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#this cover is SO pretty btw!!
carewyncromwell · 10 months
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"Who knew that I would be So unexpectedly, undeniably happier, Sitting with you right here, right here next to me?"
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HPHM Cardverse developed by @ariparri // Jacob's outfit // Duncan's outfit (plus a coat and sash)
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The Best Ideas Jacob Cromwell's Ever Come Up With
(according to the "Counselor" of Spades, Duncan Ashe)
A new variation of steam-powered engine powered by a combination of hydroelectric and solar energy. (This would be tested successfully both on the royal zepplin and to power the entire palace and its surrounding buildings, cutting the overall cost of energy production in the Country of Spades by a good twenty percent.)
Several new vaccines, many of which adapted into oral supplements so as to make it easier to vaccinate small children. (Jacob specifically wanted to make something that people who are afraid of needles would be able to take safely, as his little sister Carewyn got very teary as a toddler, when getting her first shots.)
Mecha suits specifically designed to protect coal miners in treacherous underground conditions. (This idea would sadly be "co-opted" by the Tyrant of Spades Patricia Rakepick and repurposed into weapons of war. Fortunately the Joker called the "Escape Artist" destroyed every last one of them before they could be used to attack other parts of Cinderhaven.)
"We could just lock old Madam Ace in her office for a night. Then maybe you could force the army to cut their spending." (Sadly this idea, however tempting and amusing it might've been, was one Duncan couldn't go along with.)
A close-to-unbreakable puzzle lock, perfect for small drawers or boxes. (Jacob put this on Duncan's desk as a belated birthday gift, after he suspected Rakepick was sending spies around to try to rifle through his papers. The Spades technological expert took it upon himself to take out ten different books on locking mechanism and even consult with a locksmith for two weeks when constructing it, and it's thanks to this undertaking that Jacob became very, very proficient at picking locks himself.)
A record player that could be powered through pressing a pedal, rather than being plugged in with electricity. (Jacob put this on the desk in his workshop so that he could play music with his foot, while working on other projects. Duncan actually gifted Jacob several records to play on it, including Sitting on Top of the World, which is one of his favorite songs.)
"Let me come with you, Ashe. Rakepick's stooges will think twice about messing with you, if I'm there." (They didn't, at first. Fortunately Jacob ended up shutting up one particularly mouthy bloke, after he had the audacity to suggest Duncan only ever tapped people for positions at court if he was sleeping with them. Clearly a mean-spirited, untrue dig at his BFF Coby and both obvious and oblivious OTL Jacob. Jacob punched the guy so hard in the face that he nursed a bruised jaw for a solid three weeks. After that, no one dared say a single bad word about Duncan in Jacob's earshot.)
A prototype of a dirigible shaped like a dragon, powered by both wind and hydroelectric power, which uses giant wings to steer. (This also was eyed by Rakepick as something that she could modify into a weapon of war. Fortunately none of her subordinates were sharp enough to figure out how to give such an "air dragon" the ability to breathe fire without damaging the modified prototypes.)
A set of sparkling silver cuff links that, when the sides are squeezed, expanded into very sharp hatpins. (Inspired by the hatpins women sometimes wore in their hats for self-defense, Jacob made these as yet another birthday gift for Duncan, with the idea of them being helpful for self-defense. Duncan personally found them a little gaudy, but wore them anyway.)
"Come on, Ashe...you sing the next line!" (The night that Jacob finally encouraged Duncan to come over to the Cromwell house for dinner, he encouraged Duncan to sing along with him and Carewyn the way they always did, whenever they rode the trolley home together. Duncan actually did hold his own incredibly well alongside the two trained singers, and soon he, Carewyn, and Jacob were all singing together. It was one of the few times in Duncan's life -- alongside his times with Veruca and Coby -- that Duncan felt the way he imagined other people felt, with their families.)
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asukachii · 2 months
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Where Our Blue Is
(I don’t like putting watermarks so, PLEASE, if you want to post this gif somewhere GIVE CREDITS! Also, don’t use it in edits/videos. Thanks~)
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galaghiel · 6 months
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what remnant does to a mf
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a1sart · 10 months
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Blue Diamond Miss Trixtin and Pearl Philza for @chrisrin 's gemcyt au!!
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olasketches · 4 months
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mhh close enough…
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sophiethewitch1 · 9 days
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You mentioned that all the Wayne's post thirst traps. And that Damian's are like Victorian women showing some racy ankle. What does he consider a thirst trap then.
Have you ever seen a man in a dark turtle neck sweater.
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warriormoustache · 7 months
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Got my first shrimp goby pair last week and this is my impression of them so far.
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amethyst-halo · 6 months
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a pass at a riju redesign ive been researching so much for her. lays on the floor
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nin-nyan-ve · 11 months
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आठ
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|| रेणू हरीकरण ||
Hakurei Reimu with an indian twist for the toonsutra contest on instagram. calling her Harikarna Renu.
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luck-of-the-drawings · 10 months
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YEAH SURE! WHAT COULD PUNCHING A WALL POSSIBLY DO TO YOUR ROTTING LITTLE ARM, ZOMBIE BOY? HUH? HUHH????
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samglyph · 7 months
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I have been in such a redraw mood lately I don’t know what’s up. Fun way to test out new techniques I guess.
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silvermoon424 · 5 months
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I don't think I've ever told this story before, but when I was in third grade we had to do this history project where we pretended to be a famous person who influenced history. We were stationed around the school and people (namely parents and kids from other grades) would talk to us to get to learn more about the person we chose.
I chose Rosa Parks because she was my hero at the time. Please let it be known that I'm EXTREMELY white.
So that day people saw an 8-year-old super pale girl passionately talking about Rosa Park's life while decked out in old-timely clothes.
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im-smart-i-swear · 8 months
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im sick so i drew my girl nika to cheer myself up,,
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pynkhues · 4 months
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curious as to your thoughts on the may december discourse (some spoilers i guess) - vili has come out and essentially said that he felt the film contributed to his victimization and hurt him. and the response from a lot of film twitter seems to be to yell ITS NOT A BIOPIC and to say he doesnt understand the film (gross). i feel like i dont really care if its a biopic or not, when the film literally quoted vili/mary kay, recreated the mary kay in prison photo exactly, and both charles melton and julianne moore studied vili/mary kay for their performances. to hand wave that all as "not a biopic" feels like a way of writing off any discomfort. i feel like the film should not have made those specific choices, but having done so they had a duty of care to vili. i dont think the film that ended up getting made is worth the continued trauma to vili even if it is art. there were other ways they could have told the story to minimize the harm and they chose not to - and i dont think that choice is a great commentary on tabloids or whatever, its just a ghoulish thing to do
I did see that, anon, and I do have thoughts on it as it's a real grey area in terms of creative license, art and storytelling, and it's a grey area that's been around really since storytelling existed, but before I get into that I just want to quickly clarify what Vili said, because I do think it's important.
Vili didn't say that the film contributed to his victimisation and hurt him, he said the film offended him because it was a ripoff:
“I’m still alive and well,” says Fualaau, now 40 and still living in the Seattle area, where the scandal unfolded. “If they had reached out to me, we could have worked together on a masterpiece. Instead, they chose to do a ripoff of my original story. “I’m offended by the entire project and the lack of respect given to me — who lived through a real story and is still living it,” he adds.
“I love movies — good movies,” he says. “And I admire ones that capture the essence and complications of real-life events. You know, movies that allow you to see or realize something new every time you watch them. “Those kinds of writers and directors — someone who can do that — would be perfect to work with, because my story is not nearly as simple as this movie [portrays],” Fualaau adds.
The reason I think this distinction is an important one to make is because in interviews since Mary Kay Letourneau passing, it's pretty clear that Vili - while absolutely being a victim-survivor - doesn't see himself that way, and even says pretty specifically in his Doctor Oz interview from 2020 that he doesn't see her as a predator or himself as having been preyed on ('there was no perversion...she was my wife and my best friend' are his exact words), and he's pretty clearly open to the idea of a film being made about his story.
I'm not saying this to diminish his feelings about May December at all (I strongly believe that Vili is entitled to feel any and every which way about the film) or to patronise his own understanding of what he experienced - I can't even begin to imagine the complexity of trying to unpack the life he shared with her - but I think it's important to reflect his feelings accurately and to provide a little context to those feelings.
With that said, do I think the creative team should've reached out to Vili before making the film?
Honestly, I don't know.
I think it's one of those questions in art where there's not really a right answer. If Vili's feelings towards Mary Kay are still lost in the silver linings of her grooming, any film that has his direct approval or involvement is going to run the risk of tacit endorsement. It also hamstrings the creative team and opens them up in terms of liability (I actually was a writers assistant on a TV show a million years ago that was sort of a bio pic and I can tell you for a fact that it was a disaster once the person it was based on got involved), and, of course, it runs the risk of shifting the focus of the story the writer is wanting to tell.
And that's the thing about art, right? By design, art is supposed to reflect us back to ourselves in ways that we might not always be comfortable with. Of course, that usually happens less literally than in how Todd Haynes has used Vili and Mary Kay's stories, but not always. Todd Haynes is certainly no stranger to the technique given Velvet Goldmine is pretty transparently inspired by David Bowie and I'm Not There is often confused as a Bob Dylan bio pic despite the fact that it's actually not.
Hell, everyone loves that Succession points a pretty clear finger to the Murdoch's, and while, of course, the Murdoch's - and Bowie and Dylan for that matter - have social, political and economic power that Vili doesn't which does impact the ethics of the decision, it's still made under the same creative ideology that aspects of a real story can render an artwork, a story, a film more emotionally authentic, can create greater resonance, can offer a sharper reflection of the world we live in and offer, perhaps, a message or a question that lingers.
All of this has actually kind of been funny timing as I just finished reading Sarah Weinman's The Real Lolita the other day which is a really excellent blend of true crime, literary history and critical commentary on this exact topic. The book explores the real life case of Sally Horner who was kidnapped by a pedophile in 1948 when she was 11 years old and was forced to roadtrip with him around America for two years. It's actually mentioned in passing in Nabokov's Lolita, but once you go a little deeper it's pretty clear how much of Horner and her story Nabokov used to create Dolores Haze / Lolita.
In the book, Weinnman asks the question as to why Lolita gets to be remembered when Sally's been left to obscurity, and of course, the answer is that there are other Sally's in the news cycle, but only one Lolita in art, and that hopefully in her writing Sally Horner's story she can write her back into bookshelves and place her back into this artwork but who knows if that's what Sally would've wanted (Sarah does, at least, talk to Sally's lone surviving family member, and makes a measure to show that it's very unlikely Nabokov ever did the same).
Was Nabokov wrong for not seeking out Sally's family for Lolita? Honestly, I doubt it even would've occured to him to do so, and the fact that we do now ask questions like this about the ethics of inspiration is, I think, a good thing. We should be critical of how stories are told and who is, and isn't, involved in the telling of them, but again, I don't actually think there are right or wrong answers here.
Fiction is always inspired by real people, real events, real life, it's a part of creation, it's a part of capturing a moment in time, it's about reflection and authenticity, but of course that's been rendered more complex in recent years by the fact that we live in a world that's ever shrinking and the people or the events that inspire new stories are inevitably brought into the public narrative in a way they just weren't back in 1955 when Lolita was first published.
So what does that mean for creativity and inspiration? I don't know, but personally I guess my thoughts would be that Vili is absolutely in his rights to be offended by the film, but I also don't think the filmmakers were wrong necessarily to not reach out. It's not the most ethical choice, but I also don't think it was an inherently bad one either. This isn't a Blonde situation where they write fiction and present it as fact, the creatives have been clear about it being inspried by what happened between Mary Kay and Vili, but they're also not saying Vili and Mary Kay are Joe and Gracie.
I appreciate you feeling like it's much of a muchness though given how they've apparently lifted entire scenes of dialogue. It's a murky question after all, and it's certainly one that's more complex when it comes to people like Vili and Sally than it is with the Murdoch's or even David Bowie, but yes, I'm not sure I see it as something inherently wrong, and I don't personally think it was ghoulish. I just think the specifics of this particular case just kind of shows how the sausage is made when it comes to storytelling.
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neolxzr · 10 months
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i'm a controversy
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hibiscera · 3 months
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I ALWAYS WIN!!!!
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