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lovesickeros · 9 months

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☆ even the gods bleed [ pt 2 ]

{☆} characters furina, neuvillette {☆} notes cult au, imposter au, multi-chapter, gender neutral reader {☆} warnings none {☆} word count 1.9k {☆} previous [ 1 ]

This had to be a punishment of some sort – some kind of divine punishment.

She was bored out of her mind just watching the sleeping body – she hadn't blinked once in the past five hours, her eyes were really starting to hurt. Yet they still hadn't moved so much as an inch since she sequestered them away to the only place she had known to be safe.

But it'd been almost a week since then.

The only solace she found was that Teyvat had seemed much less hellbent on collapsing in on itself like a dying star.

That counted for something.

Not much, but something!

..Even if their position was no better then it was a week ago.

There was, after all, still the issue of what to do about the false Creator – the actual imposter – and the Archons following them like blind lambs. The other Archons wouldn't listen if she tried to reason with them, and it would only risk the life of Divine One if she spoke of their location to anyone else.

She also was pretty fond of having her head still attached to her shoulders.

So she avoided them all together. Partially because she wasn't sure she wouldn't have a breakdown at the sight of them..she'd never been a fighter, and fighting an Archon? Easy pass.

Instead she was forced to babysit the sleeping Divine until they woke up while Neuvillette handled taking care of the nation and dealing with the other Archons – and by extension the false Creator.

Really though, she would almost think them dead if not for the subtle rise and fall of their chest.

Though..this also left her with a lot of time to herself. A lot of time to think.

She really didn't like it.

There wasn't a lot to occupy her mind and what little there was only distracted her for a scant few moments before her eyes drifted back to the Divine like she was locked in their orbit, unable to escape.

She closed the same book for the twelfth time – she kept count – and returned it to it's meticulously designed place within her bookcase. A low, barely audible huff of frustration escaped her lips before she could bite it down, her stare boring a hole into the body of the Divine One with a sharp intensity she rarely showed.

She was tired, bored and constantly on edge, fearing that at any moment someone would find out about their presence here.

That, at the drop of a hat, she would be powerless to stop the greatest tragedy of her time play out before her eyes.

Neuvillette would have scolded her for being so petulant, especially around the Divine One, if he were here.

But he wasn't.

He was out running her nation, instead.

And what was she doing? Nothing!

She grit her teeth, nails digging harshly into the palm of her hands as she took a deep breath – now was not the time to think about that. She had..much more pressing matters. Sulking and letting her thoughts spiral helped no one, least of all herself.

Yet her attention was caught by a harsh inhale, the rustle of fabric – were they finally waking up? She was exhausted, but it all vanished at the sudden drop of life within the otherwise deathly still body of the Divine.

Her eyes followed the subtle twitch of their fingers, watching as their brow furrowed and their features twisted in something almost like..pain.

..She wasn't ready.

What was she supposed to say?

Should she even say anything? Would that be considered impolite? Does she wait for them to speak first? Should she kneel? Bow?

She doesn't get much time to find her own answer before their lashes flutter, chest heaving with every strangled breath. Every single thought vanishes from her mind the moment she meets their eyes.

For a long, silent moment she thinks that her heart must have stopped.

Their eyes glow like the cresting of the sun over the horizon, painting the world in hues of gold – yet it also reminded her of the dipping of the moon below the waves, casting the briefest, most gentle of lights upon the world engulfed in darkness. In the depths of their eyes was the birth and death of stars in the infinite cosmos – glittering stars in a sea of empty, blank space that left her feeling lightheaded and breathless.

Beneath the splendor is a spark of recognition in their eyes so vibrant it was like a shooting star piercing through the dark night sky, leaving nothing but the wonder in the eyes of the observer as the only proof it ever existed – brilliant in it's beauty, however brief.

It is the most beautiful thing she has ever seen.

"Focalors?"

The lilt of their voice nearly made her knees buckle beneath her – euphoria so consuming it left her feeling she was starving swallowed her whole, her mind blanking in a moment of utter bliss. It was..an indescribable feeling that she doubted she could ever hope to put into words – not in a way that could properly express it, try as she might.

She swallowed the words that threatened to spill from her lips – she couldn't make a fool of herself. Not in front of them of all people. She'd never forgive herself.

"Divine One," She rasps, clearing her throat and covering her mouth with a hand to mask both her nervousness and the small smile that creeps across her face. She quickly regains her composure, hand resting on her hip as she puffs out her chest with every bit of pride she can manage. "I am sure you must be confused, but worry not– your most loyal acolyte has seen the truth!"

The silence is deafening.

She opens one eye, peaking at the bewildered and almost distraught expression of the Divine.

"What the hell are you talking about?"

That..she was not prepared for. Surely they knew who they were! Surely they knew. They had to– she's been praying to them for as long as she's breathed, she's dedicated every hour of her life to living up to their ideals, they can't just–!

"Lady Furina?"

Neuvillette, thankfully, spares her the embarrassment of having a meltdown in front of the Divine, the gentle rap of his knuckles against the door making her and the Divine pause, the soft lull of his voice soothing her nerves and yet setting her on edge at the same time.

"Neuvillette." She clears her throat again, her steps hurried as she marches to the door and pries it open none too gently, a forced smile pulling at her lips. She wastes no time tugging the man into the room, shutting the door behind him with a short huff. The silence is, somehow, even worse then before as the three of them stare at each other in absolute exasperation.

Neuvillette, for his part, manages to get his act together with a sharp clearing of his throat, bowing so low even she looks unnerved. She steals a brief glance at the Divine, and she's taken aback by the uncomfortability twisting their features into a grimace.

Their expression is schooled back into one of empty apathy when he stands back to his full height, but she saw it – she knows she did! Did they not like their worship? Were they not respectful enough? For a moment, she feared the Divine would smite Neuvillette down on the spot..but they just stared at him like he was a ghost.

"Why aren't you killing me?"

The defeated, resigned tone combined with the way their voice cracks makes her heart ache in her chest – it feels as though her entire world is crumbling down at her feet, and she cannot explain why she feels such emotions so strongly, but it is suffocating. It is almost as if Teyvat itself is weeping, bearing down upon her shoulders like a heavy weight.

She feels the urge to weep herself, but she powers through, gritting her teeth long enough for Neuvillette to take his place at the side of her – though it feels more like their – bed, kneeling like he was going to pray.

"Divine One," He offers a hand with a quiet rumble of his voice, the words slipping off his tongue like honey. It's like trying to soothe a stray cat..though she'd never voice such comparisons of the most Divine out loud. "I..we mean you no harm. I swear on my authority as the Iudex of Fontaine and Chief Justice that you are safe with us."

The skepticism she expected, but the reverence in which Neuvillette must convince them – or perhaps they are simply so tired that they simply did not care any longer if it was all some ploy to drive a knife between their ribs. She didn't expect them to actually place their hand in Neuvillette's.

He didn't either, judging by the way he visibly brightened – not that they'd notice, but she did.

..Not that she could really blame him, her heels clicking against the floorboards as she shifted her weight to the other foot with a nervous energy that was practically bursting at the seams, more then a little jealous of the attention he was receiving. She was the one who found them, she was the one who stayed with them the entire time..but he gets all the attention?

How unfair.

"O-of course! We would never lay a hand on our creator," She adds, her voice a little higher pitched then she would have liked as she placed her hands on her hips, puffing out her chest and brushing off the sting of jealousy. "Least of all I– your most loyal, most devout acolyte!"

She felt baffled when she heard the sound of their laughter, her shoulders hunching and her cheeks flushing on mere instinct – she was expecting mockery, but the look in their eyes, still dulled by a pain she cannot even begin to imagine, made her hesitate.

..It was, perhaps, the most genuine thing she'd heard from them ever since before the hunt began.

She wasn't sure why her heart hurt at such an idea, but it was enthralling to see the beginnings of a half hearted smile on their lips.

For a moment, her mask of theatrics was forgotten as she stared at them in a mixture of awe and adoration– and though she didn't look at Neuvillette, she could imagine he must've shared such an expression.

Had she any doubts that they were her Creator, that they alone were the most Divine..they would wiped clean now. There was no mistaking the way the world itself seemed to grow clearer as they glanced up at her like she was worth something.

For a moment, she realized how cold the false Creators gaze had been now that she has felt warmth so gentle it almost made her knees buckle beneath her. It felt like a pale imitation, now.

Nothing could compare to the warmth that spread through her body at the mere semblance of a smile upon their lips. She didn't even mind if it was her they were laughing at anymore, she just wanted to hear them laugh again.

She'd make a fool of herself, if she had to.

She'd never felt so..ravenous for such a thing, but just the briefest glimpse was addictive.

She simply couldn't help herself from striding across the room and clasping their free hand in her own, her smile wide enough to unnerve as she leaned her weight onto the bed. For a moment, she considered pulling away at the way they startled, but her mind was made up by then – there was no going back.

"Again."

#sagau #genshin sagau #self aware genshin #genshin impact sagau #self aware genshin impact #fic tag #neuvillette #focalors #furina #dont ask what happened here idk #this was. also supposed 2 be neuvi focused and then i.#dont talk 2 me abt focalors i wont ever shut up #got a 300k word essay on hand abt how i feel abt her character/how i interpret her personality and her story #focalors jsut like me fr fr (cries at the slightest inconvenience or the slightest mean comment)#shes so pathetic girlfail im gonna chew on her #what happens when reader gets stuck with two emotionally repressed french bastards?? hell #neuvi is the “emotionless” flavor of emotionally repressed in that hes HORRIBLE at showing emotions at all #ask him to smile and its incredibly unnerving and theres too many teeth but hes trying his best please call him pretty or he will cry :(#furina is the flavor of emotionally repressed where she makes it up by having Too Many emotions #using theatrics and masks to show everyone what they want to see but inside this girl is a MESS #constant anxiety and panic 24/7 #will do random shit and look at you and if u dont compliment her she will think u hate her and cry #compliment her and she'll do even stupider shit to try and impress you more #i love my scrunkly little babies they r so stupid and mentally ill someone get these bitches some THERAPY #i want 2 put them under a microscope #watch this be ooc fr furina when more of her lore drops if shes not girlfail im leaving #anyway see u in a week im going on a trip ill get back 2 u in 6-7 business days

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baldursgate3tempobsessed · 7 months

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Please let Astarion meet Tav's family and have a younger sibling like 6 be like im gonna marry the prince points at Astarion.

Tav : Sorry, im married to the prince

NO IM GONNA MARRY THE PRINCE

That's so fucking cute kill me. But I just realized AFTER I finished it I read this wrong 😭😭 I read it as "marry" instead of "married" so whoops now it's an asking for your hand in marriage fic.

Also, I'm going to make this a weird little, unofficial, alternate reality, off shoot of this fic to explain away why Astarion can be in the sun without ascending because I am ~lazy~

Quick summary if you didn't read it, Tav serves Selune, gets a blessing for all the good work, and uses it to cure the anti-light issue of the vampirism (but not all of it). It's not a literal extension of that fic but I'm stealing my own plot explanations. That's it! Now here we go:

Astarion wasn't nervous per se. He was just... on edge. And the two-week journey it took to get here wasn't helping things, not when it gave him so much time to ruminate in his thoughts. He never expected to be in the position of "meeting the family," let alone in anticipation for asking for someone's hand in marriage.

Astarion wasn't even quite sure how his life got here. He had always fantasized that a life without Cazador would be one of selfish hedonism, not one where he would be legitimately concerned about a damn six year old sibling's first impression of him.

But then you came along, effortlessly shattering all of his grandiose plans with a batt of your eyelashes. Perhaps the entire journey of falling in love was more complicated, but it felt like it was that simple. In hindsight, he never stood a chance against you, but it was hilarious that there was a time he ever thought he did.

All of his prior dreams and fantasies felt like nothing in comparison to just being with you. It had been a year since you both saved the Sword Coast, a beautiful, fantastic year. That had ended with him somehow more in love with you now than when he first confessed. Selune's blessing had certainly helped with that he was sure. He still couldn't quite believe that you would use a god's blessing on him of all people, but gods, was he appreciative. Because being able to walk in the sun again meant that he could live the life he wanted, with no restrictions. He could be the partner you deserved, the kind that a father would happily say yes to when asking for your hand.

Which brought him back to his current dilemma. Perhaps he hadn't seen any of your family members in the time you'd been together, but he had heard plenty. You loved them all to death, especially your little sister. You wrote to them constantly, the mere sight of a letter from your parents enough to put you in a great mood for the rest of the day. He was aware that your mother was supposedly a saint, a fact that your own father had instilled in you often. He knew that they had a wonderful, loving marriage and were both higher ups in the Church of Selune. A fact that Astarion didn't particularly enjoy.

As grateful to the moon goddess as he was, he was aware that you were an expectation to the very normal belief that vampires were bad. And that marrying one was one of the stupidest things you could ever do from an average person's perspective, let alone a Selunite.

Why you hadn't done the smart thing and lied about what he was, Astarion would never know. But he did know that the thought of their rejection over his admittedly sordid history was putting him in a tailspin.

"They're going to love you," You said for the hundredth time, giving his hand a squeeze as you led him up the steps to your childhood home, "You have nothing to worry about sweetheart. I promise."

Astarion highly doubted that, but you were already knocking on the front door before he had a chance to argue. The door instantly slammed open, a beaming child already launching themselves at you before Astarion could process what was happening.

But you were more prepared them he was. You effortlessly caught them in your arms, laughing at their excited shouting, "Titi! You're late!"

So this was the famous Arabeth.

"No, I'm not!" You laughed as you settled her on your hip, "And what happened to my little girl's manners huh? You haven't even introduced yourself yet."

The child glanced over at him, like she was just realizing for the first time that someone else was standing over there. She looked a little shocked at the sight of him, staring at him with wide eyes. Wide enough for Astarion to start to wonder if something was on his face.

He gave her a little wave only for her to bury her face into your shoulder, peeking out at him with her lips pursed. Which was not the best start to the whole making his darling's family actually like him plan.

"Well, as you've probably guessed this is Arabeth. She's just a little shy," You reassured as you stepped inside, muttering a quick invitation inside under your breath. He appreciated that, he didn't need the whole house to be reminded of his... limitations.

"But she'll get over it soon enough," You continued as you called into the house, "Mom? Dad? We're here!"

And just like that they were rushing into the room, acting just as excited as your sister had been. Your mother wasted no time in smothering your face with kisses while your father swept you up into a hug. It was a rather impressive display of coordination, considering how they hadn't managed to knock you and your sister to the floor in the process. Astarion was pretty sure they were both saying something along the lines of We missed you! But it was hard to tell with all of you so tangled up in each other.

It was heartwarming to see, in all honestly. Of course such a loving person would come from an equally loving family, what else would he expect?

Though he certainly hadn't been expecting for your mother to throw her arms around him next. She brought him into a tight hug before looking him up and down, "So you're Astarion huh?"

She turned back to you, grinning ear to ear with her hands set on Astarion's shoulders, "He's so handsome! Selune help us, do you remember the last boy you brought home? He had a nose the length of my arm-"

"And that's enough of that," You said with a strained laugh, pulling your eccentric mother back a few inches, "And we've talked about the impromptu hugs. What happened to asking for permission?"

"Sorry, sorry!" She said with a wave of her hand, "Let me try again. I'm Seliras, and this is my husband-"

"Marcoul," Your father interrupted, putting his hand out for Astarion to shake, "It's been awhile since we've met a boyfriend."

"He's a little more than that," You said with a sigh as everyone exchanged pleasantries.

"We'll be the judge of that," Marcoul said with a sharp but friendly grin, the grip he had on Astarion's hand briefly tightening before he let go, "From what we've heard, you're quite the character aren't you?"

Ah, so the interrogating was starting early then. It was nothing that Astarion hadn't expected. Besides, turning up the charm was his strong suit, even when he was uncharacteristically nervous.

Astarion smiled back at him, "You've heard right. And I'm more than happy to answer any questions you might have."

"Oh gods please don't say that," You groaned, but it was too late. Your parents were already leading him to sit, rapid-fire questions coming out of their mouth.

Where are you from? How did you meet? Are you serious about our Tav? What's your religion? Where's your family? What are your plans?

But Astarion answered them all, with only mild censorship for the child's sake. The child who suddenly couldn't stop staring at him. It wasn't exactly easy to sell himself as a future husband when he was a vampiric ex-slave, but he made do.

It was an overwhelming experience to say the least, but not necessarily an unpleasant one. That was one good thing about trying to marry into a family of zealots, it was a lot easier to convince them of your virtue when you received a personal blessing from their goddess.

By the end of the night, they were all throughly appeased, enough so to get off the topic of him for a moment.

"You look a little young to have a thirty-year old child," Astarion said to your mother. He was actively trying to compliment her for obvious reasons, but he was also genuinely curious. She barely looked a day over 40.

"Oh we breed young," She said with a laugh, "We had Tav in our teenage years. Arabeth came much, much later. Our favorite little surprise. Gods, I can't think of a single person in our family who didn't have kids young. Our little Tav is the only exception to the rule."

"But maybe not for much longer, huh?" Marcoul added with a grin, yelping when you lightly smacked him over the head for the comment.

"Do not start the kid talk again!" You hissed out, cheeks red, "We've talked about this!"

Astarion couldn't help but grin at your reaction, charmed by your embarrassment. Though... the idea of the two of you having children together sure was an interesting thought.

Astarion felt a tug on his sleeve while you were distracted arguing with your parents. He turned, smiling when he saw your little sister standing there, still staring at him with wide-eyes.

She took a deep breath before blurting out, "You look like a prince. Are you?"

"Not exactly," Astarion said with a small laugh. That couldn't be further from the truth, "There's no blue blood in my veins."

She frowned, cocking her head at him like he wasn't making any sense. But then an idea obviously struck her as she excitedly asked, "But if you married a princess, then you'd become a prince too. Right?"

"I suppose?" Astarion answered with a shrug.

"So if I become a princess, and I marry you, then you'll be a prince?"

This conversation was quickly becoming out of his depth. But luckily enough for him you were swooping in to save him.

You laughed at her question, turning your attention back to the two of them, "No offense Bethy, but I'm going to be the one marrying this particular prince."

But Arabeth wasn't having it. She crossed her arms, looking at you like she was the one talking to a child, "You can't. Because if I don't marry him, he won't be a prince. So there. I have to do it."

She looked so serious, her facial expressions incredibly similar to your own. Astarion was holding back a loud laugh as you tried and failed to reason with her, "I can marry him without the royal status-"

"No! I'm marrying the prince!"

Your parents were doing a much worse job at hiding their reactions, both of them opening giggling behind their hands as you came up with a compromise.

"Okay, okay," You said with a sigh, kneeling down to look the small girl in the eye, "How about this? I marry him first. But only until you become a princess. Then he's all yours. Sound fair?"

She thought about it for a moment before nodding to herself, "Sounds fair."

Well Astarion wasn't going to get a better set-up then that. He turned to your father, his nerves coming back for a brief appearance, "I'm assuming now might be a good time to ask what I came here to ask. Though I do promise I only intending on asking for one of your children's hand in marriage."

Marcoul nodded slowly, his face unreadable as he spoke, "I mean no offense when I say this Astarion, but you aren't exactly who I imagined for my daughter."

"Dad don't-"

"Darling, let him finish," Astarion gently interrupted, his eyes still locked with your father's.

He took a deep breathe before continuing, "That said, I've never seen her so... herself with someone else before. So yes. The two of you can marry. On one condition."

"Anything," Astarion said instantly, nearly giddy at the fact that he was so close to the official yes, "Just name it."

"You have to have the wedding here," Seliras answered for him, a massive smile on her face, "No ifs, ands, or buts."

"And I get to be flower girl!" Arabeth chimed in, her past indignation completely forgotten as she climbed all over you, "And there has to be chocolate cake!"

"Oh gods, help us," You groaned, but Astarion was already nodding along. He couldn't give less than two shits where it happened or who was involved. He could scarcely believe that it was happening at all. But that was the last thing he had needed.

He already had the ring, the most amazing person he could ever fathom being with. Who actually wanted him back.

Now all he had to do was ask.

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raynewolfegirl · 12 days

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Meta Jazz, the Arkham Intern Therapist Pt 2.1

Note: The writing bug bit me while wading through the comments and replies so you guys get more! 😁 Special thanks to @the-scarecrow-of-aus & @starlightcat04 for helping spark this continuation!

Also, so you're not confused, this part is from Kon's POV and backtracks to before the Bane incident to explain how Kon started going undercover in Arkham. Pt 2.2 has the Bane incident from Kon's POV.

~*~*~

When Kon got the call from Tim asking if he'd be willing to do a favor for him, he hadn't expected it to be an undercover assignment in the infamous Arkham Asylum itself.

"You want me to do what?" He asked staring at Tim in disbelief once he reached the Nest to debrief.

"Go undercover as a new guard in Arkham." Tim repeated with a deadpan expression looking over his shoulder at Kon from his computer chair. Holy fuck, his eyebags were bad.

"Have you slept in the past week, Tim?" Kon asked, taking in his best friend's appearance.

Tim frowned at the question.

"I don't see how that's relevant but yes." He answered, heartbeat unchanging. Which didn't really mean anything since it was Tim but Kon decided he'd believe him.

For now.

Kon sighed heavily and pinched the bridge of his nose.

"Okay, I'll do it." He said. "Can you tell me why we need someone undercover at least?"

Tim eyes widened, startled by the question like he was surprised Kon didn't know yet even though Tim hadn't told him yet. Okay, deep breaths, calm down, Tim clearly hasn't slept in at least two days. Kon coached himself as his temper flared up at the evidence that Tim wasn't taking care of himself again. All the Supers agreed: sometimes you just wish you could beat some sense into the Bats and make them take care of themselves like normal human beings.

"Ah. Right." Tim said, turning back to the computer and pulling up some files as he explained. "Two thing have occured within roughly fifteen days of each other that together are rather suspicious. First, Dr. Thomas Rylie, Jonathan Crane's undergraduate roommate and classmate throughout undergrad and grad school, was hired to work as one of the new in house psychiatrists at Arkham Asylum. They also got their doctorates from the same school during the same time frame and both focused on the impact fear has on the brain. Dr. Rylie's focus was on fear conditioning and Dr. Crane's focus was on fear responses." Well, that sounds suspicious.

"Second, Gotham University lost their minds and began an undergraduate and graduate internship program partnering with Arkham Asylum."

Kon went cold. They did what?

Pictures of the Asylum, University, and three people -presumably Scarecrow, Dr. Rylie, and a young woman- filled the computer screen now.

"The internship program has only one applicant so far and she'd already started working at the Arkham. Her name is Jasmine Fenton and her background is...sparse, to say the least." Tim turned in his chair to face Kon.

"I'm too recognizable in Gotham and among the rogues to successfully go undercover in Arkham so I've set you up with an apartment and ID as 'Kyle Jennings.' You're scheduled to start work at Arkham as a new guard tomorrow morning."

"Okay," Kon said with a nod. "What do you need confirmed? What are the primary objectives?" He prodded Tim again since his friend's sleep deprived brain seemed to think that was enough information for debriefing. It wasn't. Definitely not. A lot was implied but it wouldn't be the first time Tim had completely different intentions than what Kon had understood from his briefing. Sleep deprived Tim frequently assumed others could read his mind or something. Sleep deprived Tim was wrong.

"We need to determine if Dr. Rylie is here working for Scarecrow as part of some new scheme. We need to determine if Jasmine Fenton is complicit. We need to know if Gotham U is also in on it. And we need to find out what exactly Scarecrow is the planning." Tim stated automatically as he ticked each one off on his fingers.

"Got it. Guess I'll head over to my new apartment then and start prepping for tomorrow." Kon said, heading towards the exit. Tim hummed in agreement waving a hand in his direction as he left. That dumbass was probably already absorbed in the next case. Kon sighed, hopefully Tim would at least pass out sometime later tonight.

~*~*~

Kon's first day at Arkham wasn't anything special. He didn't see Jasmine, Dr. Rylie, or Scarecrow. He didn't see any rogues or doctors at all. It was just a really Gotham kind of orientation.

"This is where we keep a cache of stun grenades, long-range scope rifles, tranquilizer rounds, and rubber bullets." His new supervisor and guide through orientation, Alex Fhizer, said as he showed Kon how to access, inventory, lock, and re-conceal the cache. "Everytime you pass by a cache on patrol, you will check the inventory again and sign off on it with the date and time. If anything is different from the previous inventory entry, you will immediately radio the tower and the island will be put on lockdown." Greyish Hazel eyes peered out of a weathered face staring Kon down. "You will never neglect to inventory a cache while on patrol. You will never neglect to report an inventory discrepancy. The first time you do you will be fired immediately and you can count yourself damn lucky if that's all that happens to you."

Fhizer was intense, man.

"Yes, Sir." Kon answered. Fhizer's hard look lasted another long moment before the older man gave a firm nod and continued showing Kon the ropes.

~*~*~

The second day was no where near as chill as the first. Hell, his brain was already starting to warp, there hadn't been anything chill about that orientation.

Kon started his second day by boarding the Arkham transport bus with the rest of the staff and early morning visitors to the island. That was where he saw Jasmine Fenton in the flesh for the first time.

She has got to be part Amazonian, was his first thought upon seeing her. She was around 6ft tall with a thick mane of red hair tightly braided reaching all the way down to her waist. Jasmine was wearing teal stud earrings, a silver bangle type bracelet on her left wrist, a white blouse, black slacks, and black flats. She carried a small, clear purse that only held a small notepad, pen, house key, chapstick, and a thin teal wallet that presumably contained her IDs, debit cards, and a small amount of cash. Damn, she was tall.

Kon's concentration was broken by the quiet sound of metal crunching slightly beneath his fingers. He immediately loosened his grip on the hand rail, checking for damage with a wince. He breathed a soft sigh of relief when he saw the damage was almost entirely unnoticeable to the naked eye. He'd have to mind his strength more closely. Kon was too used to the farm and facilities that were all reinforced to handle casual use from people with super strength.

Tim's notes indicated Arkham wasn't reinforced for super strength anywhere. Not even along the outer walls. The facility had opted to use suppression collars on their meta inmates instead since they were cheaper and easier to repair and replace according to the official reports. However, Tim's notes had also mentioned that Arkham had reinforced the outer walls to account for super strength at one point. They'd poured nearly every dime the facility could spare into the project for months until the Joker himself had taken it personally. The madman had absolutely obliterated the reinforced outer walls until no part of them remained standing. Given Joker had destroyed the walls without having any meta powers at all and his history of viciously attacking -damn near mauling- anyone that tried to put him in a straight jacket, Kon didn't really blame Arkham for stopping while they were ahead.

Kon looked up as the bus jolted to a stop. The other passengers filing off around him. He watched as Jasmine Fenton was met by Dr. Rylie in front of the bus as he waited to disembark.

"Ms. Jasmine!" Dr. Rylie greeted her enthusiastically with a broad open grin and beaming eyes. He reached towards her with both arms, hands open and she reached back. Their right hands clasped as their left hands landed on the other's upper arms as the two greeted one another openly. Kon wasn't very familiar with intern-mentor relationships nor what would be considered normal or professional for them, but it looked like a rather affectionate greeting for them having been strangers two weeks ago. That was strange, wasn't it? Was Tim right to be worried about them?

"Ms. Jasmine is the first and only applicant for Dr. Rylie, Director Keener, and Dean Byle's hairbrained idea to hire more doctors for this place." One of the older guards that had been standing just behind him on the bus explained having apparently noticed Kon watching the pair.

"They just seemed rather affectionate for Gotham." Kon shrugged dismissively as he turned to look over his shoulder at his new colleague. The shorter man laughed.

"A bit, yeah." He agreed. "I think Dr. Rylie is just desperate for this program to work out." He continued as they finally managed to get off the bus. Dr. Rylie and Ms. Fenton were gone now. "Pretty much everyone's been treating her like a princess."

"That doesn't seem fair to everyone else." Kon commented, dropping back a bit to let the older man lead the way to the guards room for morning debriefing and to get their assignments. He'd already memorized the layouts but 'Kyle Jennings' shouldn't have yet.

"Who cares about fair as long as it works?" The guard answered. "If treating her like a princess scores more interns for the program in the long run, and if one intern every year ends up interested in sticking around, I'll be happy to cater to every single one of them." He confessed, stopping in the middle of the hall to turn and face Kon directly. Kon glimpsed the name Ryans as the silver name badge flashed the briefly reflecting the overhead lights. "You non-gothamites just don't get it. We're desperate for whatever help we can get."

"That's why I applied here." Kon lied. "Going to school across the bay, I heard a lot about what went down over here while I was in college. I want to help."

Ryans gave a short solemn nod then turned and led the rest of the way to the break room.

~*~*~

Day four undercover was when Kon officially met Jasmine Fenton.

Everything had been going well so far with his undercover assignment. He'd settled in to the role of Kyle Jennings, been getting along well with his new coworkers including Ryans and Fhizer, and hadn't yet managed to screw up inventorying the caches during the outer patrol loops. That being said, Kon was having other issues.

The worst part of being an unstable Kryptonian clone was that his strength tended to fluctuate. It normally wasn't much of an issue when he was surrounded by reinforced everything in his daily life but here at Arkham it was becoming a problem. Case in point, Kon thought to himself with an exhausted groan as his freshly made coffee mug shattered in his hand.

"Oh come on." He sighed snatching a handful of paper towels from the counter and bending to wipe up the coffee and ceramic shards on the floor. At least he was the only one in the room when it shattered. The door clicked softly behind him and Kon jumped twisting to look.

Jasmine Fenton stood behind him having just closed the door to the break room after entering.

"What happened here?" She asked, sounding bewildered with slightly wide eyes as she took in the mess on the floor. Thank God. She didn't see it.

"Guess I was a bit more tired than I thought." He said with a forced laugh in order to hide his nerves. "Slipped right through my fingers."

She nodded, accepting his words at face value.

"I've done that more than a few times close to finals." She admitted. "You guys have 10 hour shifts, right? You must be exhausted. When's your next day off?"

"The day after tomorrow." Kon said. "This is day 3 for me since orientation doesn't count."

"You get 2 days off followed by an on-call day, right?" She asked.

"Right," Kon agreed. "AKA 2 days of freedom and a day chained to the Bowery." He joked.

"Absolutely terrible, they may as well put an ankle monitor on you." She cracked back grinning. Kon snickered. The door opened again.

"I see you found another non-gothamite here." Dr. Rylie said striding into the break room with a wide grin.

"Sounds like that makes three of us." Kon agreed. Outside of Joker, he had never seen a gothamite grin that wide in his life.

"Dr. Thomas Rylie, a pleasure to meet you." Dr. Rylie introduced himself holding out his hand to shake. Kon shook his hand as gently as possible, mindful his strength was on the fritz.

"Kyle Jennings, nice to meet you. I just started as a guard earlier this week." He said then held his hand out to shake Jasmine's.

"Jasmine Fenton, I'm an intern therapist. This is my second week here." She greeted with a warm smile shaking Kon's hand. She didn't say anything about being glad to meet him, Kon noted. It wasn't exactly strange behavior but something made him take note of it anyway. Like by not saying it she was saying she hadn't decided whether meeting him was a good or bad thing yet. Dr. Rylie didn't seem to notice anything off with the interaction though as he went about making his own coffee. The three of them made idle small talk as they made their own coffees. Once his new cup was ready, Kon bid them both goodbye and went on his way. While they were his main objective, lingering too long this early into their aquantiantship would probably be strange.

He had several other small friendly interactions with both of them over the next few days. Taking the time for greetings, small talk, and sharing small bits of casual background info from Kyle Jennings's past to encourage them both to open up to him. He also broke a clipboard, two more coffee cups, several pens, and a doorknob during that time as his strength continued to fluctuate. The doorknob had been particularly embarrassing. He had gone to open the door for Jasmine when he saw her with her arms full of files and somehow managed to twist it in such a way that the screws holding it in place sheered off and the knob came off in his hand. Collins, his partner for building patrol that day, burst out laughing hysterically as Kon stared at the doorknob in horror.

"No worries, man." Collins said, clapping Kon on the shoulder still snickering. "Someone else probably broke it and put it back so they wouldn't get scolded or something."

"Yeah," Kon said with a nervous laugh. "That must be what happened."

Jasmine's eyes flicked between the two of them then she grinned.

"And here I thought you just really hated that door." She teased Kon. He felt his face heat up as Collins laughed at him again.

"It is an ugly door." Collins agreed enthusiastically smirking.

"Terribly ugly. Hideous even," Jasmine said with a smile.

"Possibly even traumatizing to behold," Collins continued to smirk.

"You've got me. I have a deep rooted traumatic fear of metal taupe doors." Kon deadpanned ears burning. Jasmine snickered as Kon got the door open for her and they went their separate ways.

~*~*~

"What have you found so far?" Tim asked. Kon did not have the words to express how much he didn't want to be at the Nest at 3am on his first day off from undercover work. If it was anyone other than Tim he wouldn't have even answered the phone.

"Literally nothing," Kon said dryly. "I am still the newest of newbies at Arkham. I practically spent the whole week being babysat by senior guardsmen." He sighed, reminding himself that it wasn't Tim's fault that he was a little insomniac goblin and that Kon really did love his friend and would be sad if he hurt Tim's feelings. Eventually. When he woke up again in the morning. "I did start befriending them both though. It's slow going since we're in different areas but nearly being the only non-gothamites there seems to be helping me make some headway at least."

There was one other non-gothamite on staff, a medical nurse named Sharon Earley. She was in her mid-thirties and the most sour and unpleasant person Kon had had the displeasure of meeting so far on Arkham's staff. Not that Kon could blame her for that. Not when she had several large ragged scars spanning from her chin and down both of her arms from when Zsazz had gotten hold of her alone after dark her second year at Arkham. It was a damn miracle she'd survived him. Kon didn't know how she managed it but he wouldn't try to find out either. Ryans had taken him aside right before he first met Nurse Earley and warned him not to stare or ask about any of it and then explained the bare basics of what happened to her after they'd left.

Tim probably had a file with every detail of that night as well as information about Sharon Earley's life both before and after that night somewhere on his computer. The thought made Kon nauseous.

"Good, good," Tim said absently as he updated the mission file on his computer. The keys clicked so rapidly that Kon again reconsidered whether or not his best friend had super speed. "Better to keep them from suspecting than to rush in anyway."

"Exactly."

Tim continued asking questions about every little detail he could think of concerning Dr. Rylie, Jasmine Fenton, and the rogues currently in Arkham.

"They don't let me near those guys yet. I'm too new." Kon said when Tim asked if Scarecrow looked to be plotting more than usual.

"They don't?" Tim sounded surprised, going so far as to stop typing so he could turn and stare at Kon. The clone was amused to note something about his statement had managed to wake Tim up enough to be visibly shocked instead blank-faced with exhaustion.

"Of course not," Kon answered trying to keep the amusement from his voice as much as possible. "As many times as your rogues have broken out they're leary of letting new hires near them in case they're goons in disguise."

Tim sank back into his chair looking like Kon had uprooted his whole world by proving the Earth really was flat via actual science.

"That's impossible." Tim said sounding faint. "Everytime there's a mass breakout, we always hear that some of the guards helped them escape. How?..." He trailed off, eyes darting rapidly like he was tracking lines of an invisible conspiracy board in the air in front of him. Kon shrugged, uncomfortable with this new information.

"Scuttlebutt is that the people helping them escape are visitors. The guards get blamed because the goons visit wearing clothes similar to the guard uniform from a distance. All blue polo shirts and black pants look similar at a distance." Kon explained. "It also doesn't help that the guards can't really do much to stop the escape attempts since they only have stun grenades, tranquilizer darts, batons, low voltage tazers, and rubber bullets to fight back with. So as long as enough people are involved in the escape attempt at least some of them will make it out even if the guards manage to to tranquilize several of them."

Tim still looked like Kon was blowing his mind. It was such a rare experience that Kon had to continue.

"Plus the tranquilizer darts and the rubber bullets have to be fired from different hardware." Kon told him. "Which sucks because you have to carry twice the amount of weight while chasing after the escapees which slows you down and it takes longer to swap between them."

There was something similar to mystified horror spreading across his friend's face now.

"Speaking if swapping between them, they have different ranges too." Kon continued gleefully. Half because it was fun wrecking Tim's worldview and half to actually impart the information. "Batons are short-range. Tranquilializer darts and stun grenades are mid-range. Rubber bullet riffles are long-range."

"If that's all it is, WE can fund then better gear to control the inmates." Tim interrupted turning back to the computer and swiftly typing out a list of things to send Arkham. Kon shook his head.

"That won't work." He disagreed gently. "They aren't failing because of the gear itself."

Tim turned back around to face him, confused. This was not going to be a fun conversation, Kon swallowed hard and forced himself to continue.

"The problem is that if you fire the rubber bullet riffles from mid or short range you could seriously injury or even kill the patient. If they get past mid-range, you'll miss them completely using tranquilizer darts or stun grenades. If you try to use either of those at short-range it'll be bad for you whether it's because they'll get hold of you before the tranquilizer knocks them out or because you'll stun yourself too."

Comprehension and trepidation began to dawn on Tim's face. He deflated in his chair, sinking lower and lower as he stared off into nowhere.

"You also can't hit them with more than one tranquilizer dart in a four hour window because you could accidently kill them that way. That also means even though you have a baton, you typically can't do enough damage to them to keept them from escaping because that might potentially kill them." Kon said completely solemn now as he relayed the information. "Because regardless of the reputation Arkham has or what the patients have done, it is still a hospital and they are still patients."

Tim was staring directly at Kon now. Mouth open, face slack, eyes wide with a kind of numbed shock. Kon held his gaze.

"Yeah," Kon said after a moment. "Yeah, that's how I reacted too." He looked down, picking at his nails for a moment before forcing himself to stop and meet Tim's gaze again. "Phizer, my new 'boss', made sure to drill that into my head during orientation. 'Arkham's guards exist first and foremost to protect the patients. Arkham isn't supposed to be a prison. It's a medical facility. The patients are confined to the premises because their affliction has made them dangerous and they have to stay so that we can keep them and others safe from further harm. We are here to keep the patients and staff from hurting each other, themselves, or being hurt by people outside of Arkham's walls.' Not gonna lie, man." Kon said quirking a bitter grin as his did. "Hearing that kind of fucked me up a bit."

Tim sucked in a huge heaving breath then slowly let it out before he responded.

"I can't say I ever thought about it like that." He admitted in a soft strained voice. "Can't say I ever wanted to either." There was a bitter tinge to his words.

"Yeah, neither did I." Kon answered, shoulders slumping a bit. "Was there anything else you wanted to ask me? I kind of want to head back and sleep a bit."

Tim shook his head slowly.

"No, I think we're good at the moment." He said looking twice as exhausted and drained now as he did when Kon first got there. Kon nodded.

"Good night then. I'll see you later, man." He said, pushing off the wall he'd been leaning against and heading for the door.

"Be safe, Kon." Tim answered softly turning back to his computer.

#Meta Jazz Arkham Intern Therapist #Meta Jazz #Arkham Intern Therapist #MJAIT #AIT #Meta Jazz AIT #dc x dp #dcxdp #dp x dc #dpxdc #Jazz/Kon #Eventually that's the goal anyway #Side note I do not headcanon Arkham this way #But Jazz went through her 'I can fix them' stage during high school #And in my experience most people don't try to 'fix others' again after they fail the first several times #Jack & Maddie definitely weren't fixed in this story #So I couldn't see her willingly interning at Arkham if it was actually like how it is in DCU #Since the internship program is optional #Which begged the question why everyone thinks Arkham is Like That #So Kon gave you the answer #Also sorry if he's really OOC #I have never written his POV before and finding a voice for him was hard #Tim's shit got rocked #tw: cursing #my Kon curses because he's through his rebellious stage already but linguistic habits stuck around #Oh yeah #and his powers are fluctuating because the density of the smog and cloud layer over Gotham is constantly changing #my original post

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daisy-mooon · 9 months

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"I want Annabeth to be blonde :(" then pick up a PJO book and read it you dumb fuck

#pjo fans stop being weird about black annabeth challenge IMPOSSIBLE!!!!!!!!!!!!!!!#first off annabeths race isnt important to her story. annabeth could be any race. her skin colour doesnt actually impact her. her hair does #now im not blonde but im a white girl so let me explain why some pjo fans need to stfu. i have grade 9s. im called stupid for my appearance #im not insulted bc im white or bc i have blue eyes or brown hair. im insulted bc women are judged on their appearance. im insulted bc SEXIS #annabeth isnt really called dumb for being blonde. shes called dumb bc shes female. and ppl are more likely to stereotype women than men #this is especially true for black women! whatever sexism white women get is always horrifically multiplied for poc women #black hair frequently gets called unprofessional untidy unhygienic etc. its VERY likely that show annabeth has been called dumb for her hai #does this make the casting “accurate”? no. but castings don't have to be accurate. they have to ADD to the character.#annabeth being black ADDS to her character because it showcases how women (esp black women) are devalued for their appearance #movie annabeth wasnt bad for having brown hair or white hair she was a bad adaptation bc she was ooc #i just think its ironic that a core aspect of annabeth was being judged for her looks. and now show annabeth is getting judged for her look #like. you guys really missed the point here.#anyways disagree all you want but book annabeth is still blonde. no one is erasing her. theres a new PJO book w blonde annabeth SEPTEMBER 2 #GO READ CHALICE OF THE GODS IF U WANT BLONDE ANNABETH OMG! adaptions and source material can be separate and coexist!#rant over sorry #pjo #percy jackson #annabeth chase #pjo show #percy jackson and the olympians #the lightning thief #discourse #shitpost #percy jackson show #pjo discourse #riordanverse

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armoricaroyalty · 4 months

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Film Grammar for Simmers

What is film grammar?

"Film grammar" refers the unstated "rules" of editing used in movies and TV. Different types of shots have different associations and are used by editors to convey different types of information to the audience. Many of these principles were first described in the early 20th century by Soviet directors, but they're used consistently across genre, medium, and even language: Bollywood musicals, English period dramas, Korean horror movies, and American action blockbusters all use many of the same techniques.

Because these rules are so universal, virtually everyone has some internalized understanding of them. Even if they can’t name the different types of shots or explain how editors use images to construct meaning, the average person can tell when the “rules” are being broken. If you’ve ever thought a movie or episode of TV was confusing without being able to say why, there’s a good chance that there was something off with the editing.

Learning and applying the basics of film grammar can give your story a slicker and more-polished feel, without having to download shaders or spend hours in photoshop. It also has the bonus of enhancing readability by allowing your audience to use their knowledge of film and TV to understand what's happening in your story. You can use it to call attention to significant plot details and avoid introducing confusion through unclear visual language.

Best of all, it doesn't cost a dime.

The basics: types of shots

Shots are the basic building block of film. In Sims storytelling, a single shot is analogous to a single screenshot. In film, different types of shots are distinguished by the position of the camera relative to the subject. There are three big categories of shots, with some variation: long shots (LS), medium shots (MS), and close-ups (CU). This diagram, created by Daniel Chandler and hosted on visual-memory.co.uk illustrates the difference:

Source: The 'Grammar' of Television and Film, Daniel Chandler, visual-memory.co.uk. Link.

In film, scenes typically progress through the different types of shots in sequence: long shot, medium shot, close-up. When a new scene begins and the characters arrive in a new location, we typically begin with a wide establishing shot of the building’s exterior to show the audience where the scene will be taking place. Next comes a long shot of an interior space, which tells the where the characters are positioned relative to one another. The next shot is a medium shot of the characters conversing, and then finally, a close-up as the conversation reaches its emotional or informational climax. Insert shots are used judiciously throughout to establish themes or offer visual exposition.

Here's another visual guide to the different types of shots, illustrated with stills from Disney animated films.

This guide is almost 2,000 words long! To save your dash, I've put the meat of it under the cut.

Long shot and extreme long shots

A long shot (sometimes also called a wide shot) is one where the entire subject (usually a building, person, or group of people) is visible within the frame. The camera is positioned far away from the subject, prioritizing the details of the background over the details of the subject.

One of the most common uses of long shots and extreme long shots are establishing shots. An establishing shot is the first shot in a scene, and it sets the tone for the scene and is intended to give the viewer the information they’ll need to follow the scene: where a scene is taking place, who is in the scene, and where they are positioned in relation to one another. Without an establishing shot, a scene can feel ungrounded or “floaty.” Readers will have a harder time understanding what’s happening in the scene because on some level, they’ll be trying to puzzle out the answers to the who and where questions, distracting them from the most important questions: what is happening and why?

(I actually like to start my scenes with two establishing shots: an environmental shot focusing on the scenery, and then a second shot that establishes the characters and their position within the space.)

Long shots and extreme long shots have other uses, as well. Because the subject is small relative to their surroundings, they have an impersonal effect which can be used for comedy or tragedy.

In Fargo (1996) uses an extreme long shot to visually illustrate the main character’s sense of defeat after failing to secure funding for a business deal.The shot begins with a car in an empty parking lot, and then we see the protagonist make his way up from the bottom of the frame. He is alone in the shot, he is small, and the camera is positioned above him, looking down from a god-like perspective. All of these factors work together to convey his emotional state: he’s small, he’s alone, and in this moment, we are literally looking down on him. This shot effectively conveys how powerless he feels without any dialogue or even showing his face.

The same impersonal effect can also be used for comic purposes. If a character says something stupid or fails to impress other characters, cutting directly from a close-up to a long shot has a visual effect akin to chirping crickets. In this instance, a long shot serves as a visual “wait, what?” and invites the audience to laugh at the character rather than with them.

Medium Shots

Medium shots are “neutral” in filmmaking. Long shots and close-ups convey special meaning in their choice to focus on either the subject or the background, but a medium shot is balanced, giving equal focus to the character and their surroundings. In a medium shot, the character takes up 50% of the frame. They’re typically depicted from the waist-up and the audience can see both their face and hands, allowing the audience to see the character's facial expression and read their body-language, both important for interpreting meaning.

In most movies and TV shows, medium shots are the bread and butter of dialogue-heavy scenes, with close-ups, long shots, and inserts used for punctuation and emphasis. If you’re closely following the conventions of filmmaking, most of your dialogue scenes will be medium shots following the convention of shot-reverse shot:

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To keep long conversations from feeling too visually monotonous, consider staging the scene as a walk-and-talk. Having two characters move through a space can add a lot of dynamism and visual interest to a scene that might otherwise feel boring or stiff.

Close Ups

Close-ups are close shots of a character’s face. The camera is positioned relatively near to the subject, showing just their head and shoulders. In a close-up, we don’t see any details of the background or the expressions of other characters.

In film, close-ups are used for emphasis. If a character is experiencing a strong emotion or delivering an important line of dialogue, a close-up underscores the importance of the moment by inviting the audience to focus only on the character and their emotion.

Close-ups don’t necessarily need to focus on the speaker. If the important thing about a line of dialogue is another character’s reaction to it, a close-up of the reaction is more effective than a close-up of the delivery.

One of the most iconic shots in Parasite (2019) is of the protagonist driving his employer around while she sits in the backseat, speaking on the phone. Even though she’s the one speaking, the details of her conversation matter less than the protagonist’s reaction to it. While she chatters obliviously in the background, we focus on the protagonist’s disgruntled, resentful response to her thoughtless words and behavior.

In my opinion, Simblr really overuses close-ups in dialogue. A lot of conversation scenes are framed entirely in close-ups, which has the same effect of highlighting an entire page in a textbook. The reader can’t actually tell what information is important, because the visuals are screaming that everything is important. Overusing close-ups also cuts the viewer off from the character’s body language and prevents them from learning anything about the character via their surroundings.

For example, a scene set in someone’s bedroom is a great opportunity for some subtle characterization—is it tidy or messy? what kind of decor have they chosen? do they have a gaming computer, a guitar, an overflowing bookshelf?—but if the author chooses to use only close-ups, we lose out on a chance to get to know the character via indirect means.

Inserts

An insert shot is when a shot of something other than a character’s face is inserted into a scene. Often, inserts are close-ups of a character’s hands or an object in the background. Insert shots can also be used to show us what a character is looking at or focusing on.

In rom-com The Prince & Me (2004) (see? I don’t just watch crime dramas…) the male lead is in an important meeting. We see him pick up a pen, look down at the papers in front of him, and apparently begin taking notes, but then we cut to an insert shot of his information packet. He’s doodling pictures of sports cars and is entirely disengaged from the conversation. Every other shot in the scene is an establishing shot or a medium shot or a close-up of someone speaking, but this insert gives us insight into the lead’s state of mind: he doesn’t want to be there and he isn’t paying attention.

Insert shots are, in my opinion, also used ineffectively on Simblr. A good insert gives us extra insight into what a character is thinking or focusing on, but a poorly-used insert feels…unfocused. A good insert might focus on pill bottles on a character’s desk to suggest a chemical dependency, on a family picture to suggest duty and loyalty, on a clock to suggest a time constraint, on a pile of dirty laundry or unanswered letters to suggest a character is struggling to keep up with their responsibilities. An ineffective insert shot might focus on the flowers in the background because they’re pretty, on a character’s hands because it seems artsy, on the place settings on a dining table because you spent forever placing each one individually and you’ll be damned if they don’t make it into the scene. These things might be lovely and they might break up a monotonous conversation and they might represent a lot of time and effort, but if they don’t contribute any meaning to a scene, consider cutting or repurposing them.

I want to emphasize: insert shots aren’t bad, but they should be carefully chosen to ensure they’re enhancing the meaning of the scene. Haphazard insert shots are distracting and can interfere with your reader’s ability to understand what is happening and why.

Putting it all together

One of the most basic principles of film theory is the Kuleshov effect, the idea that meaning in film comes from the interaction of two shots in sequence, and not from any single shot by itself. In the prototypical example, cutting from a close-up of a person’s neutral expression to a bowl of soup, children playing, or soldiers in a field suggests hunger, worry, or fear, respectively.

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The Kuleshov effect is the essence of visual storytelling in a medium like Simblr. You can elevate your storytelling by thinking not only about each individual shot, but about the way they’ll interact and flow into one another.

Mastering the basics of film grammar is a great (free!) way to take your storytelling to the next level. To learn more, you can find tons of guides and explainers about film grammar for free online, and your local library doubtless has books that explain the same principles and offers additional analysis.

Happy simming!

#armorica tips #armorica ooc #i finally got off my ass to finish this guide which i started back in August right before I got extremely sick and ended up in the hospital #anyway....hope you enjoyed this post which was a veiled excuse for me to complain about how people overuse close-ups and inserts #and i can't tell what's happening in their stories ;fdsklsjadf;laksdf #Youtube

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