Inspired by this poem, Refuge Echo, on Ao3.
"the cave is filled with drawings
drawings in all different styles
at all different heights
as if a hundred different boys
of all different ages
had come into this cave
and scratched drawings into the wall
while waiting for the rain to stop."
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The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.
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"And soda; runs off into the street..."
"...and soda... is totally okay!"
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Here's why I think the Gojo bait is not great writing and why you should maybe think so too (Spoilers till jjk 260).
We've spent the last few chapter consistently establishing a few things about our protagonist (Yuuji) and our antagonist(Sukuna).
1. Yuuji's father's soul is a reincarnation of Sukuna's twin: This instantly creates a connection between Sukuna and Yuuji.
As if you needed one outside of Sukuna's constant mockery of his former vessel's lack of "competance", and that most of yuuji's biggest losses can be attributed to Sukuna, building his wrath brick by brick. But surely adds to it all.
2. Yuuji feels incredibly lonely right now: Anyone he's created any sort of meaningful (?) Bond with outside of just 'hey you're an ally I can fight alongside with' is currently either dead or greatly incapacitated.
3. Also ofc the absolute damage that Yuuji has started incurring on sukuna. Damage that the slew of sorcerors before him couldn't. Forget about everyone teaching him abou love, Yuuji will show him Burning Rage.
This while also having hinted at Yuuji being possibly strong enough to do so on his own. He can go head to head with the King Of Curses with or without the help of his fellow sorcerors once he is able to harness this power.
Anything that was Gojo vs Sukuna feels absolutely irrelevant with the build up that Gege themself has been creating through the past few chapters.
Gojo's form right at the end of the chapter undercuts the pacing completely. Readers are more interested in those last 2 panels of Gojo which are completely removed from and rather jarring to the buildup between Yuuji and Sukuna. Fan interest in Gojo isn't their fault because that's what the chapter makes you focus on.
The only way I see this continue the buildup is if this is somehow Yuuji's doing or done with his knowledge, in which case it'd have been better to end the chapter by showing that Yuuji is aware of it and has an ace up his sleeve, bringing it back to the 2 relevent characters, and for people to stew in what Yuuji could be up to for a week.
But no matter what Gojo's visage there means, Yuuji in this moment has been so greatly undermined, not by his lack of strength, not by Sukuna outright demeaning him, but by the writing itself. By Gege.
And oh, how Yuuji deserves better.
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As much as most of us (I assume) found Joker Out through Eurovision last year and maybe are big fans of the contest (me included), please consider boycotting Eurovision this year!
Palestinians and allies have called for the disqualification of Israel but the EBU has refused. Now Israel is participating with a song that used to be called "October Rain" (the title has been changed) that is very clearly referencing October 7th.
Russia was (rightfully) disqualified for opening fire on Ukraine. Israel is allowed to continue, despite the year-long occupation and murdering thousands of Palestinians in the last half year alone.
Boycotting means not watching, not streaming the shows, not creating or interacting with any Eurovision content. You will miss out on a glittery night of music and it will suck, but it will help path the way to a free Palestine! 🍉
Read the BDS Movements statement from March 2nd 2024 here.
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1812: A sailor takes a routine trip to London, unaware that this would be the last time he'd ever see Flanders. Many lasts were soon to follow.
1861: A boy proudly joins on with the Royal Navy, signing his new name for the very first time. This is a first of many ill-advised decisions.
I can lie and say that the last ES has me thinking about what my characters looked like back on the surface, but it's actually because of a WIP sent to me by an artist I will not name.
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these lines hit different when you read utena as transmasc
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Another little inconsequential red hood thing and I'll admit that I'm decently biased but it irks me to see the whole "Jason can't shut up about his death/he makes his death everyone else's problem" take really frequently because he simply does not do that enough for it to be a thing in like any actual Red Hood story.
It's a thing you see sometimes in modern annuals/comics with large casts, particularly if a writer doesn't seem super confident with writing all of the characters that they're working with or if he's just a background character in this one, because with comics it's quicker to reduce a character to recognizable landmarks than to try and work out a whole new complex voice if you don't really need to, so it's tire iron, Jane Austen, Joker, and death, and it's all written out in dialogue because every character in a group event can't have their own internal monologue, but like. That's pretty much it. UTRH is the establishing event for Jason Todd post death so of course a lot of it is about his death, although it's arguably about the lack of response to his death more than his death itself, and he certainly makes it Bruce's issue but one beef doesn't make a trend. Plus if his death is anyone's issue beyond his own Bruce and Joker are like the number one guys whose issue it is. He THINKS about his death a ton in Lost Days, but it doesn't really reflect externally on any of his interactions besides with Joker, which again, that's justified and relevant beef. Teen Titans 29 is more about his place in the hero community/feeling like he was an outsider even before the bomb/Tim being the new robin than about his death, and side note, that being counted as an attempt on Tim's life also bugs me. He beat him up and then left of his own volition. That's not an assassination attempt its called a fight, albeit a sneaky and unfair one. But anyways. I can't speak on Battle for the Cowl because i haven't read it, both that and Batman and Robin 2009 don't really compel me, but it's entirely possible that's an outlier to my point seeing as I kinda sorta haven't read it and don't care to lmao. Even New 52 (although HIGHLY unpopular) and Rebirth/Dawn of DC/Whatever we're doing now Red Hood content don't really have him talking to people about it besides the occasional little quips. He might make stances that were developed because of his death other people's problem, like in the Mia Dearden Green Arrow situation with the "getting involved in other people's business" issue, but acting like he makes specifically his death everyone else's problem is ignoring all of the perfectly valid actually canon things he makes other people's problem. Most of the unpleasant traits he brings to the table are a result of his death and the sense of abandonment and betrayal that came with it, but that doesn't mean he's bringing his death into it when he acts unpleasantly any more than he's bringing his birth into it when he shows up in the first place. The consequences do not equal the event. All this to say it's irritating when people say the character is grating because he doesn't stop whining about his death when that kinda just indicates to me that they're working off fanon based on fanon based on kinda mid batman annual.
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So BoBs really think Oliver sharing this scene means he's a B*ddie shipper?! And with the same brain, they come after Bucktommy shippers because we're "delusional"?! lmao Yeah, okay.
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honestly feel like you can't fully understand why the nhl functions the way it does unless you have an in-depth understanding of american conservatism specifically. like. the nhl is run by a collection of people who function on conservative nostalgia, purposeful obtuseness, and a direct opposition to progressivism. they're the type of american traditionalists who think that we should go back to the good old days when people respected their elders and didn't think too hard about things like civil rights or what equity actually means. they believe in a homogenous culture of assimilation and obedience, and they rely on the people within that culture to perpetuate it via mutual surveillance. it's what the wealthy white american right has always been, especially since wwii and the cold war after it. and it's what the nhl has always been. it's a culture that is determined to keep itself locked away in the 1980s while the world around it evolves, and as it grows farther removed from the world it exists in, the more reactionary it gets. it's fucking. every 70 year old republican senator who refuses to step down until they keel over dead in congress. that's it. that's all.
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i was reading a fic on ao3 and it was really good BUT it was 60,000 words (bit long for me usually) and only two chapters so each page had 30k+ words and partway down the first one I realised I'd only ever finish it if I kept that tab open for like a week and never lost my place and that itself made me give up despite enjoying the fic so yeah there is such a thing as "too long for a single chapter" in fic.
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introducing the shipname blue hydrangeas for me and my f/o…!!! a little rambling about the decision under cut as well and well. in the tags
with the different vivid colors of hydrangeas, each come with their own special meaning in flower language as well!!! i think it’s very important to keep in mind when researching about such language is that they can be different between cultures/not all cultures have the same meaning for a flower (it’s super duper interesting to me that going through victorian era(?) flower language books have hydrangeas in general noted as ‘boastful’ with how little seeds it gave compared to how much flowers it has… and not only that but men sent it to women who rejected them to imply their frigidity, which. is so mean actually.).
blue hydrangeas i believe they’re not seemed as the happiest kind of flower with being given as an apology (stemming from the japanese myth) but i mostly see the flower for its meaning of deep gratitude and understanding which absoluutely applies to s/i (or. well. me but i’m too embarrassed to use the word ‘us’ uuumm) and f/o…!!! sincerity i think is a meaning the flower heavily carries as well and being true to someone like that and having that kind of connection really is what the highlight of their relationship is with what both have been through and stand for. f/o is not extremely trusting, and being laid bare open to someone like that is very unheard of to them until they have s/i in their life and slowly develop a sort of closeness towards him. s/i is somewhat similar to f/o but different in a way that their honesty is quite warped when it comes to people (i’ve mentioned him being a sunshine type of character but there are layers to that, in the way that he finds his truer and more negative emotions irrelevant and keeps the sunshine mask on as he grew more used to it & finds it much easier basically) so the type of relationship for the both of them where they can genuinely be themselves with their guards down is something really special
in a way both are extremely grateful for each other as well for walking into their life and wouldn’t have it any other way
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recent lounging babey images
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“why are you upset?” alejandro was behind him, suddenly, arms sliding around his waist. rudy tried to pry away, but alejandro just pulled him in closer.
“i really hate that you act like im special to you,” rudy said, eyes starting to burn. “you just use me to take out your frustrations. thats the only reason you keep crawling into my bed.”
alejandro seemed to go still for a few moments. then, “rudy, it’s because you make me feel better.” alejandro hugged him tighter. “you’re comforting. you just… you help me with so, so much, being with you makes me feel like everything will be okay. i really, really love you.”
“that’s not what it feels like,” rudy spat, bitter, although his heart ached.
“i’m sorry, mi corazon,” alejandro murmured to him.
tentatively, rudy’s hand slid over alejandro’s. “that doesnt make me feel special,” he said, “i’ve heard you say that to strangers in bars.”
“strangers who look like you.”
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You just don't think antis are a problem because they're not in your fandoms. Once they start making posts with thousands of likes accusing you of being a pedophile and threatening to find out where you live and work so they can report your pedophilic tendencies because you ship teenagers (shounen characters), you'll start caring very quickly. Not in favour of that happening to you? Cool, you're a proshipper.
The fuck
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