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auras-moonstone · 8 months

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girl, i’m in dire need of some jack angst!! (i know, i’m crazy for wanting my heart to be ripped out by your beautiful writing in the saddest way possible😂)

maybe he and the reader have been dating for a few months and have their first big fight, maybe he’s been a little too close to a girl the reader has been having weird gut feelings about. they break up after some harsh words were said, and a few weeks later the reader sees that he’s dating the girl he told her not to worry about 👀

a few months pass, and jack and the girl break up bc he can’t get over the reader, and he tries to win her back, but soon realises he lost her for good when he sees her ar an event or something with someone else, and it’s clear that they’re more than friends.

(i kinda envision this as actress!reader x jack. and the event could be the oscars + the reader’s new bf could also be an A list celeb)

lyrics that could inspire you:

“'Cause there we are again when I loved you so, Back before you lost the one real thing you've ever known” - All Too Well (Taylor’s Version)

“I'm sitting eyes wide open and I got one thing stuck in my mind, Wondering if I dodged a bullet or just lost the love of my life” - I Don’t Wanna Live Forever

thank you so much and i’m sorry if this req is all over the place 😂😂❣️

hii! this might be one of the saddest things i’ve written yet. hope you like it<3

break me like a promise — jack champion

word count: 2,949

pairing: jack champion x actress!fem!reader, louis partridge x fem!reader (brief).

summary: jack breaks y/n’s heart, and after ten months he is determined to win her back, he sees her being happy with someone else.

author’s note: when i read “readers new bf could be a celeb” i knew i had to include the other love of my life aka louis partridge aka london boy.

Y/N AND JACK HAD MET THROUGH JENNA ORTEGA. The latter and Y/N both worked for Netflix, so they bumped into each other in lots of events and eventually became super close. And, knowing how big of a Scream fan Y/N was, Jenna invited her over to set and that’s where she met Jack.

No one could deny that sparks flew instantly between them, not even the two people involved. And that scared Y/N a bit, because her last relationship had left her with insecurities and trust issues, and she wasn’t sure if she was ready to dive into another relationship.

Jack had been very understanding about it, and told her that they should start as friends. He assured her that he would wait as long as she needed to, that she was worth it. And after months and months of therapy, Y/N finally felt ready to try things with Jack.

They were in a lavender haze for months. Her relationship with Jack was unlike anything Y/N had experienced before. The love she felt for him was so strong that there was no way to put it into words. Jack was her best friend—he had held her hand as she healed, and drew stars around the scars that the previous relationship had left on her. And she never would have thought he was going to be the one who made the wounds bleed again.

Jealousy is often seen as a toxic feeling, and after talking with her shrink about it, Y/N came to a conclusion—the toxicity depends on the way you handle that feeling. So Y/N decided to put her fears on the table, instead of jumping into conclusions. That’s what she thought would be the most healthy thing to do. Jack would be honest with her, and the thoughts that had been eating her alive would disappear.

But as soon as she said the words and saw Jack’s expression of irritation, Y/N knew she should’ve kept her mouth shut.

“Seriously? I can’t have female friend now” Jack spat furiously.

“What?! Of course you can. That’s not what I’m saying” Y/N said calmly. “I just… she clearly has feelings for you. And I’m not saying you should stop hanging out with her, I just need to know if she’s just a friend to you… or if there is room for more.”

“I can’t fucking believe you’re telling me this.” he shook his head in disbelief.

“Jack, I’m not accusing you of cheating or anything, really. You’ve been spending so much time with her…” more than with me, she wanted to add. But that would make things worse. “and I just have this weird feeling. I need to know how you really feel, that’s it. If you tell me you don’t like her, I’ll believe you. But please be honest with me.”

“What I really feel is that you’re suffocating me with your shitty problems.” his demeanour was so calm, but his words were sharp as knives, and they cut right through her heart. She had trouble believing the words had actually left his mouth. “I’ve waited for you for months, I helped you through all of it. And now you’re making this shit up? Grow up.”

Y/N felt like throwing up. She felt like she was about to spit her heart. “You don’t mean that.” her voice broke. “In all of these months, when have I ever brought up one of your female friends? Not once. Because I know they are only friends. But with her, Jack, I just feel like there is something more. And yes, maybe I’m overthinking, but that’s why I’m asking. That’s it. I’m just asking, Jack.”

“Stop being so fucking paranoid. I get that your ex cheated on you, but stop seeing ghosts everywhere.”

“Why are you being so mean? Why are you avoiding the question? It’s simple, Jack. Do you have feelings for her?” Y/N asked, the knot in her throat grew in size when she noticed he couldn’t look her in the eyes. “Jack?”

“We’re just friends, jesus!” he said annoyed. Y/N wanted so bad to play dumb, to pretend she couldn’t see he was lying.

“You know I can read you like a book, right?” she asked softly, sad. “When you lie, you can’t look me in the eyes, you play with your hands and bite the inside of your cheeks.”

“Y/N… fucking drop it. I’m tired of this”

“We are over, Jack” she tried to walk towards the door, but he grabbed her and pulled her against his chest, trapping her in his arms.

He saw the tears steaming down her face and cursed himself. “Shit. No, please. Let’s talk. I’m sorry” he sound like he was about to cry, and Y/N knew she needed to leave. Because even though he had hurt her, the soft spot in her heart was still reserved for him.

“No, let’s just leave it like this because if you keep talking, I’m afraid I might end up resenting you, and I don’t want that.”

“I love you, Y/N” Jack hugged her tightly. “Please let’s fix this. I promise you nothing happened with her, and nothing will.”

“I love you too, but I don’t believe you. I’m sorry, but I can’t do this anymore” and so she stepped away for the arms she loved the most in the world and left without glancing back. If she did, she knew she wouldn’t be able to leave.

EVER SINCE SHE WALKED OUT OF JACK’S HOUSE TWO WEEKS AGO, Y/N HAD BEEN OVERWORKING HERSELF TO AVOID HER THOUGHTS OF JACK CREEPING INTO HER MIND. She had stayed out of social media, and had deleted Jack’s number from her phone to avoid temptations. Her friends kept their eyes on her all the time, worried about the inevitable breakdown. You can only hold back for so long before it becomes too much.

Louis, her co-star, had been by her side as much as he could. And, like every morning, he was waiting for her on her trailer with a caramel macchiato and a shiny grin on his handsome face.

“And a chocolate chip muffin?” Y/N asked, seeing the mouth-watering treat next to her Starbucks drink. “What’s the special occasion?”

Louis stared at her, frowning. Not any indications of having had a break down, not even puffy eyes, which meant one thing—she hadn’t seen the pictures yet. “Nothing” he blurted, showing his charming smile. “Just saw it and had to buy it.”

“You really need to stop buying me these breakfasts, Lou. I’m going to get cavities” Y/N said taking a sip of her overly sweet drink.

“But look at how happy it makes you. Cavities will be worth it, don’t you think?”

“You may have a point. Scoot over” she told him, nudging his leg with her foot. Louis moved his body so that she could sit next to him on the small couch. It was not made for two people, so they were basically pressed against the other, yet they found it comfortable. Especially Louis, whose insides melted because of the closeness between them—his not so tiny crush on her was painfully obvious.

“What are you doing?” Louis asked, trying to keep his voice calm as she unlocked her phone.

“I forgot to check which surprise songs Taylor sang last night” she answered as she opened twitter. “Oh god”

“What?!” Louis squealed.

“She sang Cornelia Street and You’re on your own kid! And I wasn’t there, Lou!” she dramatically dropped her head on his chest. He couldn’t help but sigh in relief. “What is going on with you?” she laughed.

“Nothing. Why?” he laughed awkwardly.

“I don’t know, you’re extra jumpy and panicky today.”

“I’m always jumpy and panicky around you.” he said, trying to brush it off.

“No, you’re not” Y/N furrowed her eyes, locking her phone. Louis eyed the action and his chest relaxed. The girl noticed that, so she unlocked it again and started scrolling through Twitter. On her periphery, she saw the boy’s body tensing again. So it had to do with social media, she guessed. “Louis, I’m not dumb. Tell me what is going on.”

“Nothing” he repeated. “Let’s rehearse our lines.”

“Lou, I love you but you’re getting on my nerves right now. I hate being lied to, you know that.”

Y/N’s vulnerable eyes were his weakness, so he sighed and took her hand in his. “This weekend, some fans caught Jack walking around the city with a girl… and they… um, saw them kissing and holding hands.”

Y/N felt her heart drop, and her eyes started to sting. No. She wasn’t going to cry. She hadn’t let herself cry for two weeks and she was not going to start now. “Oh.”

“Give me your phone” Louis said softly. She was too lost in her own mind to question it, so she just obeyed. “I deleted Tik Tok and Instagram. And silenced any Jack related stuff on Twitter. You don’t need to see those pictures.”

“Louis… the girl… is it her?” Y/N asked, trying to keep her voice in control.

“Stop” his voice was firm.

“I want to move on, Lou. And for that, I need to know I was right first.” she pleaded. “Is it her?” her friend nodded slowly as he brought her to his chest. Y/N did a little nod too, and tried to stand up. “Let’s rehearse our lines.”

“Y/N…” he grabbed her elbow to push her back.

“Lou, please. I don’t want to cry, I don’t want to think about it.” he noticed she was two seconds away to burst into tears. And as much as he knew he would hate the sight of her weeping, it was necessary.

“I know you don’t, Y/N/N, but you have to if you want to move on. You’re never getting over this if you keep ignoring your need to cry.”

“I’m just afraid that if I do, I won’t be able to stop.” she confessed, tears starting to blur her vision.

“It feels like that now, but I promise you it’ll be good for you. You have been holding it back for weeks, and once you let it all out, you’ll start to heal” he said as he played with her hair.

“Two weeks… it took him two weeks to go off and date her. And it’s not only some girl… it’s her. He told me I was paranoid, and now he proved me right.”

Jack had promised nothing would happen between him and that girl, and now he broke his promise just like he had broken her heart two weeks ago.

After the realisation, it was like something snapped inside of Y/N, and one sob turned into desperate crying. Her fragile body shook under Louis’ arms, and he wished he could stop her pain. But he couldn’t, so he just stayed there with her holding her as she let it all out.

AS MUCH AS SHE HOPED THE CRYING WOULD EASE THE PAIN, IT DIDN’T. It had been months of being in a rollercoaster of feelings, sometimes she was okay, sometimes she was great and sometimes she was so low not even Louis’ hugs could lift her up.

The days where she didn’t have to shoot were the worst, because she spent hours in bed and her brain betrayed her by bringing the memories of Jack back. She missed him so much, it was completely agonizing. Why?, she asked herself when the room was dark and she couldn’t sleep. Why did he get to move on while she had to spend her days like that? She has been trying to pick up her heart while Jack was all lovey-dovey with the girl he swore was just his friend.

Jack continued her life without her, while Y/N woke up everyday with his memory over her. She longed for the picture of Jack’s dazzling smile to be gone from her mind. She prayed to forget the sound of his voice as he whispered the sweetest of things on her ear. She wished she could stop hearing his angelic laugh everywhere. She wanted to stop feeling the ghost of his touch against her skin. To forget that his lips were soft and that every time they were pressed against hers she could feel goosebumps all over her body. Y/N just wanted to stop being haunted by the memories of Jack.

Louis had slowly helped her through the process of moving on. He was there to offer his warmth when the wrenching thoughts triggered the waves of tears, and he was also there to make her break a smile once the sobbing stopped.

After eight months, the flood of her tears successfully carried away the thoughts of Jack, and Y/N knew she was finally clean. Not that she didn’t miss him, because Jack was her first love after all, and a small part of her would always love him.

It took her a few more months to be sure if she was ready to risk it again, but Louis’ sweet disposition, how he saw the best in her even in her worst times, showed her that he was worth it. And so she she watched it began again with him.

JACK AND THE GIRL LASTED FOR TWO MONTHS. He never intended to have something with her, but she was interested and he was lonely and sad, so he said yes. But reality crept in soon—he loved Y/N with all his heart and no matter who he was with, his thoughts would always go back to her.

He had been texting her for months, but she had blocked his number. He knew he could easily drive to her house, but he didn’t want to add salt to the multiple wounds he had inflicted on her, it would be selfish. So when Jack saw that Avatar 4 and Y/N’s drama film were both nominated for the Oscars, he knew it was his chance to make things right. To bring back the only real thing he had ever known.

But he didn’t plan on seeing her with someone else. And he knew they weren’t there together just as co-stars, they were each other’s date. The spark in Y/N’s eyes when she looked at Louis was familiar to Jack—it was the way they used to shine just for him. Jack had been the one to extinguish the spark on her eyes, and Louis had managed to light them up again.

And he wasn’t even mad or jealous. He actually felt happy and sad. Jack didn’t understand how it was possible for two opposite feelings to co-exist in his body at the same time. He realized it was a lost battle, yet he needed to do talk to her. For the sake of their once marvellous relationship.

Y/N got out of the bathroom and into the crowded room, but the thousands of people in it became blurry once she recognized the silhouette of a handsome tall boy leaning against the entrance. “Jack?” his name left her lips in a mix of anguish and surprise.

“Hey” he said softly. You look beautiful, he wanted to add, but restrained himself. “I wanted to talk to you.” Jack saw her grimace and continued before she could stop him. “I know. I know it’s the last thing you want, I just need to get this off my chest. You’re not paranoid or insecure. You never overwhelmed me with your problems. You were right, and I was a shitty boyfriend, friend and person, and you have been so amazing and patient… and I’m so sorry, Y/N. I never deserved your love.”

“You did… up until that night.” she said in all honesty. “I loved you so much, and then you said all of those things. I can’t forget about it, because I never expected those words to come out of your mouth.”

“I know, and I really don’t expect you to forgive me. It’s okay and understandable if you don’t, but I needed you to know that those things I said weren’t true at all.” Jack said, pressing his lips in a thin line. “To be honest, I came here with the mind set of trying to win you back” he confessed, and let out a little laugh, as if the idea was now ridiculous. “But I saw you with him and I know that I’ve lost you for good. Are you happy with him?”

Y/N saw his deep brown eyes starting to get glossy and her insides melted. She didn’t see him with romantic eyes anymore, but it didn’t mean the love was gone. She still cared for him with every bone in her body. “I am. He’s amazing.”

Jack smiled. Genuinely smiled, so widely that it made a few tears drop, and before she knew it, Y/N’s cheeks were wet too. “That’s great, Y/N/N. Really great. I’m happy for you.”

And that was the moment Y/N knew Jack honestly regretted the words he had said before their breakup. “I forgive you.”

The tall boy’s eyes widened “What?”

“I forgive you.” she repeated. “And you deserve to be happy too, okay?”

“Thank you” Jack said breathlessly, wiping away the tears.

“I need to go. But it was nice to see you, thank you for coming to talk to me. For real. I really needed that, I think we both needed that.”

And so they both smiled to each other one last time before parting ways. There was nothing left to say, staying friends had never been an option with them. They loved each other too much for that. When it came to Y/N and Jack, it was everything or nothing at all.

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ernmark · 3 years

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Juno Steel's Season 3 Finale Thoughts

Whoooooo boy.

Lots of thoughts. Lots of questions.

(spoilers under the cut)

A lot of this might be cleared up when I get my hands on that script, but until then:

Why was Sasha willing to destroy the Curemother Prime in order to kill Juno? That is a specific shot she made, and an incredibly valuable asset to destroy in the meantime. If killing him was more important than preserving the Curemother Prime, why did she attempt to spare him earlier-- or was it one of those 'bring him in alive' situations?

Is the Curemother Prime dead? Dead-dead? Or might some of it have splashed into Juno's open wound and hitched a ride in that weirdo blood of his?

Ruby is a Transformer now??? Like a T-2/Transformer hybrid? Is Juno gonna park on Io and then have the Ruby turn into like a necklace or a belt and just hang out with him so he has someone to monologue to? (Please!!!)

Who's waiting for him on Io (not waiting for him, per se, but he knows that somebody is going to be there)? Alessandra and her wife? Khan and family? Falco? Diamond?

Who set off the signal that lured Dark Matters to them? Right now the implication seems to be Peter, but I'm always up for a twist in the plot. (Peter's collector wanting to push him to actually get his ass in gear, perhaps?)

Who's side is Peter on, really? Was his preemptive escape him going along with that initial deal, or an act of cowardice and betrayal?

-------

Beyond that:

Alien road trip!

Seriously, though: we've seen Juno brought to his absolute lowest when he went out into the desert. We've seen him built back up again surrounded by support and loved ones and learn solid coping mechanisms. Now the scaffolding of that positive environment has been ripped away, and he's left to fend (almost) for himself. But this Juno Steel isn't the same one who came back from Miasma's tomb. He's taking the idea of Peter's betrayal in stride and then setting it aside-- not locking it away, but agreeing to deal with it when the circumstances permit. He's not resorting to self-blame or self-destruction, but taking an active role in getting out of there. He's trusting in himself and his family. And yes, he lashes out at the Ruby 7 for a moment, but it's a fairly brief moment, and then he calms down and they set out to work together.

Holy shit, you all. It's so amazing to see how he's grown.

-----

And really seeing the extent of that growth does in fact require pulling away those supports he's been holding onto. It's the real test, and that means he can't rely on Rita's ingenuity or Jet's wisdom, etc. This is going to be the larger, more extensive version of what we saw in the sewer with Small Fry, and I am so here for it.

But oh god, I hope the others are gonna be okay. Jet has the kind of faith that moves mountain ranges, but he's the one I most fear won't survive this.

Rita... I nearly cried when Rita admitted that she wasn't going to come with them. And of course she made out like it was no big deal, she just needed to take a detour, and of course Juno saw right through it and fought against her plan. But he trusts her, as much as she trusts him. It's a heartbreaking inversion of what we saw in Soul of the People.

And you'll notice that I keep circling around back to the end of the previous season, because there's a lot of parallelism going on. With the vibe I'm getting, this next season might just be the penultimate, if not the last season. It depends on how this next season is going to play out.

We've got this neighboring galaxy thing going on, with the Curemother Prime's origins, the memetic plague, and the Ruby 7-- all of which hearkens back to Season 1 with the Ancient Martians and Miasma.

We've also got a lot of untied strings involving the past. Peter's past, with his first love and his unspeakable debt; but also Diamond, Falco, and Hijikata; we've got the severing of Juno's relationship with Sasha, and what exactly happened that made their paths diverge. We've got Annie Wire-- I don't think we're done with her yet. And I'm still not about to let go of Marcus (aka, the mystery of the person who was mentioned in a S1 throwaway line that you can't even actually hear unless you're holding the script in front of you).

That's a lot of material to pack into a single season, but who knows?

#the penumbra podcast

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jq37 · 3 years

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The Case File – Mice and Murder Ep 3

The Case of the Curious Clues

Before we start, a quick plea to Grant O’Brien: Please stop finding clues. I can only take notes so fast. You’re killing me Grant. Moving on...

We start off this episode with yet another flashback, this time to the final confrontation of Sly and his supposedly dead arch nemesis Fletcher Cottonbottom at Reichenbunny Falls (...Brennan please). Fletcher was using a local castle as a storage center for munitions but Sly tipped off the cops before they could be moved. They do some repartee back and forth before Fletcher, the madman, handcuffs them together and jumps off the edge. They hit the water but Sly is able to lockpick himself out and escape while Fletcher disappears beneath the waves.

You know what I got from that story? No body.

Anyway, we jump back to the present where there *is* a body, Squire Badger’s specifically. Everyone in the room who isn’t a PC thinks that this must either be the work of ghosts or Mrs. M who was the only person in the room when it happened (allegedly).

This is a crucial time for clue gathering and Brennan keeps everyone in initiative for investigative purposes. Now, *so much* stuff happens here that I’m not going to recap every single detail--just the major clues and the things that seem relevant. I’m serious, this is like the volume of info we usually get in the once per season later game lore dump ep but it’s episode THREE.

Daisy tries to find a secret door but critically fails. She clocks Gangie, a fellow criminal, and in the moment Rekha and Katie decide that they prob have worked together in the past even though they are very different kinds of criminals.

Buck, who is outside listening to what’s going on in the room notices that his ankle knife is missing which is Concerning considering a man was just knifed to death.

Sly has Lars guard the door (he opens it and Buck is discovered, whoops) and then rolls a NATURAL 20 plus NINE to investigate so Brennan just has to tell him literally everything. RIP to him and me. Anyway, here’s the rundown (along with some of the stuff other ppl got):

Mrs. M’s hands are covered in blood but she couldn’t have done it. Based on her personality for one and for other reasons we’ll get to.

The wound is much messier than it would be if a person stabbed themselves typically.

There is a note in Squire Badger’s handwriting that says “Sylvester Cross I am afraid” No indication of if that was the whole message or if he got interrupted (maybe Buck could figure it out with his handwriting checking skills). Daisy from across the room clocks that Sly’s name is written on the paper but can’t read the rest.

The knife is a hunting knife with a pronghorn handle--an animal not common in England but very common in Texas (and Buck is sweating obv).

There is a slight layer of charcoal type dust on everything on the big resolute desk in the room (which makes sense, ash from the fireplace) but there is parchment type dust on the bust of Barkus Aurelius (OK, that one’s good) on the table and that’s the only place that dust is. Ian later notices that the date on the bust is wrong.

Speaking of, the desk (which we learn later was put in and taken out of storage once Loan Hall was modernized) is bolted to the ground and a lot of stuff has been thrown off it as if by a powerful force but Sly notices that it’s just the metal stuff like things made of silver or with screws. Stone things like the bust and other non-metal things have stayed put. Plus he smells ozone. This was the work of magnets, not ghosts, he concludes. And, for the record, Grant figured this out himself!

Mrs. M’s eyes are rapidly dilating. She is questioned about what happened and she says that she was told she was fired and would receive a small pension.

(Not a part of Sly’s clue dump but Buck rolls a 24 with disadvantage to persuade everyone he didn’t do it but then 2 nat 1s in a row to see if Harding--who said he was standing outside the door--is suspect. Buck thinks he’s at most a stooge but he did roll a nat 1 so who knows?)

Anyway, back to Mrs. M. Gangie fully believes Mrs. M is innocent and scared. She doesn’t quite remember what happened for a couple of seconds in there and it’s clear this is not the first time she’s had missing time. Sly calls Longfoot (the bunny photographer) over to take a picture of Mrs. M which everyone is a little appalled at until they realize he’s making a point. When the flash goes off, she bugs out like she did in episode 1 and forgets that the picture was ever taken. Sly then has Dr. Magpie list the symptoms of epilepsy. It seems that Mrs. M had an episode triggered by the flash she mentioned seeing and then lost time. It’s possible that what she thought she saw after that she didn’t actually see.

[While Sly is monologuing this Rekha texts Brennan and gets a 17 to swipe the “I am afraid” note. Sly doesn’t notice.]

So if it wasn’t her, then who was it? There’s only one door into the study and anyone who walked in would have to have walked past Mr. Harding, Shellcrest, Calliope, and Tabitha (who is having a marvelous time being in the midst of so much drama). Ah, but who said there was only one door? Sly has Harding pull a sconce and a SECRET DOOR OPENS! Woo! Finally! It’s a classic bookshelf one that opens into the hallway and there is some extremely fine crushed glass under the door. Hmm.

Sly clocks that there is something under the desk but we don’t know what it is because Brennan texts it to him and it’s redacted. There are actually a couple of redacted texts that go around this ep so we are def missing information.

OK, that’s more or less everything.

Sly notices that the page is missing and Grant gasps while Rekha does an excellent job of pretending like she doesn’t even remember what paper is being talked about. Constance asks if it’s possible that Mrs. M totally made up the memory because of her epilepsy and between Dr. Magpie and Sly they determine that that’s uncommon but possible. Dr. Magpie says that everyone should leave so he and Sly can examine the body and Sly says that someone should watch Gangie at all times.

At this point, Harding and Gilfoyle (the butler) say they should establish where everyone was at the time of the murder. A lot of the staff and guests have solid alibis cause they were in big groups/cleaning up together. But the PCs were off alone (or with each other) and had reasons to want to guy dead so they’re prime suspects. Sly even admits that he’s one too. Also everyone dogpiles Ian because Raph makes it so fun.

Harding mentions the letter that was given to Buck (the one selling his shares in BB and giving voting writes to his rival Josiah) and asks him to read it. Buck reads it and gives a streamlined version of the truth, saying everything except for the part with the proxy vote. With a 26 he is able to allay everyone’s suspicions for now, but now he’s purposefully hidden the truth in a way that can be readily called out if anyone sees the letter or the contract which he resolves to find.

Buster distracts the group so Daisy can “check the body for a pulse” aka: check the body for the contract. She doesn’t find a it but does find a key attached to a piece of red silk--something that would be weird for him to be carrying around instead of his valet. She figures this must open whatever locked drawer the contract is in and swipes it but Sly clocks her stealing it (his perception ties her sleathiness but an earlier Bless from Ian tips him over the edge--poetic).

Calliope says that everyone is kinds suspect, including Sly, but *someone* has to solve this and Sly’s their best bet so everyone should just stay put and they can guard the exits. The butler says that, besides the front door, there are some towers that poke up above ground and a servant's exit/entrance by the elevator in the kitchen wing but they can lock down both and have someone guard the front doors.

The butler is like, lmao yeah Sly I know you didn’t do it and I’m not gonna stand guard here but you know, everyone is keeping an eye on y’all. And then he leaves the PCs, Mrs. M, Constance, and Dr. Magpie in the room with the body.

Lars is about to go watch the kitchen staff but, before he goes, Sly says to him that he saw Cottonbottom and is obviously quite scared. Gangie, who used to work for the guy, overhears and asks what’s going on. Sly assumes Gangie is playing coy but rolls high enough to know that he isn’t. He saw a starkly white Cottonbottom and one of his known conspirators doesn’t know he’s back? Perhaps it was a ghost after all.

Case Notes

My 2 fave bits of this episode were “bad to bad bad bad” (and the further riffing) and Daisy throwing increasingly bigger books at Sly.

Even with a Nat 1, Sly gets a 16 on Investigation. Wild.

I don’t think Rekha got enough props for her “Cross examination” line so I’m mentioning it here.

Brennan said the ozone question was still open--but I assumed it was like the electricity smell from an electromagnet. That would make sense, right? Maybe he meant they hadn’t found the source of it specifically yet?

Brennan says Buck’s knife is a pronghorn knife. I assume they’re made from the animal’s horns? Even if they’re the kind that fall off every season, is that weird? Or is it just like human hair wigs? Also, does this world have leather?

I love that the dice keep supporting the narrative that Daisy simply cannot get her shit together when she’s with Sly because he distracts her too much. Delicious. Their whole relationship is delicious.

OK, I am a tiny bit suspicious of Calliope. It’s partially the way she took control of the situation near the end and partially the fact that she doesn’t seem like the kind of person who would be involved in this which would make her heel turn delicious. No hard evidence and obv she couldn’t be the person who actually stabbed a guy but idk. Just spitballing. I’m very curious about whether we’ve met everyone we’re going to meet more or less or if there are still outside people/hidden inside people. Because, in real life, a murderer could be literally anyone but in a story, you can’t just introduce a new villain all of a sudden at the end. Bad storytelling. Weak payoff. We’ll see how things start to pan out.

#dimension 20 #dimension 20 spoilers #mice and murder #mice and murder spoilers #the case file

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duhragonball · 3 years

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Hellsing Liveblog Afterward

So, this is just a place for me to toss in some other Hellsing stuff I wanted to talk about outside the reading of Hellsing itself.

Okay so first off, I wanted to document this cool trivia I noticed about Rip van Winkle, the werewolf(?) with the musket that fires magic bullets. Her weapon is based on the 19th Century German opera Der Freischütz. The opera is based on a story published by Johann August Apel in 1811, and this writing was based on German folklore. The legend involves a marksman who makes a contract with the devil and receives seven magic bullets. Six will hit whatever the marksman wants, but the seventh is at the sole discretion of the devil himself. In Hellsing, the Major speaks to Rip about her own musket and reminds her that the opera ends with Zamiel, the devil, coming to claim his due. This is intended to foreshadow Alucard counterattack on the H.M.S. Eagle, where he plows through Rip’s defenses and kills her in gruesome fashion.

So I went back and counted all the times Rip van Winkle shoots her musket, just to see if there was any special significant to it. The first was when the old Nazi officers complain to the Major, and Rip shoots the Colonel’s cane before he can strike the Major with it. At least, I’m pretty sure that was the idea here. The cane breaks and everyone looks around and Zorin points to the lady with the gun to indicate who just did that. So that’s one bullet.

After assuming control of the H.M.S. Eagle, Rip van Winkle meets with the Eagle’s first officer, who betrayed the crew to Millennium in exchange for vampire powers. She then betrays him and his fellow traitors, killing them all with a single shot from her musket. This is where we first find out what her ability is. So that’s two.

The British Navy tries to take back the ship by sending a helicopter full of SEALs, but Rip destroys the entire team with another shot from her musket. So that’s three shots fired.

While Hellsing prepares their own response, the Navy tries again, this time sending a fighter plane to sink the Eagle with missiles, but Rip shoots down the missiles and the plane with one bullet. Four.

This is where I started to wonder if there was a particular pattern to Rip’s use of the musket. I’m pretty sure she just uses one bullet and can fire it as many times as she pleases, but she was literally singing songs from the opera and it seemed kind of superfluous to have her foil two separate attack by the Navy. The first one showed us that conventional forces wouldn’t get the job done, so the second one only makes sense if Kouta Hirano was just trying to add to the count.

Then Alucard arrives aboard a modified SR-71 Blackbird. At 85,000 ft in the air, he’s out of range, but then he nosedives onto the deck of the ship. Rip fires again to destroy the Blackbird before it crashes into them. Five.

Alucard survives the crash and wipes out all of Rip’s soldiers while she has a panic attack. Cornered, she finally gathers her wits and attacks Alucard. Her bullet hurts him, but he eventually catches it in his teeth, neutralizing her weapon and leaving her at his mercy. That’s shot number six.

I was hoping this shot would be the seventh, since the seventh bullet in Der Freischütz belongs to the devil, and Alucard caught this one in his teeth, but no. Then I remembered that the musket gets fired one last time...

... in London, when Alucard releases the familiars of all the victims he’s consumed over the centuries, including Rip Van Winkle. She fires the musket once more, but this time it’s Alucard directing the shot into the helicopters of the Ninth Crusade. Shot number seven is at the discretion of the devil himself, and “Dracula” is a diminutive of “Dracul”, a Romanian word for “devil”. Neat stuff.

Okay, so now let’s talk about Seras, because that’s kind of my jam. What’s the deal with this line? “Her existence is somewhat of a marvel. You could say it’s somewhat of a joke. Perhaps she herself has not even noticed yet!!”

That’s the Major discussing Sir Integra and Seras in Volume 5. He stresses that neither is to be underestimates, and I think he makes a good case for Integra, but with Seras he never actually comes to the point. So what’s up with that?

Of course, there’s the truth we saw in the final battle. Once she finally drank blood of her own volition, Seras became a full-on vampire and one of the most powerful warriors on the field. She destroyed the Captain quite handily, and he was the strongest guy Millennium had. But this seems a tad obvious? Why not just spell it out for Zorin. “Hey, our intel says she’s weaker than expected because she won’t drink blood, but that could change at a moment’s notice, and she’s still strong enough to take down a lot of our soldiers, so proceed with caution.”

I’m not saying the Major is wrong. He told Zorin not to engage, and he made the right call. I’m just wondering what the “joke” is exactly.

I think it might be one of two things. By the end of Hellsing, Seras demonstrates a similar level of ability to Alucard. Sunlight appears to have no effect on her, she can summon familiars like Alucard, and regenerate her wounds with great alacrity. I’m pretty sure she’d be about as hard to kill as Alucard himself, which Integra said was a product of Hellsing “enhancements”, rather than natural vampire power. Except Seras was never “enhanced”, she seems to have just inherited these “super-vampire” powers from Alucard when he turned her. The Major and Doctor may have anticipated this, and the “joke” was that Seras could completely upset the balance of their plans, except she’s too squeamish to drink the blood that would make this possible.

Or, the joke might be that Alucard turned Seras at all. He just sort of did this out of nowhere, and I’m pretty sure no one saw that coming. Millennium and Walter had been keeping tabs on Hellsing for decades, and not much changed until Alucard decided to add Seras to the group. The vampires in Millennium’s Last Battalion were all produced through the Doctor’s artificial vampire research, which was based upon intense study of Mina Harker, the last person Alucard turned into a vampire before he met Seras.

So from that standpoint, Seras represents a superior version of Mina, who represents the ideal that the Doctor was trying to achieve. At best, his finest artificial vampires could only be as strong as Mina Harker, and Seras got that way in one night by a twist of fate.

I guess there’s no way to be sure what the Major meant. I checked the OVA subs and dubs and they basically repeat the same line, so there’s nothing for me to triangulate there. And maybe it only refers to Seras being a joke in the sense that she was mostly comic relief up to that point. Even that badass moment she had against Jan Valentine’s ghouls probably didn’t impress anyone at the Millennium office.

Finally, I checked out Hellsing: The Dawn, and it really wasn’t worth the trouble. I couldn’t find any official English release, so I sort of gave up on it, but I finally ran across it last week and decided to check it out.

Basically, it’s only six chapters, and very little actually gets done in those six chapters. I’m not sure if Kouta Hirano is just running super late on the thing, of if he abandoned it completely, but my guess is he got this far in and decided there really wasn’t any point in continuing.

Let me break it down for you.

Chapter 1: Walter is sent to the Major’s facility in Warsaw, to destroy the vampire research. He jumps out of a plane with Alucard’s coffin.

Chapter 2: The Doctor reports on his progress to the Major, and they briefly discuss “She” aka Mina Harker. From what I gather, Mina is still alive/undead in 1944. Then Walter crashes into their facility and declares his intentions to kill them all.

Chapter 3: The Major is impressed with Walter’s power and offers him a place in his command. Walter refuses and the Major leaves him to die at the hands of the Captain.

Chapter 4: Walter fights the Captain, and Alucard finally emerges from his coffin in Girlycard form.

Chapter 5: Walter and Alucard fight the Captain, who now stands revealed as a werewolf. The Major somehow recognizes Alucard on sight and takes an interest in observing the battle.

Chapter 6: Alucard leaves to go hunt down the Captain’s superiors, leaving Walter to fight alone. Alucard then encounters Rip van Winkle and defeats her with ease. He seems like he’s about to kill her when some menacing figures approach from the shadows...

In other words, not a whole lot actually happens that we couldn’t have guessed from the original Hellsing manga. At the rate he was going, it would have taken Hirano maybe 30 or 40 chapters to actually get to anything truly juicy, and I’m not sure the audience would have wanted to wait around for that. The main problem is that we already know how this ends. None of the good guys or bad guys die, because they all show up in Hellsing 55 years later. The Major will lose badly enough that he has to evacuate the whole operation to Brazil, and that interests me because somehow he has to lose this battle, but not so badly that he can’t escape.

What disappoints me is that there’s really only three things of interest about this part of the Hellsing mythos: Walter’s decision to betray England, Alucard’s relationship with Walter, and the Major’s relocation from Euope to South America. The Dawn appears to gloss over all of these. The Major asks Walter to switch sides in their very first encounter. Walter refuses, but we know he’ll say yes later, so there doesn’t feel like there’s any conflict to this. So far, Walter comes off like a little shithead, so if he changes his mind at the end of this story it’ll seem completely capricious. I’d like to think the Major could say something persuasive to convince him, or Alucard could piss Walter off enough to push him into the Major’s arms, but none of that seems to be happening.

The Girlycard form is taken completely for granted. Al shows up and Walter immediately takes offense. He knows Alucard doesn’t normally look like this and he sees no reason for this new look. Al just says the same thing he says about it in 1999, that form and appearance mean nothing to him. Well if it doesn’t mean anything to Alucard or Walter, what’s the point?

The way I always imagined it, the Girlycard form had a lot of emotional baggage for Walter. I figured he met Alucard in this form, and they spent some time together hunting down the Major. Walter fell in love with Girlycard, even though he should have known better, and when Alucard finally abandoned the form, he knew that there was no way his feelings would ever be returned. And this would build resentment within Walter, making him more interested in joining the Major.

Instead, none of that seems to be happening. This is just one big long fight in one building. Hirano already threw his biggest gun at Walter, so there’s no buildup to the Captain. Alucard won’t fight the Captain, but it’s unclear what else he’s supposed to do instead. There might be a good story in all of this, but these first six chapters don’t encourage me. Also, they keep jumping over to check in on Arthur Hellsing in London. I don’t think this guy is Integra’s father, but maybe her grandfather had the same first name? He looks cool, but he has nothing to do. He’s like thousands of miles removed from the action, so anything he says or does just comes back to him talking about how tough and cool Walter is. So yeah, I think The Dawn is a huge waste of time, and maybe Kouta Hirano reached the same conclusion.

And... yeah, that’s all I’ve got. In May, I’ll be liveblogging another comic. Will it be as successful? Only time will tell...

#2021hellsingliveblog #hellsing #hellsing: the dawn #alucard #rip van winkle #seras victoria #walter c dornez

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songofsaraneth · 3 years

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Ok now that I have time/space to breathe again, I wanted to do a writeup on the unusual reaction I had to the second Covid vaccine dose. I debated posting this, because I don't want to go against the "I was vaccinated and it's fine!" encouragement train. And I 1000% encourage EVERYONE to get vaccinated if possible. But I have not seen much documentation of the averse symptom I got, except in some case studies I specifically looked up so details below. Big TMI/gross warning however.

Mostly I'm posting this because I had to do SO much self-advocating/arguing with the Dr at my urgent care clinic, and if you're not as read up on weird medical issues as I am, you might not be comfortable doing that. But IANAD, just describing my experience and what I read, which ended up being very long because it was awful and I have a lot to complain about I guess, sorry.

Basically: for me the vaccine triggered an inflammation response, which in itself is normal. The usual muscle aches/joint pain/slight fever. It also triggered an outbreak of ulcers in my soft tissues. Basically, a bunch of canker sores in my mouth/throat. I am already prone to getting these when I get sick or stressed out, so no biggie, annoying and painful but I could handle them. Canker sores are distinct from cold sores in that they form inside the mouth as crater spots, usually around the size of a pencil eraser (though can be bigger or smaller), and will develop a white film across the crater as they develop and start to heal.

An unfortunate fact I have learned: the mouth is not the only exposed “soft tissue” of the body. this group also includes genitals.

So 2 days after the vaccine I noticed a "burning sensation"/rawness downstairs, which turned into a sharp pain, especially when going to the bathroom. I obviously knew this was abnormal and because of what was happening in my mouth, had a pretty firm idea of what was happening, but was ready to brace myself through the healing process. However by day 5 I had 8 red, crater-like sores on the tissue of my vulva. Essentially they are open wounds, and urine is an acid, so you can imagine the hell that using the bathroom had become. Even just sitting hurt.

As someone healthcare-averse, even I knew this was untenable, and went to Urgent Care for the first time in my adult life. I told the NP what was going on, how they matched the canker sores (NOT cold sores) in my mouth in onset/form--and she immediately, without even looking, diagnosed me with herpes.

Lots of people have herpes or other STIs, and that's fine. I know I do not have any, and wanted to pursue treatment for what I was sure they were--Non-sexually acquired genital ulceration (NSGU). I had even found three case studies of COVID patients who had developed them. I had spent several harrowing hours on google images making sure that the sores I had did not match any STI I may have magically acquired during a year of social distancing. I even brought up multiple case studies, including a woman who had them as a Covid reaction in a neighboring state. Didn’t matter. She looked at them and went “Yikes! Herpes!” and prescribed me:

1) an antiviral, which I said I did not think would do anything because the trigger for this was a vaccine not an illness. She said it was probably a herpes flare up already in my system. I reiterated that I have had similar sores in my mouth since childhood and that all my past doctors and dentists agreed it was not viral but something related to an immune response. She said the antivirals should clear them up in a few days.

2) a topical 5% lidocaine ointment, aka an oral grade numbing gel, which was essentially what I was after anyway.

I would have preferred a steroid course to the antiviral, but agreed to start taking them until she got the results of the bloodwork I needed to come in the next day for. I asked how many days after taking them I would expect to see a difference/if she would reevaluate treatment if they didn’t have an effect in a certain amount of time, and she said if they hadn’t cleared up by Monday then she’d look into other causes (spoiler, they did nothing in that 4 day span). to her credit, when she saw me pick up my bike helmet (because my car had been at the mechanic for a month by then), she was properly horrified that i was having to bike everywhere with this situation and printed off some coupons/called all the prescriptions into the grocery store pharmacy next door instead of the CVS my insurance likes a mile away.

So eventually I got home and took my pill & went to put on the ointment so I could use the bathroom for the first time in 8 hours. I’ll spare you the details but suffice to say I had an extremely, overwhelmingly painful 10 minutes of application. Like absolutely awful burning feeling. However once that faded, I was indeed actually numb, and so I figured it was worth it. Got my bloodwork done on Friday (biking there & home again). On Saturday, I thought that you know, maybe a prescription anesthetic shouldn’t be doing that or at least have some sort of warning? And read the details on the jar.

Good things about lidocaine: it is a powerful numbing agent and lasts pretty well for an hour or two.

Bad things about lidocaine: you cannot get oral grade lidocaine without added mint flavoring.

I happen to be EXTREMELY sensitive to mint. Like I still can’t handle breath mints or mouthwash, and used bubblegum flavored toothpaste until I was 14 and found a brand with half as much mint flavoring as is typical. Even if you’re not, mint has no business being anywhere near genital tissue. Even on an average person that could cause awful burning. to make a long saga shorter I had a very frustrating back-and-forth with urgent care involving many rerouted phone trees, visit in person, unhelpful receptionists, and attempts to find over-the-counter alternatives. All were fruitless so I just suffered all weekend until the urgent care Nurse Practitioner called me back on Monday and was suitably apologetic/outraged about the mint thing, and looked up every OTC product that might work as a substitute, since she couldn’t find any prescription level without mint. On Tuesday she called back again having found this:

It’s 4%, so just below prescription strength, while not oral grade, it’s actually fine for soft tissues as long as not fully ingested/internally applied. And most importantly, ABSOLUTELY NO ADDED FLAVORINGS. there is also a spray version that comes in a bottle, which under no circumstances should you try because it uses alcohol as a propellant and I had a very bad 5 minutes after testing that one. But the cream one is fine and brings blessed numbness in around 5 minutes with only minimal contact pain--they are still open wounds after all.

I use this for the next 7 days. By this point the sores have gotten worse and larger, and then started to heal and shrink again. Mouth canker sores go through a similar ~2 week process, so this is about what I expected.

Finally the results of my bloodwork came back, and I was negative for all STIs. The NP was dumbfounded and apologized, and agreed to look up more information/treatment options for cases like this in the future. I’m not surprised her reaction was to assume herpes as it IS very common, but I’m sure other women experience NSGU’s and receive improper treatment. If you look them up, they’re even mentioned as being predominantly a problem for “young or prepubescent women” which, reading between the lines--it’s not that these become less likely if you’re older or sexually active. Doctors just make assumptions and don’t always look past the easy answers.

So if you or someone you know ends up with these--from the Covid vaccine or as a complication of upper respiratory infections in general (as they ARE an immune response and can just Happen to you)--here is what works as treatment. If you can see a doctor you trust, still do that. But if they don’t listen or if for some reason you can’t seek treatment, here is the course of action I recommend:

Pick up that over-the-counter Pain Relief+Lidocaine NON MINTY numbing cream ASAP. Sores go from “annoying” to “excruciating” in only 3 days, so it’s best to get in person or with rush shipping. Sit in front of a mirror and gently apply with a q-tip, and wait 5 minutes for the medicine to take effect.

Pat gently dry with toilet paper, don’t make wiping motions. If you don’t feel clean enough, pat more with a wet washcloth and rinse it out, or hope in the shoer for 5 min just to rinse.

There may be pus or reside from the ointment that doesn’t go away with just rinsing. Every 2 days I made a half-strength bath of epsom salts, NUMBED FULLY, and then took a 10 minute bath to fully cleanse the area. the salt will sting terribly if you wait any longer, so I recommend standing and rinsing after this time.

The vulva is more exposed to air than the mouth. this may cause the sores to crack/bleed as they dry out. to avoid this, after using the restroom and cleaning yourself, you can apply a thick coating of Aquaphor on top of the sores. It will need to be rinsed off before you apply more numbing cream however, so if that is too many steps I recommend just using the Aquaphor overnight.

You may think its ok to get up in the middle of the night to pee without the numbing cream bc you have to go really bad and just once will be fine but it is NOT you will REGRET IT.

Unfortunately if you have sores on both sides you may develop what is known as “kissing sores”, aka sores directly opposite each other that touch when the area is not spread open. this means that after an extended period of time (overnight), the sores will try to heal into each other and opening the area back up painfully rips the tissue apart. INStEAD of ripping them apart, take a washclosh, run it under warm water, and do a hot/warm compress on the area. this will loosen the sores back up and separate them painlessly.

This is not exclusive to people with a vulva, they can also happen on scrotal/anal tissue. However it does seem to much more frequently affect people with typical XX sex organs.

If you develop these, PLEASE fill out an averse reaction form or your country’s equivalent. Also, I’m so sorry and if you need emotional support or have questions please feel free to get in touch.

Most likely, these will not happen to you--the vast majority of vaccinated people have not had this as a side effect. But it IS popping up more and more, and it is good to know about it in advance so you can be prepared to deal with and treat it without as much anxiety and all the hoops I had to jump through to get good care. Overall I’m still glad to be vaccinated, but if I had known this was a side effect, as someone already prone to canker sores I would have waited to vaccinate until my car was fixed a week later a the very least :|

#covid #covid vaccine #averse vaccine reaction #nsgu #ive got my finger on the block button for whatever pornbots this post activates do not try me #anyway #gross warning sorry :( if u dont want to know about my tmi personal health dont read this one #ramblings #wharglbargle #i dont wish these on anyone i cant describe what an awful experience this all was #tried to be more humerous bout it in the post but i cried p much nonstop at urgent care and many of the days after #long post #plagueblogging #still better than getting covid and dying tho so

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rentalboos · 4 years

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Okay, you want theories, I have theories for you. What we know: 1.) Chibnall confirmed in an interview that Ruth!Doctor is definitely the Doctor, not a fake, not a parallel version

2.) The rumour of there being a whole regeneration cycle of the Doctor before Hartnell has been going on for a long while.

3.) Jack mentioned something called “the alliance” that sent “a thing back through time” to destroy empires like the Cybermen’s.

4.) Gat and Lee both were Time Lords. Gat mentioned they had the same training and the Doctor later on confirms she’s Time Lord and connected her mind with her.

5.) Gat and Lee were both hit by very deadly looking laser beams. But eh... they’re Time Lords. They should’ve kinda regenerated instead of being obliterated. So two possibilities: They’re Time Lords that don’t yet have the ability to regenerate OR they’re Time Lords who have been teleported instead of killed (You know, the old Bad Wolf trick from S1.)

6.) There is something called “The Timeless Child”, connected with the foundation of Gallifrey, connected with the Doctor and connected with the Master, who was so upset by that revelation that he burnt. the whole. planet. to the ground.

Now, despite the Master being rather... uhm... ruthless, at times, I don’t think he’s done this lightly, and I don’t think he’s that easy to push over the edge. There are exactly two things I think would push him to be that traumatised and broken as we’ve seen him in Spyfall Pt. 2.

- Someone extremely manipulating The Doctor or their past (which he is part of)

- Someone doing exactly that to himself

Which leads to my theory:

There’s an early Gallifreyan group called the Alliance, who are trying to fight evil in the universe, similar to what the Doctor is doing now as a freelance. She’s been part of it but something caused her and Lee to run. That’s why he had that badge. That’s why he babbled about “courage and honor still mean something” and Gat agreed. They were once fighting for the same values, but something happened.

Jack mentioned them “sending this thing back through time”, he also mentioned the Cybermen would “want something” from the Doctor. Now I’m not 100% sure... but if there’s a “lone” Cyberman wanting something from the Doctor, what if it’s the ability to regenerate? To recreate their power? What if that’s also what the Time Lords want from her? What if they’re not able to regenerate yet, but the Doctor, for some reason, is? What if she’s the Timeless Child, the one Gallifrey is built on, and they’re trying to experiment on her, trying to gain her ability to regenerate?

What if that specific Doctor will be taken out of time (aka the “Timeless” Child) in her early years instead, because they couldn’t get a hold of a later incarnation, and they use her to gain the power of regeneration (I have NO problems whatsoever seeing Rassilon doing that) and the act of her being torn out of time leads to the Doctor and everyone around her forgetting that regeneration cycle and the lives she’s led.

Granted, I have no idea what comes after. How she ended up as a child on Gallifrey, in Academy with the Master, no clue, this is as far as I get, but I think to that point, it makes an awful lot of sense.

I’m also convinced Lee is the Master, which explains his involvement in this whole thing. They mentioned he’d faked his death, which is very him, he’s immediately identified “our” Doctor as “the smartest in the room”, he’s got serious Master vibes going on throughout the whole episode, he’s one of the only people I can see the Doctor care so much for, she’d rip out a Judoon’s horn as a first instinct when coming back to life, and all that. But that’s just an additional theory on top. There ya go. That’s what I believe. Took me a while to get there, a lot of thinking, rewatching, more thinking, writing, tweeting, but that’s where I am right now.

#Timeless Child #Dw spoilers #doctor who spoilers #doctor who #fugitive of the Judoon #theory

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readbythestarlight · 4 years

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c2e88

Taliesin is so confused by this ad lol

Where is Laura?

The groans xD

Laura's?? Not here?? I mean I'm glad she's at the game awards but THIS IS SUCH A BIG WEEK STORY WISE

Boy we've just started and I'm already ready to die

[[MORE]]

I only just caught it just now but are the CA saying they recovered the beacon that was stolen? Aka the one the M9 returned to Xhorhas already? Or a different one?

The Bright Queen gave them a house and the best the empire can do is a cozy inn? Lame.

(I was always more pro-Dynasty than Empire but it's pretty much set now.)

Didn't even pay for their dinner?? Rude.

Cad: "I've had to learn new words for what happens to me now."

The Dynasty: "We cannot afford to 100% trust you but you have done us a great service so here is a house and a symbol to show you have the favor of our Queen."

The Empire: "You did us a great service but also fuck you here's a hotel and no meal and also if you don't do this thing for us we'll charge you as traitors even though only two of you are actually from the Empire."

lol the hotel workers are funny tho

Empire people? Cool. Empire rules? Fucking suck.

Nat20 for free stuff xD

F: "who's the grossest?"

Cad: "I was swallowed."

Y: "I haven't had a shower in months."

F: "oh! God! What!?"

Cad: "You've won first place."

Y: "Oh, no, I wasn't trying to like..."

J: "IM GOING FIRST!"

I'm worried about Caleb

Snuggling his cat and thinking over his trauma </3

Laura just left the awards show omg

Also the way that Travis looked at her like heart eyes and Laura being like "hey baby ;)"

She looks hot by the way

Yasha paying Fjord back from MONTHS ago is sweeeeet

The book? What's the book? I don't remember?

"Is there a chair...?"

"There is."

"Kill it with fire!"

Oh boy here we go

"And I think we need to work with him...?" I don't like that and I don't think you do he's a liar and a manipulator and a piece of shit

But I understand his point because they are in the worst potion right now

Cad: "if he even looks at you sideways we will not leave enough of him to be found."

Goddamn Caduceus. I love him so much.

Cad: "Well, what I mean was we will do all we can to keep you safe. Is... what I meant."

They're being very serious about this and I'm so glad

Well okay they WERE being serious...

Lol Beau with this teenager is so funny and adorable

I'm glad they're not all sleeping alone

Jester is all sad that Beau doesn't want to double up :(

The B/J/Y shippers just went wild lol

F to C: "if you want to finish this personally... let me know." Thank you Fjord

My old Widofjord shipping heart is happy

Omg Cad handing over the symbol of the Wildmom and telling Fjord he's doing well on his own IM HAVING A LOT OF FEELINGS TONIGHT Y'ALL

Oh boy Yasha dream

I'm emotional

Like crying

Sure this guy does something neat with doors but doES HE FLOAT??

I miss Essek

The only mage with a tower I trust is Yussah and it is NOT this guy

Of course Trent is the one who confirmed it had been found

It's definitely trapped somehow

I don't like that they have to go somewhere that Trent decides

WHISPERS

he's a shifty fucker right we all know he is

Double whispers

Lol meeting in the Happy Fun Ball

I was gonna say the Forge

Jester wants to have it at Traveler con xD

Jester is weirding him out and I love it

God sure have this very serious possibly war ending meeting on The Ball Eater sure

They're disasters

I can't decide how I feel about him and I want to hear the results of the whispers

Oh no I'm worried about Yasha

Okay... so he's helping hide Yasha that's good, but is he also gonna hold that over them?

I hope Trent looks at Caleb sideways so the M9 can cut him into pieces

I feel like this guy is meant to be the Empire version of Essek but he's got nothing on Hot Boi

In a dense forest under a bunch of trees and a tower in the middle of nowhere

Oh fuck the sanitorium oh god oh fuck someone immediately check on Caleb

Trent did that on purpose

Hey Cad remember when you said y'all were gonna tear Trent apart if he tried to hurt Caleb? It's time to start ripping.

I haaaaaate this

I'm still trying to decide if Caleb legitimately snapped or if something was done to him

I want to crawl through my screen and strangle Trent myself

Someone please stay between Caleb and Trent at all times

So... nobody in the empire questions why Trent Ick-athon has a laboratory in a sanitorium huh. Like that doesn't ring any bells?

Also fuck it's Edowulf

Astrid's gonna come in to try and throw Caleb off isnt she

Liar liar pants on fire every word out of your mouth is a lie you vile don't of a biiiitch

WHISPERSSSS

he's a liar liar liar

Or he's telling half the truth

So the tripod... prevents it from working?

God he's such a condescending fuck I hate him

I haaaaate him and I hate that he's playing it so cool and calm because that makes Caleb seem like the unreasonable one which is brilliant of him but it just makes me loathe him even more

Oh god Caleb please roll well

Fuck fuck fuck I hate him fuck someone GET BETWEEN THEM

I feel gross and I'm not even in the room with Trent ugh

This tense standoff between Caleb and Trent is physically fucking me up my skin is crawling

Also Nott touched it and nothing happened

Eowulf is one of Trent's "favorite" and and he's looking at Caleb like a creep

Even if I don't trust him I appreciate Ludinus stepping in to cut the tension

Beau trying to trip him upppppp I love her

Alright time to get them out of there Ludinus

Shut the fuck up Trent you state away from both Caleb AND Yasha

C: "Wulf. It's good to see you again."

Eowulf: "it's good to see you too. It's been some time. You look good."

I haaaaaaaaate that they're all being so calm and semi-friendly because again it makes Trent and his ilk look like the reasonable ones

Ludinus: "I can always deal with Trent after the fact."

Y: "Let us know when you do that. We would like to help." Damn fucking straight

Essek scrys because he's worried about them and he pops in just in time to hear Jester insulting his teleporting Lol

I get the feeling Matt is tweaking the time of Traveler Con a bit because he doesn't want Jester to feel pressured to interrupt important things

Is the Wildmom illegal in the Empire?

Ha Fjord impressed Ludinus nice

L: "it's... entirely off-putting how disarmingly charming you are. I don't know how to handle it." That is the funniest thing anyone has ever said about Jester

J: "are you alright Caleb?"

C: "I don't know."

Y: "I don't like him at all."

Everyone else: "same/oh god no."

Okay Wildmom is illegal time to hide your shiny thing

Cad: "I have never seen another person walk so daintily around the truth."

See every time Caleb talks about how Trent gave "private lessons" my skin crawls it just draws too many parallels to creepy creepy shit

Yasha is gonna be good for Caleb here, they both understand what it's like to be used and controlled and manipulated

So like Trent was THERE and if he saw that Caleb knew about the beacons then he's gonna know that somehow they were involved with the beacon disappearing

Oh she's creepy

Cad gonna buy the femur flute lol

The pranksters gonna get that glue oh lord

Yasha gets a bone harp and she and Caduceus start the most unnerving band ever and I for one am THRILLED

Don't they still need to fetch something for the three kobolds in a trench coat? Let alone for Pumat and now this woman lol

Pride silk.... oh dear it's gonna be mutant bugs

Called it

Three silk worms good luck bringing those back

Matt's like WOOO fight tournament hell yeah!

Y'all should go take downtime in Xhorhas in the Xhorhaus and talk to Essek about all this

....I just really miss Essek guys please

Liam O'Brian you will NOT let Caleb sneak off on his own to go see Astrid you CANNOT ajslajkssksk

This episode didn't go as painfully/badly as it could have but it still stressed me out a lot and I'm still worried about Caleb and Trent Ick-athon can choke and if Caleb really goes go off on his own I will scream like baby PLEASE

God now we have to wait a whole week IS IT THURSDAY YET

#emi watches critical role #cr spoilers #critical role

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baileydremel · 4 years

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THE PRACTICAL SERIES - BABY’S FIRST ZINE*

*if you don’t count a zine I made a couple of months ago as a test.

In today’s session we got our hands dirty (not really) and made a zine. Well, four zines, two of which are templates which help to in the creation of a zine.

We began if an A4 sheet of paper and folded it in half twice to make the sheet the size of an A5 piece of paper. We were then tasked to start from the front page and write 1 to 8 on the pages. We would then open the sheet and be amazed at the fact that some of the numbers were upside down. Wow!

We then repeated this with another A4 piece of paper but we would fold it once more to make a smaller, 16 page. We did the same process and unfolded to see number all over the place.

We were then tasked to draw pictures and stuff in it so we can see how the shapes transform from a solid page to a mini-zine. I was very creative in this and even got some colour involved in the process. Have an image of my very creative and original artwork!

Fig 1: Some very creative artwork.

It was also very interesting to note about how images would be cut off if you put them on pages that split. Take this image for example:

Fig 2: Another page from my mini zine.

It made me more aware of creating images that spread across two pages of a zine. Maybe I could use that to my advantage. I’ve got a zine called ‘Who is the real Julia? No. 2′ which takes advantage of this as it confused you and disrupting your perception of a face and ‘the real Julia’.

Fig 3: The cover of ‘Who is the real Julia? No. 2′ zine.

Anyway, we then created little templates of our zines and marker out the lines that would be cut, making sure we take into consideration bleed and making our artwork extend out into the bleed. I kind of already knew about this from previous classes but its good to see it physically rather than digitally.

When I was making these zines, I remembered back to a couple of months ago when I made a test zine called ‘MINIAGITATE’, which included artwork that I submitted into the Arts Agitators Zine which was themed ‘Agitate’. I had a different method that what was shown today, which was to cut a hole in the middle to it would fold into a book. It was 8 pages and I was very proud of the result.

Fig 4. The folded out version of my ‘MINIAGITATE’ zine.

Karen was talking about how she used the method she taught us to layout their books and zines. I think that is the best method of doing it, having something physical that you can look at instead of putting it digitally and printing it out and seeing that you stuffed up the layout. I know it’s the best method because, along with this zine, I found my trial zine, with the numbers to let me know how I should layout my work.

Fig 5: The trial zine to figure out the layout.

What I learnt today was that I am a good problem solver, even if I don’t know it.

All this lead us into making a trial, layout zine for our upcoming project. I did a little trial for my zine for the middle spread and I look forward to seeing it physically.

Fig 6. A draft of the middle spread for my AMA zine.

We moved onto doing stuff in InDesign, but I feel confident with InDesign at the moment so there wasn’t really much to say about it.

Overall, this class was good and helped me to figure out what direction I want to go for this project.

To top this very long post off (aka an essay), here’s a GIF of my MINIAGITATE zine.

Fig 7. The ‘MINIAGITATE’ zine I made using photos, ripped pieces of paper and a black and white filter on Photoshop.

#thepracticalseries #askmeanythingproject

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weekendwarriorblog · 4 years

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The Weekend Warrior Feb. 14, 2020 – SONIC THE HEDGEHOG, FANTASY ISLAND, THE PHOTOGRAPH, DOWNHILL, OLYMPIC DREAMS

It’s Valentine’s Day on Friday and President’s Day on Monday, which means that this weekend is going to be absolutely nuts in terms of getting four new wide releases. Last week’s Birds of Prey did not do even remotely close to where I predicted/projected – almost half!! -- and here I thought all those raves reviews might help, but apparently not. It will still make money with its global release but it’s gonna fall short even of last year’s Shazam! and many have already started questioning whether an R-rating is the way to go with a movie semi-targeted towards younger women. (Warner Bros. has already sent out a mandate to theaters to change the title of the movie to Harley Quinn: Birds of Prey. I cannot believe that it took this long for them to figure out what a terrible title they had previously!)

With the four-day weekend, it’s very likely that Paramount Pictures’ SONIC THE HEDGEHOG, will prevail, as it brings the beloved SEGA video game character to the big screen with James Marsdenand Jim Carrey, the latter starring in one of his first big-screen appearances in a while. It should be an easy victor this weekend in a market that could desperately use another strong family film.

For those unfamiliar with SEGA’s flagship video game “mascot,” Sonic has appeared in all sorts of other media including animated series and comic books, so one can say that the character is almost but not quite as well known and popular as Nintendo’s Pokemon, which has had a much wider reach in terms of both games and cartoons.

Of course, it’s impossible not to look at Sonic the Hedgehog and completely ignore the relative success of last year’s Pokemon: Detective Pikachu, which had the added benefits of a popular A-list star in Ryan Reynoldsand a summer release. That opened with $54.4 million and made $144 million domestic and $429.7 million worldwide.

On the other hand, Sonic does have Jim Carrey, who hasn’t been in an American wide release since the 2014 sequel Dumb and Dumber To, which only made about $156 million worldwide. At one point, Carrey was one of the biggest box office stars with multiple $240 million plus domestic blockbusters. Maybe the kids won’t be as invested in Carrey’s Mr. Robotnik, but many parents who grew up with Carrey’s comedies will be happy to see him in such a perfect role.

The Presidents Day weekend allows one extra day for parents with kids needing something to do with them sans school. Even so, the biggest movies on the weekend have been superhero movies, including Black Panther, Deadpool and Fifty Shades of Grey, the latter two definitely not for kids. (Daredeviland Ghost Rider also fared well on the weekend.) In fifth place for the weekend is Warner Bros’ The LEGO Movie, which made $62.5 million over the four-day weekend, but that was in its SECOND WEEKEND! So yeah, lots of money to be had for a family movie even though the biggest opener was Christopher Columbus’ Percy Jackson and the Olympians: The Lightning Thief (now on Broadway!), which opened with $38.7 million ten years ago.

I have to imagine that Sonic is more popular, and even with the tragic misstep of that first trailer last year which got such a negative reaction to Sonic’s appearance, Paramount delayed the movie and went back to the CG drawing board, there will be enough fans interested to see how he translates to the screen that $40 million over the weekend should be doable even with three other wide releases. I also don’t think reviews will be so bad, so it should be good for $100 million plus.

Mini-Review: For whatever reason, Sonic the Hedgehog is the kind of movie that lazy critics love to dump on, maybe because it’s a kids’ movie or because it’s a movie based on a video game they played as kids, or more likely, a character their kids know from popular cartoons and comic books. It doesn’t help that judgments were mostly cast when the first trailer hit last year and Sonic looked different than what people expected. Regardless, I went into the movie with very low expectations, maybe because I really had no passionate connection to the character despite being generally familiar with some of the games.

We meet Sonic as he’s being chased by robots, and we flash back to him as a kid on a planet where he’s able to zoom around freely, until he’s discovered by predators that are hunting him (it’s never explained why), so his mentor owl gives Sonic gold rings that can take him off-planet. Sonic ends up in a small town called Green Hills where he watches the townsfolk in hiding for years, including a local police officer (James Marsden) and his wife Maddie (Tika Sumpter). The former eventually discovers Sonic after he causes a major power outage that gets the attention of the government and its genius robotics scientist, Dr. Robotnik (Jim Carrey).

Despite not having much previous connection to Sonic, it’s hard for me not to appreciate this character, because I’ve been known to zip around myself. I also enjoyed Sonic’s haste since who knows when we might see that movie based on one of my favorite comic characters, The Flash. Sonic does a good job capturing the intensity and yes, speed, of having speed powers in quite a masterful way compared to previous attempts, giving me hope that a Flash movie is possible. (Granted, they do rip-off the fun thing Quicksilver does in the recent X-movies by slowing everything around Sonic down to a halt, but it’s still amusing.)

Probably the most genius idea by Sonic’s filmmakers was to convince Jim Carrey to return to the big screen as Dr. Robotnik. He quickly reminds us how hilarious he can be when going as fully into a character as he does this one, and it’s prime Carey vs. the semi-lazy Carrey that made movies in the early ‘00s. Robotnik is a super-genius with no patience for anyone on a lower level of intellect (aka everyone), and Carrey takes that idea to the utmost extreme. (It’s hard not to compare what he’s doing in this movie to what Ewan McGregor does in Birds of Prey and see how Carey does it effortlessly whereas McGregor was clearly trying too hard.)

That’s not to take away from Marsden and Sumpter, Sonic’s other prominent human co-stars, who bring such a warmth and humanity to those characters that you rarely even think that you’re watching them interact with a fully CG-character. (Kudos to Ben Schwartz and what he brings to Sonic as his voice.)

Sure, the plot can be a bit predictable with certain parts clearly geared to kids, but there’s also slew of pop references that display some real talent in the writing of the movie so that it can be watched and enjoyed by people of all ages.

Is it possible that Sonic the Hedgehog is the first thoroughly entertaining movie of the year? Yes, indeedy. (Definitely stay through the first bunch of credits if you are a Sonic fan!)

Rating: 8/10

One of the more interesting releases of the weekend is BLUMHOUSE’S FANTASY ISLAND (Sony Pictures Releasing), which as you can guess is a PG-13 horror version of the popular ‘80s show, starring Michael Peña as Mr. Rouke, the head of a program in which people can pay lots of money to achieve their greatest wishes… with a catch! Since this is Blumhouse, you probably know that the catch involves some sort of horror/thriller premise, and if you’ve seen the trailer, you might get some idea how it works… or not. (I wish I can say more but I’m under embargo!)

The rest of the cast is decent including Maggie Q (from Mission: Impossible 3), Lucy Hale, Portia Doubleday, Michael Rooker, Ryan Hansen, Jimmy O . Yang and more, plus it’s directed by Jeff Wadlow, who last did Blumhouse’s Truth Or Dare (a very bad movie!) and then Kick Ass 2 before that. (He was supposed to direct Sony’s upcoming Bloodshot movie but he left that to do other things, like this.)

Unfortunately, Sony Pictures Releasing (another specialized imprint from the parent company?) seems to have taken a cue from Screen Gems by deciding not to screen the movie for critics until Thursday afternoon (just like with The Grudge!), plus there won’t be ANY Thursday previews for this. It’s a shame since… well, I can’t really tell you if I liked the movie or not since I’m under embargo until Friday. J

Either way, it seems like a strong enough counter to Sonic and Birds of Prey that it should be good for $15 million plus over the four days. Personally, I think it would have opened even bigger if Sony and Blumhouse had shown some balls and screened it for critics in advance, but what do I know? I’ve only written about this stuff for ALMOST TWENTY FUCKING YEARS! (Not sure I’m gonna review the movie but we’ll see.)

I know far less about Universal’s Valentine’s Day offering THE PHOTOGRAPH (Universal), which I guess is a romantic drama that’s targeting African-Americans looking for something to see on the biggest date nights of the year. In fact, we’ve seen some interesting hits on this weekend just by putting “Date” in the movie title, as was the case with Adam Sandler-Drew Barrymore’s 50 First Dates ($45.1 million four-day opening) and even Date Movie ($21.8 million), which satirized romantic movies. But the real winner has to be a movie that went all out for Valentine’s Day by actually going with the title Valentine’s Day, which helped it open with $63 million over the four-day weekend ten years ago. ($23.4 million of that was on Valentine’s Day alone!)

Since I won’t see The Photograph until Weds. night, I can only talk about the little bit of marketing I’ve seen and what’s out there. Apparently, this is more in the vein of Valentine’s Day in that it’s a series of intertwined romantic stories, but it has an impressive cast of African-American actors who are on the verge of breaking out such as the great LaKeith Stanfield and amazing Kelvin Harrison Jr., as well as Rob Morgan (from “Daredevil” and Mudbound) and Courtney B. Vance. I’d be neglect if I didn’t mention any of the women involved and having Issa Raefrom the TV show “Insecure” as the primary female lead is something that shouldn’t be ignored. Stanfield isn’t the only connection to Jordan Peele, though, asLil Rel Howery from Get Outis also in this movie as is Peele’s actual wife, Chelsea Peretti!

I actually had to double check to make sure Peele wasn’t one of the film’s producers, but no, this is from Will Packer, a producer who is responsible for so many huge hits among African-Americans that one of these days I won’t underestimate his drawing power, even though all three of his 2019 movies underdelivered, including the comedy Little (co-starring Rae), although did well compared to their lower budgets.

In that sense, The Photograph could be compared to Packer’s Screen Gems comedy About Last Night, which opened with $27.8 million in just over 2,200 theaters in 2014, but that also had the power of proven box office draw Kevin Hartto bring in audiences. I certainly don’t want to be accused of underestimating Packer again, but with such a generic title and premise (and next to no marketing?), I’m just not sure the movie will deliver despite being decent counter-programming for AA audiences. With that in mind, I think the movie will probably make somewhere between $12 and 14 million.

Then there’s DOWNHILL (Searchlight Studios), the new movie from The Way, Way Back directors Nat Faxon and Jim Rash (who also won the Oscar for cowriting Alexander Payne’s The Descendants), this one being a direct remake of Swedish filmmaker Ruben Östlund’s 2014 film Force Majeure.

In this version, Will Ferrell and Julia Louis-Dreyfus play a squabbling couple who travel to the alps with their kids, but after barely escaping an avalanche – one in which he runs away leaving his family behind – they start questioning their lives. The film also stars Zach Woods (also from “Veep”), Miranda Otto and Zoe Chao, and though it premiered at the Sundance Film Festival (just like the duo’s previous movie), it did not receive great reviews, as it currently sits at 48% on Rotten Tomatoes.

I don’t think that will matter since like Carey above, Ferrell hasn’t been oversaturating the market with movies in the past couple year, maybe because his last movie, Holmes & Watson, reteaming him with John C. Reilly from Step Brothers bombed with $41 million worldwide after horrifying reviews. Fortunately, Louis-Dreyfus is far more loved thanks to her run on “Seinfeld” and her Emmy-winning run on HBO’s “Veep,” and that should help get people into theaters despite all the competition aboe and below.

Searchlight (no more Fox!!) will be releasing the movie into roughly 1,500 theaters, a moderate release to see how it fares, and the extended holiday weekend (plus the chance of it attracting older moviegoers on Valentine’s Day) should help it make $5 million plus over the extended weekend.

Mini-Review: If you’re reading this review hoping for a play-by-play of how Downhill differs from Ruben Ostlund’s Force Majeure, then you’re bound to be disappointed, because a.) I don’t really remember it, b.) I wasn’t as big a fan of the movie as so many others, and c.) I’m going to assume that a lot of people never got around to seeing it.

In this version, it’s Ferrell and Louis-Dreyfus as Peter and Billie Stanton, and there’s much more focus on their roles as parents and the responsibility that goes with that. Once again, Peter runs off when a controlled avalanche comes their way, but they don’t really talk about it so much even as it hangs over their heads.

Nat Faxon and Jim Rash once again find a manageable way of making “dramedy” out of a situation, making sure not to go for constant visual laughs or the zaniness Ferrell usually goes for. (Granted, we can totally believe him as a careless father/husband who does dumb things.) In fact, Ferrell plays his role fairly toned down, which allows Louis-Dreyfus to shine in what’s, oddly, a quite rare movie appearance. How they deal with the aftermath of the avalanche comes to a head when Pete’s work-buddy Zack (Zach Woods) arrives with a ladyfriend (Zoe Chao) allows the two to go at each other. It doesn’t get quite as intense as Marriage Story, but it’s obvious that they both have reached the point in their marriage where they need a separation.

It is kind of amusing that Miranda Otto almost steals her scenes with the two leads because she’s so funny as a hot-to-trot European guest they keep running into and who sets Billie up with a hot Italian ski trainer. There’s a few other funny characters but it mostly stays on Ferrell and Louis-Dreyfus either alone or together, and that’ll be enough for most people.

Faxon and Rash find interesting ways to play with the basic premise, although Downhill is very much comedy with a lower-case “c,” and like the original movie, it should lead to some interesting conversations.

Rating: 7/10

This week’s Top 10 should look something like this… (bearing in mind that the below are all four-day projections). It’ll be interesting to see if the name change for “Birds of Prey” will make a difference, but look for NEON’s Parasite to make its first foray into the top 10 this weekend after 19 (!!!) weeks in theaters, thanks to its Best Picture win last Sunday.

1. Sonic the Hedgehog (Paramount) - $44 million N/A (up $1.5 million)* 2. Harley Quinn: Birds of Prey (Warner Bros) - $20 million -39% (down $1.5 million)* 3. Blumhouse’s Fantasy Island (Sony) - $15.8 million N/A (up $.3 million)* 4. The Photograph (Universal) - $13.5 million N/A 5. Bad Boys for Life (Sony) - $8 million -35% (up .2 million)* 6. 1917 (Universal) - $7 million -23% 7. Downhill (Searchlight) - $5.6 million N/A (up .2 million)* 8. Parasite (NEON) - $5 million +300% (up .4 million and one place) 9. Dolittle (Universal) - $4.5 million -30% (down .4 million and one place) 10. Jumanji: The Next Level (Sony) - $4.2 million -24%

*UPDATE: A few minor updates based on actual theater counts with Parasite being expanded into 2,000 theaters, the widest its been so far. I feel like most of the new movies will do well, including Downhill (which will be in 2,301 theaters vs. the 1,500 estimated earlier in the week). Anyway, it should be a fairly hearty and robust weekend at the box office.

LIMITED RELEASES

Before we get to the regular limited releases opening Friday, I want to mention two special releases for Weds. night, Trafalgar Releasing is giving a one-night screening of The Doors: Break on Thru - A Celebration of Ray Manzarek, which I haven’t seen but I’m definitely interested in as a fan of the ‘60s group (and Manzarek’s keyboard work). You can get tickets for that here. Also, Kino Lorber is giving one-night release of Emily Taguchi & Jake Lefferman’s doc After Parkland to commemorate the second anniversary of the shootings at the Marjory Stoneman Douglas High School in Parkland, Florida that killed 17 people and began a nationwide student movement for gun control. It’s a fairly sobering and emotional doc, as you can imagine, especially since so little has been done to prevent incidents like this even two years later.

My favorite movie of the weekend is Jeremy Teicher’s OLYMPIC DREAMS ( IFC Films), opening at the IFC Center Friday. It stars Nick Kroll (who you’ll know from “The League,” “Oh, Hello” and other things) and (actual Olympian distance runner) Alexi Pappas, who you may or may not be as familiar with. Pappas plays Penelope, an American competitor in the 2018 Winter Olympics in South Korea, who is feeling lonely and unable to connect with others until she meets Kroll’s volunteer dentist, Ezra. While at first, it wouldn’t seem like they would have anything in common, they spend a night hanging out and while some might be expecting something romantic, since this is opening on Valentine’s Day, well I won’t ruin what does or doesn’t happen, k? Either way, it’s a wonderful film co-written by Teichter, Pappas and Kroll, and if that sounds like a familiar formula, then it is indeed the one Richard Linklater used for his sequels to Before Sunrise with Ethan Hawke and Julie Delpy. Olympic Dreams isn’t nearly as deep and philosophical (or wordy), but the two actors are so wonderful together, and they actually filmed this in the Athletes Village at the Olympics (the first film to do so) which adds some authenticity to the sweet little movie. (There will be a sneak preview Weds night at the IFC Center with Teicher, Kroll and Pappas all in attendance!)

Danish filmmaker Lone Scherfig returns with THE KINDNESS OF STRANGERS (Vertical), a star-studded ensemble piece starring Zoe Kazan, Andrea Riseborough, Caleb Landry Jones, Jay Baruchel and Bill Nighy (who appeared in Lone’s previous film Their Finest). This is a New York City story about six strangers whose lives intersect and mingle while trying to find help, hope and love. I know it sounds like the Crash-style movie we’ve seen far too many times before, but I have faith in Ms. Scherfig and hopefully I’ll have a chance to watch it in the next day or two.

I also still haven’t gotten around to watching Kenji Tanagaki’s action-comedy ENTER THE FAT DRAGON (Go WELL USA), starring the always-amazing Donnie Yen as police officer Zhu, who is sent to Japan on a routine police escort of a suspect… who mysteriously dies, forcing Zhu to call upon a former undercover inspector to help solve the murder. I’m assuming the latter is the “Fat Dragon” and Yen didn’t gain 200 lbs. for the part.

Opening at the Quad Cinemaon Friday and in L.A. on Feb. 21 is Dimitri de Clercq’sFrench/Belgian film You Go to My Head (First Run Features) about an architect who finds a young woman lost, alone and in a fog in the Sahara after a mysterious accident, but when he takes her to the hospital, he claims to be her husband. As she gets better, he creates an elaborate life to fill in the life they shared which she can no longer remember. It also sounds perfect for Valentine’s Day, so you have plenty of options!

I didn’t have too much to say about Céline Sciamma’s PORTRAIT OF A LADY ON FIRE (NEON), because I think I wrote about it last year, and I haven’t seen the movie since the New York Film Festival. Set in the 18thCentury, it’s about a woman painter who travels to a remote island where she’s commissioned to do a painting of a grieving widow, who she ends up falling in love with. I probably should see the movie again as it didn’t really connect with me the first time, but I can totally understand why others love it so much. (Unfortunately, the 7:10 screening on Friday night at the Angelika with a QnA moderated by my pal, Valerie Complex, is already sold out!)

The second documentary in the last year about a man named “Cunningham” (a different one this time) is Mark Bozek’s The Times of Bill Cunningham (Greenwich) about the famed photographer who died in 2016… and whom I know even less about than I did dancer/choreographer Merce Cunningham. Apparently, he was a New York Timesphotographer for four decades and had a long relationship with First Lady Jackie Kennedy, and this doc is even narrated by Sarah Jessica Parker! It also opens at the Angelika and City Cinemas 1, 2 & 3, and maybe L.A.?

Due to the usual conflicts and circumstances, I wasn’t able to see Lisa Barros D'Sa and Glenn Leyburn’s Ordinary Love (Bleecker Street) as planned, but it’s an appropriately-timed romantic drama starring Liam Neeson and Lesley Manville as a middle-aged couple who must deal with her beast cancer diagnosis. I actually am interested in seeing this, especially to see Neeson back in serious drama mode (it’s been a while), so hopefully I’ll have a chance to see this down the road.

Also opening Friday is Tanya Wexler’s Buffaloed (Magnolia), starring Zoey Deutch as Peg Dahl, a young woman living in Buffalo, the debt collection capital of America but hopes to get out of town and into an Ivy League university. When she’s accepted to her top choice but can’t afford the tuition, she gets pulled into the rope of debt collection. Also starring Judy Greer, Germaine Fowler, Noah Reid and Jai Courtney, it will open at New York’s Quad Cinema, the Loz Feliz 3 in L.A., Buffalo’s North Park Theater and more theaters.

Another SXSW 2019 movie is Richard Wong’s Come As You Are (Samuel Goldwyn), starring Gabourey Sidibe, Grant Rosenmeyer, Ravi Patel, Hayden Szeto and Janeane Garofolo. The three guys in the middle play men with disabilities who go on a road trip to a Montreal brothel to get away from their suffocating parents. Sidibe (from Precious) plays their travelling nurse who drives them across the border to help them lose their virginity. This is an English remake of the Belgian Film Hasta La Vista about the real-life adventure of Asta Philpot.

Sara Zandieh’s indie rom-com A Simple Wedding (Blue Fox Entertainment) also opens in theaters and On Demand on Valentine’s Day, this one following an Iranian-American named Nousha (Tara Grammy) whose hopes for a Persian wedding are dashed when she falls for a bisexual artist/DJ named Alex (Christopher O’Shea). She has to make sure her parents don’t realize they’re living together before marriage. The film also stars Shohreh Aghdashloo, Rita Wilson, Maz Jobrani, Peter McKenzie and James Eckhouse.

LOCAL FESTIVALS

Some cool festivals and series in New York are happening this weekend to offer competition for all the choices above.

Let’s begin with the “Winter Showcase” for one of my favorite annual film festivals, the New York Asian Film Festivalsubtitled “Love at First Bite,” since they’re including a special Valentine’s Day screening of the Korean hit Extreme Job followed by a reception including delicious Korean food. The rest of the line-up is probably more appropriate for the rep section as it will including Asian classics like Stephen Chow’s God of Cookery (1996), Ang Lee’s Eat Drink Man Woman (1994),Tampopo (1985) on Saturday, as well as Ritesh Batra’s amazing The Lunchbox and more on Sunday.

Up at Film at Lincoln Center, there’s the annual “Neighboring Scenes,” the annual celebration of “New Latin American Cinema,” opening Friday with Joanna Reposi Garibaldi’s Lemebel, a documentary about writer/visual artist Pedro Lemebel and his controversial performances amidst Chilean upheaval. Of course, I’m most interested in the Brazilian offerings, but sadly, there just isn’t enough time in the day/week to see as many of the films in this series I’m curious about including the New York premiere of Ema from Chile’s Pablo Larrain (Neruda, Jackie). Click on the link above and check out that line-up.

Further North (in terms of global geography) but South (in terms of New York City geography) is this year’s “Canada Now” series, taking place at the IFC Center from Thursday through Sunday. It will kick off with Guest of Honor, the new film from Canada’s Atom Egoyan, starring David Thewlis and Laysla De Oliveira as father and music school teacher daughter whose lives become complicated when she’s put in prison for earlier crimes. There are seven other movies in this series, most of them getting their U.S. debuts, so that’s another alternative for what could be a busy movie-going weekend.

STREAMING AND CABLE

Lots of stuff premiering on streaming services this weekend including the British animated sequel A Shaun the Sheep: Farmageddon on Netflix, as well as the rom-com sequel To All the Boys: PS I Still Love You, which will premiere on Weds and may end up being the “Netflix and chill” choice for many young people on V-Day. (I honestly never got around to seeing the first movies of either of those yet!)

Over on Hulu, they’re premiering the gender-swapped series loosely based on Nick Horny’s High Fidelity, this one starring Zoe Kravitz, the daughter of Lisa Bonet, who appeared opposite John Cusack in Stephen Frears’ adaptation of Hornby’s book from 2000 that was one of my favorite movies that year! Wait a second, even though Kravitz plays a character named Rob, just like Cusack, is she meant to be the daughter of Cusack and Bonet’s characters in that movie? That would be intense! (But probably not. I’m sure I’ll check it out.)

REPERTORY

METROGRAPH (NYC):

The Metrograph’s Valentine’s Dayweekend offerings include Casablanca (1942), Howard Hawks’ 1944 film To Have and Have Not, the 1932 film Trouble in Paradise, Douglas Sirk’s Written on the Wind (1956) and another screening of Makoto Shinkai’s animated Your Name. The “To Hong Kong with Love” series continues through the end of February, this weekend screening Yellowing (2016), which I haven’t seen.This weekend, the Welcome To Metrograph: Reduxwill offer two more screenings of Edward Yang’s 4-hour 1991 film A Brighter Summer Day, while Late Nites at Metrograph will screen Nagisa Oshima’s 1978 film Empire of Passion, also which I have never seen! Rounding out the weekend’s Asian offering is the Playtime: Family Matineesoffering of Yoshifumi Kondo’s 1995 animated film Whisper of the Heart, which guess what? I haven’t seen that either! Clearly, I need to try to get to one of the four movies, right?

ALAMO DRAFTHOUSE BROOKLYN (NYC)

Tonight’s “Weird Wednesday” is the Susan Sarandon-James Spader romantic drama White Palace (1990). Oddly, the Alamo is CLOSED on Valentine’s Day.. is this true?!? On Sunday is a special “Drew Believers: Drew Barrymore Movie Marathon” with four of Barrymore’s movies in 35mm! (As of this writing, there are a few seats available near the front.) Monday’s “Fist City” is Sam Raimi’s The Quick and The Dead from 1995 and that’s quickly selling out as well. The “Terror Tuesday” is James Gunn’s hilarious Slither and then next week’s “Weird Wednesday” is the 1987 Ken Russell film Gothic.

THE NEW BEVERLY (L.A.):

Wednesday’s “Afternoon Classic” is the 1961 Oscar-winning musical West Side Story. Weds and Thursday night’s double feature is Robert Altman’s 1971 film McCabe & Mrs. Miller and Sydney Pollack’s 1972 film Jeremiah Johnson, starring Robert Redford. This week’s “Freaky Friday” offering is the classic The Bride of Frankenstein (1935, while Friday’s midnight movie is True Romanceand Saturday’s midnight is 1978’s Mean Dog Blues in 16mm! This weekend continues the “Kiddee Matinee” run with the Alfonso Cuaron-directed Harry Potter and the Prisoner of Azkaban. Monday’s matinee of David Lynch’s Wild at Heart is already sold out but that night is a Robert Clouse double feature of The Pack(1977) and Darker than Amber (1970). Tuesday’s Grindhouse double feature is 1976’s Sky Riders and 1981’s Force: Five.

EGYPTIAN THEATRE (LA):

Thursday is a “Black Voices” double feature of Car Wash (1976) and Cooley High (1975) with guest including Bill Duke in person. John Sayles and Joe Dante will be on hand Friday night for a “John Sayles: Independent” double feature of Piranha (1978) and The Howling (1981). This weekend is the “HFPA Restoration Summit” including a Saturday afternoon presentation called “Serge Bromberg Presents from the Silent Era” with the Lobster Films founder, while the one and only Jane Fonda will be on-hand Saturday evening to present a 4k restoration of the 1972 film F.T.A., which she produced with Donald Sutherland. Saturday night is a screening of The Black Vampire, the 1953 Argentine adaptation of Fritz Lang’s M, and there’s more classic cinema on Sunday as part of the series.

AERO (LA):

Thursday’s “Antiwar Cinema” matinee is Richard Attenborough’s Oh! What a Lovely War from 1969 with an all-star cast, while that night is a Eugene Levy/Christopher Guest double feature of A Might Windand For Your Consideration. The AERO is ALSO showing Casablancaon Valentine’s Day and then Saturday is another Levy/Guest double feature of Best in Show (2000)and Waiting for Guffman (1996) with Levy doing a discussion between films. John Sayles and Frances McDormand will appear in person for a Sunday afternoon double feature of 1996’s Lone Star and 1999’s Limbo.

MUSEUM OF THE MOVING IMAGE (NYC):

MOMI is going a bit crazy with its Valentine’s offering but it’s a good one…Jane Fonda in 1968’s Barbarella as part of its new 2001-inspired series “See It Big! Outer Space”! (If MOMI wasn’t all the way in Astoria, I’d totally go.) It will play again Sunday with Tarkovsky’s Solaris (1972) playing on Friday and Saturday and 1979’s Star Trek: The Motion Pictureon Sunday. Sunday will also be a repeat of Kubrick’s 1969 film 2001: A Space Odyssey in 70mm with a discussion before the movie between Doug Trumbull and Piers Bizony. There’s also the usual DCP screening of 2001on Saturday afternoon, as part of the exhibition. On Saturday, they’ll screen Marjane Satrapi’s excellent Persepolis(2007) as part of its “World of Animation.”

FILM FORUM (NYC):

Starting Friday, the Forum will be screening a DCP restoration of Luchino Visconti’s L’Innocente (1976), starring Giancarlo Giannini. This weekend’s “Film Forum Jr.” is Guys and Dolls from 1955, starring Marlon Brando, Jean Simmons and Frank Sinatra. (If you read this on Wednesday, you can catch Joseph Strick’s 1963 film The Balcony, starring Shelley Winters, Peter Falk and Lee Grant, in 35mm.

QUAD CINEMA (NYC):

The Quad’s run of Pandora and the Flying Dutchman continues through the weekend, and there will be Valentine’s Day screenings of Alex Cox’s Sid and Nancy on Thursday and Friday night. (How romantic!)

ANTHOLOGY FILM ARCHIVES (NYC):

The Anthology’s great “The Devil Probably: A Century of Satanic Panic” continues this weekend with screenings of Robert Eggers’ The Witch, Alan Parker’s Angel Heart, another screening of Rosemary’s Baby, as well as screenings of Race with the Devil on Weds. and Thursday night. I missed it last week but they’ve been showing Mark Rappaport’s 1975 film Mozart in Love the past week, as well.

ROXY CINEMA (NYC)

The Cage-athon continues Weds. with Neil Labute’s The Wicker Man (2006) and 2009’s Knowing on Thursday. Valentine’s Day sees screening of Baz Lurhmann’s Romeo + Juliet, starring Leonardo DiCaprio and Claire Danes, as well as the 1987 Nicolas Cage movie Moonstruck, co-starring Cher. Spike Jonez and Charlie Kaufman’s Adaptation (2003), starring Cage, repeats on Saturday.

NITEHAWK CINEMA (NYC):

Williamsburg‘s “Uncaged” series continues Friday with last year’s Mandy at midnight and 1983’s Valley Girl on Saturday morning. Casabalanca is also playing at the Prospect Park on Thursday, and unrelated but Back to the Future will play there on Monday night. Billy Wilder’s 1954 film Sabrina, starring Bogart, Hepburn and Holden will play on Saturay morning.

IFC CENTER (NYC)

Weekend Classics: Luis Buñuel is back with Belle de Jour from 1967, starring Catherine Deneuve. Waverly Midnights: Hindsight is 2020 will screen the animated Ghost in the Shell, while Late Night Favorites: Winter 2020 will also go with an Anime film, Paprika.

MOMA (NYC):

Modern Matinees: Jack Lemmon is off Weds. and Thursday but will return Friday with Billy Wilder’s Irma La Douce (1963).

BAM CINEMATEK (NYC):

BAM will continue to show Horace Jenkins’ 1982 film Cane River through the weekend.

Next week, the second to last week of February (man, it flew right by!) will include Fox’s The Call of the Wild, starring Harrison Ford, and the horror sequel, Brahms: The Boy II.

#TheWeekendWarrior Movies Reviews SonicTheHedgehog FantasyIsland Downhill ThePhotograph OlympicDreams Repertory Streaming

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elizabethrobertajones · 6 years

Text

14x01 watching notes

RIP Kip, we hardly knew ye.

Well hey, returning friends and people who unwittingly clicked on this not knowing exactly what they're in for. Blowing off the dust and starting a new season of Dabb fuckery, which I spent way too long trying to think of a portmanteau for when I already have the episode downloaded

It's 5am, let's DO THIS.

So they start with Dean's Hi I Am A Cop On The Day Before I Retire speech re: hula girls and hawaiian t-shirts which is remarkably prescient of me to have been irrationally upset about that one detail after I binged most of season 13 last night to get me back in the mood. So now I have to elaborate on my one line textpost >.>

Because yes, that is the perfect note to start the season on: Dean thought the good times had rolled, allowed himself to hope, assembled himself a family with mom and step-pop (Bobby counts as a full father but AU Bobby is step-pop), brother, husband, kid... Said kid was promising A World Without Monsters aka Dabb's showrunning tagline for an endgame he teases them. And Lucifer was tucked safely away in an AU with the murderous Michael... And then in a series of events it all came crumbling down and with this amount of goodness in his grasp, he gave up what even when the real Michael was hounding him for it, he couldn't before.

Because in season 13 it is beyond obvious that Dean is tired, an Old Hunter, the best of his game but ready to bow out on that note, and yet for him it's not a matter of stepping back and letting someone else handle it because when Michael and Lucifer were involved, it was beyond personal. He and Sam only EXIST because Lucifer and realMichael wanted them to. And so there was no way this trouble would come to someone else's door, when it was the nasty angel on his shoulder and the devil on Sam's and we have Nougat as their collective responsibility who's the nexus of it all anyway.

Eeee the Road So Far text is glowy grace colour on a dark blue background. I'm JIZED for the title card.

Goodness, the Road So Far is a weird journey because we see Jack being all useful and magic and then callbacks to 13x01 and 2 where he was a messed up 2 day old and Dean just wanted to murder him.

I haven't outlined any expectations for this episode or even this recap but I suddenly realise that I should probably be wondering how much DeanCas we're gonna get in it, and this rage against Jack is subtextually motivated, for sure, but for me the first 6 episodes of Dean's grief arc were wonderful character stuff but removed from the main plot and therefore in my head I keep boxing them off like a bubble season, like 10x01-3 are, and I legit wasn't even expecting to SEE content from them in the recap, because brilliant as they are I sort of just forgot they were a part of this season despite watching them yesterday. The season for me became so much the Jack And Mary Search that this hiccup at the start didn't meet the requirements to be in season 13 :P

They're just That Time Dean Was Really Sad About Cas Then He Came Back And They Were Cowboys

Oh good there was "everybody we've lost" and then a recap of Cas dying and then - oh, we're recapping plot again? Er... everybody? Dean? Who else? DEAN?

this was the thinly veiled subtext of that line anyway since Dean waved off Mary and made it all about Cas anyways but. Yikes, editing team.

Jesus I watched season 13 yesterday and I forgot about Asmodeus. You know what, this is pre-coffee AND the 2 types of anti-brain fog medication I gobble in the morning.

But he's that much of a useless lump

Also too much Lucifer nipple on screen pre-coffee. Ick.

Nice recapping of Not The Levitating Fight.

NOW

Stock photo Nyoom of the season!! Hi Baby! You aren't in this episode because Eugenie said the car wasn't being used this season

Sam's got his Vengeance Eyes on but he's all scruffy and grown up so I trust him 10000% to get the job done.

OW. FUCK. OW. OWWWWWWWWWWWWWWWWWWWW. GOOD USE OF INTERSTITIAL MUSIC

Why were you even listening to Dean's tapes if they fuck you up that badly? IS THIS YOUR VENGEANCE PLAYLIST? I'VE BEEN WAITING 10 YEARS

Actually, I haven't, I binged 4-5-6 as one unit after thinking the show was cancelled during the writers' strike but the point is that Sam and his ipod in 4x01 is immediately in my head because he was listening to his own music and being a hipster douche, but now he is not on demon blood he has not installed an ipod dock because he's GETTING DEAN BACK, DAMMIT but at the same time he's also realising that this means a heavy toll that the only driving music in the car is Dean's stuff...

Oh no, this must be the guy from the SDCC clip we hadn't seen because Osric Chau is banned forever for illegally uploading them all for us in the past, and all I know is that Deanchael is going to Fuck Him Up and I feel very bad for him

*raises my mug to Osric* I'm sure you tried, dude. And thanks for the previous years.

Hi Deanchael. I noticed in a promo pic that his tie has that sacred geometry type pattern on it which is a detail I made a mental note to type out literally anywhere in the like month between there and here and did not so here it is at a hopefully appropriate place.

Based on every other scene setting detail I suspect that this faithful man is actually still within the USA because this is literally the cabin set they re-use for everything. The spoilers made it sound like Deanchael was globe trotting to raise his army but now I see what's around us... Yeah no he's as focused on the US as every other big bad before.

Anyway they really specifically chose this prayer to Allah because of how pointed it was about being only for Allah and how he was the best, so I'm assuming Deanchael is here to be like yo God's gone and I'm your last chance of faith

Like just ruin his day and he got up at like 4am or whatever the first prayer is to do it and all

I hope, like, no offence to any Muslim viewers or anything >.> They sure play fast and loose with a lot of this stuff because Christian cultures are full of bitter non-believers raised in the culture and looking to kick up at the big guy in the sky, which is not an impression I get that Islam is as used to cultural flippancy, regardless of personal beliefs of residents of predominately Muslim countries and cultures. I'm not 100% sure though, because the closest link I've got is my raised-Christian Iranian friend who applies Christian eye-rolling to the issues with being in Iran and heathen so I still get that perspective of middle fingers up at Organised Religion from our discussions about it all... anyway big diversion, still waiting for coffee to kick in :P I just swallowed the last of it so I can only get more jittery from here on out!

It's so fuckin weird to see Dean's face confidently reciting verse in Arabic

I mean you don't need the hat, sir. I get it. It's not you in there.

Well so far anyway he's playing on the fact that the guy does pray to god and his angels.

Lol @ this man guessing his way through God AND Gabe to Deanchael's annoyance that he's the 3rd guess and he has to clarify that he's the better one.

Man, Gabriel worked on his reputation. I wouldn't have been able to tell you who Michael was because there wasn't even a kid in my class with that name when I was age 4 busy portraying Gabriel in a nativity play with full impish glee that the real deal would have been proud of.

Uhoh things aren't looking good for Jamil D: Asking for peace and love is good, you funky little hippy.

Is Deanchael implying that the Syria insurgency is the route to peace? I honestly don't know enough about the American foreign policy politics to know what sort of stance this is though from a liberal leaning show (I mean come on Bobo is a card-carrying socialist, I've seen it on Twitter :P), though to an outside viewer well aware of how fucked up it all is should this have been said on a British program, this is a vast over-simplification.

But we know Michael's main traits are Likes War and then also Warmonger and of course, spoilin' for a fight. So this may be a personal judgement and as much as they're bringing politics into their show I'm just backing right on out and going with this :P That he thinks it is more honourable to stay and fight and that Jamil is a hypocrite for not sticking around to work for peace actively.

Oh Jamil hooked up with a woman called Darleen. He is FOR SURE in America.

It's so funny to me that Deanchael can fly anywhere and they could have set this anywhere but it still ends up being a wooden cabin in the US. This has to turn out to be a lead to follow with a news report about the poor guy or else this is just hysterical that they couldn't be arsed to mock up even a hint of another country :P

He knew all this about Jamil beforehand so I have to assume he's really just here to drag him.

Man, that throw was GOOD. I'm assuming they either spent all summer playing with wires and stunts or else they've gone back to the drawing board on all this flinging people around business.

"A better world" oh we are so on for this World Without Monsters malarky still. This lines up with the clip from Dean they opened on so well - the dark irony of he and Michael working on the same project but from different angles. Dean wants to sort out monsters and bad things so he can go on a beach, aka his version of paradise, and Mikey wants to smush all the sinners, and clean up the planet, which is HIS version of paradise.

HECKIN GOOD TITLE CARD

now photoshop those wings on everyone

I LIKE SCRUFFY BULLET MAKER FROM THE AU.

He's like so happy to be in a world where you just casually have resources.

Meanwhile poor Maggie has become the de facto nurse and hates it.

Ugh the Bunker is a place where people just show up who yell "Soup's on!"

In my redshirt betting pool, Soups On is the first guy who dies.

Promo sceeeeene

I'm so happy Sam and Mary are doing this together. Last season Sam was so upset that Dean got to have a relationship with her, and he had missed out, but without Dean around - no offence to him - Sam and Mary may be focused on FINDING him but this is the work they also need to do for their relationship to start to ground it in something real. It's taken this long with all the separations, but remember that Mary also worked through some of her issues about Sam only last season in the AU with 6 month old Jack. And if she needed that sort of reminder and relationship to warm her up for Sam, her suddenly-grown 6 month old, then there were still a LOT of underlying issues that dated back to the start for her to overcome. Hopefully this puts them on a level playing field, though there's a new conflict brewing for them, with Mary's determined optimism vs Sam's pessimism, born of that depression from last season that never really got treated or resolved, they just managed to power past its current main triggers. Of course now it all just shifts in a Deanward direction.

I love how Ketch has been punted to London, at Buckleming discretion to drag him back. This wasn't even Bobo punting him out the door, and he and Buckleming have a violent back and forth over favourite characters, started in 9x06 with Bobo's very first episode when he banished Professor Morrison forever.

MARY TRIES MOMMING SAM TO GO TO BED

THEN SCRUFFY GUN GUY IS LIKE "CHIEF"

Chieeeeeeef.

Sam runs the shooow here and I love it. He's their badass MoL hunter leader, a scruffy saviour from another world.

Given Sam is wearing the same shirt and jacket in the promo pics I'm guessing he does not sleep, though I hope he gets to eat the soup.

"Maggie can you hack the traffic cams?" "um. no."

I love and support Maggie. She is a normal person who happened to live in apocalypse world and she just wants to flirt with the guy from the Gas n Go who probably hasn't talked to her since that got blown up and Jack attacked him over her... I mean, this is better than the AU world but maybe she just wants to be normal? Did anyone ask Maggie what she wanted??

SAM. You can eat your soup and run things at the same time! Get back here and eat that soup!

"yes sir"

Goodness, this is wonderful. Sam's doing what he was born to do, and then not because that was leading a friggin demon army, but then yes because he's got inherent leadership traits that he defers to Dean all the time because, well, he's there, and he's big bro.

Look, sometimes you need big bro to murder Satan's ass for you forever, but you also should be calling the shots. There's a balance here, where Dean can be the older brother, but Sam can be the boss. Work/life balance. Dean's got your back but you command an army of hunters, like we've all been salivating over since like season 8 when they first said the MoL ran the Bunker as the hub of operations dictating stuff to trusted hunters and the like.

Of course, if Sam is the Bobby here, then who is the AUBobby? I hope we see what's up with that soon, I've been wanting them to bristle those beards in an alpha way at each other for months, because AUBobby was their leader before Sam because Sir Chief.

"Sam."

"i'm good"

*mothering intensifies*

"i'm GOOD"

*mothering intensifies*

"How's Jack"

You aren't used to being mothered and it's murdering me completely to my soul. Dean's got SO MUCH MOTHERING all through the show compared to you. He even sees Jody as a mom friend while you crush on her like crazy so you haven't even got that!!!!

Because Chief Sam is the boss of this lot but at the SAME TIME he's getting all these soft tender mom moments he's never got to have before. It's a wonderful balance of nuances to his current life. He's overworked but surrounded by a supportive care team that respects him, gives him soup, and holds his hand, literally in Mary's case. And yet he's the scruffy macho competent boss who knows how to call all these shots, deputise, set up missions, but still knows more than them, how to do traffic cams, I'm sure years of lore over most of these hunters who only learned to deal with what got thrown at them in the apocalypse by trial and error because when do they get lore books? Mary and Bobby and other pre-apocalypse hunters would be few and far between to offer competent training to a populace suddenly all turned hunter.

Oh, AUBobby is beating up Jack. Perfect.

AAAH DIRECTED BY TJW

WAS NOT ADEQUATELY HOLDING ONTO SEAT

WARN A GIRL

I love finally seeing the training room but I'm deeply conscious that this is where Put Up Your Dukes starts and I can't get that fan fic out my mind so I'm just like, Jack, don't lie on the floor, your dads have banged there.

I'm so happy that AUBobby is nurturing a grandson, because this is the difference between him and Bobby - that our Bobby had that with Sam n Dean, but AUBobby never did. Though he DID have Mary Campbell to crush on, I doubt it would have softened him and rounded out the harsh places in his soul the same way raising Sam and Dean did, because he had an unrequited love and she hadn't gotten over John, while this recently widowed Mary Winchester actually has made better progress just because of the circumstances of the loss. Anyways Jack has no preexisting history with Bobby so there's nothing weird about him and AUBobby stepping into a nurturing relationship, that Sam n Dean would find uncomfortable in a way, given their relationship with Bobby. And Jack gets yet another strong figure to teach and guide him.

AUBobby looks slim and stands tall compared to Bobby, which I'm largely putting down to posture, and not being drowned in layers. I like this difference - Bobby almost never voluntarily dressed in 1 layer, but AUBobby has a more military slant, and this training sergeant routine with Jack is a good fit to show a difference in his character, that isn't surly old Bobby behind his desk, that he's involved in teaching Jack to fight, rather than helping hunters with lore and swigging whiskey.

I'd assume given the lack of availability in his AU, he's considerably less alcohol dependant, so this is a very different character thing. If Bobby were doing this training, and nothing else was different, he'd be taking a breather to pour them both a whiskey as he imparts wisdom.

Demon in nice shoes and dark sunglasses at night to indicate that yes I am a demon I have black eyes :P I assume this is a demon anyway not just because of this detail but pre-season spoilers

Ah hearing Cas's name is enough to make my heart pick up. MY GUY!

But then, "Castiel, darling"

Stop trying to make Good Omens happen, it's not going to happen. You can't just "darling" up to an angel and expect that good good romance. Crowley took years to wear Cas down and Cas never actually LIKED him, down to their last real interaction where Cas was just "WTF???? LEAVE ME TO ROT AND DIE" when Crowley saved him in 12x12

God I miss that

"Oh god."

Same, buddy.

You do, however, realise this is your first words of the season gifset line, though?

Someone ought to write to Dabb and inform him that people make first and last word gifsets and to be more careful.

Especially if in the last episode at the end of the season, Cas's last word is "Dean"

Anyway Cas has said 1 line and I can tell he's on top form. Unlike 10x01 he's in a hipster hogroast joint.

This demon, with dark black sunglasses inside at night (douchebag) just ordered a coffee, black. WE GET IT, ENOBY DEMENTIA DARKNESS RAVEN WAY, YOU ARE GOFFIC AND IT'S AS BLACK AS YOUR SOUL

LOL Cas is sitting under the JACK'S sign.

Demon douche sits under Schultz, which is the death beer. And lemme tell you, TJW is well-versed in this. So well-versed in it he's sat Cas in front of a classic El Sol flyer with the subtle touch required to tell Dean that Cas is his dream girl. He knows his shit.

This seriously seems to be implying that the rise of hipster food joints is an effort from Hell to spread chaos on earth

Cas sitting with his back to the fire is such an interesting visual, but this is just a note to self for later to guess what it all means

THIS FUCKIN DEMON TOOK HIS BLACK SUNGLASSES OFF TO SHOW OFF HIS BLACK EYES

Dabb is so good at incidental characters, and making me hate this guy for nuanced nonsensical reasons is amazing. This is... art...

This is a callback to 5x08 and Dean ranting about hating procedural cop shows then him and sam taking their sunglasses on and off at night every time they made a pun and I'm 100% convinced since 12x01 and Cas busting through that Mystery Spot sign that Gabriel has been subtly influencing events

Okay so we know exactly what is written on demon bathroom walls. I'm taking that as a sideways confirmation that Cain knew full well that Dean had his Colette because he'd seen crude doodles of them doing it

Anyway douchedemon just outright told Cas that all the demons assume he and Dean in particular are banging. Not that Cas bangs Winchesters, as some have implied, without knowing all the details. They've narrowed this info down.

I assume this is also in the Winchester Dossier that Barthamus studied from before meeting them. I love that demons probably do have a filing cabinet somewhere of all the notable assholes they run into in their work, and the Winchesters take up a whole cabinent, but the refresher file summarising them in a paragraph if you don't have time is like, Sam: Lazy boyking, will stab you. Dean: fucking Castiel, will stab you.

Cas doesn't even move an eyebrow. Incredible.

Cas rarely gets hit with these compared to Dean in the history of the show, and Dean is full of bluster or anger or confusion or alarmed eyebrows. Cas is like... no. fuck you. i'm party!Cas, I have my shit in order.

Though this is from a demon. It's an entirely different thing when Heaven is involved, as they also have their dossier on the winchesters.

Sam: abomination. will banish you. Dean: fucking Castiel. Will stab you.

*loud coffee slurp* "what's in it for moi?

Cas, stab him. Stab him now. This is not worth the information. You can find another guy.

I'm starting to think Cas with his back to the flames is his unwitting danger from this hellish hogroast place.

They use Shultz beer containers to hold the sauces and menus on the table. DEEEEATH

Cas speaking slower and threatening to burn him to ash "right here and right now"

this is a gifset that will get a lot of notes from thirsty Cas fans

Whaaaaaaaa the entire joint turned out to be owned by and filled with demons who would ever have guessed based on one open fire and that metal hogs head from the promo pics :P

Stop hurting him!!!! Misha can't stage fight! This is really unfair!!

I wonder how the poor new awesome fight coordinator took to Misha

"let's just... um..." "hide him behind all these demons?" TJW suggests The fight guy nods sadly.

Aww Sister Jo got back to work. Good for her.

Sister Jo has no fear and can stroll down a shady alley counting her money

*t-shirt meme* One fear: *flappy wing noises*

"Hey Jo."

GHOLY SHIT TRUE FORMS TYHUEOJDSHGFSH DS TRUE FORMS WE SEE WHAT ANGELS SEEE OH MY GOD OH MY GOD SCIENCE HAS CAUGH T UP TO THE DIVINE, SPN CAN FINALL Y SHOW US WHAT ANGELS SEEEEEEEEEEEEEEEE

Holy shit I want the gif of this as my blog header. That's shitting amazing.

Burning HALO

ALL HIS CHI POINTS LIT UP EVEN WHEN IT MAKES IT LOOK SILLY TO HAVE HIS CALVES GLOWING

I wonder if this is what Danneel sees when she looks at Jensen all the time

"Why would he say yes to you?"

"Love"

I'm dying and I am dead. I gather that Dean is 100% absent from this episode, but that one comment puts him front and centre and I am in paaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaain. Everything happening around Michael and because of Michael is because Dean loves his peeps. From Sam staying up hacking traffic cams on vampires to Cas getting his ass handed to him by demons.

I bet Cas looks like that single glowstick he had on in the cave when angels look at him.

Party!Cas

I ruined the fun

Jensen gently touches Danneel's face and that's just rude because that's all his tenderness for his wife being turned into a scary villain move between Deanchael and Jo. Don't do this to them!!!

Oooof Deanchael pulls from Dean's memory of Anael about what she was like, describing her in the most Cas-like terms, then cuts through her hilarious bull about wanting handbags (this is so meta about sticking middle fingers in the faces of people who think she's a well-paid beard) and then starts telling her she wants love and a family.

Deanchael has used the word "love" twice in a scene and it's horrifying to see the word come out of his face, when Dean is so guarded. Now Deanchael is just looking through Sister Jo and analysing what she wants - and she's playing this game very well but this move of his might still beat her. Because ow. Telling her she wants belonging and family. When she's very much established as a Cas mirror by the reminder she ran away from Heaven and doesn't want to play by their rules.

"It's very, very human of you. And so disappointing." Did all those times Lucifer sucked her grace bring her close to feeling it? To the point of permanent damage? I only ask because I know another guy this might apply to.

I wonder how much Deanchael is projecting based on conjectures because he knows Cas through Dean's eyes.

"But if they're all these sad, lost, fallen things..." Ya, that's Cas too for suresies

SAM AND JACK SAM AND JACK

Jack sitting quietly in meditation, clearly unsettled. A parallel to 13x23 when Dean came rushing in to him having a nightmare, now Sam is having a crack at parenting the boy.

Jack lying about how things were fine. Nougat. Hon. You're human now. But not that good at being human. Sam knows your tells :P

Sam interrupted mid pep-talk by Mary with some nonsense.

Jack is always so ugh... accepting and kinda flippant. He knows parental figures can be disappointing and get dragged away mid peptalk by some business.

Which he's apparently not involved in. I guess after we see him going on hunts with them in 13x23, he's grounded until he goes through basic training so not only is he useless to help with his powers to find Dean, but he can't even do the easy hunter stuff because he's just a kid.

Aww my poor baby Nougat :( He's so angsty. He's a TEEN. Lookit him! All growed up!

Uuugh I guess this is Nick. "I didn't talk to him. I can barely look at him."

What I'm getting from this sequence mainly is the sound of Triss's rage at the Bunker layout.

*Mary pats Sam's shoulder supportively and walks off*

You're on your own, Chief.

Ugh I am not ready for this bull if it's Nick but I have to keep watching to be sure :P

Ew it is. EW. What does Mark P HAVE on you all.

At least TJW is shooting the heck out of this to show us how gross Sam finds this all.

Sam's shadow falling over Nick.

I really want to know how this bullshit happened. And yet. No, not really.

Oh gross AND they're making Mark P take off his shirt. The nipple I didn't want to see in the Road So Far was not warning enough.

Pre-season ugh speculation was that whatever Crowley did to Nick made him stronger and more permanent apparently even than Lucifer being stabbed out of him.

So yeah anyway I guess Jack is in part also sulking about this and I'm with him, because Sam being pulled away from their pep talk time to deal with Gross Man Associated With My Father But Not Actually Him Because Biologically I Am The Son Of A Non-Historical President...

Making Sam the one who has to care for Nick is utterly cruel. He has so many deputies. Maybe this is just his personal fear that Nick's still a bit Lucifery. Maybe he just sees this as a gross burden, a manifestation of the ongoing trauma from Lucifer, that even when he's dead he lingers.

Plus, it's giving us some reassurance that an angel can be ousted from a vessel without killing them, to throw some options into the Deanchael pot.

Still. Nick. Really.

I bet Jack is sulking because some little cosmic part of him regenerating deep down in his core, that one lil gold glowy chi point in his big toe, knows that Eugenie forgot his name at SDCC and called him "Nick" and this shit from your creator just weighs on you. Jack is an entity beyond Buckleming and yet born from them, and this is what they beget: forgetting their own child in favour of this old carcass.

bitter? moi? *sips coffee noisily*

Actually, that's not true but I need some tea because I'm sulky so I'm taking this ragebreak to go make some and then I will sip it noisily in Nick's direction. :P

Everything henceforth is under the jurisdiction of hot drink no.2

"I don't understand how Lucifer could die and I could live"

I hate you

Eurgh, I bet you anything Dabb pulled a Buckleming and just took the post-it note they gave him when he asked, er, HOW does this happen? and transliterated it into dialogue because 1: all the writers shade Buckleming all the time because I can literally see it ooze out of Perez and Yockey and Bobo's writing but this is the showrunner, guyses. 2: it's such a dumbass convoluted explanation that it only burns out the archangel but if you non-fatally stab it then the guy is fine.

Which begs the question of how the fuck is Gabriel because if we get anything good from this, that fucker is in one hell of an interesting vessel situation compared to Old Nick.

PS: I am not sure how culturally saturated this is so we are all clear that Old Nick is a historically used name for Satan and his name has been a joke since 5x01 thanks to Kripke, and now we have to actually deal with that.

And then Nick is actually sympathetic to how Sam feels looking at him. I guess Mark P really wants us to feel sympathetic to his new dude.

"And Michael... did he tell Lucifer anything about his plan?"

Listen, we NEED acknowledgement that for a month or so Lucifer and AUMichael roadtripped together to assemble from their AU the key of solomon, the fruit of the tree of life, and the blood of a most holy man.

There was a lengthy downtime while people settled in and Dean was allowed to think the Good Times were rolling, and all that time, the weirdest brother roadtrip show ever was going on in the AU, mad enough that I would actually find it hilarious to watch despite enduring Mark P as a result of it.

SAM DOES NOT DESERVE THIS

He's not allowed to rest, ever.

I bet this is douchdemon phoning him from Cas's phone.

"Hello Sam!" says a perky voice down the phone. It's INCREDIBLE how unlikeable this demon is making himself. He's actually my favourite character now.

Oh no, Nougat is wearing a different grey shirt. He's really depressed. Someone help him.

"He just told you he was a demon?" "he seemed proud of it too"

Sam hates him as well. I can't wait for Sam to come scowl at him.

"What do we do?" Maggie asks, completely wide-eyed. Oh honey. Poor, innocent, sheltered Maggie. What were you doing all apocalypse until we caught up with you? You aren't hardened, you're adorable.

AUBobby and Rufus (his gun)

"I'm coming too!" YAY JACK. Your father is in trouble, he's on a hunting trip and he hasn't been home in a few days, but what a different world all the rest is

"I'm not as strong, but I can help," he says, looking tiny beside Sam, bruised up from AUBobby's training, a single layer to make him look even smaller...

(we do not talk enough about how all these jackets are a sort of alpha being shoulder plumping thing like when you make yourself look huge to scare off a mountain lion but that's 100% what this is)

IT MADE JACK SMILE yey he's allowed to feel useful! Pop is allowing him to go on a mission to rescue Dad who was looking for Papa when this all went down.

Grandpapa is not so pleased, because AUBobby has been measuring how useful Jack is and I feel like lil Nougat bab is going to do something mildly heroic for Cas or else get pasted for his ongoing character development for the season...

"He needs this, Bobby."

Dear LORD does he not quit? We don't even know his name? "Are you sure I can't get you anything... hot... or black?" FUck OFF

No wonder by the promo pic Cas looked so utterly done. This is exhaustingly annoying for him. Cas's personal hell is just irritating people. A line of Crowleys and Lucifers and this jerkwad chattering at him.

And yet Dean runs his mouth all the time and Cas is in luuuurve

Oh lordy are we really doing this coffee metaphor now? "Coffee has no effect on me" (but he once acquired the taste, and it was a core part of him being human and learning to human in the opening shot of 9x06 for him as his metaphor for how he was learning)

"me either *sluuuurp* not any more. But it's like saltwater taffy or infants. I just like the taste."

"I'm just being a good host like mother would have wanted"

Cas stops mid eyeroll to eyeroll HARDER at meeting ANOTHER demon with mommy issues. Like, please. Don't. I like Rowena now but can we NOT.

Party!Cas of Dabb era is my favourite iteration of Cas by a country mile.

"Why are you using me as bait?" "it's kind of what you're for"

Oh Cas. Now he's just the damsel in distress, which I guess is a step up from being an attack dog, but still isn't that great for the ego stroking about his role and use within the Winchester family, an ongoing source of stress for him, this reminds us.

Cas's faith in Sam is wonderful. like, as soon as douchmon says he needs something from Sam, Cas just SMIRKS like, OH BUDDY. BUDDDYYY. No, I'm not gonna say it. I'm just - "you think he'd make a deal with you?" I'm ... I don't laugh as a rule but inside? Hilarious.

"Somebody asked me what it was that I wanted" You know, I think Deanchael is INCITING people. he's not killing any of them, just using the revelation of his appearance to motivate them - moving Sister Jo to do what she wants, which is to re-organise Heaven with the ideas she had as a button pushing functionary... visiting world leaders and holy men, and this douche...

To what end, though? Chaos? This is a roundabout way to make a better world.

"Destroying, Drinking, Defiling, you know, the 3 Ds" they absolutely have posters up in Hell with this on for the newbies to learn.

We've seen Heaven's staffroom, I DEMAND to see the break room in Hell, with all its lurid Destiel smut doodled on the walls and so on

Anyway it's a hell of a question, pun intended, because demons have no real purpose, even the named baddies have largely been slaves to someone else's will (Lucifer or Crowley) and Crowley could not have answered that question from the start of season 6 through to the moment he chose to sacrifice himself... I don't think any of TFW 2.0 or Bunker Squad could answer it fully. Cas can't, and that's the question that's been bugging him since 9x06 -

EPHRAIM Shh-shh-shhh. It'll be over soon. I'll take the pain away.

CASTIEL I want to live.

EPHRAIM But as what, Castiel? As an angel? or a man?

and it's what his entire crisis in season 10 was over... Who ARE you Castiel? What do you WANT?

Dean wants a Beach Vacation Ending. He figured it out and as narrative punishment, he's Deanchael. No one else has sorted it out, though, but Sam got close - he had his pizza dream and was immediately punished with being eaten by vampires and resurrected by Lucifer and all that drama... Sam's work isn't done. Though his growth has taken a huge leap, now he has to figure out what he wants in this NEW setting, and we're only just MEETING Chief Sam in this iteration, so he's got a lot of work to do.

"I gave it a good think and I worked out exactly what I wanted. Everything."

Deanchael definitely is planning for this, so watch out buddy.

SAM DRIVING, MOM IN SHOTGUN

RED ALERT

Uhoh Sam's snapped because of the optimism Mary exudes. Yep, he really was nearly at the last straw in their earlier convo when he scoffed at her attempts to cheer him up.

Look, she's trying to mom you with no experience except adopting Jack. Work with her.

Sam is spiralling with the depression, this time all the bad things that could have happened to Dean and how they're never going to find him, throwing these horrible scenarios at Mary to stop her trying to comfort him.

"I know. I know he's out there, scared and alone." She sees lil 4 year old Dean. Because, I mean, that is the soul Dean bears to her when they have moments sometimes. And her optimism is a wall against thinking of her toddler in this scenario.

"I know. I know he might not come back. Never think I don't know that. But I can't - I have to think about the good, Sam. Because if I don't, I will drown in the bad." I wonder who that directly relates to who is currently driving this car.

I really hope this is a bit of vindication for Mary - or redemption to the eyes of the people who don't like her - that she does care, and she's spelling out her approach to all this. In the start of season 12 when she was trying to keep afloat she used a lot of optimism and furious paddling on the surface, because she has been doing that her whole life. When she was being raised a hunter, when she was a housewife with no clue what she was doing, a mom but he marriage beginning to fall apart... And then thrust into the present day, and it's 360 degrees of combat and loss and sadness and a ill-advised hook up with Ketch... Furious doggy paddling on the surface.

"For Dean's sake, I can't do that. We can't do that." And she shows that she is prioritising Dean, that she's driven and motivated to keep going FOR him.

Come on, give her a chance.

Nyooom.

Meanwhile in the Jack and Bobby truck, Jack is the one angsting and Bobby is the one driving.

Jack is one years old and not legally old enough to drive.

Bobby peptalks him with the reminder that when Jack had his grace he did hero things for these people, which is why he can ride shotgun, and even if he feels useless now, they'll have his back, that he has earned this squad even if he can't be as awesome as he used to.

Maggie is like, I'm getting a reaction shot... Am I going to develop feelings for Jack? That would be super weird, he's one years old. I hope no one is implying this even though I'm in a bunch of scenes getting character focus.

Eeeeeeee Sam trusts Mary with the demon killing knife. I am sure they don't call it Ruby's knife to her and he has never, ever told her about that time that thing happened with Ruby.

This fucker had his back turned for Sam to enter just so he could turn around dramatically. God he's repellent.

An extra was hired to pat Sam down. What a job.

"The shoulders. The hair! You are my Beyonce!" I mean, same. Except. Cas is Agent Beyonce so this fuckhead has totally misread this situation.

This gives Sam a moment to look over at Cas and Cas silently says, yes I know he's a total fuckhead, I've been dealing with this all day. I'm so sorry bro, can you just stab him so we can go home and follow a different lead. I don't even care what this one knows, I can't handle him another minute.

"I'm more embarrassed than I am hurt" I understand this to my core, and I'm so sorry, Cas.

"Kipling. Kip for short."

"Cool. Kip. I'm here." Sam being exactly as "fuck you" as I wanted towards Kip.

Sam is now standing with his head in an El Sol sign. TJW what are you up to bud?

Oh no Jack and Maggie got caught skulking. Sam and Cas have the same "my boy!" reaction when they see Cas.

Maggie is here too, you monsters.

But Kip has missed Mary and AUBobby

"It's just late capitalism, you understand" Yeah, and fuck you Kip.

How is Kip so irritating that he can make tapping a stool somehow the most obnoxious thing a man could do? He's WONDERFULLY well-cast. I love this actor. He's chewing scenery and it's incredible.

"What do you want?" Ow, Sam being twisted into asking the same thing Deanchael asked Kip

"Ass-modeus Kentucky Fried" listen you are still the worst but that drew a sympathetic smile and I hate it and I hate you.

Oh, Sam just Sammed something from that side glance, random demon side-eye. Oooh. Oooooooh.

But yeah, Kip asking for the "Crowley Deal" as if it's a package that can be bought from the Winchesters, and not something that Crowley wormed his way into via much back and forth power plays and drama. The Winchester have always had a back and forth with Hell, and since Crowley there have been a lot of demons, like Bart, trying to figure out what exactly it WAS that they all had. But someone has to be in charge, and the Winchesters are the top dog destined hunters with their fingers in all the world-saving pies, so clashes come naturally. Approaching them like this, first Bart, now this douchenozzle, is meta, presumptuous, overstepping what builds naturally... An attempt to leapfrog to the end where the equilibrium is established.

But Crowley had time to build a long game. These new pretenders are working in a world where the Winchesters' actions have devastated Heaven and Hell alike, and are, like Mary, just trying to keep afloat on the whole thing.

"We never gave Crowley that deal." Because yes, that's how it seemed to play out, and from outsider eyes that's how it may have looked... But each and every interaction came about naturally through the plot, there was no wrangling it. That's just how the Winchesters and Crowley ended up.

And that hole can't be filled by someone just leaping into the chair and asking for it.

Though it is nice if Motown Meats is the new seat of Hell on Earth instead of the outdated exterior asylum interior castle dungeon look Crowley set up.

"You're no Crowley. I know that. So do they." I think that was what Sam Sammed out of the demons, and also true, and ALSO is this the boyking accidentally exerting himself, knowing what's good for Hell? I always get a lil tingle in my thumbs when Sam gets too involved in knowing what's up with Hell.

Holy shit Kipling was a Mongolian warlord who rode with Genghis Khan in life. PLEASE survive this episode, I want to hate you all season. PLEAAAASE I BEG YOU.

Oh my god this insecure whinging asshole, chowing down on the scenery like there's no tomorrow. "I'D EAT YOUR HEART" *turns to weepy and quiet* "before I show you who I really am..."

This is Eddie Redmayne in Jupiter Ascending levels of scenery eating. He's gonna pick up a barstool and take a bite out of it now.

Sam is doing this all unarmed, which is something to remember, because this is the fucker who talked his way into killing the Alpha Vamp while MOSTLY unarmed for a majority of that chat.

Sam Fucking Winchester.

AUBOBBY AND RUFUS!!!!

Also mary.

But AUBobby gets a slow mo for Rufus shooting demons.

HOLY SHIT MARY'S SLOW MO

I am pregnant

MARY THROWING SAM THE KNIFE

TJW was like this fight is too fast, my guy. We need to slow it down. You're so good at your job no one's gonna see what happened unless we go slow mo.

he and the fight guy high five

"Aw, balls."

Hey, Nougat tried. He's got a squishy hero centre.

Looks like he weighs nothing and now he's human he goes down in one punch. Owie.

"Here take this. You know how to use it?" "Uh! Stab them with the pointy end!?" "pretty much"

Maggie you precious girl why are you HERE. Why is Soups On or Gnarly Gun Guy not here?

Cas you fucking damsel in distress

Fight guy is like "uuuuh do I have to"

Misha is like "I'm good here, tbh"

SAM FUCKING WINCHESTER

(Aw, Kip's dead, he was fun)

"ENOUGH"

YES SIR

"There will be NO NEW KING OF HELL"

You are gonna get demon minions like fucking ducklings you ass

"Not ever. And if anyone wants the job, you can come through me" Sam is technically immortal so long as Rowena is alive and vice versa you know. Also, how long is he planning on defending Hell? Ever?

I'm stalling from how much I have to scream about how badass Sam was throwing down that declaration that he's now essentially the trial a pretender to the throne has to pass to take the job.

Because if I was a demon... FUCK NO would I want to tangle with this fucker.

Sam's file, updated: Current King Of Hell. Will Kill You. AVOID.

Sam is fucking terrifying. I love it. He scared demons out of their meatsuits. Sam walking into a room is now a reason to eject and abort mission. God. This guy.

Remember in season 1 when demons were scary? Oo er this isn't our sort of thing... halp.

Now Sam looks them in the eye and is like, fuck off. I'm scarier than any of you.

"That's what I thought"

Cas is literally giving you the reverse look of in 4x16 when you marched in and fried Alastair's brain.

SAM GOT A NEW SHIRT thank god.

I should amend: he did all this wearing blue plaid with orange stripes.

Sam Fucking Winchester.

The BMoL definitely didn't have the right birth certificate because that's his legal middle name.

Sam n Caaaaas my GUYS. I hope this is the 10x01 convo but, like, not. Flip flip flip those pancakes, Dabb my guy.

Cas, hon, you're still so beat up you have blood trails coming out of your nose. There's not really caring about your meatsuit because it heals eventually, but there's also washing your fucking face, because Sam's had time to change his shirt and get a beer so what were you doing?

Probably staring at a picture of Dean on his phone and sighing.

Anyway he's here to ask how Sam is, rather than care about himself. Symbolism.

"I've been better. And worse." Worse is 10x01.

Or 4x10's flashbacks. For sure those are the worstest.

Though, this time you are the king of hell and you're wearing a dark shirt and I don't think you have thought this through.

The most well-meaning accidental king of hell ever.

Sam and Cas share the "to find Dean I'd do anything" look. Be CAREFUL. Cas is literally choosing to wear hubris on his face because he feels bad about his fuck up with going to Kip.

Mary! Casual Mary chilling in the kitchen!!

Although, with everyone in the bunker, these rooms are taking on different meanings. The people are chasing out the heavy shadows and ghosts of all the oppressive silences Sam and Dean have filled these corners with.

Aw it's Mary and AUBobby. I was half-hoping we'd have her giving beer to Jack, but I guess we need to set up the forward momentum on their relationship for this season.

"Not bad today, old man." "you too, Sunshine."

You do realise that Mary is sitting in the exact same spot as where Dean was when he called Cas "Sunshine" You do know that right I mean you KNOW? This is TJW, he knows. He's a Destiel Shipper of the highest order.

Cas pops in on Jack, staring at his busted up face in a mirror, now filling more Winchester angst tropes to make up for lost time. "I'm fine," he says without being asked. Because 10x01 or 10x02 was where Cas defined "fine" for Hannah and explained to her it's what humans say when things are really not fine but they can't admit it.

"You did well." "All I did was get punched. In the face."

I love snarky teen Jack.

"To be fair, we all got punched in the face," Cas says, still covered in hubris.

He has a POINT. He has full right to pull the "I should feel more useless than you" card on Jack.

Jack doing the "i'm useless" thing that Cas had to go through when he lost his grace, and Jack was allowed to stay in the Bunker. Is this how Cas would have felt had he not been kicked out?

Jack says Michael's out there and he still feels responsible to stop him. There's a very, very very very ver very weird Hamlet vibe from Jack, being forced into a position of emotional responsibility to kill his uncle, but Cas is his once dead now back and not a ghost father, and Jack couldn't kill Michael and so Dean got possessed... I mean, it's not a neat overlay, but Jack wants to kill an uncle, an AUncle, and I feel like in terms of uncle-killing narratives, AU Michael making off with Dean fits about as well to Hamlet's uncle marrying his mom as we're gonna get... I'd love to see how this shapes out because these family narratives since season 11 are becoming deeply shakespearean in the amount of nonsense going on. This sort of supernatural drama is a modern world way to have this kind of heightened emotion and the stakes you find in Shakespearean tragedies, and to force the sorts of reflection on the world and self... I really really dig it. Watching season 13 yesterday really hit me with this feeling all over and I'm delighted that Jack has this arc because I'm so amused/interested to see where this weirdo Hamlet parallel goes for him.

"I don't have anything." "Oh Jack" thanks Cas that's what I said out loud "you have me. You have all of us. You have your family." *SHOULDER GRASP*

No hug. Fuck off Cas, with your reassuring shoulder grasps. I know that's the language you've been taught but Dabb era is hug era and you suck.

I love that with all of Sam and Mary's doubt and Jack's lack of self worth, it's down to CAS. CASTIEL. CASTIEL WINCHESTER. CASTIEL FUCKING WINCHESTER. PARTY!CAS. to give the actual pep talk of the episode which has ANY conviction behind it. Cas has been fuelled with something MAGNIFICENT since the Empty, and he's turned it up to 11 for Jack here :')

Jack makes the smallest smile, then turns back to his mirror.

Sam opening the door to his bedroom, framed in darkness. 10x01 parallels again - this shot as well as the demon dean one were repeated a few times through the 3 episode arc, and the demon dean one became iconic but Sam did it too, to Dean's room. Now he goes into his own... empties his pockets... he still has the fucking engraved money clip from Tall Tales because Gabriel is not only not dead but telling this entire story for us... He has the phone, that's off, because Dean is not there, not communicating with him, blah blah. And he has the keys to the Impala. Because he's the chief.

Well, the King of Hell. Damn, it took 14 years to get him there. Azazel is fucking spinning in his grave.

Ooh, phonecall! Is it Deanchael? "What do you want?"

Nope, it's Sister Jo! :D She's been standing there ALL NIGHT weighing her options and working out what she wants.

SPIN THAT CHAOS, DEANCHAEL.

Deanchael approaches a vampire, and it's that purity of Purgatory, that just wanna eat that fuelled so much of the badass stuff in season 7 with the Leviathan, everything Dean's struggled with when it comes to the black and white world of killing monsters no problem that dates back to Gordon in 2x03, that draws Deanchael to them. Because this is Dean's safe space with Benny, a real relationship based on a bond forged in pure, kill or be killed, eat or be eaten purgatory. Deanchael has the same inner machinery as Dean, because Michael is the worst version of Dean, engineered to be Dean but without love. Dean as a monster. And so it all leads here... D:

Well this will be fun :D

#14x01 #season 14 spoilers #my stuff #dabb vs cars #HECK

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the-desolated-quill · 5 years

Text

Toy Story: Why I Love Chucky - Quill’s Scribbles

Yes! Yes! Yes! I know you’re waiting impatiently for me to continue reviewing Doctor Who and I will get back to it, I promise. But the trailer for Orion Pictures Child’s Play reboot was released yesterday and I want to take a moment to talk about quite possibly one of the weirdest horror franchises ever made.

My long term followers will know that I’m not really a fan of gory horror films due to the fact that I’m a grade A wuss whose backbone went on holiday to Barcelona in 1996 and never returned. However, as squeamish as I am at the sight of blood, I don’t mind gore so much if it’s in a comedic context. It’s why I don’t find the gore in Deadpool frightening. It’s cartoony and over the top, knowingly poking fun at other violent superheroes like Wolverine and the Punisher. The same is true of the Evil Dead films. Yes they’re violent, but there’s also a camp silliness to them that relieves the tension. The Child’s Play franchise is different in that the first three films (the first Child’s Play in particular) are intended to be straightforward horror films. A serial killer transferring his soul into a child’s toy and killing people. And yes, that is really scary... but... it’s a child’s toy.

It was this that allowed me to get into the Child’s Play movies. Yes it’s gory. Yes it’s often frightening. But it’s also downright hilarious.

I mean just listen to the premise. A serial killer called Charles Lee Ray, aka Chucky, uses a voodoo spell he just happens to have learnt to transfer his soul into a doll in order to escape from the cops. Then rather than do something sensible like keep a low profile, he instead chooses to start killing the family who bought him. Then, weirder still, he tries to transfer his soul into Andy Barclay, the boy who owns the doll, and that’s his motive for each subsequent movie because Andy is the first person to learn the secret of Chucky and therefore is the only eligible body Chucky can possess. Oh yeah, and if Chucky doesn’t possess Andy, then the doll will become more human and his soul will be trapped in it forever.

I mean... what can you possibly say to that? It’s so odd and random, it practically borders on self parody. Which is fortunate because that’s EXACTLY what the franchise ends up doing!

After Child’s Play 3, the next two films in the franchise, Bride Of Chucky and Seed Of Chucky, veer heavily into horror comedy territory. We’re introduced to Chucky’s girlfriend Tiffany, played by Jennifer Tilly, who also gets her soul transferred into a doll and the two try to possess the bodies of an eloping couple. Then at one point in the film, the two dolls have sex... somehow... and at the end Tiffany gives birth to a ventriloquist dummy called Glen.

But wait. That’s just Bride Of Chucky. Seed Of Chucky is even weirder.

So Glen reunites with Chucky and Tiffany in Hollywood and the three of them try to possess, I shit you not, Jennifer Tilly. Yes. The actual Jennifer Tilly. They also kidnap her chauffeur for Chucky and for Glen they need a baby to possess, so Tiffany gets Chucky to masturbate and then inseminates Jennifer Tilly with a turkey baster.

Oh, and then it turns out Glen has a split personality called Glenda who has inherited all of Chucky’s murderous impulses because this film isn’t weird enough already. The plan completely falls apart however when Chucky refuses to give up being a serial killer in order to raise a family, wanting to now stay as a doll forever, Tiffany dies and Glen kills Chucky. Five years later, Jennifer Tilly gives birth to twins, Glen and Glenda, and she then kills the nanny, revealing that Tiffany managed to transfer her soul into Jennifer’s body after all. So Jennifer Tilly is playing Tiffany playing Jennifer Tilly.

Yes, I know. It’s stupid. It’s crazy. It’s convoluted as fuck. These films make absolutely no sense whatsoever... and I LOVE them!

I know there are die hard Child’s Play fans who really don’t like Bride and Seed, but I personally adore them. They are just so unashamedly daft, it’s hard not to enjoy yourself watching them. I think what helps is that the central premise itself is inherently silly, so it makes sense to dive headfirst into the ridiculous comedy of it all, and Bride and Seed seem to take the Gremlins 2 route of being satires of horror sequels rather than being actual horror sequels. Hell, Chucky basically gives up his quest to find a human body and chooses to stay as a doll simply because it’s a good marketing gimmick. How can you not love that kind of tongue in cheek self awareness?

Bride and Seed are canon by the way. I’m not even joking. The next two movies have narrative ties to them. Tiffany even shows up in Curse Of Chucky, still in Jennifer Tilly’s body, and the writer Don Mancini has said that Glen/Glenda will be coming back too.

After Seed Of Chucky, Child’s Play went the straight to DVD route, but unlike most straight to DVD movies, Curse Of Chucky and Cult Of Chucky were actually surprisingly good. These films go back to the original Child’s Play’s darker horror roots, but manage to maintain the self aware humour of Bride and Seed. They’re not as funny as those films, but they’re still really entertaining and really suspenseful, as well as adding interesting lore to the franchise. In Curse Of Chucky, the family he’s terrorising turn out to have been old friends of his until he killed them and severely injured a heavily pregnant Sarah, which caused the main character Nica to be a paraplegic and is actually the crime Chucky was running away from in the first film before transferring his soul into the doll. After that, in Cult Of Chucky, we see a now grown up Andy Barclay return and we’re introduced to the idea that Chucky somehow managed to transfer his soul into multiple dolls. I haven’t the faintest idea how that works, but it honestly leads to some of the funniest scenes in the movie, so I’m not complaining. It’s also nice to see a horror film set in a mental hospital that doesn’t make mentally ill people the bad guys. Oh and Kyle, Andy’s step sister from the second film, comes back in a post credits scene to torture the original Chucky doll, so that should be interesting.

And that’s the original Child’s Play movies. They’re intense, frightening, silly, farcical and utterly enjoyable. I’m not in any way suggesting they’re groundbreaking movies, but they’re unique in that they’re a real oddity in the slasher genre and have managed to carve a nice little niche for themselves.

In my opinion, two things contribute to Child’s Play’s success. The first is Brad Dourif as Chucky. He’s amazing. A maniacal, charismatic performance that’s both frightening and hysterical in equal measure. Like Robert Englund as Freddy Krueger, Dourif has become intrinsically linked to the character. You can’t imagine anyone else playing him. The second is the franchise’s creator Don Mancini. Unlike the vast majority of horror franchises that are often ripped away from their original creators and become little more than shallow cash cows for movie studios, Don Mancini has managed to keep hold of the rights to Chucky. He has written every single movie and directed Seed, Curse and Cult. He’s like the Doug Naylor of horror movies. He created this franchise, he loves this franchise, he got the franchise through its various rough patches and when he became sick of studio interference, he just went ‘fuck it’ and decided to make his own Chucky films instead. So there is a consistent narrative voice throughout all the films, which is rare not just for horror films, but films in general. Films, especially sequels, are often passed from screenwriter to screenwriter before being approved for production, so to have a franchise authored entirely by one person makes Chucky stand out. It’s what made the bizarre comedy in Bride and Seed feel less alien to the much darker Child’s Play trilogy and the straight to DVD movies. They’re clearly written by the same person and use a similar foundation to build off of. It’s this that also makes the films unique. Franchises, especially horror franchises, tend to grow stale as they end up just rehashing the same material over and over. Child’s Play looked like it was going in that direction, but then Bride Of Chucky came out and the franchise took a complete left turn, taking both the story and the audience in a new direction we weren’t expecting. It’s Don Mancini’s willingness to experiment and try new things and take risks that has allowed the franchise to continue this long and maintained people’s interest. We want to know what happens next. We want to see what the next weird thing is going to be.

Speaking of which...

Yes, not even Chucky could escape from Hollywood’s obsession with rebooting 80′s movies rather than coming up with their own ideas. Yesterday we got our first look at the new Child’s Play movie, which... Yeah.... Looks okay, I guess.... So lets talk about it.

For starters, there’s some confusion as to how this movie even exists. Just to be clear, this film isn’t canon to the original movies and Don Mancini’s version of Chucky is still going to continue. In fact this is the first Chucky film where Mancini isn’t involved, which should tell you everything you need to know about this movie in and of itself. I’ve been looking into how all this works. Apparently MGM hold the rights for Child’s Play, but Mancini holds the rights for Chucky. So Mancini can still make Chucky films. He just can’t call them Child’s Play. And MGM can still make Child’s Play films. They just can’t use all the voodoo magic stuff. (I think that’s how it works. If someone wants to correct me, feel free).

So the new Child’s Play doesn’t have a serial killer trying to transfer his soul into a little boy. Instead we have a rogue AI terrorising a family whose son looks far too old to be playing with dolls anyway.

This does not feel like Child’s Play... and yet, strangely, it is.

When Mancini first came up with the idea for Chucky, he envisioned it as a satire on commercialism. How the modern world has become obsessed with objects and possessions, using Chucky to represent our own materialist culture attacking us. Obviously that’s not what the films ended up being, but just like how the the Nightmare On Elm Street remake resurrected Wes Craven’s original idea of Freddy Krueger being a paedophile as opposed to a child killer, the Child’s Play reboot seems to be playing around with this idea too. You could argue there is a commentary to be made about how dependant we’ve gotten not just on commercialism, but smart AI as well. And no, I’m not talking Skynet or the Terminator. I’m talking about something on a more intimate scale. In this digital age we live in, nearly everything is connected to the internet. Our TVs, our phones, our computers, our cars, our electricity meters and, yes, even our children’s toys. Giving Chucky power over the wifi, making him representative of our dependency on technology and how much AI has become entrenched into our society, could be a really scary idea to explore and it gives this reboot some real legitimacy.

But here’s the thing. The idea of smart technology running amok as a way of commenting on our over-reliance on it is a great idea for a horror movie in and of itself. But does it really need Chucky? Or are they just using brand recognition to get bums on seats?

Earlier I said that Hollywood prefers to reboot old movies rather than come up with their own ideas. The truth is there are plenty of new ideas in Hollywood. They just don’t want to take a risk on a new IP. So they’ll take an existing brand and tie it into the new idea in the hopes that it’ll get people interested, rather than trusting in both the creative team behind the idea and the audience to go and watch the bloody thing. It’s a really annoying trend that needs to stop. Once upon a time, Chucky was an original idea that someone took a risk on. Now it’s a profitable franchise in its own right and it’s still going strong. The same is true of Star Wars and Harry Potter and many other popular franchises. We can’t keep returning to the same well. If we do, the industry will become stagnant and audiences will eventually get bored. Studios need to take risks in order to find the next Star Wars. The next Harry Potter. The next Chucky.

I’ll still go and see the reboot. Mark Hamill is no Brad Dourif, but he’s an amazing voice actor in his own right and I’m sure he’ll be good in the role. And who knows? Maybe the film will be really good and reinvent the wheel. I just don’t understand why this needs to be associated with Chucky when it’s premise would work just as well, if not better, without him.

Fortunately, regardless of what happens with this reboot, the original Chucky will continue. A TV series is currently in development as well as a sequel to Cult Of Chucky and plans for a crossover with Nightmare On Elm Street tentatively called Child’s Play On Elm Street (I confess I haven’t seen any of the Elm Street films, but having watching the Chucky movies and from what I know of Freddy Krueger, that just seems like a match made in heaven. I can’t wait to see it). Don Mancini will be continuing to write for the franchise for the foreseeable future and I’m excited to see what’s in store for Chucky. It may not be the greatest horror franchise ever made, but it’s definitely the most unique and creative.

#child's play #chucky #quill's scribbles

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thetygre · 6 years

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30 Day Monster Challenge 2 - Day #23: Favorite Bad Movie Monster

Alright, so most of these movies aren’t really all that bad; they’re just kind of ‘meh’. But they would have been a lot worse without these cool and/or goofy monsters.

1. Jabberwocky (Alice in Wonderland 2010)

I am prepared to disclose that Tim Burton’s Alice in Wonderland was not horrible, but 60% of that opinion stems from the Jabberwocky. (The remaining 40%is 30% the other monster designs and 10% lesbian subtext.) The Jabberwocky has always been my favorite part of the Alice mythos (surprise surprise), and not to sound petty, but I have dropped Alice movies just for not including the brilling beast. Burton’s Jabberwocky might not be my favorite, but it has a lot going for it. The way they treat it is basically as Wonderland’s Tarrasque; a living WMD, a legendary kaiju, the ur-monster in a world teeming with dangerous and crazy creatures. The way it wakes up is even a direct nod to Chernabog from Fantasia; they are literally equating this thing to the Devil.

Second off; Christopher Lee.

Finally, when the Jabberwocky meets Alice to fight, he says this thing about meeting his ‘old foe’, ‘the vorpal one’, in battle again. It is made explicitly clear that he is talking about the vorpal blade, not Alice. And that just… I don’t want to say that that changes the entire movie, but yeah, it kind of does. The implications here are that the vorpal blade and the Jabberwocky have fought each other countless time before in the past. The history of Wonderland is just the history of a dragon and a magic sword fighting. Is the vorpal blade sentient? How many times have these two fought? This kind of transforms everything about the setting the movie has established for the last hour and a half. It’s just so filled with so much potential to me.

2. Torgo (Manos: The Hands of Fate)

Y’know, when you’re in a dark place, you have to find your own light. A source of motivation, something you can cling to to pull you through to the other side. Maybe that’s a dream, a goal at the end of the tunnel, or maybe it’s a hero, someone you can look up to. I’m not saying that Torgo is a hero, but he inspires me. There are weeks at work where I just don’t want to get out of bed in the morning. I come home at night to an empty room and fall asleep alone. It gets hard, is what I’m saying. But you know who never stopped trying, even though he hated his job and was lonely too?

Torgo. That’s who.

Everyday Torgo gets up, throws on his blazer and hat, and he goes out there and busses a haunted motel for a boss he hates. But he does it, every day. And if Torgo can do it, you can too. So you’ve got to get out there and be the best damn lackey you can. You’ve got put in the work to make it to tomorrow. And when the good times roll in and come shining down on you, you take a minute to remember the man who helped you get here. Take a minute to remember Torgo, looking down on you from Cloud No. 9, shedding a tear.

3. Radu (Seventh Son)

The Last Apprentice series is actually a pretty cool (and grim) series of dark fantasy/horror young adult novels, kind of like junior’s first Solomon Kane. The Seventh Son movie based on the series has piss-all to do with it, and its only redeeming features are some cool monster designs and Jeff Bridges. Of those cool monster designs, the stand-out for me is Radua aka Muslim Dragon Kratos. He’s one of our villain witches chief thugs, and is unnecessarily cool for a side-character. He’s got this whole Nosferatu Zodd code of honor thing, and wields these two chain blades and probably could have been the villain in his own movie.

Now that alone would have been a neat detail, but then he can turn into what I honestly consider one of the more interesting dragons in recent cinema. I talked before about how one archetype of dragons was of being these unholy, scavenger type wilderness monsters, and that’s kind of the vibe I get from Radu’s dragon form. It’s all lanky and feral looking. It has too many limbs, and it walks around like it doesn’t know how. It’s another unnecessarily cool design for such a generic movie, and it’s definitely worth checking out.

4. Krakensaurus (Jack the Giant Slayer)

I don’t want to be mean and discount Jack the Giant Slayer as ‘discount Ray Harryhausen’, but thems is the breaks, as the saying goes. The movie is kind of charming in how earnestly it plays to being a 1960s fantasy movie, with princesses in pink dresses and warlocks with goatees and a rhyming leprechaun. The movies stop-motion monsters don’t really live up to industry standards, though. But I can’t sit here and lie and say that I don’t have a special fondness for the sea monster at the end. The movie’s penultimate scene sees our heroes trying to escape the warlock’s castle, so the villain summons a two-headed giant (or ettin, if you know your monsters) which looks suspiciously like one of Ray Harryhausen’s cyclopes. Trapped in a sea cave, the rhyming leprechaun trapped in a bottle (roll with it) summons a sea monster to deal with the problem.

Sometimes it’s the little things in life, like watching two weird looking monsters fight to the death. Our sea monster is a blue-green mixture of kraken and allosaurus, and I’m pretty sure its toy had more detailing than the actual moving model. When this guy showed up on the screen, six year old me was hype enough to punch through a wall. I spent the next week drawing pictures of him so I wouldn’t forget him. This movie has 100% more sea monsters and singing leprechauns than The Seventh Voyage of Sinbad, and that almost makes up for its deficit skeleton warriors.

5. Queen of the Lair (She Creature 2001)

Stan Winston was on the helm for this little lady’s monster design, and it shows. A mermaid queen, it’s hard to tell if her monster form is her real shape or just something she can morph into. Even her basic mermaid form is pretty interesting; the split tails remind me of sirens or tritons. Her monster shape, though, is pure Stan Winston gold. There’s more than a little bit of the xenomorph queen in there, between the crest and the fangs. Someone threw it into a blender with a sea serpent and a viper fish and what comes out is the most badass mermaid to ever slink across cinema. She rips people’s heads off, her tail is covered with bone spikes, and she can sing a siren song to summon up her mermaid swarm. Oh, and psychic impregnation powers. That part’s kind of important.

6. She Creature (She Creature 1956)

Aforementioned sea monster queen was part of a series of horror films based on old b-movies, so this is the original She Creature. Even today, this is one of my favorite designs from the 1950s. Paul Blaisdell might just be the king of B-movie monster suits, and belongs up there with Ray Harryhausen in the great monster hall of fame. The she creature looks like the sum product of an orc, a lobster, and a scorpionfish. It’s a shame you only see her in monochrome, because her color scheme is a startling mix of green and pink. What I find most fascinating is the concept that this is supposed to represent some parallel evolutionary stage of humanity. This is supposed to be a different version of Homo sapiens that never left the sea. Stan Winston’s mermaid queen is great, but I would still love to see an updated and more articulate version of this design.

7. Vampire Spawn (Van Helsing)

This raises so many questions. So the crux of Van Helsing is that Dracula needs Frankenstein’s monster to power a force-field that will allow his swarms of vampire spawn to survive past infancy. I bet you thought vampires reproduced by biting people, right? Well, apparently they also have egg-sacs. Just, massive, Aliens style egg-sacs full of bat/human fetus monsters hungry for blood. It’s so stupid that I love it. These things are horrible and adorable; they remind me of chupacabras. I want one as a familiar, or at least statted up for a tabletop roleplaying game. Just really try to avoid thinking about the whole egg-sacs thing and all the implications that brings to vampire mythology.

8. Emperor Tyrannus (Attack of the Super Monsters)

I don’t… I don’t think I have the strength to really get into Attack of the Super Monsters. When I watched it, liquor was involved. Describing it reads like a parody of Japanese media that involves anime, men in monster suits, and giant robots meant to sell collectible toys. But it’s real, and the realest shit ever is Emperor Tyrannus. Emperor Tyrannus is literally a giant tyrannosaurus rex who is the evil mastermind of an underground civilization of dinosaurs. The dinosaurs talk, because shut up, and Emperor Tyrannus in particular talks with a villain voice that I just can’t really convey through text. I think the closest I can get is saying that he sounds like someone doing an imitation of Brian Blessed while having a stroke. Emperor Tyrannus shoots laser beams from his eyes that mind control the other dinosaurs into being evil, and watches them fight a hermaphroditic cyborg superhero in a drill/airplane. Look, you need to see this for yourself. I’m not doing this justice. Get your friends, find the DVD, and strap in for a wild ride.

9. Witch Tree (The Last Witch Hunter)

The Last Witch Hunter is another guilty pleasure move where Vin Diesel brings what I’m pretty sure is one of his D&D characters to a movie and somehow ropes Michael Cain and Elijah Wood into it with him. Our villains are, in a surprising twist, witches that cook up some fairly grotesque magic. One of the creatures meant to act as the witches’ guardians is a magical sentinel, and it just goes so hard and so dark for what amounts to a stick golem. It’s the fine details that make this construct stand out. The extra limbs let it move faster and have extra attacks, the jawbones around the front form a crude mouth, and the branch rib-cage makes it look like something that used to be alive instead of something that was just magically summoned. There’s so much work poured into this one monster, and it’s definitely a treat to see it at the end of the movie. Rethink your golems, kids; treat yourself better.

10. Giant Leeches (Attack of the Giant Leeches)

I used to be pretty intensely leech-phobic when I was younger (and by younger, I mean a couple of years ago), but even then I knew the giant leeches were lame. Incredibly lame. Like, honestly kind of pathetic. I kind of like them out of a bizarre sense of pity. Giant leeches should scare me, but these guys are just goofy. A leech isn’t a hard design; it’s a tube with a sucker on each end. But I am almost convinced that the person who designed these monsters had never actually seen a leech, or possibly even a worm. But the movie still treats them with all the dignity and awe of the Creature of the Black Lagoon. There are prolonged sequences of these guys swimming underwater, floating around like hungry garbage bags. These things are not, nor were they ever, leeches; they are some kind of aquatic octopus or confused anemone. That’s why they need our love, our protection; because they’re too stupid to survive by themselves.

#30 Day Monster Challenge 2 #30 Day Monster Challenge #monsters #movies #fantasy #mst3k #stan winston #paul blaisdell #long post

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cyanidas · 5 years

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Yogscraft (cyverse) Lore

Age One (MEGA abridged version)

Sup guys~

I know I’ve been confusing a lot of yall for a while now, with just what the Hell is happening in my lore and character history for everyone involved

So, I decided to write it all down, but then I realized my stories were one hell of a read - so now it’s all been condensed and reworded into an infinitely easier and quicker version.

If you think it might be a fun read, then go ahead below the Read More c:

DISCLAIMER: Some of the characterization for every part I’ll release may be out of character, and might make you uncomfortable if that’s the kinda thing that you can’t stand. Idk what I’m doing my guy, if it’s so bad then just ignore me lol I’m just some dude writing silly fanfics :p

The universe was created when the Ender Dragon revolted against the eldritch deities that live between universes (aka "the wither", "the old ones", etc), and she became its guardian, defending it from said terrors, who want it dead.

Upon the universe's creation, several primordial deities were born, and among them, the most prominent one; The Titan. However, it hated itself so much, it ripped itself into pieces. Three pieces, to be exact, which became 3 gods; Albus, Kirin, and Zybeon

Upon -their- creation, they panicked and asked a billion existential questions until "the voice in the sky" (The Ender Dragon) calmed them down.

Through their panic, the galaxy was created - literally a physical representation of spiraling out of control. The three also made some planets; Earth (Albus'), Twilight (Zybeon's), and Craftia (Kirin's), among others.

Each god was born without knowing their purpose, really. Via dicking around on the planets they made, Albus and Zybeon could make (boring and volatile) life, but everything Kirin tried to make would die.

Albus and Zybeon pretty much stopped trying to help Kirin out after a few tries, and they went to their planets and made a shit ton of dinos and other fun things to play with.

Kirin just brooded on their planet making rock sculptures until their siblings were so loud and obnoxious while having fun with the dinos, that they threw Big Space Rocks at them to get them to cut it out.

Turns out that kills things, Kirin.

Understandably devastated at losing their babies, Albus cried until the smoke and death subsided, and found a Special Seashell(TM) in the dirt, which they picked up and found a baby sapling underneath.

Apparently this seashell was VERY important cause it helped them see their purpose - they were a God of Life!

This is an important event for deities; when they find their reason for living, they've found their "Eye". During this event, their moon lights up, and they gain the ability to "see" their purpose clearly enough to literally see through dimensions.

So Albus went nuts with it and started rapidly planning for something they couldn't tell their siblings - all they told them was they needed to "find time and space", which made no sense and only creeped them out.

They pondered it for a while until Zybeon asked Kirin to come to their planet, where they vented to Kirin about this damn light in the sky (incoming metaphor) and that "no matter how hard (they try), (they) can't seem to grasp it".

Kirin told their sibling that they had no idea what they were on about, but that they believed in them, and to maybe give it another go by trying something new.

After Kirin fucked off to keep doing that thing Albus told them to do, Zybeon reached their hand up and imagined the light already in their palm, and when they turned their hand back around it actually worked?? woah

The light turned into a cool little red flower and they got their Eye! They're a God of the Mind!

So Kirin's alone on the "fuck all if i know what im doing" thing for a while again, until their siblings call them to the heart of the Sun (which is basically like, The God Hub where all the Godly Deeds happen) And, lo and behold, Albus made humans! Or, well... A human prototype.

Albus gifted them form and adaptability, Zybeon gifted them intelligence and curiosity, and Kirin didn't have anything because they were "an imperfect god, and therefore would not provide (the humans) with a perfect gift"

After a little pep talk from the Ender Dragon, they finally conceded and gifted humans "emotion", “for it is all (they) have ever had”.

And after -that-, Ender-Mom told them all to find a cozy spot on their planet and pass out for a few generations for humans to develop before establishing their presence again. (this was to avoid over-parenting and/or over-controlling their humans and allow for some personality, society, and independence to grow first)

so they do that...

except, when they come back,

Albus' humans run in fear Zybeon's humans - now fae - rage war on them in fear and, Kirin's humans - now "villagers" - are all dying from war and famine (probably due to the fact Kirin couldn’t make a whole lot grow on Craftia in the first place)

Albus ran away to the skies to think about things, Zybeon was driven to the skies to get away from the stress, and Kirin cried so hard they made oceans wash over the death and carnage, thus sparking the discovery of their Eye as a God of the Heart and re-healing the remaining life - so now plants grow in abundance and their people can thrive!

and that's the end of Age One!

#yogscast #cyverse #kirindave #cywrites

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rerwby · 6 years

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Volume 5 OST

I don’t normally have such verbose opinions on the RVVBY music (it’s like writing a review for fiberglass insulation) I managed to sit down and listen to this album the whole way through. My feelings on these tracks feels like a culmination of all my feelings of previous RVVBY music. I won’t try to be lengthy about this but I got some solid thoughts.

First of all, can we just collectively agree to stop making every fucking RVVBY song put on Youtube use fan art? Like can we just get a solid fucking static picture of the volume cover art maybe? I’m sick of the mediocre ship art used for goddamn everything and it looks incredibly unprofessional. Also since these are RT fans you know they don’t give a flying fuck about credit.

The Triumph Not to kick this off on such an upbeat note but this is one of my favorite OP’s. Maybe my favorite. Maybe. I could not fully appreciate this song when the episodes were coming out because the opening itself was the biggest trashfire to come out of this show. Like, sorry I can’t get hyped up on 10 seconds of Ruby and Ren and Jaune sitting on a couch. Listening to it alone though? Big improvement.

Jeff Williams does this thing where he’s clearly way too proud of his proud choice and rhymes, and usually lines end with a big focus on stupid vernacular. Trust me, this will come up later. The Triumph manages to avoid that. This Will be the Day does as well because it’s a pretty hammy song with a better, more consistent tone. “Back to reality, back to the show” is an awful, terrible, horribly ironic line in the context of Volume 5, but it’s not as in your face as it could be, so it gets a pass from me. I also think “That’s when you learned you were messing with gods” is awesome, sorry. It could be more awesome if these characters like, seemed more like gods? And they don’t? So eh.

Then the second verse happens and it calls back to the first with “Yeah I’m a girl but I’m also a god” and I’m like, oh, so you’re just gonna- oh, okay then. Yeah let’s just beat the one good part like a dead horse, sure. That really ruins the song for me ngl.

It also manages to avoid the formulaic trend of post-second verse slow sappy breakdown. Time to Say Goodbye and Let’s Just Live do that and it gets old after a while. If you’re gonna give me hype music then stick with it. Not that Let’s Just Live really hypes you up.

Overall it’s like a 7/10 for me because it has a good pace and it doesn’t scream “look at how clever I am!” at every turn.

Ignite The song I was most excited for and the most disappointed by. I wrote about it here and I’ll try not to do anything more than summarize what I said there.

It’s obnoxious and the lyrics are way too dumb. Not funny dumb, not hammy dumb, nope, just dumb. It’s not even in the style of Yang’s usual dumbness, which by all accounts should now be under Armed and Ready’s foot since that is now the prime Yang theme. The major problem is how obvious these issues are. Like you can’t not hear how bad the writing is.

Then Lamar comes in, and I usually enjoy him since, like I said above, he brings with him some hammy, corny lyrics that manage to be fun. But he’s phoning it in here. He’s mumbling and tripping over his own words. God I didn’t even understand what mumbling truly sounded like until I heard that verse.

4/10 and I hate to write that on a Yang theme but this song is everything wrong with these soundtracks.

Path to Isolation Which brings us to my favorite annual game of “Count How Many Times a Weiss Song Uses the Word ‘Mirror.’” Spoilers: it’s a handful.

It’s fine. Weiss songs have always been fine. The worst thing I can say about them is that you have to dredge through their slow-ass, repetitive openings to get to the good part. 5/10

All Things Must Die aka “Slow And Brooding Villain Song That Turns Into a Rock Anthem #5″ aka “Sacrifice And Divide Did It Better But Even They Were Only So Good” aka “We’re Not Even Going For A Subtle Title Here.”

I don’t even know whose perspective this is sung from anymore. Like Cinder is our designated villain song candidate but she has like no autonomy this volume so that falls flat, meanwhile Salem still has no clear motivation. Hazel and Adam might be the most developed(?) bad guys this volume but this song has nothing to do with them. 4/10

This Time (From Shadows Part II) I’m writing about this one before Smile for a reason.

A song called From Shadows Part II deserves better, lol. Also given the fan art uses on the version I found posted, this is a Blake+Sun song? I don’t know. It starts with the beautiful piano solo from the original which was godlike and relaxing and also dramatic.

Lyrics are just shitty but in a shocking twist they’re hard to hear other than THIS TIIIIME in the chorus which...I’m fine with. I’m legit convinced that the fewer lyrics you can make out in these songs, the better. This all sounds rather nice and has a good flow to it. Don’t get me wrong, it’s kinda just trash. Absolute filler. Fluff. Churned-out melodrama to keep the White Fang kindle going.

Also I guess in hindsight it’s weird to have Jeff singing here since this song is supposed to represent Blake moving on with new resolve. Like before it was clearly Blake and Adam singing, but now it’s Blake and...Sun? Adam again? Like some non-canon reformed Adam? Idk. At least it’s tonally a good contrast to Part I. It’s easy to listen to the song without focusing on the lyrics which is rather soothing, but it’s still nonsense. 5/10

Smile (From Shadows Part 0)

No yeah I made that part up, but I think this song is a better From Shadows Part 0 than This Time is a Part II. I’m dead serious. They gave us an Ilia song and made it more interesting than her character is in volume 5, if not extremely on the nose.

Because my god, it’s on the nose. It’s just Ilia’s backstory about blending in to avoid all the pain your oppressors brought you and biding your time until you can rip the smiles off their faces...oh I don’t think that’s how Ilia’s backstory went. This is much darker. Very Count of Monte Crisco and dare I say actually interesting. It makes Ilia sound way more compelling than Blake while also making her out as a foil to her. Except I don’t know why the fucking hell the character presented in Smile would ever join the White Fang, especially under Adam’s authority, and then follow him so blindly. But I guess as of last volume’s OST we should be use to that disconnect between show plot and music lore.

7/10 for being accidentally interesting.

All That Matters

It’s....fine? Fine-ish. Obligatory slow and sappy song because ofc. Casey at least sounds like she’s in her comfort zone. It just doesn’t mean much to me.I guess it’s the theme of the girls being back together but I have my own issues with that, which is mainly that three of them were already reunited halfway into Volume 5 and it was only Blake’s arrival that really pushed them into sappy territory.

5/10 it’s not bombastically terrible enough to merit a lower score and not interesting enough to be higher.

I’m Her Daughter After All - RVVBY Volume 5 Official Score

I don’t know why this song is here because it’s an actual non-lyrical official part of the soundtrack, which is mind-blowing. You’d think Jeff was contractually obligated to have his blood’s voices dip their toes in every track.

It’s a nice medley of Yang’s themes, namely I Burn and Armed and Ready. It also makes you appreciate how Yang’s musical themes have actually evolved, unlike those of the other characters. Why do we have this Western thing going on? Qrow had it too in Bad Luck Charm. I don’t mind it since I think it’s kinda neat, but 6/10 for being a random score track.

Mayday! Lancers! - RVVBY Volume 5 Official Sc- wait

They did the score thing again. I don’t know why. I also forgot the Lancer scene actually happened in Volume 5 until I heard this. Like, Weiss did so little in Volume 4 that I’m attributing stuff that happened in V5 to last volume.

It’s fine? It’s nice to have a non-lyrical Weiss song, actually. 5/10

Armed and Ready ie The Appeal Of The Original Was Lost On Us

This song did not need a remix lol. Armed and Ready is actually damn good, is a great proper evolution of Yang’s theme that successfully moves her out of the shadow of I Burn, and was a really, really good climax to her recovery arc. This turns it into a dance remix, which ironically is the exact sort of thing the original moved her character away from. 4/10

Gold (Acoustic)

As I listened to this I realized it wasn’t just the original vocals played over an acoustic cover; Casey actually re-recorded the song. That’s blowing it out of the park for a RVVBY remix. Also it’s like, good.

I always liked Gold for whatever reason. I just thought it was uplifting and it did the nice thing where the lyrics are simple and flow well. The loud instrumentals had me unsure if it made for a good complement to the lyrics or if it was just a bad choice. This just sounds wonderful. Most importantly, it makes you really appreciate Casey’s singing talent. More than anything, she sounds absolutely comfortable singing this song. No stressed notes, no weird word choices, no ham. This is just a nice song and it’s my favorite on this album. 8/10

Let’s Just Live (Remix) “The Obligatory OP Remix Oh God Triumph Is Gonna Get This Treatment Next Year

It doesn’t go above my expectations but I like the new instrumentals. Reminds me of Stickerbrush Symphony. I think it’s much more fitting than in the original and is a true improvement on it. 6/10

The final issue I have with this album is this, and it involves some statistics. This is a 12-song album. That isn’t strange. But here are some numbers for you:

Ruby Songs: 0 Weiss Songs: 2 Blake Songs: 1 (2 if you count Smile) Yang Songs: 4 Remixes: 3 Scores(?): 2

Just to put that in front of you. Remixes comprise 1/4th of the album, glorified scores are 1/6th, and Yang received 4 whole slots (one-third of the album!) while Ruby, the protagonist, got absolutely none. Nothing in this album is about just Ruby, and I think she kind of deserves that. I mean she did nothing this volume so whatever, but we didn’t even get Glorious Score Track Of Jaune Healing Weiss so that’s super strange. They didn’t even shaft her in lieu of anyone, she was just left out.

#rwde

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zinecuntroll · 5 years

Text

3 decades of Queer Women making Herstory through Music

Written for Pink Washed Zine issue #3

by Raquel Silva aka Raquel Smith-Cave

I turned 30 this year, more precisely last August and it’s also been 12 years since I had my first girlfriend. When I started thinking about my queerness more seriously back in 2005/2006 I quickly realized how it wasn’t that usual for girls to be fascinated by Linda Perry in boxer shorts and combat boots like I was at 5 years old. My mom says 4 Non Blondes “What’s up” was my favorite song back then and she even bought the CD so I could listen to it on repeat and not just wait for the video to magically appear on the TV. Thanks Ma!

Through my teenage years I had “Baby Can I Hold You” by Tracy Chapman constantly playing in my head. Mind you, I always have a song in my mind and I burst into singing at the most unexpected times, it’s mostly an unconscious act which can be embarrassing in front of people who don’t know me well. Honestly I don’t care much, it’s just a part of my nature and if I’m not murmuring or humming some melody it usually means there’s something wrong. So at around 15/16 I remember starting to sing the chorus for “But you can say baby…” out of nowhere in school breaks or while walking home. This happened constantly and exactly why my brain was stuck with this melody was a complete mystery to me. Maybe I heard it in passing or on the radio…? I could never find the answer but I did buy Tracy’s self-titled vinyl this year during Record Store Day and discovered it was released exactly 30 years ago. It’s a precious record, her voice is warm and familiar and her guitar is so soothing to the soul. I think I finally answered my teenage self on all that musical haunting.

Cássia Eller is a Brazilian artist who made the 90s a really wholesome, magical, golden time for every lesbian in love with husky voices. Her hit song “Malandragem” was part of this series called Malhação but I only found out she was the mystical singer behind that iconic childhood tune years after listening to it on the show. She tragically died in 2001 and even after that she still created major impact in society, when her longtime girlfriend won custody of their son, after battling against Cássia’s father who had never cared about his daughter until money was involved. Cássia was a shy person who became a complete lion on stage. Humble and almost too pure to handle the hype. She just wanted to sing to people and exorcise her demons while making others happy. Which she did and so much more. Her legacy is tremendous, as it still resonates with so many of us today and the world hasn’t really witnessed anyone quite as ingenious as her ever since.

It’s 2007 and I’m watching a live concert in a Portuguese music festival on TV featuring a wild ass singer with the screaming voice of my wildest grrrl dreams. It’s The Gossip! And Beth Ditto is rolling around the stage, singing her lungs out in front of a pretty chill crowd. I wanted to BE THERE. I probably discovered Gossip’s music through CSS who I was obsessed with at the time or probably from watching The L Word. The truth is: the more intrigued I was by the words of this fat, dyke, goddess the more comfortable I felt about my own identity. I was fat for most of my childhood and got bullied for it on a regular basis, just part of being in an all-girls catholic school life I guess. At 13 someone called me “Fufa” which is basically “Dyke” in Portuguese and it was the most traumatic experience ever. Years later I wish I could have thanked the girl who bullied me out of a closet I wasn’t even aware I was in. I don’t believe I was ever in the closet though. Honestly, falling in love with a girl was just as natural as having crushes on boys. It was just another question I had finally found an answer for. Beth Ditto’s pride in her queerness and blatant attraction to butch people while being a proud femme, fat, dyke made me feel represented in a way I hadn’t seen myself before and ok with my own desires. Ditto!

The first glance of The L Word I watched I didn’t really enjoyed. The image was dark and the plot seemed so tragic. It was Jenny somewhere in the first season. After one year I finally watched the whole 2 or 3 seasons that were out by then. Tegan and Sara play in one episode and are featured in the soundtrack, which I still go back to sometimes to remember really great tunes. What a blessing to have Tegan and Sara guide you through your first acid trip and “coming out of that closet” am I right Dana? (RIP) My love affair with Canadian people started right there with Tegan’s goofiness and Sara’s witty remarks. By 2007 “The Con” came out and became a staple to the LBGTQ+ community. So much so that the band released a special covers album last year, with many queer artists recreating those magnificent songs. In the records that followed their sound was purposefully re directed to more pop melodies which I couldn’t relate to anymore. They did make good use of their huge platform by launching the Tegan and Sara foundation, which fights for LGBTQ girls and women all over the world with the help of some amazing queer people.

The other tiny Canadian who owns my heart is Ellen Page. Ever since Juno, my gaydar was just screaming out loud in every direction possible and I’m so happy that she is now able to be herself freely. Just like Juno, my musical top 3 included Patti Smith and Iggy Pop… but not The Runaways. For me it’s actually Nick Cave. I never gave too much attention to The Runaways, though I knew about Joan Jett and her extremely queer badass persona from being a teenager obsessed with punk rock and riot grrrl herstory. Until Kristen Stewart got cast to play Joan for The Runaways movie and I finally listened to their 70s records. I fell in love with Kristen and Dakota’s version of “Dead End Justice” as well as the original. Gaystew was born to play that part. Just last week I saw Bad Reputation, a documentary about Joan’s life with lots of awesome people speaking about how incredible she is, as both a pioneer for women in rock’n roll and an advocate for human and animal rights. At 60 she’s still rocking the fuck out of leather pants, inspiring kids to start bands, making everyone smitten by her confidence and flipping the finger to the all the hypocritical social definitions of gender, sex and music.

It’s really difficult to write about Janelle Monáe. Not because I don’t have words but mostly because I have too many. Janelle caught my eye and ears with “Tightrope” where she’s prancing around wearing her uniform, as she proudly used to talk about her suit, an homage to her working class parents and Kansas City upbringing. I saw her live at the end of 2010, at a winter festival, where all my other friends went on to watch Sting’s daughter I Blame Coco and I stood front row waiting for Janelle. It was life changing. She danced, jumped, screamed and even painted something into a blank canvas throughout the whole set. Her band was impeccably orchestrated and the show was extremely cinematic, since many of Janelle’s inspirations are from sci-fi movies. Her music is layered and complex just like her personality. Over the years she has been extremely mysterious, one of the things I appreciated the most about her. This year that changed. After much speculation in the media, she said in an interview she’s pansexual, as someone who has had relationships with men and women, that’s how she identifies more comfortably. Above all she’s an artist with a very specific vision and talent, carving the path for Afrofuturism; to create space for black people but especially queer POC to conquer over the systematic racism, lack of opportunities and prejudice in our society. Her new record “Dirty Computer” is the materialization of that evolution, the most “Janelle” album ever. Covering everything from sexual freedom to political issues while using a pop funky beat. Reminiscing one of her heroes, Prince, who became a friend and mentor before passing away in 2016. And all I want for 2019 is to be in the same room as Janelle and take on another voyage dans la lune with all the other androids.

Annie Clark has also played around with the idea of being an alien or a cyborg, especially on her self-titled album from 2014. That’s when I saw her live for the time and I had to give into my friend’s obsession with her music. Last year St. Vincent released “Masseduction”, an almost perfect record, in my opinion. The song with the same title is most definitely an anthem for our generation “I can’t turn off what turns me on…” and after a long relationship with model/actress Cara Delevingne or that summer fling with Kristen Stewart, it was clear, Annie is queer. (Pun so intended) While songs like “New York” or “Los Ageless” can be associated to both of those relationships, Annie’s talent as an exquisite guitar player, fearless innovative sounds and unique live shows, have made her the intergalactic rock Goddess of our queer dreams.

Widely inspired by Annie Clark is my next musical Queeroe. Mackenzie Scott aka Torres. There’s something about debut albums that I really love and Torres self-titled LP from 2013 is definitely in my top favorites list. It’s really fucking sad music with raw emotion, as you can hear in “Honey”, “Jealousy and I” or “When Winter’s over”. Her second album “Sprinter” showed a very exciting evolution in her sound but it’s “Three Futures” from 2017 that encapsulates Mackenzie’s desire towards experimenting with her sexuality in a more explicit way. As seen in the video for the first single where she takes on gender roles as both feminine and masculine characters who are living the dreadful “American Dream”. Plus the cover picture for that record is her staring at a semi naked woman on a pole, marking 2017 as very gay year for music.

Laura Jane Grace’s voice first made waves through my ears because of the collab Against Me! did with Tegan Quin back in 2007 for the single “Borne On The FM Waves Of The Heart”. The song didn’t stick to me that long and although I had heard Against Me! was my kind of band I never took the time to really listen to them. Until 2014, when “Transgender Dysphoria Blues” was released and it rapidly became one of the most important records of my life. I started watching many interviews with Laura Jane about the struggles of coming out as a trans woman in this fucked up world, specifically while being part of the punk scene, where there’s not much space for anything other than toxic masculinity. I related to Laura’s journey and with every single lyrics on “True trans soul rebel” since it felt like the most authentic punk anthem I had heard in a while. I went to their first ever gig in Portugal in 2015 and screamed as much as I could surrounded by my family of misfits, all wearing black and their heart tattoos on their sleeves. I dug into Against Me! discography but other than the single “I was a teenage anarchist” which I already knew, nothing got me hooked as much as “Transgender Dysphoria Blues” did. Laura Jane’s name is very much appropriate, for her Grace is felt through her screams as much as her written words, something I found fascinating while reading her auto biography: “Tranny: Confessions of Punk Rock's Most Infamous Anarchist Sellout”. I loved every page of it, with original diary pieces, she takes us on a wild precious ride from her childhood and family issues to all the drama in the music industry or the tribulations of managing a band in this time and age. There’s really nothing more punk rock than being yourself and Laura Jane does it with so much effortless coolness and Grace.

I tried not to listen to Courtney Barnett for months. I had seen the hype around her but didn’t feel quite ready to embark in that journey and my queers did I regret it… She played at Primavera Sound Porto in 2015 and I started listening to her on loop only weeks after that. The heartbreaking part is that I was also at that festival. The good part is that she came back in 2016 to another festival in Lisbon and I was there just for her (and Father John Misty). Which felt like the stars had aligned with my musical desires. She’s unapologetically herself but not in the way that you would say so about Cardi B for example. She’s wickedly smart with her words and unexpectedly brutal with her chords, right before she opens her mouth she looks like the sweetest person you will ever meet and after you are transported to her own island, full of genius puns, sarcastic inputs about daily life or the state of the world. My favorite verse is from “Pedestrian at best” and I almost got it tattooed… “Give me all your money and I’ll make some origami honey”. Which to me roughly translates to: Fuck Capitalism! She’s also very open about her long term relationship with her wife and fellow musician Jen Cloher, making them the ultimate indie rock’s queer power couple.

2016 was the darkest year of my life. I stopped listening to music for months, stopped sleeping and my panic attacks would strike me even if I was in the middle of a busy street. It was scary to lose myself in such dark thoughts but then one day I listened to Shura’s song “Too shy” and felt like a little bit of me was alive again. Her debut album “Nothing’s real” came out around that time and her lyrics for the title song were exactly what I felt through my depression. In this song she is writing about her own experience with a panic attack that makes you feel like dying. And they do. “Too Shy” is a beautiful tune about unrequited love because you are simply too fucking shy to ever go for it and ask your crush on a date. Being shy and anxious almost always go hand in hand, as an awkward, quiet, weird introvert myself, discovering Shura’s songs and story gave me hope and made me gather the lost pieces of my own identity, leaving all the pain, shame and constant anxiety behind. Music really is medicine for the soul.

Julien Baker also has one of the best debut albums I’ve ever heard. Personally, it’s very special because it marks the beginning of my current relationship, as my girlfriend surprised me with Julien’s “Sprained Ankle” vinyl just weeks after we started dating. That vinyl did not leave my record player for the last months of 2016 and whenever I listen to it now, I am instantly transported to that moment in time. I was finally getting back on my feet and everything was falling into place, Julien’s gigantic voice echoed my natural melancholy, embracing my demons with a new found strength. I’ve seen her twice, both times a very out of body experience and had the pleasure to let her know how much her music has helped me. We hugged, talked and she even has the zine I make (CuntRoll) in her living room table because she likes it so much. She is someone I could definitely see myself hanging out in my group of friends and that’s what I love the most about this new generation of artists, who aren’t trying to be something they’re not for the sake of money or exposure. They embrace who they are and let the world decide if they wanna take it or leave it. And that’s exactly what we need right now, to accept and embrace people for who they are and the art they make. So we can all to the same in our own lives.

“Yeah I’ve got it I’m a man now…” are the verses that got stuck with me for weeks after listening to Christine and The Queens single “iT”. Yes, the capital T is on purpose as it represents testosterone, the hormone used by many Trans AFAB people to start the process of becoming more themselves. This androgynous handsome French creature original name is Heloise and since her worldwide success with her first record “Chaleur Humaine” she has shredded so many stereotypes through her music, her dancing and her style. I hate comparing artists but some people call her “ the French Michael Jackson” for a reason. My chin dropped while watching her cover for Beyonce’s “Sorry” which she transformed into her own song like it’s nobody’s business (please go watch it asap). This year she blessed as with her second LP just called “Chris” inviting the world to be a little bit closer to her. Chris is her nickname and presents us with a new image for Heloise, embracing her masculine vibe more than ever before, with short hair, loose clothing and talking proudly about queer issues in many interviews. The video for the single “5 dollars” is the epitome of gender fucking and the reason why I am even gayer now tbh. (You should watch that also!) The future is genderqueer.

I stayed away from the hype of “Girls like Girls” back in 2015 because I’m mostly suspicious of pop artists using gay stories to go with the trend of pink washing, ie Katy Perry “I kissed a girl” is a fucking jam but also really fucking problematic, coming from a cis het white female who has no idea the struggles of being queer. Hayley Kiyoko is most definitely not one of those artists though, as she has slowly but certainly become the Lesbian Jesus we’ve all been praying for. With “Curious” she let us know there’s a new fucking boss in town and she’s so fucking gay. What a time to be alive, 20gayteen is real and we are here to witness it all. Hayley’s not the greatest singer in the world, but she uses the best of her skills to give voice to all the kids who struggled with feeling alienated because they couldn’t fit in anywhere. She creates videos which are more like short stories, where she not only acts, but also writes and directs with her own team, never compromising her vision to tell the stories she wants to tell. Stories that resonate with so many queer people and we all know how important representation is, especially coming from an authentic source. To have such a person in the mainstream is what Tegan and Sara were thriving for a few years ago but the result wasn’t very genuine, something that doesn’t happen with Hayley’s songs. Her album “Expectations” doesn’t have big hits, other than “Feelings and “Curious” but it’s the debut album of someone with a huge potential and vision to take up the space for ourselves to tell our own stories and no one else.

Linn Da Quebrada is the musical Goddess of the moment. Eloquent, inspiring, caustic, no one is left indifferent after listening to her. And that's exactly what she wants, to leave us on our tiptoes waiting to be carried away by words of pleasure, empowerment, trans feminism and especially so much self-love. Each verse is a lyrical genius clapback in the face of this transphobic, sexist and racist society. Prejudices that kill so many queer people of color in Brazil every year. Her existence is transforming, rewriting the HERSTORY of the world and of her country, through the re-appropriation of funk, where SHE finally gets to be the protagonist of her own story and that courage surpasses linguistic or cultural barriers. In 2017 she released her first album “Pajubá” after a very successful crowdfunding campaign and also has her own documentary called “Bixa Travesty” which has gathered accolades through many film festivals around the world. The song “Bixa Preta” is a fucking iconic anthem for 20gayteen and for all of my maricones family out in the world fighting everyday for our existence to be respected.

We will NEVER be erased.

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