3. horn
goat horns spiral into twisted shapes and in their grooves we read archaic omens. helixes curved around thrice prophesize the death of a godless son, aching and left without heart. branching bones that always point north wait for the night the stars blink out of the sky. the devil laughs with horns of pitch black, lines carved deep with glowing red rings, and the angels come down to combat him, their antlers curved together to form near-perfect halos.Â
january prompt challengeÂ
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2. bewildering
when i close my eyes, i can imagine your hands running over mine. guiding my grip, leading me blindly. we used to play a game where we walked home like this: one leading, one blind.
those nights, the streets were quiet. those days, my laugh was loud.
sometimes i led you to the curb on purpose. sometimes i walked you too close to the trees. you never knew - save for the rare occasion you stepped too far too quickly, and i couldnât stop you from plummeting off the two inch sidewalk.
even then, you held your eyes shut. you wanted to prove how much you trusted me. you reassured me that i could do the same.
so then what could i do, when i finally opened my eyes in the dark and realized you were nowhere to be found?
january prompt challenge
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1. power outageÂ
âmaisy doesnât understand the definition of restraint.â
you are speaking but i am preoccupied, watching the way your lips move and how you roll your eyes and how you hold a knife and how you plunge your arm elbow deep into electric cattle. under you, the mechanical beast spasms and stills. artificially glowing eyes fade out as you pull at thick wires and power cords, soft intestines replaced with metal alloys but spilling out all the same. i put a hand to my stomach.Â
âwas it you or her who shattered the sheet of tempered glass?â
i ask, and your lips curl up at the sound of my question. around your wrist, live wires snap and crackle. lightning runs at your fingertips. somewhere, a blade glistens. i realize you are not afraid.Â
january prompt challengeÂ
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love!
she calls
in a voice
like honey and wheat,
pale gold of morning warmth.
i answer with a purple howl
meant only for the moon, and run
away swiftly. disappear at the stroke of midnight
into the dusk-coloured woods with bruises that match.
what could i know of love? what could i deserve?
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we roll up the rug together. underneath are little bits of construction paper from art projects i never finished cleaning up or i never finished at all. my life is full of these scraps; untidy leavings.
âwhat would i tell her, even?â i discover in the grooves of the hardwood a single bent ring, try to pick it up with my toes for the added challenge.
you go get a broom. âyou tell her the truth. they thought it was something harmless, but itâs looking like it might be serious, and you wanted to reach out because it has given you some clarity.â
âthe insurance isnât cooperating. do you think she could get the insurance to cooperate?â i hold down the metal dust pan on the floor in front of you, gently scooping lint into the pile with my bare hands.
ânobody can get the insurance to cooperate.â you have a trick to getting dirt perfectly into the pan - you somehow never leave one of those little lines behind.
âso i go up and iâm like - hi! we lost touch. i have a heart condition that might kill me and they donât know what it is. itâs scary! anyway, wanna grab lunch?â
âyou could like, offer a specific lunch place.â you gesture for me to open the trash bag, i struggle with finding the correct orientation.Â
i have to shake it open. âthis sound gives me the heebie jeebies and like, i donât know why. you ever have, like, sound-heebies?â
âlike, specifically for metal on teeth. you could start the conversation like that, maybe?â you pour the dust in. i spot a penny in the dinge too late to rescue it. âlike - hi, i am afraid of trash bags.â
ânot afraid! theyâre just too loud and shouty.â i shimmy it gently so it rests at the bottom. i stare at it, penny winking through dust. âwhat if she hates me? what if she thinks iâm like, super ugly? am i ugly, patrick? what if she hates me and she thinks iâm super ugly?â
you stack your hands at the top of the broom. take a deep breath. âyou know, i donât wanna be that guy to someone with a weak heart, but.â you rest your cheek on the back of your knuckles, grinning. âbut maybe you care too much about what people might think about you.â
âi donât know how to stop caring!â
âyeah, thatâs fair.â you close your eyes. âbut you chase catastrophe, kind of.â
i stare at my hands. ânot on purpose.â
you put the broom against the wall. you take a deep breath. ghost your palms under mine, almost-touching, not-quite-there-yet. like youâll catch me if i start going, but you trust me enough to keep standing. âyou are living in the catastrophe,â you say. âyou are already experiencing a worst-case. late-stage capitalism. pandemic. global warming. all of it. thereâs no need for you to imagine worst-case situations. you are trying, and you are caring, and you are alive in despite of all of it.âÂ
âyeah, but. i justâŚ.â i never stop thinking. the skin of me is full of beetles. i can never rest and i havenât been sleeping and no matter how much planning i do i never seem to be able to get my life up and running. â⌠i just. get nervous.â
âitâs okay,â you say. âiâll be your friend anyway. even if she finds you ugly.â
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kitchens become so essential to the heart of a house. the space you and your siblings tried to shove too-hot cookies into your mouth; the space you made whipped cream into a waterfall and tried to catch it in the air; the space you burnt your first batch of cupcakes.
the space she stands, shoulders curled, and asks you, coldly, if youâll give her the room. the dog skittering away from any scooted chair. a silence, thick and eerie. a set of burns, and broken plates, and fearfully stealing what you need to eat. the knife, clean and agile, his hands angrily slicing meat.Â
i juggle three grapes effortlessly. he bounces an apple off the back of a knife, she jumps to catch it in her teeth. we dance with our hands up to the sound of the oven timer beeps, shouting and stomping and howling tunelessly. i bake another set of cookies for no other reason than âit feels like cookie weather,â nobody yells at me. we stack thick tomatoes on top of our heads to practice our balancing, he slides me a sandwich when heâs worried i didnât have time to eat.
my friend asks me if i feel like iâm home. on the stovetop; ginger tea is boiling over, but we are all laughing. nobody is slamming drawers, nobody is closing cabinets so hard the dishware rattles. nobody is scrubbing dishes violently. nobody is asking what i was doing in the fridge, nobody is shouting.Â
itâs different, i say. itâs happy here. we are, you know, friendly.
so home, she says. you feel like what homes are supposed to be.
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i wish you would use your words to
look at me but i know you never will. so instead
i swim through bitter secrets & muddied guilt
pretending i can read your mind, pretending
this is not hadesâ blade, carving open my throat.
rendering us both silent. leave me
to make up answers to questions i cannot ask.
you are made of these things: all darkened red
and faded bruises. tenderness turned sore
under a gentle press. shining fear
still glistening on your cheekbones.
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poem made of the way we wander,
a sage and hay graveyard. bones areÂ
easy to come by and collected in bags,
the way animals stumble in the dust
and wrap their bodies with sun,
larvae of small and secret creatures.
kill is such a sharp word. let usÂ
rust away easily with the sound of
scavengers keening ahead
(or at least singing).
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i promise i am still breathing. i promise i still wake up every day -- even if itâs long past noon & i spent the night before feeling tiny & terrified, spent the night suffocating myself & counting losses instead of wins. i promise i still made it through. still make it through.Â
i thought about telling my mother countless times. we hardly talk but i thought about calling her, telling her âthis is what iâve becomeâ, but i think she would blame herself too much. more than she already does. at night she dreams of me & my father and i donât know which face she hates seeing more.Â
my brother is just like me. five years younger & laughs off fear the same way i do. when i went home for the weekend, knuckles white from holding my bags too tightly & unable to look anyone in the eye, i felt like i had failed him. iâm scared that heâs floundering with his head above the water, the same way i am, but how can i give him answers to questions that still haunt me?
five years older & i am supposed to be the protector. instead, itâs 2 am & my brother locks himself in his room, an image of fierce smiles & sharp teeth until he is alone. the walls are paper thin & he cries quietly in his bed & i cry quietly on the bathroom floor & we pretend like we cannot hear each other.Â
- no place like home // allÂ
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here are some things: you, cider, and music from the 90â˛s.
âare you sure youâre good with me staying over?â you ask. iâm painting my toenails bright bright red. youâre digging through your duffel bag. my cat wonât leave you alone.
it doesnât need to be asked, so i donât give an answer. i correct a smear with my thumbnail.
here are some things: once you told me to feel your hair, and when i reached out, you closed your eyes and leaned in.
âi got new socks,â you tell me.âcheck it.â
theyâre fluffy alien socks. âjob lot,â you say, âthree ninety-nine.â
and then, grinning, you pull out a second pair. âSo we can match,â you tell me. âtheyâve got nonskid footies.â
here are some things: when i was six i once spent an hour coaxing a spider into a cup even though i was terrified. when i first met you, you smiled at me and i knew, suddenly, what it was like to be a spider in a cup.
you laugh at the look on my face, âI know,â you say, âiâm your best friend and you love me.â
i look down. and i tell myself. here. act like this is nothing.
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guttersweet
define the scary in my skull / sharp teeth like trileptal binge / youâve got me by my work ethic / youâve got me by the veins, blood & allâŚyou donât know the half of it but you cut apart my bones anyway / magazine-feathers flap flap / asking, begging, for xanax dreams again / but dull-eyes donât get epitaphs /
you have what it takes / rainwater tuesday and itâs not even 1:00 / iâm strangling my own dynamics, trying to dredge up all of your silver, unpublished secrets / there just arenât any anymore / the gutters sing like forest fairies, orgies & all / thereâs no sex in these waters, just lonely elegies that never found a home ⢠july 16, 2018
// inspired by a prompt (sharp teeth & rain water) sent in to me by the fabulously talented & amazingly nice @wroteghost //
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your girlfriend is asking to meet upÂ
with you today & I am asking why
do you keep calling her that. whenÂ
you have been dumped & re-dumpedÂ
more times than I can count, whyÂ
is she still your honey. when youÂ
dream of her at night, but the thoughtÂ
of her bleeding heart sucks the air outÂ
of your lungs & leaves you breathlessÂ
in a very bad way. she calls, toÂ
book a reservation in your presenceÂ
& you forget to land on your feetÂ
when you fall out of bed. but, theseÂ
days, grovelling on your hands & knees
seems to suit you better, after all.Â
-- how many times have you crawled back to her? // all
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last run untill scrap yard / locomotive dream carriage howling madness as suggested to me by anonymous
// another dead july, nothing moves
not even the desert sunflowers, sieve dream, dust and pebbles and white spirit horses lurking past prairie //
the engine coughs like old bill did when he visited me, morphine sadness and addiction and sickness, following
â the trainâs dying on its wheels
deadmanwalking / crawling â
// itâs a long way down and everyoneâs talking and itâs all too much and itâs all so surreal and thereâs an overwhelming sense of loneliness & oblivion //
but thatâs just how it works, doesnât it?
the fires of older cities gasp, break, talk. thereâs nothing left to say and so much left to do. for all of us.
â july 15, 2018 â
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tips on writing pleaseeee
hey! I made a lil list of my writing tips not too long agoâ you can find it here. hope that helps!
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go to florence. look in the eyes of michelangeloâs david, chiseled in stone but softer than rosemary. they say he wore a crown of gold once before it was taken from his head. he is planted in stone but his eyes are too human for your liking; they beg you, put it back.
the antinous mondragone, the marble smooth and cold like winter ink. you remember it was unpacked with lipstick marks on its cheek; someone at the louvre with lips smeared cherry red had made herself hadrian and kissed it. you remember thinking, who could blame her?
sappho and erinna in the garden at mytilene, captured by simeon solomon. itâs been a while since youâve cried at a painting. youâve gone to museums armed with ways to analyze what youâre seeing; you know what clouds are saying, you know the language of flowers. but you looked at the painting of those two women clouded in their embrace and didnât even realize you were crying until you looked at your notes in your lap and the pen was smudged with tears.
the universality of love. it hasnât changed: two boys swathed in light, two girls in a garden teeming with flowers, a gaze from across a room. in the statues and paintings we are captured in our gentle, tender humanity, in the places where we think no one is looking, where we are allowed to feel vulnerable. where we are finally able to say, look, this is me, this is you, this is everything that love should be. i want to make you feel it.
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what reminds me of louie:Â Â
a bouquet of sunflowers, held together by dark hands & brown twine. stems cut too long, faces larger than herself & still searching for the sun.Â
picasso earrings. a melted flow of looping gold, the same curved cheek from two different angles.
blood splatters across clipped angel wings & the look in her eyes screams heavenly art.Â
both brock & hampton. mosh pit dancing in platform shoes. bangles on her wrists, arms in the air.Â
books & essays & pages & paper splayed across a cafe table. favourite quotes highlighted carefully & lines of poetry scribbled in the margins.Â
three wishes from a genie. polishing his lamp in return, with the sleeve of her yellow turtleneck.Â
a wedge of lemon floating in a decorated teacup. eyes tracing its citrus beads; breakfast smells like honey & lavender.Â
geryon, with his yellow eyes & red everything. pleading for his own forgiveness.Â
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itâs 5:30 am and iâm holding a jar
filled with the dreams of someone elseÂ
tiny bits of sand and shell
and gray matter.
i want to spill it on the pavement
itâs 5:40 am and i have stared at the stars for awhileÂ
wondering how many go unnoticed againstÂ
a black-and-blue sky.
i feel sorry for them. i look anywayÂ
itâs 5:50 am and the jar is goneÂ
it didnât shatter as iâd hoped
but thereâs a millennial trail of fragmented pieces
now crushed into some old pavement,
rather than scattered throughout my bodyÂ
itâs 6 am. he opens the sunroof and i stick out of it
there are no cars, a smell of rain
and i feel something instead of nothing.
the sun starts to rise. i am no longer looking for stars.
so tonight that i might see// hnl 2018 (via badpoetsclub)
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