So yesterday I read "Slimed with Gravy, Ringed by Drink" by Camille Ralphs, an article from the Poetry Foundation on the publication of the First Folio in 1623, a major work without which most of Shakespeare's plays might very well have been lost today, possibly the most influential secular work of literature in the world, you know.
It's a good article overall on the history and mysteries of the Folio. Lots of interesting stuff in there including how Shakespeare has been adapted, the state of many surviving Folios, theories of its accuracy to the text, a really interesting identification of John Milton's own copy currently in the Free Library of Philadelphia, and the fascinating annotations that may have influenced Milton's own poetry!!! Do read it. It's not an atrociously long article but there's a lot of thought-provoking information in there.
There's one paragraph in particular I keep coming back to though, so I'm just gonna quote it down here:
...[T]he Play on Shakespeare series, published by ACMRS Press, the publications division of the Arizona Center for Medieval and Renaissance Studies at Arizona State University... grew out of the Oregon Shakespeare Festival’s plan to “translate” Shakespeare for the current century, bills itself “a new First Folio for a new era.” The 39 newly-commissioned versions of Shakespeare’s plays were written primarily by contemporary dramatists, who were asked to follow the reasonable principle laid out by series editor Lue Douthit: tamper in the name of clarification but submit to “do no harm.” The project was inspired by something the linguist John McWhorter wrote in 1998: “[the] irony today is that the Russians, the French, and other people in foreign countries possess Shakespeare to a much greater extent than we do … [because] they get to enjoy Shakespeare in the language they speak.”
Mainly it's the John McWhorter thing I keep coming back to. Side note: any of my non-native-English-speaking mutuals who have read Shakespeare, I would love to know your experiences. If you have read him in translation, or in the original English, or a mix of both. It's something I do wonder about! Even as an Anglophone reader, I find my experience varies so much just based on which edition of the text I'm reading and how it's presented. There's just so much variety in how to read literature and I would love to know what forces have shaped your own relationships to the stories. But anyway...
The article then goes on to talk about how the anachronistic language in Shakespeare will only fall more and more out of intelligibility for everyone because of how language evolves and yadda yadda yadda. I'm not going to say that that's wrong but I think it massively overlooks the history of the English language and how modern standard English became modern standard English.
First of all, is Shakespeare's language completely unintelligible to native English speakers today? No. Certain words and grammatical tenses have fallen out of use. Many words have shifted in meaning. But with context aiding a contemporary reader, there are very few lines in Shakespeare where the meaning can be said to be "unknown," and abundant lines that are perfectly comprehensible today. On the other hand, it's worth mentioning how many double entendres are well preserved in modern understanding. And additionally, things like archaic grammar and vocabulary are simply hurdles to get over. Once you get familiarized with your thees and thous, they're no longer likely to trip you up so much.
But it's also doubtful that 400 years from now, as the article suggests, our everyday language will be as hard to understand for twenty-fifth century English speakers to comprehend. The English language has significantly stabilized due to colonialism and the international adoption of English as a lingua franca. There are countless dialects within English, but what we consider to be standard international "correct" English will probably not change so radically, since it is so well and far established. The development and proliferation of modern English took a lot of blood and money from the rest of the world, the legacy of which can never be fully restored.
And this was just barely in sight by the time that Shakespeare died. This is why the language of the Elizabethans and Jacobeans is early-modern English. It forms the foundations of modern English, hence why it's mostly intelligible to speakers today, but there are still many antiquated figures within it. Early-modern English was more fluid and liberal. Spelling had not been standardized. Many regions of England still had slight variations in preferences for things like pronouns and verb conjugation. We see this even in works Shakespeare cowrote with the likes of Fletcher and Middleton, as the article points out. Shakespeare's vocabulary may not just reflect style and sentiment, but his Stratford background. His preferences could be deemed more "rustic" than many of his peers reared in London.
Features that make English more consistent now were not formalized yet. That's why Shakespeare sounds so "old." It's not just him being fancy. And there's also the fact that blank verse plays are an entirely neglected art nowadays. Regardless of the comprehensibility of the English, it's still strange for modern audiences uninitiated to Elizabethan literature to sit there and watch a King drop mad poetry about his feelings on stage by himself. The form and style of the entire genre is off.
But that, to me, is why we should read Shakespeare. We SHOULD be challenged. It very much IS within the grasp of a literate adult fluent in English to read one of his plays, in a modern edition with proper assistance and context. It is GOOD to be acquainted with something unfamiliar to us, but within our reach. I'm serious. I do not think I'm so much smarter than everyone else because I read Shakespeare. I don't just read the plain text as it was printed in the First Folio! The scholarship exists which has made Shakespeare accessible to me, and I take advantage of that access for my own pleasure.
This is to say that I disagree with the notion that Shakespeare is better suited to be enjoyed in foreign tongues. I think that's quite a complacent, modern American take. Not to say that the sentiment of McWhorter is wrong; I get what he's saying. And it's quite a beautiful thing that Shakespeare's plays are still so commonly staged, although arguably that comes from a false notion in our culture that Shakespeare is high literature worth preserving, at the expense of the rest of time and history. It is true that his body of work has such a high level of privilege in the so-called Western literary canon that either numerous other writers equally deserve, or no writer ever could possibly deserve.
The effort that goes into making Shakespeare's twenty-first century legacy, though, is a half-assed one. So much illustrious praise and deification of the individual and his works, and yet not as much to understanding the context of his time and place, of his influences, forms, and impacts on the eras which proceeded him. Shakespeare seems to exist in a vacuum with his archaic language, and we read it once or twice in high school when we're forced to, with prosaic translations on the adjoining page. This does not inspire a true appreciation in a culture for Shakespeare but it does reinforce a stereotype that he must be somehow important. It's this shallow stereotype that makes it seem in many minds today that it would be worth it to rip the precise language out of the text of a poet, and spit back out an equivalent "modern translation."
Ok life update. I’m fully in college again! I like some of my classes (all stem classes) I kinda hate some other classes (theatre classes ironically). I am so deeply not moved in at all. Unpacking who? Could not be me. I do not have enough storage. I like my third roommate a lot and living with my ex is not as scary as I thought it would be. I finally get an adhd and depression test in two weeks and i start therapy in a week.
I don't know if I really can pick a favorite Undertale song since I love them all but every single boss theme goes so hard... Death by Glamour is definitely up there though. Also this post was supposed to end here but I started infodumping in the tags and reached tag limit AHAHAHA
Go to sleep now, think of precious times
The bounds of memory, your mother's bosom
So distant now, your father's arms
To the cradle of sweet dreams,
To the guiding hand that holds,
How much longer until goodbye
it's these 2 parts.........thinks of vyrn in old bonds....thinks of lyria at the end of sincerely your dearest friend.......thinks of the timeline shenagans in msq.......wasnt vyrn (&mika!) missing in that flashback segment too.........+ in MY world sincerely lyria was another timeline lyria. hello n welcome to my 'how msq related can i make this' conspiracies
Thinking about it, it's not that I was lonely or anything growing up. I had a lot of friends and people I had fun with and talked to a bunch, but due to the way I was brought up, I wasn't able to really deepen and nurture those friendships. It's something that's impacted me to this day and at one point in my life, I became aware that some friends were not as close as I told myself they were except one particular moment, this wasn't because they did anything shitty (and that shitty thing wasn't done out of malice or intent), but it's that thing when you're young and you call everyone your close friends and you grow up and you realize lol, no they're just friends! And that's okay!).
And then I learned to see relationships I had with people very objectively (for the most part! I'm only human) which helped me be a more balanced adult and why I don't particularly get upset that certain friendships fade. That's just part of life, and when you're an adult, it's even harder to maintain a certain intensity and intimacy in friendships and a certain amount of interaction. I don't know if this is weird to say, but I think that's why I get taken aback and it means a lot to me when I have to recalibrate my perspective on a relationship because a good friend actually values what we have more than I expected.
Obviously, this is uncomfortable and bemusing when you know for a fact that their perspective isn't accurate and they're implying there's an intimacy there that in fact isn't, but when it's someone you care about and they level up the friendship like that...I'm not explaining things right. It hasn't happened much tbh even if I obviously had and have friends who have appreciated and celebrated our friendships and that means a lot too, that you know where you stand and you never have to question it, but there are some friendships where you realize oh...I mean a lot to this person. Oh, this is how much I mean to them or they like me this much?
Many of the younger ccs speaking up about Wilbur's manipulation is INCREDIBLY concerning, and I don't think they'll be the last. I think it's also a big indication that it happened to Tommy too, and that he'll take a while to respond. People demanding an immediate response need to remember that he was likely a victim of it too, he just may not have been aware of it.
I mean, Wilbur's ADMITTED he relied on Tommy for his mental health when he was still a minor. That is NOT something adults should ever do and it has always been odd to me. It also makes it very hard for the minor involved to leave the friendship, since they see themselves as responsible for the older person. I don't think I need to really go into how unhealthy that sort of thing is, it isn't an uncommon occurrence and lot of people will have a better explanation than me. But it is something to keep in mind, that Tommy may feel responsible or have been groomed to excuse the behavior.
The library stream is another example of the manipulation, and I'm surprised no one is talking about it. Tommy literally talked about how uncomfortable he was at Wilbur's house. It was cold, he had no blanket, he didn't want to keep staying there, he would rather be out in public at night in a strange place. Then Wilbur just shows up out of nowhere and tells Tommy he's misremembering/being dramatic and pretty much shuts him up, gets him to stop talking shit about him. Everyone's exasperation with Tommy in the situation (being a minor alone and uncomfortable and uncertain of what to do, far from home with nowhere to go), helped Wilbur pull Tommy back in and convince him to go back to his house, especially since it was passed off as Wilbur being caring.
It was obvious to me during the stream that Tommy was telling the truth and Wilbur was the one lying, but I figured he was just being defensive because he didn't want all that online. Now we know that he had a LOT more to hide about his living situation that he didn't want being spilled, and manipulators/abusers don't tend to like it when someone goes and starts talking about the truth. They want to downplay it as much as possible, and Wilbur showing up in person to shut Tommy up and make fun of him for not wanting to stay with him, make it more lighthearted, is incredibly telling and I'm surprised I haven't seen anyone point that out.
There are so many other things I found odd throughout the years that finally have a proper explanation to them, but that's just a few examples. I'm not going to get too much further into it. Wilbur isn't who we should be focusing on, I just needed to get that out to move on from it.
I do think pointing out that Tommy has openly been manipulated is important because it may cause him to take a while to respond openly to all this while he processes. If Wilbur treated so many of his ex-friends badly it's safe to assume he did it to all of them, and we need to give everyone involved time to stop and think about the situation. A lot of people want Tommy to respond immediately, but he will need time to do that and it's only fair we give him the space to do that properly.
I also think it is so, so incredible that Shelby has given so many people the space and bravery to come forward. I believe there will be more people speaking up soon, they just need time. Support her and other victims!
i've seen a lot of people talk about mcyt as a constantly burning library of alexandria recently, and to some extent that's true. people are constantly deleting their blogs, going scorched earth with animatics, fanfics, etc., that they made. but i've also seen people (three in the last few days!) make this claim about VODs, when talking about large fandoms like DSMP and QSMP, and.... guys. that was true in 2020. that's not true anymore. archivists have been working tirelessly for years now to make sure that isn't true.
the dsmp VOD masterlist is here. in november 2020, it's missing 16 VODs, if i am counting correctly--which is still a fairly small minority, but it's a lot, and it sucks!--but in november of 2021, it's missing one, and that's because the cc of that VOD does copyright takedowns, not because the archivists didn't save it. no one in the archivist project is deleting VODs off youtube with no backups the way people are deleting fanfics. three months ago, one of my dsmp archivist friends finished coding a tool that let them reconstruct VODs out of twitch clips, and reconstructed six tubbo dsmp VODs from 2020. not only are we basically not losing VODs anymore, we are actively gaining VODs that have been lost for years, that were thought to be lost forever. the library isn't burning anymore; it's being rebuilt.
the qsmp VOD masterlist is here. it is usually a month or two behind the present day, to give creators time to archive their own VODs, but... look at it. in january of 2024, every single qsmp vod was archived. the same is true of december of 2023, and november, and the vast majority of months for the past year.
i'm not going to say that there isn't a problem. just a few days ago, i realized that a lifesteal VOD from last year was missing--that its youtube upload was messed up somehow, and no one noticed and it wasn't mirrored on the internet archive and the person who uploaded it deleted the original file. and now it's gone forever. this made me super sad! like i said: i'm not going to say that there isn't a problem.
but... look at the lifesteal VOD masterlist here. lifesteal's a smaller fandom than qsmp or dsmp. open the 2022 tab and you'll see months and months of lost VODs, of no one's VODs being saved, because there weren't any archivists saving them. then open the 2023 tab and see: they lost four VODs, over the course of a year. even in smaller fandoms, archivists are working. they're making progress. they're saving VODs. in 2024, lifesteal archivists screenrecorded five streams on tumblr live to make sure they would not become lost media. mcyt may be a constantly burning library of alexandria, but the people with fire extinguishers are dedicated. they're making incredible progress. i know people with petabytes of VODs saved, who have spent money on extra storage for this. i know people who are constantly running up against their storage limits as they download/upload to the internet archive/delete for space/rinse and repeat. a decent fraction of the time, my internet at home is slow because it's downloading VODs.
and these aren't the only mcyt fandoms with archiving projects! the outsiders smp VOD masterlist is here. origins smp VOD masterlist is here. smp earth VOD masterlist is here. rats smp VOD masterlist is here. there are so many others that i just don't happen to know about. the older and smaller a fandom is, the more likely it is to not have an attached archiving project, or for the archive to be missing a lot of VODs. but... guys, we've saved a lot. there are people out there, working tirelessly to save even more. yes, mourn what we have lost--the archivists i know are also the ones mourning the most for the VODs that are, in fact, forever lost media. but don't dismiss how much people have saved. we are making progress. we are losing less and less every month. the vast majority of the dsmp and qsmp still exist, i am not going to say they're the same experience as watching live because they're really not, but.. they're out there. people have put in a lot of work to save them.
if you have publicly available VOD masterlists or other mcyt archiving projects that aren't on this post, please add them in a reblog. i want this post to serve as a reference for how much archivists have saved in this community; unfortunately, i'm not super connected to every community. but i know that--for every person deleting things, there are people working, tirelessly & with little external reward, in so many different mcyt fandoms, to save things. and we should appreciate that more often.
One thing I haven't seen a lot of talk about in the fandom so far is about the financials of this season.
It took us two whole months to get a confirmation of renewal from Max, and I talked at the time that I think there was probably a lot of heated negotiations going on at the time with contracts and that's why it took as long as it did.
I think we see a huge number of indications of the compromises that were made in order for S2 to be made. One obvious one that has been talked about is being making in in NZ instead of LA, to save $.
But there's also the eight episodes instead of ten. And then the cast aspect. One downside of moving overseas was having to fly out and house the cast, not just pay day wages.
We knew immediately about Guz Khan not coming back, losing Ivan as a character. At the time I was sad but I thought it had the air of a pretty harshly practical call. If you went through the main recurring cast and said okay which character will affect the fewest things, has the least character interactions of anyone? It would be Ivan. (With the only competition being The Swede IMO, but he's Stede's crew and therefore a little more central.)
And then this season started and we got first The Swede sidelined and taken out of major scenes. And then I noticed that different members of the crew were simply absent for long stretches, like Wee John isn't around for ep 5 at all. And then Buttons takes flight.
Lucius and Pete aren't at the party for most of it. Fang isn't in the torture scene. Roach and Fang aren't in the bar. Etc. SCHEDULING IS HAPPENING.
The new characters are almost entirely played by NZ local actors, which is great, but also...cheaper.
In other words there are big signs that they did everything possible to give us a giant cast of almost everyone we love from S1, and cool new characters, in the most economical way possible.
And I'm grateful for it. I'm grateful we got S2, and it looks great, and it's well written, I'm having a blast, and we get to spend more time with this awesome cast.
But I also kinda think it needs to be said that the cost-cutting shows. That it shouldn't have been only 8 episodes, the pacing is off. That we miss every time someone from the ensemble isn't on screen.
That despite what they've put on screen looking very good, there's far less costuming budget, there's less elaborate sets, and it's a little disappointing. And it's clear it's not a lack of will or talent or vision but blatantly lack of money.
Look, streaming networks want brilliant shows that people love (that will get them to subscribe) but they very don't want to pay anyone to make them. That's like, the whole moment we're having right now.
Max puts out promos about how great it is to not have unions messing shit up in NZ. Well I have friends who are union costumers in LA and guess what union costumers did amazing last season. This season, well, I guess Stede got three whole shirts, so that's cool.
So I dunno. It's just stuff I think about. I'm not trying to be negative about the show in any way. I'm extremely happy with this season; I love it more than well, possibly any show I've ever been in fandom for.
But I see you, Max. You're cheap. You weren't that cheap when you were called HBO.
can i just talk about one of my favourite pearl images?
technically two BUT I LOVE THEM. why?
aimsey is 4'11, and pearl is 6'0. in the first picture, aimsey is leaning on pearl's shoulder. either aimsey is standing on a box [sadly, i doubt it] or pearl is just CROUCHING DOWN ?????
also the second picture looks like pearl is once again crouching down to be level with aimsey, WHO SHE'S OVER A FOOT TALLER THAN 😭😭😭
they're just generally silly PLUS THEY LOOK SO HAPPY and i love their duo sm. like genuinely such an underrated duo and i wish we could get more interactions
my favourite pearl and aimsey interaction has to be valentine's day. pearl was streaming and it was late night for her [usual stream time] but for aimsey it was more late afternoon
aimsey comes into chat and xey just shout to pearl how they're going to do pottery with guqqie and pearl got so excited for him and asked to see it iirc
it was just such a genuinely sweet moment !!
--------------------------------
this part is unrelated to aimsey but pearl is just such a sweet person. i've extremely active in her chat and give bits every stream. my first stream i gave bits i talked about my unexplained chronic illness
do you want to know what she did?
she gave me a minute long message that still makes me cry to this day. i genuinely can't watch it bc i just instantly start crying
also yes she called me gaspie chat which is so funny to me. nowadays she calls me gasp or gasps but i do miss the gaspie chat day /hj
anyway, during last night's stream i talked about how i'm FINALLY going to get answers. after two years of constant sickness, i'm going to potentially get answers soon
she was so happy for me and hoped that i could finally get my answers soon before asking to give updates if i was comfortable
pearl is genuinely the nicest person i've ever seen in this community and her community shows that too. everyone is so kind to everyone that it's like taking a breath of fresh air
sorry [not really] for the big, rambling post, but i needed to say this
But well, aren't we all at times? At least, he's annoying for all the right reasons. Rampant mind eager to share an endless stream of knowledge, well-deserved validation of his own extraordinary skills, pinkish lips that spoke their mind without concern, words were a tool he used for good, never with an ounce of malice.
It seemed to you that talking was all he knew. No matter how much you rubbed your hand on his thigh at the bar the team went to, or that asked him for his shower after a drunk man dropped an entire yard of beer on your clothes, or the fact that you were standing in his livingroom with only a towel wrapped around your body, and how you were paying no mind to whatever he was saying and your eyes were fixed on his mouth, the same mouth you had been craving for quite a while now.
"...and that's why, although I'm not a fan of digital encyclopedias, Wikipedia can actually be considered a reliable source of information. In fact, I'd go as far as to say that the referenciation of other related concepts makes it the most efficient learning tool of the century."
Little did you know, he had begun his little rant in an attempt to keep himself distracted from your nudeness beneath the fabric that covered you. Trying to keep the blood from flowing too much to the south.
"You talk too much." you blurted out.
"Sorry?" he asked in confusion "What are you—?"
Your actions, as was your wording, were automatic. You took a couple of steps forward and faintly heard his inquiring voice in the background, but you didn't quite care. You were aiming for a goal: to make him shut up. Your lips attached to his in a frustrated kiss, arms wrapping around his neck.
He was dubfounded to a point where his movements also became clumsy, he stepped on a random book that was misplaced and lost his balance. His hands had gripped onto your sides, so you couldn't help but to fall onto the ground along with him.
The rucks caused him to wince in discomfort, a sensation the only lasted about the three seconds that took him to open his eyes. Due to the angle, you had given an extra step and fallen a couple more centimeteres forward, your towel spread open, and your stomach at the same level of his eyes.
While you yourself figured out what was going on, a sudden rush of embarassment overtook you. Logically, since you were now bare naked hovering over your crush.
"Shit!" you yelled out as you were on your knees and palms on the ground "I'm so sorry, Spencer, I don't know what took over me!"
Beridden by anguish, instead of taking the sensible action of rolling off of him, you tried to crawl your way forward. What you didn't see coming, however, was the fact that, as your knees pressed next to his head when you tried to drag yourself from his sight, his hands would press against your thighs to stop you.
Your core was now loitering over his face, out in the open for his eyes to devour. For once, he had found himself amiss of words. You, on your part, were hot to your face with shyness. This had not been what you planned when you decided to kiss him, certainly. Although, such train of thought would be shortly stopped by Spencer himself.
His arms curled around your thighs instead and gently tugged them down; by the time to were 'sitting' on his face, his tongue was already out. The feeling of his muscle entering you caused a loud, startled gasp from you, and before you could get used to the sensation, it traveled further up to your clit.
"Spencer..." you whimpered slightly at the pleasure he was giving you.
You decided to straighten your back to be fully sitting, and in this new position you were in control of your own hips, same that began to rock back and forth against his lips. On his part, single grunts of delight could be heard, his hands positioned themselves at your buttocks, helping you push your body against his face.
His mouth was eager to taste more of you, you could feel the entirety of it working it's way around your pussy, his lips slurping the juices that dripped from you out of arousal. Your hands curled on his hair to prevent you from falling to the side, given that your legs were about close to giving in.
His nose and chin did their part as well, touching nerves that would be otherwise unattended in any other position. The rubbing and moiture of his abused face were sending waves of intense pleasure through out your body, in fact, at some point you sort of forgot he was there, eyes tight shut, just using him to get yourself off.
Hence, why when you finally reached your climax, you came without restraint all over him. His tongue didn't start working inspite of your body falling limp forward, he was set on cleaning the mess he had created.
You whined in complaint at the slight overstimulation, and he took it as a sign to push you off, causing you to roll over as you should initially have. Instead of moving away from you, his face was buried between your legs the instead he was on his stomach, hardworking tongue lazily tasting around your entrance.
"You finally shut up." your back arched as you breathed out, bracing yourself of the next round you quickly understood was coming.