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#this is my mandela effect or whatever
galacticneighbor · 8 months
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My dumb ass has been fully reading the name of the new Hozier album wrong for 2 months despite having it on repeat constantly what the fuck
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homoeroticvillain · 1 year
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if i like a game enough i always end up complaining about how bad it is
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echthr0s · 1 year
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when it comes to memorable lyrical content I gotta say Cradle of Filth always wins out for me. I have so many favourite CoF lyrics and many of them are because of wordplay alone. there are so many fucking puns in their songs
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fluffyfurry6663 · 2 years
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ml!mark didnt have adam take him out of the basement he was just so annoying that they kicked him out. once he started singing bohemian rhapsody in his toad impression they threw him out /j
HELPBSFGWHSFNNETGENBEGETN
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britneyshakespeare · 7 months
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Holy shit. I haven't watched the Criminal lyric video in 12 years. I don't remember it looking anything like this but graphic design sure is my passion.
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bitterkarella · 8 months
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Midnight Pals: Frankensexy
Guillermo del Toro: Submitted for the approval of the midnight society, I call this the tale of frankenstein del Toro: but this time del Toro: there's a little twist del Toro: the twist is that frankenstein is hot
del Toro: see, what if it starred Andrew Garfield and Oscar Isaac? Mary Shelley: which one is frankenstein? del Toro: doesn't matter, they're both pretty fuckable Shelley: Shelley: yeah that's right
Bram Stoker: are we back on this fuckable frankenstein kick? this is just awful Stoker: you're destroying the essence of the story! Stoker: frankenstein can't be hot Stoker: he's SUPPOSED to represent the hubris of man's folly! Mary Shelley: shut the fuck up bram
del Toro: and we're getting mia goth to be in it too Bram Stoker: and who's she playing? del Toro: del Toro: uhhhh del Toro: igor?
Mary Shelley: igor's not in the fuckin book Stephen King: are you sure about that, mary? i mean i've seen frankenstein and i'm pretty sure there was an igor Shelley: that was the MOVIE steve Shelley: and also igor wasn't in that either!! Shelley: jesus christ you guys
King: whoa whoa whoa mary King: are you saying that igor wasn't in the frankenstein book OR the frankenstein movie? Shelley: that's right King: well then King: where's he from? Barker: that's some real mandela effect shit Shelley: NO IT'S NOT
King: ok but where's igor from then? Shelley: how the hell should i know? probably from one of those fuckin idk flintstones meets frankenstein shit specials or something King: c'mon mary that's just silly King: also it would be frankenSTONE Shelley: what
Shelley: fine! put an igor in! I don't fuckin care Shelley: do whatever you fuckin want with your fuckin femme igor that Shelley: femme igor Shelley: wait Shelley: wait a second actually this idea slaps
del Toro: anyway back to my del Toro: [waggles eyebrows] cabinet of curiosities!
del Toro: watch, i'm going to introduce every episode the cabinet of curiosities with a pithy philosophical monologue del Toro: like if i was the giant flying liquid metal skull at the beginning of skeleton warriors Barker: pft you can try man but you're no tony jay
del Toro: light del Toro: dark del Toro: the two sides of the same coin battling for the hearts of mens souls del Toro: but what of those in the middle? del Toro: which way del Toro: will they turn?   [dramatic pause] King: just gives ya chills doesn't it? Barker: not really
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mybrainproblems · 5 months
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hello, i'm finales georg...
i don't want to further clutter up the notes on this post while responding to the tags below but the persistence of the "finale is short/scenes are missing/extra ad break” conspiracies drives me absolutely bananas when i've watched the finale ten times and have posted about this A LOT trying to clear things up. (disclaimer that yes, i'm a goddamn destiel shipper but i care about Facts above all.)
ok but this is weird because i'd swear the episode was shorter (11 missing scenes!) but okay. maybe we all mandela effected ourselves into #beleving that. because it felt shorter. but i will die on the hill that it had another ad break. i understand this person has the thing #recorded with ads so i am thinking maybe different ad breaks in different idk time zones??? #because the finale did air an hour earlier in canada so maybe idk i am reaching here but maybe different states or whatever had different #ad breaks??? as for the last minute changes - wasn't the cover band asked for permission to use their version of carry on like a week before #the thing aired??? so even if the episode was 42 minutes and had no additional ad break - which i am side eying but lets say all was normal #i will always say they were changing thing until the absolute last minute (carry on my wayward son X 2 #the crew on the bridge which is not only giant 4th wall breaking but also wow they really got all those people in one place in times of #covid???) #anyway. tinfoil hat stays on sorry guys :/ (via @officialmisha)
short and snarky: there are plenty of real and sourced examples of network homophobia and scripted/directed destiel scenes being cut to point to. we don’t need to make this stuff up just bc the finale wasn’t what we wanted. so it’s not the mandela effect — it’s ppl repeating a conspiracy/rumor bc it supports their narrative and it’s easier and more fun to repeat something that supports a narrative they already believe (misha or something destiel was cut) vs the boring act of fact checking.
longer circumspect answer with links bc like many ppl i am in my debunking era and i rewatched "roblox_oof" last night.
like i said. i've watched the finale ten times. i’ve gone over the episode with a fine toothed comb and posted a detailed breakdown of timing marks on my blog. it’s actually extremely obvious where the ad breaks are once you know roughly where to look for them (they have a longer fade to black instead of a quick cut scene change). there’s no room for extra ad breaks and i think this conspiracy/rumor persists in part bc the episode feels so sparse in terms of cast and the fact that the episode’s momentum hits a barn post (and rebar) less than 20min into an hour-long programming block.
also i’m begging ppl to actually look at that timing mark post. it’s very straightforward and i spent a lot of time on it. i don’t care if ppl plagiarize it at this point if it means this conspiracy stops. i've got almost every second accounted for.
the "eleven missing scenes" that you're thinking of are probably from the finale script of questionable authenticity that @spnscripthunt acquired back in 2021 which can be found here. it's dated as the “final draft” from 11 sep 2020 and filming on 15x20 wrapped on 10 sep 2020. as noted at the bottom of this superwiki page "[the] script came from someone claiming to have been the person who did the closed captions for the show in Russia. There are some indications that it possibly may not be authentic, but this has not been confirmed."
if we go with the possibility that this was a transcript meant for subtitles, the "omitted" scenes were probably written but never filmed since it's the "final draft" and not a color revision (blue, green, yellow, etc). unfortunately, i’ve lost track of where i read it and a preliminary duckduckgo search isn’t bringing it up bc there's a program for script writing called final draft, but iirc the “final draft” version of a script is a transcript of what was filmed (e.g. there are parts of that 15x20 script that ended up being deleted scenes on the DVD). spnscripthunt also has an example of a confirmed final draft for 09x02 (funnily enough, also a dabb-penned ep). if anyone can confirm with a source that i have the purpose of the “final draft” version designation wrong, please let me know! i love being proven wrong with Facts.
i do want to acknowledge that the two “final drafts” do look different from each other and the 15x20 one doesn't look like a “real” final draft script since it lacks the revision/versioning dates that a script would normally have on the cover page. it could be that it was intended for subtitles; there's the chance it's been re-typed to anonymize it if there was anything indicating who the "owner" was, tho that seems a wee bit cloak and dagger to me. and again: it's considered of questionable authenticity. there are some things that don't quite line up but oh dear god i don't want to get even further out into the weeds than i already am.
i won't disagree that it's weird as hell that neoni only got asked about using their cover seven days prior to the episode airing (tiktok here). my personal theory is that they were hoping to get a more expensive song (maybe a zepp song, idk) and didn't manage to secure the rights in the end. again: this is pure conjecture on my part! but i could absolutely see someone working on the show hearing neoni’s cover and liking it and then maybe they were using it as a placeholder until it got down to the wire and they had to make a call/send the ep to networks. because yes, it is baffling they played a song and then a cover of it with only a 40 second break between. (i do actually really like the neoni cover! the placement is just weird and i think it could have worked if they had the kansas version at the beginning and closed with neoni's full cover.)
as to the 4th wall break COVID stuff: robert singer talked with variety magazine about filming the last two episodes and the logistics of filming during a pandemic. whether they should have been filming during a pandemic is a separate discussion but their use of office vs set pods, strict quarantining and daily testing meant that they had zero positive tests in the month they were filming (18 aug to 10 sep). so given all that, i personally don’t think it’s totally out of pocket to have everyone standing outdoors on a bridge for maybe an hour to get a drone shot of them together. (i won’t get into incubation periods and viral load, but if everyone tested negative that day and every day for a month prior, it was a fairly low risk scene to film outdoors and for all we know everyone was masked until the last possible second. there were plenty of outdoor masked protests in 2020 that weren't superspreader events.)
and before anyone brings up “but misha was in vancouver!” i know someone who looked into it and they said no dice, nothing matched up between the backgrounds in those pics and places in vancouver. his statements about “us” going back to set over the summer were pretty generic in hindsight and “we”/"us" could be him or the spn crew generally. unfortunately i’m not able to find those tweets but the use of “we” was likely so as not to give away he wouldn’t be returning to set. (bc we were absolutely casbaited!) and bc it comes up a lot: the "onion field pic" was from when they were filming 15x17 and was not taken while filming 15x19 and 15x20.
besides, it would be ridiculous to go through the financial and logistical headaches of bringing someone into the country to film during a pandemic, only to cut their scenes in the end! honestly, the script is pretty tight when the scenes are given so much breathing room! the only thing i could see being further cut down is The Monologue and even then, i don’t think there was any intent to cut it down given it was filmed in fairly long takes.
i’ve said it many times before, but i believe the finale was fucked long before they returned to set. walker got the green light in sep 2019 and it was being marketed heavily as a “follow on” show to spn given jared’s involvement. the demo they were courting for walker has little to no overlap with the demo for destiel fans — why would they want a finale that catered to a demo they weren't interested in courting? we just went through a historic double strike that exposed so much of the rot of business interests overriding creative vision. this isn't completely unfounded conjecture.
i will not apologize for the length of this bc i wanted to be thorough, but i do want to give context that i think the reason these conspiracies and rumors grind my gears so much is because anyone can fact check all of this. the truth is out there and absolutely none of it is that hard to find. the most time consuming/difficult part of this was finding someone who had a DVR’d copy of the finale from when it aired live and they actually found me themselves after i’d been low key asking around for a year!
and like. i get it. conspiracies are fun. but there are so many sourced instances of network homophobia and destiel being cut that it's like. why is this something folks are hanging onto? the cw is notorious for having upper level meddling with finales bc there's a follow-on show they want to shuffle fans along to and spn is no exception.
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deebrisbyfish · 5 months
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Merry Whatever you Celebrate IF you do so! Here's an extra holiday-themed strip for the season! Now, for all the talk about the Mandela effect and if it was Berenstain or Berenstein, etc., here's a case where a beloved childhood memory actually HAS been manipulated and changed with multiple, wildly different versions out there that is rarely discussed. Seriously, look it up. The Rankin Bass Rudolph the Red-Nosed Reindeer has about as many different edits and versions as the Star Wars Special Editions. It's kind of wild. When this eventually gets colored for the book collections, I am SO gonna make my sweater blue and then change it to green mid-way through. IYKYK. ;)
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creature-wizard · 20 hours
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Why the fuck conspiracy theorists love to use pop-culture as an explanation for things so much?
"OMG, world is a simulation, just like Matrix!"
"OMG, Back to the Future described Project Monarch!"
"OMG, Mandela Effect is just like Dark City!"
and uncountable others
There's multiple overlapping reasons, most of which stem from assuming that the entertainment industry is controlled by The Conspiracy.
The most straightforward one is the belief that the Conspiracy uses entertainment to brainwash people into accepting heretical beliefs and degrade their morals.
Conspiracy theorists also claim that the Conspiracy puts "predictive programming" into media in order to brainwash their audience into accepting whatever evil scheme they plan to spring next, regardless of how the story frames its subject matter. (Seriously, a narrative can be like "do not build the Torment Nexus!", and these people will claim that the Illuminati is brainwashing people into accepting the existence of the Torment Nexus. Conspiracy theorists are among the worst bad faith readers on the face of the planet.)
Another belief that's developed (and I couldn't tell you its exact origins, but it's highly popular among the types who claim Project Monarch is a real thing) is that the Conspiracy cannot act without announcing their evil plans to the world in some way. Supposedly, this is just one of the requirements of getting your power from Satan. So allegedly, the New World Order people are creating movies that announce their plans to the public by working them into fictional narratives. (And again, it's a form of extreme bad faith reading.)
One other reason is that a lot of media is influenced by conspiracy theories. For example, nearly anything with aliens or Atlantis has been influenced by conspiracy theories to some degree. The Matrix was very much influenced by conspiracy theories. That doesn't mean that this media is all inherently bad, but it does mean that anyone looking at the world through a conspiratorial lens is going to recognize their own beliefs and language, and read it as a kind of validation.
Conspiracy theories also serve as a way to maintain belief in things that scientific evidence doesn't support or even precludes. Like where a more well-adjusted person might accept that dainty little unicorns aren't real animals but write them into a fantasy story because they like the idea of them, a conspiracy theorist type might essentially believe that dainty little unicorns are real animals, and the big elite meanies are hiding it from us.
There's probably more dimensions to this than I've covered here, but yeah, in my experience, this is what a lot of it comes down to.
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lady-lycany · 3 months
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I have seen a couple of videos about the 'mandela effect' over the last few years and tried to remember, if I had a moment like that in my life. I haven't been able to remember anything but I just realized that... I apparently do? Maybe? Because I remember vividly, how I watched an animated series or a movie about a group of sheep and a wolf. With some kind of magic spell, the wolf grew like 50 times his size. And I think he swallowed something dangerous or bad or one of the sheep or something? And so the other sheep climbed up his mouth, wrapped a rope around one of his fangs and climbed in to get- whatever it was, out of the wolf's stomach. But they were kinda suspicious at first and wanted the clarification of the wolf that he won't eat them or losen the rope.
I definitely remember, that I watched it. But I can't find anything on the internet about it. So I really start to question the memory lmao. But I definitely watched it. The reason, why I remember that scene specifically of the movie or series, is cuz as a kid I was extremely into vore for some reason 😭 and so this was a highlight for me lmao. I feel like I remember all moments out of childhood series or movies where someone was swallowed alive.
BUT HOW CAN IT BE THAT I CAN'T FIND ANYTHING ABOUT IT? no pics, no name, nothing. This is bothering me for so long 😭 Chances are super low, but maybe someone here knows what I'm talking about
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davyjoneslockr · 4 months
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3, 7, and 12, mista and fugo :3
TONY UNSHADOWBANNED PARTY I know this was from a month ago but I'm gonna answer it anyhow lmfao
(For this ask game)
3. Least favorite canon thing about this character?
For Mista, the Trish cleavage scene. You know the one. I don't think I have to explain this much. Boy Why Did You Do That. The only good thing to come out of that scene was jaunty jigglesacks + overeager horndog insane psychic damage combo of lines in the dub.
I could take this a lot of ways for Fugo tbh. Because there's a lot of things that drive me insane about him as a person, but looking at him as a character, I LOVE that he's rash and hurts his friends and his defining character moment is him making a selfish, cowardly decision. I guess I'd say his misogyny in Purple Haze Feedback? I'm admittedly a believer that, yes, he would fucking say that, but it sucks that he would. At least he gets better by the end lol. Fugo voice I'm sorry women Sheila E is me
7. What's something the fandom does when it comes to this character that you like?
I love that Mista has been designated Beautiful Brown-Eyed Bisexual Man by literally the entire fandom. Bi Mista brings us all together. And I do like the idea that his queerness is something he discovered much more slowly, and as a direct result of the gang. Something about that really ties in with the idea of the Bucci Gang as less of a realistic gang, more akin to a drag house or similar queer pseudo-family. Credit to that concept to Fox figcookie01 btw this is one of my favorite Vento Aureo analyses ever and it really informs how I conceptualize the Bucci Gang. Anyhow.
I also really like when people actually take care to explore his character and make him a very distinct, smarter-than-he-looks, older brother-type figure. It's really interesting when people explore his spirituality, too, whatever religion that may be, because that's a pretty important part of him. AND also OCD Mista truthers who know when to treat his superstitions and compulsions with some weight I love you forever. I think he's a character that gets watered down in fanworks a lot, but when his characterization's good, it's really good. There's plenty of artists and writers that have really blown me away with their Mista (and I say this as someone who's picky about characterization lol)
With Fugo, first of all. The PHF scars. Another thing that Mandela Effected the PHF fandom, but it's so so important to me. I love you physical, tangible, blatantly visible proof that Fugo has grown as a person since the day he abandoned the gang. Awesome. I also like that people mix and match his manga/anime colors, and every artist kinda draws him in a different way.
My favorite thing is probably the Fugo-Abbacchio stepkid and stepparent/siblings/Big Goth and Baby Emo Who Secretly Looks Up To Them dynamic. It’s awesome when it’s cartoonishly antagonistic and it’s awesome when it’s actually very sweet and heartfelt. Out of all the Bucci Gang dynamic interpretations the fandom’s produced, theirs is one of my favorites <3
12. What's a headcanon you have for this character?
SO MANY FOR BOTH OF THEM LOL. But I’ll try to list some I don’t talk about as much.
Besides The Carpenters, Mista’s a big fan of folk, acoustic singer-songwriter pop, and soft classic R&B/gospel. Artists with really strong voices tend to catch his attention. The Mamas and the Papas, Sam Cooke, Marvin Gaye, Simon and Garfunkel, The Seekers, and Gordon Lightfoot are some of his favorites. He’s also just a big sucker for love songs in general, and the hopeless romantic in him loves old girl groups like The Ronettes and The Shirelles. He’s also very much Schrödinger’s Guy to me. Cis? Trans? Who knows. Depends on what the situation calls for (though more often trans to me as of late). He’s just Some Dude.
Fugo’s a surprisingly good singer, but he’ll rarely do it if he knows other people are listening. A lot of times, he’ll sing in the shower, or when he’s alone in the car. As he gets older, he gets less self-conscious about it, and he’ll sing around the house when he’s with Giorno, or do duets with Mista for fun. There are also very much timelines in the Vento Aureo Multiverse in my brain where Fugo’s transfem. This also tends to coincide with transfem Abbacchio timelines, so there’s another layer added to Fugo looking up to Abbacchio, and I think Giorno (always transmasc to me) is really instrumental in helping her work through things and take pride in her transness. Maybe a little bit of a self-indulgent fluffy comfort hc that helps me work though my own genderisms lol
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organ-market · 1 year
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Weird White Men That Defy Classification: The Television Genre
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How To with John Wilson, 2020
When you sit down to watch an episode of television it’s a real shot in the dark, you pray to find something truly special yet you brace yourself for potential mediocrity. The day I took a chance on 2020’s How To with John Wilson I sat on my couch, eyes glued to the screen, absolutely mesmerized. For those not in the know, How To with John Wilson is this odd thing that exists, it follows the daily exploits of New Yorker, John Wilson, as he goes around the city showing us how to do a certain task. At the same time it is absolutely not a walkthrough tutorial as rarely will I be able to execute the task described by the title card by the end of each episode. Likewise, the show isn’t really about the man named John Wilson as much as it is a lovely stroll through the people he meets on the street, the charming places he explores, and the little glitches in the matrix that stand out to him.
A typical episode of the show is more like a flowing conversation than a narrative arc, it branches out from its origins to go someplace entirely foreign and new. An episode about wine tasting leads to Bang energy drinks, scented bowling balls, and a lavish mansion party complete with historical wardrobe. John Wilson frequently interviews the everyday people on the street that we’ve all spent our lives passing by. He often highlights little niches in the city as he brings us to a fan club infatuated with James Cameron’s Avatar who go as far to learn the language and in another episode we explore the first ever Mandela Effect Convention. No matter how odd, John Wilson treats these spaces with respect and gives off an eager enthusiasm to learn more.
It is a show that defies classification and genre conventions. Sure it is technically a documentary but the genre usually insinuates an informative motive which is hardly the case for How To with John Wilson. If the show isn’t intending on spewing a steady stream of factual information then is it a reality television show which markets itself primarily on entertainment? Well, while thoroughly entertaining, John Wilson’s nasally narration and awkward insights aren’t the traditional host. It is a comedy that had me constantly laughing throughout its runtime and yet it is interested in so much more than just giving the audience a chuckle. Try as I might, I could not place this show in a box and I adore that about it, and in my search for quality programming I’ve found some other shows that similarly leapt out of each box I put it in. The only connection between all them besides having my undying adoration is that they prominently feature weird, extremely awkward white men talking at you.
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The Rehearsal, 2022
Nathan Fielder’s 2013 comedy hit, Nathan For You, had me flabbergasted by its absurdity and awkward wit. While more clearly defined in the square labels of comedy there is something about Nathan Fielder’s persona that makes you want to unpack whatever the hell is going there. Nathan For You follows Nathan Fielder, a graduate from one of Canada’s top business schools, as he gives out business advice to real life struggling local businesses in the Los Angeles area. The only thing is, he's awkward and his solutions to their problems often read more like goofy schemes out of a cartoon than sound business advice. There is a mix of reality and fabrication as you are never really sure if what Nathan is saying is sincere or not as he constantly gives half truths and lies to the audience, the people around him, and perhaps himself all at the same time. His outlandish persona is juxtaposed with the business owners who reluctantly go along with his plots and blatantly unpolished ideas. One episode has discount Santa Claus pictures in the summer following the idea of how jackets are cheaper during the summer season.
The little oddities in Nathan For You become the core focus of Nathan Fielder’s latest TV venture. 2022’s The Rehearsal vehemently defies classification, it expands on his persona established in his previous work and blends reality and fabrication to a new degree. The premise of the show is a bit difficult to even explain, like Nathan For You he helps everyday people but rather than giving business counsel he allows real people to “rehearse” a scenario. Some episodes involve having a difficult conversation with a friend or simulating what it’s like to raise a child. It’s still a documentary, reality comedy but there is an earnest dedication to recreating and simulating the conversations and scenarios Nathan clients demand. Nathan creates an exact replica of a bar in episode one of the series, stains and all, in another he fabricates a relationship between one of his client’s and an actor posing as another actor’s grandfather to recreate something as abstract as feelings. This is a show that dissects the reality of its own production, peeling open layer after layer leaving us with something entirely unique.
In that way The Rehearsal is oddly transparent about its own continued creation, Nathan is open to showing us the monitors behind the scenes, the child labor laws that cause Nathan to have multiple actors for the same child, and the fact that extras can't talk which forces Nathan to have a completely silent birthday party in one episode. It is constantly reopening its own veins and reinventing itself, the core premise is under constant development as the show goes on. It’s an entertainment Frankenstein of mismatched ideas and concepts all slamming into each other creating dichotomy after dichotomy. Nathan draws out the acting we all do in everyday life through a show about rehearsing while Nathan is simultaneously playing a character. And yet sometimes he acts with such a sincerity the audience never knows what to expect. The final episode of The Rehearsal is absolutely dizzying in its conundrum, the lines of reality become marred as we follow a child actor who’s too young to even know he’s acting and Nathan being forced to confront this blatant contradiction. It is a supremely daunting task to write about that final episode and honestly I can barely wrap my head around it. I don’t want to spoil it too much but it is unlike anything I have ever seen and I highly encourage you to give The Rehearsal a chance.
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Joe Pera Talks with You, 2018
The final show in this little bundle of uncategorizable strangeness is Adult Swim’s Joe Pera Talks with You from 2018. It’s the only show on here I haven’t finished as I remain in the midst of season 2, hoping to really take it slow and appreciate every little moment but rest assured from episode one I was absolutely hooked. Like How To with John Wilson the premise is much more slice of life but unlike the other two, this is completely scripted. It’s offbeat and awkward as the titular Joe Pera excitedly talks about whatever is on his mind in a somehow passionate monotone. Things just seem to happen the way our everyday happenings occur. There comes a ringing at the doorbell that introduces a new cast of characters or a conga line waiting to be partaken in. Inside of these natural happenings is delivered a wonderful simplicity, Joe Pera Talks with You ignores the narrative necessity for conflict during the majority of its runtime. I often braced myself for a cringe inducing failure in moments where Joe Pera is forced to dance or when he’s reading the church announcements. Miraculously, he never trips and falls or gets booed off the stage and although not everyone he interacts with is always happy to meet him, he doesn’t seem to mind one bit. 
That might be my favorite thing about Joe Pera, his unconventional happiness that is soothing to my occasionally anguished soul. Whenever life beats me down I just turn on an episode of Joe Pera Talks with You, his indifference to people’s expectations of what a good life is supposed to resemble reassures me that everything is going to be alright. It reassures me that I am enough. It’s a message I’m not used to when consuming media, much less a show that aired on Adult Swim. It is heartfelt and simple and enough to fill my heart and lull me into a lazy night after even the most stressful of afternoons.
I do hope at least one person reading this takes a shot in the dark and watches an awkward white man talk to them for about half an hour. These are all delightful shows that oddly feel, at least for me, paired together despite their differences. Season 3 of How To with John Wilson premiers July 28, 2023 and I for one am absolutely stoked for what this man tells me next. There’s talk of a second season of The Rehearsal in the works as well. I implore you to check at least one of these shows out! If you see any awkward white men talking about interesting things do let me know so I can grab my popcorn, thanks in advance and stay tuned besties <3
-Ghost Emoji 👻
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disneyprincemuke · 9 days
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I don't know if this is Mandela effect or whatever but can I just say I have only ever imagined Rocky as Phoebe Tonkin and it makes sense to me. But also like H2o exists in her universe and so you just have Rocky who looks like Phoebe Tonkin trying to piss Oscar off by going "Ohhr Naurrr, Cleor"
actually it might be mandela effect because babygirl rocky in my head is like a seasian x brit hybrid babe but it makes sense actually and it's hilarious cuz in my head she makes fun of both oscar and logan's accents
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starsreminisce · 3 months
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Hello, today I had a talk with someone who told me about how Elaine's powers are similar to CC's the mystics.How powers are necessary, darkness and light diminishes them. I must admit that I have only read the Acotar saga, but since I think you may have read the other sagas, you can answer my question. Because if her powers of vision needs the darkness how it could influence Elain to begin to renounce the light and move more into the darkness
Hello! I'm a bit shaky with CC as it is, but I'll try to recall what I can. I don't think Elain is a mystic at all, at least canonically. She hasn't shown that side of powers to the full extent that CC does. CC has separated all the psychic powers into different categories. The Oracle has a gift for foresight and seems like a different race, described as being Sphinxes. Witches are known to have seers and necromancers, while mystics travel from world to world.
Mystics need a fire sprite with them to help navigate when they go into Hel, as another form of protection. They have not shown they have the gift of foresight, considering they spent a lot of time trying to search for where Bryce is.
We have seen Elain locate the suriel, so it might be another Mandela-like effect where it's similar but different, since ACOTAR and CC are different worlds. But what I do find interesting is that her mate's father seems to possess a similar ability.
Rhys’s eyes had gone distant for a moment, and I knew Amren was on her way, the Book in tow. To help Nesta track that Cauldron—or try to. He could explain to Mor. He’d only known I was gone after the battle stopped—when he realized Mor had been fighting. And that I was not at the camp anymore. He’d just reached Elain’s tent when Helion sent word he’d found me. Using whatever gift he possessed that allowed him to sense such things. And was bringing me back. Vague, brief details.
Also, considering that Elain immediately had a vision after her mate, who happens to be the heir of the Day Court, felt her through their bond, tells me that she needs the opposite for her powers.
Elain's powers go dormant when Lucien stopped coming around, mirroring Nessian. Nesta knows she still has her powers but has not been able to properly channel them until she was with Cassian.
She didn't Make her apartment into a home, but she did Make the House of Wind as a friend. Nesta also Made her weapons when Cassian brought her to a blacksmith, and Cassian oversaw her training to where her silver flames become part of the attack. It wasn't until after her bond snapped that she Made the charms of the bracelets.
Feyre too needed Rhysand to help navigate her daemati powers, as that seems to be a closely guarded secret that only those who are aware of them can guard themselves against.
Is it also much of a coincidence that Elain expressed that she wishes to get reacquainted with her powers when we know Lucien does come up to Velaris to meet with Rhys privately regarding Tamlin?
So, saying that her visions need darkness is canonically false, considering that her powers started getting more coherent and stronger whenever her Day Court heir mate is around. They became so strong that Azriel picked up on what they were after it happened, even though Feyre figured out what they were but didn't know their name.
When he isn't there, her mind resembles a garden in need of sunlight. When it became time that she needed it, she said she needed to get acquainted with her powers. A shadowsinger did nothing but deter her from helping, even getting her powers back. And she still cried and was scared when Feyre was close to dying, when she could have foreseen an outcome.
On top of that, Lucien has shown to be just as psychically inclined as she is. Instances include him warning Feyre not to stab him in the back in ACOTAR, which played out in ACOWAR. He knew when and where the big battle would occur, allowing them to come in last minute with two armies. He also told Tamlin that he'll be expecting Rhys in ACOSAF, and he even opened the door before Cassian knocked in ACOSF.
Az likes to help with things he knows, such as teaching Feyre how to fly while understanding the mental blocks she may face from learning too late, and helping Gwyn learn more about daggers and what she is doing wrong with cutting the ribbon.
His shadows do tend to disappear when Elain is around, so I guess he can't help her when his main source of those powers, which people love to connect them together with, doesn't want to be around her.
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eraserheadadult · 8 months
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i categorically refuse to call the trader joes thai vegetable gyoza by whatever twee fuck name they came up with because in my mind they’re always going to be trader jyoza. make your own mandela effect at home gaslight yourself
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yzafre · 2 months
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So sorta on the topic of my ramblings on the concept of a DP reboot, once upon a time I was watching this Overly Sarcastic Productions video on the multiverse and a concept for a reboot series finale descended upon me like a vision.
And the finale is still called "Phantom Planet".
Hear me out.
So. I think, in a reboot show, you could get a lot of humor out of references to the original - lamp shading how things have changed, ect. You would need to be careful to make sure that it's done lovingly, and not with a sense of disdain for the original, but if used sparingly it could go far.
But then, wouldn't it be fun if when you got to the final season - whatever number that might be - the references got a little... weird. A little uncanny. A little inescapable.
Things start to... blur. The Mandela Effect is in full play. The name was different in this version, right? But that sign in the background is using the terms from the original version of the show. Things aren't where they're supposed to be. Reality is starting to distort.
Turns out, for whatever reason, there's another plane, another world, on collision course with their own. Another earth just out of reach, but slowly phasing into the space of their own, threatening to displace it.
A Phantom Planet.
And thus we tip over into the multi-part season finale that's a crossover with the original, figuring out how to let both earths survive, glorying in all the things that are the same, and all that are different, and an honest love for both versions because this is all in my head so of course it's not an empty cash grab it's actually good please god please reboots can be good I promise.
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