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#thesis show
grntaire · 9 months
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“their miracle was so big bc crowley used to be an archangel” have u considered that aziraphale and crowley love each other so much that their love alone could move the tides just by staring at the ocean for too long. have u considered that they did the miracle not really to protect gabriel but to protect what they had, what they’d built with each other. and that was them barely even trying
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thefiresofpompeii · 1 month
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on tumblr you can say words such as ‘doctor who is like mythology to me. it’s like an ongoing cosmogonic folktale’ and you will recieve 5 notes from people that are willing to indulge your insanity. in real life you say things like how are the kids and was your holiday fun and the weather’s lovely this morning. and i think that’s beautiful. autism.com/careers
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That fucking hospital scene…that is a sequence that I’m glad it didn’t feel like playing the game. Instead, I felt like I wasn’t breathing the entire time. That was one of the most effective sequences of television I’ve ever seen, from the acting to the emphasis on the brutality.
The way Joel seemed to be walking through a dream…that’s the part that hit the hardest. We as the audience were hyperaware of his actions, while he was barely there at all—Sarah and his grief and Ellie were the only things on his mind.
Neil Druckmann really wrote a story that turned a mirror on humanity, and my god am I thankful for both the game and this adaptation.
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venfaaniik · 6 days
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thank @turtlemurmurs for sponsoring this coffee
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wingsofhcpe · 11 months
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actually there's a huge difference between queerbaiting/"Hey guys look how gay these two are haha they're definitely gonna end up together, give us views uwu oh- never mind oops they're going to superhell" and "Hey it's 2004-2012 and there's no way we can get away with having our protags/main couple be two gay men but we really want to show these two are soulmates so we'll do it through subtext and underlying messages and by literally telling you over and over again their relationship is the most stable and important in the entire show, and the ending will imply they lived and died together", and it's insane that some of yall don't see how these two are not the same fucking thing.
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queerly-autistic · 5 months
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I'm thinking again about Lucius going 'maybe the time spent with you is the best it's ever going to get for him' and Stede responding with 'I'm not ready to believe that', because, fuck, isn't that literally the whole heart and centre and soul of this whole show? When you're at your lowest point, and everyone else has (understandably, tbh) given up on you, the power of having that one person who says 'I'm still here, and I refuse to believe that it can't get better for you'? Someone who sees you at your worst and absolutely believes there's more to you than that? That one person who loves you when you're at your most unlovable and believes in you and your future even when you can't see it? The absolute conviction that you can come back, you can recover, you can make amends, you can be happy? Like. This show. Fuck.
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homoangel · 11 months
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jack kline thesis (he did nothing wrong btw)
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yoursonlucifer · 5 months
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catching up on burrow's end and this shit is crazy
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skywerse · 7 months
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ghostdrinkssoup · 2 years
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nbc hannibal is packed with ambiguous symbolism and confusing dialogue and at least three layers of subtext but if you ever get lost just remember that hannibal is a malewife pretending to be a girlboss and will is a girlboss pretending to be a malewife and exposing that in each other is what the show is about at its core
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pinazee · 9 months
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I only have praise for how they’re writing Jim Kirk in SNW. Though perhaps I’m biased because i love this character.
Admittedly, at first, I didn’t like the guy. I thought Wesley was a terrible casting choice. he didn’t have the passion that Shatner and Pine gave him, and frankly just didn’t have the look for me.
But Wesleys Kirk is pulling out that soft, kind hearted nerd that we all know Kirk is.
In La’Ans AR, he listens to Sera despite her being “unhinged,” he smoothly steps forward to put himself between Sera and La’An and sacrifices himself to save the timeline- to save Sam.
Then the real Kirk, despite getting decked, thinks first of Uhura and doesnt want her to have to explain the hallucinations. He doesn’t write Uhura off either like Chapel and Spock did , he believes her. And then inserts himself into the problem because, as La’An said, hes “the type of person who cant walk past a stranger in need”. and then sticks around to make sure she is okay.
So yeah, maybe Wesley isn’t who would come to my mind initially for Kirk, but i love his interpretation of him. His Kirk cares deeply for others and thats the Kirk i know and love. Im looking forward to how they develop his relationship with Spock.
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scificrows · 8 months
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Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.
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Some Thoughts™ I had while putting this together (under the cut):
In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.
It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]
The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]
Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]
In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]
In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]
Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.
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lilatara · 2 months
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just thinking about how despite AtS trying to portray it as comedic bickering amongst bros, Spike actually has decades worth of reasons to hate Angel, while Angel has remarkably few reasons to hate Spike. And it should maybe be concerning that from School Hard on, Angel adopts an absolute "don't see what this has to do with me" reaction to him?
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hawberries · 1 year
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update: i got him!!!!!!!
[image is a digital drawing of Gorou holding his fish box and gesturing authoritatively as if giving orders, his expression serious. He is wearing a black t-shirt that reads “WORKING: service dog; do not pet; I’m at work!”]
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ghostlyarchaeologist · 10 months
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Eliot receiving his Hanzo sword.
Leverage S03E14 The Ho Ho Ho Job.
Bonus:
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atwistinthetail · 9 months
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I think we’re all on the same page about the full moon not just making mermaids act differently, but making them act on some kind of “true” or subconscious desire. but I wanted to look more closely at the full moon effect on all our girlies and what it means.
cleo’s larger journey is to self-assurance from where she starts as mostly an ingenue. under the full moon she is confident and has a clear ability that makes her stand out. cleo has spent most of her life as best friends of an absolute beast star athlete, and of a science whiz. in 1x20 she speaks about helping lewis like it’s the first favor she’s ever been able to offer him. her siren power is a special talent unique to her which sets her apart from her friends. she finally commands and basks in all this positive attention, instead of being embarrassed in the limelight like she was at the start of the ep.
moonstruck emma most obviously abandons all responsibility, unburdening herself for maybe the first time in her life. she is flirtatious with byron and with rikki (even drunk I’ve never called a platonic friend baby I’m just saying). she also has a big appetite, which I only recently was thinking about. emma is a lifelong athlete with an extremely strict diet. even at a slumber party she has prepared “sensible” snacks. under the moon’s influence she gives herself freedom to literally eat whatever she wants. and of course she very adamantly wants to stay a mermaid, flying in the face of her usual cautiousness, and is just enjoying that sweet mermaid life.
and rikki has much more awareness during the full moon, not just because she is controlling the effects better but because she is not usually suppressing her impulses. she generally speaks her mind and acts on what she wants anyway, so there isn’t as much for the moon to “reveal.” instead it prompts her to self-isolate, succumbing to her existing fear of not belonging or of being some kind of liability. she acts on her attraction to zane after admitting in 1x6 that she’s insecure about being liked. and she verbalizes her fears and insecurities to somebody besides her friend’s kid brother for the first time.
the full moon eps are such a fun silly way to be like, “let’s make everyone do something crazy and then immediately retcon it” but idk, even though none of these are hot takes I just like how it reveals a lot about our besties
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