers. (Holmes co-produced it, and he says that the studio band played sloppily that day, so he used the 16 bars he liked the best and looped them.) There’s watery piano. There’s a processed-to-death guitar lead. There’s a groove that can’t stop tripping over itself. And then there are those vocals.
Holmes isn’t a bad vocalist, exactly. He a classic ’70s singer-songwriter guy, a conversational speak-singer. But man, I do not like what happens when he cranks that voice up and hits the hook on “Escape.” The hook is, to be fair, instantly memorable. But this is not always a good thing. Holmes hits that upper register, and I just wish I was someplace else. I don’t even know how people functioned when this thing was all over the radio.
Holmes managed one more big hit after “Escape (The Piña Colada Song).” “Him,” the single’s follow-up, was another story-song. This time, Holmes sang from the perspective of a guy who figures out that his girlfriend is cheating. “Him” peaked at #6. (It’s a 4.) Holmes kept putting out albums into the ’90s, but none of them hit. He also went back to writing songs for other people. “You Got It All,” a ballad that Holmes wrote for the teenage Tongan-American Minneapolis-based Mormon family band the Jets, peaked at #3 in 1986. (It’s a 6.) Britney Spears, an artist who will eventually appear in this column, covered it on her debut album. Get ready to be incredibly depressed: Holmes wrote the song for his 10-year-old daughter. Before the song took off, she died of an undetected brain tumor.
I don’t know how you bounce back from something like that, but Holmes did. After “Escape (The Piña Colada Song),” Holmes has had more success as a storyteller than as a musician. In 1985, Holmes wrote The Mystery Of Edwin Drood, a Broadway musical based on an unfinished Charles Dickens novel. It won five Tonys, including two for Holmes. Since then, Holmes has written more than a dozen plays, many of them hits. He also created Remember WENN, a drama that ran for three season on AMC in the late ’90s, and he wrote all 56 of its episodes. He’s published a few books, too. The man can write, and the best thing about “Escape” is that you can tell that right away.
But Holmes is a whole lot more famous for “Escape” than for anything else he’s ever done in his life. He’s pretty funny when he talks about it, too. In a 2003 Songfacts interview, Holmes said this:
I have a feeling that if I saved an entire orphanage from a fire and carried the last child out on my shoulders, as I stood there charred and smoking, they’d say, “Aren’t you the guy who wrote ‘The Piña Colada Song?'”
Perhaps Rupert Holmes would like to escape “The Piña Colada Song.” So would I.
Pina Colada Song Wikipedia
BONUS BEATS: Here’s the scene from a 1999 episode of The Simpsons — the same storied episode that predicted the Trump presidency — where the not-aging-well future version of Bart sings a parody of “Escape (The Piña Colada Song)” during his sister’s presidential addresss:
BONUS BONUS BEATS: Here’s the weirdly extremely memorable “Escape (The Piña Colada Song)” needle-drop from the 2001 film Shrek:
BONUS BONUS BONUS BEATS: Here’s Kanye West, noted fan of the aforementioned Shrek scene, quoting “Escape (The Piña Colada Song)” on “White Dress,” a song that he contributed to the soundtrack of the 2012 RZA-directed kung fu movie The Man With The Iron Fists:
(Kanye West will eventually appear in this column.)
BONUS BONUS BONUS BONUS BEATS: Here’s the scene from 2014’s Guardians Of The Galaxy — which, like The Man With The Iron Fists, stars Dave Bautista — where Chris Pratt steals his Walkman back from the space-prison guard who is enjoying “Escape (The Piña Colada Song)”:
BONUS BONUS BONUS BONUS BONUS BEATS: Here’s the great scene from a 2016 Better Call Saul episode where Bob Odenkirk sings a few bars of “Escape (The Piña Colada Song)” and spouts some fake biographical facts about Rupert Holmes:
more from The Number Ones
Raised in Hawaii Jack Johnson was the son of a famed surfer and even tried to have a go of his own on the waves. Unfortunately an accident that involved teeth being knocked out and stitches being required kind of halted that dream as he was sidelined from surfing for a while. It wasn’t too long after that however that his musical talents started to become his thing and picked up a guitar and started strumming out a few songs that he’d thought up. He did this throughout college, joining a band and jamming as they performed here and there during their time together. Johnson’s big break came in 2000 however when he not only produced the soundtracks for a couple of films but he tried his hand at making them as well. You could easily say this man is quite talented but it might still be an understatement.
Here are a few of his songs as used in TV and movies.
5. Glee – Bubbletoes
Glee is one of those shows you either liked or didn’t think about. It wasn’t even a matter of not liking if it you didn’t watch it, as the energy and verve of the show was enough to make it interesting. But if you weren’t into the whole song and dance routine then chances are you wouldn’t dislike it but just wouldn’t watch it since the whole idea of not liking the show seemed kind of petty since it was so upbeat a lot of the time, or at least seemed like it. In many way Glee kind of took a lot of people back to their experiences in high school since there are quite a few people that can remember being in similar clubs.
Escape The Pina Colada Song Video
4. Sense8 – The Sharing Song
This show is something else and it was one of Netflix’s top prospects when it first came out. The ability to connect with people miles away due to a special quality that links them all, and the knowledge and skills that can be shared via that link is pretty cool, but it could cause some serious problems as well. You can’t help but think that some of the people that are connected would embrace this after a period of confusion, but others would seek to block it out since this is the kind of thing that humans would rarely ever be able to get used to since it’s not considered natural or normal.
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3. The Secret Life of Walter Mitty – Escape (The Pina Colada Song)
Two Pina Coladas Song
Walter Mitty is a man that no one seems to take seriously since he’s kind of a nobody when the film starts, though he’s far more important than many people would care to realize. Working at Time magazine where he’s been for so long he’s been taken for granted and treated like a shadow on the wall since he’s a very quiet and unassuming person. But when an important negative for the last issue of Time goes missing he has to go and track it down by tracking down the photographer. In the end however he finds that it was with him the whole time, he just didn’t know where to look. The adventure he takes though is what was truly important as it finally got him to open up to the world.
2. Curious George – Upside Down
Several generations have grown up with Curious George since in truth he’s been around for a very long time. As a children’s story he’s one of the most classic tales out there and is the kind of story that you’d want your kid to watch since it’s a very touching and educational show that offers a lot of fun and engaging activity that kids will want to emulate. Sure George gets himself into trouble now and again, but that’s the beauty of the design. Kids can learn how they can get themselves out of trouble as well since George is all about having fun but he’s also about problem-solving. This is just a great show for kids and a bit of nostalgia for adults.
1. Jack Johnson – Middle Man
For all his talent and all his skill at music Jack Johnson is still a very diverse man since he’s not only a musician, but a father, a husband, and an environmentalist that spends a lot of his time balancing his life out between the different roles he’s given himself to play. So far in life it seems like he’s done just fine and has kept everything as it should be. He’s a very open person about his life in music, but keeps a lid on the private lives of his kids and family, which seems like one of the best ideas since quite honestly it’s no one else’s business. He’s definitely a family man and someone that cares a lot about what he does.
Pina Colada Song Video
Usually that’s the kind of person that knows just what they want and how to make it happen.
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chicagoindiecritics · 5 years
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New from Every Movie Has a Lesson by Don Shanahan: REWIND REVIEW: The Lion King
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(Image courtesy of Walt Disney Pictures via wdsmediafile.com)
For an occasional new segment, Every Movie Has a Lesson will cover upcoming home media releases combining an “overdue” or “rewind” film review, complete with life lessons, and an unboxed look at special features.
THE LION KING
Anyone who seeks to own this version of The Lion King is doing so with a “how did they do that?” curiosity. The technical brilliance is its biggest selling point. That interest is answered very well by this disc release. Unlike its Pixar and Marvel offerings, Disney compiled a legitimate look into this re-imaginings wholly revolutionary bells and whistles. This movie will look gorgeous on your high-end television at home.
ANTICIPATORY SET AND PRIOR KNOWLEDGE:
Jon Favreau’s The Lion King stands as the biggest test to all of that progress and the attached criticism because of how little beyond the pristinely pixelated exterior is actually “reimagined.” So incredibly and, dare I say, unnecessarily much is nearly a shot-for-shot duplication of Disney’s most popular and most successful film of their Renaissance era. Duplicated enjoyment may have been the goal, but that makes one question a tangible purpose for truly needing any such update. Luckily, the shininess, so to speak, is an undeniably impressive and redeeming feature to a lack of implemented originality.
With around thirty minutes of extra marination here and there simplified by screenwriter and former steady Brett Ratner and Steven Spielberg collaborator Jeff Nathanson, the well-worn tale of The Lion King, with all of its hefty Shakespearean elements, is retold for a new generation. The habitat-sustaining balance of predator and prey on Pride Rock and the coming-of-age journey of an impatient young lion cub named Simba are derailed by the tragic death of his kingly father Mufasa (James Earl Jones). The pourer of snake oil and the engineer of this tragic royal coup is Mufasa’s rebuffed and cerebral younger brother Scar (Chiwetel Ejiofor) and his enlisted army of hyenas. Shamed to believing his idolized father’s death was his fault, Simba leaves the savanna and grows into an adult (Donald Glover) in a lush jungle far away under the practical tutelage and scrappy friendship of a meerkat named Timon (Billy Eichner) and a warthog named Pumbaa (Seth Rogen). When his former betrothed lioness (Beyonce Knowles-Carter) and a spiritual soothsaying baboon (John Kani) from his past discover Simba is alive, they urge him to return home and claim his birthright.
LESSON #1: KIDS, LET’S LEARN ABOUT FOOD CHAINS AND FOOD WEBS — Depending on your chosen educator in the movie, Timon or Mufasa, you either have a straight line (food chain) or a grander circle (food web) to describe linked survival. It’s like the duel between facts and “fake news” only sung as an anthem to help you remember. Everything that lives will die and become the ingredients to a future living thing. We all are the products of that matter ourselves. It’s just what order you observe or place you occupy in the chain or the web.
LESSON #2: CARRY NO TROUBLE OR PROBLEMS IN YOUR LIFE — Just as in 1994, the catchy “Hakuna Matata” comprises your specially packaged teachable nugget for the target demographic. The Swahili phrase meaning “no trouble” or “no problems” remains good advice for moving on from past mistakes and perceived failures with an attitude change to focus on the present and future.
MY TAKE:
The opening line of my review for Aladdin read “It is becoming increasingly tedious to both critique and enjoy these Disney “re-imaginings.” That hasn’t changed. Go back before that with Dumbo and I said “Audiences constantly question the values of duplicated enjoyment or tangible purpose for needing anything new and shiny made from something that worked just that way it was intended decades ago.” That hasn’t changed either. Now, when I go back two years to Beauty and the Beast and read my words of “Let them be different, whether that’s better or worse, because they are different. View them separately and independently. Judge them separately and independently,” I see where the situations have changed for me and for this line of movies. I can’t do that anymore.
It is the present entertainment landscape and the future dividends that have powered this 2019 presentation to an immense level of anticipation. There is no disputing this movie’s immediate and constant wow factor as a stunning visual and technical spectacle. The photo-real animation of The Moving Picture Company supervised by three-time Oscar winner Robert Logato, fellow Jungle Book Oscar winner Adam Valdez, and promoted top supervisor Elliot Newman add divine ethereal layers and qualities to every corner of Caleb Deschanel’s laboratory cinematography, right down to the wind, bugs, hair, and dust. The conjured natural beauty and animal physicality is easily some of the best-looking CGI work Disney has ever attempted of film.
The trade-off with the hyper-detailed realism is the loss of engaging and exaggerated personification of characters and performances from traditional hand-drawn animation. This happened for The Jungle Book as well. Nearly all of the expressive eyes, mouths, and other emotional facial features are flattened and reduced by limits of physiological accuracy. Cartoons, more often than not, will always do that better. It shows here and it is showmanship that is dearly missed.
Stellar voice work would supersede that weakness. However, this update lacks a standout showy performance, even with a “let’s do this” and “I got this” modern attitude sprinkled throughout the diverse casting. Now 88, the returning Jones has lost little timbre, but counts as another ingredient of replication rather than an opportunity for newness. Ejiofor is a less oily Scar than Jeremy Irons and his calculated line deliveries of sinister intent and ruthless edge are underplayed and too calm to a degree. Glover and Knowles feel like they are reading more than emoting and hitting high drama. The most zeal, naturally, comes from the characters with the most personality. The chicanery of Eichner and Rogen charms to embezzle each episode of their participation.
What gave 1994’s The Lion King its lasting importance is the trait of majesty. In my eyes, that always came from the music as much as, if not more than, the characters themselves. The songs composed by the famed Elton John with lyrics by Disney hitmaker Tim Rice brought magnetic appeal. Hans Zimmer’s percussive and choral musical score, which stands as his only Oscar-winning work to date, elevated the entire movie’s powerful presence for show-stopping impact. That memorable music, recomposed and reworked by all three men with the infusion and addition of Beyonce, is the smartest and, in the end, the most essential anchoring element of this carryover. That vital strength is successfully retained rather than lost. Now, the musical majesty has a matching and radiant visual one primed to stir both new and old amazement.
LESSON #3: BE A GIVING KING — The generosity of a ruler’s wisdom and actions gain more fealty among their subjects than any fear or oppressive control. Mufasa and Simba earned that loyalty. The other animals in their organic orb of influence genuflect in respect. Can the same effect be evoked from the watching audiences of Jon Favreau’s new achievement as they gain or lose trust in Disney’s reputation with these second comings? The regal resonance of this parable wins. No matter if the version of The Lion King being shown is sketched or coded, we too may bow to the grand splendor on display.
3 STARS
EXTRA CREDIT:
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The centerpiece of this home media edition is 53-minute “The Journey to The Lion King.”  The presentation is divided into three chapters with director Jon Favreau’s ever-present finger in every pie.  This feature easily bests the miniature 5-15 minute attempts of its peers. Even the so-so fans for this remake will find creativity to be impressed by in the production process for this movie.  
The first segment is a 13-minute portion documenting the return of composer extraordinaire Hans Zimmer to the project that earned his only Oscar so far in his illustrious career.  With a second crack at The Lion King, Zimmer brought increases of drums and vocal force to the familiar.  Hearing Zimmer speak on his creative process and goals is fascinating.  To have him and Elton John return to curate the score and songs was a coup for the studio and filmmakers.
The middle segment is the best and is subtitled “The Magic.”  Here is where we see the extensive shooting process, led by six-time Oscar-nominated cinematographer Caleb Deschanel.  The DP, the effects vendor MPC, and Favreau documented their “virtual camera” process. Ben Grossman of MPC built game engine technology where VR headsets rehearse and chart possible camera movements.  Those shots are merged with the settings created by Andrew Jones and his animation team from the original animatic storyboards. All involved really go out of their way to explain this very new technique and the conversations are very insightful.
To see more of this outside of “The Journey to The Lion King,” viewers can peruse the “More to Be Scene” selections.  Three of the major vocal set pieces (“Circle of Life,” “I Just Can’t Wait to be King,” and “Hakuna Matata”) are presented with side-by-side screen shifts of the four visual layers.  Starting with the storyboards and animation to the virtual camera shooting and final finished product, the progression is amazing to see.
Last of the three chapters, “Timeless Tale” brings forward the diverse voice talents of these animal characters and personas.  Favreau leads here to explain and defend how this cast of new performers were chosen. They, in turn, excitedly explain their connection to it all.  Many grew up as ardent lovers of the original and feel the Favreau opportunity is dream fulfillment and a large honor. The smiles are shared by all around.
Jon Favreau’s feature commentary takes all of this and goes even further with scene-by-scene breakdowns.  His complementary insights often emphasize the documentary and photo-realistic goals and desires of the movie and all those working on it.  The goal from the beginning was less anthropomorphic emotion to avoid cartooning, which addresses the contention of many for the lack of facial expressions.  Emulation came first, right down to the shot creations. According to the director, the more iconic the scene, the more the filmmakers adhered to the known memories without tinkering.  Changes were easier to make elsewhere.  
After that, the other bonus features are pretty short and simple.  Entertainment is the chief goal where the movie itself can be played straight or as a sing-along version.  For those who want to cut straight to the ditties, there is a Song Selection feature to pick any of the eight lyricized song scenes.  Music video inclusions are given to the two new original song additions, “Spirit” by Beyonce and “Never Too Late” by Elton John. Expect one of those to get an Oscar nomination slot come the winter awards season.
The final minor bit is “Protect the Pride.”  It is a tidy 3-minute PSA on lions highlighting the beneficial Lion Recovery Fund efforts supported with a bucks from Disney’s fat checkbook.  The organization’s goal with this partnership is to double the formerly endangered lion population in the wild by 2050. Helpful and harmless, it represents a positive message and kissed ring at the same time.
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