#RWRBMovie: Designing the sex scenes
“We need to make sure that it is unambiguous to anyone watching this scene what precisely is happening,” he says. “We’re going to be accurate to the body positioning, to the breath, to the moment of insertion.”
Working with intimacy coordinator Robbie Taylor Hunt, López thought through every possible detail about how two men have sex — and what about that process needed to make it into the scene: “We talked about, ‘Does the prince douche before they go in? Do we need to tell the audience that? Does the audience just assume that that’s going on?’”
A great deal of time was spent on whether Prince Henry would be on PrEP, a medication taken to prevent HIV infection during sex. “Robbie and I decided together that the prince is probably not on PrEP, because it would be too dangerous for him to ask for prescription,” López says. “So the prince absolutely uses condoms. And because we couldn’t really effectively answer the PrEP question narratively, we wanted to also just tell the story that the prince engages in safe sex practices and takes his sexual health seriously.”
Eagle-eyed viewers have indeed caught sight of condom wrappers near Henry and Alex’s bed during a couple of points in the film — alongside a bottle of lube.
“Once we had passed a certain part in the story, I was like, OK, let’s empty out some of the lube,’” López says. “Robbie and I were looking at it, like, ‘How much would they use? Like, well, let’s take it down about this much. OK, that makes sense to me.’”
It was also vitally important to López to block out every beat of the sex scene in Paris. “Days before we shot that scene, Robbie and I actually got into the bed together,” the director says through laughter. “There are videos that could, like, ruin both our careers. Because we were like, ‘Alright, we’re having sex. What are we going to do? Okay, this pillow goes here. The condom’s going to land here. I’m going to do this.’ We probably overdid it in terms of the preparation for the scene. But we also wanted to make sure that we got on to set and we had an answer for every conceivable question.”
The opportunity to show two men having sex in what amounts to a major studio romantic comedy was not lost on López. “I’d be a liar if I told you there wasn’t strategy to the scene, that I didn’t want to cause a conversation about why they’ve never seen this scene in a studio film,” he says. But he was also keenly aware of what he was asking of his actors.
“Look, I don’t know if I could do it,” he says. “I’m fully aware that I’m asking two actors to do something that I’m probably not willing to do. I better make sure that I’m not wasting their time, that I’m not making them feel exploited, and that they are included in every single decision, every step of the way. It’s the only responsible way to do it. We knew that if Taylor and Nick didn’t feel safe, we would never have gotten that scene out of them.”
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persona misogyny is so fucking wild. ignoring literally everything else about the entire rest of the games, every single s.link with a female character is like “entirely for having been born a woman i have had to work twice as hard for a fraction of the benefit. even now, i am stripped of my agency in a position i never wanted in the first place” and/or “i’m put on a pedestal by the people in my life because of my looks. men see me as an object to be conquered, women hate me for ‘stealing’ ‘their’ men. if i’m withdrawn i’m a bitch, if i’m friendly i’m easy. because of this, i’m alone” and/or “because of my personality or hobby or lack of cooking skills, i feel like i’m failing at femininity. if being a woman is something i can fail at, then where does that leave me? i’m scared at the loss of my identity and place in society”
like very consistently they present female characters with complex thoughts towards their place in society as women, femininity as a whole, and facing issues stemming from misogyny, and then the payoff is always “my problems were entirely my own fault. i wasn’t strong enough, i was a coward. but now, i’m gonna work hard to be exactly what society expects me to be (which is what i want to be)! i’m gonna do better at femininity (which is still something tangible i can fail at)! i’m going to try hard at making friends (which was my fault for not doing)! all my problems are solved through personal responsibility (that im totally culpable for), effort (which i previously was not putting in), or you, a man! i am Happy and Satisfied with this outcome, can i be Your woman?”
and like hello? why are we here. what the fuck are we doing. why do we keep doing this every single time. can we not do the constant lukewarm attempts at criticizing misogyny so you can jerk off to your own thoughtfulness, while ultimately reinforcing patriarchal systems and brushing off any deeper misogyny-bred issues as a lack of deference to one’s rightful place in society? like maybe don’t do that? for fucking once? just an idea
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thinkin about how hangman is seen by the dagger cohort as unpredictable/unreliable/a wildcard in the air but he is always perfectly in control of himself. throwing darts blind, changing the song on the jukebox to flirt with rattle rooster, swallowing his disappointment when mav doesn’t pick him to run the mission.
thinkin about how rooster is seen as mr reliable/always has your back in the air but time and time again we see that he’s nowhere near in control of himself. the corkscrew cobra bs with mav, attempting to kick hangman’s ass in front of the whole assignment, refusing to fly the sim any way other than his way to prove a spiteful point.
they’re both told they need what the other has but the truth is they’re mirrors, reflecting the faults and flaws they try to ignore back to one another over and over again. it’s not that hangman’s got to rein in his impulsivity - he has to cede a bit of control and trust the team. it’s not that rooster needs to ‘don’t think just do’ - he’s got to stop letting his emotions dictate his flying, make a plan, and execute it without any shadow of a doubt that he can get it done.
i just *curls fist softly* fuckin love character foils.
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I was talking about this to a friend a few weeks ago, but I love how Kamille basically starts and ends Zeta Gundam with the same motive - righting a wrong - but the way he internalizes it shows how much he's grown (spoilers below).
Like, when he goes awol and steals the MK II, he's solely in it to pay back the MP who physically assaulted him (which also I could go into a whole other conversation about... dude why did you turn back around when a gundam crashed into the military facility???? anyway). He wants to get revenge for being looked down on, from being toyed around with by the officers on the sidelines. It's a very self-centered and almost egotistical drive.
By the time he's fighting Scirocco however, the rationale is different. Yes, he's still calling out Scirocco for doing much of the same as the MP - watching from the sidelines, messing with people - but Kamille's a changed man. He's now a formal pilot, but he's also learned to love and to lose people, and he's learned that he has the potential to be something more for them. And so he couches this intent in the framework of "sacrificing his life" for it - for a bigger cause, for the people who he cares about.
Until it swallows him whole.
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wait are people mocking lewis being called the face of f1 just because their great white hope got a time magazine cover? are we going to act like time magazine and f1 sponsor salesforce are not owned by the same person (who is also funding israel rn btw) but anyway don't piss me off right now. you got your cover right? shove it up your ass and keep lewis' name out your damn mouths
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