Irondad fic ideas #122
Peter is always reluctant to let Tony buy him things. It's a point that they argue about constantly (not in an angst way, but not in a joking way either). Every time Tony tries to spend money on him, Peter struggles to accept it and argues that it's too much. Especially when it's for something he just wants rather than needs.
One day, after trying and failing to get Peter to accept some gift, Tony finally gets him to see his side like this:
Tony: What if you had $100, and you saw someone who was hungry and you could just buy them a meal. Wouldn't you do it?
Peter: Well yeah, but-
Tony: What you had $1000 and your best friend Ted was cold and you could just buy him a coat. Even a $400 coat. It'd keep him warm every winter for years. Wouldn't you?
Peter: Yes-
Tony: If you had infinite money and you could just get May jewelry she wanted or just get MJ the art supplies she'd been saving for-
Peter: Okay, yes, I get it
Tony: Kid, you'd spend your last dollar on a stranger. I couldn't spend all of my money in a lifetime if I tried. And I've tried. If you had the kind of money I do, you'd be spending it on everyone you love, all the time. Can't you let me do the same?
266 notes
·
View notes
Thinking about this poster
And this poster
And how they're inverses of each other.
In the first movie, (as often quoted), Miles isn't falling, he's rising. He's offset from all of New York, but that's not the focus. It's dynamic. It's fun. It's believing in yourself when no one else does, and the exhilaration of pushing yourself beyond what even you think you can do.
In the ATSV poster, Miles is offset from every single other spider-person. We see their faces. They're a group and Miles is not a part of it. In the bottom third of the poster, we see the NYC skyline in the white space. It's an inverse of the first poster.
But this isn't exhilarating, it's solemn. It's still a leap of faith, but in the sense of doing what you think is right, even if everyone disagrees with you. It's still believing in yourself when no one else does, but much more difficult.
The viewer's perspective isn't aligned with Miles this time. He isn't rising anymore. Is he falling? I guess we'll find out.
41 notes
·
View notes
Bsjdhdi oh my god Eddie being like "FUCK IT" and grounding Roxy in Meteors for the first time. She just pauses, mid-crime committing, turns to look at him and just says "I'm what?"
He just said it. He didn't think too far into it at the time but once she's been arguing with him on what the fuck he's talking about for a bit, (he can't ground her! How dare he!) and she's eventually sent back to her room to cool off, he realises how fucking hard it's gonna be to actually ground her. She's had nothing her entire life! How do you meaningfully use taking something away on a (kind of) kid when said kid is only just starting to get used to having something to take away? He doesn't wanna impose any kind of old restrictions that she's still learning she doesn't have anymore! He wants her to feel like she does have freedoms, that she does deserve them and that nobody is going to take them away ever again! And taking them away again so soon, even if just temporarily, wouldn't exactly help!
Like!!! He can't just stop her from going out on the grass by the tower block to play with Cassie!!! She's lived most of her life never knowing what grass looks like or what the sunshine feels like!!! It'd be cruel to deny her of that again, even for just a day!!!! He can't take away any of the toy cars she's been excitedly digging through cereal boxes for either, cause she's only just grasped the idea that something other than her keytar can belong to her (nevermind does) and that she doesn't have to give her stuff away to nearby kids!!! Limiting her video games??? She's lived her life lacking the dexterity and strength control to play any of the arcade games she's been surrounded by constantly!!! He can't do that to her again!!!
What's left?? Deny her of her favourite cookies when Fazbear denied her adequate food and time to actually eat it during her short time in their custody as a biological being??? Stop her from going to the Plex that she's pretty much one hundred percent emotionally reliant on going to pretty much every single day??? Don't give her the pocket money she's only just learned she can use to get things she wants??? That she earns herself on the paper round she and Cassie share???
How is he supposed to follow through with this and actually ground her now that he's said he's going to? He can't bare to give her a repeat of what she's already had when she's supposed to be safe from all of that!! But if he goes back on it, he's just telling her she can get away with everything and never face the consequences of her actions. Sometimes she just wants to be a troublemaker and he feels it's good progress that she feels she has that choice, but it's his job as her guardian to somehow teach her about consequences to being a little shit and a half, he can't just let her get away with it! Especially when Cassie doesn't! It wouldn't be fair!
Eddie sat at the table agonising over what to do for ages, eventually coming up with a possible solution. The next morning, when Roxy is about to rush off to the Plex like always, she stops in the hallway. Eddie's just sat there, on a chair, against the front door, reading the paper like this is perfectly normal. She stares at him for a sec and then asks what he's doing. He explains that he promised a while ago that he wouldn't mess her around and that he'd always keep his word, which unfortunately for her, means he wasn't joking when he said she's grounded.
"What do you mean I'm grounded?! Are you just gonna sit here all day?!" Haha of course he's not gonna do that! He promised he would never stand in the way of her going home to the Plex! It would be wrong of him to do so and he can accept that! But she is still grounded...
So he's just gonna sit here for an hour and slow her down instead. If she can get through the door? Well, she earned it so good job! But otherwise? She's gonna have to wait.
Listen, she is not fucking happy. How dare he!! She'll just make him move!! He didn't say she couldn't do that so it's fair game!!
This does NOT go to plan. Eddie planned for this. His chair has been weighted with every heavy item he could cram into the bottom of it. He's hidden the key to the door in his pocket so even if she does move him on the weighted chair, she'll still have to get the key off him, which he knows she's more than capable of doing, but also knows she wouldn't think he'd have it for a good ten minutes at least. And the deadbolt at the top of the door is locked and she can't reach it unless she gets something else to stand on.
Roxy tries every trick in the book but there's fucking tungsten cubes in this chair man, she's strong as hell but that chair's not budging. How did he even move this here?! She's so frustrated with it, she's tried pushing it, pulling it, biting it, tying rope to it and pulling on that with her teeth like tug of war, getting Cassie to help, scratching at it, getting in the tiny gap between it and the door, and finally, whining with the sad puppy dog eyes as she sadly nuzzles him and tries her damn hardest to look like she's going to cry. He doesn't budge. At all.
He and Cassie are kind of enjoying this ngl. Cassie had originally been annoyed at this plan because, well, she would have had something confiscated or not been allowed out to play with Roxy later. It didn't seem fair that Roxy wouldn't get the same punishment, but nah she gets it's now. Roxy's too impatient for this not to work lmao
She's so frustrated and annoyed with it, complaining about how unfair it is while Eddie just sits there, cool as anything, and patiently explains again that it's just until the hour long timer runs out. Literally as he's automatically started reassuring her that he's not preventing her from going anywhere, just slowing her down, she suddenly yells really loudly, then shouts to Cassie at the other end of the hall that her dad sucks, dramatically falling backwards on the floor to sit there and sulk about it.
She's got a whole week of this ahead of her and she's so fucking mad about it. She's taken to just seeing how much of her annoying the shit out of him can he take before he caves and gives up. She started small by flicking elastic bands at him, hitting him with a pillow and throwing a few eggs at him. By the end of the week with him still not budging on this, she threw a bucket of paint on him, then the bucket at him in sheer frustration. This is after her master ice water plan failed along with several contraptions she came up with to move the damn chair. She's taken this as a challenge and she's throwing everything at him, but he's just not fucking budging!!
She has until the end of the hour on the last day to successfully move him and she tries everything, right up to the very last second. The timer goes off. The grounding is over. She screams in frustration, she's genuinely devastated she's lost this battle. She can't stand it! She's free to go again, and just like every other day of this, she rockets away to the Plex again to take her anger out on random shit over there.
When she's cooled down and she's back at the flat several hours later, they have to have a long chat about it. She ends up with one more day of this because of the absurd lengths she was going to all week, so she spends half of it sulking in her room and the other half whining all sad and mopey Eddie won't let her out just a little bit early, come ooonnn Eddiiieeee it's just twenty minutes it's basically nothing, pleeeaaassseee let her out now please please please she'll never dunk him in ice water ever again she pinky promises so pleeeaaasssseeee-
This man is like steel. Never in all her life has she known someone so unwilling to cave to her. Fazbear Entertainment were awful, but she knew she could make them cave if she didn't let them break her. This guy though? Not even wasting any energy trying to break her. He's just fucking sat there. He's not hurting her, he's not taking anything away from her, he's not threatening to scrap her, he's just sitting there. She can do whatever she wants, she just has to wait sixty minutes first. Not even a day, it's just one singular hour, that she could easily fill with something else if she so chose too, but she's too fucking committed now. And that was the god damn plan.
The consequences of being an asshole are that she's now actively choosing to throw an hour away on this every single day for no reason. Her efforts even mean she ends up adding to that hour in clean up. She's caught by her own hubris. By her own stubbornness. The sunk cost fallacy has claimed another victim. She's gonna win eventually, it's just a matter of when.
3 notes
·
View notes
There are many story elements to look forward to in October's upcoming T&B Season 2 cour 2 release. Admittedly, I have been fixated on what they will do with the elephant in the room- the absolute wild card- which is the direction or fate of Judge-turned-Director Yuri Petrov.
First off, it's actually hilarious how his character and position changes between season 1 / The Rising and season 2. This guy starts out as an antagonistic vigilante who hates heroes and heroTV due to his personal traumas to becoming heroTV's director. This guy who canonically insults heroes and thinks about defeating them in a fight in his internal monologues to the point he loses track of his surroundings. This guy, Lunatic, has tried to kill half of his employees in the previous season and now he's giving Kotetsu and Barnaby counselling and pep talks. Comedically, it's fantastic and rife with shenanigans. But thematically, there are huge implications for Yuri's character arc and for the message of the show as a whole.
Did Yuri take the director position because he's starting to care about the people under the masks after his encounters with Kotetsu throughout the series? Does the judge want to change heroTV for the better and becoming the director allow him a unique position to do so? Could we see Yuri fixing the very system that destroyed his father?
One of the unresolved threads of season 1 is what will happen to Lunatic. Sure, Lunatic could just never be captured and stays static, continuing to do what he's already doing in the background as we've seen in season 1 and The Rising. Alternatively, we've seen in T&B that it's easy to just let the villains perish (Though, do the writers really see Lunatic as a villain?). Other people have commented that Yuri should be in jail, alive - but repenting for his actions (like antagonist Andrew Scott from The Rising). And while those might have been the thematic decision for a show about superheroes created in 2011, I argue that letting Yuri die or putting him in jail would not be the satisfying moral conclusion in 2022.
Let Yuri change. He already has changed a lot between seasons from his promotion to director (Although, most of his actions and decisions as director are rather passive in the first half of season 2). He cares about heroes enough to rush into action with Kotetsu while still as a civilian. Furthermore, Lunatic hasn't showed up for the first half of the season (much to people's disappointment to not see their favourite vigilante after a 10 year wait, but within the context of his changing character this absence does makes sense).
Then, let Yuri change the system. Let the same person who was traumatized by what heroTV did to his family work his way up to judge and director and then slowly fix heroTV as only someone in his position can to save his new family. Let him break out of that cycle of trauma caused by greed and corruption instead of perpetrating it further as a murderer guided by his guilt and hauntings. Look, I desperately want Lunatic to show up again and do his cool murder thing but it doesn't have to be within the same context and motivations as season 1.
Killing Yuri wouldn't solve anything. He would die as just another tragic figure and I daresay it's the lazy way out of interesting storytelling for his character. Isolating him in jail wouldn't be more torture and punishing than what he already put himself through. Instead, let Yuri's arc be a metaphor of change and becoming much better than what intergenerational trauma caused someone to become - mistakes and all, damn it. Let the victim try and fix what hurt him so that no one else will go through the same suffering that created the misguided and tragic Lunatic.
This is the modern story that I hope Tiger and Bunny will tell.
67 notes
·
View notes