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#transference through writing
0rb0t · 1 year
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I've never really understood how the internet has used "kin" before, and I'm also still trying to understand DID systems (I know they're not the same thing, promise that's not what I'm saying.) I've had a bumpy time trying to understand and I apologize that I may slip up when talking to systems.
But I wanted to talk about something I've noticed about myself that maybe is somewhat related? Maybe not, but it's made enough of an impact on my life that I feel like it's quasi-related.
I'm a roleplayer, I love to perform a character to bring them to life. I strictly know them to be a work of fiction in order to convey self expression or just to tell a story. However, I also almost feel like there's an element of transference going on--
What I mean by that is, writing my characters has led me to actually realize various truths about myself, come to terms with things that have happened to me, and even seek out professional diagnoses on things that I didn't have an understanding of until I started writing that character.
However, transference can go the other direction, too. From what I've read about it, as well as how it's used in other forms of media, literature, etc., is that the thing you're transferring onto may sometimes be able to transfer back onto you.
I'm not saying that my characters have independent thoughts separate from me when I'm not writing them, that would be impossible (and because I value autonomy of myself, too frightening to consider not being in control of my own characters.)
However, something that I try very hard to do is make my characters feel like real people. They have their own hobbies, they have their own likes and dislikes, they have their own opinions about things that often either contradict mine (VERY OFTEN), or are in wild contrast to other characters of mine, OR... nuanced differences. That's hard to keep track of usually, but when I'm in the headspace to write that character, it's as easy as breathing.
And that's also where the transference problem occurs-- a struggle I'm still trying to work on (and also why I have so many characters to switch to) is that if my character is upset... those feelings of upset end up sinking into me, even if I'm in a relatively good mood. Take Tough Love for example-- he's a character of mine who has a defined sense of self that he's quite confident in-- BUT he's also very egotistical and tends to not view others' experiences or selves as anywhere comparable to his own or of value. This causes him to be very stuffy and superior at times, and when that attitude bleeds back into me, it's BAD. I can sometimes become more callous or dismissive. This is unlike how I tend to be. I have to be careful with a character like Tough because of that kind of thing.
More under the cut as well as images.
Currently, in a Second Life RP called Spira, I'm writing 5 different characters.
Orville Botte
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Sir Moss
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Tough Love
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Repo Wolf
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Rhedd End
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These are all characters that I've written variations of either since 2016, 2019 or 2020-- and they are all VERY DIFFERENT from each other. Tough Love doesn't usually look like that, he usually looks like a skeleton or a blue and purple cobra.
But they are also all with their OWN likes and dislikes, their own moral compasses, their own F-LISTS, etc.
I don't like to insert myself into the narrative, I generally don't like to say I have sonas or anything because I am wholly uninterested in being involved in the narrative, I just want to be the one bringing characters to live, but all of them are capable of transferring their emotional states onto me if I'm not careful. And all of these characters have a theme of abandonment trauma-- though they have different ways of responding to or showing that trauma.
BUT despite that, I still maintain that when I roleplay them, IC=/=OOC. Because it doesn't!!! If I'm experiencing emotional transference, it's up to me to distance myself and either swap characters or go do something else for a bit. It can just get a little hard to tell that's what's happening. I'm getting better at it though.
And I have so many more characters than this, but mostly focusing on the ones I'm writing on Spira because I've basically planned out their differences. If I want something more sensitive and submissive, I'll write Orville. If I want funny but assertive, I'll write Sir Moss. If I want funny but unsympathetic, I'll write Tough Love. If I want a completely unhinged time, I'll write Repo Wolf, and if I want a boisterous joyful nutbar, I'll write Rhedd.
Writing Rhedd usually puts me in a place of genuine adoration for everything, because he's just so 8D all the time.
I've even considered like... making a sideblog to this one where people can talk to these characters, maybe not their Spira versions but just their default ones... I have roleplay blogs for all of them but they're all separate and I don't want to keep logging into all of them.
Their NOT Spira versions are:
Orbot (Sonic Boom primarily), Sir Moss, Tough Love, Repo Rick and Rhedd Radio.
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(orbot, Sir Moss)
(Snake!Tough/Skeleton!Tough)
(Repo Rick, Rhedd Radio)
I'll try to have a blurb to each of them, but I've been writing all of them for years so... there's probably a lot to cover. There are ASPECTS to their canon selves but generally they're just... changed. To be loved is to be changed.
The point of this post got away from me LOL
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mishy-mashy · 3 months
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Bruce is actually really attractive, and I have enough reasoning to make a list
He's:
Tall (. Tall enough to hit his head on the vault doorframe)
Long-legged
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Has a straight nose bridge
Has high cheekbones (more noticeable in 2nd pic below)
Has a strong jawline
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Sharp eyes, but they aren't small (plus eyebags if you're into that)
Overall, he has strong, attractive facial features
Has broad, refined shoulders. You can tell he works out (or he did, when he was alive)
Even has a thick, muscly neck
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He has MUSCLE. Is SCULPTED. NOICE. VERY NOICE. (nice arms. Nice shoulders. Nice neck. Nice legs. Nice butt-)
(There are actually panels where you can see some of his muscles. Other than those already shown here, he's got bricky thighs-
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-and in the panels where we first get his name dropped, he's got those shoulder blades too-)
The one time we see him smile, and he actually has a scary one
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Has small, kinda sharp pupils, and his eyes remind me of a cat. We only ever saw him tense or defensive, so his resting/listening face is really cute
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Other than the physical appearance stuff, he also:
Takes shit without batting an eye (patience, knowing it's just how Kudo is, etc)
Kudo being all "Cut the crap Bruce and give it to me straight", after Bruce tests his blood and is rightfully Concerned because they just faced AFO
Put up with Kudo's experimenting and testing over Yoichi's transferable Factor
Did ya'll see the look on Kudo's face when he realized he had Yoichi's Factor/will? Kudo was going to start in nonsense and Bruce just dealt with that.
Also something I noticed when looking back at the images here; Bruce has bandages on his arms in the void. But not when he faced AFO in the sewers.
Were he and Kudo cutting their arms open in their experimenting over Yoichi's theory? Is this why Kudo has two gauntlets instead of his one? Why we never see his bare arms in the void? That he always keeps his arms down so there's no slip?
Is smart enough to run blood tests, plus has enough common sense to pick Shinomori as his successor
He picked a guy who avoids society, has an Ability to detect danger so he can always stay away from AFO, is also a coward so he's never going to go throw himself into danger, even without knowing instinctively he stands no chance, etc.
Meanwhile, Kudo chose Bruce, who he played Hot Potato Yoichi with; but he did also trust Bruce, and put the only pure combative Ability in OFA through Bruce.
These two made their choices based on what they valued and saw the Factor needed.
Is logical, analytical, and calm.
He tried advising Midoriya on their Abilities in One For All, especially his own.
Midoriya then tried ignoring him about using Fa Jin for the first time, but found he was right, thinking: "Dammit!! I had [Lady Nagant] right where I wanted her, but... ugh! The Third was right. My parallel Quirk processes are all screwed up!" (ch. 314).
Plus, when Midoriya fixed his processing mistakes, Bruce was analyzing the way he reached his new conclusion. Pure facts, no bias, very calm, just saying it as it was.
We never see him panic. When he's caught by surprise in the sewers by AFO, Kudo, and Yoichi's little bubble event, he immediately reacts. He doesn't falter, he just knows he has to do something right now.
Was more willing to listen than Kudo to Yoichi's beckon, and probably was just following Kudo's rejection of Midoriya
While we don't see Kudo's face, we see Bruce's eyes when Yoichi calls on his heroes. Bruce was more open and receptive, or at least more impacted.
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Bruce was also the one to start talking, while Kudo just kept quiet.
He actually communicates a lot
When Yoichi called them to support Midoriya, Bruce started talking to paint a picture of why they thought the way they did, so Yoichi understood where they were coming from.
(Though he seems to beat about the bush sometimes, since Kudo spoke up to be direct on how they couldn't just put their trust in some starry-eyed teenager. Plus, when Kudo tells him to just tell him what's wrong [double Factors])
When Midoriya first used Fa Jin against Nagant, Bruce came out just to tell him he knew what he was trying, but that Midoriya wasn't ready; and Midoriya found he was right. Midoriya just didn't want to listen to him then.
He asks Kudo for clarification after finding Kudo had two Factors in him after the sewer incident ("Just to be sure, All For One didn't touch you, right?") Kudo knew him well enough to go "stop beating around the bush and tell me", so Bruce was probably gonna start with questions, theories, and trying to understand everything in general, before saying "yeah you have two Factors. Don't know why".
Is strong-willed and loyal.
He followed Kudo, even to death, carrying on the cause he started until it ended with him.
Plus, when talking about how AFO needs a strong will to override OFA's own, we first see Bruce, Kudo, and Yoichi.
AFO couldn't steal OFA because the will was too strong for him, and that was back during Banjo's time. Since Shinomori never actually tried opposing AFO and just hid, we can assume the first Three (Yoichi, Kudo, Bruce) already had an accumulation of strong willpower that made OFA un-stealable. Those three are a strong enough foundation, and the main wills, that the other users just become bonuses.
Kudo, also saying that Midoriya needs allies with the same will and drive as him... hey Kudo, you're talking about yourself and your old allies, aren't you? That's why you look at Yoichi and Bruce when you say this.
Not only is Bruce attractive, but he's got good character. THE END.
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connection between "the poets are just kids who didn't make it" -> "I went to sleep a poet and I woke up a fraud" -> "I'll check in tomorrow if I don't wake up dead"
also a branch off there that ties Hand of God with TMOTM but that's actually a lyric comp I'm planning to make soon more than an actual note
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ckret2 · 10 months
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"Hey you keep saying you're under the weather but you got out two chapters this week, how come?"
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All of these chapters are complete except chapters 23, 25?, and ???, which are still in progress. I actually wrote chapters 14 and 15 back in mid June.
"How come you've got such a long buffer of chapters?" So that if I need to shuffle around some stuff to like 5 chapters earlier than I initially planned for, I can do so; and also, so that I've still got some stuff to post if, say, I get sick for a couple weeks.
And that's not even counting all the scene scraps I don't have a chapter for yet.
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(now I'm just taunting y'all)
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s-ccaam-era-crepe · 1 month
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wait question
Asking cuz only one of you plus my irls know and I kinda want to know what vibes I give off
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the-sky-queen · 2 months
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Little snippet of my Metal AU for y'all. :D
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quatregats · 7 months
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Hornblower as a character is like catnip to me but C.S. Forester is so so annoying <3
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youngpettyqueen · 1 year
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I wish we got more episodes that explored Margaret and the nurses and their relationships that were like. written well
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mantisgodsdomain · 3 months
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Concept for your desire to do a specific bracket tournament that isn't weighted against OCs: EVERY character is represented by a Picrew or a stock image, and EVERY character has the name of their source work written without any indication if it's actually published (if the WIP does not yet have a title, a placeholder title is used without indicating that it is such). Voters won't know if the character is from something published that they simply haven't heard of yet
The problem with this is that it would still have the issue of things being weighted towards popular characters - people still know who The Knight from Hollow Knight is, even if we don't use an official image and instead used a stock image of the void or painstakingly reconstruct them in a Picrew. The main thing that gets people to vote in a tournament is connection - knowing the character or the people attached to them.
The thing that biases things against OCs in this tournament is, primarily, their limited spread - the lack of people who would be familiar with them. Though more well-known OCs can circumvent this enough to stand on firm ground with characters - someone like spotsupstuff's Three Sparrows On A Wire, for example, might have a solid chance in a tournament with canon characters, there will still be less people invested in Sparrows than there are, say, people invested Humans-B-Gone!'s Sophodra.
Because the thing with canon characters is that, by definition, you've already seen them in action. They already have a story that you can readily access, compared to an OC, where the creator has to write and present the story themself - and a story that's never been written is very, very difficult to invest people in. You can't put the emotional impact of someone you've followed for a million words up against the emotional impact of a cool design you saw in the interwebs, and if you have to create emotional investment in the space of a bio, you're naturally going to fare worse than someone who's had hundreds of pages to win you over.
Really, the only way we can see it working well is something like that @guess-that-ship's format of "text only, can't name anything that would give the game away in regards to who it is", and for obvious reasons, that's... not quite going to work the same way.
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muffinrag · 5 months
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"why haven't you played baldur's gate 3 yet" none of them are fuckable. attractive, sure, but not fuckable. they're a mere imitation of fuckable - they're designed to be fuckable but it's too intentional; it feels like i'm being baited with fuckability but they're not. they're not fuckable. everyone is beautiful and no one is horny type game.
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vamptastic · 5 months
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found what seems to be an interesting paper on jewish music in the soviet union.. alas it is a grainy scan in yiddish. which i cannot speak.
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demobatman · 2 years
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i got the steddie and platonic stobin brainrot bad
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i'd do an angsty breath of the wild/sr au to celebrate the sequel (vibrating in my chair rn btw. loved the original) but idk who to make link and all that. i could go for the low hanging fruit of kaif link and ebbz zelda but i really want to try writing from someone elses perspective, i feel as if i've sorta hyper focused on them recently
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piedoesnotequalpi · 1 year
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Modern AU Jack spends all his teenage years dreaming of going to college out west (unfortunately the art school in Santa Fe closed in 2018) and he does go somewhere out west at first, but he gets so homesick he transfers to somewhere on the east coast after his freshman year
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vulpinesaint · 1 year
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what if i cried over having to take this stupid fucking rhetoric class again
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un-local · 10 months
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i have conceptualized the perfect scene that my story needs to tie things together... what do you mean i have to write it down. what kind of cruel joke is that
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