Just a chill day rediscovering these Unfinished Tales (again). Even the stuff he never got around to writing is gripping. I just love reading about the complete backstories of pretty much every detail. (And yet again, Isildur maligned by Peter Jackson as simply an arrogant no-name who only wanted the One Ring for himself, like he did nothing else.)
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sometimes the best fanfics are written by middle aged adults with years of writing experience who simply know how to craft a good story. but also sometimes the best fanfics are written by a sixteen year old girl with something deeply wrong with her
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YâAll Should Actually Read Barthes (Or: Why Your âRings Of Powerâ Critique Is Bad)
I think what really gets under my skin about the many, many lousy critiques about Rings of Power[1] on Tumblr dot Com and Reddit[2] that I see out there is that firstly it frequently seems to be coming from people who donât seem to realize that their understanding and memories about Tolkien are shaped far, far, far more by the Peter Jackson movies (which were hardly âcanon-compliantâ) than they are by the actual text. Secondly and more crucially I think is that everyone really wants to get pissed about canon that Tolkien never actually codified. Hereâs what I mean:
Tolkien didnât âwriteâ the Silmarillion. He wrote a whole bunch of essays, letters, notes, scraps of ideas, poems, plot outlines, and ramblings, some of which he earmarked for a project he one day planned to compile as something called The Silmarillion.
Then he made a slight error in his scheme by dropping dead.
So his son Christopher Tolkien and his pal Guy Gavriel Kay stared at this enormous pile of stuff that went back decades, pulled out some of the bits they thought were most polished, did their best to link them into some kind of narrative, edited the crap out of it, added punctuation, and published a book they called The Silmarillion after JRRâs planned, but never completed idea.
And was what was in The Silmarillion everything JRR planned to be in the final volume? Not necessarily. In many cases, not remotely, but Christopher Tolkien and Kay tried to take the stuff that was most polished, even if that was thirty year old stuff and Tolkien had changed his mind fifteen more times, because the old stuff often had a clarity of completion that the later revisions didnât. They usually took the stuff in completely sentences over the stuff with sentence fragments, even if the latter was more âfresh.â But because they realized that The Silmarillion was more a simulacrum of Tolkienâs ideas than anything actually definitive, Christopher then put out The Unfinished Tales, which contained some of Tolkienâs ideas in various forms such as did and did not make it into The Silmarillion. And since the very large pile of notes and scribblings and essays and letters and old recipes didnât seem any noticeably smaller, he then spent thirteen years publishing The History of Middle Earth, comedically large tomes stuffed to the brim with Tolkien ideas, variations, variants, and late night side-table Kleenex notes. And then they kept putting out more books. And more. And then Christopher made the same silly mistake of dropping dead too! But other people put out even more books, with even more untouched material. Thereâs one coming out in November and JRR Tolkienâs been dead for fifty years!
None of this was published under his aegis. And let me tell you, JRR Tolkien had a pretty weighty aegis: the man was famous for berating his publishers for edits and corrections. Part of the reason he never got around to completing a definitive Silmarillion was the fact that the man never wanted to publish something with which was not completely satisfied: and everything that has come out after his death, compiled with all the love and care in the world, is nevertheless pretty damning evidence that Tolkien was never satisfied.
What we know about old JRR is that he changed his mind again and again, and we canât know that on his dead bed, his last thought wasnât some brilliant revelation that finally made the One Ring work in the context of Sauronâs timeline in the Second Age â but he didnât even get to scribble it on a napkin for his son to later try and make sense of. And so we will never really know what his true canon decision on, say, elven pregnancy was: sometimes he thought it should take about 108 years. Sometimes only 9 years. But then he would change his mind, or change his math, again, and sometimes heâd go back to old stuff we didnât like his new ideas. And so on.
So when you talk about the âcanonâ of Tolkien, itâs important to remember that even if youâre just speaking about âdefinitiveâ works, youâre left with those published with his approval in his lifetimeL namely, The Hobbit, The Lord of the Rings, The Adventures of Tim Bombadil, and The Road Goes Ever On songbook with Donald Swann. And even then, what version of The Hobbit are you talking about? The original? Or the one he rewrote after he changed his mind about the entire nature of the ring Bilbo found in a cave and decided that actually it was the most important piece of jewelry in existence. Honestly, given world enough and time he probably would have made a third edition of The Hobbit because those two âcanonicalâ books, The Hobbit and itâs âsequelâ Lord of the Rings, donât even fit together very well, as poor Peter Jackson learned to his sorrow and our pain with his wretched, tonally disjunct Hobbit films.
)Itâs funny, because everyone on here loves talking about Death of the Author. Almost none of you have ever read it, but it sure is a thing thatâs a super important, inviolable concept⊠until we talk about an author the internet isnât mad at, and suddenly the authorâs word is inviolable and all adaptation choices are wrong.)
I donât know how to get this across any clearer: anyone who have ever dug deep into Tolkienâs lore knows that speaking of things like âcanon,â âdefinitive,â âauthoritative,â and all similar adjectives is often a foolâs errand. Tolkien left us with a lot of ideas about the second age, but very little in the way of clarity, much less âthis is the true thing unchanging.â Even the âauthoritativeâ timeline of the Appendices in LOTR is stuff that he was already changing in the writings he did in the years after.
So I am begging you. Please. Please stop giving the AkallabĂȘth a level of authoritative definition that even its compiler admitted it did not possess. Until you can prove to me you brought the shade of JRR Tolkien back from beyond the Veil to speak True Authorial Intent,[3] I am going to treat your recourse to âbut the canonâ with the level of exasperation it deserves.
âââââââââ
[1] Besides the general problem on this website that everyoneâs heard of critical theory and almost nobodyâs ever read any.
[2] There are plenty of valid critiques to be made, especially about pacing and awkward racial optics, but itâs really not the unhinged shit Iâm seeing, as usual.
[3] Letâs be honest:Â in the fifty years since he shuffled off his mortal coil, the shade of Tolkien will unquestionably return with a ghostly second pile of essays, letters, notes, scraps of ideas, poems, plot outlines, and ramblings, and they wonât be remotely definitive either.
And weâre all going to be super disgruntled when the ghost insists that the only good Tolkien adaptation is Khraniteli.
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Someone asked me to expand a little on a topic that was buried down in a big chain of reblogs, so I'm doing that here--it's about the use of the archaic "thee", "thou", "thy", etc. in LOTR and what it tells you about charactersâ feelings for one another. (I am NOT an expert on this, so it's just what I've picked up over time!)
Like many (most?) modern English speakers, I grew up thinking of those old forms of 2nd person address as being extra formal. I think that's because my main exposure to them was in the Bible ("thou shall not...") and why wouldn't god, speaking as the ultimate authority, be using the most formal, official voice? But it turns out that for a huge chunk of the history of the English language, "thee," "thou," and "thy" were actually the informal/casual alternatives to the formal "you", âyourâ, âyoursâ. Like tĂș v. usted in Spanish!
With that in mind, Tolkien was very intentional about when he peppered in a "thee" or a "thou" in his dialogue. It only happens a handful of times. Most of those are when a jerk is trying to make clear that someone else is beneath them by treating them informally. Denethor "thou"s Gandalf when heâs pissed at him. The Witch King calls Ăowyn "thee" to cut her down verbally before he cuts her down physically. And the Mouth of Sauron calls Aragorn and Gandalf "thou" as a way to show them that he has the upper hand. (Big oops by all 3 of these guys!)
The other times are the opposite--it's when someone starts to use the informal/casual form as a way to show their feeling of affection for someone else. Galadriel goes with the formal "you" all through the company's days in LĂłrien, but by the time they leave she has really taken them to heart. So when she sends them a message via Gandalf early in the Two Towers, she uses "thee" and "thou" in her words to Aragorn, Legolas and Gimli because now they're valued friends and allies. And--this is the big one, folks, that was already alluded to in my previous post--Ăowyn starts aggressively "thou"ing Aragorn when she is begging him to take her along as he prepares to ride out of Dunharrow. She is very intentionally trying to communicate her feelings to him in her choice of pronoun--an "I wouldn't be calling you "thee" if I didn't love you" kind of thing. And he is just as intentionally using "you" in every single one of his responses in order to gently establish a boundary with her without having to state outright that he doesn't reciprocate her feelings. It's not until much later when her engagement to Faramir is announced that Aragorn finally busts out "I have wished thee joy ever since I first saw thee". Because now it is safe to acknowledge a relationship of closeness and familiarity with her without the risk that it will be misinterpreted. He absolutely wants to have that close, familiar relationship, but he saved it for when he knew she could accept it on his terms without getting hurt.
So, you know, like all things language-based...Tolkien made very purposeful decisions in his word choices down to a bonkers level of detail. I didnât know about this pronoun thing until I was a whole ass adult, but thatâs the joy of dealing with Tolkien. I still discover new things like this almost every time I re-read.
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Love love love this!
Baby Isildur and Berek
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Gotta get them started early. Get you a kindergarten teacher like me.
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Peep at my lil Tolkien Shelves.
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Been on a little bit of Isildur the father bend lately...
Day 1: Parent-child relationship
Kicking off @tolkienfamilyweek with some IsilDAD:
Isildur, Elendur, Aratan, and Ciryon looking proudly upon Nimloth II in Minas Ithil
Yes, I think about them a lot đ
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Just a regular reminder that in the time after cutting the One Ring from Sauron's hand and refusing to cast it into the fire, Isildur spent two years setting up his (ingrate) nephew Meneldil as King in Gondor, and then started on his way to Imladris to reunite with his wife and lil son, aaaaaand to give the Ring to Elrond. And he was just about there when he was killed.
He may have initially refused to give up the Ring but he yielded to better judgment once he had more context (i.e. finding out that it could not be used for good, as he had intended), and not only set aside his pride to return to one "greater" than himself, but resisted using it to save himself. Tolkien takes great pains to show that Isildur had every reason to believe his journey from Osgiliath to Imladris would be without issues and that he was well-prepared for any trouble that could be anticipated.
Oh, and his sons loved him very much. Isildur Defence Squad forever! Peter Jackson did him so, so dirty.
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Definitely NOT Barad-dûr. Just a random magic castle. (Actually a decent quality build!)
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Peeps bout to lose they mind when they realize Lloyd Owen's beard comes off.
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Peeps bout to lose they mind when they realize Lloyd Owen's beard comes off.
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"...Farewell!"
As Beren went, still like a knell
resounded in his heart that word,
the last of his father that he heard.
The Lay of Leithian, v. 185-188
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Finally finished this one...
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self care is writing a fic that youâre literally the sole target audience for
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