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#what if she is ALSO still a mess
enfinizatics · 3 months
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okay i’ve got to vent about the nicki minaj situation bc yeah. i used to be a hardcore barb for almost 10 years (2010-2019). and when i say a HARDCORE stan i truly mean it, i had a twitter account dedicated to nicki, she was even following me and often interacted with my tweets when she was online. i was absolutely in love with her and her work. i met my best friend, who’s like family to me, because of her. the pinkprint helped me survive middle school bullying. i followed her through europe when she went on tours. i supported every project, stayed chronically online for her and engaged in petty arguments with people on stan twitter to defend her. i fell out around late 2019 because i felt like most of her lyrics had sounded the same for a while but mostly because she started seeing her current husband, a confirmed rapist. seeing nicki pick up a beef after beef with every young female rapper gives me a huge ick and internalized misogyny vibes. but the beef with megan? it’s been years since i last followed news on nicki, but now i find myself losing my mind every time i see something on here or tiktok. not to mention her twitter omg. it truly feels like i’m witnessing her downfall caused by no one but nicki herself. she’s literally destroying her legacy, a legacy tied to so many memories i made during those 10 years while being her fan, and it just sucksssss. it feels like she no longer has a pr team capable of damage control or persuading her to take a break from social media. she seems to be spiraling with everything she posts. not to mention that ben shapiro tweet, congratulating a white, homophobic supremacist. and the barbz who let her remain in her perfect little bubble, shielding her from any criticism, constructive or otherwise (perhaps out of intimidation – i know, i've been there) and doxing people in the name of what? a millionaire to whom you’re a literal stranger?
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ryssbelle · 1 month
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Poppy for N2 au, it took me so long to make her design cuz I didn't really know what I wanted to do only because I feel like her design is pretty perfect.
But then I just thought about fun outfits to give her or outfits that I would find comfortable if I was wearing them and it all came together.
Poppy here is pretty much the same as here movie counterpart, as nothing really changes on her end of things other than having more insight on Branch through his brothers, and through Lief. Shes also a bit more understanding a bit earlier on because of it but it doesnt do much to change her own character arc I would say.
Bonus
Part of Poppys design was based off a design I had made for previous rulers of Troll Village/Tree
Namely Queen Protea who I designed as Poppys grandmother
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Named after the Protea flower which part of her design is based off :D
In the context of this Au Protea was the one who conceptualized the tunnels while her son, King Peppy, was the one to follow through after her death
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ecoamerica · 22 days
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youtube
Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared
The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!
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lesbianbanana · 5 months
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toa but instead of attempting character development, Lester flips Zeus off and decides to become a popstar
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mattodore · 2 months
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pretty girl (who has clawed her way through multiple chest cavities)
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Hiii everyone, say, how do your Hawkes go go about sharing their estate? If they do it at all? Is everyone free to come and go or are they more private? Or do they only invite their LI to stay? I'm curious!! :)
#lay rambles#my ocs#oc: liam hawke#oc: lilian hawke#both my hawkes are very social w their friends but i love comparing their boundaries around it#theres variation in rules for specific ppl with both of them ofc but theres still general differences#with liam its all very open and everyone can p much come and go whenever#they dont get extra keys (theyll get lost and he doesnt want randos finding them lol) but they know where to find the spare key#and bodhan and sandal and orana know to let them in whenever#hes very lenient in this this regard but he does have rules abt what he does and doesnt want them to do#mostly its about not making too much of a mess lol bc liam prefers to clean himself#(he doesnt trust the crew with his household and also he has particular ways of doing things and Hates when theyre done differently)#so things like keep your dirty garb at the entrance dont cook by yourselves (this was banned after they did it one (1) time lol) etc#also no fucking allowed. do that somewhere else for the love of the maker he does NOT want to walk into that in his own house#(and it also comes back to liam not trusting them with cleaning but also Not wanting to clean that up lol)#also he is not fond of them going into his room uninvited. most of the house is chill but that is *his* space#he accommodates these rules by e.g. having spare slippers and a little washing basin in the entrance hall for dirty shoes/feet#always makes sure to have snacks in stock that he knows they like#food will have notes abt what to leave for leandra/orana/etc but otherwise food is prepared with his friends in mind#and in general he'll make sure to adjust the space/routine in little ways to accommodate them#(air out when fen isnt there cus he doesnt like drafts; keep curtains open cus anders prefers open spaces; etc)#lilian on the other hand doesnt like when her friends come into the estate without a heads up (cept for emergencies)#but once they have her 'ok' its basically mi casa es su casa#dont yknow. overdo it and get too rowdy but otherwise do whatever#however. she also expects everyone to clean up after themselves. she aint here to play maid and youre all adults#also liam has a general 'please try to not be too wild when leandra is here' and lilian doesnt#not cos she doesnt care but cos leandra is bothered by sth she can speak up herself#oh and lilian uses the basement space as temporary refuge for anyone who needs it (mostly escaped mages)#also side note: both offered gamlen to stay but he refused (out of pride/remorse)#...this got long and i ran out of tag space lmfao so this is it for now xD
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errorwarblesrr · 8 months
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I feel like moments like these are important. It solidifies that after everything he has been through in Ocarina of Time and Majora's Mask, he is still a child. In OOT, he really was a child trapped in an adults body.
He doesn't consider himself a grown-up and doesn't really understand what's going on in the Anju and Kafei sidequest. He isn't motivated by the stakes or to help two lovers reunite but rather to just help for the sake of it.
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In Great Bay, there are, unfortunately, a bunch of weirdos. He looks at a Zora man weird, but I think rather than just finding him gross, he doesn't get it as seen in the Fish Wish sidequest. He finds them weird, but he doesn't have a full understanding of it. This showcases his innocence in the game.
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Along with that, there's also a moment where Sakon the thief tries to take advantage of Link. He talks about Link's sword and how cool it is, gives advice, and compliments the sword again, asking to just see it. It's obviously suspicious to the player, but if Link says yes, Tatl immediately gets hostile and attacks Sakon to drive him away instead of letting Link hand over his sword. If Link says no but tries to talk to him again, Tatl will immediately become hostile at Sakon anyway. I feel like this can show how niave Link can be.
There's also when Link receives a Keaton mask. He doesn't really get the meaning behind it and doesn't think accepting it if it makes sense, but he does it anyway. This doesn't really further any points other than he really is just a niave kid going through the motions.
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Point is Majora's Mask highlights how he is still a child at heart. He thinks and acts like one still after Ocrina of Time. He didn't just grow up when he was asleep for 7 years. After everything he's been through, he's still him: a child.
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shorthaltsjester · 10 months
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sometimes people will say “going dark” and then what they’re actually talking about is just people no longer presenting a carefully constructed version of their emotions and experiences.
like. emotional turmoil is not the same as darkness. laudna in this Fictional Universe that has tangibly different stakes wrt to death and killing than our own, is at best like . morally neutral for what she just did like. man has been secretly trying to kill you, and then just tried to do so again, killing him back is a fair choice. and even if i was someone who is excited by delilah’s inability to escape from the narrative, this shit isn’t about delilah. laudna made a choice. if delilah is back or whatever it’s a choice that laudna made because something in that grants her more control than her existing conditions did. this isn’t some Delilah Takes Over, it’s Laudna Expressly Makes The Choice To Call Forth Something within Herself to remedy the lack of control that’s been thrust upon her. if y’all want to Continue to limit Laudna’s agency (as the cr fandom is so, so want to do when a female character makes a choice that isn’t Good according to some weird system of virtue ethics) go ahead.
likewise with orym. little guy is not “going dark” because he has finally made direct action about his emotional turmoil in dealing with a situation which has similarly left him without control and has also placed him in a position where his stalwart conviction towards protecting and honouring those he loves and has lost alike is constantly met with other people he cares for going well.. what if they had a point/we are killing other peoples loved ones/etc. which like . yeah that might be frustrating and in fact might lead him to go, actually, i can’t afford to try and maintain some abject morality where I carry a locket that will literally only provide guilt. orym is completely committed to his beliefs, the locket and what it represents has never been a limit to what he will do, only a reminder of the consequences of what he might cause in those actions. but they Are at war and orym has a billion things on his plate. he can put down the locket. especially when bor’dor is the explicit manifestation of that locket’s symbolism. the subtext rapidly became the text and orym doesn’t need a reminder. it’s there in the fact that team issylra is walking away with two friends, not three.
these are character who have at every turn denied their own emotions in various forms while still being acutely aware of what they deny, whether that awareness was/is fully realized or not. many of laudna’s early convos with ashton show us that there is some awareness to the lighthearted spooky goth girl and how that persona fades when she thinks too much about what has led her and maintained that reality. likewise the entirety of orym’s story thus far is defined by his grief in a very literal sense, it Has extended from that grief to also the commitment he had to the purpose of figuring out the assassination attempt on keyleth but as we have seen, that purpose has fallen apart. paired with the quasi-reopening of his grief that was getting to see will again only to have to turn away, i don’t think there’s a lack of awareness in orym of how much he hurts. but between his actions and 4SD, that hurt tends to get buried under guilt or Responsibility.
and now, finally, both of them have admitted to that Not in the safety of small introspection or one-on-one conversations but with actions that they cannot shy away from or deny. laudna killed bor’dor and orym encouraged her to. and it Is a complex situation but truly I don’t really think it’s a “going dark” one. because they’re not giving into some overhanging Darkness of Morality™, they’re admitting that they are hurt and have long been hurting.
or, y’know, tldr for those who continue to deny laudna and orym agency or fully villainise them for whatever weird reasons . you could listen to laudna and ashton’s conversation that pretty much lays it out explicitly. laudna claims she’s weak for having chosen to kill bor’dor. ashton denies that and affirms instead that, no, she’s hurt.
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kicktwine · 8 months
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miskellaneous
#tumblr is still my doodle archive#my art#venitas#ffxiv#kh#sprawl au#ooooo veni you are so creature#first of all. Bunny. Bnnuy. I would like to consider the bunny. Sorry for trapping him he’s doing plot in my brain#I drew vani a while ago but I should have made him a catboy. I will next time I draw him#second of all back in pic order#ari is trying to be kind but violence is extremely fun for him. He loves it. He loves to gloat and he loves to cackle#if he’s allowed at a target for his pent up rage and aggression he gets weird#second of all I’ve been thinking about gender as one does. And what it would look like 5000 years in the future#so like in sprawl. there’s an entire timeline of gender studies and anthropology that leads from our time#through where the entire notion COMPLETELY fell apart; through where there was a resurgence of ancient gender roles#back and forth and in circles and where new things sprung up and fell and debates about the validity of self went nuts#Xion knows a lot about it bc she will claim trans as a label vanitas also knows a lot of things because he Doesn’t consider himself#trans. vens confused he was literally never taught about any of this. unity(divine) has its own… kinda messed up way of doing it#he got lost somewhere around the advent of gene augmentation and nonhuman drag (she didn’t have to go into that detail she just thinks it’s#really cool)#(Also that was really early —)#Anyways. vanitas is also getting his sense of touch back up there. xions a miracle worker#transgender is even a slightly archaic term. it completely died for about a thousand years and then came back with a retro wave
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lollytea · 6 months
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Huntlow situationship gives me such intense brain termites you don't get it
#no i dont think its because Hunter needs time to heal first#i think if it was up to Hunter they would plunge into a committed romantic relationship immediately after the events of the finale#he would propose to her in like. 3 months probably#i know that sounds intense but i think this is what ''i literally died and came back to life'' mania does to a guy#he is so carpe diem minded hes become a little insane. he wants everything#no more waiting around. no more hesitating. he cant afford to do that anymore#would it have been the wise decision to enter a romantic relationship immediately#who's to say. but Hunter would have done it without thinking about it#its Willow that makes the decision to slow down and wait a while before they make any committments theyre not ready for#i dont think she's entirely learned her lesson about letting herself be emotionally reliant every once in a while#shes made progress but the events of ftf were such heat of the moment responses#once things are semi-stable she still needs to adapt to acknowledging that her feelings for Hunter are like. serious. and scarily intense#so like. yea Willow is slamming her pedals on the breaks for both their sakes. shes thinking about how this would effect Hunter too#but also. she scawwed.#when Willow tells him she wants to talk and she's like ''i think we should just be friends'' oh the face he makes is DEVASTATED#he didnt expect it was going in this direction at all. but like. once Willow explains how this is the most reasonable decision for now#he DOES agree. he understands what shes saying and he agrees that it's the best decision to take a breather before they jump into a romance#anyway even when theyre not officially dating the flirting continues insistently. they are very obsessed with each other and cant stop#Willow keeps trying to insist to herself that its just messing around. nothing serious. they find each other hot. its fine to kiss a little#but Hunter makes it very hard when he looks at her with big brown labrador eyes. looks at her like shes the entire world#i think if it was up to Willow they would have been trapped in that uncertain limbo forever. shes too scared to take the plunge#even if she wants to. she badly wants to#but Hunter just wont let that happen. every so often he says ''im ready whenever you are''#he makes his intentions very known. he is not the shy boy from Camila's house anymore#Willow cant just playfully flirt with him without worrying that hes gonna reciprocate. he talks now. he expresses himself#shes a little afraid of that. but she adores it too. he makes her feel safe but also he wont let her stay in this comfort zone#hes giving her the push she needs to pursue this relationship. gives her to push to feel like she can go after what she wants#because god knows HE knows what he wants#they make me so insane
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skyward-floored · 2 months
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Impa breathes out slowly, shifting into a ready position as she faces down her opponent.
Volga stares back at her, firelight shining off of his spear as he also stands ready, and they move at the same time, Volga lunging forward as Impa raises her naginata to block him.
She succeeds, but doesn’t have enough time to even think of attacking back before he’s swinging at her again, spear jabbing quickly at her defenses. It’s all Impa can do for several moments to just avoid being struck, Volga’s speed greater than one would expect.
Sweat beads on Impa’s brow as Volga batters at her, her heart pounding as she narrowly avoids a swing of his spear. If he manages to land a solid hit, it’ll all be over.
Impa grits her teeth and finally manages to fight back, breaking out of the pattern she’d found herself in and thrusting her weapon at Volga.
Their weapons lock, the two straining against each other. Impa's arms shake as she strains against him, Volga’s strength impressive and much greater than her own. So Impa pushes for only for a moment longer before sliding nimbly out of the way, ducking down and swiping at him. Volga moves at the last second, smoke puffing from his nose, and the two whirl around each other in a dance of weapons, Impa trying to dart in and land a hit, Volga methodically blocking her attacks.
Sweat is pouring down her brow now, but Volga doesn’t look like he’s having an easy time of it either, panting as they both dodge and attack with equal frequency.
They're almost completely evenly matched.
Volga twirls his spear in a series of short jabs, and Impa lunges out of the way just barely too slow, the blunt end smacking her. An ache shoots up her side, but she isn’t badly hurt, and she notes the brief opening Volga leaves as he tries to get her while she’s reeling.
Impa avoids another thrust, and prepares herself for the next attack. She purposely leaves an opening this time, just large enough to be noticeable, and Volga takes it, lunging towards her with his eyes gleaming.
But instead of hitting her, Impa uses his momentum against him, twisting around at the last second and hooking her foot around his leg.
Volga stumbles, his eyes wide with surprise, and Impa whips around and knocks him flat on the ground with her naginata, whirling it around and pointing the tip at his neck.
He looks up at her and she looks down at him, both of them breathing hard, the smell of sweat and smoke in the air.
Impa smiles.
“I win.”
Volga snorts, resting his head back on the ground as he lightly pants. “Seems you still have some tricks I haven’t figured out.”
“Well I can’t reveal all of the Sheikah’s secrets,” Impa smirks, and Volga rolls his eyes.
Impa pulls her naginata away from his neck, and reaches down, offering him a hand up. Volga takes it, unlike the last time they sparred, and doesn’t immediately let go once he’s upright.
“Impressive,” Volga says, mouth twitching up into a smile. “Not many can momentarily best a dragon. Someday you might even properly beat me.”
“...Excuse me? Which one of us was flat on his back a moment ago?” Impa replies with a brow raised, and Volga tosses his head.
“I gave you a handicap. I used no fire, and never transformed.”
“We both agreed to not use any magic or anything of the sort before we started, we both had a handicap,” Impa says pointedly, and fights the smile that tries to form at the face Volga makes.
“...MaybeI let you win,” he huffs, and Impa can’t help her laugh.
“You're too honorable not to give it your all, Sir Dragon. Admit it Volga, my skill in weaponry bests your own,” she says teasingly, and though Volga looks away, it isn’t fast enough for Impa to miss the fact that there’s still a smile twitching on his lips.
“...Perhaps. Pity there were no witnesses to your supposed victory.”
Impa opens her mouth to argue, but closes it as she realizes Volga’s right. There’s nobody in the cave the Gorons have designated as a sparring area, probably because it’s rather late at night. They had no audience for their spar except for the small lizards that sometimes hide under the rocks.
Which unfortunately means Volga is correct.
Volga laughs at her expression, and Impa swats him on the arm, unable to stop her own smile.
“Well the next time I beat you, I’ll do it in front of an audience so that no one can deny my victory,” she says firmly, walking to the wall and placing her weapon against it. Volga does the same, and they lean against the rocks, both still catching their breath from their fight.
“I don’t plan on losing,” Volga says, looking over at her with a gleam in his eyes. “I won’t hold back.”
“I wouldn’t want you to,” Impa replies. “The only way to improve oneself is to train against a real challenge, and your style is quite unique. Before coming here, I knew very little about fighting techniques aside from my tribe’s, and that of the Hylians.”
“You’ve improved since then,” Volga says, watching a lizard skitter under a rock. “I can tell a marked difference between when we first fought and our spar tonight. You’re truly growing in your skill.”
He smiles again, and they look at each other, an odd sensation sweeping through Impa’s chest. It’s similar to the excitement she’d felt when she managed to knock Volga down, but not... exactly.
It’s certainly different from the annoyance and near hatred that she used to feel whenever she’d see one of Volga’s smirks, and she knows he feels the same, his grins less smug, his pride eased more to simply confidence when they’re together. Somehow they’ve become friends despite their less-then-friendly interactions at first, and Impa enjoys having another warrior around to talk to.
Especially because of the other feelings she sometimes gets when she looks at him now.
...Not ones I should be dwelling on, she thinks hastily.
“It’s rather late,” she notes with a clearing of her throat, and Volga nods. “And I unfortunately have a meeting in the morning.”
“My condolences,” Volga chuckles, and Impa smirks.
“Don’t be too happy. You’re supposed to be there as well.”
Volga grimaces, and Impa smiles, groaning a bit as she stretches. She’s going to be sore tomorrow, but the spar was more than worth it. Impa stops leaning against the wall then, retrieving her naginata in order to place it back in her room, and turns back to Volga to bid him goodnight.
And startles when he suddenly leans close to her, his blue eyes trailing along her face.
Impa blinks at his closeness, the heat that had just begun to leave her face returning full-force. She meets his gaze, and he looks back, a faint smell of fire and smoke coming off him.
Then Volga softly nuzzles his face against hers.
“Goodnight Impa,” he says in a surprisingly quiet voice, his breath against her skin making the hair on her neck stand up.
Then he pulls back, and leaves.
Impa watches him go with a shockingly warm feeling sweeping through her middle, and she raises a hand to the cheek he’d nuzzled against, her heart doing an awful lot of leaping around.
It must be a dragon thing, she thinks almost dizzily, her fingers cool against her hot face. Platonic, surely.
...Surely?
Impa stands by herself in silence for another few moments, trying to get her wits about her, and blows out a slow breath as a smile slips onto her face without her permission.
Then she leaves as well, glad now that nobody is around to see the color of her face.
...
The memory fades, and Impa looks down at the scale she’d been rubbing between her fingers, orangish-red and shimmering in the lantern light.
She holds it up and studies the small details she knows so well, the way the color changes when she tilts it, the faint warmth it gives off. She’s not sure why she still has it after so many years.
It’s not like it makes the memories hurt any less.
Voices drift past the half-open flap of her tent, and Impa’s ear twitches at the soft sound of Link’s voice, Proxi chiming in answer. Her son's quiet laugh reaches her, and the sound equally warms her heart and tears at the ragged edges of it.
Impa sighs as Link's footsteps recede, his voice fading away, and she looks at the maps she's supposed to be using to plan out a route.
She breathes out, running her thumb along the scale one more time, then returns it to the small pouch at her hip, closing it tight, and putting her thoughts from Volga.
It's harder then it should be.
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happilychee · 4 months
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sabertooth headcanons pt. 1
I feel like mashima could've made sabertooth just a smidge less flat... they all had so much angst in them and the potential to evolve and grow as people... or they could all turn nice in the span of an episode. that works too.
♡ sting is a sweetheart. he's a genuine, caring, and kind boy who grows up to be a charming and earnest young man. that is, unless he's on the battlefield. old sabertooth sting makes an appearance in those moments. his smirk is cruel, his taunts are like daggers, jabbing away at the opponent. he's cocky and arrogant, and maybe he has the right to be so because his attacks are so powerful they blow the enemy away.
♡ lector is the kind of friend who talks major shit about whatever you're doing as he's helping you. he tells sting how dumb it is to go on a mission alone in mid-flight to their destination. ride or die? nah, lector is fly or die.
♡ rufus loves tea brewing. this is one of the few areas of knowledge that he chooses not to use his magic on. he loves sitting down with a good book and reading about the history of tea, tea cultivation, the proper culinary techniques to brew the perfect cup of tea.
♡ orga is the reason sabertooth has open-mic nights. the (second) strongest guild in fiore turns into a comedy club on tuesday nights, and surprisingly, it's good. orga serenades whoever comes to mind that night: it's been sting, rogue, yukino, all the usual suspects, and on one memorable occasion, mr. yajima. yukino tells the most wholesome, funny stories while frosch and lector act out the scene behind her. in what was probably the most fever dream moment of sting's life, minerva took the mic and delivered such a seething, deadpan stand-up that she got the entire guild cheering for her.
♡ minerva goes all out for halloween. besides just being into arcane magic and the history of magic, she loves spooky things. also, she's a bit fucked up, and this is a good outlet for her. sabertooth will gladly take minerva's scarily detailed sculptures of severed limbs over her lashing out any day of the week. to her guildmates' surprise, she also organizes a family-friendly haunted house in the guild hall for the kids of gazania.
♡ in my heart of hearts, sting does not become sabertooth's guild master. I headcanon him as a healer, so I think he would establish an infirmary in sabertooth and oversee it. unsure if rogue or minerva becomes guild master. I think minerva would be better suited for the role, but there's also recency bias against her because of jiemma. and she needs time to process everything that went into sabertooth's upheaval.
♡ which sabertooth member do you never want to piss off? you might think it's minerva or rufus or even the twin dragons. no. it's yukino. she is the sweetest, kindest member of sabertooth by far, and also the most patient. if you offend yukino, she's unlikely to do much about it, but celestials forbid you hurt her friends, especially minerva. she'll send her spirits after you, and no one will ever find your body.
♡ sabertooth, despite their efforts to become a kinder place, is still a hard guild to get into. they're not like fairy tail where anyone can just join. the core members argue for a long while about what kind of entrance test they should have. ultimately they decide on a test of strength, but not just physical ability. minerva says that it's in the eyes, whether someone has the drive and tenacity to always improve themselves and make sabertooth proud. she tries to be subtle, but she's also staring at yukino the entire time. one eyebrow wiggle from lector turns minerva as red as the cat's fur.
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sneez · 1 year
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more of my oc tervis (any pronouns), the creepiest most miserable little weirdo in town. which is saying something [id under cut]
/ ID: four digital drawings.
The first image is a series of drawings of Tervis on a paper-textured background. A heading at the top reads 'Tervis (Humble)'. One is a coloured headshot of Tervis looking to the left; they have a gaunt face, short receding hair, a scar bisecting their lip and right eyebrow, greyish skin, and are wearing a red shawl around their neck. An arrow pointing at their right eye reads 'one blue eye (mostly blind)'; another arrow pointing at their left eye reads 'one brown eye'. They have a serious, hostile expression. The second drawing is an uncoloured full-body sketch of Tervis. Next to this is the same drawing but coloured and with more polished lineart. Tervis is a thin, hunched figure wearing a long, dark brown robe, a greyish bag on their back, and a red shawl around their head and neck. They are barefoot, and are leaning on a walking staff with both hands. An arrow pointing to the walking staff reads 'needed for walking, useful for hitting'. Tied to the belt around their waist are several long scrolls of paper with writing on them. An arrow pointing to the scrolls reads ''blessings' they paste on infected houses'. Tervis is looking warily out at the viewer from beneath their eyebrows. An arrow pointing to their head reads 'scar from getting hit in the face with a brick (also knocked out a tooth)'. Alongside these drawings are a series of bullet points giving information about Tervis. These read:
   indeterminate age, indeterminate gender
   religious fanatic (unclear which religion)
   lives alone somewhere in the steppe
   dislikes everyone but is nicer to children than anyone else
   has every disease
The second image is a fake screenshot from the video game Pathologic. Tervis is looking out at the viewer; the background shows scenery from the steppe. The text on screen reads:
CHANGELING: I still don’t see what you could have done that would make you personally responsible for this plague. TERVIS: Responsible… no, not merely responsible! This is my plague, cast upon my head alone. I am the originator; my sin is at the root of all. I have ventured into the town. I have seen the canker there. No matter how many houses I bless, my sickness sinks deeper. The rotted limb is the death of the body… Surely you understand me. You are a healer, are you not? CHANGELING: What is it that you are asking me to do? TERVIS: Let me be the lamb, worker of miracles! My blood shall wet the earth, and bright flowers shall grow… My putrefaction will provide the soil within which new life will burgeon, pure and free of sin and decay. Let it be done. I am ready. My failing flesh is but little sacrifice; in death my weakness will be my strength. Soon these torments will be at an end.
Below are two dialogue options:
You’re insane!
What makes you so sure your death would solve anything?
The third image is a fake screenshot from the video game Pathologic 2. Tervis is looking out at the viewer, and has been painted in semi-realistic style. The text on screen reads:
Tervis: Why do you force me to live? Damn you! Your cure is poison to me. Now I shall never be blessed. You should have left me to bleed.
Below are three dialogue options:
Don’t be absurd. I wasn’t going to watch you die.
What makes you think you deserve suffering?
I wish I had.
At the bottom of the image is a line of dialogue which Tervis has just spoken:
The air is foul. There is rot in this place. The stench of corruption shall be – what was it? What was it? The stench of corruption shall be… swept aside…
The fourth image is a coloured scene depicting Tervis and Clara. They are central in the composition; around them is the steppe, which has been rendered in a loose, painterly style. Tervis is kneeling, their walking staff cast aside, and are reaching out their hands to Clara in a desperate, pleading gesture. They are crying, their face contorted in an expression of agonised ecstasy. Clara stands beside them, one hand reaching out, the other held above Tervis’s head as though about to touch their brow. She has a solemn, pained expression. Behind her head, a break in the dark clouds gives the impression that she is haloed by sunlight; rays of the same light fall onto Tervis, illuminating their face and red robe. End ID. /
#artwork#pathologic#tervis!!!!!!!!!!!! :-D#sorry i know ive already posted that fake p2 screenshot i just wanted to keep all my tervis images in one place. please forgive me#i am having. So Much Fun. i would explode and die for tervis shes the worst i adore her#making fake screenshots is so enjoyable i love trying to match the fonts and copying all the little ui details it's so fun highly recommend#i have a lot of tervis lore which i am still developing but hopefully these drawings give you some idea of his character#hes just a mess really. hes got every imaginable problem#that last drawing is her getting sacrificed in the humble ending. she is SO happy about it#also if you didnt see my last post tervis was originally a warhammer 40k oc (which he still is ive just made a bonus pathologic tervis now)#but ive tried to keep a lot of 40k stuff in her design like the blessing scrolls and the uh. Posture#that's also my reasoning for why nobody knows what his religion is. the watsonian explanation is they are just spouting incomprehensible#disjointed passages from some obscure scripture which nobody can identify (and who would want to try really. tervis is not good company)#but the doylist explanation is that it's literally just the cult mechanicus. just ignore all the references to the weakness of the flesh and#the glory of the machine it will all be fine nothing weird here at all#anyway :-) i could talk about tervis forever but i will stop now#i hope you are all well my dear friends! i am on holiday now wahoo#i am also aware that i have several messages to answer which i will do very soon i am so sorry for being so slow as usual#i love you all i am giving you individual kisses on your individual heads. mwah
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seariii · 4 months
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i know everyone is really mad at kotoko, but i’ve been thinking a bit about why she ended up like this
I have a friend who has a really similar mindset to kotoko, so i'm kinda familiarized with how it works. as i've said before, she really sees everything in black and white, and while she originally said she would forgive those who did the same as her (basically amane, and fuuta to some extent), after her t1 inno verdict, her ideals got reinforced, well, more like radicalized and pushed them a step further, losing her original self/mindset in the process
every time i talk to this friend about kotoko, they really do see themselves in kotoko, and with everything currently going on (and them going to therapy and trying to be a better person, and just getting bad looks from others when they talk) has made them notice how some stuff isn't that good or how it's frowned upon. my friend has a black and white sense of justice, and when i told them about how kotoko would’ve harm amane, they went “it's good to know she wouldn't spare the child” (i know, messed up). their context to that is, we all know how children can be some of the most horrible people in earth, innocence can be seen as beautiful, but it can also be terrifying. their argument is that when children commit a crime, they're not trial respectively to what they committed, a child who killed someone doesn't get the same repercussions as an adult who killed someone. 
having said that, that mindset comes from a place of black and white morals, of difficulties during childhood, of seeing how people arent brought to justice and of how one suffers so much but no one cares. this friend struggles with empathy and struggles to understand others in general. the main difference they have with kotoko is that they try, that they were put in situations where they had to face reality and other people 
i believe kotoko must’ve went through something that in the end pushed her to this belief system. “it doesnt excuse what she did” i know, but i still think if she have had someone to guide her towards the right path, someone who she actually connected with and showed her why her actions and beliefs were harmful, this wouldn't have ended like this… 
now here, im not asking people to forgive her, i actually think that a guilty verdict this trial would be really good for her and hopefully would force her to face reality in some way
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ladynicte · 1 year
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Nico who has been deified after his death. Nico who's sure, after all this time, he's finally managed to let go of his older sister's death, of course, it still hurts, and of course, he will never forget her, but that fiery hatred and overtaking sadness, has finally been put to rest.
Nico knows and understands that his sister chose to move on without him, and that's okay, no it's never gonna be okay but he's made his peace with that too, and now, that he's an inmortal himself he never expects to see Bianca again.
Nico lives easy. He works for his father, he sleeps for a couple decades at a time, sometimes he goes back to Camp, takes care of some kids during their quests here and there, but for the most part, he's a chain-free roaming God.
And then, one day at Camp Nico meets her, a tiny little girl, with how long he has lived, time has become almost impossible for Nico to really track down anymore, but he's sure this girl can't be more than 10.
And something about her eyes, her dark, void-like eyes, and her long black hair, and her proud stance. It really reminds him of somebody else.
The girl is all alone, no little brother or older sister of her own, no parents either, apparently, she's a child of Hekate, but that really doesn't matter.
Something about the girl's every move, about the way she approaches the darkness without fear, about the way she approaches him, like she's known him all his life, the way she uses her whole body when talking.
It reminds Nico of Bianca. This girl's soul is just like Bianca's.
And Nico supposes it's no longer a fatal flaw, but he still doesn't know how to let go.
Nico immediately claims her on the spot, lets her sleep on the Hades Cabin, helps her out with everything, takes care of her for years and years.
It's the first time in centuries, that Nico as a God feels connected to his mortal side.
When the little girl cuddles against him, because she's had yet another nightmare about manticores and huge robots, while Nico quietly tries to hug her, and reassure her she's going to be fine, he even starts thinking that maybe his family has grown, yet again.
And then, she's send off on a Quest, Nico loudly protests against it, because he knows how those end.
Because, he still remembers waking up screaming and trashing, in the middle of the night, inside the Hermes Cabin, surrounded by strangers and shadows, as he felt Bianca's soul perish away.
But it's no use, the Oracle of her time had already issued her prophecy, this new girl, Rachel having long since passed away, who Nico feels almost comfortable cursing in the spot, just like his father had done so many centuries ago.
The little girl leaves, and Nico now has nobody to swear to keep her protected. Nico knows it's useless to try to convince her to stay, but he still does, it doesn't work, it never has worked
But truth is, she doesn't even look scared.
She's excited, and ready, and determined, and Nico has to wonder if this is how Bianca looked like, during her last week on Earth, too.
The girl leaves and she doesn't come back.
Nico thinks, it should be easier by now. It isn't, it's never gonna be it
Hades catches Nico roaming mindlessly around Elysium, after noticing his absence from The House, for what's either days, or years.
Hades mournfully reassures Nico that Bianca is not there anymore. No, not this time, not last time, not next time either.
After that, Nico chooses to abandon Camp fully, once again, he doesn't come back for another few centuries, until Hermes asks him for help getting his children to satefy at Camp.
Nico swallows the bile, that he's sure a Godly body like his own, shouldn't be able to produce anymore, shakes Hermes's hands, and tells his cousin his children will make it through, just fine.
Nico rescues the kids, regretfully send them off to live all cramped up together at their Father's Cabin forever, but one of the boys of the bunch, just has such dark eyes, like a black hole consuming souls.
And he stands so proud, and Nico just knows once more, and all at once, because he would recognize Bianca's soul anywhere.
In life, in death, at the end of the world, in a Hekate's daughter, in an Hermes's son, it doesn't matter, the person standing in front of him, is simply Bianca in another skin.
Bianca, being a wild hero once more, and Nico has to wonder if she can see him as clearly as he can see her.
Bianca is the only one after all, who has known him all his life, Bianca knew his name before it was even his own. Nico was born knowing her.
If she can see him, or if she can't, Nico doesn't even know which one would hurt more.
Time passes, and if Nico let's the boy sleep at the Hades Cabin, because the nightmares about manticores, giant robots, and magic are too much to bear, and he can't even scream in peace inside the Hermes Cabin, well, that's only Nico's own business to know about.
Nico realizes, after a few ages of Godhood, that The Fates like repeating their own stories.
Nico knows he hates all of them, deeply and purposefully.
The Oracle comes up to the boy, Nico is sure she must be a new girl, but all the girls Apollo chooses all look the same, and she is the same, she gives the hero the prophecy that will bury him.
And, it doesn't even take Nico a glance to know, that this is where that boy's life thread is cut.
Nico wants to sneer, this would be Bianca's third death, and if a hero dies three times they get the special prize, and yet.
Nico begs the boy to not go, because they both know he's not gonna make it back.
Bianca never has. Bianca never does. This is Bianca's fate. She was already dead before the story even began.
But the boy doesn't even break eye contact with Nico, as he tells Nico that he's very kind, and that he loves him too, but no way.
He's gonna go, and so, the boy does.
The boy leaves and he doesn't come back, and Nico has to crawl at his Godly skin, and remember the sensations, of back when there was human flesh, and blood running through his veins.
And that's just the thing isn't it, that Bianca is never going to stay by his side, because she doesn't want to.
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sugarsweetvirgo · 21 days
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Trust
A glimpse into Eve and Kaiba's slow and very shaky start into a relationship, along with how Eve acquired her favorite choker.
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For people with Hobie x OC ships:
Does your Hobie have bionic or genetic webs? I'm curious.
Also same for your oc? Bionic or genetic?
Also also does he let them wear his vest?
Thank you.
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