The Times:
Harry’s court crusade will define him. And it’ll never end
The Duke of Sussex is on a mission and nothing will deter him from pursuing it, writes Roya Nikkhah
The anguish of reliving what he describes as a lifetime of trauma at the hands of the tabloids was unmistakable, even if the evidence for his claims was harder to detect. Why do it? Why put himself through the pain and emotional angst that many thought he expunged in Spare, his blockbuster memoir?
In short, because he can.
If the past three years have shown anything since the Sussexes stepped down from royal duties, it is that banning them from using their HRH titles has only emboldened them to take on all the battles that royal life once prevented them from entering.
Harry’s performance on the witness stand last week was a textbook case.
Since leaving the royal fold, Harry has repeatedly claimed “the institution” refused to stand up for him and Meghan with the British press, a claim that induces exasperated sighs and rolling eyes in the royal households. It also prompts former aides who worked with the couple and who pushed their relationships with the media to the limit defending them to recall Elizabeth II’s phrase: “Some recollections may vary.”
As some who have worked with Harry over the years say, his memory often does not tally with theirs. A Morten Morland cartoon in The Times last week prompted amusement among several former aides, showing the prince’s hand on a copy of Spare in place of the Bible, swearing to tell “my truth, my whole truth and nothing but my truth”.
But his claim last week that alleged phone hacking by MGN was “contained within the palace” left a senior former courtier who worked with William and Harry during that period scratching their head. “Did we keep things from him? No. At no point did it come up that the Mirror was doing it while I was there, it never came across our desk. I never had any conversations with either of the princes about ‘where are the Mirror getting those stories from?’”
Harry was adamant that “every single one of these articles played a destructive role in my growing up”, but failed to point to any solid evidence linking them to phone hacking. Instead, he often relied on his “suspicions” about stories concerning him, his mother Diana and his first love Chelsy Davy, prompting the same former aide to suggest that Harry’s self-proclaimed “mission” to “reform the media” is more important to him than victory against MGN.
The prince said he would feel it “an injustice” if phone hacking cannot be proved, but the former aide says: “It’s a means to get revenge on the tabloids and an opportunity to pursue that mission, win or lose. He won’t want to lose, but he will have had his chance to say ‘this is what it was like for me, my family, my girlfriend’. Perhaps all those millions from his book and Netflix deal was to build a war chest to pursue the tabloids until the end. Of course he forgets he’s had a lot of positive coverage over the years. Like an actor, he only remembers the bad reviews.
One barbed comment in Harry’s 55-page witness statement last week got Palace aides particularly hot under the collar, given the constitutional requirement for the royal family to be “above politics”. The fifth-in-line to the throne wrote: “Our country is judged globally by the state of our press and our government, both of which I believe are at rock bottom.” Has the prince, who travelled the world for years representing the UK, so soon forgotten that Britain is also judged internationally by its royal family? To many, his comment was woefully misjudged, others saw it as unconstitutional. Either way, what must the royal family make of their unelected, exiled prince launching attacks on this country’s elected representatives?
A royal source says: “The Palace will find that extremely difficult and uncomfortable, because you can never fully separate yourself from the institution and it will have raised eyebrows on both sides of the park — at Westminster too — not least because it wasn’t necessary for the core of his case.
“But it only underlines the wisdom and importance of [Elizabeth II’s] decisions taken at Sandringham [the family summit in January 2020], that you cannot be half-in and half-out. Those decisions are now the royal family’s insurance — when one of its members continues to break with convention, they can point out that he is speaking as Harry Windsor, not as the Duke of Sussex, working member of the royal family representing the nation. Then, there is the deep irony of a member of the royal family talking about how the country is judged around the world, which is often by and through the royal family. It shows a deep misunderstanding by him.”
A source who knows Harry well, says: “I think he’s been sitting in the Californian sunshine for a long time, hanging out with James Corden [the actor and TV host] and has lost all the instincts on how to do this, how to conduct himself carefully, still as a member of the royal family. He’s lost the knack of what he can and can’t say and there is no one around him to say, ‘No, Harry, you can’t say that, take that bit out’. It’s embarrassing for him and for Britain, for a prince to be saying, ‘We’ve got a shit government’.”
The reality is Harry cares little about any of this, because he knows there are no consequences to his actions and the monarchy has no more levers to pull.
He has continued to shrug off raised royal eyebrows and veiled threats. The King might have booted his son out of Frogmore Cottage and relegated him to the third row at Westminster Abbey for his coronation behind Princess Anne’s plumed hat, a detail that a royal insider says prompted “much hilarity among the family about where the plume ended up and what it ended up obscuring”. But the Sussexes have kept hold of their titles and those of their children, Prince Archie and Princess Lilibet, proving that however unconstitutional their words or deeds, the punishment is unlikely to be heavier than fiddling with seating plans for the occasional state occasion.
But even some of Harry’s friends and staunchest supporters acknowledge that the noise generated by his legal actions threatens to drown out all the other work on the military, conservation and mental health that he has spent years building. Harry will be at the Invictus Games in Düsseldorf in September, putting him back on the map as a champion of veterans. A friend says: “I couldn’t even tell you, apart from Invictus, what Harry is for at the moment. I think there’s an acknowledgment that while this is all going on, everything else is a sideshow. Championing the causes close to his heart will never go, but he’s hit the pause button to focus on this. It is coming to define him — I think through design.”
The friend also believes Harry’s journey is open-ended: “When these cases are over, it won’t be the end of it. He sees his mission as being the standard bearer of a fair media and I think we’ll see more of this in years to come. He feels so strongly about it. He’ll always be a powerful advocate of fair and true reporting.”
A former courtier has another theory on why Harry is willing to endure the torment: “I think he is seeking inner peace and this becomes the target — he thinks if he can bring the media to heel, it will cure his pain. Sadly, I don’t think it will. He’s still defending his mother. Nothing will take that pain away.”
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I note that I don't, and I never, was much of a fan of doctor-and-rose as romance, but that I -- rather than get annoyed at the romantic-coded scenes -- had a tendency to simply read them from a totally different perspective, and really maybe should have been a sign of sooomething different about me, that I continuously felt that the doctor's concepts of connection must be so alien, that to call it romance would be to diminish the actual Thing that they had, which was presented as such onscreen (to my mind then, now I realise what was happening, but I prefer what I had going on), which is basically that the doctor was a shell of a person, hurtling towards destruction (he would have died without rose in ep1), desperately lonely and sad and traumatised, and she retaught nine -- and by extension ten -- how to love the universe, at the same time as nine and ten taught her the same. (I think about the scene in father's day, where while they're arguing, rose says that she knows how sad he is, and he'll just hang around the tardis waiting for her -- she knew!)
and then on top of that with sarah-jane (which, I never watched the classics as a kid, so I didn't have that context for her beyond what the episode presented) it felt like that was sort of confirmed and made even more canon through this idea that the doctor is constantly mourning the inevitable deaths of their companions and would rather simply leave them behind at some point than watch that happen (and they've seen that happen before, although dying for a cause versus just... dying, because you die, while they don't, they just continue on and on, always seeking connection, always knowing that time will take them away, that's a whole other thing)
and then of course there's ten's... I would call it "sex appeal" because it's david tennant and with his performance there's immediately a bit of a focus on oh he's quite pretty and he faints/is knocked unconscious in both of his first episodes, and a lot more flirting, and the people want to see sparks or what have you... but the doctor as portrayed and written is still... not coming at it that way. yes yes girl in the fireplace but also, once again, doesn't work for me, because I find it soooo much more interesting that the doctor would imprint on A Life - and a life that they admire -- and speedrun the exact thing that they're most afraid of with their companions... that she ages and dies and it's the one thing that the doctor simply cannot stop
meanwhile rose is quite young and swept up in this whole massive adventure and very much reads the doctor not as an alien (frequently surprised by their alien-ness) and gets jealous of sarah-jane as if she's an ex, and renette as if she's... a replacement? but really it's more that the doctor met her at the point when she was about to accept her life as it was. not an exciting life, not a bad life, but always having to ignore the idea that there must be more to it than this. and the idea that she might be unceremoniously dumped back in that after seeing just how This the this could be, of course that's terrifying. and of course she's simultaneously taken with the dashing doctor and the jetset life, and worried she could be replaced, because to her the doctor saved her at 19 years old. in some ways the doctor created her (considering who she becomes after dooms day)
contrasted to martha who initially has a similar kind of experience, but the doctor doesn't meet her at the space she's in with them -- ten is leaning on her, like they did with rose, but not giving anything back unless kicking and screaming and traumatising her whole family. martha's trajectory is so so tragic, because she barely gets a taste of the splendor versus the horrors and the latter marks her for life. but she also knows to walk away from those overwhelming feelings, rather than give into them, she knows they'll never be rewarded and she also grows beyond wanting to be a crutch for the doctor (the fact that she then ends up as a soldier, well... ouch)
and then of course donna, who never has those fucking awe-feelings to begin with and whose connection with the doctor is explicitly de-romanticised but never placed on a lesser pedestal as if there's a hierarchy of alloromanticism. topples those pillars, never sees the doctor as anything but what the doctor is. good old donna. (sobs.) (but also... cautious hope for the specials.) (but also sobs.)
my point being. just don't buy alloromantic doctor, they're a near-immortal alien. it's such a dull simplistic way of reading their relationships to other beings. other point being. all those women who were making heart-eyes at ten, wish they'd met thirteen and had a... "yeah, this still works for me," moment. their horizons, too, are broadened by seeing More. (that or they realise they were never actually "in love" but just thought ten was a sexy skinny little snack and it blinded them.) (although jodie whittaker, too, is a snack.)
and lastly lastly ofc, is that if the doctor has a longterm (by doctor time measurement) intense relationship with anyone, whatever that might be called, it's the tardis. and that relationship is also so alien it cannot be quantified by human words for concepts
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