The scene in the Barbie trailer when Barbie is skating around with Ken and asks "Why is everyone staring at me?"
THAT'S EXACTLY WHAT IT FEELS LIKE TO BE AN ADOLESCENT GIRL.
Living in Barbieland (childhood girlhood) but then suddenly you're all grown up in the real world subject to scrutiny and sexualisation (the guy slapping Barbie's ass) and feeling like existing is a crime?
Being forced by adult men into a box (which leads to the not like other girls syndrome) and exploring the 'real world' (being forced to grow up too quickly) while fighting the realisation that maybe the world sucks and being a woman is so difficult while hoping with all your heart that it's not always going to be this way.
Losing touch with the very things that made you happy because they're considered immature and girly? (The group of teens that said they hadn't played with Barbies since they were five.)
Older women telling you that you have to learn the truth about the world and that you can never have your old life back (Kate Mckinnon's Barbie) despite it being the only thing you yearn for, but also older women being a bright spot and support (the old woman on the bench) in the endless slough of life.
And this is just the trailer!!! I'm so excited for this movie I can't breathe, Greta Gerwig the woman that you are 😭
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hey! as the first season of connor bedard gets underway i, your local indigenous hockey fan, have a request of you: please don't let this kid's sure to be marvellous and jaw-dropping rookie season make you complacent with the racism of the blackhawks as an organization. it is beyond heinous that they were able to secure the first overall pick this year for a number of reasons i'm sure we're all familiar with, but i am pleading with the hockey community not to let the racism of this org fall through the cracks.
they drafted connor bedard and handed him a jersey with a giant racist caricature on the front. their mascot is named tommy hawk. they continuously fail to curtail their fans' egregious displays of anti-indigenous racism at games.
i'm not going to ask anyone not to post about bedard. i know he's huge news and i'm bummed as all hell that i won't be able to enjoy the beginning of what is sure to be an incredible career myself. but i am asking, given that his presence on the team is likely to increase the prevalence of people making and reblogging posts about the blackhawks, that you please care, loudly and actively, about the racism of this organization and how much it hurts indigenous fans to see that go unquestioned so often.
consider mentioning it in posts. consider amplifying the voices of indigenous fans and community members about the issues of these types of sports organizations. consider reading up on the history of the person they claim to 'honour' with their hideous effigy of a logo. consider censoring the logo in your posts if you are able to (please do this if you are able to). consider tagging posts so that indigenous fans are at the very least able to blacklist that team and not have to see it.
above all, please just. don't forget about it. don't forget about us. we belong here too.
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So I had a thought
During the first four minutes of the Movie Leo draws the key on the back of the photo.
And I could never figure out why that had such an effect on me. But then it clicked. As far as we know Leo has only seen the key once when he lost it. But he is still able to draw it accurately 24 years later. And then because my brain likes to hurt me I thought: He couldn’t forget what the key looked like because he didn’t want to. He forced himself to remember what the key looked like. Every day when he woke up the first thing he did was remind himself of every tiny detail and draw it and then write down every casualty right next to it. And then I cried into my pillow
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I could pick a million different things that make me emotional about the kageyama brothers, but right now I'm thinking about ritsu reflecting on the original ???% incident during the final arc and how part of the reason he was so hurt by it wasn't just the actual physical injury or the trauma of the incident itself, but also the fact that shigeo wouldn't fucking talk to him about what happened. It's extremely likely that ritsu has been lying about what happened that day ever since it happened, like he probably told his parents that same lie about the bullies hurting him and shigeo protecting him, and the only other person who would know the truth is shigeo, but shigeo started shutting him out after that. I get the impression that before, they were the kind of siblings who told each other everything, which is why it hurts so badly that shigeo shut down so much and stopped letting his brother in, especially when ritsu is just a kid dealing with the weight of a lie like that to protect his brother. Idk, it just puts ritsu always being like "you know you can talk to me about anything" in a different light
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btw guys can we all just finally agree to stop making jokes about zato one being blind please im at my fucking limit can we just stop with trying to be funny about it. can we maybe think for like 3 fucking seconds before we make a joke about a characters blindness when the series itself loves to just conveniently forget about it and hand wave it away and make it a joke. please. im literally begging. like lets maybe think about why joking about him not actually being blind or haha isnt it so funny hes using a computer or whatever arent actually funny. i dont even like zato one dont make me be the guy to put my foot down and say this shit is annoying.
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genuinely really frustrating that people will like. choose to accept the age mistake made in assassin as canon for deathbringer when it actively contradicts older material. like. sorry idk if this is me being unfair here but genuinely like. why would you think it's intentional when deathbringer is described in main series as maybe a year or two older than glory at most, and can canonically not be any older than 9 due to stated timeline facts in the main series.
like. I get not liking glorybringer, i really do. no ship is for everyone. hell, even if assassin specifically makes you feel weird about it, so be it, to each their own. i can undertsnad that too. and yes, the glorybringer fans who think the age gap are canon are also in the wrong. they're being really gross, i don't think it's necessary to disclaim that, that feels given, but like... that only comes to my point still of like, i really don't understand taking a spin-off as canon over the main series. i don't really understand prioritizing later content as canon as opposed to the main work over spin-off as canon. why should a spin-off take jurisdiction just cuz it's newer? i feel like the older the canon is, the more likely it is the newer stuff will make mistakes. to me, in the case of a contradiction, the main series should be taken to? a spin-off is meant to supplement the main series, so shouldn't it only supplement canon that doesn't contradict?
like also, i get being frustrated it isn't fixed, but also. like. i obviously have not worked with a publisher before, but if I was writing for fucking scholastic books, no matter how well fucking beloved my series was, I don't know if I could risk being like "hey. can you pull my books from shelves and e-stores for me so that I can edit one line?" Like. I really don't think there's any reality in which I can make a corporation agree to that kind of thing, no matter what that one line may fuck up about my main story. like it's not even the only mistake she makes in the winglets. she calls deathbringer a rainwing in the flip book, but we're not hailing that as canon in retrospect, right? I don't know. I think it's unfair to presume that she's choosing not to fix it as opposed to it being an improbable to downright impossible thing to ask of a publisher. like yes tui is an incredibly successful author but i really don't know if we can presume she has that much actual sway on her publisher.
it's just really exhausting as a deathbringer enjoyer to feel like if I want to talk about and enjoy his character, and yes, that includes context given in the assassin winglet once you ignore the timeline error, i feel like I constantlyyy have to be saying "yes I think the timeline error is an error. no i don't think deathbringer is 13." like. every time i bring him up. i'm a riptide fan I'm used to it but also it's sooooo tiring to go into a character tag for a guy i like and be swamped with hatred for him and it's so much worse for deathbringer than riptide because in the deathbringer tag I have to deal with being actively accused of excusing gross shit for liking him instead of people just saying that my blorbo is boring.
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I note that I don't, and I never, was much of a fan of doctor-and-rose as romance, but that I -- rather than get annoyed at the romantic-coded scenes -- had a tendency to simply read them from a totally different perspective, and really maybe should have been a sign of sooomething different about me, that I continuously felt that the doctor's concepts of connection must be so alien, that to call it romance would be to diminish the actual Thing that they had, which was presented as such onscreen (to my mind then, now I realise what was happening, but I prefer what I had going on), which is basically that the doctor was a shell of a person, hurtling towards destruction (he would have died without rose in ep1), desperately lonely and sad and traumatised, and she retaught nine -- and by extension ten -- how to love the universe, at the same time as nine and ten taught her the same. (I think about the scene in father's day, where while they're arguing, rose says that she knows how sad he is, and he'll just hang around the tardis waiting for her -- she knew!)
and then on top of that with sarah-jane (which, I never watched the classics as a kid, so I didn't have that context for her beyond what the episode presented) it felt like that was sort of confirmed and made even more canon through this idea that the doctor is constantly mourning the inevitable deaths of their companions and would rather simply leave them behind at some point than watch that happen (and they've seen that happen before, although dying for a cause versus just... dying, because you die, while they don't, they just continue on and on, always seeking connection, always knowing that time will take them away, that's a whole other thing)
and then of course there's ten's... I would call it "sex appeal" because it's david tennant and with his performance there's immediately a bit of a focus on oh he's quite pretty and he faints/is knocked unconscious in both of his first episodes, and a lot more flirting, and the people want to see sparks or what have you... but the doctor as portrayed and written is still... not coming at it that way. yes yes girl in the fireplace but also, once again, doesn't work for me, because I find it soooo much more interesting that the doctor would imprint on A Life - and a life that they admire -- and speedrun the exact thing that they're most afraid of with their companions... that she ages and dies and it's the one thing that the doctor simply cannot stop
meanwhile rose is quite young and swept up in this whole massive adventure and very much reads the doctor not as an alien (frequently surprised by their alien-ness) and gets jealous of sarah-jane as if she's an ex, and renette as if she's... a replacement? but really it's more that the doctor met her at the point when she was about to accept her life as it was. not an exciting life, not a bad life, but always having to ignore the idea that there must be more to it than this. and the idea that she might be unceremoniously dumped back in that after seeing just how This the this could be, of course that's terrifying. and of course she's simultaneously taken with the dashing doctor and the jetset life, and worried she could be replaced, because to her the doctor saved her at 19 years old. in some ways the doctor created her (considering who she becomes after dooms day)
contrasted to martha who initially has a similar kind of experience, but the doctor doesn't meet her at the space she's in with them -- ten is leaning on her, like they did with rose, but not giving anything back unless kicking and screaming and traumatising her whole family. martha's trajectory is so so tragic, because she barely gets a taste of the splendor versus the horrors and the latter marks her for life. but she also knows to walk away from those overwhelming feelings, rather than give into them, she knows they'll never be rewarded and she also grows beyond wanting to be a crutch for the doctor (the fact that she then ends up as a soldier, well... ouch)
and then of course donna, who never has those fucking awe-feelings to begin with and whose connection with the doctor is explicitly de-romanticised but never placed on a lesser pedestal as if there's a hierarchy of alloromanticism. topples those pillars, never sees the doctor as anything but what the doctor is. good old donna. (sobs.) (but also... cautious hope for the specials.) (but also sobs.)
my point being. just don't buy alloromantic doctor, they're a near-immortal alien. it's such a dull simplistic way of reading their relationships to other beings. other point being. all those women who were making heart-eyes at ten, wish they'd met thirteen and had a... "yeah, this still works for me," moment. their horizons, too, are broadened by seeing More. (that or they realise they were never actually "in love" but just thought ten was a sexy skinny little snack and it blinded them.) (although jodie whittaker, too, is a snack.)
and lastly lastly ofc, is that if the doctor has a longterm (by doctor time measurement) intense relationship with anyone, whatever that might be called, it's the tardis. and that relationship is also so alien it cannot be quantified by human words for concepts
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sorry but i really really do Not like the ideas people have of sonic actually liking amy back and being too shy to admit it. or that sonic SHOULD agree to be amys boyfriend because amy "deserves it after waiting for so long" and by not doing that sonic is mean or immature or leading her on. or that yeah sonic isnt interested Now but they Will get married as adults. or whatever people go around saying.
for the entire time amy was actually open about her crush and trying to get sonic to date her he would almost always either outright reject her or just not say anything but still obviously be uncomfortable or annoyed by it. to say that he actually has always liked her or that he Should like her just feels like youre saying his feelings of not being interested in amy or romance in general arent valid and are a problem that needs to be fixed. that he MUST be with amy just because she likes him and he needs to get over any discomfort he has with the idea because he doesnt have a choice. its like people are so obsessed with shipping that theyre ignoring sonics feelings or at the very least prioritizing amys over his . Hello can anyone hear me
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