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#winnie the pooh: blood and honey (2023)
tawneybel · 1 month
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It’s a shame you’re not interested in Winnie the Pooh: Blood and Honey, cause I wanted to see you write Winnie, Piglet, Tigger and Owl gang///bang///ing the reader.
Accept these headcanons about them I have concocted that might make zero sense and/or be completely out of character. Idk. I support people wanting smut for weirdass characters. Does this count as yiff? 🤔
Winnie: Initiates gang bang, even roughly pawing at your cl!t to make sure you’re wet enough for bearbacking. Falls asleep pretty much immediately afterwards, no aftercare. Probably grunts the most and is generally louder than the others. 
Piglet: Likes getting little kissies on his face. Then gets impatient when his tusks get in the way of mouth kisses, so he just shoves his meat thermometer down your throat while Winnie—I’m not calling him Pooh, that’s too cute for a slasher—makes sure you’re slick enough. 
Tigger: If you try getting off your hands and knees while getting spit toasted by Winnie and Piglet, Tigger will bite your nape to keep you in place. Might just paint your back with stripes, so to speak, if you don’t have a hole free. If Piglet finishes first, he’ll wait until your pussy’s available. 
Owl: Also not bothered by sloppy seconds. Can he fly? I’d imagine he’d grasp your ankles with his talons and take you up into a tree. Because he has wings for arms, you’ll have to spread your own legs and use them to hold onto a branch while being pile driven. 
It’s a low branch. At this point fluids are probably dripping down you and if the others haven’t finished, or want to go again, your mouth is still available. And your tits. 
Hopefully their blood rushes out of their dicks, before your blood rushes to your head.
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SUMMARY: Transformed into feral and bloodthirsty, Winnie-the-Pooh and Piglet terrorize Christopher Robin and a group of young women at a remote house.
Mod Z genuinely wants to watch this movie before the new mickey mouse one comes out, even if both movies could possibly ruin his childhood.
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vvalliu · 7 months
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Winnie the Pooh blood and honey - 2023
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movies-tv-more · 2 months
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Movie Releases for April 9, 2024
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dies3ldr4w · 3 months
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Blood and Honey - Shitty movie
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myhahnestopinion · 4 months
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THE AARONS 2023 - Worst Film
It’s a marvel this category isn’t filled up with superhero films after the year they’ve had. Here are The Aarons for Worst Film:
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#10. 65
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A Quiet Place screenwriters Scott Beck and Bryan Woods don’t knock it out of the (Jurassic) park with their subsequent Spielberg homage. 65 will have viewers counting down the seconds until they can go home. The science-fiction tale strands stars Adam Driver and Ariana Greenblatt in a B-movie bereft of a reason to see it. The fusion of futuristic tech and ferocious animals should have been easy fodder for frivolous entertainment. Instead, the sluggish pace of the film’s imminent extinction event suggests it wasn’t a meteor or da ice age that killed the dinosaurs; it was extreme boredom. 
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#9. Rebel Moon - Part One: A Child of Fire
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Director Zack Snyder likes to paint himself as a rebel against a restrictive studio system while being constantly given new opportunities without cause. His latest big-budget misfire is a childish mash-up of Star Wars and Seven Samurai. Par for the course, the prosaic director copies his inspirations while completely misunderstanding their objectives. Already, the film’s awkward and abruptly-ended parade of thinly-sketched characters is being billed as another incomplete vision, requiring not just two parts but two cuts of each part to truly fulfill Snyder’s intentions. Maybe his hardcore fans will be pleased at the end of the prolonged journey; everyone else will be over the Moon long before then.
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#8. The Exorcist: Believer
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From the beginning, the involvement of David Gordon Green inspired little faith in Believer. Sure enough, the director of Halloween kills interest in his proposed trilogy one film sooner than his last. It’s unclear what exactly led the studio to release a sequel fifty years later that’s tamer than a TV edit of the original. It surely couldn’t have been the return of Ellen Burstyn in her Oscar-nominated role of Chris MacNeil given how quickly the film disfigures and discards the character. That said, it may be for the best that she could excise herself from the proceedings before its embarrassing ending. The franchise is no stranger to desecration but, even at its worst, it was never before this uncompelling.
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#7. Five Nights At Freddy’s
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Topping the box-office may have demonstrated audiences’ appetite for the haunted pizzeria franchise but, make no mistake, the film adaptation of Freddy’s is as run-down as its central establishment. The animatronic mascots at center stage only manage the most pedestrian of jump-scares; they’re far from the only ones just going through the motions. The script, written in part by franchise creator Scott Cawthon, stretches out its thin premise with banal characters and a bizarre child-custody B-plot. It might have been entertaining if it had been any more cheesy. Instead, Freddy’s only serves up an interminable runtime; five nights has never felt so long.
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#6. Hypnotic
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Hypnotic is aptly named; the thriller from Spy Kids director Robert Rodriguez certainly commands one’s attention. The plot, which revolves around Ben Affleck sleepwalking through a conspiracy involving dueling factions of psychics, is simply too inane to ignore. Rodriguez wrote his initial script back in 2002 but was clearly susceptible to outside influences; the film rips off several works that were released before and since, including the dream-like architecture of Inception. Although the director may pride himself on his low-budget prowess, even he can’t make those knock-off sequences look good (though they’re not the silliest instance of replicating elaborate scenery on a miniscule budget here). The film fulfills its intentions on one front: once it’s all over, audiences will have a hard time believing any of it was real.
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#5. Children of the Corn
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The latest offspring of the rotten franchise at least had a kernel of a good idea: the remake roots its characters’ motivations in righteous fury at environmental recklessness rather than strictly religious fervor. However, Children never develops this into any kind of sustenance. The horror here is as, ahem, corny as can be, particularly its stale translation of demonic entity He Who Walks Behind the Rows. Director Kurt Wimmer shows no growth as a director since his last film in 2006, the infamous Ultraviolet; the wooden child actors at least have their youth as an excuse. Sadly though, if ranked within the rest of the series, this one would still land in the middle of the row.
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#4. Haunted Mansion
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2023 was home to many failures for The Walt Disney Company, but none quite as ghastly as the new Haunted Mansion. It’s baffling how a film this overstuffed with actors (including Rosario Dawson, Owen Wilson, and Danny DeVito among many others) could end up this vacant. Indeed, the biggest throughline of the theme-park adaptation is not its attempted reflection on grief but its pervasive and perverse product placement (One character’s tearful monologue about his dead wife comes complete with a prominent Baskin Robbins namedrop). It’s definitely haunting, just not in the way they hoped for.
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#3. My Big Fat Greek Wedding 3
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The Big Fat franchise became even more bloated last year with a picture that can most charitably be described as ‘an all-expenses paid trip to Greece for its cast’. There’s certainly no storytelling reason why audiences are still following the adventures of this extended family, which haphazardly include a last-minute wedding of two very minor characters to justify its title. Nia Vardalos finally receives the director’s chair in addition to her regular writing work just in time for there to be no fresh direction to take things in. If she tries to reunite everyone for a fourth go-round, they would be wise to divorce themselves from it as quickly as possible.
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#2. Pet Sematary: Bloodlines
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Bloodlines resurrects the series last seen in 2019; if this was how it was going to come back, it should have stayed buried. While Stephen King is an imaginative writer, trying to stretch a single chapter of any novel into a feature-length film is like getting blood from a stone. The zombie prequel stumbles its way from scene to scene in search of life, but Bloodlines has nothing for audiences to relate to. Even screen icons like David Duchovny and Pam Grier can’t rouse any interest. Exploiting known franchises may be easy, but, sometimes, making anything else instead is better.
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AND THE WORST FILM OF 2023 IS…
#1. Winnie the Pooh: Blood and Honey 
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Disney slowly losing their stranglehold on intellectual property is a bit bittersweet; Honey is bad enough to sour anyone on the idea of a public domain. The shoddy slasher film, which blustered its way onto the marketplace as soon as the filmmakers could profit from it, is barely recognizable as Pooh but unmistakable as crap. Making the lovable animal into a feral murderer may be legal now, but writer/director Rhys Frake-Waterfield didn’t think, think, think up any other ideas beyond just stirring the pot. Winnie is hoping to prey on one’s curiosity with its premise alone. Word of advice? Don’t bother.
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NEXT UP: THE 2023 AARON FOR BEST DIRECTOR!
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blackcatfilmprod · 1 year
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Hi Guys,
Tonight Boys 'n' Ghouls Film Review Podcast reviews Winnie the Pooh: Blood and Honey here. https://www.youtube.com/watch?v=HRtPiN_UQxk via YouTube
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So, I watched the new Winnie the Pooh: Blood and Honey (2023) film and uh… that was an experience which, and I say this as an insult, exceeded my expectations. I knew it would be bad before I watched it, but I didn’t think it’d somehow be more shitty and less shitty, at the same time, than I thought.
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lalottycupcake · 1 year
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I was curious and checked out the new Winnie the Pooh horror movie
...wtf 🙃
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splatteronmywalls · 1 year
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rookie-critic · 1 year
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Winnie the Pooh: Blood and Honey (2023, dir. Rhys Frake-Waterfield) - review by Rookie-Critic
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On January 1, 2022, the classic Winnie-the-Pooh character lineup became public domain, meaning anyone and everyone could use the names and likenesses of these characters without any threat from Disney of legal action. Of course, less than half a year later, it was announced that an independent British director would be making a horror film based off the property, and thus Winnie the Pooh: Blood and Honey was born. I love stuff like this: I think it's hilarious, I think it's fun, and, if done right, it can be genuinely good to boot. I was excited going into the film, and was ready to see Pooh Bear and Piglet go on a Roger Corman-esque, Birdemic-y B-movie murder spree. That definitely happens, although the results were definitely mixed at best.
I'll start with the positives this time, and say the most impressive thing by far in this is the Winnie the Pooh head. From what little promotional material I'd seen prior to watching the movie, Pooh and Piglet's heads kind of just looked like rubber Halloween masks, which can provide a lot of hilarious campy fun, so I wasn't complaining, but that's not what they ended up being at all. Pooh's head reads as fully animatronic; the ears wiggle, the mouth moves, the area around the eyes moves, it helps bring so much personality to the this murderous version of the character. Piglet's is a little less impressive and doesn't have as much articulation as Pooh's does, so he definitely feels a little more mask-y, but like I said before, that provides its own level of campy charm. I'll also give the actors credit: I wouldn't call the acting in this movie good, by any means, but for something like this you're normally getting the bottom of the barrel scrapings and some truly horrible performances, but these weren't terrible. Nikolai Leon, who plays Christopher Robin, I especially took note of. Again, it wasn't "good" acting, but I was surprised by how not awful it was.
Sadly, I think the good stops there. I had a good handful of issues with Blood and Honey, and none of them have to do with the quality of the film's technical side. Yes the CG blood was bad, yes the camerawork was sloppy, blah blah blah, whatever. This is the Winnie the Pooh slasher flick, I'm not looking for Lawrence of Arabia. There are two big problems with this film. One is that, even taking into consideration an almost entirely female cast and the fact that this is a horror movie, the film seems maliciously cruel towards women. The second is that, for something with as hilarious of a concept as this and that seemingly had some decently creative ideas, the kills and the scares were kind of boring. As far as that first problem goes, this is something we've seen time and time and time again in horror, especially in slasher films. There are a lot of tired, sexist tropes that just don't seem to die, and Blood and Honey contributes to a lot of them. I actively rolled my eyes multiple times, including an incredibly uncomfortable scene in which a female character with no arc and no defining characteristics is brutally killed in a gruesome way that, to me, went on for way too long, with some incredibly unnecessary nudity thrown in for good measure. It's not as bad as THAT kill scene from the first Terrifier film, but it wasn't fun to watch, nonetheless. Our main character, who surprisingly isn't Christopher Robin (another issue I had), is given this empathetic and traumatic backstory that Frake-Waterfield had absolutely no interest in weaving into the larger narrative, which really begs the question as to why we even bothered with anyone other than Pooh, Piglet, and Christopher Robin to begin with. The central group of women really only exist as cannon fodder for our beloved children's story characters, and the setup as to why this had happened to the furry residents of the Hundred-Acre Wood was interesting enough to be able to carry a 90-ish minute film by itself. Instead, we get something that's largely a "paint-by-numbers" B-movie slasher film, which leads me into my second problem from earlier; the movie as a whole, and specifically the kills, feel really uninspired. There are moments where there seem to be sparks of creative instinct (Pooh has the absolutely wild ability to control the bees that inhabit the Hundred-Acre Wood, there's a scene in which Pooh whips Christopher Robin with the nail end of Eeyore's tail, stuff like that), but these ideas go largely unexplored. Instead, we're relegated to watching Piglet and Pooh chase after our protagonists with chains and sledgehammers for most of the film, and that's really too bad.
I don't mean to rant and make it seem like I'm taking the Winnie the Pooh horror film too seriously, because I definitely was not, but I feel like there are ways to make these really low-concept, dumb-but-fun, shtick-y horror films not suck, and it's not even that hard. Just be creative, have fun, and stay away from harmful and tired genre tropes, simple. While this film certainly had fun, and was running at maybe 20% creativity, it just couldn't accomplish what it set out to do.
Score: 4/10
Currently only in theaters.
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thebrownssociety · 1 year
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Winnie The Pooh - Blood And Honey Ideas.
Warning - descriptions of murder, mentions of killing and beloved childhood icons dying.
Right, so. For those of you who don’t know - Winnie The Pooh is now becoming a slasher movie called ‘Blood and Honey.’
Basically the plot is that Christopher Robin goes off to college and leaves Pooh and his friends for 5 years. When he returns with his fiancé it’s to find the forest is eerily empty...until the run into a axe-crazy Piglet and Pooh that is. 
After that a group of five random girls turn up to rent a cabin in the woods and Pooh and Piglet pick the off one by one. As far as I can see the girls serve no purpose except to be victims. 
So, I know we’re not meant to take this movie seriously. The director himself has apparently said we’re not meant to take it seriously. However my brain dissects characters, and I’m wondering...what the hell did it take to get Pooh and Piglet to the point where they’re serial killers!? So...
It’s been five years since C.R. was in the hundred acre woods, so that’s a timeframe to work with. Presumably last time he was there they didn’t look so horrific otherwise I think he’d have run out of there screaming. So it’s the fact he’s gone to college and stopped feeding them that caused them to go feral.
Except, why does he need to feed them? This is based off the original books during which the gang basically ate anything. However they live in a forest, which experiences seasons. I bet that when it got so cold the ground was frozen C.R. brought them food. I imagine he’s been doing that for many years, starting from 6, maybe?
I’m saying 6 because Wikipedia says this all happens when C.R. goes to college. In the U.K. you go to college/6th form at 16, then onto university which is what I think’s happened here. Two years at college, then three years at uni and during that point C.R. was either to far away from the woods to visit or was aware that his ‘childhood foibles’ were being more seriously looked at at possible lunacy and left them.
He’s left some food for them though, so the gang [Pooh, Piglet, Owl, Rabbit + Eeyore] don’t immediately starve, also as Christopher has gotten older they’re now used to being left for months at a time, the longest period at that point being a year.
So - five years:
End of year 1 - food run out. Gang getting worried about C.R. It’s decided they’ll try growing food. Eeyore is the main one who’s alright, as he eats plants and stuff. 
End of Year 2 - growing food is a bit of a 50/50 affair. The gang are a bit less worried about C.R. now, as they’re really hungry and focused on finding food. They start to disband a bit and are no longer as close as they were.
End of Year 3 - it’s been a hard year. In the winter there was a lot of snow and the ground froze making growing food impossible. Also a lot of the plants died. At this point C.R. would usually bring them food, but he’s not there so they’re forced to huddle together for warmth near a river. [There’s no mention of them struggling for water, so I’m assuming there’s a river nearby]
[Warning. Gory mentions and cannibalism]
So they’re huddled together and I’m not sure how it happens - there’s a bit of me that doesn’t want to think it out to much - but the upshot is that Eeyore is eaten alive by the other 4. I would imagine either his tail fell off and the rest of the gang started with that or maybe Eeyore got sick and the rest of the gang decided it was a sort of ‘mercy kill.’ 
After that they’re horrified and erect the ‘tombstone’ we see in the trailer as a way of dealing with their grief. They mutually agree to go their separate ways so it doesn’t happen again. However Piglet and Pooh end up gravitating towards each other again because they’re friends.
End of year 4 - This is the year the murders start. Rabbit notices that some of his ‘friends and relations’ have gone missing. Concerned he watches over the last one - only to see it eaten by Owl. 
Rabbit is furious, but he recognises that Owl is stronger than he is. So he comes up with a plan. He tells Pooh and Piglet that he thinks Owl is planning to kill them. Pooh tells him not to be ridiculous and heads to Owl’s Treehouse to speak to him, but Owl is in a state of high panic and assumed Pooh is coming to kill him. They fight and Owl ends up dead.
Then there were 3.
End of Year 5 - Everything's gone to hell. Pooh and Piglet are surviving by murders hikers/visitors to the woods. Rabbit, meanwhile, is driving himself mad with guilt and anxiety. I’m thinking he either gives himself a hear attack due to the stress or gives up and allows himself to be murdered by Pooh and Piglet - maybe even begging them to kill him.
Either that or he tries to be clever and trap them. Except it fails and he gets caught in his own trap. Cue him being eaten.
I imagine that may have taken place fairly recently and Pooh and Piglet decide they’re going to kill the next people who enter the woods. 
Cue Christopher Robin and his fiancé.
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tawneybel · 2 months
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I’ll Hit It from the Back Just So You Won’t Get Attached
That line is so catchy wtf. It makes me want to write more pegging, for some reason.
Song of the day: “i like the way you kiss me” by Artemas. 
Working on John Carver (Thanksgiving) request, then one for Smile entity. Possessing Joel. Also, I’m going back to posting short imagines because they’re easier, but will continue making requests 500+ words. 
Coincidentally, I just finished Book of Night by Holly Black and there’s a Carver in it. Read if you’re into shadows possessing people. Literal overshadowing. 🤤
Besides T-giving, 2023 also gave us the excellent Scream VI and Totally Killer. Good year for slashers. Not really interested in the Winnie-the-Pooh one, though. “Heffalumps and Woozles” is as spooky as anything Pooh-related should be. 
Hope everyone who celebrates had a great Holy Week.
For Good Friday, we had shrimp cakes, cucumber salad, jalapeño cornbread, and potato salad. Easter: cod, horseradish buttered potatoes/carrots/cabbage, and garden salad. Dessert was a chocolate pie with meringue. The meringue was good, but overkill. Next time we make chocolate pie, it’ll have nuts mixed in. 
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(Photos taken on oldster phone and low blood sugar.)
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trendfilmsetter · 5 months
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Variety Magazine’s Worst Movies of 2023
Ghosted
Asteroid City
Your Place or Mine
Magic Mike’s Last Dance
Heart of Stone
Winnie the Pooh: Blood and Honey
Carmen
The Flash
Paint
Caligula: The Ultimate Cut
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mceproductions · 6 months
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Worst of 2023 Movies #1: Winnie the Pooh: Blood and Honey
One of the things I did mention this year was that both TV and music had 2 very easy choices when it came to the worst of the year.
Movies on the other hand, that’s where you have to dig.
And luckily for us, a Disney icon this past year suddenly became not exclusive to Disney.
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AA Milnes iconic Winnie the Pooh has had the red shirt and Hunny love for a long time.
But now that he’s no longer tied into the silly old bear lifestyle any method can be used.
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Hence here we get him and Piglet going feral after being abandoned by a maturing Christopher Robin.
When he returns with his wife he’s quickly captured and forced to watch his former friends figuratively rip his heart out.
Only the focus would become standard slasher fair with a switch to 5 college students renting a cabin nearby the 100 acre wood and becoming fodder.
If not tied to the iconic figure, this would have been an interesting premise.
But public domain or not there are certain aspects you just don’t mess with. Pooh is one of them.
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Now that we have more pd character movies on the way, the new Bambi from the same studio looks like the same boat.
Only keep a certain person away from it.
SUM 22: The Public Domain claims an icon that gets warped into something that shouldn’t have manifested. The Silly Old Bear doesn’t belong here.
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moviesandmania · 9 months
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WINNIE THE POOH: BLOOD AND HONEY 2 (2023) First images
Winnie the Pooh: Blood and Honey 2 is a 2023 British horror slasher film and is obviously a sequel to Winnie the Pooh: Blood and Honey (2023). The latter cost under $100,000 and took $5.2 million globally. Directed by Rhys Frake-Waterfield (Peter Pan’s Neverland Nightmare; Dinosaur Prison; Rise of the Loch Ness; Sky Monster; Winnie the Pooh: Blood and Honey; The Killing Tree; Firenado) from a…
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