i'm posting whatever screencaps i have at this point but this arc changed me forever and i still think it's one of the best in the entire manhwa. this moment specifically
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the thing is there’s bad shows that have fascinating characters and arcs and set-ups and inbuilt lore from the start and interesting good accidents all the way through due to Tensions in gender and sexuality and intersectional politics that naturally occur when the writing challenges the belief systems of the writers (whether or not they allow it to change them is immaterial, the writing is what it is and its potential always supersedes the limitations of those writing it) and even the fact that the writer isn’t really up to the task to be honest about what the writing is asking of them, even the fact that they back down and take the story to incomprehensible places due to not knowing how to react when challenged and so the answer is reactionary and clumsy and even ignorant-
even that is interesting, because seeing the threads that make up the story, seeing how they pull -- sometimes with deliberation and sometimes with fumbling fear of unknown territory -- relates right back to all those things that were put in there, accidentally or on purpose
which brings us, of course, to cobra kai
taking out all the boring stuff about why this or that happened (we know why, the writers are three middle-aged straight white cis dudes who have large blindspots about what they’re delving into and accidentally made the most interesting dynamics same-sex because they believe martial arts should be segregated and don’t know how to write characters who aren’t using their fists to progress their story and they’re afraid of Politics) and then think about why does it happen in the story?
(the alternative of course is to go “I simply erase it from the story,” which is a strong choice, and it also asks the question: what do these key changes do to the trajectory of everything)
why does it happen in the story? Not “why do some other (paid, flipping paid) writers want it to happen,” but what would it take for it to make sense for you?
what gods of that universe, or longform stories, or subversions, or tricks, or missing scenes, or, or, or, do you need to make it work?
the story is still there, the writing is still interesting for knowing concretely what the flaws of the writers are (some people picked up on that early, I’m an optimistic soul I’ve been told) -- so what loose threads need to be picked up on, what questions have gone unanswered or hurried through or answered incorrectly?
what do you need to do to make it work?
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im closer to my family than i am to any friends just by virtue of shared history and living together. when im doing really badly, i only go to my family, when i need help i go to my family first, my anxiety is lowest around my family, etc etc. family is significant for me, which makes me afraid of getting older and losing it. idk who i’d be without my core four-person family and our home base. im about to cry just thinking about it, i NEED them, I am them, they are me
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