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#we're back on the analysis bullshit
unfortunate17 · 2 years
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This is one my favorite moments from Season 2. Towards the end of episode 5, Simon comes to check on Wille after he bails on the class presentation.
When Wille lets him in and Simon asks what happened, Wille says this:
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In return, in the ensuing beats of silence, we get these extremely interesting shots of Simon just looking at Wille:
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This moment definitely feels like Simon is on the precipice of realizing something. The barest hints of him understanding the extent of the anxiety that Wille has worked so hard to hide away.
And I'm obsessed with the implications of it all and how we will continue to see moments like this in Season 3 (which better be coming @Netlfix istg)
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tardis--dreams · 1 year
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i love group work. i'd also love to scream very loudly and maybe torture one or two people with needles. but these two things are unrelated
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justlemmeadoreyou · 1 month
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rain-kissed* (footballer!harry x
nerd!y/n)
summary: y/n and harry, former rivals turned reluctant partners, find unexpected chemistry. heated glances, playful banter ignite a spark. a near-tragedy makes y/n confront feelings, and...will they be reciprocated? ft. lots of mutual pining
words: 6.1k
warnings: Angst, fluff, mentions of a major injury, cursing, kissing, hints of smut, mutual pining.
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Y/N groaned as she walked into the lecture hall for her literature class. "Are you kidding me?"
There in the very front row sat Harry Styles - captain of the football team, president of one of the biggest frats on campus, and certified douchebag extraordinaire. His feet were obnoxiously propped up on the desk in front of him as he laughed loudly with his friends. 
"This class is gonna be a nightmare," Y/N muttered, taking a seat as far away from Harry's circle as possible. She couldn't stand arrogant jocks like him.
Class started and the professor cleared her throat loudly, shooting Harry a pointed look until he dropped his feet to the floor with an eye roll. "Alright, since this is an upper-level lit course, we're going to kick things off with a big group project."
A collective groan went through the class. Group projects were the worst, especially when half the group didn't pull their weight. Harry raised his hand lazily.
"What's the project, Millers?"
The prof narrowed her eyes at Harry's casual address but proceeded. "You'll be analyzing the themes and formatting an anthology of poems, plays, and short stories from a particular era or movement. I'll be assigning the groups and topics."
Y/N mentally prepared herself to get stuck doing all the work as usual for her group when Millers started listing off the pairings. 
"Styles and Y/L/N - you'll be covering the Romantic period."
Y/N's head whipped up in horror as Harry scoffed loudly. Of course they'd get partnered up. This was quite literally her worst nightmare.
"Fucking kill me," Harry grumbled, slumping back in his seat rudely.
"I'd rather work alone," Y/N couldn't stop herself from retorting. Immediately, Millers zeroed in on her with a stern look.
"I don't recall there being a choice, Ms. Y/L/N. Unless either of you plans to drop this course, I suggest you learn to work together effectively."
Gritting her teeth, Y/N forced out a tight, "Yes, Professor."
Harry was already texting rapidly on his phone, not paying any attention. This project was going to be utter hell.
The rest of the semester only proved Y/N right about what a nightmare it would be to work with Harry. Their first meeting to divide up the work went about as well as could be expected - which is to say it was a total disaster.
"Look, I don't have a bunch of time for this bullshit poetry stuff," Harry kicked back in a creaky chair, looking entirely too at home in the empty classroom they'd claimed for their work session. "How about you just do the whole thing and I'll, like, proofread it at the end or whatever?"
Y/N stared at him incredulously. "Absolutely not! This is a hugely weighted project, Styles. I'm not doing all the work myself."
He shrugged impatiently. "Why not? You seem like a big ol' nerd who'd be into this."
Biting back a retort, Y/N forced herself to remain calm and reasonable. If he was going to act like a damn child,she had to be the adult in the relationship–or whatever this was.
 "Forget it. We're going to split everything 50/50 whether you like it or not. I'll take the poetry analysis and you can have the plays. We'll swap sections to proofread before compiling the final thing."
Harry made a face like she'd asked him to perform surgery. "Do I have to? Plays are so boring."
"Don't care," Y/N said flatly. "You're pulling your weight on this one way or another."
With a melodramatic huff, Harry finally agreed and they were able to separate the reading materials and due dates before parting ways, both dreading the long weeks ahead.
Except...after trading several heated email chains and a couple disastrous coffee shop meetups, something shifted. Maybe it was the punctuality that struck after virtually living in the library for a week straight. Maybe it was how they both surprised each other by not being complete idiots about the subject matter. But at some point, the bickering and resentful silences turned to a bearable truce and even - dare Y/N think it - a hint of reluctant respect between them.
Y/N had assumed Harry was just another brainless party bro who skated by on his looks and family money. But to her surprise, he actually had intelligent insights into the Romantic poets and playwrights - even if he still whined about having to read "this dramalogy crap." 
And Harry, who had fully expected Y/N to be an uptight, pretentious book nerd, found himself caught off guard by her whip-smart analysis...and her unexpected sarcastic quips that had him stifling laughs more than once during their study sessions. He called her nerd instead of her usual name, but was now slipping back to using Y/n more often.
"Oh my god, you did not just say that about Lord Byron!" Harry snickered as Y/N made another scalding comment about the poet's arrogant womanizing. 
"What? The man was an infamous manwhore by all accounts," Y/N shrugged unapologetically. "Self-important dickhead thought his brooding and philandering made him a genius."
Harry gasped in mock offense. "How very unromantic of you, love! Have you no poetic soul?"
Without missing a beat, Y/N deadpanned, "I prefer to admire poets who didn't give the clap to half of London."
The startled laugh that burst from Harry's lips was so warm and uninhibited that Y/N felt an unexpected little flip in her stomach at the sight. Whoa, what was that?
Shaking it off, she hid her face behind her book again, tamping down an oddly giddy–sort of feeling. Just because she'd managed to find Harry slightly less insufferable lately didn't mean anything.
And so it went, their bickering gradually becoming more lighthearted and playful rather than biting. The weeks ticked by as they somehow formed an unlikely...friendship? Bros? Sure, they'd go with that for simplicity's sake.
At some point, they started expanding their hangouts beyond just study sessions too. Grabbing food after class turned into actually sitting together, Harry regaling Y/N with stories from his frat's latest shenanigans as she pretended not to be entertained. 
On the rare nights Y/N wasn't holed up writing papers, she started joining Harry and his boys at their favorite dive bar, quickly becoming the calm voice of reason trying in vain to talk them out of their next boneheaded plan.
"Come on, PlainJane! Live a little!" Harry teased, throwing an arm around her shoulders at the bar. 
The rowdy group cackled at Harry's horrible attempt at a literary-themed nickname for Y/N, as per tradition when any new face got absorbed into their friend circle. Personally, Y/N thought it was a lame pun, but she secretly loved how easily she'd slotted into their bizarre fratty family...and maybe especially how Harry always seemed to plaster himself to her side whenever they went out.
The camaraderie and effortless banter flowing between them should've been a huge red flag that something was shifting. But Y/N was quite stubbornly oblivious, as was Harry in his own way.
At least, that was until their big group presentation day rolled around. They'd been prepping and quizzing each other for weeks, reviewing notes and analysis essays till they were cross-eyed. Harry had really stepped up, much to Y/N's surprise, retaining way more than she'd expected about the playwrights and their major works.
The whole lit class was spread out in the lecture hall, with bullet-pointed notecards and thick anthologies ready as the first group took the floor. When it was finally Harry and Y/N's turn, they moved to the front in sync, Harry shooting her a subtle wink as he grabbed the microphone first.
"Buckle up, kids - this is how you do a proper literary presentation," he drawled cockily.
Y/N rolled her eyes on reflex, biting her lip and bumping his hip with hers in playful admonishment. "Shut up and just start already."
Neither of them noticed the amused looks being swapped by their classmates at their easy rapport. Or Millers leaning back with a knowing smirk, clearly recognizing the chemistry flying between her formerly antagonistic partners.
For the next hour, Harry and Y/N launched into their meticulously prepared overview of the key figures and works emerging from the Romantic period. Their back-and-forth was flawless yet casual, almost playful at times with little ad-libs and jokes only they were in on.
At one point, Harry lightly mocked Lord Byron's arrogance with a pompous impression that had Y/N doubled over giggling into the mic, barely choking out the next lines through her laughter. When she managed to catch her breath, she shot him a look that was equal parts fond exasperation and...something more heated.
There was a noticeable spark between them that had clearly evolved far beyond the adversarial classmates they'd started as. And if anyone could miss that subtext, it became blindingly obvious at the end when they seamlessly transitioned into their concluding remarks, standing shoulder to shoulder.
"So in summary, while the Romantics may have been a pretentious bunch of melancholic lads-" Harry began.
"-their pioneering works cemented their place as quintessential figures in literary history," Y/N picked up without missing a beat. 
They shared a grin before finishing in unison, "And that's the tea, no cap."
A surprised burst of laughter rang out from their classmates at their cheeky sign-off, even the prof hiding a smile behind her hand. Everyone could see it - the easy chemistry, the almost electric undercurrent between the former rivals.
Everyone, that is, except Harry and Y/N themselves. 
As they moved to return to their seats amid the applause, neither seemed to register the weighted looks and muffled whispers following them. Harry just ducked his head with an almost bashful smile, still riding the high of how flawlessly they'd worked together. While Y/N felt her cheeks flushing under the weight of what she convinced herself was just residual adrenaline.
In the weeks after their wildly successful presentation, that same strain of electrifying connection only grew stronger between them. You'd never know they'd spent the first half of the semester low-key loathing each other based on their current vibe.
Now, when Harry's frat brothers tried to rib him about his "study buddy" at their typical dive bar hangout, he just threw an arm around Y/N's shoulders and proudly declared, "More like my brain twin!"
Y/N would just duck her head with a bashful grin, pointedly ignoring how her heart did a little somersault at both the affectionate nickname and Harry's easy touch.
Or like when they sprawled out on the quad between classes, passing a bag of chips back and forth as Harry ranted about his coach riding his ass over the big rivalry game next week. Without even thinking about it, Y/N would reach out to squeeze his knee consolingly as he huffed out his frustrations. It was such a simple, natural gesture between them now that she didn't even register the slightly stunned look Harry shot her before clearing his throat gruffly.
Even their friends couldn't resist commenting on their respective obliviousness at this point.
"Bruh, Y/N literally lets you call her 'love' without punching you in the dick," Niall pointed out bluntly one night when Harry claimed, once again, he and Y/N were "just friends." His Irish buddy arched a skeptical eyebrow. "Pretty sure she wants to ride your lancer if you know what I mean."
Harry smacked him hard while trying not to get flustered. "Shut the fuck up, asshole."
While on Y/N's end...
"Sooooo, when are you gonna admit you have a huge crush on Styles?" Her friend Riley asked point blank over brunch, making Y/N nearly choke on her mimosa.
"What? No I don't!" She insisted a little too quickly, refusing to meet Riley's all-knowing gaze. "We're just...really good friends."
Riley hummed disbelievingly. "Right. And I'm the Queen of England."
Y/N opened her mouth to protest further before clamping it shut as her mind started helplessly rehashing all her favourite little moments with Harry over the past few weeks. His warm, anthracite eyes crinkled at the corners when he laughed at her jokes. The proud grin he'd get whenever she successfully understood something he'd tried explaining. The way she felt this inexplicable magnetic pull to stay pressed into his side for as long as possible whenever they hung out...
"Oh my god," she breathed out, smile slipping as the enormity of her revelation dawned. "I'm in love with Harry fucking Styles."
That's not to say the smitten epiphany immediately changed anything between the two. Well, maybe it made their lingering hugs and casual touches go on for a few beats too long. Or had them both shyly stealing glances when the other's back was turned.
***
Mostly though, they just continued their cozy, obliviously pining routine of late night FaceTimes and weekends holed up studying together for finals. All while Harry's team prepared for their annual football rivalry game - the biggest matchup of the season that would make or break their championship chances.
The night before the game, Y/N found herself inexplicably anxious as she sat in the stands amid a drunk, raucous crowd. Harry kept shooting cheesy grins and double finger-gunged winks her way whenever he trotted past her section, clearly buzzed on adrenaline.
"Go get 'em, superstar!" She shouted at one point, laughing as Harry blew her an obnoxious kiss before getting back in the huddle.
The energy in the stadium was electric and infectious, Y/N finding herself caught up in the cheers and chants despite not being a huge football fan normally. Something about watching her...Harry out there gave her swirling butterflies low in her belly though.
As the intense game raged on, Y/N was on the edge of her seat, nails digging into her palms whenever Harry took a brutal hit or made a heart-stoppingly risky play. At one point he got absolutely leveled by a linebacker twice his size, his helmet bouncing sickeningly off the turf.The roar of the crowd faded into the background as Y/N watched in horror as Harry's body slammed violently into the turf. She felt her heart stop as he didn't immediately get back up after the brutal hit.
"Harry!" she screamed, her voice drowned out by the gasps of the other spectators. 
The medical team rushed out onto the field as Harry lay unmoving. Y/N's hands shook with fear as she watched them carefully roll him onto a backboard and load him into the ambulance. She felt tears streaking down her cheeks as the ambulance pulled away, sirens blaring.
After what felt like an eternity, she finally received word that Harry was going to be okay. The doctors said he had suffered a severe concussion and possible spinal injury from the whiplash of the hit. He would need weeks of rest and recovery.
Y/N rushed to the hospital, desperate to see him. When she entered his room, her heart broke at the sight of Harry's battered body hooked up to various machines, a cervical collar immobilizing his neck.
"Harry..." she whispered, taking his hand gently in hers. "I'm so sorry."
Harry's eyes fluttered open at the sound of her voice. "Y/N? You're here..."
"Of course I'm here, you idiot," she tried to joke, blinking back more tears. "I was so worried about you."
A small smile tugged at his bruised lips. "I'll be okay, love. Harry is a thick skull, remember?"
Y/N rolled her eyes but couldn't help grinning at his terrible joke. "Don't scare me like that again, Styles. I don't know what I'd do without you."
A look of tenderness crossed Harry's face that made Y/N's breath catch in her throat. But before either could say anything further, the doctor entered to check on Harry's condition.
***
Over the next week, Y/N diligently stayed by Harry's side in the hospital. She helped feed him, kept him company, and supported him through the difficult early recovery stages. Harry quickly grew restless being cooped up, but every time he tried to get out of bed against doctor's orders, Y/N was there to scold him.
"You heard what the doctor said, Harry. You need to rest and let your body heal properly," she chastised him one day as he tried to get up.
Harry groaned in frustration. "But I'm going stir crazy in this damn bed! I feel fine, Y/N, honestly."
"No, you don't," Y/N said firmly. "You could have had a serious spinal injury. You're lucky it wasn't worse. Now lie back down before I get the nurses to strap you in."
Grumbling, Harry reluctantly complied, though he continued to hate being so confined and immobile. Little did Y/N know, he was already hatching a plan.
A few days later, Y/N arrived at the hospital only to find Harry's bed empty. Her heart leapt into her throat as she rushed to the nurses' station in a panic.
"Where is he? Where's Harry Styles?" she demanded.
The nurse gave her an apologetic look. "I'm sorry, he checked himself out against medical advice earlier today."
"What? No, he can't have!" Y/N cried. She knew immediately where he would have gone.
Sure enough, when she ran across campus to the football practice field, she found Harry standing on the sidelines in his gear, acting as if nothing had happened. White hot fury blazed through her veins.
"Harry!" she yelled, storming toward him as the first raindrops began to fall. "What the hell do you think you're doing?"
Harry turned with a cocky grin as he saw her approach. "There's my favourite nerd. What's got your panties in a twist, love?"
"You insufferable asshole!" Y/N exploded, not caring that they had an audience of his confused teammates. "The doctor said you needed weeks of rest and recovery! You could have permanently injured your spine!"
Harry rolled his eyes. "Relax, babe, I feel great. Probably just overreacted with that whole backboard and neck brace nonsense."
"Are you kidding me right now?" Y/N seethed, hands balling into fists at her sides. Rain began pouring down around them, quickly soaking them both, but she didn't care. "You're incredible, you know that? You have zero self-preservation! No regard for your own safety and well-being!"
"That's a bit dramatic, don't you think?" Harry scoffed, though his casual demeanor faltered slightly under her furious glare.
"Dramatic? You could've been paralyzed, Harry! Doesn't that mean anything to you?" Her voice broke with frustrated tears. "Don't you understand how terrified I was watching you lying there, not moving? I thought...I thought I might lose you."
Something flickered across Harry's features then. His cavalier mask slipped for just a moment, allowing a flash of guilt and tenderness to shine through that sent Y/N's heart lurching treacherously. Then it was gone, the wall snapping back into place.
"Well, I'm right as rain now, so you can quit your worrying," he said gruffly, turning his back on her.
That was the final straw for Y/N. She grabbed his arm and whirled him around to face her, not caring that they were getting drenched by the downpour.
"You're so fucking reckless with yourself, Harry! Like you have zero self-preservation or even an ounce of common sense! Do you have any idea how scary that was to see you lying there, not moving? How I thought..." Her voice hitched, throat growing too tight to continue as burning tears pricked the corners of her eyes.
Through the rapidly blurring vision, Y/N registered Harry staring, chest heaving like she'd actually winded him with her outburst. His hands hung frozen at his sides, knuckles going white as he watched her come completely unraveled. And still she wasn't finished.
"You can't just keep putting yourself in danger like that! Pulling stupid fucking stunts and flipping off your own safety like it doesn't matter! Because it does, Harry. It matters so much to...to me," she finished in a thick whisper, finally allowing a tear to escape and streak down her flushed cheek.  
A weighted silence stretched between them, Y/N struggling to regain her ragged breathing as Harry continued gaping at her, utterly shocked by her reaction. Waves of tension rippled through the small space separating them.
Finally, after what felt like an eternity but was probably only seconds, Harry seemed to recalibrate. His expression went utterly blank for a beat before, out of nowhere, his eyes hardened into flashing jade. When he spoke, his tone was laced with a chilling detachment.  
"Why?"
Y/N blinked owlishly. "W-What?"
"Why the fuck do you care so much, huh?" Harry exploded, eyes flashing as he aimed his scathing hostility directly at Y/N. "Last I checked, I'm not your boyfriend or your family. I'm just some dumb jock you study with, right?"
Y/N flinched at the biting sarcasm, feeling tears prick her eyes anew at his harsh dismissal. But Harry was on a roll, fists clenching and unclenching as he visibly wrestled with...what? Anger? Fear? She couldn't tell, but his next words sliced deep regardless.
"So why do you get to flip out and pass judgment every time I take a hit, huh? You think I don't know how to handle myself out on that field?"
"That's not what I-"
"No, clearly you don't think I have any sense of self-preservation or whatever psychobabble bullshit diagnosis you want to armchair next!" Harry barreled over her attempted protest, voice rising in a sharp crescendo. 
He took a menacing step closer, using his full height to loom over her in a move that likely would've been intimidating...if his eyes didn't look so pained and conflicted behind that mask of bitter anger. "Tell me, Y/N - what gives you the right to freak out like that, huh? To look at me with those scared eyes like you have any claim over whether I live or die or-"
"Because I love you, dammit!" The confession exploded from Y/N with the force of a meteor strike.
A stunned silence fell over the field as Harry gaped at her, mouth hanging open in shock. Even the rain seemed to pause in the heavy tension between them.
After several moments where Y/N felt her panic rising, Harry finally found his voice again. "You...you what?"
Y/N took a shuddering breath, bracing herself. She had come too far to back down now.  
"I love you, Harry," she repeated, slower and more sure this time. "I have for a long time, you idiot. But you're always so reckless and careless 'bout your own safety. You take stupid risks and shrug it off like getting hurt is no big deal!"
She stepped closer, feeling tears mingling with the raindrops on her cheeks. "Don't you understand? The thought of you being seriously injured, or worse...it terrifies me. Because I couldn't handle losing you. You mean everything to me."
Harry continued staring at her, eyes blown wide and lips parted as if her confession had utterly short-circuited his brain. Y/N pressed on, needing to finally unleash all the feelings she had kept bottled up for far too long.
"I love your stupid jokes and your kind heart. I love how passionate you are about football, even if it drives me mental sometimes. I love the way you always smell like sandalwood and make me feel so safe when I'm with you. I'm in love with every obnoxious, laddish, reckless part of you and I can't keep ignoring it anymore."
She let out a wet chuckle, wiping futilely at her drenched face, her hands still shaking. "So yeah, that's why I care, you absolute wanker. That's why seeing you get hurt destroys me every single time, because the thought of being in a world without Harry Styles in it is just too much for me to bear!"
The words hung heavy in the rain-soaked air between them. Y/N watched Harry open and close his mouth a few times, clearly struggling to find a response. For once, his swagger and cockiness had completely deserted him as her feelings poured over him in an unstoppable tide.
Just when the silence was becoming too much for Y/N to bear, Harry finally seemed to find his voice again.
"You...you love me?" he rasped out, the disbelief and wonder evident in his tone. "Like, you're in love with me?"
Y/N felt her cheeks flush hot despite the cold rain. She gave a small nod, unable to meet his intense gaze. Her heart was thundering so loudly in her ears, she barely registered the shouts and hoots coming from Harry's teammates who had witnessed the whole emotional outburst.
"Shut it, you wankers!" Harry barked over his shoulder, never taking his eyes off Y/N.
In two long strides, he closed the distance between them until they were mere inches apart. Y/N's breath caught in her throat as Harry reached up with one hand to gently cup her jaw, tilting her face up toward his.
"Y/N..." he murmured, emerald eyes searching hers intently. "Why didn't you ever say anything?"
She let out a shaky laugh, leaning into his touch despite herself. "And ruin our friendship if you didn't feel the same way? I couldn't risk that, Harry. You mean too much to me."
Something blazing and tender flickered across Harry's face at her confession. Slowly, giving her every chance to pull away, he leaned in until their foreheads were resting together. Y/N shivered at the intimate proximity, at the way his familiar woodsy scent surrounded her completely.
"You daft woman," he murmured, the words fanning warmly across her lips and making her shiver for an entirely different reason. "Don't you know there's nothing I want more than for you to be my girlfriend? To be able to love you the way you deserve?"
Y/N's eyes fluttered closed at that, her heart feeling fit to burst from her chest. She had spent so long forcing herself not to hope, not to read into the heated glances and lingering touches she shared with Harry. Could he truly feel the same earth-shattering connection she did?
Her eyes blinked open again at the feeling of Harry's calloused thumb brushing reverently across her rain-soaked cheek. He was staring at her with such naked adoration and longing that it stole the breath from her lungs.
"I'm so bloody gone for you, Y/N," he confessed roughly. "Have been for ages now, if I'm being honest. Thought maybe I was imagining things between us or reading too much into it since I couldn't fathom someone as incredible as you wanting a mug like me."
Y/N opened her mouth to protest, to reassure him that she wanted every infuriatingly charming part of him, but Harry pressed on before she could get the words out.
"Then today, hearing how scared you were when I got laid out...how you thought you could lose me?" He shook his head slowly, curls dripping rivulets of rainwater down the sharp planes of his face and throat. "Don't know how I didn't see it before, love. The way you care about me, put up with all my shite...it's because you love me. Isn't it?"
It wasn't really a question, more like Harry was testing the words out for the first time and savoring the way they sounded. A thrill went through Y/N at getting to be the one to put that Look of rare, hushed awe on his handsome face for once.
"Yes, Harry," she answered anyway, both hands coming up to cradle his beloved face. "I'm desperately in love with you. The good, the bad, the reckless...all of it."
A crinkly-eyed grin stretched across Harry's lips then, brighter and more vibrant than Y/N had ever seen before. He wasted no more time closing that minuscule distance between them, capturing her mouth in a searing, all-consuming kiss.
Y/N gasped against his lips as the dam finally broke, months of too-long denied want and need bubbling over in heated waves. Harry's hands slid into her soaked hair, angling her head to deepen the embrace as he licked hungrily into her mouth. Y/N clung to him just as fiercely, fingernails scraping against his scalp and shoulders as if trying to physically pull him closer.
They were both panting harshly by the time they wrenched apart, sharing the same air in the infinitesimal space between their swollen mouths. Y/N felt drugged by the glazed, predatory darkness swimming in Harry's blown pupils,by the intimate glide of their rain-drenched bodies.
"Fucking finally," he growled against her lips before diving back in, one large hand splaying possessively across the small of her back.
Y/N hummed in ardent agreement, getting lost in his dizzying taste and scent and touch once more.  It felt like a cosmic star had been reborn between them, the force of their crashing inevitability obliterating all the hurt and confusion from before.
Neither was sure how long they stayed like that, trading desperate, drugging kisses amongst the pouring rain. But eventually, Harry pulled away just enough to nose his way along Y/N's jaw, lips dragging hotly up to her ear.
"Let's get out of this downpour, hmm?" he husked, teeth grazing her shell and making her shudder. "Got some making up to do for being such a blind tosser."
Y/N pulled back just enough to catch the incandescent fire blazing in his darkened gaze. Her breath hitched at the onceiled promise flickering there, at the tips of his wicked fingers already slipping beneath the drenched hem of her top.
It seemed she wasn't the only one who had been harboring some pent-up longing and hunger.
Still, there was one loose end she couldn't resist tugging before allowing Harry to whisk them away...  "Does this mean you're finally going to start taking better care of yourself?" she asked archly, arching one pointed brow. "No more stupid, reckless stunts for my idiotically brave footballer?"
Harry audibly groaned, dropping his forehead dramatically against her clavicle as his hands flexed with bruising force against her hips.
"Whatever you want, love," he conceded gruffly. "No more injuries or shite, I swear it. Now can we please get the fuck out of here before I embarrass myself further by ravishing you in the mud right in front of my teammates?"
Y/N gave a squeak of surprise as Harry abruptly ducked to gather her up in his arms, hitching her legs around his waist in one fluid movement. He sealed his wicked promise with another lingering, molten kiss that left her head spinning.
"Now, where were we..." he growled darkly before striding determinedly off the field, Y/N clinging just as fiercely in his embrace.
The teammates' raucous catcalls and laughter faded into the rainy background as Y/N tucked her face into the curve of Harry's neck, savoring his familiar sandalwood and smoke and the feeling of being wrapped in his arms at last.
She was never letting him go again. Not if she had any say in it.
♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡~~~♡
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ddejavvu · 8 months
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can I request one with Spencer Reid based on the season 4 club scene??? He's there with Morgan and stares at the reader and Morgan shows him how to approach her but the reader doesn't fall for Morgan's approach, then Reid gives it a try and she turns into a giggly blushing mess at how cute he is and his weird facts!! Idk something fluffy??
reader is slightly mean to morgan in this one and i'm so sorry to have dissed the love of my life </333
--
"Don't bother," Morgan catches Spencer's shoulder when the man looks like he's about to give you their 'have you seen this man?' spiel. "I tried to tell her about the unsub, but she's not very impressed by men cornering her in the club. We don't have to worry about her, she won't fall for his bullshit."
"She should know, though." Spencer frowns, watching as you stare lazily at your drink, watching condensation drip down the glass, "I'll tell her."
"Reid, I'm telling you, she's not a potential victim," Morgan squeezes his shoulder, "Listen, if I couldn't get her to talk to me, there's no way the creep we're looking for could win her over. And he's not gonna waste his time on someone who says no to him."
The expression on your face changes from a dark scowl when a man stands a few inches too close to you while ordering a drink, to a soft, disinterested pout when he leaves again and you're able to relax. You don't look resistant, you look hesitant. You don't look like you're refusing to talk to anyone, you look like you're waiting for the right person to talk to you, and Derek Morgan was wrong.
"I'll just be a minute," Spencer slips out from beneath Derek's heavy hand and ignores the agent's groan as he approaches you. He knows Morgan's eyes are heavy on his back while he steps up to your barstool, but he pushes away the pressure of an audience to smile kindly at you.
"Hello," He offers, his voice barely audible over the music. His fingers latch tight around the strap of his messenger bag and the flyer he's holding wrinkles in his firm grip, "I'm Doctor Spencer Reid, with the FBI's Behavioral Analysis Unit, I'm here to warn you about a potential threat."
Maybe it's not the strongest way to start off a conversation with a pretty girl at a bar, but it's the information you need to know. Stuttered flirting and watered-down drinks can come later, if they happen at all; Spencer's priority is your safety.
Your brows raise and you look past Spencer's shoulder hesitantly, "Is it him? He tried trapping me earlier."
Spencer's chest relaxes slightly where it had been tensed, and he lets out a mild laugh, "Well, he's not the main threat I'm worried about. Did he- did he do the thing where he called you sugar?"
"Mm-mm," You shake your head, taking a sip of the sad remains of your drink and speaking after you swallow, "Sweet cheeks."
Even Spencer winces. Where Morgan's strategy is charm first, then the ugly stuff, Spencer thinks it's only fair to let you know why he's there before letting himself get distracted.
"He thinks that's some sort of magic spell," He laments, "Uh- I'm sorry if he made you uncomfortable. Technically, he was just trying to warn you about the same guy I'm warning you about, but we have a very different way of going about business."
"I can tell," You nod, eyes widening slightly for emphasis. Then you glance at the stool beside your own, "Sit down, Doctor. Tell me about this creep. Well- the one on the flyer."
Morgan watches with something ugly rearing in his chest as Spencer takes the seat you've offered him, but he wrestles it down to replace it with pride. Perhaps he'll have to reevaluate his strategy when it comes to disinterested patrons, but as he watches Spencer magically find his business card behind your ear, he's not sure he'll ever have what the young doctor does.
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cry-ptidd · 4 months
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Nev, you absolutely brilliant and beautiful and talented mastermind!
I need to hear about your thoughts and opinions on pre-canon Alucard aka Dracula!
First of all anon I'm gonna kiss you and hug you and serve you burek with a warm drink and a smooch on the forehead
Second of all,
Long, long yapping below 👇 🗣️
Now, I don't know if you meant Dracula as in in-canon Hellsing Dracula or Bram Stoker's Dracula, so I'll do both thanks to the power of autism. Vlad III isn't included bc I don't wanna.
Also this is just my opinion and mild analysis of both medias, not a properly structured essay.
Dracula (1897) - Bram Stoker
Ok so first of all, Dracula is one of my favorite books. I adore gothic horror and the spooky melancholic supernatural atmosphere of most gothic novels. I consider Dracula a masterpiece of horror, even with its faults, idc.
The epistolary structure of it makes the horror progressive and building, despite the fact that alarm bells ring out every single second of Johnathan's stay at Chateau Drac. The various themes of temptation and danger and oh my god the danger followed me home oh god oh fuck are fascinating, and the human group is interesting (also Mina was done dirty).
But also, it's an inherently queer novel, which, as a queer person who loves horror, i adore. Bram Stoker was really fucking queer, but that's something he hated about himself and suppressed; it's no surprise that the count's entire character is so fruity in itself, he represents Stoker's own repressed queerness. Drac is, in the book, inherently sexual - the exchange of fluids to turn pure, virginal ladies into hot deadly sexy vampire seductresses, and the fact that he protects Johnathan from his brides and is always so... Like That with him makes him so interesting.
The scene where the count takes great offense at being told that he has never loved by one of his brides is one of my favorites in terms of characterization, because Dracula doesn't have any need to bullshit at that moment. He could've just told her to stfu and back off, or even let them eat Johnathan. But instead he gets offended because the remark hit a nerve. He wants to love and to be loved, but his methods are rather... unconventional and predatory to the Proper and Orthodox humans of the story. Rip Drac, you would've loved (and been loved by) today's monsterfuckers.
We're gonna ignore the fact that the supercool and awesome expert amazing professor Abraham Van Helsing is Stoker's self-insert and that he's the one that (or at least greatly helps the group) hunt down Dracula, the representation of unorthodox desire and sexy, vampiric existence.
Dracula in the Hellsing universe
Ok so this one is interesting.
First of all I want to address how fucking funny it is that Alucard tried to fuck both Mina and her husband and fumbled them both but that's a topic I think he'd get mopey and very bitter about so let's not.
Hellsing Dracula is really interesting. In the novel, we're not given the count's pov (why would we? He's the villain anyway.) but in Hellsing we do, and we get it very often. We know his childhood, his identity, but most importantly his philosophy and personality.
Alucard's personality changed a bit over the years:
Vlad was arrogant out of desperation and survival; he had to be strong, because if he's not then he'll be crushed and his prayers won't be heard by the god he worships with battle, and he "can't be defeated, ever." He can't afford to be.
Dracula was arrogant because he was powerful and unchained. He was the master, he was a monster not leashed by morality or conventionality and religion and even his body was above what a human could ever do. He knew he was a threat and he relished in it. How could any of those puny humans beat him? The Count Dracula? But they did.
Alucard is a snarky asshole that didn't lose any arrogance but it changed shape; it's not that he can't be defeated, it's by whom. He carefully chooses his fancied opponents and clings to them like a leech, at least emotionally, and puts them on this pedestal where they're the only ones who may. Any other fight is just to pass the time. Those sniveling cowards can't defeat him, but those proud human warriors can. And he's the one who decides what's worthy or not, because he's a top-tier level threat. (When he tried to stop Anderson from using the nail, he basically told him Anderson was created just to defeat him.)
But let's get back to Dracula here for a sec. That arrogance comes with any vampire because that's what they do, they're hot and sexy and broody and egotistical, stealing blood and beauty for their own sakes. But he's also really damn sad. I imagine that he gets bored after a while, after the novelty of cool supernatural tyranny wore off. The count has all reason to be confident; he's on top of the food chain in all aspects.
But what do you do when you're at the top?
You don't have anyone with you. Those brides are companions, not significant others, hell they're not even named in the novel or barely acknowledged by him. Those humans are prey, not equals. He can try to portray himself as basically animalistic, he has emotions and he doesn't like that he has emotions. He's just really fucking sad.
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Like. This is literally the most pathetic man I've ever seen.
The fact that he doesn't seem to hold a grudge against Abraham and his crew - on the contrary, he seems to admire them and puts them on a pedestal - shows that he longed to be beaten. He was tired. He needed novelty.
Now i don't know what fucked up experiments Abraham did on that poor thing but clearly he wasn't as powerful as Alucard is, but I doubt that increase in power changed much of anything to be honest. Man is just as miserable as he was before, but now he actually has a purpose - he has someone to serve, a master, someone to cling to.
And boy does he cling to them.
He respects Abraham and Arthur, both men who've undeniably hurt him, Abraham with the experiments and Arthur by leaving him to rot for 20 years (understandable, yes, but still I wouldn't like it if that was me) and yet he's shown them great respect. It's almost Stockholm syndrome (something that I don't believe in and isn't backed by science, but the idea stands) and his idea of any kind of functional relationship is unfathomably fucked up.
I won't dwell on Alucard too much since this is about Dracula, but it's actually rather easy to piece together his mental state and outlook on life with the few pieces we got. Someone please come help this man.
That's that!
I would also like to shoutout to @catsvrsdogscatswin for their wonderful characterization of Dracula and Alucard altogether, but mostly in their fic Kaleidoscope, which is unironically and not hyperbole my favorite fic on ao3 up to date.
Seriously. Go check it out.
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nozomijoestar · 4 months
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LIFTING THE SPOILER WARNING ON THIS POST FOR LAUNCH DAY
Here's my initial analysis and thoughts on Asuka's ending (character episode) in Tekken 8
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caught yearning in 1080p
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handsome
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thinking abt getting students now that the Zaibatsu ate shit (btw you don't find out the Zaibatsu is pretty much on track to being done with no leader again, which is why they continue the tournament presumably after the final battle unless you look through the character episodes, not the main story, for some fucking reason)
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Asuka finally smiled at her accepting her and the feeling is mutual, this ending had great role reversal in the sense instead of previously only getting clear insight into Lili's feelings and thoughts now we're openly getting them from Asuka in response- she also felt tempted to give in to her old reaction first think later ways but here she's finally thinking before deciding it doesn't matter why, she enjoys fighting Lili and she finally seems to recognize what Lili's schemes are about on a level (wanting Asuka's attention and getting back at her for having lost), this is the closest so far we've ever gotten to a "I like you too"
this is on top of the teasing and compliment she gave Lili's ability in the same scene, and also correcting Lili on the Kazama Motto Asuka learned, which only Asuka could have told her at some point suggesting further closeness
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"Softness overcomes hardness" you two are (HOPEFULLY) starting to change your relationship to be softer (also the hilarious hypocrisy of Asuka BARELY being a person living by any softness in practice)
I love that she even refers to Lili as "That noble (rich) girl", an ojou-sama, which is far better than calling her by nothing or using a rude form of You (anta) as in the past (and generally she's given up calling Lili by rude terms be it in the story mode or otherwise including Shaheen's ending, which is honestly more about AsuLili than him lol, it's also incredible seeing Asuka glad Lili's life was protected and joking about Lili being a handful with someone else)
And despite provoking Asuka in a very shitty way reminiscent of Feng, the premise of this ending is Asuka beating Lili at the tournament so Lili will honor her word of putting Asuka's dojo back the way it was before she bought it- which Lili does after losing rather than refuse out of spite, even if she then uses taking it in a fight to provoke Asuka again, it's nice that she IS willing to listen to Asuka when it comes to promises
honestly if you cut the entire scene into only my screenshots here it still looks so fucking gay
Video source ( @ 1:03 )
This is the de-facto best Asuka ending yet, at last she's happy, hopeful, not confused, and at some form of peace and connection in her life
ALSO ASUKA DIDN'T CALL LILI A DINGBAT SHE CALLED HER AHOU (Idiot/Moron) LIKE ALWAYS AND IT WAS SOFT THIS TIME 😭😭😭😭
Plus Asuka might finally get the dojo back up and become the next leader with Jin's image being fixed and thus how people would see Asuka since they're related, as well as the current war being over- though Reina's new devil bullshit will probably ruin this in the future
EDIT: I FORGOT TO MENTION
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PAIR OF BIRDS; BIRD MOTIF FOR KAZAMAS RETURNS
I doubt these are Jun's birds specifically it's more likely just symbolic of Asuka and Lili if it means anything at all. Also doesn't have to specify meaning lovebirds, in general their characters will always be put together. But it is funny how Jun's birds always appear to show her connection to someone she loves, so there could be a parallel here that Asuka's bird imagery would represent the same sense of connection. If it is a visual metaphor for lovebirds though by the time we get Tekken 9 then, the cinema of it all.
ALSO Harada has said Jun attracts animals because of her spiritual mastery over martial arts. She's at a level of power where animals don't run because of sensing her aura; she can suppress her fighting spirit. With how at peace AND in control of herself Asuka is in this ending, maybe the birds imply she can move in a similar direction from here on. And it makes sense too because Asuka has returned to a state of equilibrium now that she doesn't have the stress of the world being in chaos affecting her. As a person who prefers being in control, she's back to feeling some control over her life.
----
THINGS I DIDN'T LIKE:
1. It's great that the tone of their relationship is now friendlier, but like in story mode and other places they appear as a pair, we're never shown anything on how they started transitioning from fighting all the time to agreeing to listen and partner up in general, nevermind during a global war they're supposed to have their own personal stakes in beyond not wanting to die (those personal stakes ended up being entirely irrelevant anyway which is it's own problem)
There's a problem present where you're shown the end result of an emotional shift with none of the journey or even a simple scene explaining how they got there, much like the main story and other characters in general many plot points and character changes are resolved off screen showing only the results with no explanation the majority of the time. In the main story this gets even more egregious because even how a character knows specific information usually doesn't get explained at all either unless it relates to Jin understanding the devil gene. This writing makes a lot of things simply happen like it's checking off a list.
In essence, WHERE is a scene connecting Asuka who did nothing but fight Lili and get pissed with her to the Asuka who's tolerant of her, is more catty and accepting than outright angry, is now willing to joke and play around with her, who taught Lili the Kazama Motto she learned (though I guess this one you can say Lili found it while looking up Asuka's family, something we ALSO don't get Asuka's thoughts on beyond surprise) and so on
2. The fact this scene ends with provoking another fight, as much as I like that it's friendly now, isn't the best direction. This fits again into problem 1; there's no on screen room to let these characters breathe and illustrate what made them change now to the viewer. There's no fresh angle given about their relationship outside fighting or even a new approach on their relationship within it. There's no pause in the formula which many people are tired of (and people are already back to calling Asuka a useless piece of shit who's a complete fucking joke, and I can't really blame them entirely because on a surface level all they see is the exact same situation as it's been for twenty years of cutscenes).
Also the logic of having this scene exist is confusing in itself. Nothing in the game story clarified if Asuka sat the tournament out or did participate but was eliminated and decided to follow Lili's progress in Rome as a spectator. A scene explaining either of those would give better weight and context to this one.
3. Zero mention of Asuka's father or his current condition
4. Having Lili imitate what Feng Wei did to dojos like Asuka's is the cruelest way she's ever provoked her. Whereas before it was often ridiculous, silly, and teasing, involving an event that led Asuka to spiral adds something uncharacteristically spiteful toward her from Lili's end. Insofar as what Lili has previously used to get her attention anyway. Keeping Asuka's trauma out of it has always seemed to be a line Lili was willing to respect. And it's off too because this is happening when they're supposed to be becoming friends/are friends now. It's too personal to be brushed off the way it is.
The only way I can rationalize it is if Asuka has let go of her anger towards what Feng did in part (but she still has a special intro where she wants to attack him on sight saying they finally meet so, I don't fuckin know, that may as well have been included as an easter egg if they're gonna do nothing with it) or she never really gave enough of a shit about the entire thing in the first place. You can make a loose argument using prior games to show Asuka never really cared about the revenge aspect as much- but her behavior sorta contradicts this at the same time. So really who fucking knows. Based on how she reacts here I guess it's not a big deal at this point cuz she doesn't get mad and jumps into messing around with Lili like a friend anyway.
Maybe this could be explained too by whatever made them act friendly now in the first place, but again we never saw that. So instead it comes out worse than if we knew.
5. WHY THE FUCK DID THEY MENTION THE ENTIRE MAIN KAZAMA FAMILY WAS ELIMINATED BY OGRE IN THE STORY MODE THEN HAVE THE NEWS NOT IMPACT ASUKA AT ALL
We also never see them discuss what Lili knows about the family in any depth between themselves
Viva le sex gay I guess but now I have more questions than answers and that's a problem when the game acts like I've been given answers it never provided. I got something I wanted but with nothing to show for it.
EDIT 1/27/2024 : However that won't discount that I do love what I received and the potential it represents; I adore this shit.
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possiblylando · 5 months
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Csm Chapter 151 not so early analysis
Late cause of bullshit.
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This guy Miri is genuinely so fucking cooked if he grew up with internet his brain would be absolutely fried by twitter he's so fucking gullible I can not believe it this guy.
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I'm more interesting in finding out what Whip thinks is going on. Because as far as we've been told and shown Miri is right about their goal here being to stop the death devil from doing whatever shes going to do. But Whip seems to think theres some true reason beyond that, that Miri doesn't get. It's possible their goal is just to bring back chainsaw man for no reason at all- like just to have him there.
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Oh wow okay uhmmmmmmm geeeeez look ah wow ahem woo ahem okay maybe uhhh maybe I get barem fans okay just a little bit uhhhhh hmmm moving on
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This whole scene was great because Barems moving like a fucking Zombie he totally could've entered his hybrid state here because he still has enough strength left to get up and walk over to Nayuta and fucking choke her out but he chose to stay in human form to prove a point. He's fucking scary as shit here. Barem does this little monolog about being a Makima fanboy but honestly I doubt he's right. Barem is SCARY here imagine being like 8 years old and this motherfucker gets up after being shot a dozen fucking times and he just starts walking towards you like a fucking zombie that is SCARY Nayuta is absolutely intimidated by this dude. Plus as far as I remember there hasn't really been an instance of devil powers sticking around after the devil dies they just seem to reset to 0 each time a devil dies.
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The fact they've been keeping Fumiko alive this whole time really does just go to confirm my thoughts that she's going to end up playing an important role in this final saga/arc of part 2.
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We finally enter the end game. I've said it in previous posts but we're fucking here now. We have maybe 1-2 arcs left in part 2 before we reach the end of it. I don't know for sure whats going to happen to Denji next chapter but I doubt it'll be good. The transformation is so low key it almost feels like its incomplete. Like the real chainsaw man has yet to appear. It possible due to the fear of chainsaw man around the world spiking due to the fire devil's contracts going off, Denji is about to go berserk as the black chainsaw man because aside from Nayuta he has nothing left. But there is one question I can answer.
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He's laughing about the 3 week break see you guys in 2024
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datlokibumtho · 2 months
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EDIT: I said I'd add more, and so I shall. I swear, the more I rewatch it, the more abserdity crosses my mind. I forgot some, so I'll add those when I remember them.
Rewatching the Mugen Train Arc, and there are a few things I noticed that I shall now share with you. I will add more as I think of them.
▪︎Rengoku's mom is hot
▪︎You will never be able to convince me we didn't see Akaza's O Face during that final attack.
▪︎Why didn't Akaza just drag Rengoku along with him to escape? All that oomf he has, and you're telling me one dude is too heavy? Nezuko can carry someone easily while in baby mode and was strong enough to curbstomp Daki, and you're telling me Akaza, Upper Three, the fourth most powerful demon in existence can't drag one guy along for the ride while bailing? I'm calling that shit hard.
▪︎Tanjirou's VA knocked this shit out of the park.
▪︎I call bullshit that Rengoku didn't activate his Demon Slayer Mark during all that.
¤ Edit: I now know why that didn't happen, so nevermind this one.
▪︎While we're on the topic of Rengoku, can I just briefly express my confusion as to his dream of choice when Enmu put him to sleep? Out of everything he could have dreamed, all the scenarios his mind could have conjured up, he chose "that one time I did something extraordinary and my dad didn't give a shit" followed by any given day of the week. Tanjirou got his family back, Zenitsu got to spend time with the girl he loved, Inosuke got to do whatever the fuck that was...and Rengoku's got an alcoholic father who doesn't give a hair on a witch's tit if his kids live or die, a mom that's still dead from illness, and last Tuesday, the Tuesday before that, and the Tuesday before that, also known as his everyday life. Why? He could have had a father that was a presentable human being again, a mother that wasn't dead or ill, a happy life...and he bypassed all of that. Just. Fucking. Why.
¤Edit: upon further thought and some amateur analysis of his psyche, the dream probably revolved more around time with his brother, or his boundless optimism making him think every day is a gift or worth celebrating or special somehow. Or maybe he just has a really bad imagination.
▪︎Rengoku just gave Enmu his first brush with heartburn.
▪︎Look up the lyrics to Homura by LiSA, and I believe you will join me in saying fuck whoever chose the music. Why they gotta do that? Why?
▪︎Get you a man that's an absolute goober, a total badass, a complete and utter derp, a major sweetheart, and a super serious hot mess all at once. Get you a Flame Hashira. Get you Rengoku Kyoujurou.
▪︎"I'm a box lunch vendor" wasn't suspicious until he said it wasn't suspicious. Then it became suspicious.
▪︎Rengoku moving his ass like "Total Consentrstion Fuck You I'm A Hashira" speed mode activated. "Ecceleration Mode", for anyone that's up on older anine.
▪︎Pigtails runnin' her way through Rengokus dream world like the edge isn't invisible and she was at zero risk of slamming face first into it.
▪︎God damn, Tanjirou, right between the man-titties. Rude as fuck.
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▪︎Tanjirou: smells blood in a snow storm, Muzan in the middle of Tokyo, identifies people by their scents after only meeting them once, can smell character traits
Rengoku: two cars down from them, chowing away at bento, unnoticed
Zenitsu: hears thing down to a celluar level and can figure out what something's species and intent are based solely of of their sounds of existsnce
Rengoku: two cars down from them, practically yelling "tasty" repeatedly, unnoticed
Inosuke: has super insane instincts and the ability to lock onto things miles away
Renkgoku: STILL just two cars down from them, living his best life with a crapton of bento, unnoticed
Tanjirou/Zenitsu/Inosuke: "Wonder where the Flame Hashira is."
▪︎Slasher demon: "No one's faster than me!"
The Other Speedy Stripy Boi Of The Mugrn Train Arc: "Destructive Death: Kick-Your-Ass-Faster-Than-The-Speed-Of-Sound-You-Scrub Type."
▪︎Rengoku's Dream World: sunshine, daisies, and fatherly rejection
Rengoku's Subconscious: flaming hellscape
Enmu's Lackey: "What the flip flap fuck is going on with this man?"
▪︎Enmu: shocked Zenitsu did anything while under his spell
The rest of us: "Yeah, it was always gonna go that way, chief."
BONUS: ORIGINAL WATCHTHROUGH THOUGHTS
▪︎My thought process through my original watchthrough eons ago: "Rengoku is a silly mans. Rengoku is kinda cool. Rengoku is utterly endearing. Rengoku is awesome. Rengoku is one BAMF. RENGOKU IS DEAD."
▪︎My almost simultaneous thought process through my original watchthrough eons ago: "I can't believe he dies, he's so amazing and wonderful and i love him. Ok, he dies in this fight, and now that i know the man, i instantly hate whoever did it. Oh no, he's HOT! My emotions are very mixed right now. My emotions are completely decided in their stance, and I am getting teary-eyed over yet another ficticious character."
▪︎My afterthoughts of my original watchthrough eons ago: "Akaza is the absolute worst, that pretty face, hot body and smooth af voice cannot change that. Wow, Muzan was mean to him after he did his damndest. My opinion can not change now that I have seen Senjurou, he is a wonderful little cinnamonroll, and Akaza must remain the worst. He can be terrible and still look good. I mean, are he and his utterly whorish waist and very lovely, somewhat delicately featured face really to blame or is Muzan or psychosis of some kind? Wow, that's a nice hourglass physique and horribly tragic backstory."
▪︎End conclusion from my original watchthrough eons ago: "My opinion of Rengoku has done a 180. I would die for Senjurou. I will probably never truly like Rengoku Shinjurou despite understanding that grief and disillusionment do strange things to people. Akaza is too hot, broken, and in a weird way endearing and lovable to hate. I loves me a tragic backstory and damaged man. I DO NOT HAVE A NEW SHIP I DO NOT HAVE A NEW SHIP I DO NOT HAVE A NEW SHIP"
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▪︎I had a new ship
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linuseer · 21 days
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i'd made a reblog of another post but i might as well make my own because it's truly bizarre the way the internet still behaves
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the internet's reaction to john mulaney will be found in psychology books in future years.
this got long. my bad.
tldr: yall have been weird about john mulaney for a long while. yes, even about the dave chappelle thing.
"but he let dave chappelle on stage-" the venue let dave chappelle on stage. Because despite all the bullshit he's been saying venues and platforms still think he's a big name, so if he decides to pop up and drop in, they're going to let him regardless of openers already being there. It's insane how people think john mulaney could dictate what a big venue (and netflix, as i think it was during an event) can and can't do around him.
"but dave chappelle based all his set on transphobic and ableist things-" that's on dave chappelle, not any other comedian who has to share the stage with him. let's repeat this again: john mulaney did not "platform" chappelle, the venue did. john mulaney can't go around dictating what other comedians say the same way other comedians can't dictate what he says, just like it is in any other profession and general aspect of society.
"but he hugged chappelle at the end-" chappelle had talked about an aggression he'd been a victim of in the previous months and john mulaney expressed solidarity for that. Like the testimony of the transphobic and ableist jokes, this was said by other people on the internet that claim to have been present. It's impressive how fast any other recounting has been shut down and ignored, like any possibility of further critical analysis of the situation. I'm not cis myself. I could smell the "something's weirdly missing" from miles away, because when he went to rehab I thought back about all his jokes involving drugs and thought "yeah this checks out", when people started calling him transphobic i thought "this guy?? Horse Loose In A Hospital guy?? I gotta check".
(other testimonies also said the transphobic and ableist jokes were a part of the appearance, not all of it, and that other jokes did get a laugh. Which yes, it is annoying to hear people reward a comedian with laughter after he's been a dick and I would've been mad the whole time too)
"well he shouldn't go around hugging transphobes" on an abstract moral basis, I agree. I'd rather he stick to hugging people like jon stewart.
"he betrayed his lgbt+ fanbase that is the reason he's famous" no it isn't. I find no righteous joy in telling yall that john mulaney is known and respected and gets gigs in the comedy scene because he's good at it on his own from content and technique standpoints, and people recognized his talent and future fame from the start, not because the community made him famous by latching on to him as the Cute Unproblematic White Twink. Him becoming famous would've happened anyway because he's objectively good at his chosen career. Also "betrayed" is objectively wrong because of the previous points mentioned above.
Also let's remember the time period this happened in: john mulaney was recovering from nearly killing himself with drugs, dealing with the fact his friends had to push him into rehab, ending a years-long relationship (where he did not cheat according to the ex herself if yall bother listening to her), finding himself a parent of a clearly unplanned baby and stepping up to it, while facing vitriol and crazy backlash because of it all. I wouldn't take anyone too seriously in the aftermath of this.
yeah while we're here, let's also address the whole divorce fiasco:
"he cheated" no he didn't. The timeline provided and that can be proven by social media interactions and talk show appearances says so. They were separated well before they both went to rehab for different things. She wasn't at the december 2020 intervention, at least. She removed hims from her socials months before. They weren't involved anymore, let it go.
"he never wanted kids" so? people change as he himself says. Or was he meant to be a deadbeat and ignore the baby that was clearly unplanned? It's insane how people are holding this against him.
"he robbed tendler of her childbearing years" this is even more insane. She has repeatedly said she didn't want kids herself, and froze her eggs because of feeling socially pressured, at least twice in instagram comments only. She's got a new boyfriend and can have all the kids she wants with him. But people don't actually care about her as a person, only as her being a means for their weird revenge fantasies against a comedian they thought they knew through a stage persona. Just take a look at the unhinged comments people have been leaving under everyone's social media posts including hers.
"he based his whole shtick on being a wife guy (so i now feel betrayed that they have divorced because ??? but pretend i'm righteously offended as He Has Lied On Stage)" equally insane things to say. Also no, the wife bits make up not even a fourth of his overall material, but one wouldn't know that if they only saw his stuff through memes and the netflix specials.
"well i'm childfree and liked he was also childfree and now i'm disappointed" now this is reasonable. I was weirdly disappointed for a while too and then got over it. Because it's one of the things in life you have to shrug off, because other people can choose to keep children and raise them with an obviously present support net and it's none of our business.
Here's some more things for yall to chew on: john mulaney has expressed support for trans kids being targeted in schools, during the initial monologue when he hosted the Independent Spirit Awards with nick kroll (they did it two years in a row and i can't remember which year it was). john mulaney has also previously supported lgbt+ charities with donations some years ago (i don't remember the name but i remember being happy about confirmation that a comedian i liked was a good person). john mulaney hasn't said or done anything negative towards trans people and lgbt+ in general since the "incident", nor did he ever before. Also he striked with the other writers to support the less famous and wealthy ones.
"but he had jerry seinfield on." Netflix had jerry seinfield on. Because seinfield just made a show with netflix too and he's being made to promote it. Also yes, by several accounts john mulaney looks up to jerry seinfield, in the same way i might look up at a senior in high school when I'm a freshman. Doesn't mean he agrees with him on everything and doesn't mean they both can skirt the obligations of the industry they're in.
Yall want something nice to chew on? When john mulaney went on seinfield's show "comedians in cars getting coffee", seinfield demeaned annamarie tendler's professional abilities and john mulaney immediately and repeatedly contradicted him. "She doesn't know what she's talking about, all women think they're interior designers" vs "Actually she does know what she's talking about" kinda exchange. Seinfield also made a joke about her throwing a rolling pin at john, and john mulaney deemed it a dumb 1950s stereotype.
look, is he perfect? no. he has moments where he lacks some social awareness, because he was born and raised wealthy, but he's never been cruel or obnoxious about it and instead recognizes it every time he mentions (and disparages) his upbringing. it could be seen even before baby j that he grew up insecure of himself, through and under the obvious jokes about anxiety and servility, and he can be an asshole about it (though less now, i suppose thanks to near-death experiences and having a child readjust your whole life). it's the fact that the internet decided to put him on a pedestal as a paragon of neat cuteness, reducing his work to Wife Guy Blorbo and seemingly ignoring all the "hey i've been an alcohol and drug addict willing to commit crimes to get drugs and i'm putting up an extremely clean-cut persona that should have you all worried and suspicious". I used to look at that guy and sense the something that wasn't adding up. I've been observing this whole mess since he first went to rehab with a sense of relief. Parasocial of me, yes I know.
one day the internet will add up the pieces. hopefully. until that day, it's gonna be weird.
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cornyonmains · 9 months
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Finished The Eclipse. I honestly feel like I had the right instinct to tune it out the first time, but I do think it's interesting in that you can really see the baby steps GMMTV was taking to grow up a little bit.
You can really look at The Eclipse and see a show where it's clear GMMTV really diminished its potential with a lot of its own standards, and to their credit, I think they stood back and took a hard enough look at it, the BL environment in general, and how absolutely hard fans were calling out their bullshit and decided to get real with Only Friends.
The Only Friends cast is heavily indicative of this being the case. GMMTV was gunning for elevated talent that knew how to play ball, and Neo, First, and Khao were all shining stars in The Eclipse, that blasted their scene partners out of the water. Force and Book are intensely unique, as they've always been shafted with bad scripts and sexually repressed directors, despite the fact they came into the game with a lot more professionalism and comfort with the material they were handling. The director didn't wind up sobbing in the corner because they refused to move their mouths when they kissed. They're also a much more 'modern' ship, that doesn't default on yaoi contrasts and that weird seme/uke binary. After the success of KinnPorsche, and popularity of MileApo, I think GMMTV finally saw the potential in this pairing. About time.
But the casting is very indicative of GMMTV kind of telling fans, "We've been listening, we hear you, and we're making changes." Only Friends corrects a lot of complaints the fandom has been having.
Adults, for example, don't have much in this genre. Part of the reason The Eclipse fell short for me is it's just another damn coming of age drama. Great for the baby gays, but the adults are over it. GMMTV gave us Neo eating Mark's ass like groceries then getting godless with Force in the backseat of a car, and I'll live 10 years on that alone.
The plot contrivances they have to cook up to keep everyone from doing anything but doing a cutaway kiss with no tongue in the final episode is no more, people are fucking nasty, so now there's room for actual plot, which is hilariously ironic. But also, it's not, because I mean the desire women have for horny softcore erotica with good plots and high production value is not unknown.
Queer women and bisexuals have been complaining about a lack of representation. At the core of these yaoi tropes is a world where bisexuality has no meaningful distinction from being gay, which is really annoying, because bisexuals have a much different experience in the queer community, and that's not reflected in a world where X amount of interpersonal communication can magically turn anyone gay. Queer women just don't exist in BL. Women are all straight virgins trying to steal your man. Only Friends has lesbians. Actual FDA approved lesbians. Are they fucking nasty? No, but it's something. We are allowed to exist in the world of Only Friends and that's HUGE.
People have been complaining about the cringe. Only Friends removed that and replaced it rage provoking stupidity by the characters, and I approve of that.
Anyways, analysis is what I do for a living. TV is well within the ballpark. So while I'm only basing my thoughts on what I've observed and not cold hard numbers, there's only so much insight I can provide, but it's insight backed by years of experience. With Only Friends posting absolute numbers, we can expect to see some structural changes at GMMTV on the horizon, because this is going to create growth. Probably even stimulate a search for new actors to get on their roster, since they have a lot of actors that won't be able to deliver going into the new era. I also think this is going to help them land sponsorships from atypical brands, which is BIG. Mile getting Maserati on board for KinnPorsche is part of what allowed it to exist in an elevated form.
I also think the success is going to result in a shake-up with the quality of writers they hire, because that's at the core of a lot of issues in BL. They adapt these novels from these absolutely unhinged lunatics, these lunatics have WAY too much creative power despite the fact they're low brow porn writers, and it kills the quality of a finished product. America doesn't do that. Directors have the power to elevate material, and that's important. GMMTV got a proper writer for Only Friends, and it paid off in a big way. Mame is one of the names I hate in BL the most. Her goo-goo gaga shit is creepy, I hate it, it makes queer people look bad, and I'm hoping writers like Jojo just drive her out of the scene.
Anyways, I'm going to end things here. I just wanted to share some random thoughts I had.
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saber-of-dreams · 10 months
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Psycho-Pass: Providence - A Review
Well, I just go back from seeing Providence in theaters.
Wow. What an excellent movie. So worth the price of admission and the hour drive each way.
I'll do a more in-depth analysis of the story once it releases for digital and I can re-watch it at my leisure, but I wanted to get my first thoughts down before I get to sleep.
So: Non-spoiler version first.
If you're caught up through all 3 Sinners of the System movies, this movie will be a great segue into the next part of the story. If you've already seen Season 3 and First Inspector, as others have mentioned, this will fill in a LOT of holes.
I think each of our core characters get their moments in the movie, though the lion's share certainly goes to Kogami and Akane. They have a few great conversations in this movie, and I think by the end their relationship is on the most equal footing it has ever been.
Gino also has some wonderful moments. Not a lot of them, but enough that we start to understand who he is and what he is trying to achieve. He and Ko get a few moments to work out their...differences, and by the end, although he fails in his self-appointed goal (he and Ko both), I think it places him in a way that he will grow even further in the future.
Mika took a while to grow on me, but boy has she. I really liked her in this movie. There is one interaction she had with Gino that really made me chuckle, and overall, I really liked how willing she was to step up and move beyond the box she's always put herself in.
Frederica seems very intriguing. I hope we see more of her in future projects.
It was great to get an introduction to Kei and Arata, and to understand where they tie into this story.
Overall the plot was excellent, as always. There were several twists I didn't see coming.
I also have to applaud this series again for its excellent antagonistic characters. Because, in many ways, our antagonist was correct. Providence, indeed.
This series is in a lot of ways reminiscent to me of works like Brave New World by Aldous Huxley or to some degrees Do Androids Dream of Electric Sheep by Phillip K. Dick, which I believe have both been referenced in this series. But it isn't so much the technological parallels that strike me , as the ability of the authors to understand where society seems to be going, and then writing the story to highlight the realities such changes would bring about.
We are facing this future now. With the rise of (primitive) AI technology in recent months, we're going to have to start considering the BIG questions. And this work is a great what-if scenario of where we could end up and the long-term ramifications of such choices.
Now to the spoiler version. You know the drill.
I really liked that Ko's attention is immediately centered on Akane when everyone is walking in. And his utter willingness to throw himself in front of an explosion to save Akane (again), just really made me love these two so much. The first phone call is great, because Kogami is lying to Akane (and also possibly to himself), and she doesn't put up with his bullshit. The second one shows his utter faith and trust in her. And that letter? God I loved that letter. The parallels. I think of all of them, though, my favorite scene of theirs was in the hospital room. I do very much want this couple to end up together, but I think it is oversimplifying their relationship to want them to romantically involved. There are so many layers to who they are as individuals and to how they interact together and apart that calling them romantic interests doesn't even begin to cover the first page. That all being said, I am really excited to see where this story goes and to how these characters develop.
Saiga's death was a true gut punch for me. He is one of my favorite mentor characters, and that death scene was just...powerful.
The reveal of Akira and the truth of his and Milica's stories was also very heart-breaking. It grounds the characters left behind in reality and propels the story forward, and each of them only get a few minutes and a few dozen lines to convey everything. Great storytelling there.
The final scenes of them watching Akane shoot Kasei, and of her being incarcerated while Ko is let free at the same time...the way Akane falls to the floor sobbing while Ko declares that he will set her free? Those moments are going to live in my head rent free for a long time.
I'm tempted to go and get a premium crunchyroll membership just so that I can watch Season 3 in English dub. Doesn't look like First Inspector is done yet, but hopefully here soon.
Okay, last set of thoughts and then I'm done for the moment.
Every character, from SIbyl to Ko to Gino to Mika, to even Saiga, seemed to put Akane on a pedestal. They commend her for her clear hue, for her sense of justice and morailty, her determination, and on and on. And I think it's interesting, because even after she shoots Kasei at the end, it's clear that those feelings do not change. Akane is not perfect, but she is willing to put everything before her sense of justice, and it makes her very compellig and powerful.
I'll probably do a deeper dive on Akane and Psycho-Pass in general at a later date, but for the moment it's almost midnight and I am tired. But thank you for reading my thought-spew. I'll get to a more polished version eventually.
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lixenn · 16 days
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KHR reread
Annnnd we're back baby! (Noooo, I'm not procrastinating all the things I have to do, what are you talking about?)
Chapter 33
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Why does every teacher in Namimori Middle fucking suck? HUSBAND! CLEAN UP YOUR SCHOOL!!!
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What an approach to school work... I wish I could be so casual about it but my fear of failure and my perfectionism won't let me TT (also Takeshi is so fucking pretty *dreamy sigh*)
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Fuuuck... Hayato is talking dirty to me. I love a guy that can just solve math problems on the fly while looking cool af. (I'm a nerd with a competence kink, don't add me okay!!)
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All that I'm seeing here is Reborn being parentcoded which might be because I just read this analysis by @rebo-chan lol
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!!! She actually claimed them as her kids! I don't remember that, I thought that was just fanon... You learn something new everyday.
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Saved by the childhood trauma of your right hand. Good for you Tsuna! (somebody get Hayato in therapy please, also maybe make him see a doctor for his stomach, I doubt repeated poisonings are good for healthy for your darm flora)
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This reads like an advert in a newspaper not gonna lie, Reborn is working hard to supply Tsuna with family members lol
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HUSBAND SNIPPET
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I LOVE HIM YOUR HONOR!!! HE'S SO PERFECT!!! MY VIOLENT BABYDOLL!!! MY SWEETPIE!!!
Chapter 34
FUUTA!!! FUUTA IS HERE GUYS!!!
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damn i love that little guy! his power is random af but i don't even care.
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There's- there's a fucking galaxy in his eyes??? I never noticed that (or i have forgotten) that's such a cool detail!
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Does everyone in khr have a fucking hammerspace??? like what is this bullshit and where do I sign up to get one??
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Tsuna honey, they were middle aged guys in suits chasing a little kid on school grounds who else were they supposed to be?
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Fuuta is so smart... so manipulative... such a good bean
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*squints* have you been spending too much time with my husband Reborn? That's a very familiar word choice you got there...
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Fuuta is my spirit animal, my soulmate, my darling babyboy. Also they way he just manipulated the goons to fight each other *chef's kiss* Good that he's an adorable cinnamon roll otherwise we would all be fucked.
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olderthannetfic · 8 months
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Death of the author is def used by a lot of pseudo intellectuals who think they're so much more literary versed than they actually are. Like they'll be all high and mighty about it, and condescend about how you're just too dumb to understand they, just said with more passive aggression. No Linda, we're not dumb, we just think you're obnoxious pseudo, who thinks you're above everyone else despite being a regular reader/viewer like all the rest of us. Damn congrats on the high school level literary analysis skills, must be a real highlight in your life. How're are your "reading in-between the lines" skills anyway? Still following the mantra of "doesn't matter how little it has to do with the actual text, as long as you can bullshit a reason it'll be a valid interpretation"? -> This was an actual thing my language teacher told our class. Any text you got for literary analysis. It didn't matter if it fit with the themes or motif of the text, you could write ANYTHING in terms of what you interpreted into the text, you only had to "explain" why this is what the story was actually is about. ->->->Story from the 1800's about a woman dying of the cold in winter? Actually it's about the rising prices of heating in the 21'st century. Why? Well because people now are also freezing because of the cold, and that's because of the rising prices, so clearly that's what the text is about. I wish I was joking but a similar analysis got its praises sung by our teacher for being so deep and well done back in my HS days.
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thesoftboiledegg · 2 years
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(for whenever you watch the rnm premiere, no pressure) TAKES! WHAT ARE YOUR TAKES? :D i always look forward for your rnm analysis and i came here immediately after watching the episode to see what you think! :)
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Ahh, thank you! 💖 I'm glad that you enjoy them that much. That's so flattering.
Anyway, I felt like this episode was a sweeter version of the season 3 premiere. Both episodes featured the citadel, went back to the Earth that Rick destroyed, wrapped up a cliffhanger, hopped around multiple dimensions and involved family dynamics. But the season 3 premiere was all about showing what a horrific monster Rick could be (OK, he was lying when he said he didn't care about Morty and Summer in that episode, but still.)
Conversely, the season 6 premiere is about showing a gentler, more affectionate Rick. He goes back for Morty and doesn't make up a bullshit (and mean) "explanation" like he did in season 3. He and Morty show each other genuine affection, although Rick still pulls back a little. We also get a protective Rick moment when he shields Morty with his body.
Even when he tries, yet again, to claim that he doesn't care about the family, Jerry dismisses him. They all know he's lying. He doesn't try to fight it, either.
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Some other stuff I noticed:
Feral Jerry looked like Dan Harmon, lol. I wonder if that was intentional.
I liked how Beth and Space Beth argued, but it didn't come across as "lolz women are so catty and hate each other." They just had personality conflicts and got over it in the end.
Seeing Beth, Space Beth and Summer fighting together was awesome. Girls kicking ass.
One thing I disliked was how the episode wrapped up the season 5 cliffhanger in two minutes. I also had that problem with the season 3 premiere--the aliens (the Federation? I can't remember now) invading Earth left, and that was the end of it. I know this isn't a serialized show, but they could've done a lot with that.
I love the details of Rick pulling back when Morty tries to hug him and tensing when Summer hugs him. He does NOT like being touched. Makes sense for an autistic man (and he's obviously reserved in general.)
Feral Jerry was awful to Morty. Although I guess this is the same guy who basically agreed when Beth said she was happy that Morty and Rick were gone, so no surprise there. But damn, why did he yell at Morty? What happened was Rick's fault, not Morty's. He's a 14-year-old kid. This family really loves taking their shit out on him.
I did NOT expect so many trailer scenes to come from this episode. Totally thought the "cute" thing at the end was from something else, like the Rick and Jerry episode. I also thought that Rick fighting the robots would show up later this season. So we saw even less in the trailer than we thought we did.
What are they hiding from us? Damn. I love how we know nothing about this season.
Also, I guess it's canon now that Rick likes kawaii things, lol. He flat-out says that he picked it up because it was cute. Lolita dress! I want to see him in a lolita dress immediately.
This episode did a great job of showing while the family's learning to be a little nicer, they've still got a lot of issues and resent one another. Beth clearly isn't still thrilled about having kids.
Boy, I did NOT expect Murder Rick (or whatever we're calling him) to be "our" Morty's original Rick. I feel like I might've seen people theorize about that, though? It also makes it kind of strange that Rick destroyed Earth and hopped to another dimension, but maybe he was like "Eh, fuck it, he's not coming back."
I want to wrap this up by saying that I loved how this episode focused on Rick and Morty's dynamic while including the whole family. I was worried that the show was starting to lose sight of Rick and Morty, but their relationship was the heart of the episode.
Rick is still a hot mess, but he's healing and growing and I love him so much 💓
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s0ym1lk · 1 year
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Y'all seemed to like my analysis of the horse scene in Captive Prince, so let's do another one. This time we're going to look at chapters one through three of King's Rising.
Note that Pacat leads with the battle in which Laurent and his forces are absent. This gives the reader the chance to doubt Laurent's intentions. Damen even gives voice to it: it would be clever for Laurent to bait his enemies into destroying themselves by promising aid and then leaving them to die. Only after this do we find out that Laurent's been kidnapped.
Thus, after the battle we get that guilty knowledge when the herald shows up, on a pure white horse with a beautiful steaming banner, to announce that Laurent has taken Fontaine and will be receiving Damen there. We know that Laurent actually wanted to be at the fight. What we don't know, now, is why Laurent is being such a little bitch about it to Damen and his forces. He makes Damen ride to him. He sends an insultingly clean herald. He puts up gleaming, neat rows of tents (the line here is killer: "Did you exert yourself at Charcy? I have been here examining my nails."). And then when Damen meets Laurent, Laurent doesn't offer any explanation whatsoever. Damen literally has to reinjure him before Laurent gives any hint that something happened, AND THEN HE STILL DOESN'T EXPLAIN. At no point in the chapter does Laurent say, "oh yeah I got locked in a cell with Govart, and he dislocated my shoulder, tortured me for several hours, and stabbed me in the shoulder. I had to brain him with a chair and then blackmail Guion into giving me the fort." Why???
My theory: what happened is incredibly damning to Laurent's reputation with the Akielon forces, and Laurent has frankly no faith that things can be recovered. He makes Damen ride to him because strategically it's a sounder decision; if he rides to Damen, he's putting himself in danger. The showboating is a way of ensuring that Damen is not ambivalent or vague about his feelings when he finally meets Laurent. In addition, Laurent /knows/ Damen is temperamental. If he's going to think Laurent betrayed him, Laurent has better leverage of the situation bringing Damen's exhausted forces to his defensible doorstep and then goading Damen into a misstep. Laurent is controlling the situation in the assumption that it will go wrong.
Laurent is all in on the idea that Damen's going to believe the worst of him, which is why Laurent is described as "staring at him, his eyes oddly wide", after Damen shows he knows something else happened by reinjuring Laurent's shoulder. Laurent's been figured out, embarrassingly fast, in a way that he's suddenly not in control of.
What makes this next part so charged is not just the absolute banger of a twist finding out that Laurent has known all along who Damen is, but that Laurent is finally on the back foot and is seeking, desperately, to regain control. Laurent doesn't LIKE being known by Damen. He doesn't like the trust Damen is giving him. Look at what Laurent chooses to say about Damen's identity: 'I knew when you showed up a slave at my mercy. I knew when I almost had you killed.' Laurent brings up every BAD memory again. Laurent choose these things because promoting anger in Damen staves off that vulnerability. And Damen cuts right through it to: you knew when we went to bed? Damen is pivoting back to the good parts of their relationship.
Once again, Laurent tries to sully their relationship, to debase it in order to not show weakness. Yes, he knew when he let Damen fuck him. It was a calculated move so Damen would help him retake Charcy. It was something Laurent simply endured but did not want. Damen then calls bullshit.
I won't go through every example to the end of the chapter, but look at the different interpretations Laurent and Damen present. Laurent's always bends away towards violence, distance, hatred. Damen's bends towards vulnerability, trust, and love. Laurent is fucking SCARED of being vulnerable to Damen, and when he's backed into a corner like this, he throws out everything he can to sabotage their relationship. The only thing that allows Laurent to end the chapter with some success at sabotage is that until now, Damen and Laurent truly haven't been on equal ground. Laurent is right to say Damianos the king is not the same man to him as Damianos the slave was. Damen takes that challenge and says, then from here on out, you'll parley with me as a king. The rest of the book is spent supporting that relationship on equal ground, so this last hold out of Laurent's against vulnerability no longer has credibility.
What's interesting is how we can apply this back to the Charcy/Fortaine situation. I talked about why, strategically, it makes sense for Laurent to be an ass about not showing up to Charcy, and how that forces a real and possibly stupid reaction from Damen in the case that he doesn't believe Laurent. But it also reflects their characters. In coming to Fortaine and in trusting that Laurent had a reason, Damen bends towards vulnerability and trust. In goading Damen and his forces and in hiding what happened, Laurent bends away from it. He tries to provoke the worst outcome and justifies it through logic to prevent having to make himself vulnerable to trusting others. The fact that Damen continues to see through his ruses no matter how provocative Laurent tries to be is what eventually makes him give in.
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vampyr-game · 1 year
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Do you think Myrddin had an "oh shit" moment when he saw his new freshly turned champion, Jonathan, was about to kill himself when he just became a vampire? I just replayed the game for the 6th time, and I just realised that his not-so-average maker probably was watching Jonathan. And Jonathan probably should had died there, so maybe Myrddin just dragged him back with some godly-vampire-magic. Still I'd love to see the panic in Myrddin's eyes at the beginning.
First of all I would like to commend you on being so thoroughly invested in this game that you've played it 6 times! That's a level of not-normal-about-media I can vibe with. 💞
But what an amusing question! Myrddin is such a smug bastard about the whole affair that I'd certainly enjoy seeing him taken aback by the sheer suicidal audacity of his new Progeny. I think being a newborn vampire comes with plenty of perks (I have many theories about the biological and supernatural process of turning), not least of which include heightened resiliency to mortal wounds--but the change also seems to be something that not everyone survives (Charlotte's friend Emily, Reid's alibi upon killing Aloysius Dawson)... 🤔
So, is Jonathan already out of the woods, just because he's already woken up? Does waking up (and feeding on his sister, when we know how well you KNOW a person effects how much power you can get from drinking their blood...) imbue him with insane temporary strength? Or is it still uncertain whether he'll survive? Would Myrddin have bothered reaching out with psychic poetry if Jonathan weren't a sure thing? Is that poetry a kind of "blessing" or magical invocation to wish his Progeny luck in the coming travails? Is predestination involved in Myrddin's seeming certainty?
I believe we're meant to understand that Myrddin is largely implacable in the face of mortal affairs, and he's made plenty of Progeny. That makes my knee-jerk assumption that he'd watch Jonathan attempt suicide impassively, which is actually so messed up? Sure, if him surviving is guaranteed then I guess there's no need to worry, but jeez. Have a heart, Myrddin. 😰
Having said that, we know Myrddin expresses (arguably contradictory) sympathy for Jonathan in the darker epilogues. Does that care only come after the events of the game, or is it there from the outset? Jonathan is naturally unconscious in the immediate aftermath of his suicide attempt--so if Myrddin, say, called out to him in concern, he wouldn't hear it, and we certainly wouldn't be privy to it. And the idea that Myrddin might PANIC and "drag him back with some godly-vampire-magic" is so compelling?? Surprise, Myrddin, your new son doesn't think you're God, he just thinks he's going insane (or dreaming)! Maybe you should have counted on the skepticism of the modern era, idiot! (Or did his other Progeny also make attempts on their life?) (This does seem like the most narratively expedient way to demonstrate someone has achieved immortality) (munch to consider...)
I know many of us tend to dispense with the supernatural nonsense (namely Blood Daddy and Plague Mommy) for more grounded narratives (I've certainly made no secret of preferring Vampyr's more human-focused original story concept to the JRPG-reminiscent "Let's Kill God" finale we ended up with); but Myrddin is still a crucial linchpin in Jonathan's development as a character, given he provides the inciting incident, is the root cause of most of Jonathan's problems, and the source of all his powers. I'd certainly like to see more of, and try my own hand at, fan explorations of their relationship.
Thank you so much for your wonderful question! 🥰 As preoccupied as I am by the contradiction of Sean being a(n alleged) sole exception to vampires being hurt by the cross, I had almost forgotten that Myrddin's cryptic bullshit and impenetrable poetry was one of the main reasons I became obsessed with this game and wanted to do literary analysis at it. So thank you for the reminder! 🫀💓
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