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#the side yard?
me1-atonin · 5 months
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almost every time dan and phil made a design choice in this damn new sims house i was internally screaming stop
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iaminsideyourwalls · 11 months
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Since he knows he's almost certainly destined to lose his second eye, I think Demo is currently in the process of preparing to work blind. And wouldn't it be the coolest raddest thing ever if they hired service dogs to work with him on the team??
meet debbie (red) and lassie (blu), some demodogs for the demoman
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katyspersonal · 8 months
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Healing church setting up the sprinkler in the front yard of the grand cathedral so Amelia can run around and bite the water. Enrichment.
Dude fdshhfdh This is so wholesome xD
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This is how Amelia's era as a vicar SHOULD have ended *sob*
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goosterbold · 1 year
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Fallout 4 is the only post apocalyptic story that dares to use the medium of gaming to ask What If Humphrey Bogart Was Bostonian? Wouldn’t that Be Fucked Up?
also the enthusiasm Nick brings to the companion quips for the Silver Shroud quest almost feel like he’s making fun of you (this is largely from convos with @friendlyfrankenstein )
edit: stop telling me he's from chicago. todd howard revealed he is a new englander to me in a vision i had after eating shampoo
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aniseandspearmint · 11 days
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Urban fantasy idea;
There's been a rash of disappearances in poor neighborhoods in a few large cities.
Large Urban Mimics have adapted and started mimicking cars with the window down, or keys in the ignition, and the local car thief populations are getting hit HARD.
I'm just picturing a couple of guys eyeing up a shiny yellow Kia parked on some old broken down residential alike;
"Nah man, think about it. Why would THIS car be here? It's WAY too nice! And it's a bright color. You know what the news reports said."
"Yeah, yeah, I hear you. Don't wanna end up like Stevie. Or Eddie. Or Amy. Or–"
"yeah, you don't gotta go down the whole list. Let's go."
They leave and the car sits there for a few more minutes and the whole thing makes a kind of juddery motion, and the whole thing slinks off into the empty street, not quite moving right, less like a thing with wheels and more like a thing with lots and lots of little legs.
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uncanny-tranny · 4 months
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Pro crochet tip: there's no such thing as the "right" or "wrong" side of fabric, it's only pretty or not as pretty and you choose which side is prettier💛💛💛
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psalmsofpsychosis · 1 month
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"#Batman resists his own insanity so it spreads to e v e r y t h i n g around him"
You can't just say this and not elaborate in great detail. PLEASE elaborate oh my God. I do agree but I want to hear every single thought you have about this topic.
Btw, I'm the same Anon who asked -- or not really asked but more so talked -- about Batman and Joker's soulmate sort of bond.
AND WHAT DO YOU MEAN WITH "COMBINING JOKER'S HEAD WITH BATMAN'S BODY"???????
I was thinking along the lines of the concept version and how they could never be satisfied like this, united in one body. What is the result of mixing chaos and order? What is the result of mixing the act of forgetting the past and fixating on it? What do you get through combining the ideology of making everything matter and taking all meaning away?
The result is that the pure concepts become stained and dull, pushed away from their original function, losing their purpose to oppose each other.
Becoming one entity is the act of becoming complete (concepts being stained) and losing the thing that made them them. Batman and Joker were never meant to unite in this way with overlapping voices, finishing each others thoughts and sentences and it SHOWS. I'm in love with their grotesque obsession with each other that borders on love and punishment. Their desire to win and conquer the other for good but never being able to because losing one side takes away the purpose of the other.
That's why I'm so, so, SO disappointed with how the Batman Who Laughs turned out. Where are my identity crises? Plural, because this could never be an one-and-done kind of deal. They became OneTM, inentionally or not, but BeforeTM, they were always wondering what it would be like. Batman could try to get closer to Joker's mental state but never fully experience it, same with Joker. But now they are OneTM and then what? Batman is just the Joker with Bruce's memories and face. I can't begin to describe how boring that is. That's like if DC made a "Deadpool kills the Marvel Universe" story only they used Joker instead of Deadpool.
Do you see my vision? Can you feel my pain? I wanted to psychoanalyse that asshole with my amateurish psychology knowledge but they only gave us a watered down Joker who makes other Batmen less interesting upon contact. WHERE ARE THE IDENTITY CRISES?? WHERE IS THE DIFFICULTY IN MAKING A DECISION?? WHERE ARE THE LENGTHY MONOLOGUES ARGUING BACK AND FORTH OR CONTRADICTING EACH OTHER ALL THE TIME??? The Batman Who Laughs is basically Two Face but without the wall seperating Harvey and Two Face. Joker!Batman should be unable to do anything or constantly switch between Bruce and Joker or save one life and then turn around and kill it. Like, where is the complexity? Why the hell is that guy only a murder machine?? That was neither Joker nor Batman's whole purpose??
Tell me all your thoughts, my friend, while I'm here spinning in circles and going insane. I'll never get out of this alive, you'll still find me ruminating on this on my deathbed.
I swear, if you give an absolute banger of an answer again, I'll come and start living in your walls.
Have a nice day!! :)
ANON LOVE OF MY LIFE, i'm shoveling all the insides of my walls out as we speak, you can move in by Wednesday morning—
Like, the way i felt every single word you said in my bones. You are so right, and there are a couple different points here and it's gonna get longer than usual so i'll separate each thought thread to avoid drowning in lé brain soup.
• Re: batman resisting his own insanity, i feel like i have simultaneously talked about this in 7986 different ways and haven't said anything about it at all 😂 possibly most of it has been discord ramblings. Long story short, the spine of his narrative to me is that he actively resists his own humanity and in extension of it, his evil. He wants to be good. But there's also immense psychological/emotional/physical price we pay whenever we make these kind of choices; whatever we disown and banish to our subconscious, we project out into the world and unto the people around us. The load you refuse to carry will be carried by the people around you, because at the end of the day /someone/ has to carry it, it doesn't just disappear into ether. So, in a way, for Batman to remain good, to remain a hero, someone else has to be bad. The extent in which Batman keeps his goodness "pure and untainted" dictates the horrors created around him— and particularly the creation of Joker. I say creation because the existence of Batman as a concept absolutely necessitates the existence of Joker. In a way Batman does create him, and it's true that with Batman gone Joker and half the evil in Gotham would be gone too, not because Batman is an evil presence— but precisely because he disowns his own evil.
And the thing is, in the specific context of Joker, it has become this almost loving, adoring symbiotic relationship; Joker has willingly shaped himself to fit the outline of an evil that Batman needs to defeat, he has become the sin that Batman can overcome so he can stay a saint. I actually have a draft on this that i never finished, a meta about how all the coloring choices in Joker's design eerily resemble the different color stages of a wound and the bruising after, how Batman almost feels like Jesus with Joker as his side wound, Joker being the price he pays and the pain he goes through for his martyrdom in order to stay pure, for his idealogy to have any form of meaning and significance, Joker being his very own holy suffering.
We fundamentally understand reality in form of contrasts, internal ones, external ones. As you very well pointed out, without an innate sense of contrast, we cease to have any form of coherent grasp on different concepts, and they start to sort of become noise, they become nothing. Would you truly understand what a day was and grasp it as a concept if it wasn't followed by a night? So like, what i'm saying is, people around Bruce/Batman become what he needs because they love him and they want to help him keep his narrative, the structure of his psyche intact. They help him stay 'him' by taking on the burden of what he doesn't want to be, he subconsciously shapes them in the image of what he needs to uphold his identity as a good person. This is why Alfred becomes Joker to save him, this is why Selina is the more socially acceptable pretty Joker that Bruce can actually marry and bring to his family, this is why Joker and Batman feel like they can never escape their narrative, their roles and their performance. It's the reason the moment Batman lurches to kill The Riddler in "the war of jokes and riddles", Joker stops his knife with his hand. It's their defined roles, and the greatest act of love that noone except Joker would show him. Joker says "I'm the sacrifice. I'm the evil, i'm the one who kills, i have made this choice so you can make yours. You're the good one. If you become evil, it renders both your efforts and my sacrifice meaningless, and i can not allow that to happen." And it's a truly fascinating dynamic really, for all that Joker has and hasn't done throughout the Batmanverse history, when it comes to Batman he's irredeemably selfless. Everything he does regarding Batman is to keep Batman's sense of goodness and heroism intact, and in this context he's more pure than him. Everyone around Batman wants him to kill, perhaps rightfully so, they mean well. But Joker says "i'll bear all the unbearable evil so you dont have to, and we both acutely understand that without my existence you mean nothing. I will be the monster so you dont have to." And honest to god there's a heartbreaking affection to this, something noone else will ever be willing or want to offer to Bruce, not to this extent.
in 'the war of jokes and riddles' Bruce tells Selina that "what separates him from utter evil is a hand on his knife. Joker's hand." like bro, he knows. In a deeply twisted and gutwrenching way Bruce knows that noone loves him the way Joker does.
• Re: combining Joker and Batman's heads and bodies, i was thinking.... two concepts maybe?? 👀 one is more like the Dullahan myth, in which Batman loses his head but he isn't carrying it, Joker steals it. And then Joker loses his head and Batman has to keep it and he's forced to use it. It'd be an insanely fun concept; the Dullahan myth can be interpreted as the idea of death of self by supposedly losing all that would make you human; your thoughts and memories and logic, etc. Except that you still have a heart, and a body, and they're not exactly cooperative. It'd be fun to have Joker's mind trying to tame Batman's heart and body, each fighting and singing their own song, same for Batman. A version of the myth has Dullahan carrying a human spine in one hand, and i mean, the possibilities are endless!
But also another concept would be: two frankenstein monsters lmaooo, same sense of discordent internal landscape, same sense of ideological tension and conflict, but also someone's gotta [tw mentions of gore] chop chop them and sew their body parts together, and that can be another interesting element added to their fucked up dynamic ✨️ it can also be Joker as Dr Frankensten and he sews parts of himself to Batman in order to save him!
• Re: Batman Who Laughs, oh girl (gn), i have nothing to add that you haven't already said more beautifully than me. There's so much emotional nuance and complex philosophy that could've gone into that concept, it's certainly one of the hardest Batman story variations to pull off, and weirdly enough, the people who dont directly aim for "Batman becomes Joker/Joker becomes Batman" stories often tell a better more intricate tale about that transformation than the people who straight up shoot for the concept. One of the things that always sends a chill down my spine is the ending of Batman: Europa, in which Joker is terrified and screaming as Batman laughs and lurches for him; that's the dynamic, that's the Batman who laughs, and the most unsettling part of it is that, Batman doesn't change. He doesn't have to. On a core level he is quite frankly a bit fucked up, it's not a stretch for Batman to be evil, and that's why his goodness is meaningful. Cue Nietsche's quote, "Of all evil I deem you capable: Therefore I want good from you. Verily, I have often laughed at the weaklings who thought themselves good because they had no claws." Batman is not a good guy entirely, and that makes his goodness a conscious choice with so much weight and worth and significance. I dont think a lot of DC people understand this.
With Batman Who Laughs, the name kinda sums up the take unfortunately; it's a superficial interpretation that falls flat on its own face because the writers couldn't be assed to explore how a chemical combination of Batman and Joker's narrative would unfold. ¯\_(ツ)_/¯ as with any potent chemical reaction, the mixture is highly unstable and unpredictable, and that's the fucking fun of it. There's gotta be tension. I do think Batman and Joker can very well mix, i do think they can make a seamless fusion, but i dont trust any canon DC writers to handle the characterization well in a way that doesn't bore you out of your fucking mind. You gotta make a new person and you gotta capitalise on the core components both Batman and Joker share; their incessant sense of idealism, their need for purity, their volatile emotions and their aggression, their need to individuate from their context and deviate from the norm, take the third way out narrative wise, their philosophical and intellectual bend, their immense grief, their need to be oh so special and different 😂 they actually have a whole lot in common, this is why they're perfect enemies!
But yeah, writing that personality fusion is very hard because it's such an emotionally complex context and most DC writers have not felt a single emotion in the past 35 years aflhdtdhlf
Anyway yep i love your brain so SO much Anon, hope you have a wonderful day ❤️💕 and dont forget to tell me what ya think!!
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moomeecore · 6 months
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i found a book abt the anti lawn movement at the library & decided to sit out in my yard & read it. but ironically there was a neverending barage of power tool noises making it difficult to focus. so i walked to a nature park near me in order to escape the dreaded sounds. almost stopped at the mowed picnic table area bc i hate walking but fortunately pushed forward and made myself walk up an annoying hill to an area that is a preservation of a native oak savanna & sat down against a tree near the edge of the path & did my reading there. and honest to god that was a 100/10 experience. there was something so powerful abt being in a preserve for a locally native habitat while reading abt the impacts homeowners can have on native plant preservation! it powered up my energy towards my life mission (evangelize abt enviormentally sustainable gardening to every single person who comes within a 10 ft radius of me) by like. 15 points. also a deer walked up to me and that was super cool
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cuthechicane · 8 months
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fia really out here using my man as a ruler 😭
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princepotatosack · 30 days
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nabbed these screenshots from youtube, it looks like the area in chicago where the LI grew up is race determinant, fascinating!!! does anyone have a screenshot for the brown LI face?
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textless · 11 months
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These are original color lantern slides taken by Frances Benjamin Johnston in 1921. They show three views of the garden of the house belonging to George Hoadly and Katherine Hinkle Ingalls at 154 East 78th St. (between Lexington and Third Avenues). It's hard to imagine such a bucolic place at that location, but 1921 was another world.
Johnston entered these and other slides in the 1922 City Gardens Club of New York photo exhibition at the New York Camera Club.
Photos: Frances Benjamin Johnston via LoC
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transatlanticalien · 2 years
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Fix-it fic but like, fanart. Fix-it art???
Alt version because a) I wanted to keep one Gene trait and b) I saw someone say a good ending for Jimmy would be for him to accept how much he's like his dad and the glasses help with that visually
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freaky-flawless · 4 months
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Examples:
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waitineedaname · 3 months
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there is a deer having the zoomies in my back yard
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batwynn · 11 months
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Mission to befriend local crows status: success
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