In The Whistling Rooms
Şükrü Erbaş
So not to leave you alone
even from your grave I rush back home.
In the whistling rooms
I talk I talk I talk.
I came from afar, morning dew on my lips
Saying don’t be childish you draw back your lips.
Then I raise my eyes, the window’s not there
Dead children like eye lashes lined up.
Can you grow ashamed of your sorrow
I’m poisoned by the tears I’ve spilled.
it’s too late for us you said once, how will all these children
live in this country, the womb of death.
In a village near Antakya, our hearts full of love
Surrounded by such blessings who would think of death.
Come, let us go down to the sea
In her arms the blue will rock our fears to sleep.
I’m a loneliness for two before your photos
One, the one you take with you, the other, the one you leave.
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Today's Flickr photo with the most hits: a street scene in Antakya, Turkiye.
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Atheist Lighting a Candle in Albi Cathedral
Frances Leviston
for Tyler
It seems to matter
I use a Zippo,
not the taper’s monkish flame.
It seems to matter I choose the white
over red before asking the difference,
that I love the fresco’s talented horse
though couldn’t name his rider –
but what’s not authentic at the Virgin’s feet?
She knows I am not a bad person, just troubled.
She knows the wick is burning.
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Today's Flickr photo with the most hits: taken in the Musee Toulouse Lautrec, Albi.
A still life, by Utter.
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Today's poem:
The Rose That Grew From Concrete
Tupac Shakur
Did you hear about the rose that grew
from a crack in the concrete?
Proving nature's law is wrong it
learned to walk with out having feet.
Funny it seems, but by keeping its dreams,
it learned to breathe fresh air.
Long live the rose that grew from concrete
when no one else ever cared.
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Today's Flickr photo with the most hits: this portrait of Tupac.
Street art, Rome.
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Today's Flickr photo with the most hits: this view of the Holocaust Memorial, Berlin.
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Auschwitz
Santino Spinelli
Sunken in face
extinguished eyes
cold lips
silence
a torn heart
without breath
without words
no tears.
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17 Kinds of Hungry
Adrian Matejka
Until around sundown, the surviving
lilies in the yard stay wide open,
like the window of a car passing
on a hot day. No music from the flowers,
but they smell like somebody’s fragrant
soap unwrapped on a dish edged
with daisies. All those smells expressing
themselves haphazardly like a band
trying to tune up. Escape is what I’ve wanted
since I was little, cramped in summertime
Section 8: flowers everywhere,
my bird-legged brother a couple steps
back, my sister book-nosed somewhere
in the radius of us. Just a deciduous minute
when the blossom of noises
was from my own AM radio & not my thin
stomach. No more backtalks, no more
slapbacks. Just a quick inhale before
I tiptoed out the front door. Unlatch, turn,
run away. Escape, as Indiana bats wheeled
up top, chirping sonorous somethings.
I ran under them & to the bus, past
those long-necked lilies, self-congratulatory
in their exploded colours. Their purples leaned
the way June does, their reds hot as the woman’s
attitude waiting at the bus stop while
the #17 scooted past without picking us up.
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Today's photo with the most hits: the remains of the Franciscan hermitage at Rivotorto, near Assisi. The huts are now housed within a church.
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Love Elegy in the Chinese Garden, with Koi
Nathan McClain
Near the entrance, a patch of tall grass.
Near the tall grass, long-stemmed plants;
each bending an ear-shaped cone
to the pond’s surface. If you looked closely,
you could make out silvery koi
swishing toward the clouded pond’s edge
where a boy tugs at his mother’s shirt for a quarter.
To buy fish feed. And watching that boy,
as he knelt down to let the koi kiss his palms,
I missed what it was to be so dumb
as those koi. I like to think they’re pure,
that that’s why even after the boy’s palms were empty,
after he had nothing else to give, they still kissed
his hands. Because who hasn’t done that—
loved so intently even after everything
has gone? Loved something that has washed
its hands of you? I like to think I’m different now,
that I’m enlightened somehow,
but who am I kidding? I know I’m like those koi,
still, with their popping mouths, that would kiss
those hands again if given the chance. So dumb.
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Today's Flickr photo with the most hits was taken, last Wednesday, at RHS Bridgewater, in the Chinese garden * with shadow me
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Lightning Bug
Colin Pope
I carried it to the edge of the cement walk.
It deserved me, I thought,
for how tirelessly I’d chased,
for the way I cared about its inner light.
A last look through the keyhole
of my cupped palms
and I set it down, then
stomped flat, smearing long with my toe
so the neon green spatter and jagged streak
glowed, brighter than before, as though
a spirit glad to have finally escaped its body.
With a stick, I drew a crooked star.
A diamond. And like a sickly dusk,
its ink faded, slow at first, then all at once.
I went giddy, innocent as a god.
Night’s oncoming chill
collected along my collar. I had no idea yet,
bounding back out
across the sighing, blue lawn for another,
no idea the suffering it would really take
in a dark world to shine.
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From “Dark Joys”
Stephen Kuusisto
14.
Old baseball glove,
toy of the blind kid.
Who sniffed its oiled leather,
who could not use it.
Sometimes he’d cry into it.
Do you understand that dark joy?
15.
In the monastery at Velamo
I took a sauna with a monk
Who was one hundred years old
In the steam his skin smelled
like strawberries.
“What do you like to eat?” I asked.
“Strawberries,” he said.
16.
He spends his life
Believing there’s another
Standing on his own shoulders
Looking out to sea.
17.
I love the horse at Lascaux
So unsecured and fast
Legs vanishing
Even as we look
No one to tame her
Only the river’s light
18.
Write poems in the mornings
Pour out yesterday’s tea
Think of Helen Keller
Who dove into life as
A cormorant hits the sea
The speed of that dive
Me? I entered this world
Already lost, having come
From Mithraic light
Whose sun falls across these pages
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Today's photo with the most hits: a courtyard in Buda castle.
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The Baths of Caracalla
John Dyer
Eastward hence,
Nigh where the Cestian pyramid divides
The mouldering wall, behold yon fabric huge,
Whose dust the solemn antiquarian turns,
And thence, in broken sculptures cast abroad
Like sibyl’s leaves, collects the builder’s name
Rejoiced, and the green medals frequent found
Doom Caracalla to perpetual fame:
The stately pines, that spread their branches wide
In the dun ruins of its ample halls,
Appear but tufts; as may whate’er is high
Sink in comparison, minute and vile.
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