#there’s no way Aziraphale didn’t think about that happening to him

[onceuponapuffin]

Fanatic Intervention Part 9!!

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*****************

You pound your way to the nearest bar, where everyone had agreed to meet. The three of them are standing around, talking over glasses of wine. Your hands are in fists, your nails digging into your palms as you approach. They acknowledge you as you enter their field of vision, but you say nothing. Instead, you beeline for Aziraphale, put your arms around him, and hang on for dear life. Sometimes you just need to hug an angel.

There’s a pause where Anathema says something about your aura, and then Aziraphale hugs you back.

Dear Reader, I’m not sure if it ever happened in your life, but for this Puffin there came a time when it was made very clear that wanting to be held or wanting to lean on another person in public was unacceptable (and, in fact, embarrassing) once you reached a certain age. And yet, we as humans are social creatures. The need to be held is a very normal response, especially after something particularly upsetting happens (like having the sanctity of washroom privacy violated, for example). Perhaps you’re not the kind of person who, out of nowhere, feels the desire to be held, but perhaps you know someone who is. And so, I would like to impress upon you the incredible difference it makes, the immeasurable relief it brings, to know that you have someone with you who will hold you back without question or comment. Just hold you, and wait.

Aziraphale makes it clear he intends to do just that.

“Take your time, dear,” he says gently. And so you do.

After a moment, the clink of a glass next to you makes you look up. Someone has given you a glass of the same wine everyone else has. You pull away and take a sip, feeling much calmer and very grateful.

“Thanks,” You say.

“Anytime,” Aziraphale replies.

“What happened?” Anathema asks.

Thus, you recount how Metatron trapped you in the washroom until he had said his peace. By the time you finish, there are three very angry faces around you. You feel validated enough to take another, much larger, sip of the wine. Aziraphale is the first to speak.

“Well for starters, I invite you to stay in my bookshop however long you like. Pet indeed! You are a help, yes, but you are a guest, and certainly not disposable, whatever he says.”

“And,” Crowley adds, “From what you said, Aziraphale and I can get you home whenever you want anyway. Probably, I mean. No dUbIOus motives involved, at least.”

Anathema seems to be thinking. After another few seconds, she asks:

“Why did you take the coffee?”

You all look at her, surprised.

“Well I mean,” she continues, “If the Metatron wants to know, he probably has a reason. If you tell us, maybe we can figure it out for ourselves and find a way around it.”

“Or they could just not tell him,” Crowley suggests with snark. “Then it doesn’t matter.”

“I mean, it might,” Anathema counters, “We don’t know that it doesn’t.”

“I took it because of the Coffee Theory,” You say with a shrug. It’s not like it’s a big deal. “But I mean, I don’t know why that would matter to him.”

“Well,” Anathema says, “That might depend on what the Coffee Theory is.”

“Well, it’s the idea that the Metatron did something to that coffee he was going to give Aziraphale. To, like, make Aziraphale trust him, or listen to him or whatever, so that he would go back to Heaven.” You pause. “There’s also an interpretation of it where it was a metaphor like ‘take my offer or face death.’ But most people think about the first one, and that’s the one that was in my brain when I did it. There aren’t a lot of people who actually believe it. I mean, not anymore, anyway.”

“So you think the Metatron drugged Aziraphale’s coffee?” Anathema raises an eyebrow. “And you drank it, yes? So...did he?”

“No,” You reply, “It was exactly what it was supposed to be. An oat milk latte with almond syrup. And I didn’t think he actually messed with it. I just wasn’t willing to take the chance, that’s all.”

Crowley’s face scrunches. “And you think he might need to know that for some reason?” He looks pointedly at Anathema.

“He might,” She gives a thoughtful hum. “I’ll think about it. I might ask the Cards later.”

-----------

The wait for boarding didn’t feel so long after that. As you board, you notice how spacious First Class is. Aziraphale and Crowley sit in the seats ahead of you and Anathema, with Aziraphale in the window seat. You notice Crowley casually trying to stick his legs out into the aisle and wonder vaguely whether it’s because he needs the space, or to try and trip the flight attendants. Both? Probably both. Okay, definitely both, you note, as a stewardess almost falls face-first into the aisle. Aziraphale gently swats at Crowley in reprimand, but you can tell it’s half-hearted and wholly-fond.

Your only trouble comes when you need to use the washroom, but Anathema, ever clever and aura-observant, suggests to go with you so that you can knock if anything goes wrong. Thankfully, nothing does, and you both return to your seats.

“You know,” Anathema says, leaning forward, “I just overheard the strangest thing. It seems that all of the normal airline food on this plane has gone missing. All that they have to serve is the first-class food.”

“Wait,” You say, holding back a laugh, “So everyone on this flight gets to eat the fancy, chef-prepared, gourmet meals?”

Crowley doesn’t hold back his laugh. “Oh, the big bosses won’t like that!”

“You two wouldn’t have had anything to do with that, would you?” Anathema asks suspiciously. You notice she’s smiling while she says it.

“Psh!” Crowley waves away the thought. “Why would I? Doesn’t matter to me either way.”

“Honestly, Miss Device,” Aziraphale adds, “I have no idea why you immediately accuse us of something that seems so clearly to be a mere...clerical error.”

Ah-ha! Culprit found. Clerical error your arse.

“You know,” You sigh, “It really is no wonder why Crowley loves you so much.”

“Ngk,” says Crowley. Aziraphale responds with a pleased-sounding hum. You relax, and notice between the seats that Aziraphale places his hand on top of Crowley’s and leaves it there.

They like holding hands – your insides scream.

--------

When you disembark from the plane, you hear all the other passengers around you complimenting the flight attendants on the excellent food and promising to leave excellent reviews online. You keep your laughter as quiet as you can. Aziraphale’s little prank is going to cause the airline issues for YEARS. Crowley must be so proud.

The speed and ease with which you clear customs and baggage claim is probably because you’re traveling with two supernatural entities. In no time at all, you’re outside of the airport flagging down a cab. Crowley opens the door with enthusiasm and outright glee.

“After you, Angel,” he says, “You think 90 miles an hour in London is bad, I can’t wait for you to see this!”

Dear Reader, I don’t know if you have ever been to New York City, but I assure you that Crowley’s driving has nothing on the NYC cabbies. Aziraphale spends the entire drive trying to hold on to something and taking deep breaths as the cab violently jerks to a stop millimeters from the car in front. You suggest he close his eyes. He does. It doesn’t seem to help.

-------

The taxi lets you out in front of The Ritz. Because of course you’re staying at The Ritz. Aziraphale goes to check in while Crowley tells Anathema he needs the washroom, and mutters to you that he wants to empty all the soap dispensers. You try so hard to hold in your laughter that it comes out your nose anyway. The demon flashes you a cheeky grin before disappearing around the corner. Anathema looks at you.

“Probably been a while since he had a fresh audience,” You say to her. She chuckles.

“And you’re so obliging too. No doubt he’s having a great time with all this.”

“Hey, Anathema,” You begin uncertainly, “How...I mean...I’m just worried about...things. How are we going to find Jesus anyway? I just...I don’t really have anymore information to give. I don’t even know if he’s going to be a baby or an adult this time.”

“Hm...” Anathema thinks for a minute, “Well, I’m going to try and get some readings, see if I can get some kind of direction for us to go in. It’s a big country, but what I’m hoping is that it will sort of work like dowsing.”

“Dowsing? Like looking for water with sticks?”

“Sort of. In a nutshell, you pay attention to the vibrations in the Earth, and the closer you get, the stronger the vibrations become. It makes sense to think that Jesus would make pretty noticeable vibrations. That’s my working hypothesis anyway.”

You nod. That will do for now. Aziraphale and Crowley both return, with the demon wiping his hands on his trousers, and the four of you take the elevator to your room.

The Royal Suite.

“Are...you….serious??” Anathema asks. Honestly, you’re too stunned looking around the enormous suite with four bedrooms to say anything. It’s bigger than most houses. You take out your phone and start taking pictures.

“Well, if we’re going to stay at The Ritz,” Aziraphale says cheerfully, pronouncing the capital letters, “Best to do it Properly.”

“But this is ridiculous!”

Aziraphale isn’t paying attention anymore. He’s gone to tell Crowley not to draw mustaches on the expensive artwork.

“Unlimited resources,” You say to her, “Make for expensive taste.”

“No, kidding,” she sighs, “I’m glad you’re here. I’m gonna need some help with these two.”

Ha, You think to yourself, I knew it.

❤️ ❤️ ❤️ ❤️ 🖤

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^ If you want to see JUST how ridiculous the royal suite is.

#good omens #crowley #aziraphale #ineffable husbands #aziracrow #good omens 2 #good omens fanart #someone said this counts as art #so i'm using the fanart tag #so nyeah #good omens fandom #aziracrow lasts forever #aziraphale x crowley #crowley likes showing off #especially if he knows there's someone there to appreciate his skillz #that's skillz #with a z #fanatic intervention #part 9 #poll fic #let's write #we're all in this together #fix it #go2 #i rode in a cab in nyc once it was terrifying #anathema #crowley and aziraphale #good omens 3 #writeblr #writers on tumblr

[guardian-of-soho]

For how tender and domestic (and “quiet and romantic”) the new season is, there’s such an endless sense of hovering danger around the little haven of the bookshop in the present day (not to mention the flashbacks). It’s implied they’ve been left alone a few years; but it’s clear the peace is ending.

From the moment “Jim” arrives we’re never left a minute without the shadow of Heaven or Hell darkening the doorstep of the bookshop and their safety, until the night the last-ditch dance to hold Heaven off turns into Hell coming over the threshold. They’re not left to peace. They’re not allowed to find their human happiness — not via the dance nor even by their one big kiss — not so long as Heaven and Hell want them gone. Not so long as their love stands as the threat to Eternity that it is.

That’s the only way I can make any sense of Aziraphale’s return to Heaven. They never left him alone, and for all he seemed sure of himself in helping Jim hide from them, and wooing Crowley amidst their invasions, and even refusing the Metatron at first — he must have felt the end approaching. He must have known that whatever was done to Jim could be done to him too.

He could lose himself. He could lose his capacity to protect Crowley, or Soho and the humans he loved. He could lose all memory of what had been so precious to him, worth defying Heaven for, and why he was on Earth, and who he could trust, and why.

Others have pointed out how determinedly he ignores Crowley’s fear amid the dancing. I think — I hope — that it’s not that he doesn’t want to hear him. It’s that he is pushing back his own fear to reach for happiness; it’s that he needs so badly to let him know he loves him, before it’s too late. He needs to have a moment’s romance. He knows “too late” is coming.

And then it’s there.

And still when Heaven offers him a way to dodge the doom they bring, he refuses point blank until they promise he can buy Crowley’s safety by his surrender. (And it is a surrender, for all he says he believes he’ll be in charge. Within moments of losing Crowley he’s giving the Metatron the same fake smiles and feigned agreement he’s always offered Heaven. He’s leashed again.) He wants their safety, he wants it unassailable, and I hope that’s the first reason he went back. (I don’t imagine the promise of their approval meant nothing to him. I think he wants their power and their praise. But I don’t believe it was what he wanted first.)

He’s just watched their haven (our shop!) invaded by Hell, and then by Heaven, and then watched two traitors in love, the heads of their sides, driven to the far reaches of the universe under threat of being followed — that’s not the end he wants for him and Crowley. He doesn’t imagine Heaven can be as sweet for them as Earth; but he believes their days on Earth are numbered. I think having watched their refuge breached so easily has had the same effect on him that watching it burn had on Crowley — nothing feels safe anymore; nothing feels permanent.

But Crowley’s reaction was “I want to spend whatever time we have left together as far away as we can get,” Aziraphale’s is “I want to invade the heart of the threat and turn it into home.” They’re so terribly brave; and they’re so in need of some humans showing them how to face down a threat together instead of running or joining it. I want to watch a replay of the airfield last stand, and the bookshop battle, but with power enough on their side to win Earth’s permanent peace.

I want Crowley and Aziraphale both to decide that even without Adam’s power or any particular prophecy or a tangible plan, they’ll take their chances on the humans’ side for good and all, and count it worth the dangers. And I want to see them win. Earth’s side has been theirs; they deserve to be sheltered and saved by it, too.

#good omens #good omens 2 #ineffable husbands #a/c #the new season is honestly so scary for how sweet it is #Jim’s situation is presented as funny but it’s also a horror story #he was so close to losing everything and never even knowing it had happened #there’s no way Aziraphale didn’t think about that happening to him

[imagopersonal]

Aziraphale was about to confess too before Metatron and his coffee came into the bookshop;

Okay, hear me out. In 2x02, when they’re talking about “how people fall in love”, Crowley talks about sudden rainstorms,

which is an obvious reference to how he fell in love, about 6000 years earlier (poor demon thinks everyone falls in love the way he did)

Aziraphale doesn’t get it and answers “seems a bit unlikely”. He didn’t connect the dots, he doesn’t think Crowley loves him that way. All he knows about falling in love is what he read in books. Of course he fell in love with Crowley too, but I’m pretty sure he did in ‘41 when Crowley saved his books from a bomb, and that’s a bit hard to recreate, so… balls.

That’s his idea, you make two people dance together and they magically fall in love, which is so in-character I want to scream. Now let’s get to 2x05. We know Aziraphale always tried to avoid organizing those meetings, but he’s suddenly so excited about it he is WILLING TO GIVE AWAY HIS BOOKS. Why would he do something like that? There’s no way it’s actually to make Maggie and Nina fall in love. At that point, Muriel doesn’t even care anymore about it, they all know the truth about the miracle is about to be revealed, so there’s no point in being so persistent about Maggie and Nina’s relationship. He’s an angel; of course he cares about humans being happy, but I don’t think he cares so much about two semi-strangers’ love life that he’s willing to give away BOOKS for the off chance that the Jane Austen method will actually work on two humans he knows nothing about. So, my conclusion is, he’s organizing that night for him and Crowley. They are the ones that he hopes realize they’re deeply in love with each other, and that is something worth giving away books for. Which explains why he’s so excited but also a bit scared when he asks Crowley to dance with him.

It explains why he ignores the fact that Crowley is trying to tell him that something important and dangerous is about to happen, just so they can have a little dance. It also explains this reaction when he sees Gabriel and Beelzebub being in love with each other

and the way he looks at Crowley while they’re talking about them.

I mean, I know he always stares lovingly at him, but not like that, right? That’s a face that screams “I’m so going to tell you I love you when all this is over”.

So, my point is:

Fuck Metatron.

That’s my point.

Imago

#good omens #good omens 2 #good omens spoilers #ineffable husbands #aziraphale #crowley #media analysis

[inhonoredglory]

Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality

Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.

I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.

Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,

We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.

I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.

Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)

That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.

Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.

But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.

And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.

I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)

But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.

Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).

Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.

(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)

At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.

“We could make a difference.” We could save everyone.

Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.

Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.

But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.

Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)

Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.

Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”

____

In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.

Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.

Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.

And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.

And he’s still going to do that. But it hurts him that he has to do that alone.

#good omens #good omens 2 #ineffable husbands #it's kinda like capt america: civil war #with Azi as Tony Stark: traumatized and trying to do the right thing #and Crowley being Steve Rogers: fuck the establishment let's go rogue #gos2spoilers #good omens meta #good omens 2 meta #go s2 #michael sheen #go s2 meta #go meta #*mine #*mymeta #ineffables husbands #ineffable soulmates #*mybest

[amuseoffyre]

I’m emotionally ruined by the fact that Aziraphale hasn’t broken out of his heavenly conditioning. He still loves doing good. He gets happy when people tell him he’s an angel and says “it’s nice to tell people about the good things you’ve done now that I’m not reporting to Heaven”. He will literally put himself in harm’s way to make sure he does the Good and Right thing.

It can’t be understated how much Heaven’s influence still impacts on him. Aziraphale has been created, ordained and conditioned to believe it and he can’t just switch it off or walk away. Crowley didn’t get the choice. He was Fallen. He was kicked out and - as per the rules of toxic and terrifying cults - Aziraphale was always told for centuries and millennia, Falling was the worst thing that could happen. If you’re bad, you’ll be forced out. If you’re bad, you’re not one of Us. You’re one of Them.

When he did something he perceived as Right (ie. saving innocent children from death), but knew it wasn’t what Heaven intended, he broke down. Crowley found him a crying, shaking wreck afterwards because he was so convinced he was Evil. He was so convinced he was going to be dragged to Hell and that he was now a demon because he did one thing that saved some children but because it wasn’t a specific directive, it was Bad.

It shapes so much about him and it’s why the whole series looks like he’s having so much fun doing silly human things, but there’s this brittleness to it. He’s happy and excited and he’s doing his human-life things and having a lovely time, but he’s also constantly stressed because of the Need To Do Good. From the moment Gabriel turns up, he’s a nervous wreck and is trying to hide it by Doing Good, by Solving the Problem, by Fixing Things, by being so active and reactive rather than letting himself think about it. It’s a sign of exactly how frantic he is that he starts giving away his books and letting humans touch them.

Watch his face when the Archangels show up unexpectedly: that isn’t joy. That’s blind terror. He’s so afraid of doing the wrong thing in Heaven’s eyes, even though he made the active choice to do so because it was the Right thing to do. He’s a Guardian and he will protect, but he is so very afraid of the repercussions, even now. 

At the end of S1, Crowley said “they’re gearing up for the big one” so Aziraphale’s not oblivious. He knows a big one is coming. He knows something worse than the Antichrist will be on its way. And he’s trying so hard to pretend that everything is normal and fine and if he ignores all the looming bad stuff, it won’t happen. If we don’t say anything about it, nothing has to change.

But then the changes come knocking at his door holding a box and the choice is gone. He can keep trying to blinker himself to it, but then there are angels and demons in the bookshop and he’s had to use his halo and everything is falling apart.

So when he realises that he can get himself into a position where he can guarantee those repercussions won’t happen to Crowley? He will absolutely take it. He says himself “I don’t want to go back to Heaven”, but the instant the Metatron offers him a free pass for Crowley, to take Crowley out of both Heaven and Hell’s sightlines, to keep him safe (Another bee inside the hive, if you will), no wonder he grabs it with both hands.

The tragedy is that Crowley thinks that when they saved the world together, that was the end of Heaven’s influence in Aziraphale. When he was cast out the split between him and Heaven was sharp and clean. He doesn’t - he can’t - understand how deeply it has tangled around Aziraphale. It’s built into Aziraphale’s entire being and unravelling it isn’t that simple. Aziraphale’s trauma is a horrible, terrible Gordian knot and Crowley can’t understand that he couldn’t simply cut through it, because that’s just not how Aziraphale works.

#good omens s2 #good omens season 2 #good omens #good omens spoilers #gos2 #go s2

[alargehunkofdebris]

Aziraphale’s reaction to the kiss: A Breakdown (that’s it that’s the reaction.)

A lot of people say that this anguish Aziraphale feels after the kiss is due to this feeling of “Why now? Why didn’t you do this before, when I wanted you to?” And I think that can be part of it, for sure. But man, that’s just one part of this gigantic, writhing ball of emotions in Aziraphale in that moment, all of them fighting each other, all of them painful. I’m going to breakdown the breakdown, because writing essays analyzing the minds of fictional characters is apparently all I want to do these days. Also, judging by this absolute nutball of a season that confirmed literally multiple “bit of a stretch” deep dives, I feel I can ignore that little voice whispering “this is silly” into my ear. I can dive as deep as I want, because there goes Neil Gaiman with an aqualung, swimming deeper.  

So. The kiss, and why Aziraphale looks so gosh darned sad about it. 

First of all, there’s shock. Major shock. Because despite everything, he still likely never thought this would ever actually happen. (Him and me both.) Or maybe – a small maybe, but a maybe that I might put a dollar on, if the odds were good – the idea of kissing Crowley never occurred to his conscious brain before at all. He’s so good at compartmentalizing and denying that it’s very possible he’s managed to nip every intrusive thought before it went far enough to be fully conscious.

Then, there’s fear of being seen. (“Who is watching? Will the Metatron see? He only allowed me to work with Crowley after he regained angelic status – if he sees me and Crowley now –”) Then, a layer deeper, there’s his ever-present fear response to things going too fast, because despite how we all know he feels, he’s still not sure he’s ready for any kind of partnership, let alone one this intimate and close. Because even for humans, this is a really, really big jump – we typically don’t kiss when we haven’t even been on a date (officially) yet, and usually not before both parties admit to their feelings.

Then, even deeper, is that anguished, heartbroken “Why now? My God, why now?” response, because his subconscious has always wanted this, but also knows that this is the worst possible time for it to happen, and now he’s lost that first kiss with Crowley—the one he wanted, anyway. The one that was supposed to be filled with joy, and is instead marked with the worst pain he’s ever felt.

Then there’s the second “Why now” response, and this is where I might be dipping a toe into the Hot Take puddle. Because I think there’s that knee-jerk fear response he’s yet to shake, and which overtakes his rational thinking whenever he’s terrified of Heaven or unsure of himself. It’s the suspicion he’s always held of Crowley. He’s thinking “Why now?” as in, “Is this the temptation that God and Heaven warned me about? Is this Crowley the Serpent, fulfilling his duty? Is this the true proffered apple, a kiss that’s meant to keep me from serving Heaven? Is he tempting me, knowing how I feel, knowing I’m weak?”

That’s the true anguish of this scene, I think. He’s fighting all these feelings, but on top is this old fear, this old anger and suspicion of Crowley, assuming he’s lying. Demons lie, Crowley admitted it himself. Crowley is the original Serpent of Eden, designed to tempt people away from God. And this feeling is what’s on top, because the alternative is…what? That Crowley actually feels this way? That Crowley, a demon, loves him, Aziraphale, enough to be this vulnerable, with no wicked ulterior motive? Aziraphale is a lot of things, but he’s certainly not a being who thinks he’s desirable. He sees himself as opposite to Crowley, and if Crowley is temptation personified, Aziraphale is then the personification of undesirableness. Deep down, this idea of the Serpent of Eden being tempted by him, Aziraphale, is simply ludicrous.

And then there’s self-hatred that he even thinks this thought of his friend, then suspicion, then fear again, then confusion, then anguish, then fear, then pain, and so on. All of this happens in a few seconds, and all of it coalesces into a singular takeaway: “This is the worst.” And because the one who technically caused it is Crowley, Aziraphale does what he does very well: he forgives Crowley, because he’s too prim and angelic to say “Goddamn you,” which is what he truly means. Goddamn you for making me feel this way. Goddamn you for making me doubt you. Goddamn you for forcing this option on me, when I can no longer take it, and when I don’t even know if it’s real. Goddamn you for putting this apple in my hands when we both know I can’t eat it. Goddamn you for reminding me that no matter what, it is not in my stars to live a happy life. 

#good omens 2 #good omens #good omens 2 spoilers #good omens spoilers #good omens meta #good omens 2 meta #go2 #go2 spoilers #gos2 #gos2 spoilers #good omens s2 spoilers

[rusted-soda-can]

What broke me about episode six of good omens:

- Crowley having to look up and tilt his head so his tears didn’t roll down his cheeks

- the amount of times Crowley’s voice cracks or stutters during their conversation/confession

- the obvious affection but also annoyance in his voice when he calls Aziraphale an idiot

- The way that Crowley acknowledges the fact that if he doesn’t get everything off his chest right now he’ll probably chicken out later

- how hopeful Aziraphale seems when he gets the “good news” from the Metatron because all he’s thinking about is keeping Crowley safe

- the fact that they want to be together so badly but it’s ripping them apart

- the fact that neither of their plans is going to be very affective in the long run

- Aziraphale doesn’t fully understand the atrocities of heaven, he doesn’t know how much pain Crowley went through while falling

- when Aziraphale said, “nothing lasts forever,” what he meant was, “material objects don’t last forever, but we do, and I’ll give up as many books as I need to in order to stay by your side,” but what Crowley heard was, “We aren’t going to last forever,”

- the desperate way in which Crowley kisses Aziraphale, almost begging, asking, pleading Aziraphale to understand everything from the kiss

- Aziraphales wanting so bad to kiss Crowley back but everything is just wrong, it’s not happening the way he wanted it to, his hands struggling to decide weither or not to pull Crowley in or push him away

- the way Crowley says, “don’t bother,” when Aziraphale forgives him, he isn’t sorry for his actions, and he certainly isn’t sorry for being in love with an angel

- the soft way in which Aziraphale touches his lips with his hand, almost preserving the kiss

- and how Aziraphale hesitates after the Metatron asks if he’s ready, he really doesn’t want to go without Crowley, but he doesn’t want to stay without Crowley either, so he ends up leaving, forcing a smile on the way out

#anthony j crowley #aziraphale #good omens #good omens season 2 #ineffable husbands #crowley #aziracrow #neil gaiman #terry pratchett #good omens season 2 hype train #good omens spoilers #good omens season 2 spoiler #good omens 2 #good omens season two #good omens spoiler #episode six #why would you do this to me #ineffable idiots #rant #I actually cried in my bathtub after I finished it #somebody sedate me #crying sobbing throwing up #neil gaiman why

[jimothyhalperts]

Okay, so I’m on my second watch of s2 and I think people are really being too harsh on Aziraphale. Here’s the receipts:

1 - He said to Metatron that he didn’t want to go back to heaven, he only accepted the job after Metatron said he could take Crowley with him

2 - When Crowley says “If Gabriel and Belzebu can go off together, then we can [...].We need to get away from them, just be an us. You and me.”, Aziraphale answers “Come with me to heaven. [...] We can make a difference.[...] We can be together, angels, doing good.” He is not rejecting Crowley nor the idea of them being together, he is rejecting the idea of doing nothing to make things better. He’s saying “let’s be an us in heaven, where we can be together and look after this planet that we both love instead of abandoning it”

(Of course that he is seeing heaven through rose-tinted glasses, but this is a whole different rant)

3 - The dialogue in the book shop is very similar to S1 when Crowley say they can go off together and let the Armageddon happen: While Crowley wants to run away and save them both, Aziraphale wants to try saving Earth, the only difference is that now Aziraphale recognizes that he needs Crowley and wants to be with Crowley.

4 - Just before EVERY, Crowley says “You idiot, we could have been us”, Aziraphale turns away from him to cry. In this scene I believe they are both thinking the same thing “He might even want to be with me but only on his terms.” 

5 - The “I FORGIVE YOU” scene, he meant “I forgive you for not wanting to come with me and trying to change my mind, instead breaking my heart even more”

Aziraphale LOVES Earth and will try to do everything to save it and he knows Crowley loves Earth too, they are not Gabriel and Belzebu who never cared for Earth nor humans. He knows Crowley didn’t want to work for Hell anymore and that he is good and he can finally do good without being punished.

Crowley (and the viewers) has a much clearer and realistic vision of how things work, because heaven has already betrayed him. He doesn’t want to go back there because he already knows all of its flaws. 

Crowley is a realist (and a bit of a pessimist), he believes Earth will end because heaven and hell cannot be trusted, so the best solution is to run away while they can.

 Aziraphale is an idealistic, he is going to heaven, he is going to fix the system, Earth will be happy and safe forever, Crowley will realize that and go to heaven after him and they will live happily ever after. 

SO WHEN Metatron said about the second coming Aziraphale REALIZED Crowley was right about heaven, but he still had to try to save Earth instead of taking the easy way out.

SO STOP TALKING SHIT ABOUT THE ANGEL, HE LOVES CROWLEY AND LOVES EARTH AND IS JUST TRYING TO SAVE EVERYONE

#good omens #good omens spoilers #go2spoilers #gos2spoilers #ineffable husbands #it's 4am im tired #michael sheen will prove me right soon you will all see

[wordsinhaled]

thinking about what aziraphale thought “just like old times… but even nicer!” was going to be. like. what he was imagining. them being angels together, but - together this time. aziraphale remembering the first glimpse he got of crowley before his fall, brimming with joy, excitement, love for the stars and creation, and how resplendent that was. how aziraphale had new stars being born before his eyes but all he could sneak glances at was crowley’s radiant smile, his shining brown eyes.

like. i’m thinking about how he probably fell for crowley right then and there. and then that angel was just. gone from heaven. and maybe there were whispers about it among the rest. and maybe aziraphale wondered what had happened to him, remembered his guileless curiosity and his bright happiness and worried about him, because… how would he fare down there? wouldn’t he be lonely? and wasn’t it… unfair?

i’m thinking about “just like old times. but even nicer.” nicer because now they’re different, they’re more. they know each other, they love each other, they are… fundamentally inseparable. the idealism of that. the whitmanesque union of it - your body has become not yours only nor left my body mine only.

and aziraphale has finally caught up to crowley’s speed - by his standards he’s hurtling toward crowley at a mad rush - keeps touching him and looking at him like he’s treasured and adored. like... he probably imagined watching crowley make a new universe, again. imagined them making heaven a place where they could exist together without fear or reproach. a place where justice was restored because aziraphale has always known crowley had been punished in a way he didn’t merit.

aziraphale probably thought their first kiss would taste of stardust, not the brackish tang of tears. he probably thought they’d get to keep their bookshop and their car and their little dates at the ritz but… now together. holding hands, fingers interlaced, ankles touching under the table, curling up against crowley’s side in the bentley on the drive home, kissing him as easy as breathing a million times a day and no one in heaven or hell or any other realm would or could say anything against it because this was theirs, their sacred right to love one another the way they were made to. their essences twining around one another in the aether. each marked by one another. two bits of divinity fused back together, the way they had always belonged.

aziraphale probably thought he’d get to see that kind of unguarded joy on crowley’s face again, soon. he was saying to crowley that he loves him, in his way. the ultimate act of love, by his estimation; having it within his power to bring his beloved partner back to the capacity for joy without cynicism, laughter without pain, goodness without shame, curiosity without punishment.

just like old times. but even nicer.

#I’M ILL #good omens #good omens 2 #ineffable husbands #good omens 2 spoilers #this is an aziraphale defense account nbd

[createserenity]

I won’t leave you on your own.

Right, this might be controversial, or I might be the only one who sees this moment in this way, but I need to talk about this now. It’s really sweet when Crowley says this, except what happens afterwards isn’t sweet at all. And can I just add right now that I love both Azirpahale and Crowley, they’re both wonderful and also brillianty flawed, I don’t hate either of them. But as far as I’m concerned Crowley behaves really stupidly here.

GIF by ladybokatankryze

C: I’m going to get the humans out of here and then I’m coming back. I won’t leave you on your own. A: I know.

Oh dear, Crowley. Why did you leave him on his own after saying this? Why did you let Aziraphale down? Why does no one talk about the fact that you did? You walked out that bookshop and Aziraphale was so confident you would come back that he expressed this confidence to the humans and then defended his reliance on you, “Crowley will have a plan,” “Rescuing me makes him so happy.”

But you didn’t come back, Crowley! Why? You left the bookshop, spotted Muriel and then in some super weird ADHD* move just left Aziraphale to sort out the demon problem on his own whilst you went off to heaven. Whyyyyy?

Now okay. I admit, Crowley was working towards the ultimate goal of finding out what the heck had happened to Gabriel, which was something that needed to be done. He spotted the opportunity, knew it probably wouldn’t come up again and so took it. He did what probably needed to be done. He also did it expecting that the demons wouldn’t ever be able to enter the bookshop because Aziraphale was never going to say they could come in. It’s not his fault Maggie is an idiot. I still love him and so does Aziraphale. Also Aziraphale is perfectly capable of defending himself in some ways and we see this after Crowley leaves…

BUT. What a mistake.

He basically left Aziraphale on his own to fight the demons. An Aziraphale who trusted so absolutely that Crowley would come back, and that Crowley would know what to do, that he hadn’t bothered to come up with the whole plan himself. He didn’t have to. Aziraphale and Crowley are a team, they work together and they don’t let each other down.

Except this time Crowley did.

It’s unclear exactly how long Crowley spent in heaven watching the trial etc but since the ball starts at 6.30pm and the demons seem to turn up not that long into the evening, we can assume it’s a really long time. By the time he comes back it’s very clearly morning again, the entire night has passed. Maybe Crowley didn’t intend to be away that long, maybe he expected his jaunt to heaven to be quicker, or maybe this is because time passes differently in heaven and Crowley had no way of knowing exactly what time he’d return to earth, but whatever the reason, he leaves Aziraphale alone for a really long time, after explicitly stating that he won’t leave him on his own.

By the time he does turn up it’s long after the battle is over and long after Aziraphale has been forced to take an action he really didn’t want to take in order to defend himself and the bookshop.

Just look at Aziraphale’s face when Crowley returns, he isn’t super delighted to see him, he's sort of happy, but more looks like he can’t believe Crowley is actually there.

When he says, “You came back!” he sounds kind of surprised and also perhaps relieved. Why? Because he’s given up on Crowley coming back by that point. He has no idea what has happened to him or why he let him down so badly.

I think we can fairly safely assume that Aziraphale and Crowley can sense at least to some extent where the other one is when they are both on earth if they try to do so, and it’s probable that at some point after sorting out the demon problem Aziraphale had wondered where Crowley had gone and tried to sense him, so likely he knows Crowley has been away from the earth. What he doesn’t know is where he’s been or whether he went there willingly (at least until he turns up with a bunch of angels, at which point he’s intelligent enough to work it out).**

So now he knows where Crowley went, but he doesn’t know why or what he discovered. He’s still in the “Crowley let me down,” space at this point. Then Crowley asks what happened to the demons and Aziraphale has to tell him he blew up his halo. Crowley finds this delightful and he laughs, but for once they aren’t laughing together. This is only the second time that we have seen Crowley laugh at Aziraphale (the first is when he mocks him about thinking he’s a demon after the Job thing, which he quickly stops doing and switches to being kind when he realises how upset Aziraphale is). When he laughs about the halo he doesn’t mean it to be mocking, it’s actually the same disbelieving reaction that he does on the walls of Eden about the flaming sword, except magnified, he doesn’t just do a single “you what?” of disbelief and amusement as he does in Eden, he properly laughs because he knows Aziraphale better and thinks their relationship can take the laughter.

Usually he’d be right, but the problem is he’s just let Aziraphale down. So while he isn’t really mocking Aziraphale, because he loves that Aziraphale does these unexpected and wonderful things, Aziraphale doesn’t like the laugh at all. Look at his face. He glares at Crowley and his look very much is one of, “if you’d come back like you said you would, if you hadn’t let me down, I probably wouldn’t have had to do it at all.”

Then since Crowley rather stupidly doesn’t read the reaction and stop laughing the look changes more to, “I’m really upset about all this, please, please don’t laugh at me, you’re hurting me.”*** It's only shown briefly so it's difficult to capture, but you can just catch this in his expression before the camera cuts back to Crowley, and then again for a second when it recuts to Aziraphale, just before he reacts to the arrival of the demons.

Basically, Aziraphale is really fucking pissed off and upset with Crowley at this point. (Side note, Maggie and Nina look less than impressed by the laughter too – even they know it’s not the right reaction.)

If you need anymore evidence of how annoyed he is, look at how far away he stays from Crowley whilst he’s laughing. Aziraphale never stands that far away from him!

Luckily for Crowley Aziraphale is very good at forgiveness, and also very much likes it when Crowley takes charge of a situation and thankfully Crowley finally steps up. Whilst Aziraphale worries about what he’s done (look at the tension in his hands) Crowley categorically declares there will be no war and the demons react by listening to him. You can see Aziraphale start to reconnect with Crowley, his eyes flick back to him and then once Shax is up and awake his hands relax and he closes the distance between him and Crowley, angling his body towards him and standing close to him again.

Crowley is going to sort things out and Aziraphale’s faith in him is easily restored, although without doubt it’s suffered some damage underneath.

So what does this all mean? Well, firstly Crowley hurts Aziraphale deeply here and doesn’t realise he’s done it (and this is the second hurt he’s caused him within the space of a few days). Aziraphale forgives him pretty quickly, because Crowley unknowingly repairs things and Aziraphale is so full of love that it will take more than this one transgression to break their bond.

What it does mean though is that Aziraphale has just had a reminder of the demonic nature of demons shoved in his face. Crowley has just hurt him in several different ways in the space of a very short time. I doubt he consciously sees this as demonic because by this point I don’t think he really even thinks of Crowley as a demon on a day to day basis, but I do think he is responding to that hurt in a very human way.

Look, if your partner left you in a sticky situation and told you they would be back immediately and then didn’t turn back up for hours wouldn’t you be pissed off? Even if nothing happened (if Maggie had never let the demons in for example) you’d still have a few things to say about your partner’s hours of absence – yes, even if they had just unveiled a huge clue about why the whole situation was happening in the first place. That wouldn’t undo all your thoughts about how they let you down really badly and left you on your own in a terrible situation.

Another issue is Shax’s demonic nature – specifically how Shax has hurt him during the attack on the bookshop. If Crowley had been there there’s no way Shax would have had even half a second to get in her jibes to Aziraphale, but he’s not there and Shax gets her chance. What she does is play on Aziraphale’s fears about Crowley’s feelings for him (right at a time when Crowley is letting him down) and also remind Aziraphale of some of the ways in which he is a less-than-stella angel (as a side note I find it really interesting that Shax seems to have this ability to look at people and see their worst fears about themselves – do all demons have that or does every demon have a slightly different ‘power’?) So now Aziraphale has been let down by Crowley, which has directly led to Shax hurting him, and had his worst fears about his own nature brought to the forefront of his mind.

He’s been let down, mocked and emotionally wounded, and he goes into the conversation with the Metatron carrying that hurt, only to hear the Metatron singing his praises and telling him he’s, “the perfect angel for the job”. The Metatron deliberately soothes Aziraphale’s worst fears about himself in order to manipulate him. I’m not saying Aziraphale doesn’t see through it or that he is completely taken in by it or that this is his motivation for accepting the job, I think there’s more to it than that, but well… something to think about?

Mainly though, Crowley acts in a bit of a daft way here. His jaunt to heaven is funny and useful for moving the mystery along, but in terms of his relationship with Aziraphale it's an absolute disaster of a move. I'd want the "I was wrong" dance as an apology for that one if it was me. Just saying.

#good omens 2 #good omens meta #ineffable husbands #good omens #final 15 #aziraphale #crowley

[funnyoldworld-isnt-it]

There are so many posts about the weirdness around Nina and Maggie, but the thing that has always bothered me the most is that both of them know Aziraphale but neither one of them seems to know Crowley. Like, at ALL. Not even by sight. Which doesn’t make any sense. For the last four years, Crowley has basically been unemployed and homeless (this sentence made me so sad to type). He has had literally NOTHING to do except hang out at Aziraphale’s bookshop. And the vibe at the beginning of s2 is that he’s there a LOT. Like, multiple times per week (“we both get plenty of use out of it, don’t we”). When Aziraphale calls him in the first episode, he says “2 minutes” the way you tell your spouse how long until you’re home from the grocery store, especially if you were on your way home already.

The dialogue goes to great lengths to highlight that Nina and Maggie SHOULD know Crowley, which just heightens the weirdness of it. When they're at the pub, Crowley asks Aziraphale, “What’s wrong with the cafe?” (implying they usually go to the cafe), but Aziraphale made a point of introducing Crowley to Nina in the first episode. And Nina makes a point of saying to Maggie that she always remembers “the regulars," but she doesn't seem to remember Crowley. Of course, she immediately notices both Jim and Muriel outside the bookshop, so she's clearly paying attention to what's happening in the neighborhood and it seems like she couldn't have failed to spot him coming and going all the time.

And Maggie's situation is even weirder. Her whole back story is that she basically grew up IN the bookshop because her grandmother’s record store was essentially in a corner of the bookshop. And yet, when Maggie and Nina see Crowley on the street right before the lightning strike, Nina says, “Do you see that bloke? Six shots of espresso and he's smoking,” and Maggie responds, “I think that man was just struck by lightning.” Which is something you say about someone you’ve never laid eyes on before. She didn’t say, “Oh, that’s Mr. Fell’s friend,” or “I’ve seen him around. He stops by Mr. Fell’s shop a lot.” And then when he comes back, "It's him. The one who was just struck by lightning. The six shots of espresso." Again, no flash of recognition of anything before the current day. This happens immediately after she's just told Nina about knowing Aziraphale since she was little. It’s just weird. Why build a back story that would put her in extremely close proximity to Crowley LITERALLY her entire life and then write dialogue that makes it clear she's never laid eyes on him before?

You could maybe think, well they're just so used to having to hide...but then I asked myself: Does it make sense that the day that you find out there is an extremely dangerous, existence-threatening problem hiding out in your ineffable husband's bookshop is also the day that you would decide to STOP keeping a low profile and start wandering the streets with abandon, introducing yourself to all the local shopkeepers, and ferrying large plants into and out of said bookshop? No. No, it does not.

In any other show, you could assume that the writers just didn’t think about it very carefully. But, given the layers and layers of meaning and symbolism baked into every detail of this show, from the dialogue, to the costuming, the set design, lighting, blocking, etc., and the way that the story folds back on itself again and again, it just feels significant.

#good omens #good omens 2 #crowley #aziraphale #nina #maggie #maybe she's a kobold #kidding #mostly

[bluberryfields]

"I want a proper apology."

The dramatic “apology dance”

In the entirety of Season 2, I think the “apology dance” scene is pretty close to my favorite.

The way Crowley walks in like he’s entering a stage in a packed theater.

The way Azi clearly sees him coming and fusses himself up to look extra focused on his work and not at all excited about Crowley’s return.

Crowley, noticing that Azi has yet to look at him, ramps up the drama by:

Whipping off his glasses (taking off his armor)

Response from Azi? Clears his throat and focuses harder on his work.

Time for Level 2 Drama, it seems.

Stalking over to the table (no sauntering here)

Tossing the glasses down (looks casual but absolutely isn’t)

Ringing that little bell (like a ceremonial gong signaling “this is fucking happening”)

Walking back into the rotunda where he has maximum visibility (also maximum vulnerability)

Azi now has no choice but to react, which he does by slowly looking up and over at Crowley, who looks like the human-shaped embodiment of dread.

Finally announcing “I’m back” like the bitchy customer who just yesterday had declared they were never shopping here again

I mean, wow. Amazing. Glorious.

Not to be outcunted, Azi just casually turns back to his work and practically hums, “Yes. I can see that.”

Damn, Aziraphale, did you take lessons in passive aggression from my mother?

Now Crowley groans in a way that I felt to my core and asks, “Do you want a big, ‘I think I said the wrong thing,’ sort of an apology, or can we take that as said?”

He averts his eyes until the last second because this probably feels more demeaning than begging Azi not to do his magic act at Warlock’s birthday part.

Still turned away, Azi replies in a tone that is a mix of hurt and guilt that makes me think this has been coming for awhile. "I'd like the apology actually." I bet you would, Angel.

Back to Crowley, he pauses to assess his options, takes a deep breath, and says the magic words: “You were right.” Also looks like he almost says something else but either doesn’t know what to say or doesn’t want to say it.

Oh wow, so convincing. Bravo.

Finally, Azi puts down his glasses and his work and turns to address Crowley. He is not happy.

“Not good enough. I want a proper apology.” Also, side note, but Michael Sheen’s voice here is just…yum.

Before Azi can finish, Crowley is so quick to reject this idea. “No.” with a shake of the head.

You're not winning this battle, Crowley, and you know it.

“With the little dance.” Azi’s voice perks up and his eyes brighten at the hope this will happen. Seize that opportunity!

Again, Crowley barely let’s the word “dance” come out before he tries to shut it down. “I don’t do the dance.” Nope, no sir, not this demon.

Oh no, now Azi’s anger joins the hurt and guilt for a vicious trifecta. “I did the ‘I was wrong’ dance in 1650, 1793, 1941…” each date being spat out with increasing amounts of venom.

Oh Crowley, you brought this on yourself, girl.

This non-apology combined with his “I'm sorry. I apologize. Whatever I said, I didn’t mean it. Work with me, I’m apologizing here. Yes? Good. Get in the car.” and I can see why Azi reacts to this the way he does.

Crowley knows he’s beaten and concedes with a “Fine!” that feels the very opposite of the word.

Okay so before the “proper apology” can begin, Azi gets up from his chair, straightens his waistcoat, and stands with his hands grasped in front of him like a proper gentleman. A properly petty gentleman.

Then the main attraction! Crowley, looking completely stone-faced, does “the little dance.”

It’s wonderful. He looks so silly and childish and graceful and mature. And god, that deep knee bend at the end? Amazing.

Also amazing is Crowley’s face when he says "Kay?” while bobbing his head and eyebrows back like a sassy rooster? *chef’s kiss*

For Azi’s part, god it is just a delicious mix of polite poker face and barely concealed thirst. I see your eyes scanning Crowley, drinking in that thin, dark Duke. That little dance will live in his head forever.

And that’s the signal to go back to normal! Crowley regains control and Azi falls back into the supporting role.

Long-term relationships are hard, yo.

#good omens #good omens 2 #crowley #aziraphale #ineffable husbands #crowley x aziraphale #aziraphale x crowley #aziracrow #david tennant #michael sheen #ineffable idiots #ineffable partners #apology dance #i want a proper apology #with the little dance #thirsty aziraphale #very nice indeed #thin dark duke #neil gaiman #terry pratchett #good omens gifs #good omens meta

[ineffable-suffering]

Aziraphale, I love you. But you lied. And here's why.

Okay. I’m not gonna beat around the bush for too long. It’s time now for me to also throw my try at a personal Good Omens Season 2 Magnum Opus into the mix of already existing magnum op..i? Opusses? (Smited? Smote?)

If I’m honest, it isn’t fully my own magnum opus, as I read this meta not too long ago that made me go: „Oh! My God! That’s it!“ And I’m pretty sure a lot of other people have clocked this too by now. Of course I’m not saying it’s the objective truth but after having mulled it over for many endless nights and days, wading through the onslaught of coffee theories, body swap theories, The Metatron re-writing the Book of Life theories and many, many more, this is the one I think is most plausible and, if you look closely, most obvious.

And it goes as such: Aziraphale lied.

To all of us. All of them. And most of all, to Crowley. He lied to him. Well, he sort of did and also sort of didn’t. He certainly didn’t tell the truth. At least not all of it. I hear you ask: “OP, what the fuck are you talking about”. I answer you: Let’s start from the top and under the cut.

(Small note: this meta ended up being way too large for Tumblr, which is why I will redirect you to an external doc at the end of the post, where I have written it all down nicely and accurately. It's about 35 digital A4-pages long, just in case you want to save it for later.)

(Word count: 12.831 | Approximate reading time: 50 minutes)

Let’s start with a short recap of what happens before the Metatron crashes the bookshop party and everything goes to shit. The proper visuals for this are in my Tumblr post but I am absolutely convinced that right up until when the Metatron comes to take Aziraphale away and talk to him, the angel is fully ready to get into Crowley’s Bentley-chariot and finally ride off into the sunset (or Alpha Centauri-set or whatever). You can see it in his face and body language. You can see when the penny drops for him that a) Crowley loves him b) he loves Crowley and c) they can finally start their happily ever after. Aziraphale realizes this all throughout said Brielzebub reveal in the bookshop. And he’s such a lost cause once he does. 

I mean, look at that. Look at it. This (very shitty recording, sorry, I'm not tech-savvy enough to avoid the Amazon Prime screen recording blocker) is the very second Aziraphale realizes hat Crowley loves him. When he hears him suggest Alpha bloody Centauri as a getaway for Gabriel and Beelzebub, as Crowley has done to Aziraphale for so, so many times now. He finally understands what Crowley was trying to tell him with that all those times.

Aziraphale realizes this all throughout the Brielzebub reveal in the bookshop. And he’s such a lost cause once he does.

Right when Crowley suggest Alpha Centauri as a nice getaway spot to the two, Aziraphale looks at him and he gets it. That Crowley has loved him, has been loving him for millennia. Truthfully, they've both known that for a long while now. But there's a difference between knowing, wanting, craving and actually being able to finally have something. And that's exactly what we see on Aziraphale's face here. This is it. This is where it all starts working out for Crowley and him. This is were they can start their eternity together.

So from that second on, Aziraphale only has eyes for Crowley. He keeps physically pawing at Crowley with complete heart eyes, as if to say „Look, look, that’s gonna be us too! Finally!" He’s actually so smitten that he doesn’t even hear what Crowley is saying when he asks Shax if he can have back his apartment now because he’s sick of living in his car. (Also, what way to drop that bomb right in this moment Crowley, lmao). 

Once the Metatron comes in, the first thing Aziraphale says is that they don’t need to talk because „he’s made his position quite clear“. He doesn’t even want to talk to the Metatron, because in his mind, he’s already made the choice. Actually, he made the choice way before the bookshop showdown. For starters, I’m convinced that the Jane Austen Ball actually never was for Maggie and Nina but for Crowley and him (you can read more about that here). And apart from that, for this whole season we have seen Aziraphale trying to advance his relationship with Crowley romantically and domestically and move them to the literal next base (our car!). And after everything he just witnessed with Brielzebub, the final nail in the coffin of ethereal-infernal romance being possible, his choice is absolutely crystal clear: It’s Crowley. It’s always been Crowley and it always will be Crowley. And now it can be Crowley. They can be an us.

The whole of Season 2 is such a massive learning curve for Aziraphale’s character, with him remembering all those important pivotal points of his past,  and this very moment is the peak, with him not only understanding that Crowley loves him (because he certainly knew for quite some centuries now) but accepting that love, letting himself have that love, being allowed to want that love and taking that love and starting their new and final chapter with it. Nevertheless, the plot clock ticks for them. The Metatron saunters into the bookshop, evil and stinky as Metatrons do, and urges Aziraphale to come with him with his whole Take The Coffee schtick, which I will get into later. And Aziraphale, immediately sensing there’s Something Up, does. Can’t really turn down someone as high-ranking as the the voice of God, after all. Even if you were currently already planning how you were going to elope with a certain red-haired serpent of Eden. 

he next time we see Aziraphale on screen, it’s so painfully evident on his face that he is neither happy nor excited. Not even the slightest bit. We’d know if he was, thanks to Mr. Michael master-of-microexpressions Sheen. None of the usual “Aziraphale is happy”-signs are there. No blinding eye-smile, no giddy wriggling, not giggles and gasps. No, when the Metatron tells Aziraphale to „go tell your friend the good news“, his expression looks like this:

I’m gonna go out on an entire limb here and say: That does not look like someone who’s absolutely tickety-boo hyped to tell his demon soulmate that he just got the juiciest promotion and that they can both be angels and live happily ever after in ethereal eternity now.

This, folks, looks like someone who knows exactly that the news he has to break right now, are going to be tickety-shit awful and very upsetting to said demon soulmate. And already, from that very short snippet of conversation, we can tell that Aziraphale isn’t really given a choice by the Metatron. Because while the Metatron does tell him that he doesn’t have to „answer right away“, he immediately follows it up by: „Go ahead and tell your friend the good news!“ Very distinct and definitive choice of words here. It’s “good news” because it’s already been decided. Because it’s already a done deal. There is no “yes, no, maybe”. This is the only choice he’s giving to Aziraphale. Because it’s ‘Coffee or death’. 

And he already gave him the coffee. 

***

Tumblr won't let me continue this over a certain character limit and I am not even remotely done yet – so, I feel like this is a good moment to redirect you to the continuation of this insane meta before we're in too deep. You can do so right here!

I'd love to hear your thoughts and opinions about this once you've fought your way through it. Hope you have a good time with it!

#good omens #good omens s2 #good omens season 2 #good omens meta #good omens analysis #neil gaiman #aziraphale #crowley #ineffable husbands #good omens predictions #i lost my mind writing this #it must be nice to be able to be a casual enjoyer of media #who doesnt spend 5 days writing a 22 page document on an angle and why he lied to his demon boyfriend #my own meta

[fuckyeahisawthat]

If you see Good Omens s2 as a bridge between the end of s1 and a s3 plot that, it seems, will revolve around [spoilers below]

Aziraphale and the second coming (in a parallel to s1 being about Crowley and the Antichrist) then a lot of things make sense, and actually I think this is one of the only routes they could have taken that would seem remotely plausible.

Because how the fuck do you get Aziraphale back in Heaven after the events of s1? Both you (a writer who wrote s1 as a self-contained adaptation of an existing work, having no idea if there would be future seasons) and you (Heaven within the world of the story).

In the book verse, I could see this playing out as a sort of “you thought you were happily retired and then they pulled you back in for one last job” situation, and I think that could have worked. Because book Heaven and Hell seem to end the story basically agreeing to forget Aziraphale and Crowley’s numbers out of sheer embarrassment, and that works in the world of the book because Heaven, in particular, seems to forget Aziraphale exists at least 80% of the time anyway. Book Heaven is mostly notable for its absence. We recognize their hypocrisy in claiming to be the good guys while mostly doing the exact same shit as Hell with better PR, but in the book Hell seems like the side that’s more dangerous and actively intrusive in Crowley’s life.

But TV Heaven and Hell are terrifyingly, oppressively present in Aziraphale and Crowley’s lives, and both of them very recently (in immortal being terms) tried to execute their respective agents for treason, and still don’t understand why they failed. This raises the stakes and the threat to their relationship enormously, which works great in a television drama where their relationship is much more of a focus than it is in the book. But it also makes it much more difficult to imagine either of them going back to their respective sides after the events of s1. They made that choice already.

So what do you (writer now trying to solve this problem for s2 and potentially s3) and you (Heaven, trying to come up with a way that Aziraphale would walk back into his former prison willingly) do?

You offer Aziraphale the one thing he can’t refuse, the thing he still doesn’t have, even now after Armageddidn’t and surviving the trials and 4 (?) years of living more or less openly with Crowley around. You offer him safety. Safety for himself and Crowley, together.

We know it’s a trap. We know what Heaven is offering is not safety, but control. But Aziraphale hasn’t gotten there yet. We understand why Crowley sees it as a rejection and an insult. But to Aziraphale it’s an offer better than he ever thought was possible to receive.

He thought, all of s1, that he would have to choose between following Heaven’s orders and saving the world and his relationship with Crowley. And he made his choice. Now someone is telling him he can have both? Love and acceptance from Heaven for him and Crowley, and the power to make things better? And when he realizes Crowley won’t come with him…well, maybe at least from Heaven he will still be able to protect him, even if he’s not by his side.

And you know what? I bet, in the short term, this is going to only make him double down on his “it was just a few bad angels” justification for the way Heaven behaved. Because this offer is coming from the literal voice of God. Maybe it even reinforces the idea that God didn’t want Armageddon to happen at all, that Aziraphale and Crowley and Adam and the Them actually were doing her will by stopping it. Because now Aziraphale is being invited back in, with more authority than he ever had before. And they invited Crowley (who he always believed was Good) back in too.

He doesn’t get it yet, that Crowley is right. That you can’t reform Heaven from the inside, because it is not and never was the good side. Because there is no good side.

Aziraphale hasn’t figured that out yet. But he will.

#good omens #good omens s2 #good omens s2 spoilers #aziraphale #heaven

[whatthedamnhelldude]

This maybe has been said and I missed it but in s2e6, I’m pretty sure Aziraphale thinks Crowley has been sucked back into Hell after escorting the humans out of the bookshop. From Aziraphale’s perspective, Crowley has left with the humans into the street and is surrounded by demons. He doesn’t return, and Aziraphale becomes desperate to stop the attacking demons - “desperate measures must be taken.” In 1941, Aziraphale says “I knew you’d come through for me - you always do.” Crowley tries to run from his problems, but he always comes through for Aziraphale. Aziraphale knows Crowley wouldn’t just leave him, unless something happened. In Scotland, we saw Crowley helping the humans and being sucked back into Hell as a result. When Crowley comes back from Heaven, Aziraphale says “you came back” and you can hear the relief in his voice. His expression and tone of voice when he says he “did the thing with the halo” reads as “I got desperate because you didn’t come rescue me and I assumed you were gone.” Aziraphale knows Crowley will always come through for him, so since he didn’t this time, something must have happened to him and the most logical in this instance would be that Hell took him. They never get to talk about how Crowley was actually in Heaven, so this assumption never gets addressed.

Why does this matter? The Final 15. Throughout the series, Aziraphale says, out loud to Crowley, that he is worried Hell is going to destroy Crowley. And it appears that that fear has come true at least a little bit, and at least one time, in Scotland. So if Aziraphale thinks that Crowley has been captured and tortured by Hell again, and someone told him “if you come work for me, I’ll make it so Crowley is never under Hell’s power ever again by reinstating him as an angel,” I have a hard time believing that Aziraphale would say no. The love of your eternal existence has been in danger for millions of years, and someone offers you a way to keep them safe? Right after you think they’ve suffered from that very danger? I would take that offer, too.

To be clear, I don’t think Crowley should have taken the offer. He’s been abused by both Heaven AND Hell, and they are both better off without them. I also think that, just like Crowley doesn’t quite say what’s on his mind - he doesn’t tell Aziraphale what he saw of Gabriel’s trial or that what he really wants isn’t to run away but to love Aziraphale openly as a couple - Aziraphale doesn’t quite say what’s on his mind either - he doesn’t care about either of them being angels but he does care about keeping them safe. I also want to be clear that I don’t think Aziraphale wants to be angels together in Heaven. I really think this boils down to keeping both of them safe and, bonus, they get to stay together.

Yes, they need to talk to each other and yes, some of Aziraphale’s comments were shitty (“you’re the bad guys.”). But I think the show is too well-written for all of Aziraphale’s character development to be thrown away and their long, long history completely forgotten in the last 15 minutes of episode 6. I think the world of Good Omens is too rich and deeply layered for that.

Let me know what you think!

#good omens season 2 #good omens #ineffable husbands #aziraphale #crowley #brain rot #good omens meta #go meta

[noneorother]

All the music you didn’t hear: The Good Omens soundtrack is lying to you. *Part2*

The Bonkers Meta Series 2: Electric Boogaloo. This week on the chopping block: The official Good Omens 2 soundtrack album!

Part 1  l  Part 2  

If you, like me, have absolutely no respect for your time (or your 2023 Spotify Wrapped) and are willing to sit with the show and the David Arnold score album running side by side to match up all the songs, then you too can find out what I did: exactly 6 songs in the album go off the rails in the show in a very specific way. And you know what they say about a song…

So let’s break these misbehaving songs down, shall we? 

A Bell Tolls for Thee

There are SO MANY DAMN BELLS in season 2. I think the sound department might have had a competition going. But I want to show you the bells that happen in the music of the show, but not in the album.

Specifically, there are tubular bells all over the score in David Arnold’s orchestration in season 2 (and some in season 1). It’s an instrument used throughout classical music to represent grandfather clocks or church bells, signalling time passing, like striking the hour. But, this season has done something devious: it sets up your expectation by putting tubular bells in all the regular places in the score, so that you notice less when they whack a big tubular bell ring in a place where it should not be, at a key moment in the story. 

Feel free to go back and listen to these time codes in the show, it’s going to become obvious real fast.  

S2E1 - 14:55 l Song : Into Soho Aziraphale answers the door to a naked Gabriel, and recognizes him for the first time. A bell rings once.

If you listen closely to the album version, David Arnold recorded a beautiful and uplifting ending to this track. Too bad we never get to hear it in the show, it splits off into a bell toll and then a reorchestration. We never hear the end!

S2E1 - 42:30 l Song : Tiny Miracle Aziraphale & Crowley perform a class-A miracle, and Crowley pokes the barrier with his finger. A bell rings twice.

Same thing for Tiny Miracle! The ending of the song in the album we never get to hear in the show, it gets interrupted by 2 tubular bell tolls and another reorchestration of other music. 

S2E3 - 33:59 l Song : Reprise - Something Terrible Aziraphale considers the statue of Gabriel in his present day trip to Edinburgh. A bell rings three times.

This one starts from silence with 3 bell tolls as a reprise of “Something terrible” starts just after it. The second and third bells are woven into the music on beats they never appear in those bars on the recording. 

S2E4 - 38:00 l Song : Zombie Dressing Room  Shax asks Beelzebub for permission to attack the bookshop. A bell rings four times.

This one is extra weird (see my first music post). Even though we stretch out Zombie Dressing Room way after the dressing room scene is over and into the Shax in hell scene, it still manages to work in 4 new tubular bell rings that aren’t there in the score, and we never hear the same ending as on the album. 

S2E5 - 00:05 - 10:14 l Song : Reprise - Something Terrible Shax requisitions troops and gathers her legion. A bell rings five times.

This one is tricky because Shax’s scene in hell is cut up 5 times, but you probably see where this is going: every time we cut back to Shax there’s a new bell rings once that wasn’t in the recording.  

S2E5 - 29:56 l Song : Shax Shax arrives from Hell in the elevbator to attack the bookshop. A bell rings six times.

This is the last time in the season when we hear extra tubular bells. In a pretty bizarre turn of events, the demons Shax has mustered have walked in from down the street, but Shax takes the elevator to arrive at the bookshop. What a way to treat your troops. In any case, we get a final song that doesn’t get the ending it deserves, and gets cut off in favour of a reprise.

Taco Bell: Live Confused So why put so much effort into signalling these 6 specific actions with bell tolls? The first three are clearly Aziraphale & Crowley related, while the second three are Shax related. (All the Shax actions accompanied by bells have flashing lights above Shax.) Could this be a way of signalling we are halfway to the second coming, 6 hours until midnight on the armageddon clock? Or something else entirely?

Every time we hear the added bells, the soundtrack in the show deviates from the planned endings written for the album. Are these mistakes in the timeline, that were never supposed to happen in the ineffable plan? I guess we'll all be listening together for tubular bells in season 3... -------------------------------- Thanks to @embracing-the-ineffable for the encouragement, and the Ineffable detective agency for all their hard work. Part 1 is here!

#good omens meta #art director talks good omens #go season 2 #good omens 2 #good omens prime #go2 #go3 #good omens season two #go meta #good omens season 2 #good omens soundtrack