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#victor cox
villainesses · 2 years
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@itspaolomontalban: It’s been 25 years and I remain equal parts humbled and grateful to have witnessed how @cinderellamusical has connected and uplifted so many communities over the generations. To every child (and impossible dreamer) out there… Remember. You can be whatever you want to be. ✨
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mariocki · 27 days
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Play for Today: Clay, Smeddum and Greenden (BBC, 1976)
"What ails you?"
"Ails her? You would greet yourself if you saw your life ruined."
"Well, I'm right sorry you're taking it like that. But, losh, it's a small thing to greet over."
#play for today#clay smeddum and greenden#single play#classic tv#bbc#1976#lewis grassic gibbon#bill craig#moira armstrong#victor carin#anne kristen#gerda stevenson#fulton mackay#bill fraser#joan fitzpatrick#eileen mccallum#maev alexander#fiona knowles#brian cox#claire nielson#isobel gardner#a trilogy of connected plays based on the short stories of celebrated Scots writer Gibbon; this got a repeat on bbc4 a few months back and#im using a brief visit home to catch up on stuff I'd recorded off the tv. i think this is on iplayer for the rest of the year and it's well#worth looking out (tho I'd recommend subtitles; the heavy accents and scots dialogue can be difficult to parse). an atypical example of a#PfT‚ but an excellent example of the series' occasional forays into more regional work. Clay‚ the first (and perhaps best) of the three#short plays concerns a man's obsession with the land he works‚ to the detriment of his family and his health. shot with an almost folk#horror sensibility‚ it's a subtle beast; quite unlike the second‚ a broad comic piece about a tough matriarch and her various children. the#third has a more overt sense of the supernatural again‚ or at least a kind of psychological horror (very much subtextual) in its study of a#sensitive urban woman driven slowly out of her wits by dual isolations of a new home in the country and a cruelly distant husband#all three plays benefit from centering strong female characters‚ all three rewarded by excellent casting. as i said‚ watch if you can
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bonniehooper · 2 years
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Endless List of My Favorite Movies
Cinderella (1997)
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beelze-bruh · 8 months
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Yall ever heard of this marvel thing I've been hearing about lately? I think they used to do comics or something
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geekcavepodcast · 2 years
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Cinderella: The Reunion ABC Announcement
Rodgers & Hammerstein’s 1997 version of Cinderella will get it’s first broadcast in two decade to celebrate the film’s 25th anniversary. Before the film airs, ABC will also reunite the surviving cast during a special edition of “20/20.”
Members of the cast appearing on the “20/20″ special include Brandy (Cinderella), Paolo Montalban (Prince Christopher), Jason Alexander (Lionel), Whoopi Goldberg (Queen Constantina), Victor Garber (King Maximillian), Bernadette Peters (Stepmother), and Veanne Cox (Stepsister Calliope). The special will also feature behind-the-scenes footage and interviews with producers Debra Martin Chase and Neil Meron and costume designer Ellen Mirojnick. Other interviews include Billy Porter, Jade Jones, and Todrick Hall as to how the film’s diverse cast influenced representation in Hollywood.
The “20/20″ special and Cinderella are scheduled to air on August 23, 2022.
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Rogers & Hammerstein’s Cinderella (1997)
This is a Movie Health Community evaluation. It is intended to inform people of potential health hazards in movies and does not reflect the quality of the film itself. The information presented here has not been reviewed by any medical professionals.
Rogers & Hammerstein’s Cinderella has sparkling glitter effects in all scenes involving magic, including the very opening of the film. There are brief close-ups of fire.
There are several uses of handheld camera work, but all of the camera work is very smooth.
Flashing Lights: 2/10. Motion Sickness: 2/10.
ADMIN NOTE: Our evaluation of the Whitney Houston biopic, I Wanna Dance with Somebody, is now available on our Patreon page at Patreon.com/MovieHealth and will be available on this page on Monday, Dec 26.
Image ID: A promotional poster for Rogers & Hammerstein’s Cinderella
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beefin4beefinssake · 1 year
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60-sec review is up: https://www.youtube.com/shorts/cC8sxgI1_sQ
for #flashbackfriday
Full Review coming soon too, so stay tuned
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reality-detective · 5 months
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Here are just a few of the visitors to Jeffrey Epstein's island who were confirmed: 👇
▪️Adam Perry Lang
▪️Akon
▪️Al Gore
▪️Alan Dershowitz
▪️Albert Pinto
▪️Alee Baldwin
▪️Allison Mack
▪️Alyssa Rogers
▪️Anderson Cooper
▪️Andrea Mitrovich
▪️Andres Pastrana
▪️Angelina Jolie
▪️Anthony Kiedis
▪️Anthony Weiner
▪️Barack Obama
▪️Ben Affleck
▪️Bernie Sanders
▪️Beyonce
▪️Bill Clinton
▪️Bill Gates
▪️Bob Saget (deceased)
▪️Bruce Willis
▪️Casey Wasserman
▪️Callum Hudson-Odoi
▪️Celine Dion
▪️Charles Barkley
▪️Charlie Sheen
▪️Charlize Theron
▪️Chelsea Handler
▪️Cher
▪️Chris Tucker
▪️Chris Wagner
▪️Chrissy Teigen
▪️Cyndi Lauper
▪️Claire Hazel
▪️Courteney Cox
▪️Courtney Love
▪️Demi Moore
▪️Dan Schneider
▪️David Koch
▪️David Spade
▪️David Yarovesky
▪️Dolores Zorreguieta
▪️Donovan Mitchell
▪️Doug Band
▪️Drew Barrymore
▪️Ed Buck
▪️Ed Tuttle
▪️Ehud Barak
▪️Ellen DeGeneres
▪️Ellen Spencer
▪️Eminem
▪️Emmy Tayler
▪️Fleur Perry Lang
▪️Francis X. Suarez
▪️Freya Wissing
▪️Gary Roxburgh (pilot)
▪️George Clooney
▪️Ghislaine Maxwell
▪️Glenn Dubin
▪️Greg Holbert (deceased)
▪️Gwen Stefani
▪️Gwendolyn Beck
▪️Hank Coller (pilot)
▪️Heather Mann
▪️Heidi Klum
▪️Henry Rosovsky
▪️Hillary Clinton
▪️James Franco
▪️James Gunn
▪️Jay-Z
▪️Jean-Luc Brunel (deceased)
▪️Jean-Michel Gathy
▪️Jeffrey Jones (deceased)
▪️Jim Carrey
▪️Jimmy Kimmel
▪️Joe Biden
▪️Joe Pagano
▪️John Cusack
▪️John Legend
▪️John Podesta
▪️John Travolta
▪️Joy Behar
▪️Juan Pablo Molyneux
▪️Juliette Bryant
▪️Justin Roiland
▪️Justin Trudeau
▪️Kathy Griffin
▪️Katy Perry
▪️Kelly Spam
▪️Kevin Spacey
▪️Kirsten Gillibrand
▪️Kristy Rogers (deceased)
▪️Lady Gaga
▪️Larry Summers
▪️Larry Visoski (pilot)
▪️Laura Z. Wasserman
▪️Lawrence M. Krauss
▪️Linda Pinto
▪️Lisa Summers
▪️Lynn Forester de Rothchild
▪️Madonna
▪️Mandy Ellison (assistant)
▪️Mare Collins-Rector
▪️Marina Abramovic
▪️Mark Epstein
▪️Mark Lloyd
▪️Melinda Luntz
▪️Meryl Streep
▪️Michelle Obama
▪️Michelle Wolf
▪️Mikel Arteta
▪️Miley Cyrus
▪️Nadine Dorries
▪️Naomi Campbell
▪️Naomi Watts
▪️Natalie Blachon de Perrier
▪️Nicole Junkermann
▪️Olga Kurylenko
▪️Oliver Sacks
▪️Oprah
▪️Orlando Bloom
▪️Paris Hilton
▪️Patton Oswatt
▪️Paul Mellon
▪️Paula Epstein (deceased)
▪️Paula Hala
▪️Peter P. Marino
▪️Pharrell Williams
▪️Prince Andrew
▪️Prince Charles
▪️Quentin Tarantino
▪️Rachel Maddow
▪️Rainn Wilson
▪️Ralph Ellison
▪️Ray Barzana (pilot)
▪️Ricardo Legorreta Vilchis
▪️Rihanna
▪️Rita Wilson
▪️Rob Reiner
▪️Robert DeNiro
▪️Robert Downey Jr.
▪️Rodney E. Slater
▪️Ronald Burkle
▪️Rudy Gobert
▪️Sander Burger
▪️Sarah Kellen (assistant)
▪️Sarah Silverman
▪️Seth Green
▪️Shelley Harrison
▪️Shelley Lewis
▪️Sophie Biddle-Hakim
▪️Sophie Trudeau
▪️Stephen Collins
▪️Stephen Colbert
▪️Steven Spielberg
▪️Steven Tyler
▪️Svetlana Glazunova
▪️Teala Davies
▪️Tiffany Gramza
▪️Tom Hanks
▪️Tom Pritzker
▪️Tyler Grasham (deceased)
▪️Victor Salva
▪️Wanda Sykes
▪️Whoopi Goldberg
Of course we knew some of these already. 🤔
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poemaseletras · 10 months
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ENCONTRE UM AUTOR:
Envie sugestões. Leia uma citação no modo aleatório.
Autores Desconhecidos
Adélia Prado
Adrian Tchaikovsky
Affonso Romano de Sant’anna
Alain de Botton
Albert Einstein
Aldous Huxley
Alexander Pushkin
Amanda Gorman
Anaïs Nin
Andy Warhol
Andy Wootea
Anna Quindlen
Anne Frank
Antoine de Saint-Exupéry
Aristóteles
Arnaldo Jabor
Arthur Schopenhauer
Augusto Cury
Ben Howard
Benjamin Alire Sáenz
Benjamin Rush
Bill Keane
Bob Dylan
Brigitte Nicole
C. JoyBell C.
C.S. Lewis
Carl Jung
Carlos Drummond de Andrade
Carlos Fuentes
Carol Ann Duffy
Carol Rifka Brunt
Carolina Maria de Jesus
Caroline Kennedy
Cassandra Clare
Cecelia Ahern
Cecília Meireles
Cesare Pavese
Charles Baudelaire
Charles Chaplin
Charlotte Nsingi
Cheryl Strayed
Clarice Lispector
Claude Debussy
Coco Chanel
Connor Franta
Coolleen Hoover
Cora Coralina
Czesław Miłosz
Dale Carnegie
David Hume
Deborah Levy
Djuna Barnes
Dmitri Shostakovich
Douglas Coupland
Dream Hampton
E. E. Cummings
E. Grin
E. Lockhart
EA Bucchianeri
Edith Wharton
Ekta Somera
Elbert Hubbard
Elizabeth Acevedo
Elizabeth Strout
Emile Coue
Emily Brontë
Ernest Hemingway
Esther Hicks
Faraaz Kazi
Farah Gabdon
Fernando Pessoa
Fiódor Dostoiévski
Florbela Espanca
Franz Kafka
Frédéric Chopin
Fredrik Backman
Friedrich Nietzsche
Galileu Galilei
Georg Wilhelm Friedrich Hegel
George Orwell  
Hafiz
Hanif Abdurraqib
Helen Oyeyemi
Henry Miller
Henry Rollins
Hilda Hilst
Iain Thomas
Immanuel Kant
Jacki Joyner-Kersee
James Baldwin
James Patterson
Jane Austen
Jean Jacques Rousseau
Jean Rhys
Jean-Paul Sartre
Jeremy Hammond
JK Rowling
João Guimarães Rosa
Joe Brock
Johannes Brahms
John Banville
John C. Maxwell
John Green
John Wooden
Jojo Moyes
Jorge Amado
José Leite Lopes
Joy Harjo
Juan Ramón Jiménez
Juansen Dizon
Katrina Mayer
Kurt Cobain
L.J. Smith
L.M. Montgomery
Leo Tolstoy
Lisa Kleypas
Lord Byron
Lord Huron
Louise Glück
Lucille Clifton
Ludwig van Beethoven
Lya Luft
Machado de Assis
Maggi Myers
Mahmoud Darwish
Manila Luzon
Manuel Bandeira
Marcel Proust
Margaret Mead
Marina Abramović
Mario Quintana
Mark Yakich
Marla de Queiroz
Martha Medeiros
Martin Luther King
Mary Oliver
Mattia
Maya Angelou
Mehdi Akhavan-Sales
Melissa Cox
Michaela Chung
Miguel de Cervantes Saavedra
Mitch Albom
N.K. Jemisin
Neal Shusterman
Neil Gaiman
Nicholas Sparks
Nietzsche
Nikita Gill
Nora Roberts
Ocean Vuong
Osho
Pablo Neruda
Patrick Rothfuss
Patti Smith
Paulo Coelho
Paulo Leminski
Perina
Peter Ilyich Tchaikovsky
Phil Good
Pierre Ronsard
Platão
Poe
R.M. Drake
Raamai
Rabindranath Tagore
Rachel de Queiroz
Ralph Emerson
Raymond Chandler
René Descartes
Reyna Biddy
Richard Kadrey
Richard Wagner
Ritu Ghatourey
Roald Dahl
Robert Schumann
Roy T. Bennett
Rumi
Ruth Rendell
Sage Francis
Séneca
Sérgio Vaz
Shirley Jackson
Sigmund Freud
Simone de Beauvoir
Spike Jonze
Stars Go Dim
Steve Jobs
Stephen Chbosky
Stevie Nicks
Sumaiya
Susan Gale
Sydney J. Harris
Sylvester McNutt
Sylvia Plath
Sysanna Kaysen  
Ted Chiang
Thomas Keneally
Thomas Mann
Truman Capote
Tyler Knott Gregson
Veronica Roth
Victor Hugo
Vincent van Gogh
Virgílio Ferreira
Virginia Woolf
Vladimir Nabokov
Voltaire
Wale Ayinla
Warsan Shire
William C. Hannan
William Shakespeare
Wolfgang Amadeus Mozart
Yasmin Mogahed
Yoke Lore
Yoko Ogawa
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gaynglican · 6 months
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I think we (Queer Christians) should bring back the Feast of Fools! Here's my pitch:
Medieval Christians celebrated the days following Christmas with societal inversion. If God became a vulnerable child born into poverty, then the best celebration should invert the social order: master and servant, clergy and laity, man and woman. The Feast of Fools–held on January 1st–was the most notable celebration of cosmic inversion. Developed in the late 12th and early 13th centuries, the tradition of the feasts continued until the 16th century. (1)
The festival is popularly misunderstood as a celebration of sacrilege, a result of its apparent burlesque of religion. Yet, the festival’s role reversals were prescribed by clergy, and the "fools" represented those chosen by God for their lowly status. From surviving 13th century manuscripts–notably, the Play of Daniel from Beauvais Cathedral and the Office of Joseph from Laon Cathedral–it is clear that some Catholic Churches in France sanctioned cross-dressing for liturgical purposes. (2) In fact, the Feast of Fools is remarkable for being sanctified rather than sacrilegious.
Many anthropologists of religion have argued that “sacred play,” or “ludic ritual,” is central to how religious behaviors function. (3) Although play may seem counterintuitive to religion, absurdity and holiness often go together, especially considering the role reversals and revelry of the Feast of Fools.
Literary critic Mikhail Bakhtin made a similar argument about the “carnivalesque.” (4) When absurdity is celebrated in religion–when a society’s usual rules are suspended–observant revelers can stretch the boundaries of their identities or reverse their social roles. Men become women; laity become clergy; God becomes a helpless infant; death becomes life. It is on the strength of the absurd that religions delve into hope and new ways of becoming. (5) “Sacred play” is reality altering work, a cornerstone of religious enlightenment and religious embodiment.
In 1969, theologian Harvey Cox proposed that an imitation of the medieval Feast of Fools could rejuvenate modern Christian spirituality, lamenting that the tradition has forgotten sacred play. (6)
As found in the Medieval Feast of Fools, the joy of inversion and freedom of death were, at one point, celebrated in Christian tradition through cross-dressing. Drag exists in Christian tradition as an artform that is capable of embodying the Divine. Sharing in Christ’s martyrdom is only part of Christian embodiment, and redemption and resurrection are essential to any imitation of Christ. Through embodying Christ, religious drag can become a project of resurrection.
(Taken from my Master's Thesis in Art History, "Crucifixion Can Happen To Anyone: Embodying Christ Through The Queer Artist")
1: “Feast of Fools.” n.d. Encyclopædia Britannica.
2: Harris, Max. 2011. Sacred Folly: A New History of the Feast of Fools. Cornell University Press. 113-127.
3: Turner, Victor. “Liminal to Liminoid, in Play, Flow, and Ritual: An Essay in Comparative Symbology.” Revista Mediações, vol. 17, no. 2 (2012): 214–57.
4: “Carnivalesque.” n.d. Oxford Reference. Accessed 12 July 2023.
5: Kierkegaard, Søren. “Fear and Trembling.” From Selections from the Writings of Kierkegaard. University of Texas, Austin, Texas, 1912.
6: Cox, Harvey. 1969. The Feast of Fools; a Theological Essay on Festivity and Fantasy. Harvard University Press
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fearlessmuses · 2 months
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𝓹𝓮𝓻𝓶𝓪𝓷𝓮𝓷𝓽 𝓼𝓽𝓪𝓻𝓽𝓮𝓻 𝓬𝓪𝓵𝓵…
[ #𝐌𝐀𝐑𝐕𝐄𝐋 𝐌𝐈𝐒𝐂 ] --- ⁱ ᶜᵃⁿ ᵐᵃᵏᵉ ᵗʰᵉ ᵇᵃᵈ ᵍᵘʸˢ ᵍᵒᵒᵈ ᶠᵒʳ ᵃ ʷᵉᵉᵏᵉⁿᵈ
agatha harkness ( fc: kathryn hahn )
everett ross ( fc: martin freeman )
g'iah ( fc: emilia clarke )
jack russell / werewolf by night ( fc: gael garcia bernal )
mary macpherran / titania ( fc: jameela jamil )
maya lopez / echo ( fc: alaqua cox )
mobius m. mobius ( fc: owen wilson )
ravonna renslayer ( fc: gugu mbatha-raw )
susan 'sue' storm / invisible woman ( fc: jessica alba or vanessa kirby )
valentina allegra de fontaine ( fc: julia louis-dreyfus )
victor von doom ( fc: oscar isaac )
yelena belova / white widow ( fc: florence pugh )
please specify muse / or who for who
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shakespearenews · 4 months
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The word “Shakespearean” gets thrown around a lot when it comes to Succession. At the most obvious level, this comes from the echoes of King Lear that suffuse the show’s very premise: a power struggle between the heirs of wealthy, waning patriarch Logan Roy (Brian Cox). There is no good-hearted Cordelia here, though – just Gonerils and Regans, with flashes of Iago and Macbeth thrown into the mix for good measure. Yet it is not just these villains who the children embody; they are tragic and complicated, and capable of contradiction.
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But Succession was Shakespearean in more specific ways. Armstrong has described it as a tragedy: it was only in the finale that this descriptor took on its full, haunting resonance. All three of the main Roy siblings, Kendall (Jeremy Strong), Roman (Kieran Culkin) and Shiv, are quite literally tragic figures; the ending had the perfect tragic ring of inevitability – all the while reframing everything that led up to it. Succession’s language, too, evokes the Bard in its use and choices of metaphor. How many other shows could have a character utter a phrase like, “Maybe the poison drips through”, and it not sound madly overwrought? If it shoots for grandeur in some of its language, then Succession proves just as adept at evoking the playful side of Shakespeare: the constant wordplay, the ingenious rhyming. It’s a linguistic dexterity that most TV shows would never even attempt to capture, let alone nail this hard.
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It is also a testament to Succession’s greatness that it was able to drown out the more superficial readings of its material, to render irrelevant the kind of banal social media mewings about being #TeamKendell or #ShivHive. The question of “who wins” is ultimately reductive. Yes, Tom (Matthew Macfadyen) emerged as the ostensible victor but also, who cares? The point of Macbeth is not that Macduff becomes king at the last. This is the story of a failure, and the poignancy lies in the hows and whys.
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randomnessoffiction · 2 years
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Spread the word! Rodgers & Hammerstein’s Cinderella is not only getting a retrospective reunion special, but also a rebroadcast on ABC on August 23! The reunion special airs at 8:00 PM and the film will follow at 9:00.
Now, if only we could have an official release of that soundtrack!
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dalekofchaos · 11 months
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Gunnverse Batman fancast
Fancast for James Gunn’s DCU/Batman!
DCEU recast
Burtonverse Recast
90′s Justice League
Reevesverse Batman
Superman
Wonder Woman
The Flash
Green Lantern
Aquaman
Justice League
Green Arrow
Teen Titans
Suicide Squad
Justice League Dark
Batman Beyond
The Dark Knight Returns
Telltale’s Batman
Injustice
Legion Of Doom
Birds Of Prey
Jensen Ackles as Batman/Bruce Wayne
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Peter Capaldi as Alfred Pennyworth
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Jon Hamm as Thomas Wayne
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Lena Headley as Martha Wayne
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Courtney B. Vance as Lucius Fox
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Laura Dern as Dr Leslie Thompkins
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Bryan Cranston as James Gordon
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David Harbour as Harvey Bullock
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Stephanie Beatriz as Renee Montoya
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Bill Hader as Jack Ryder/The Creeper
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Jodie Comer as Vicki Vale
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Jesús Castro as Nightwing/Dick Grayson
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Kiera Allen as Oracle/Barbara Gordon
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Dacre Montgomery as Red Hood/Jason Todd
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Noah Schnapp as Red Robin/Tim Drake
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Kristen Stewart as Batwoman/Kate Kane
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Mary Elizabeth Winstead as Huntress/Helena Bertinelli
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Riley Lai Nelet as Batgirl/Cassandra Cain
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Mckenna Grace as Spoiler/Stephanie Brown
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Izaac Wang as Robin/Damian Wayne
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John Boyega as Batwing/Luke Fox
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Caleb McLaughlin as Duke Thomas/The Signal
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Alexander Ludwig as Azrael/Jean Paul Valley
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Michael B Jordan as Azrael/Michael Lane
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Ana De Armas as Catwoman/Selina Kyle
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Brian Cox as Commissioner Gillian Loeb
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Sam Witwer as Captain Howard Brandon
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Michael Weatherly as Detective Arnold Flass
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Robert De Niro as Carmine Falcone
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Gina Mantegna as Sofia Falcone
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David Dastmalchian as Alberto Falcone
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James Carpinello as Mario Falcone
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Al Pacino as Sal Maroni
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John Goodman as Rupert Thorne
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Michael Imperioli as Anthony Zucco
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Willem Dafoe as The Joker
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Margot Robbie as Harley Quinn
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David Tennant as The Riddler/Edward Nygma
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Alfred Molina as The Penguin/Oswald Chesterfield Cobblepot
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Oscar Isaac as Two-Face/Harvey Dent
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Giancarlo Esposito as Mr Freeze/Victor Fries
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Viggo Mortensen as Black Mask/Roman Sionis
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Jane Levy as Andrea Beaumont/The Phantasm
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Adam Driver as Scarecrow/Jonathan Crane
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Kevin Grevioux as Killer Croc
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Laz Alonso as Bane
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Doug Jones as Man-Bat/Kirk Langstrom
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Peter Stormare as Clayface/Basil Karlo
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Toby Jones as Mad Hatter/Jervis Tetch
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John Lithgow as The Ventriloquist/Arnold Wesker
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Natalie Dormer as The Ventriloquist II/Peyton Riley
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Dohmnall Gleeson as Hush/Thomas Elliot
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Raul Esparza as Hugo Strange
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Anya Taylor-Joy as Poison Ivy
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Pedro Pascal as Deadshot/Floyd Lawton
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Frank Grillo as Deathstroke/Slade Wilson
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Finn Wittrock as Talon/William Cobb
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Karl Urban as Owlman/Thomas Wayne Jr
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Stephen Fry as Professor Pyg
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Stephen Lang as David Cain
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Daniel Radcliffe as Anarky
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Nikolaj Coster-Waldau as Cluemaster
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Keanu Reeves as Prometheus
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Ming-Na Wen as Lady Shiva
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Ghassan Massoud as Ra’s Al Ghul
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Nadine Njeim as Talia Al Ghul
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Yasmine Al Massri as Nyssa Al Ghul
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Michael Fassbender as Dr Simon Hurt
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Kat Graham as Jezebel Jet/Black Glove
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Christian Bale as The Batman Who Laughs
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loki-who-remains · 7 months
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Well, Victor Timely sure knows how to draw attention and eventually make some money. And make me write another post on a partially scientific topic. I’m not an expert tho!
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On the right side of the stage there's a sign, 'Electrifying achievement to harness the power of time'
And then he explains what the Loom does. 'My temporal loom inverts the temporal decay of the electricity flowing through it, lowering its entropy and gathering it into fine threads of power. Which it then weaves into elegant ropes of voltage. A chaos of particles is transformed into order.'
(I'm gonna assume he quotes OB's guidebook and not just wings it all randomly, because at least a part of what he says made sense to me)
In short, he says that the Loom can arrange matter into an ordered state. And that it not only uses electricity but also reproduces it in a form of threads and ropes. That would explain how the TVA operates outside of uh time and why it has power surges in s2e1. But it still leaves the question from where comes the initial energy to kick start the loom.
I believe that the temporal decay is synonimous to the increasing entropy. Entropy is a measure of how many ways there are possible to rearrange the same amount of matter without changing its 'shape'. Simply put, objects with low entropy can't be rearranged without being broken/reassembled. And those with high entropy can be rearranged without changing its form or shape, so to speak. Prof. Brian Cox compares the former with a sand castle and the latter with a pile of sand 👌 Another important point is that entropy inevitably increases over time: order becomes disorder. BUT. If we go back in time — and not like in Doctor who but like in Tenet — then we would observe entropy again, increasing relative to us (and not decreasing if we observe it from the present into the past).
Now, I think that raw time, as OB named it, is energy with high entropy and a physical timeline is rearranged energy with low entropy. When a timeline branches, entropy increases again. Also, temporal radiation means a form of energy that travels from a source through space.
(Side note. My initial guess was: to isolate a timeline HWR would need to have something threaded. Which would mean that the Loom came first. But when the timeline branches it creates more input INTO the Loom. And what’s more, in the end of s1 the Sacred timeline branches into a web which resembles the raw time. Just like Timely said, ‘the energy of the past, present and future flows all around us.’ And HWR managed to harness it to sustain his big project. So, raw time/sacred/other timelines exist as they are, and the Loom is just a tool to operate the former)
(Side note 2. The Sacred timeline doesn’t consist of just one universe. It’s weaved from multiple but strictly selected multiversal timelines. Otherwise we’d see minutemen in previous movies)
I can accept temporal auras which can help track and pull someone across space-time. Or temporal radiation, which is itself a fun concept. But what puzzles me the most is time being a form of matter. In our reality, at least according to the current physics, it’s a dimension. I can’t wrap my head around it. Even in a fictional way, i can’t explain it to myself. Because I experience time the same way people do in the show. I think here Timely either simplifies so to make people understand and buy his Loom or he doesn’t know what he’s talking about.
And that’s why, until proven otherwise or explained by OB, I think that the Loom is first of all just a big power generator. The timelines are being pruned manually by time cops setting time bombs and arresting variants. Resetting a timeline means removing entropy that was created by a variant’s actions. The Loom generates energy for the TVA, people working there and their equipment. And maybe it charges Kang’s time chair.
The multiverse doesn’t need the Loom to function. Time flows on its own, entropy increases all the time, it’s far more inevitable than Thanos. Loom is a tool, it can be removed, repaired or upscaled. The TVA as organisation and people and city (?) all need it but, most of all, the person behind it.
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LETTERS FROM AN AMERICAN
March 10, 2023
Heather Cox Richardson
At the Conservative Political Action Conference (CPAC) last weekend, Daily Wire host Michael Knowles said that “for the good of society…transgenderism must be eradicated from public life entirely—the whole preposterous ideology, at every level.” He worded his statement in such a way that it would inevitably create outrage that he could then angrily refute by insisting that “eradicating transgenderism” was not the same thing as eradicating transgender people. This sort of word game is a well-known right-wing tactic for garnering media attention.
Make no mistake: this attack on transgender people represents a deadly attack on the fundamental principle of American democracy, the idea that all people are created equal.
CPAC and its representatives have become increasingly close to Hungarian president Victor Orbán as he has asserted autocratic power in his own country. Orbán has explicitly rejected the liberal democracy that his country used to enjoy, saying that its emphasis on multiculturalism weakens national cultures while its insistence on human equality undermines traditional society by recognizing that women and LGBTQ people have the same rights as straight white men. The age of liberal democracy is over, he says, and a new age has begun.
In place of equality, Orbán advocates what he calls “illiberal democracy” or “Christian democracy.” “Christian democracy is, by definition, not liberal,” he said in July 2018; “it is, if you like, illiberal. And we can specifically say this in connection with a few important issues—say, three great issues. Liberal democracy is in favor of multiculturalism, while Christian democracy gives priority to Christian culture; this is an illiberal concept. Liberal democracy is pro-immigration, while Christian democracy is anti-immigration; this is again a genuinely illiberal concept. And liberal democracy sides with adaptable family models, while Christian democracy rests on the foundations of the Christian family model; once more, this is an illiberal concept.”
Orbán has focused on LBGTQ rights as a danger to “Western civilization.” Arguing the need to protect children, his party has made it impossible for transgender people to change their gender identification on legal documents and made it illegal to share with minors any content that can be interpreted as promoting an LBGTQ lifestyle. After Orbán put allies in charge of Hungarian universities, his government banned public funding for gender studies courses. According to his chief of staff: “The Hungarian government is of the clear view that people are born either men or women.”
As the opening speaker at CPAC in Texas last August, Orbán called for the establishment of a global right wing to continue to work together to destroy liberal democracy and establish Christian democracy.
The American right wing has heard the call, openly embracing Orbán’s principles. Vox senior correspondent Zack Beauchamp, who is a crackerjack analyst of right-wing political ideology both in the U.S. and abroad, noted in 2021 the rise of right-wing ideologues who saw themselves as the vanguard of a “post-liberal order.”
Beauchamp explained that these ideologues reject American democracy. They argue that “religious liberty, limited government, ‘the inviolability of private institutions (e.g., corporations),’ academic freedom, constitutional originalism, free markets, and free speech”—all central tenets of democracy—have created “liberal totalitarianism” that has destroyed “all institutions that were originally responsible for fostering human virtue: family, ennobling friendship, community, university, polity, church.”
They see the government institutions that defend these democratic tenets as part of a totalitarian system designed to destroy national virtue. If this were truly the case (it is not), it would be an act of heroism to try to destroy those systems altogether. Right-wing attacks on the FBI, the Department of Justice, and even the government itself over the arrest of January 6th rioters who they insist were peaceful tourists shore up the idea that the FBI and DOJ are part of a government determined to crush Trump supporters. That ideology invites those who believe it to continue to attack our government.
Knowles’s statement last week that transgenderism must be eradicated from public life was not simply an attack on transgender individuals, although it was certainly that. Tapping into the anti-LGBTQ sentiment that Orbán and those like him have used to win voters, the statement was a crucial salvo in the attempt to destroy American democracy and replace it with Christian nationalism.
But there is a very simple answer to the radical right’s attack on LGBTQ people that also answers their rejection of democracy. It is an answer that history has proved again and again.
Once you give up the principle of equality, you have given up the whole game. You have admitted the principle that people are unequal, and that some people are better than others. Once you have replaced the principle of equality with the idea that humans are unequal, you have stamped your approval on the idea of rulers and subjects. At that point, all you can do is to hope that no one in power decides that you belong in the lesser group.
In 1858, Abraham Lincoln, then a candidate for the Senate, warned that arguments limiting American equality to white men and excluding black Americans were the same arguments “that kings have made for enslaving the people in all ages of the world…. Turn in whatever way you will—whether it come from the mouth of a King, an excuse for enslaving the people of his country, or from the mouth of men of one race as a reason for enslaving the men of another race, it is all the same old serpent.”
Either people—men, in his day—were equal, or they were not. Lincoln went on: “I should like to know if taking this old Declaration of Independence, which declares that all men are equal upon principle and making exceptions to it…where will it stop?”
LETTERS FROM AN AMERICAN
HEATHER COX RICHARDSON
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