do you have any particular thoughts regarding marcille being a half-elf? its interesting to me considering the fact that she seems self-conscious about being a half-elf, but denies it when its brought up
i remember marcille looking visibly uncomfortable over laios simply asking her how old she is, which i think the only reason she might feel nervous about this is because it might reveal her as a half-elf to him.
she's never corrected anybody whose called her an elf either.
never mind the circumstances of the reveal, in which thistle goes on about how half-elves are inferior and accusing her of wanting to become full blooded elf, she seemed particularly upset like he struck a nerve-
i wish the half-elf thing was built upon more. also, underrated marcille line:
okay so i revisited this sequence just to make sure I could back myself up and it's just... man. there's a lot going on.
the first reaction we get from Marcille is this huge panel that takes up half of the page
she is viscerally affected. flushing to the tips of her ears with the intensity of it. and we see it again, a few pages later
so it might seem like she's embarrassed about it and lying to herself, but... I really think it's just that Thistle is accidentally hitting sore spots. If you really look at what he says to get these reactions
"you'll live out your entire life [...] and die that way too"
"a hundred years from now, nobody will be there"
Hear me out. I think, if he stuck to harping on about her inferiority without bringing up how terrifyingly long-lived she is, she wouldn't have been as bothered. But right now, Thistle is accidentally hitting all the marks on Marcille's deepest fears-- and this is after the Winged Lion promised her that her dreams could come true in an extremely vulnerable moment, so it also hits her slightly guilty conscience as well.
I do truly believe that Marcille isn't bothered about being a half-elf the way that people assume she'd be bothered by it. To her, the biggest problem with being a half-elf is that it's isolating.
On one hand, it's not hard to imagine why she'd distance herself from elves in the west. A lot of them can clock her as a half-elf on sight, unlike other races, and therefore she's always branded with this weird stigma of being Othered -- I would even say that she considers herself lucky for being born outside of elven culture instead of having to grow up in it. I mean, just... look at the way elves talk about her.
Skipping past the uncomfortable implication of what 'not tolerating the existence' of half-elves would actually entail, this is incredibly fucking annoying. You can see why she wouldn't want to be around elves much. You see a lot of Marcille reacting badly here, but honestly, almost all of it can be attributed to her freaking out that her bluff completely failed. She's honestly more paying attention to Izutsumi's footsteps and trying to coordinate an opportunity to escape.
And in the end, you see her built-up frustration at being asked if she wants to be a full-blooded elf like 2-3 times in a row.
Yeah, yeah, "the lady doth protest too much," and all. But we know Marcille. We know that she's a lot more embarrassed and horrendously unconvincing when she's being prodded about something she's actually self-conscious about.
Moving onto the flipside of things, it might seem weird that she "pretends" to be a full elf around other races, but it's not really that strange if you think about it. Again, people are weird about her being infertile or whatever, and a lots of them don't even know much about what sets half-elves apart from everyone else. I mean, look at how uncomfortable Laios is just asking her about it
and look at how exasperated and resigned she looks
And like... she's right. Where would that come up in normal conversation? Why would she go out of her way to tell them? She's functionally a normal elf to other races anyway -- got the ears, the abnormally long "childhood", and the huge mana capacity. Unless it's directly relevant or important for people to know, I don't think it's all that strange or indicative of insecurity that she prefers not to bother with it.
(This combined with her sense of being an "outsider" to elf culture also explains why she thinks elf superiority is embarrassing. She sees the way elves treat short-lived races from the "outsider" perspective nonetheless, and thinks it's obnoxious; especially more so because she usually has to play the elf around short-lived races and deal with the reputation of arrogance that elves have built up.)
The sad thing is, this all means that... she doesn't actually fit in anywhere. She doesn't like going out West much because of how elves treat her. But she's also an outsider in the continents she was born in, treated like this exotic long-lived alien choosing to live among short-lived races for some reason. She is always an outsider, the Other, no matter where she goes. Add in the fact that she'll live longer than literally anyone she knows, and it's honestly kind of heartbreaking.
And I think that's the crux of it. Marcille really doesn't act like she's at all self-conscious about being a half-elf because of any feelings of inferiority or being half-made or whatever. She considers herself a perfectly legitimate being and might even, in some ways, consider herself superior to normal elves because she's not blind with elf supremacy or whatever. (And whatever "elven biases" she displays, all of them are born more out of the fact that she's kind of bad at conceptualizing how other races age and mature compared to herself, not that she actually considers herself better or more mature simply for being an elf.)
I think that whatever self-consciousness Marcille has about being a half-elf is, instead, related to terror and loneliness. The reminder that it ensures she'll never truly belong anywhere for the rest of her very long life. The reminder that, in truth, even she's not actually sure how old she is by other races' standards (hence the discomfort when asked how old she is). She doesn't want to not be a half elf, or be a full elf or full tall-man-- in her ideal world, she's still a half-elf. She just gets to live out her life at the same pace with the people she loves and doesn't have to say goodbye again and again and again until she dies.
and one last very important panel, right after Mithrun tells her that all her desires would be devoured
In her ideal world, she's still a half-elf and reality magically starts marching at her pace. But failing that, the second best thing is that she's still a half-elf-- but one who is able to accept reality and let go of her fear.
(But the rest of the story pans out the way it does because, to Marcille, taking reality apart and reshaping it was less scary than simply and fully reconciling with it.)
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TD World Tour AU, where Noah doesn't tell Owen that Alejandro is an eel in London... In Area 51, Noah is accidentally splashed with an alien truth potion (which wears off after a few days) and he talks to Owen... Owen asks Noah what he truly thinks about Alejandro, and Truth-Potion Affected Noah says this: "I have mixed feelings for Alejandro. He's a brilliant, interesting guy and I like him, but I don't trust him. He's like a slippery eel dipped in grease, swimming in motor oil. Basically, Heather with social skills. Wait a minute, why am I telling you this?!"... What if Alejandro secretly heard Noah call him all those conflicting things + Alejandro also learns that Noah is affected with an alien truth potion? 👽
Alright, you got me. I'm an absolute sucker for truth potion plots, especially when the character(s) effected by them are usually either pathological liars or incredibly secretive- of which Noah absolutely falls into the second category, given he shares so little personal information.
I'll gloss over why Noah declined to shit-talk Alejandro in London (though there's so many ways this change in behaviour could be justified) since the focal point of this hypothetical centred around their time in Nevada, so let's start from the beginning of the Area 51 challenge.
Area 51:
Before we start, it'll have to be established that no one was eliminated in London. Let's say that the majority vote went towards Duncan (team CIRRRRH voted him out immediately because they found his re-admission to the competition unfair, I guess. I imagine he'd also vote himself, if not as a plan to escape the competition he'd been actively skiving from, then just as an act of spite) but Chris instead claimed it was a rewards challenge- much like he does in Greece- because he doesn't want to let Duncan slip away again so soon.
I see no reason to alter the first part of the challenge- the sneaking into Area 51 portion- since team CIRRRRH's course of entry is fairly straightforward. Noah's presence doesn't make much of a difference to how it would play out; the majority of them throw their rocks and run, Owen gets lasered over the fence and Owen-napped, ect ect.
When both teams have managed to make their way into the Black Box Warehouse, Noah immediately suggests they should prioritise rescuing Owen. Tyler's quick to agree, since he's a firm believer in the "no man left behind" mentality (and he probably makes a not-so-subtle jab towards Noah for his chance of tune compared to London, where both he and Owen did leave Tyler behind) leaving Duncan and Alejandro to split from the group- Duncan in search of Gwen, and Alejandro just takes the opportunity to finally be free from his 'incompetent teammates' and prioritises finding an artifact.
Noah and Tyler come across the contraption Owen's trapped in, Tyler punches it in a futile effort to break it open, and the face hugger cube drops into Noah's hands. This is where the point of divergence comes into play; Tyler has his E.T. moment with one of the face huggers, but Noah- who's a tad bit more observant than Alejandro, and used to dodging surprise attacks from his various older siblings (and Izzy)- anticipates his own face hugger attack and promptly starts a game of cat-and-mouse with a taser alien hot on his heels.
The commotion of which attracts the rest of his team. Alejandro and Duncan arrive on the scene to see Tyler being electrocuted by an alien and Noah running in circles evading another.
Duncan attempts to rip the face hugger from Tyler's face, finding success at the cost of sending Tyler trampling into Owen's captive contraption (essentially taking Alejandro's canonical place in this scene) and inadvertently freeing Owen.
Meanwhile, Alejandro swipes up the nearest box he can find and snags the alien chasing Noah, who's still very loudly panicking as he flees, and succeeds! The alien is swiftly captured into the box, netting team CIRRRRH their artifact, and Noah promptly goes careening into the nearest tower of junk in his face hugger-fuelled hysteria. This causes another box to topple from the peak of the tower, landing directly on Noah's head and spilling its contents onto the bookworm- glass vials filled with a mysterious, luminescent cobalt blue liquid shatter into pieces drenching Noah in whatever they contained.
(i.e. truth potion.)
Owen has his false-amnesia moment, characterised by his Joker makeover, and Alejandro enacts his revenge post-hypnotic suggestion after being addressed as "Al" one too many times.
Noah, understandably, swiftly objects to Owen's treatment and demands that Alejandro snap him out of it. Alejandro concedes, and Owen's brought back to himself. At least, for a moment, before the fatigue of having his mind messed with sends Owen into near-catatonia (the same as canon), meaning he has to be ferried through the Warehouse and back to the Jet by Alejandro and Duncan.
Things carry on canonically from there; Noah's just sort of there for the most part, though there'd be a minor hint to his newfound proclivity for honesty. Something along the lines of him giving an uncharacteristically honest answer to Owen as to who he's voting- Tyler, of course, since he was the one who ultimately threw the challenge for them... and also because Tyler still holds some resentment towards Noah for what happened in London, and Noah feels guilty about it every time he looks at the jock. Wait, why did he say that?
Sometime between this and the elimination scene, Noah wipes the truth-goop off of himself, but not before the effects have already started.
Tyler's voted out, yada yada yada.
The Jet:
Thus begins the start of "Picnic at Hanging Dork". Team CIRRRRH, consisting of just Alejandro, Duncan, Owen and Noah, are slumming it up in the Economy Cabin. Alejandro tries to rally his team by asking how to break apart Courtney and Heather's tentative co-operation. Owen suggests having Alejandro seduce Heather, since it worked for both Bridgette and Leshawna. Duncan makes his "Babe Olympics" comment. Noah pipes up that playing with someone's feelings is pretty scummy, even for someone competing for a million dollars.
Alejandro takes Noah's reluctance towards his methodology poorly; he hadn't spoken up before, when Alejandro had utilized the same strategy against other girls- and even Owen noticed that, so surely Noah did too- so why was he to outwardly against him using the same tricks? Duncan agrees, and offers ''his'' idea of having Alejandro flirt with Courtney to throw both her and Heather off their games (since Heather has an obvious crush on Alejandro), and things follow canon.
Then, the scene between Alejandro and Courtney happens. Noah scoffs at the display from the side lines, prompting Owen to ask him why he's so against Alejandro's plan.
"I mean, you never said anything before, when he flirted with Bridgette and Leshawna." Owen comments, light-hearted in nature but with an underlying questioning tone.
Noah's eyes flicker with a cobalt glow, easily mistaken for a trick of the light, and he speaks without even thinking.
"Yeah, because I was trying to give him the benefit of the doubt. Bridgette was happenstance, and Leshawna's whole deal could've been a coincidence, or some massive misunderstanding. But this?" Noah extends an accusing hand out towards a smug looking Alejandro, then pans it over to a flattered Courtney, "He's outright toying with Courtney's feelings after she was cheated on in front of an international audience. It's scummy."
Owen nods in understanding, momentary contemplation evident in the pouted curve of his lips, and he chimes in.
"Does that mean you don't like Al?"
"I never said that."
"Well, how do you feel about him, then?"
Again, a flash of blue light against the hickory backdrop of Noah's eyes, and he responds thoughtlessly.
"I guess I have mixed feelings about him. On the one hand, he's slippery, like an eel dipped in grease, swimming in motor oil. He's like if you took all of the worst aspects of Heather, wrapped them up in a pretty package, and gave them social skills..." He holds his hands out before him in a scale-like manner, with the left tipped downwards and tie right raised by his chin. Then, the two hands swap positions.
"And on the other hand, he's brilliant. I've never met anyone as talented as Alejandro; he's smart, he's athletic, he's funny. It's almost unfair just how perfect everything about him is- even his face is perfect. It's ridiculous! Infuriating, even. It's so hard to dislike him, even when I know he's bad news, but that doesn't mean I trust him."
Owen stands slack jawed beside his best friend, both impressed and stunned at the raw honesty of Noah's tirade. Noah, now a little more aware of himself, realises that he's said more than he intended to- more than he thinks he's ever spoken in one go throughout the entirety of Total Drama. He's not usually one for speeches, after all, let alone honest ones.
He's always been the type to play his cards close to his chest, so why...?
"I, uh, didn't mean to go off like that."
And he also didn't mean to admit it, either. What was going on?
The look Owen gives him is, in a word, vivid. The blonde has a shit-eating grin stretching across his face, a sort of elated smugness practically glowing from his features.
"Sounds like someone has a cruuuush!~"
What? No? No! Not at all, where would Owen even get that idea?!
Noah splutters to correct Owen's assumption (to disastrous results, because he does sort-of has a crush on Alejandro, so the truth potion doesn't allow him to outright deny it), and in his preoccupied state he misses how a calculating pair of sage green eyes never seems to stray from him.
Alejandro has a lot to think about in regards to a certain cynic, it seems.
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Belos, and the way he purposely appealed to The Collector: A TOH ANALYSIS.
I feel like one of the reasons that The Collector trusted Belos so much, was because he literally made himself appealing to them.
Despite the few scenes that they have, you can probably name a few of the aspects he changed around them. But one of the most apparent ones for me, was how Belos basically changed the way he spoke around them.
In a lot of the moments where they appeared together, he seemed to use a much more softer & sing-songy voice around them, as well as more simpler and 'friendlier' language. It's not even just with The Collector, through-out multiple times in the series he's changed his behaviour around individual people.
To name an example, let's start off with their initial meeting. Although Philip/Belos was speaking in an already soft tone of voice towards Luz and Lilith in Elsewhere and Elsewhen, it was much more calmer and monotone.
"Thank you for your kindness, crab maiden. Perhaps we were destined to meet."
Despite the obvious compliment, his words almost feel empty. There's no feeling of "thankfulness" behind them, just a pat to the shoulder and that's it. But that's the thing, even Lilith said it in the same scene. He just says everything a person wants to hear, and to Luz, just hearing his 'gratitude' through a sentence was enough to make her feel nice for assisting him so kindly.
However, when you look at when two of his scenes with the Collector, you can see Philip's shift in tone and behaviour.
Although he still had an almost blank expression, the very first thing he said when he unburied their plate and held it up was an almost playful, but simple "Found you", literally singing it out, around the end.
I feel like this is due to the fact that, Philip definitely knew The Collector was a child and made that subconcious switch in his words while speaking for them. It was made way more apparent when he was talking to their tablet and calling them these (objectively) silly names, at the same time looking endeared while speaking. Philip's face almost lit up as they called them 'a round boy'.
Like Lilith said, to Philip, he immediately started to speak like how you'd typically do with a child. Much more playful wording, and friendlier mannerisms even.
Although I believe at the start of their relationship that Belos treated The Collector more kindly to have them warm up to him, even later on you can still see this happening.
In the memory of Belos & The Collector in Hollow Mind, it's even more obvious than my previous examples. Belos & The Collector are quite literally playing a game, in this case Hide & Seek, with Belos being the one to start the whole interaction.
And again, when he's calling out for The Collector at the start he's using that playful, but gentle sing-songy voice. He's going along with their little game, because he's been doing this for *decades* now. Exactly what I mean when I say Belos appeals to them, he's giving into their childish nature and feeding onto it.
Likewise with his language, Belos changes it to make things sound more engaging to them. Although The Collector knew what was happening with the Day of Unity, with the way Belos was framing it, it was inevitable that they would just treat it so unseriously.
Ex: "You'll have your fun, on the Day of Unity" Like? Even though The Collector didn't even understand the concept of death, it was clear that they weren't fond of people just disappearing, like the titans. But Belos was literally treating the death of millions of witches like some fun game of hopscotch. Add that to the list of manipulation points!
Another example? Grimmwalkers.
The Collector was seen to view them as 'things', toys that he saw Belos just get rid of time and time again. And with the way he was framing it as them 'betraying' him, Collector probably just began to believe that and started viewing them like he did.
I think I delved into a completely different point with this scene, but long story short, Belos additionally uses his change of tone and language to further desensitize horrific situations to them. I would say even sugarcoat them in a way.
During King's tide, there's this one scene where King sees The Collector, and Belos is reassuring him. This one is a bit more different than the other scenes. Unlike the previous scenes I've talked about, instead of The Collector just acting playfully and seeming to trust Belos with what he says, they're actively doubting and complaining to him. And what does this come off as to Belos? A cranky child.
And like anyone dealing with a cranky child, he immediately deals with the situation as 'best as he can'.
First, he reassures and shuts down their doubts about being freed, telling them that it was *specifically* AFTER the draining spell that they'd be freed. And when The Collector doubted him once again, he essentially frames it as the child being the one in the 'wrong' here. They just have the be patient to get their reward after all, don't they? It's sorta like how a parent just tells their kid that "Oh, we'll be there soon, just wait!". Except that The Collector instead of waiting, will literally never get freed.
Basically, Belos is quite literally gaslighting them, in the sense that he's making them feel like they're acting out of order for a very reasonable doubt.
Additionally, he's also making them FEEL like an impatient with the way he's speaking and wording himself. Belos is portraying the whole thing as this being unfortunate for the both of them ('WE have to way for after the draining spell . . .'), and tell them to just have 'patience'.
In a fucked up way, this is probably how Belos disciplined them.
And this leads me to my next point. Like some sort of system of rewards and punishment, whenever The Collector was shown to actively say things that Belos didn't like, even if it was just for the moment, he altered the way he behaved and talked around the kid.
During Clouds in The Horizon, you can immediately notice the difference during the scene with these two. Even if there was the chance that Belos was already in a bad mood, and The Collector who was just making crude jokes for half of the time worsened everything, and there's a notable change in his wording and behavior. Belos is much more withdrawn, not even responding to the boys comments at certain times and giving them the silent treatment
Something I noticed even as I write this, was that in a sense this scene and the one from Hollow Mind parellel almost perfectly.
In Hollow Mind, when The Collector was joking about Belos lashing out at Hunter and turning into his monster form, Belos pretty much brushed it off and just took it as a chance to go "well, as long as he doesn't fuck around and find out, he'll be fine". Even when they were literally saying that the grimmwalkers were 'things', a mind that Belos just made them to torture them, the guy literally SMILED as if he was amused.
Meanwhile, Belos had a completely different reaction to practically the same comments, but in a different font.
Now, The Collector was making fun of him for his monster form, saying how he can't even keep it up anymore. In response, Belos just proceeds go punch the wall and just prove their point. As for the grimmwalkers, when they suggested that the man should make another one go play with, he just shut down them said they needed to 'deal' with this one.
There's a very clear difference here: In one scene, The Collector isn't directly mocking Belos, and the man is amused by their honestly horrific joking about such vile situations. In another, they're using those same situation and topics to make fun of Belos.
In short, Belos only seemed to excuse these comments when they weren't directly being negative towards *him*, and almost rewarded The Collector by continuing to speak to them in a friendly manner. Once they did, he almost retracted a 'priviledge'.
Because that's essentially what it was. A privilege that Belos gave them by just treating as 'nicely' as someone like him could get. And like any child too, they were blinded by it.
Again, bringing me into my next point.
When Belos betrayed The Collectoe, it was the exact moment when that privilege and everything else, was permanently revoked. At first you can see how Belos just watches as The Collector, like expected, excitedly talks and gushing about how they'll be able to play. Even after all these years, Belos really is freeing them. And they'll be able to play now!
Except they aren't.
Because immediately after, Belos shut down any hopes that they have of being freed with a simple "I'm afraid that's impossible".
At first, they're confused, hurriedly repeating Philip's promise, because sufely he couldn't have forgotten about it. But the man just brushes it off as an inconvenience, that he just didn't have any more Titan's Blood to free them.
And even as The Collector shouts and screams that Belos was a liar, unlike in the scene where he reassured them about their doubts, he doesn't have to do that anymore. Because there's no use in appealing to them anymore.
The kid was wringed dry of all their use to the man. And just like those grimmwalkers, like those witches, like everyone, Belos would leave them. Because in the end, they were also just a 'thing' for Belos.
And to add more insult to injury, it's not even like Belos just started acting all serious and mad like whenever he was upset with them. Opposite, even, because there was still using that sing-songy, playful tone to his voice speaking to them. In a sense, it was now The Collector's turn to be mocked. And it's not even like they could protest and throw one of their 'tantrum's', because Belos essentially just shut them up.
After dropping their plate down a bridge, just to add to open up that cut even more, Belos simply parted ways with them with a GOODBYE. Not even calling them by their name, giving them one last display of 'affection', or perhaps thanking them for their 'help' to Belos. Just a truly emotionless goodbye.
And, BELOS JUST WALKED AWAY AFTER THAT. Because truly, those decades meant nothing to him. The way he so eloquently phrashed and sang out everything to flatter the kid, going along with their silly games, and reassuring them– that was in the past now.
But here's the thing with that man. HE LITERALLY CANNOT STAY CONSISTENT. Belos cannot fucking commit to, and accept that his actions have consequences, because it was obvious he immediately regretted disregarding the kid once they were freed.
As my final point, let's take a lot at the infamous "splatter" scene.
You can literally see how Belos stepped away out of fear. Because unlike the shadow boy that just lived in his basement, that could only move around his walls at most, The Collector was now freed. And what does that mean? It means that Belos fucked up BIG time. Literally as they turn to look at him, that blank look on their face told that man everything he had to know.
And of course, he immediately retracts on literally every he said before, and begins trying to appeal to the kid by twisting around his intentions.
Belos was probably just hoping they'd be gaslighted enough to just run back into his arms and accept his words, but at that moment they weren't fooled like before. The Collector knew his true intentions, and no amount of sing-songy voices and empty compliments could change that.
This analysis is quite literally getting too long LOL, it was supposed to be super short. I was planning to also analyze the Raine scenes, and compare the scenes included to seperate belos scenes, but I'll end it on a short note.
TLDR; Belos purposely changed his tone of voice, language and overall behavior to appeal to The Collector. Essentially to manipulate, desensitize and gaslight the boy to a lot of horrific things. Even then, it backfired on him in the end.
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