Tumgik
#they're used to animosity with humans and we don't know who started attacking who or if that was a thing even but it doesn't matter
marinnadas · 1 year
Text
An award to ryoko kui for exploring the concept of eating to such a fucked up degree. Like it's not only in this world is to eat or to be eaten, The Promised Neverland already did that but it was so anticlimactically boring to me tbh so I didn't finish it. Oh but dungeon meshi is totally something else and it's so we'll explored . Eating as a driving force to live, immortal people who don't need to eat and lost their taste and will to live, the innate curiosity that comes with the desire to eat ( Laios wasn't fully conscious in his beast form so I fully believe that's why he was driven to eat the desire, it was mostly an instinct), and then so many symbolical things I can't articulate fully like eating oneself
147 notes · View notes
pikechris · 2 years
Text
I know I'm already writing a star trek au and I do think everyone's species in that makes sense and it's absolutely going somewhere trust me it's all in my head but. the more I think about it. and the more I think about that one fanart of bajoran-cardassian ed. the more sense I think THAT makes. because listen. there's occupation and subjugation by a stronger power. slavery. destruction of nature traditions etc. all supposedly for their good and the sake of 'civilisation'. there are also people fighting against it, resistance, strong faith, and persevering despite everything. sound familiar?
I can totally see ed's father being a cruel cardassian military officer who took his mother as one of his 'comfort women' and/or 'servants', and her being kind despite it all, surviving, loving her son and holding onto her beliefs in the prophets—to the point of telling him that clearly it's meant to be, we have to believe in what they plan for us, we're not meant to live like the cardassians do.
eventually, he kills his father and runs away to join a resistance cell. there he meets izzy, also a bajoran, a kid who was born into the fighting like kira nerys was, and it made him the way he is because there was no other way, no other life. later on, they get on a ship under hornigold, a leader of another cell that the cardassians definitely brand as 'terrorists', and continue attacking cardassians from space and make a name for themselves. by the time the occupation ends, they're famous for their actions—but also don't know what to do with themselves, now. ed would happily quit and settle down somewhere quiet, but not izzy. he wasn't born for peace. so he drags him down with him and they keep fighting cardassians even though it's over and eventually join the maquis. plenty of bajorans there.
cue stede bonnet, a starfleet defector! he got himself a ship and escaped a life he felt trapped in, and now he's free, fighting for a cause. with a small crew of weird and slightly incompetent (affectionate) people. olu is still betazoid, lucius is still denobulan, the swede is still human, frenchie is still trill, wee john is still caitian, pete is still an orion, but buttons, roach, and jim are all bajorans. the badmintons are a starfleet captain and admiral respectively, like in the first au. cardassians and starfleet are both after them. stede has a different idea of what it's like to be a resistance fighter though, and they still have the luxuries of a starfleet ship and are living the life. ed falls in love with him and the ship and his entire thing immediately. it's the new thing he was waiting for. izzy less so. he hates stede's attitude and thinking he knows what it's like. plus he doesn't think he can have anything nice, having grown up as he did.
when the last maquis are caught and the movement ends, stede and ed let themselves be captured and go to the new zealand (hehe) penal colony (like tom paris) and are ready to start over and serve starfleet when the 'sentence' is over because the dominion war is on now and they need people on ships. there are no issues with mary because stede was a starfleet officer and always away because of it and they probably got a divorce a while ago. he does space zoom calls with the children sometimes, and her too, there's no animosity, they just drifted apart. stede and ed probably run away though and don't join the war because there's been enough of that, and they take the crew and go somewhere remote and it's all good.
so yeah, that's a different, proper kind of star trek au that I'd like to write and probably will after I'm done with the space pirate one because the idea has taken root and apparently I'm not done with combining my hyperfixations together just yet!
17 notes · View notes
biggest-stupidhead · 3 years
Note
hello love! can i request erwin x fem reader smut where they're quite the opposite, and after a mission they're tired and just fuck (maybe in the woods or something) because they're so stressed but also because they've been wanting to do it long before? like everyone feels the tension between them except they don't wanted to admit it? thanks! i love your blog. 🥺✨
Hey babes, of course! Thanks for sending this one in, I love writing for Levi but I need to switch it up sometimes lol. 
Warnings: lowkey hatefucking, intercourse obvi,  fucking in da woods, wrap it before u tap it!, unprotected sex. 
Summary: Erwin is selfish, but it’s okay because you are too. 
Word Count: 2.4K 
__
Your breathing was uneven as you hunched over, chest rising erratically. Your blades were dull and gas was running low, you tapped on the cans ruefully, the dull din signaling how empty the canisters truly were. You were just starting to regain your senses when the sound of hoofbeats startled you. Hange tugged the reins of her horse, the beast turned its head and bared its teeth when she pulled so harshly on the bit. 
“Excellent work! That was a clean cut.” Hange complimented as she smiled wryly down at you. You nodded and lifted your fingers to your lips and whistled for your own mount. 
“Thanks, it was a big one too. I’ll have to find the supply wagons though, gas is almost gone.” You said as you tossed the dulled blades off to the side and slide the handles of the gear back into the scabbards. 
“Ah you’ll have to work on that.” Hange said, her head swiveling to keep watch while you waited for your horse to return. A few moments passed before the sound of your horse trampling through the foliage alerted of its return. You caught it by the reins and threw yourself onto its back.  
“Let’s return to the formation then.” Hange said, once again roughly jerking her horse into the right direction, you close on her heels. The two of you rode through the trees at break neck speed, trying to make up for lost time. You finally managed to make out the sight of Erwin and Levi, their own steeds galloping back in the direction of the wall. 
“What’s going on!? I haven’t caught my titan yet!” Hange wailed when you reunited with the other pair. 
“Too many casualties.” Levi quipped, expression sour and hands bloodied. You rolled your eyes and clutched the reins harder. 
“We just need a few more minutes, let’s not call it off yet.” You insisted and Hange exclaimed excitedly at the shared sentiment. 
“Won’t be possible, we can’t risk loosing more lives. There’s been enough bloodshed for one day.” Erwin’s voice was tense and his blue eyes were icy as he shot you and Hange down. 
“I don’t see why it matters, if we already have lost most of our men...why not push onwards?” You weren’t sure if you really felt that way, or if you were looking for a fight. You were well aware of how Levi felt about losing his men, and how little Erwin truly cared about loosing lives. You knew that was what separated the two of them, Erwin only cared for his own selfish goals, although he hid it well. Levi on the other hand truly cared for the soldiers, and wanted victory for humanity. 
“Shut your filthy fucking mouth.” Levi hissed, gunmetal eyes dark and jaw tense as he bit back his words, waiting for Erwin to tell you off. 
“We simply don’t have the means at this time.” Erwin said simply, eyes trained forward. You glowered at him, you couldn’t deny that you held some malice towards him, for his seeming lack of empathy towards his men. But could you blame him? You had joined the scouts for your own selfish desires as well, he just had the power to ensure that his desires were acted upon. 
“Very well.” You growled, leaning into your horse’s neck as the four of you picked up the pace. Erwin lifted a flare gun and fired the signal into the air for retreat. 
__
The march into the gates and through Shiganshina was brutal as always. The citizens murmured of their wasted tax dollars and the waste of human life. You silently agreed with them, glaring at the back of Erwin’s perfect blonde head. You wanted nothing more than to scream at him, maybe even slap him, then you’d fuck- wait no. Not that last part, you shook your head in an attempt to rid the vulgar thoughts from your mind. 
The castle was notably vacant when you arrived. Having lost so many men, the grounds were less busy than usual. You wandered around, having already put your horse away and assisted with the unloading of the excess supplies. You were grateful for the summer breeze, the last rays of light poking through the trees. You wandered off towards the thicket of trees that rested between the castle and the mountain range beyond. 
The sounds of the forest seeped into your bones and reminded you of your home, your family, why you had originally agreed to this regiment. You were so caught up in your own thoughts, you almost didn’t hear the twig snapping off to your right. You whipped your head towards the noise, catching the flash of blonde hair and a stark white dress shirt. 
“Following me?” You growled, turning to face him fully, Erwin’s cold blue eyes shone in the dim light. 
“To an extent.” He shrugged nonchalantly and you bristled at the admission. 
“Come to ravage me?” You pushed, wanting a reaction from the usually stoic man. 
“Not exactly.” 
“Then what? You men are simple creatures after all, only so many motives behind your dull eyes.” You bit, unable to keep the frustrations from your tone. Erwin’s thick brows pinched together at your words. 
“I came to tell you that....I want you to be a squad leader.” Erwin’s jaw ticked as he waited for your response. You let out a scoff of disbelief, eyes shining with mirth. 
“Why? Because I showed a fraction of the coldness that you display?” You hissed, marching across the small amount of space between you and attempted to get in his face. Although it was difficult seeing as how tall he stood. 
“Precisely.” Erwin’s voice was a bit airy, eyes now seeming to shine with something besides the cunning that usually resided in them. You narrowed your own eyes and let loose a growl fisting the front of his shirt as you considered your options. 
If you accepted the position, you would be no better than him. But then again were you really any better in the first place? 
“I’ll do it.” You released him and took a step back, determination gleaming in your eyes. 
“I knew that you would.” He smirked, lips curling into an annoying grin, making your stomach flip. 
“Could this not have waited until morning?” You asked, eyes drifting to the last glimmers of sunlight that spotted the forest floor. 
“I suppose it could have...but I wanted to see you before then.” You wrinkled your nose in disgust, earlier suspicions proving true. 
“Oh really?” You huffed with a dramatic roll of your eyes. Erwin’s expression darkened, and he took. a step forward, invading your space. You stood as tall as you possibly could, not wanting to let on how nervous you really felt in his suffocating presence. 
“I wanted to ask you...why you are so bent on challenging my authority.” It wasn’t a question, more of a statement, putting you on the ropes. You glowered at him, his chest bumping yours, prompting you to take a few healthy steps back. Which you did, until your back met the rough bark of an oak tree. 
“Why should I listen to someone who holds no regard to human life?” You snarled in response, but it felt more like a yelp, your heartbeat picked up as his hand gripped the tree, trapping you between his towering figure and the large tree. 
“I can’t help but wonder if it could have something to do with the way you stare at me….” His breath tickled your face as he craned his head down, your cheeks lit up as you blushed. 
“I-I don’t know what you’re talking about.” You denied, although it was true, you had developed a bad habit of seeking out his form in the dining hall. Watching him too closely during meetings. He was attractive, that was an undeniable fact, but the resentment that you held for him had always prevented you from seeking out anything more than the professional relationship that had been established. 
“I know you do, I’ll only offer this once and never again. I’ve had this on my mind for a while now, if you aren’t interested then we can pretend that this never happened.” He paused, gauging your reaction as you looked up at him in shock. 
“I want to fuck you. Right here.” He pointed his finger towards the ground and his eyes flashed with an animosity you’d never seen before. 
“H-Here?” You stammered, unsure of what to think, but the ache between your thighs was quickly overcoming your senses. 
“Yes.” His other hand slid up your side and rested over the strap of your gear over your breasts. 
“What will it be then squad leader?” He hummed as he toyed with the buckle. You swallowed thickly but managed to nod curtly, not wanting to verbally admit your attraction to your commander. 
“Use your words.” He ordered, tugging harshly on the strap, pulling you flush against his chest. You gasped, head tilting up to meet his cold gaze. 
“I….want you to fuck me commander.” You grew more confident with each word, and you could see the pleased smirk curling over Erwin’s features. 
“Glad we finally agree on something.” He huffed, fingers easily unbuckling the strap and then deftly unbuttoning your blouse. As he did so he walked you back against the tree, he left your shirt on, instead favoring unbuttoning your trousers. You gripped his jacket as he slid his hand down to cup your pussy. He chuckled at how wet you were, his large fingers gathering your slickness before slipping into you. You let out another gasp and pushed his jacket off of his shoulders, he withdrew from you to help you undress him as well. You only got to undo his pants before he pressed his lips to yours, tongue pushing past your lips.  
He leaned down and scooped you up, hands supporting the backs of your thighs as he used the tree to keep you steady. Your head hit the tree roughly as he continued to attack your mouth, you could do nothing but open your mouth to meet his lips. He slid one of his hands up and gripped the waistband of your pants, pulling them just below your knees, it was a bit of a struggle due to the position he had you in. But you got there eventually. The air felt cool against your exposed sex, and you found yourself blushing crimson as he pressed you harder into the tree so that he could free his cock. You bit your lip in anticipation as he finally managed to pull himself free of his pants. 
He pulled away from your lips, eyes lidded and clearly focused on lining himself up to your entrance. You hissed when the head of his cock slid effortlessly along the length of your pussy. Finally he pressed the tip inside of you, pausing as he shifted to grip both of your thighs and gain better leverage. 
“Erwin please.” You whimpered, rocking your hips in an attempt to get him to fully sheath himself. 
“Beg for it.” He hissed, breath hot against the shell of your ear before his tongue darted out and licked a stripe up the side of your neck. 
“I-I need you so bad, please I need you to fuck me.” Your hands clawed at his shoulders as you used your core to keep yourself upright and legs spread for him. 
“Good girl.” He growled, finally snapping his hips and sheathing himself in one thrust. You groaned at the fullness, walls stretching to accommodate his size. His own breathing seemed to grow more erratic as he began to rock his hips back and forth. Your back burned from the friction of rubbing against the tree behind you. There was no doubt about you having some kind of scratch in the morning. 
You threw your head back against the trunk of the tree as he picked up the speed, hands roaming up from your thighs to your ass, you clenched your legs to wrap around his waist. Your muscles burned but the coil that was building in your stomach kept you motivated, wanting nothing more than to cum over his cock. 
He grunted as you twitched around him, his hips somehow seemed to gain more speed, nose burying between the space between your neck and shoulder. You felt him leave a wet kiss there before sucking harshly on the skin. You tilted your head in the opposite direction, giving him more room as he lapped his tongue along the newly exposed skin. 
“E-Erwin I think that-” 
“Wait.” He snarled against your throat, biting it a bit roughly, you moaned wantonly at the action and dug your heels into the small of his back. His cock stroked along the rigid spot inside of you and you nearly screamed, barely containing your orgasm as he had asked you to. He struck that spot relentlessly, hips meeting yours harshly as he pounded into you. 
“Just like that.” He groaned as he pushed you flat against the tree, using all of his strength to keep you there as he drove into you. 
“Please Erwin let me cum.” You sobbed as he bit your collarbone, his dick twitched inside of you at your plea, he pulled back, icy eyes locked on your wrecked face as tears rolled down your cheeks. 
“Only since you’ve been such a good girl.” He growled, and reached down between your legs, you tightened your grip on his shoulders to make up for the lost support as he pressed his calloused finger to your throbbing clit and rubbed tight circles. Your legs twitched as you felt the coil snap and your cunt clamped down around his dick. He hissed at the sudden tightness and groaned as he came as well. You felt the warmth trickle out of you as he pulled away. He held you up as you shook, coming down from the high he had given you. 
“See what we can do when we work together?” He chuckled darkly, hand toying with your bra as you clung to his neck. 
“Keep dreaming eyebrows.” You huffed, pulling away from him and shakily pulling your pants up. He tucked himself back into his pants and picked up his jacket from the forest floor. 
“See me in my office tomorrow and we will discuss your promotion.” He called after you as you marched back towards HQ, cheeks burning from the interaction you’d just had with your commander. You threw your hand up dismissively, trying to ignore the dark chuckle he let out when he saw how flustered you were. 
Maybe he wasn’t all that bad after all….
221 notes · View notes
princeescaluswords · 2 years
Note
Hi! I don’t get sceo, with how Theo manipulated Scott’s pack against him and Scott calling Theo ‘barely even human’, but I’d love to know what draws you to the ship. I don’t want this to sound like I’m attacking your favourite ship, I’m just genuinely curious what draws you to Sceo, what do you love about it, what makes it stand out to you, what do Scott and Theo being out in each other’s personality? I wanna give you an excuse to rant (but in a happy way I forget the word for it) about your favourite ship (it’s your favourite ship right?). Also what scenes did you love best for Sceo and what scenes would you add?
Tumblr media
First, I want to start off by saying that this is specifically my opinion about what I look for in an enemies-to-lovers story. My complaints about other applications of this trope arise not out of "he's a bad guy!" condemnation but out of the fact that most of applications of this trope I've encountered require the reader to completely ignore the 'bad guy' part. It's not enemies-to-lovers if you don't deal with the reason that they're enemies.
For me, the absolutely crucial aspect of any successful enemy-to-lovers story has to be canon admiration. There has to be the seed of something more than just animosity between the characters, even if they are war-to-the-knife rivals. I see that in Scott and Theo, even when I don't see it in other popular ships.
First, let's talk about Theo. Theo doesn't just want to destroy Scott in Season 5, he wants to become Scott. Even if you consider every positive thing Theo says about and to Scott before Status Asthmaticus (5x10) as the basest manipulation, there are enough things that Theo says and does in the second half of Season 5 and Season 6. Even when trapping him in the library, he says "The came close with me, but we can't all be perfect. We can't all be True Alphas." Yet, when he starts to make his own pack, he tries to mimic Scott's style of leadership, offering support and understanding to Josh ("How does that feel?"), to Tracy ("I'll take care of it if you want me to"), to Hayden ("But it's not going to kill us. Not if we're together"), and to Corey. ("In fact, they don't know it yet, but we're going to protect them. Just like I'm going to protect you.") but Theo just can't manage it, coupling the support with threats and intimidation.
Theo tries (and fails) to be what Scott is, and in that desire I see the possibility for enemies-to-lovers. He has to learn the lesson that ultimately Tara ("You don't have to stop.") and Mason ("You can't take pain if you don't care.") teach him in order to start moving in that direction. This is shown in Theo quoting Scott in later seasons while looking to help and be helped by Scott. No scene exemplifies my idea that he still wants something from Scott, but now it is something different, is that scene in Raw Talent (6x12) with the phone.
Tumblr media
Now, let's talk about Scott.
In the lead up to his betrayal, Scott begins to rely more and more on Theo as the other members of his pack draw away from him and he becomes more and more desperate to stop the deaths of the chimera experimental subjects. Of course, this is the fruit of Theo's long game, but the longing to have someone to rely on who actually came for him and believes in him and that he didn't inherit by default is real. Scott isn't trying to replace anyone, but every member of his pack didn't come into his life because they believed in him -- they were either already in his life or thrust into his life because they were victimized and THEN came to believe in him. Theo, even though it is a deception, wants to be part of Scott's pack to be a part of Scott's pack. Scott appreciates that, and even though it was part of what Theo used to deceive him, having someone in his life who admires him voluntarily has to feel good.
Afterwards, as Scott processes what and Theo did to him, his feelings for Theo are filled with anger and fear, but there is still the response to someone willing to follow him who doesn't have to. When Theo is being dragged down to the Skin-walkers' punishment realm in Apotheosis (5x20), he calls out to Scott and only Scott for help. This can be seen as Theo playing on Scott's naivety, but it's still how Scott has chosen to be, and Scott, in response, takes a step forward. After his initial fear and anger, Scott reacts positively to Theo's help in Heartless (5x07), looking to find proof of Theo's explanation of the Outlaw's destruction when no one else would. When Scott looks back for support in Pressure Test (6x15), Theo reluctantly unsheathes his claws because Scott asks him to do so. When Scott executes his plan to try to fool Monroe with the bodies of the dead deputies, he takes Theo with him. When Liam and his mother are in danger from Gerard, Scott asks Theo for help and Theo says yes. Scott still desires what Theo falsely gave him in 5A, but this time for real.
And that, for me, is enough for an enemies-to-lovers story. Theo tries to kill Scott, and Scott lets Theo be punished, but they don't stop seeing the possibilities in each other. Theo may resent being punished and sneer at Scott's kindness, and Scott may be furious at the betrayal and scared of Theo, but they don't hate each other. They take actual narrative steps to transforming their relationship from good guy/bad guy to allies and then to friends. It's not unreasonable to me that it might take another step.
46 notes · View notes
Text
Today's post is not on the usual "writer blog fare" side. Instead I am going to introduce you to several fun facts about various animals on our planet and then talk about worldbuilding.
1. Lampreys are a kind of "living fossil"- a not-really-so-scientific term for a creature that has lived unchanged for a very long time, so long that we have fossils of them looking the same way they do now. They don't have proper jaws, just a circular sucking mouth with teeth set into it and a tongue designed to strip flesh off of what it touches. They're finless fish, look quite a bit like eels, and have this really alien, uncanny vibe to them.
Tumblr media
[id: a long, slender bluish-silver lamprey sitting among rocks. It has a long snout, an eye, and then six small perforations in its side arranged at an even interval sitting behind the eye. The environment it is sitting in is very yellow and green in comparison. end id]
Tumblr media
[id: an image of a lamprey from below. The snout ends in a round, flat mouth which is studded with teeth in four concentric circles. The teeth are smallest near the outer edge and largest in the middle, and look like very sharp round points. In the center of this ring is another, smaller circle, where the pointed, tooth-like tongue can be seen, as well as a hole for the lamprey to actually ingest food with. Its eye is visible, as are some of the perforations on its side. This one is a more mottled gray than the first one was, and less shiny. end id]
Sea lampreys, which are the kind i've sort of not really kinda researched, are a major pest in the Great Lakes, where they regularly attack fish. They can get up to two feet in length. Despite this, they are not particularly dangerous towards humans.
2. Horseshoe crabs are also "living fossils." They've been around and virtually unchanged for millions of years. They're not true crabs, and are more closely related to chelicerata species, like spiders and scorpions (and many more). There are a lot of cool features of horseshoe crabs, but one of their most extremely cool, to me, is their blood.
I'm not going to post any images of what I consider to be animal cruelty, so you'll have to take me at my word here, but this is a bottle of horseshoe crab blood. If you're sensitive to images of animal cruelty, I don't recommend looking for proof, but if you aren't, there are plenty of images of the blood coming out of the creature for you to verify this with.
Tumblr media
E[id: a bottle of slightly frothy, opaque blue liquid. It is sitting in a row with several other bottles of the same material. end id]
I am a sucker for blue blood, I just think it's neat, so that's all I'd need as an excuse to slam some horseshoe-crab-inspired nonsense in my exceptionally gory and fucked up wips, and if you've been reading along with WiB you may have noticed that blue blood does come into play at some point! But that's not all that's neat about horseshoe crab blood. Unfortunately for the horseshoe crabs, but fortunately for us, their blood is literally the only source of an important compound used for detecting the presence of dangerous bacteria in certain pharmaceutical drugs. (Fortunately, there are replacements that will hopefully become more popular in coming years.)
Now that we've gone over all that, onto the worldbuilding!
I worldbuild by Rule of Cool. Let's just get that out of the way. Every so often people will ask me how my worlds get so expansive (not WiB, WiB i made up on the fly by cribbing from fanfic and like... BBC Merlin. Assume very little of this holds true for WiB) and the answer is largely that I take every interest I have ever had in anything and smash it all together and throw it at my wip to see what sticks. and then I just... like... reasonably attempt to figure out what the natural conclusions will be.
So: we have lampreys. We have blue-blooded ancient sea creatures with spectacularly important and valueable blood. We are writing this into a story that takes place on land, somehow.
- The first option, and the one I'm going to talk about most because I did it, is just to rule-of-cool it into a character. (Or a place, or an item, or whatever, but largely I do rule-of-cool on living creatures and think harder about the world around them.) If you've been keeping up with WiB, you may have noticed that (spoilers) Zero Point is some kind of fucked up magician with a lamprey mouth in their hand who shapeshifts and bleeds blue. This is where I got those inspirations from (along with, like, some other stuff. I promise there are no lamprey assassins, but- continuing in the trend of stealing from sea creatures- the bobbin worm is a spectacularly beautiful, spectacularly deadly creature if you're within its weight range. which is like, goldfish size, but. And cuttlefish are known to disguise themselves as other animals, and can change sexes if the male:female ratio where they are isn't ideal.)
So you can take the elements you like, and just kind of slam them together haphazardly, which is what I did with Zero Point. The trick to this kind of worldbuilding is just to avoid looking too closely at it. The magical assassin has a fucked up mouth in their hand? Yeah, okay, that seems kind of fucked up and creepy. What do they do at all times? They hide it under a glove. So the protags Just Straight Up Never Ask. And voila; it never gets explained, and it never has to.
Same with the blue blood. It shows up, it functions as a plot device because only Zero Point has blue blood; it is never explained or even delved into with much detail. And if it were, it would fall apart instantly, because the justification is literally just "i thought it was neat. No, no one else is like that. I don't even know why they are. i just felt like it"
- The second option is to consider the effects of the things that you're working with, and then work off of that.
Let's take Zero Point again. Strip them of their context (weird assassin with magical powers) and just like, consider the fact that this is a creature with blood that regularly retails for over $10,000 USD, is intelligent as fuck, shapeshifts, has a mouth in their hand that may or may not be their actual mouth, and can exist on land so long as they have suitable access to water. What does that mean for our setting? Surely they're not the only person like that; so you have a whole species of people who are sort of but not really amphibious, shapeshift, and maybe have magical powers, who knows. They can't shapeshift their fucked up lamprey mouths, maybe. That seems like a reasonable limit. So their blood is highly valuable- what does that mean for their relations with other people, or their culture? What kind of foods do they eat? How do they create a sense of culture as shapeshifters; is there even a way that they represent themselves in art? How do they interact with the world? Do they have a "true form" or not? Every one of these questions will spawn new questions. If you answer all of them you'll lose your mind, but if you answer at least ten you'll spawn a much more background-heavy world that can help to shape your story much more effectively than trying to just craft a narrative will. Sometimes it works very well for a story. Sometimes it gets you lost in the weeds.
- The third option is to reference something else, and build off that. Again, let's use Zero Point as the example.
In the original story that the WiB ensemble is from, Closerverse, which may have some mentions on this blog but honestly I have no idea, there is a city that I've done quite a bit of worldbuilding on. This city is called Hudson, and one of the major important features of it is that it is partially underground. (This is a reference to the DFZ of Rachel Aaron's Heartstrikers series). Hudson is intentionally run to be the worst, most unpleasant city in the world, and one of its features are its wildly intelligent, dangerous forms of aquatic life. The lowest level of this city is partially submerged, and all of these creatures plague the people who live down there.
Closerverse was also set during a period of early industrialization, and Hudson heavily referenced US history, especially 1900s-1920s labor history. Tenements, pollution, zero protections for workers, et cetera. Hudson is a nasty, miserable place, and everyone who lives there can feel the jaws closing in on them.
Anyway, in Closerverse you got these fucked up massive eel-like creatures (lampreys, but with extra features) that due to some rather significant meddling wound up growing legs and then got really massive and started eating people. They have blue blood, glow in the dark, and make fairly decent eating as long as they aren't eating you. And they're intelligent. Given the whole "mutual eating each other" thing, the eels and the people of Hudson have some pretty major animosity going on.
Most of Zero Point's stuff is really just me referencing the Hudson Eels, because I fucking love those. They're some of my favorite worldbuilding elements ever. But given that no one else in WiB has ever seen a Hudson Eel, let alone seen their blood get dry on things, or whatever, everything about Zero Point is wildly out of context. And that almost makes it better, because the whole deal with them is that they're mysterious and weird, and having them be a mysterious and weird reference to something no one but I know about most likely is like, fun and neat.
There are, of course, other modes of worldbuilding as well, but I typically aim to stick to the first two as much as possible. The cooler you make something, the more possible questions it raises; the more questions something raises, the deeper your world gets.
Although, a word of advice: sometimes animals just do things. Sometimes bodies just have features. Who would invent fingernails? But having them is mighty convenient, isn't it? For that matter, who would come up with a deeply logical and reasoned explanation for eyebrows- but not having those would be very strange, to us. You can get away with doing a lot by just having that be how it is, and not having the characters comment on it.
Also, the more "shaped" a thing should be, the more you'll want to take the second approach. For house design, something intentionally built, you'll want to know why it was built, and what purpose is this and that room, and why is it painted such and such colors. But if you're talking about adding a second moon, like... fuck dude, who needs to know why there's a second moon? Maybe if you have sailors you have to know what it'll do to your oceans, but that's the kind of thing you can kind of just say exists and move on. You'll figure it out; it gets pretty intuitive.
Anyway, happy worldbuilding!
7 notes · View notes
theangrypokemaniac · 4 years
Text
Sinnoh has massive flaws as an era, although it's starting to feel like the good old days compared to the present piss-poor offerings.
The major drawback is the amount of 'recurring characters', ones not good enough to be in it fully, but inflicted upon us nevertheless.
I did care about Ash. I did care about Team Rocket.
I was prepared to care about The Misty Replacement, as in the girl shipped with Ash.
I was prepared to care about The Brock Replacement, that is the older brother figure who does all the cooking, carries the medicine, and knows about Pokémon.
I don't give a toss about extras who outstay their welcome.
Hoenn only had Drew and Harley. What was wrong with that?
There are just too bloody many.
Why does Dawn require so many opponents, as if she's of the greatest importance? Why won't Jessie suffice?
I accept the necessity of Paul as The Rival, and we were at least permitted to resent him initially, before the writers fanboy'd like there was no tomorrow.
I admit I liked two of them. They therefore featured the least.
Typical.
Nando
Tumblr media
The Blondel of Iberia
A softly-spoken, raven-locked troubadour, roaming the many pathways of life, playing his songs for those weary travellers he encounters on the road.
He's wearing a cloak! The finest use of material to ever be invented!
All this ethereal grace considering the dub lumbered him with the most appallingly unsuitable name possible.
It could've been Raphael, or Dante, or Leonardo.
Oh no, let's name him after a restaurant chain. That adds gravitas.
His lyre pays tribute to Mew, because Nando knows she's The Rarest Of All Pokémon, thus refuses to be impressed by any deformed horse like Arceus throwing its weight around.
Damn straight.
Ursula
Tumblr media
A pretty girl with lovely clothes and the spark of a proper personality.
You're not wanted round these parts, love.
I have no particular animosity towards Dawn, but it irritates me how the world revolves around her whims, where if she's lost in the woods, it's a major disaster, and if an attack heads in her direction, she must be protected in case she shatters.
It makes a refreshing change to find someone firmly inoculated against the lures of the temptress.
Also, alongside Ursula from Dinosaur King (the real Jessie), I'm glad of any attempt to reclaim that name, considering most of my generation, upon hearing it, think only about evil old octopus women.
As for the rest?
It's that bad I prefer the Unova bunch to these.
Reggie
Tumblr media
Reggie is even more of a knob than Paul. As above, being Ash's enemy meant that, if only by narrative, he was intended to be somewhat disliked.
Not Reginald. No, he's the kind one.
Oh really?
When Ash and Paul have their showdown, Reg starts wittering that it's just as well Chimchar took up with Ash, since he wasn't suited to Paul's 'battle style'.
Battle style.
Is the what he calls mental and physical cruelty?
In Reg's amoral cesspit of a mind, there is no right and wrong, so do whatever you feel.
Reggie is quite aware of how his brother tortures Pokémon, and not only is he unconcerned, he excuses it with euphemism, hoping the audience will obligingly forget too.
What's more, he implies it's Chimchar's fault for not pulling his weight, and Paul abandoning him was the compassionate thing to do.
Cynthia
Tumblr media
Suffering severe Bridge Nose Syndrome.
She may be Champion, but I don't remember Lance turning up all the time where he wasn't wanted.
She doesn't even use her influence properly. Rather than give it straight to Paul, order him to shape up and stop spanking the monkey, she fannies about with her cod mysticism, emptily preaching about how Ash and Paul are spiritually linked, with magical, beeyewteefull events taking form just because they met.
That's right, don't bother about Paul clearly being a psychopath, for 'tis ART!
It's the same as trying to convince me that Ash, Dawn and Brock were the Divine Trio because they all saw Something Nasty In The Lake District, as if they have an intrinsic bond foretold in ancient prophecy.
The writers pull this knowing two thirds of the Holy Trinity, plus Paul the Fallen Angel, will be leaving, at which point we'll be expected to stop being overawed at the great majesty they all apparently possess and transfer allegiance to their usurpers.
What's the point?
Angie
Tumblr media
Yet another smackhead from that lunatic stare.
What shining genius decided giving all the characters contracted pupils was a good idea?
She looks like one of those kids whose parents dealt with nits the traditional way:
Shaving the entire head and painting it purple.
A barnet resembling privet hacked at by a paralytic gardener before he conked out.
I've seen her arc three or four times, and I still remember nothing about her, except for the amazing skill she possesses to make Ash sneeze on command from a distance.
Conway
Tumblr media
One word: nonce.
A clichéd weirdo fitting into Pokémon's Four-Eyed Freaks fixation, where anyone with a slight visual impairment is a weedy, know-it-all bastard or on a register.
Oh yes, and this lad comes with hidden delights, because his glasses gleam like a giant cockroach, just in case he wasn't creepy enough.
Zoey
Tumblr media
The human black hole. Has the incredible ability to suck all the joy out of a room just by appearing. A personage of absolute lead.
Too nice and over familiar, lacking a single detectable personality trait.
Bland, empty, and with the charisma of vomit-sodden cardboard.
Sinnoh is a prolonged saga as it is, padded with nonentities like her and Kenny.
Alright, episodes must be devoted to Dawn's Contest career, however tiresome it is, but why exactly do we need any about Zoey and Kenny? Why should we care?
Every time I sat through a competition Dawn lost, I resented that she was no further along on her quest, equating to another episode eaten away by this shallow, blackened hymn to superficiality.
Compare this indulgent treatment to the sneering disrespect shown to Jessie, an actual main character, who not only had to win her Ribbons practically off screen, but the writers delighted in hammering home how worthless she was in only scraping into the Grand Festival because Princess Salvia took pity on the deluded wretch.
They favour their own inventions over the original cast, then dump 'em as soon as the next generation arrives, so how could they ever matter if even the creators eagerly cast them aside?
After all the effort on my part to put up with the entire witless farce, Zoey beats Dawn in the finals!
Why?!
I understood the unspoken law of Ash not being allowed to win a League until the very last series, for fear whatever came after would be anticlimactic, but why should this deadening failure apply to May and Dawn?
By the culmination of the Contest rigmarole, it's obvious they'll be making their exit for the next region's Girl, so why couldn't either bid farewell to the fans with a victory?
Why must they be incompetent too?
Even if achieving their dream dampened any hunger to carry on, they're departing anyway, so what difference does it make?
At least Ash will continue, but for May and Dawn, it's the end.
How could any fan be satisfied with a smarmy vacuum of a creature like Zoey succeeding instead?
Barry
Tumblr media
Eyes of molten evil.
The second-worst character ever created (Iris is top of the ranks), Barry is a smug, arrogant, screeching dweeb jabbering his oh-so endearing catchphrase about fining anyone who slightly irks him, so sure is he that his feelings should come above everyone else's
He truly believes he has a God-given entitlement to demand lesser lifeforms should arrange themselves to suit his pleasure, that they are morally compelled to shield him from  meagre inconvenience.
Twat.
Knocking the little geck out of the League was the most noble thing Paul ever did. It practically redeems him.
This is what I cannot comprehend:
Ursula is openly conceited, rude to Dawn, and brags about her own excellence even after losing.
We're asked to dislike her.
Barry slags Ash off constantly, is convinced of his own divinity, and jeers at Team Rocket.
We're supposed to see him as a 'good guy' and welcome his arrival.
Why? Are Ash and Team Rocket fair game, but offending Saint Dawn's intolerable?
Again, it astounds me how temporary, region-specific stars seem to count for more than those who've been here since the beginning.
Whilst they're here, that is. Once gone, you wouldn't know they'd existed.
Kenny
Tumblr media
He wears a matador outfit to compete.
It's a crying shame Tauros was never given the opportunity to gore him.
As usual, it's Piplup I blame.
Each generation likes to flaunt the starter Pokémon, presumably in the hope of flogging more games, that's why Ash usually catches all three, or they're spread out amongst his friends.
It's about time Team Rocket had one.
Can't do that, they only appear five times per series now.
Piplup is a whiny attention whore who refuses to evolve. In consequence, he can't advertise the next stages in the evolution chain, so we have to keep seeing Barry and Kenny instead, that's why Empoleon and Prinplup are always walking about.
This equates to three characters having the same Pokémon, albeit in different incarnations.
There's variety.
However, Kenny's true purpose is much more grim than that.
Fans will ship Ash with The Girl, a useless endeavour when it's destined to come to nothing when she's kicked out.
In Hoenn and Sinnoh, an effort was made to wean shippers off in preparation for the upcoming split, so alternative suitors were introduced, with the girls effectively pushed on to them.
May got Drew.
I don't mind that. He had some refinements.
Dawn got Kenny.
...
What, you want me to cheer for such a revolting couple?
Have I not suffered enough?
What unpardonable crime did Dawn do to deserve such a horrible fate?
She's not a bad-looking girl. She can do better than an ugly, portly, shrunken, pie-faced cretin! 
You do this to me when Nando exists?
Sod the age gap, that never concerned anyone here.
This being the Kenny who spends four years belittling Dawn by constantly reminding her of a humiliating childhood experience, even giving her a nickname too!
Dawn is visibly distressed when he does this, but he's a fine candidate for romance?
She has to settle for a sweaty, lecherous herbert like him, who doesn't even try to atone for his unfortunate mug by being kind?
I suspect the whole Sinnoh adventure was really him wearing down her self-esteem until she believed he was the best available, wanting her to be grateful for his slobbery attentions.
It won't stop there either. He'll trap her for the rest of her life by isolating her from friends, followed by accusations of how undeserving she is of his 'love'.
Such is Dawn's lot: absent father, pushy mother, whinging penguin and abusive boyfriend.
Kenny's already a perv:
Tumblr media
He's not looking at her face.
She knows he's not.
Ash and Pikachu have noticed an interesting feature further down.
Aipom likes it too.
1 note · View note