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#the show and the narrative did try to convince them
m3nt4llyr4v3d · 2 months
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It honestly kind of baffles me how some fans (mostly the narrative itself) used to say that Chloe was acting “exactly the same” in Seasons 4-5.
Like… wha?
You can say she’s been a bad person for about the whole series, I get that, but huh??
Chloe, in Seasons 1-3, wasn’t great (understatement). She was a bully, furthered insecurities of her classmates (Juleka and Mylene come to mind), Sabrina was her lapdog, she used her dad’s power to get anything she wanted, etc. She’s not good.
But.
Seasons 4-5 have her act like a straight up Saturday morning cartoon villain.
I’ll be in the camp to say that I was disappointed she wouldn’t get a redemption, but eventually came around to a proper damnation arc (or an arc like Zuko’s where he fell from grace before becoming good again). But the way the show treated her after the season 3 finale was so???
She didn’t have a graceful fall or a plummet down, she was teleported to the bottom and the show acts like she was there the entire time. One thing I remembered was in season 4 where she broke off her friendship with Adrien and a few episodes later brags about him being caged up in his house by his father?? Because she didn’t want the classmate’s fantasy of Marinette swooping Adrien’s off his feet to come true (pls tell me I’m remembering this right)??? Or when she got akumatized because she… didn’t wanna play soccer? She doesn’t even care about Sabrina in the slightest and is keeping her in her closet (where is her father!?) Then in season 5 she’s being a dictator??? And she caused Marinette trauma before all of this happened??? Like, cmon!
Even if you think she was bad the whole time, the show literally goes out of its way to show her being the spawn of Satan! The characters, even when they were being bullied, didn’t take her that seriously in the earlier seasons! They could even joke at her expense!
But honestly, this is how I viewed the show’s treatment of her character from season 4 onwards.
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khalesci · 7 months
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today the mood is personally beefing with george because of certain things he wrote into the first book and how there were moments where he genuinely attempted to justify everything drogo was doing to dany with throwaway shit along the lines of "well she liked it sometimes"
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ml fandom challenge: just because a relationship isnt what you perceive as ideal aka a relationship youd like to be in, doesn't mean it isnt a good dynamic.. And when a magical show is intended to be a romance that focuses on the strongest relationship in the series, yeah the world is gonna revolve around them, so if you don't like it there's the door --->
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myname-isnia · 5 months
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It doesn’t matter how old I am or how much I’ve changed as a person, the SJA episode about Sarah Jane’s parents will make me sob just as much as when I was 9
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ohmygraves · 3 months
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ghost, but as your fake boyfriend.
you were panicking.
your mother had called earlier, asking if you could come home for a few days. apparently, your brother had returned from overseas, and she called to let you know that every single member of your family would be there. a small family reunion, if you will. of course, she expected you to show up too, perhaps bring that boyfriend of yours you always told them about.
which was a problem because one, you don't have a boyfriend, and two, you have lied to your family for years and now it's come to bite you in the ass.
you didn't even know why you did it in the first place. perhaps the constant pestering and questions about "when will you get married?" is starting to bother you, especially when it came from so many of your relatives, wondering if you'd settle down already instead of being out there in danger all the time. perhaps you just want them to leave you alone and stop worrying about your wellbeing. after all, you're an adult, and it's just annoying to hear the same thing over and over again every single time when you went home for christmas.
so, you created this narrative of a "boyfriend", who you'd talk about when your parents called. a boyfriend who is tall, handsome, and loves you for who you are. a boyfriend who you'd live with and maybe plan on marrying too in the future. a boyfriend that is so much of a textbook nice guy that your family would approve of even if it sounds too good to be true.
you're not sure who to ask. soap would be your best bet, but he would be away on a mission at that date. which was unfortunate, he seemed really excited to play fake boyfriend with you. gaz just ran out of leave for this month, so he's out too. price is too old, your family would question it.
that leaves just one person...
"lt, can you do me a favor? please, just this once."
ghost turned towards you, leaning back and letting you explain. you told him that you need him to be your fake boyfriend for a family event.
unsurprisingly, he was very quick to stand up and leave you alone, not wanting to deal with your bullshit. still, you catch up to him, trying to convince him with whatever it is you could offer.
after a few rounds of convincing, tailing him for three days and nights, constantly pestering him, and some offers of the finest whiskey and whatever he wanted, ghost finally relented. it didn't take long for the two of you to fly back to your hometown two days before the family reunion, the two of you taking a week of leave from the base with very little trouble. you assumed that ghost had something to do with it.
before you arrived, you had to give him a rundown on what to expect, what questions will be asked and how to answer them for it to make sense in the web of lies you've created. he was definitely not thrilled, telling you that he got this... whatever "this" was supposed to be. you were nervous, hoping that things will actually go well.
surprisingly, ghost did keep true to his words. walking into your childhood home, he held your waist, keeping you close to him, even would act nicer to your nosy relatives (which, of course, was not surprising when you feel his grip got tighter around you).
dinner was quite cozy, everyone seemed to enjoy his presence and kept asking you if you two will end up married. ghost said something vague that made you blush, and while it embarrassed you, it got everyone to stop talking about it.
when the crowd dissolved, you took ghost to go see your childhood bedroom, closing the door behind him as you thanked him for doing you a good favor, and that you won't forget all about this. you didn't even realize that he stepped closer to you, too absorbed in gushing how successful the night has been, pulling you close and planting a kiss on your lips. it shut you up.
"... did you just kissed me?"
"mmhm. i reckon i deserve at least that, huh love?"
"i suppose you do..."
he kissed you once more. well, at least you won't have to lie about your fake boyfriend anymore.
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viennakarma · 14 days
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My dearest friend and enemy (2)
PART 2 | Fernando Alonso x Reader
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Summary: You and Fernando always dreamed of the day you'd get into Formula 1. Unfortunately, the competition, the pride and the stubborness, get in the way of a beautiful friendship.
Word count: 7.1k
Tags: female!reader, driver reader, coming of age, ups and downs of a friendship, brocedes coded, very very angsty, cursing, anger, fights, overuse of flavio briatore as a plot device, lots of low blows, sprinkles of romance, kissing, making out, happy ending, not beta read
Relationship: Fernando Alonso x Reader
Note: Someone requested this, with this very detailed request, and it has consumed my every thought for the past week or two. I had to tweak some things from the request here and there, hope it's ok. It's heavily inspired by brocedes. (There is a lot of info that is wrong or inaccurate, I did this on purpose to fit my narrative, if you catch them, please ignore)
I was wondering doing a bonus part about Fernando POV throughout everything (to show he was ALSO miserable), but I don't know if i have the time and energy for it. Let me know if you guys would be interested in it and I'll do it in headcanons/topics.
I'm sorry if it feels rushed, this was taking way too long and I just wanted to follow my heart. Feedback and opinions are appreciated xx
Find me on Twitter!
PART 1 | FERNANDO'S HEADCANONS
You were moping and crying in the living room when the phone started ringing. Looking at the little screen that showed the number that was calling, you knew it was Fernando. You had memorized his number at some point in your lifetime. Your parents weren’t home, so you hesitated. You took so long that his call went to voicemail.
“I know you’re there,” he said, voice sounding tired, low and inpatient, “please pick up the-”
You pulled the phone cable, unplugging the call and silencing him. Wiping your tears, you stared at the unplugged phone on the little side table for what felt like hours, until your parents returned from work, when you got up to plug the phone back and pretend like you didn’t spend the whole day mourning a friendship you always thought would last forever.
After two days ignoring all calls, even Flavio’s, you decided that you’d shield yourself from now on, and you wouldn’t give Fernando any more ammo to hurt you. You met with Flavio at the next race, face heavy with makeup to cover up the sleepless nights you had gone through. You put your bag down and stared at Flavio across the table.
“Good morning. Let’s go back to work,” you said, gently pulling the stack of papers from his grasp. He called your name in that tone, of someone wanting a heart to heart.
“We should talk about the f-” He started but you cut him off.
“No, I don’t want to talk about that,” you said.
“I talked to Fernando and he-”
“I said, I don’t want to talk about it. He’s dead to me.” You repeated slowly, finally looking up at him. Flavio must’ve seen something in your eyes because he let the topic go.
You didn’t see Fernando for two more days, and when the weekend officially started, you avoided him like the plague. Even when you two were in the same place with other drivers, you’d ignore his existence for the most part. Whenever you were in a little circle chatting with other drivers and he arrived, you’d leave immediately. Press conference, you convinced Jenson to switch places with you so you could be as far from Fernando as possible. Even with team debriefs, with Flavio trying to make you talk to Fernando, you refused.
The rest of the season was insane, during team meetings and debriefs you were cold and barely talked to him. He didn’t try to talk to you either, and the silent distance only grew.
You were head to head in a race, you were P2 and Fernando P3 right behind you.
“Switch with Fernando,” your engineer said on the radio.
“He won’t fucking pass me,” you said into the radio, holding your position and pace. He was less than a second behind, and you refused to let him pass.
“I repeat, let him pass,” That was Flavio.
“If he manages to overtake me, he can go.”
He didn’t. You knew you had more pace, but still he insisted, and through the mirrors, you could see him closing in behind you. He tried to overtake but you pushed the car fast, and when he couldn’t anymore, he turned into you, touching his front right tyre to your rear left tyre. You were too fast. The mere touch of his tyre bursted yours. You couldn’t even get angry as you lost control of the car in a millisecond, the speed making your car fly into the air as it hit the gravel. With your car overturning a few times in the air, you watched your sight going ground, sky, ground, sky, ground, sky.
Then you blacked out.
When you woke up, you were on a stretcher being placed carefully inside the ambulance, you tried to get up, dizzy and someone handed you a bag where you threw up inside.
You had an insane headache as they took you to the medical center. Apparently, everything else was alright as you checked your own body for any injuries or problems. The doctor checked you but still made you through a round of tests and injected saline solution diluted with pain medicine in an IV drip. They also decided you’d stay overnight to make sure nothing was wrong. 
Your dad, who was watching from the garage, was the first to find you in the medical center, visibly worried and crying. He hugged you for a whole minute, before taking a step back and touching your face to make sure you were really alright.
“I’m ok, Papá. Just passed out when the car was spinning in the air,” You smiled softly, wanting to dissipate his worry.
“When you didn’t answer the radio-” He choked back tears.
“It’s ok, I’m ok now.”
“What are you feeling, darling?” He pressed, holding your hands to look for injuries in your arms.
“I’m all in one piece, Papá. Just a little sore, but that’s normal whenever a racing driver crashes,” you let him know, and he nodded.
“Let me just call your mother. She was so worried she wanted to get into the first flight here,” He told you.
“Tell her I’m alright and I love her,” you whispered and he nodded, going outside.
You sighed as you were left alone, trying to find a comfortable position where you didn’t have to move too much, since your whole body felt like it had been run over by a truck. The door opened and you thought it was Flavio, but you were faced with Fernando, still sweaty and in his overalls. He looked disheveled, but he was full of worry, even his eyes looked a little misty as he stood there a few meters from you.
But you couldn’t look past the anger when the memory of him diving into your car came back. He had gambled with your life, out of pettiness, out of envy, he couldn’t pass you, so he decided the next best thing was to take you out, not even caring about the danger he was putting you through.
“Leave.” You said, with gritted teeth.
“Please,” he begged with his voice softer than you had heard for almost a year, “let me just-”
“Leave! You could’ve gotten me killed, Fernando. Get out!” You said, louder. “Do you have any idea that you could have ruined my life in a moment of anger?! That you could have gotten me seriously injured or worse?! I would have never done that to you!” You pressed your index finger to the nurse button repeatedly, and a few seconds later, a nurse came in, “Ma’am can you escort him out please?”
You could see in his eyes that he was hurt by your words, but in that moment, all you felt was blind rage, for what he did the last time you spoke and because he crashed into you on purpose. You didn’t want to hear any excuses now that he realized he put your life in danger just because his ego couldn’t take a hit.
The next day, after you were discharged, you traveled for a meeting with Flavio at Renault’s headquarters. He met you alone in the meeting room, talking to you about the accident, and after making sure you were physically fine, he went off.
“What you did yesterday was reckless and you went against express orders from the team and from me. This is not happening again, or you will be risking your seat at Renault,” He said, his voice never leaving room for debate, you swallowed and nodded, “When the team orders you to do something, you do. No questioning, and no going against it. Understood?”
“Yes, sir.”
“Fernando was really worried about you yes-”
“I don’t want to talk about him.” You cut Flavio off.
“You two are best friends, it’s really sad to see you lose all that because of Formula 1” Flavio said, gently.
“He put my life at risk, Flavio. This is not something a friend would do,” you stood up, walking away but you stopped by the door, “Kinda curious how motorsports, the very thing that brought us together, is the same that tore us apart.”
Then you went to meet the engineers for the next race strategies. 
That night as you laid down at home, you thought that you’d never compete with Fernando solely because he was Flavio’s favorite. If it ever came to Flavio to decide whether you would win or Fernando would win, he’d always pick Fernando. You could’ve been fighting for the championship this year, he had promised you, instead you were being used as a step in Fernando’s path of glory, when you could be fairly racing him for the championship. You’d always come second to him there. That was also the moment you stopped seeing Flavio as a friend, and confined him back to a position of Team Principal.
You reread the Sauber proposal that came to you that year to start racing for them the next season, tempted to just go and make your name somewhere else. Somewhere where you’d be put first.
But deep down, a sense of indebtedness had rooted into your heart ever since the day Fernando told you the truth. You had to pay Flavio back for his trust and for his money, and the only way you thought you could do it was by becoming world champion under his team.
There was still a little kid inside you, a little kid who aspired to prove Fernando wrong, to become a champion and prove to yourself you’re more than him. More than who he wanted you to be, more than a loser.
You turned down the offer from Sauber.
The rest of the season you went almost robotically. You still gave your all every race, but your mood would always damper when you had to follow team orders.
“Ask if me and Fernando can switch, I’m faster!” You said on the radio. You kept driving, Fernando a little less than two seconds in front of you, but you were getting closer and would catch up to him in two laps.
“Negative, protect his position.”
“There’s a McLaren right behind me! They’ll pass us both!”
“Negative, team orders.”
You swallowed and held your position, trying to maintain your P2 and Fernando P1. But when the McLaren got close to you, they managed to pass you after a brief battle, going for Fernando a couple of laps later.
Later, you stood on the podium, looking ahead knowing that P3 could’ve been a P1 if they had let you fight for it. You didn’t look at Fernando on the other side of the podium, you just stood there, eyes watery. You pretended to take part throwing champagne for a few seconds, forcing a smile knowing that it would look bad not to.
The post race interviews were torture, and you wanted to go home and vent to your parents.
“How has it been to manage your friendship with Fernando outside the track?” A reporter asked, and your smile disappeared from your face.
“We were never really friends,” you shrugged, annoyed, you added “Are there any questions about racing instead of my personal life?” The reporter was silent, visibly taken aback by your responses, you had rarely been hostile toward a journalist before, you knew he would have a field day with just those replies, especially when your PR manager gave you a hard stare, “No? Thank you, see you around.”
You finished P2 in the race Fernando became champion for the second time. When you got out of the car, you watched as Flavio and Fernando hugged, jumping from the ground and celebrating. The number one and your team principal. After the podium ceremony, you didn’t bother to stay to spray champagne, just leaving and going straight out.
You got a couple more proposals from other teams, and you were tempted, until Flavio told you Fernando was leaving for McLaren the next year and offered you an extension. You took it under the condition to become the number one driver now that Fernando was out of the picture.
A part of you mourned the death of the dream, the one you had at fourteen to become teammates with your best friend. So many things had happened in between everything, now you would miss it. Only the good, not the bad and ugly. You wish you could go back in time, redo everything, and never allow yourself to lose your best friend on the way.
The next year you ended up striking an unexpected friendship with Jenson Button, Nico Rosberg and eventually the two rookies Lewis and Sebastian, who had been very vocal about being fans of yours.
You didn’t go back to talking with Fernando. You didn’t try and he didn’t either. It felt like the bridges were too far burned to recover.
One day as you walked out of the garage, you saw Fernando with a girl on the opposite side. She was clinging to his side, whispering. You knew he had his fair share of fun with grid girls but he never invited them to watch the race from his garage. You wondered if he was dating again, after a couple of years being nothing more than a player. You also wonder why it made a pang of pain flare through your chest.
You don’t linger too much. He had no reason to tell you. You weren’t even friends anymore.
You moved on, as much as you could. And eventually, you met Kaka, or Ricardo, as you preferred calling him. He was a footballer, a big name in the sport, playing for a big team in Italy. You actually met him at a gala party, the both of you being silly introverts, bumping into each other when trying to find a way out. You two ended up talking for hours on the balcony, watching the city lights.
He reminded you of Nano before Formula 1.
And you actually wanted to smash your own head against the handrail as you thought that.
After exchanging numbers and calling a couple of times, you managed to convince Ricardo to come to a Grand Prix. His presence was calm, funny without being mean, and so gentle. It was actually the calm between the storm your life and job was.
You were pacing around outside the motorhomes to try and see if he had arrived yet, since the last you had talked to him was when he was on his way. While waiting, your eyes found Fernando’s on the opposite side in front of McLaren, he was sitting down with his girlfriend telling him something. You stared at him for a whole minute, and for a brief moment, the anger left his eyes for something softer, something like-
“Hi, minha linda!” Ricardo showed up out of nowhere, and he hugged you so tight he actually swiped you off your feet.
Once the surprise passed, you hugged him back, your fingers finding their way through his hair. And he laughed, spinning you before putting you down. You talked for a bit, your face lit up as he told you about his day.
Your eyes unconsciously turned to Fernando, because you could feel that he had been staring at you for as long as Ricardo was there. His face was back to anger.
“You want me to give you the grand tour?” You offered, just so you could escape the weight of Fernando’s glare.
You took Ricardo by the hand and showed him all around, even introducing him to part of your team. After that race when you placed third, Ricardo invited you to a date, the first official one. After a couple of months and a few kisses, he asked you to be his girlfriend. You only hesitated for a second before smiling and squealing a yes.
Being the main driver of your team allowed you to live an entirely different season as a racer. You didn’t want to be arrogant, but you had it in the bag. You had the best car, the best engines, and just the perfect amount of boldness. Add insane strategies, and you were unstoppable.
Despite Fernando being your close rival on track, he was way too busy beefing with Lewis, his surprisingly great rookie teammate.
During summer break that year, you were on a trip to Brazil with Ricardo, but still, the night of July 29th, you got up at two a.m., slowly went to the fridge, where you got an ice cream pint. With a spoon, you sat on the handrail in the balcony, and watched the waves breaking on the beach a few meters away.
It was weird keeping the ice cream tradition alone, but you supposed it was even weirder not keeping the tradition. Staring at the stars, you wondered if Fernando had any ice cream to celebrate his birthday that day.
“Hi,” you heard Ricardo behind you, his hands sneaking around your middle and he hugged you from behind, laying his head against your shoulder, “everything ok?”
“Yeah, just wanted a little treat,” you mumbled, closing the lid on the ice cream, because a selfish part of you didn’t want to share the tradition with anyone other than Fernando. It was silly and stupid, and still… you couldn’t bring yourself to do it. You put the ice cream back in the freezer and smiled at Ricardo as he pulled you into his arms and carried you back to bed.
You came back from summer break with a renewed sense of focus. Deep down you knew that was your season. Your season to become world champion, and nothing was going to get in the way of that. As you won the first two races after summer, you became first in the standings, this sense of purpose being the one thing motivating you every weekend to give your best.
It was Interlagos that year when you needed only a podium to become World Champion, pretty much the same as Fernando two years before. The race was tough, and it felt like Fernando was out to get you, especially in a moment right in the middle of the race, when you were behind him in P3 and he tried to brake test you again, but this time you were quick to react, avoiding his rear and using his own dirty trick against him, turning sharply to overtake him from outer side, moving past him fast enough to gain some precious couple of seconds.
After that, you managed to smoothly overtake the P1 with a carefully planned pit stop that allowed you to come out first. Later on, you saw a crash, nothing too bad, but you found out it was Fernando and Webber.
“Are they ok?” You asked via radio to your engineer.
“Yes, they are already back on the pitlane.”
You sighed and focused back to your race, keeping your P1 safe, and going smoothly to take the checkered flag.
“Congratulations, Y/N! You’re a Formula One World Champion!”
You felt the tears coming down and dampening your balaclava, as you took one last lap to parc ferme, waving at the crowd that went insane.
It was like a huge weight was lifted from your chest. Because you were now world champion. You were there, and you deserved to be there, among the best. You didn’t need to prove yourself anymore, and you had finally paid Flavio back.
You jumped out of the car straight into your team, jumping with them, and Flavio ran up to you, pulling you into a tight hug. Jenson also found you and hugged you firmly, patting your back and Nico also hugged you, both of them were on the podium with you.
As you looked down from the podium, with a watery, emotional smile, you saw your dad crying like a baby and clapping his hands. Unconsciously, your eyes looked for Fernando, silly hoping it mattered something to him, that at least in the name of your former friendship, he would be there, but he was nowhere to be seen, and you felt like that was another nail in the coffin of your friendship.
Deciding to forget it, you drank champagne straight from the bottle, laughing as both Nico and Jenson paired up to drown you in champagne, looking happy for you.
After talking to your mom on the phone, you stood up, taking your bag and going out to look for your dad. You didn’t make it very far, as you came out in the hallway, you found Fernando, leaning against the wall. You paused, looking up to him while your heartbeat went up.
“I’m happy for you,” he whispered. And you wanted to believe it really badly, but thinking about him brake testing you during the race, trying to take you out, made you roll your eyes at him.
“Sure, you are,” you said sarcastically. He shook his head and clicked his tongue, like he was disappointed you didn’t believe him, “my debt is over now.”
“What?” He frowned, confused.
“I just paid Flavio for his investment,” you explained, “I’m not just here because you asked him to support me, I’m a damn great driver. I’m here because I deserve it, not because you took me out of pity.”
Fernando stared at you completely shocked at your words, something painful stabbing at his chest. He never thought you’d think like that over disgusting words he said in a moment of anger. Words that never meant anything to him, that he didn’t even believe in himself. The hurt in your eyes was the same from the day he said the words, when you cried looking into his eyes and telling him he was dead to you.
You walked past him and away. He wanted to shout that he never meant those words, that you were so much more, so much better. But you just left. Fernando followed you outside, trying to catch you and explain himself, maybe fix things between you, making peace.
But as he got outside, he paused, seeing you jumping in your boyfriend’s arms, laughing at something he whispered to you. Fernando swallowed, closing his fist and jealousy burned through his limbs, with such force that it felt like a fever.
Right after the Brazilian Grand Prix, Ferrari got in touch with you, offering a two year contract to become teammates with Kimi Raikkonen and drive for what was one of, if not the most classic team in Formula 1. After negotiations, it was a no brainer. You didn’t owe Renault anything any more. And that’s what propelled you to meet with Flavio that winter break in a cafeteria in Monaco. When you had called, he said he wanted to talk to you about something, which was convenient.
After pleasantries and small talk, you were ready to start, but Flavio cut you off without noticing.
“I have to tell you something,” he started, carefully, “Fernando is coming back to Renault next year.”
You froze for a second, not wanting to think too much about the implications of that. The fact that Flavio was willing to force you and Fernando to be teammates again even after the catastrophic ending you had before. Sighing, you covered your face for a second.
“I know you have reservations, but I’ve talked with Fernando and he’s willing to-”
“I’m going to Ferrari.”
And Flavio understood, after talking for a while. He knew Ferrari was most drivers' ultimate dream, and you weren’t immune to that either. Unfortunately for you, Fernando released the news he was going back to Renault a week before Ferrari announced you, and the media had a field day with that, tabloids and media outlets doing numbers of articles about you avoiding being teammates with Fernando again, since he was coming back and you were conveniently leaving almost at the same time.
Your races with Fernando kept being dangerous, one always trying to one up the other, dangerous moves and overtakes, close calls of crashing into each other, and more and more jabs publicly. The attacks at each other never stopped, and the media seemed to enjoy it, feeding into it ever so often.
One occasion, you were going for a win, and the only thing between you and that damn P1 was Fernando Alonso. So you kept your P2, biding your time as you tried to close the gap, leaving your chance at overtaking for the last few laps. When a fast turn came, you advanced, overtaking him, Fernando tried to defend his position, but you were getting the lead, and both of you were in high speed. Someone had to back out, otherwise you two would crash. But you were feeding off of anger and hurt, and you didn’t back down well into the turn, but suddenly, Fernando slowed down, giving up defending. You took the P1 and after a few laps, the checkered flag. You knew on the podium that Fernando was seething, his face didn’t hide that. Later, at an interview, someone brought up the dirty move.
“So, a very dangerous move at turn 2 during lap 47, no?” The reporter asked, trying to get a reaction out of you.
“I thought it was a pretty common battle, no?” You said, a condescending tone imitating him.
“Well, it could’ve caused you both to crash.”
“I took a risk, either I would pass and win, or we would both crash and DNF. Alonso was wise and went for the safest option.” I gave the reporter a fake smile.
You knew that answer would piss Fernando off, and a part of you knew he deserved it. Sometimes you acted on pure rage and pettiness, feral and way more aggressive against Fernando on track than you really needed to be. But he just pissed you off. Walking around with his model girlfriend, his attacks at your racing abilities, his pretty eyes that always seemed to find yours at the most inconvenient times.
Then, the race weekend would end, and everything that was left was shame. Your burning shame every time your mom’s eyes shone when she asked about Fernando, hoping you two would have made peace. You, looking away from her face every time you told her you knew nothing about Alonso because you didn’t want to see the disappointment in her eyes.
Later that year, after your two year anniversary with Ricardo, you accidentally found a ring box in his suitcase. A proposal ring, a beautiful big diamond ring, probably worth a small fortune. And you tried to feel happy about it, but you could only find dread in your heart. Despite loving Ricardo, you knew you didn’t love him as much as you could. And certainly not as much as she loved you. You didn’t love him as much as you loved-
Closing your eyes, you also closed your heart, and after that just like the coward you were, you broke up with Ricardo the kindest way you could. He was confused, because your relationship was tranquil, without many problems. It broke your heart to break his heart, but you couldn’t lead him on, you knew Ricardo was husband material, and the earlier you let him go, the earlier he would find his true happiness.
Ultimately, you decided to only pursue love after your Formula One career. Having a bit of fun here and there, and a couple of casual relationships even with other drivers, but nothing serious or public. When you found out Fernando was single again, a flicker of hope sparked in your chest, but when you saw him go back to his playboy ways… It died down.
Sometimes you would dream of a different life, of one you never lost your best friend… or even better, one that you never had to suppress the love you felt for him. And sometimes it felt too much, like all this love was just filling up your hollow heart, filling up until it overflowed, until you felt like you were drowning in it, because there was nowhere for this love to go. And you wondered, what do I do with this love, there's no one to give it to, there's no recipient to put it. So you would just ground your teeth and bear it, holding onto anger because that much love, that much longing did nothing but cause you pain.
Every time someone mentioned him outside race weeks, you felt ashamed.
Despite being in a top team like Ferrari, you’d only get a few wins, and some podiums here and there, so it wasn’t like you didn’t achieve anything. But you were a woman so it was obviously not enough, and the media started questioning your career and your place in Formula One.
After two years of you driving for Ferrari, Domenicalli, your team principal, sat you down to let you know Fernando Alonso would be joining the team the next year, and you bit the inside of your cheek, considering just retiring. The criticism was getting to you, and the perspective of living hell with Fernando as your teammate was a broken heart all over again.
When an opportunity arose to drive for Red Bull Racing, with a two year contract, you didn’t think twice before accepting. It would be your chance to turn the tide in your career.
It sent the motorsport world into a frenzy when your new team announced you and a week later Ferrari announced Fernando as their future driver. The same narrative of you running away from him was passed ahead. And of course, it got to the paddock. Most drivers that were close to you actually congratulated you, but of course, nothing was ever good for Fernando. And despite not fully talking to him, he was always willing to throw a mean comment at you any given day.
“And people said you’re washed” Fernando said right after the news broke, the second to last race of that season, his voice dripping with venom. You knew it was a backhanded compliment, he always did that when he wanted to get a rise out of you. He smirked, waiting for your feral clapback, as you always had one on the tip of your tongue.
But when he looked back at you, your face was stony, and you were looking ahead with your chin raised. You didn’t even look at Fernando, nor answered his taunting. You pretended he wasn’t there but he noticed your eyes were misty.
That had been a low blow, even for him. He didn’t know shit about your feelings regarding your career, but he knew exactly how the world had been treating it, and it made you burn with shame that he could add insult to injury this easily. You wondered why he would say something like that if, just like you, it had been years since the last time he was champion of the world. Two years pushing yourself to the maximum so you could achieve your second championship.
Fernando had been your best friend for so long, he knew exactly what buttons to push when he wanted to hurt you.
When someone else arrived, greeting you, you cleared your throat briefly before answering and plastering a smile that never reached your eyes.
“Are you running away from me?” Fernando cornered you later that same day.
“What?” You paused.
“I went back to Renault and you left, now I’m going to Ferrari and you’re leaving,” he shrugged. You scoffed.
“I’m not sure if you know, but my life doesn’t revolve around you, Fernando.”
“Well, that’s a weird coincidence, don’t you think?”
“What do you want? Why are you here?”
Fernando paused for a second, his eyes searching yours, he looked vulnerable, open like he hadn’t been in so long. He looked every bit your best friend from years before.
“I miss you, I-” He started, then cleared his throat.
“I miss the old you,” You swallowed a whole bunch of your pride just to be able to say those words.
“Things are different now…” Fernando started, his eyes full of hoping, of longing, “We could- maybe we could-”
“Fernando, we’re too far gone, what we said- what we did…” You muttered, feeling a lump in your throat, “how do one come back from that?”
“We could restart. Try again-”
“You lost me forever that day, Fernando.” You muttered, the tears holding on to your eyelashes. You didn’t need to specify the day, he knew, he had seen in your eyes the moment he lost you, “I spent so long hearing your voice in my head, telling me I wasn’t good enough, I shouldn’t be here, and I- I hated you that day. And I had to hold onto this hate, because the alternative was overwhelming sadness.”
There was a numbing silence for a couple of minutes, as you stared down at your own feet, trying to stop all the feelings you spent years carefully locking away from breaking free. So much had happened, you believed you and Fernando were too far to recover now.
“I’m a woman here, the first and only woman in so long, and the whole world was against me. You have no idea how it felt that my best friend, the person I trusted the most, was also against me,” You shook your head, feeling the tears drop.
“I’m sorry, Nena… I’ve never- I’ve never meant any of that.” He muttered, and you didn’t look at him to see if he was being genuine. You had formed walls around your heart to protect yourself from heartbreak, and you now had a hard time believing him.
“There are some things… that are not meant to be.” You didn’t look back at Fernando after you said that, choosing to walk away with this broken heart feeling ever present.
It was hard to keep going everyday. You had always faced backlash for being a woman in Formula 1, and you were used to it. But the media took a turn over the next few years. When you didn’t win more championships, when years passed and you were still there, along with other champions and future champions. They started to call you old, washed, telling you to retire and placing bets on when you’d lose your seat. It was baffling because it had been six years since your championship, but it had been seven years since Fernando’s, but still, you were the only one whose spot was questioned all the time. It was unfair, and whenever they came up to you talking about it, you’d ask them if they’d ask the same to older drivers or other champions. They would leave you alone for a week and then come back stronger, ready to throw your whole career under the bus.
Finally, you got another chance at the championship in 2013, after an unbelievable start of the season with five consecutive wins. That had put you first in the standings for the championship, and from there on, your team molded the season around you. Smooth sailing through the season, you became world champion in Suzuka, way too far ahead in the championship to anyone be able to catch up to you.
When you stood on the podium that night, you cried happy tears. You had once again proved wrong years of demerit from the world. As you looked down to search for your family, your eyes found Fernando right beside them, a proud, emotional look on his face as he kept a hand over his heart, listening to your national anthem.
He nodded at you with a small smile, and a part of you healed a little bit.
You enjoyed a couple of days of pure bliss after becoming world champion. Parties, celebrations and trips, they were all you did for the next few weeks.
When the FIA Prize Giving ceremony came, you had another bombshell to drop at the world. You were the most stunning you ever felt that year when you arrived at the ceremony, in a beautiful dark blue dress with little crystals all over the bodice, a beautiful hairstyle and even more beautiful makeup. Never in your entire career in Formula 1, you had felt so fulfilled, so happy.
Hearing your name being called as the winner, the number one, was different this time, and had much more weight, and it made your heart burst with happiness. As you walked up the stairs to the stage, receiving your trophy, you stopped by the mic.
“Thank you so much. I’d like to thank my family for supporting me from the beginning, my team for making the perfect season, and the perfect car for me to be able to achieve this. I’d like to thank all my teammates that, in one way or another, taught me some valuable lessons as a racer. Thanks to Flavio for taking a chance on my career when probably no one else would.” You said, with a smile. You took a good look around, all the people in this sport who made Formula 1 the most important category of motorsport, all your peers, all the teams. “I’m announcing my retirement from Formula 1, as of right now.”
There was a wave of shock and loud gasps in the whole room, flashes and flashes bulbing harder than before, journalists scrambling to take notes… But you kept smiling, hand firm around your trophy as you let the news settle down before speaking again.
“In 2007 I wanted to pay Flavio back for giving me the opportunity to be here today. That debt was paid that same year. After that year I wanted to win for myself, to write my name in the history books, and my dream is now realized. I feel like I should move on and make space for new upcoming talents.” Your eyes were wet with unshed tears, but you smiled, the first genuine smile in a few years.
Fernando felt his heart drop at your words. Things weren’t supposed to go like this, you two should be best friends, drive together, retire together. Go down in history together.
“I’m grateful for everything this sport provided me, the adventures, traveling around the world, the people I met and the people I lost,” there was a calm pause, and Fernando wondered if you were talking about him too, “Now it’s time to go and achieve new dreams. Thank you very much.”
You turned around and walked away under the applause.
Later, after the ceremony was done, you were getting ready to leave when Fernando came to find you. He was dressed in a beautiful suit, looking like a million dollar man.
“Nena…”
It made you pause. It had been a while since he called you like that with that specific tone. 
“What? Came here to gloat?” You couldn’t help but be defensive, worried.
“What?”
“I knew you’d be one of the happiest when I retired.”
“No, I would not-”
“You would, Fernando. You did. Many times you said I was done, that my prime was over, that I should retire…” 
“I never thought you’d easily give up!” He shouted at you, “Like you did in 2006, not competing against me.”
“That’s because they didn’t let me compete! Do you think I couldn’t have competed with you back in ‘06? I could, but every time, they would tell me to back off, to let you pass, to not fight you, to not overtake you-” You threw at his face, because you wouldn’t stand there and let him look down on you like that. You refused to back down now that you were finally free. “Pat threatened my seat if disobeyed team orders.”
“What?! Why did you never tell me that?” Fernando looked shocked. His fighting stance was completely gone now.
“You were going to be World Champion again. I would never take that from you,” You whispered, voice failing.
“Nena…” He said, like he wanted to drop everything. “Please, don’t leave. If Red Bull don’t want you, you can find another spot with another team, we can think of something.”
“Fernando, I’m not leaving because the team doesn't want me. In fact, they offered me a 3 year extension.”
“That’s not how it was supposed to go, remember? We planned that-” His voice was kinder than it had been to you in many years, “We would go down in history together. Win together, retire together.”
“When push comes to shove, only one wins… We learned that the hard way.” I say, with a sad smile, “Life doesn’t always go as planned. And I got everything I could ever want from Formula 1. Now it’s time for new stuff.”
“What new stuff?”
“I want to have a family, Fernando. People don’t stick around long for this lifestyle, you know that-” You shook your head.
With one last look at Fernando, your eyes watered, and you walked away.
Sitting on the porch, you looked up at the sky, thinking of what’s next for you. It had been months since you announced your retirement from Formula 1. The new season had already begun. It was your birthday, a refreshing new one.
You heard steps coming closer and your heartbeat sped up as you saw Fernando walking up to you. He sat down by your side, holding a pint of ice cream and two spoons. He handed one to you and in silence, you started eating ice cream.
“I’ve been looking for you,” he said after a few minutes of silence.
“Was it hard to find me?” You asked, with a tentative smile.
“It only took me my whole life to find you again…” He said, wistfully, his eyes shining under moonlight and you didn’t know if those were unshed tears or not, “my best friend, my nena, my girl…”
“I’ve always been here. Right here.” You said, eyes watering. You weren’t sure you could explain what that here meant, but somehow you knew he would understand.
Fernando took your hand, gently placing it on his chest, right above his heart.
“Right here,” he whispered, pressing his hand above yours, over his beating heart, “you were always here.”
Then, he kissed you. For the first time in more than a decade, for what felt like the first time for both of you. As his other hand pulled you closer, the kiss deepened, like a prayer and a promise. Both of you knew there was a lot of resentment to navigate through, and a lot of feelings you’d both have to unravel and understand. But there was one thing that was always there, through hate, anger and hurt… And it was love, unshaken, steadfast love.
As you broke apart, Fernando pulled you into him, hugging you tight for a few minutes, before pulling away to hold your face with both hands, his eyes looking into yours with so much devotion it melted everything away.
“We will be alright.”
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No, Uber's (still) not profitable
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Going to Defcon this weekend? I'm giving a keynote, "An Audacious Plan to Halt the Internet's Enshittification and Throw it Into Reverse," on Saturday at 12:30pm, followed by a book signing at the No Starch Press booth at 2:30pm!
https://info.defcon.org/event/?id=50826
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Bezzle (n): 1. "the magic interval when a confidence trickster knows he has the money he has appropriated but the victim does not yet understand that he has lost it" (JK Gabraith) 2. Uber.
Uber was, is, and always will be a bezzle. There are just intrinsic limitations to the profits available to operating a taxi fleet, even if you can misclassify your employees as contractors and steal their wages, even as you force them to bear the cost of buying and maintaining your taxis.
The magic of early Uber – when taxi rides were incredibly cheap, and there were always cars available, and drivers made generous livings behind the wheel – wasn't magic at all. It was just predatory pricing.
Uber lost $0.41 on every dollar they brought in, lighting $33b of its investors' cash on fire. Most of that money came from the Saudi royals, funneled through Softbank, who brought you such bezzles as WeWork – a boring real-estate company masquerading as a high-growth tech company, just as Uber was a boring taxi company masquerading as a tech company.
Predatory pricing used to be illegal, but Chicago School economists convinced judges to stop enforcing the law on the grounds that predatory pricing was impossible because no rational actor would choose to lose money. They (willfully) ignored the obvious possibility that a VC fund could invest in a money-losing business and use predatory pricing to convince retail investors that a pile of shit of sufficient size must have a pony under it somewhere.
This venture predation let investors – like Prince Bone Saw – cash out to suckers, leaving behind a money-losing business that had to invent ever-sweatier accounting tricks and implausible narratives to keep the suckers on the line while they blew town. A bezzle, in other words:
https://pluralistic.net/2023/05/19/fake-it-till-you-make-it/#millennial-lifestyle-subsidy
Uber is a true bezzle innovator, coming up with all kinds of fairy tales and sci-fi gimmicks to explain how they would convert their money-loser into a profitable business. They spent $2.5b on self-driving cars, producing a vehicle whose mean distance between fatal crashes was half a mile. Then they paid another company $400 million to take this self-licking ice-cream cone off their hands:
https://pluralistic.net/2022/10/09/herbies-revenge/#100-billion-here-100-billion-there-pretty-soon-youre-talking-real-money
Amazingly, self-driving cars were among the more plausible of Uber's plans. They pissed away hundreds of millions on California's Proposition 22 to institutionalize worker misclassification, only to have the rule struck down because they couldn't be bothered to draft it properly. Then they did it again in Massachusetts:
https://pluralistic.net/2022/06/15/simple-as-abc/#a-big-ask
Remember when Uber was going to plug the holes in its balance sheet with flying cars? Flying cars! Maybe they were just trying to soften us up for their IPO, where they advised investors that the only way they'd ever be profitable is if they could replace every train, bus and tram ride in the world:
https://48hills.org/2019/05/ubers-plans-include-attacking-public-transit/
Honestly, the only way that seems remotely plausible is when it's put next to flying cars for comparison. I guess we can be grateful that they never promised us jetpacks, or, you know, teleportation. Just imagine the market opportunity they could have ascribed to astral projection!
Narrative capitalism has its limits. Once Uber went public, it had to produce financial disclosures that showed the line going up, lest the bezzle come to an end. These balance-sheet tricks were as varied as they were transparent, but the financial press kept falling for them, serving as dutiful stenographers for a string of triumphant press-releases announcing Uber's long-delayed entry into the league of companies that don't lose more money every single day.
One person Uber has never fooled is Hubert Horan, a transportation analyst with decades of experience who's had Uber's number since the very start, and who has done yeoman service puncturing every one of these financial "disclosures," methodically sifting through the pile of shit to prove that there is no pony hiding in it.
In 2021, Horan showed how Uber had burned through nearly all of its cash reserves, signaling an end to its subsidy for drivers and rides, which would also inevitably end the bezzle:
https://pluralistic.net/2021/08/10/unter/#bezzle-no-more
In mid, 2022, Horan showed how the "profit" Uber trumpeted came from selling off failed companies it had acquired to other dying rideshare companies, which paid in their own grossly inflated stock:
https://pluralistic.net/2022/08/05/a-lousy-taxi/#a-giant-asterisk
At the end of 2022, Horan showed how Uber invented a made-up, nonstandard metric, called "EBITDA profitability," which allowed them to lose billions and still declare themselves to be profitable, a lie that would have been obvious if they'd reported their earnings using Generally Accepted Accounting Principles (GAAP):
https://pluralistic.net/2022/02/11/bezzlers-gonna-bezzle/#gryft
Like clockwork, Uber has just announced – once again – that it is profitable, and once again, the press has credulously repeated the claim. So once again, Horan has published one of his magisterial debunkings on Naked Capitalism:
https://www.nakedcapitalism.com/2023/08/hubert-horan-can-uber-ever-deliver-part-thirty-three-uber-isnt-really-profitable-yet-but-is-getting-closer-the-antitrust-case-against-uber.html
Uber's $394m gains this quarter come from paper gains to untradable shares in its loss-making rivals – Didi, Grab, Aurora – who swapped stock with Uber in exchange for Uber's own loss-making overseas divisions. Yes, it's that stupid: Uber holds shares in dying companies that no one wants to buy. It declared those shares to have gained value, and on that basis, reported a profit.
Truly, any big number multiplied by an imaginary number can be turned into an even bigger number.
Now, Uber also reported "margin improvements" – that is, it says that it loses less on every journey. But it didn't explain how it made those improvements. But we know how the company did it: they made rides more expensive and cut the pay to their drivers. A 2.9m ride in Manhattan is now $50 – if you get a bargain! The base price is more like $70:
https://www.wired.com/story/uber-ceo-will-always-say-his-company-sucks/
The number of Uber drivers on the road has a direct relationship to the pay Uber offers those drivers. But that pay has been steeply declining, and with it, the availability of Ubers. A couple weeks ago, I found myself at the Burbank train station unable to get an Uber at all, with the app timing out repeatedly and announcing "no drivers available."
Normally, you can get a yellow taxi at the station, but years of Uber's predatory pricing has caused a drawdown of the local taxi-fleet, so there were no taxis available at the cab-rank or by dispatch. It took me an hour to get a cab home. Uber's bezzle destroyed local taxis and local transit – and replaced them with worse taxis that cost more.
Uber won't say why its margins are improving, but it can't be coming from scale. Before the pandemic, Uber had far more rides, and worse margins. Uber has diseconomies of scale: when you lose money on every ride, adding more rides increases your losses, not your profits.
Meanwhile, Lyft – Uber's also-ran competitor – saw its margins worsen over the same period. Lyft has always been worse at lying about it finances than Uber, but it is in essentially the exact same business (right down to the drivers and cars – many drivers have both apps on their phones). So Lyft's financials offer a good peek at Uber's true earnings picture.
Lyft is actually slightly better off than Uber overall. It spent less money on expensive props for its long con – flying cars, robotaxis, scooters, overseas clones – and abandoned them before Uber did. Lyft also fired 24% of its staff at the end of 2022, which should have improved its margins by cutting its costs.
Uber pays its drivers less. Like Lyft, Uber practices algorithmic wage discrimination, Veena Dubal's term describing the illegal practice of offering workers different payouts for the same work. Uber's algorithm seeks out "pickers" who are choosy about which rides they take, and converts them to "ants" (who take every ride offered) by paying them more for the same job, until they drop all their other gigs, whereupon the algorithm cuts their pay back to the rates paid to ants:
https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men
All told, wage theft and wage cuts by Uber transferred $1b/quarter from labor to Uber's shareholders. Historically, Uber linked fares to driver pay – think of surge pricing, where Uber charged riders more for peak times and passed some of that premium onto drivers. But now Uber trumpets a custom pricing algorithm that is the inverse of its driver payment system, calculating riders' willingness to pay and repricing every ride based on how desperate they think you are.
This pricing is a per se antitrust violation of Section 2 of the Sherman Act, America's original antitrust law. That's important because Sherman 2 is one of the few antitrust laws that we never stopped enforcing, unlike the laws banning predator pricing:
https://ilr.law.uiowa.edu/sites/ilr.law.uiowa.edu/files/2023-02/Woodcock.pdf
Uber claims an 11% margin improvement. 6-7% of that comes from algorithmic price discrimination and service cutbacks, letting it take 29% of every dollar the driver earns (up from 22%). Uber CEO Dara Khosrowshahi himself says that this is as high as the take can get – over 30%, and drivers will delete the app.
Uber's food delivery service – a baling wire-and-spit Frankenstein's monster of several food apps it bought and glued together – is a loser even by the standards of the sector, which is unprofitable as a whole and experiencing an unbroken slide of declining demand.
Put it all together and you get a picture of the kind of taxi company Uber really is: one that charges more than traditional cabs, pays drivers less, and has fewer cars on the road at times of peak demand, especially in the neighborhoods that traditional taxis had always underserved. In other words, Uber has broken every one of its promises.
We replaced the "evil taxi cartel" with an "evil taxi monopolist." And it's still losing money.
Even if Lyft goes under – as seems inevitable – Uber can't attain real profitability by scooping up its passengers and drivers. When you're losing money on every ride, you just can't make it up in volume.
Image: JERRYE AND ROY KLOTZ MD (modified) https://commons.wikimedia.org/wiki/File:LA_BREA_TAR_PITS,_LOS_ANGELES.jpg
CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/deed.en
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I’m kickstarting the audiobook for “The Internet Con: How To Seize the Means of Computation,” a Big Tech disassembly manual to disenshittify the web and bring back the old, good internet. It’s a DRM-free book, which means Audible won’t carry it, so this crowdfunder is essential. Back now to get the audio, Verso hardcover and ebook:
http://seizethemeansofcomputation.org
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/08/09/accounting-gimmicks/#unter
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Image: JERRYE AND ROY KLOTZ MD (modified) https://commons.wikimedia.org/wiki/File:LA_BREA_TAR_PITS,_LOS_ANGELES.jpg
CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/deed.en
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genericpuff · 1 month
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I really don't like how Melinoe looks like a female Hades with Persephone's pink eyes. It's too generic. Maybe keep her hair and eye colors, but maybe make her skin color a blend of both of them, like a muted purple/gray to contrast her with Dionysus? Anything other than what she has in canon.
What's wild is that the narrative is trying to convince us now that all of the dreams he had of him and Persephone were just peeks into the future. But if that's the case-
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1.) Melinoe learns to communicate verbally at some point
2.) There's ANOTHER BABY we haven't even established yet (though Rachel did confirm in a tweet from ages ago that it's some god named Brimos who she read about in a book when she was a kid ???):
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(but Brimo was an epithet associated with Hecate/Persephone/other gods of the dead, not necessarily an actual direct offspring of H x P, so... yeah, weird choice of a 'nod' especially now that she's trying to implement Hades' dreams into the plot as 'future sight' or w/e)
3.) All of the visions of their future together feature children that predominantly resemble Hades, not Persephone. This is really telling as to how much the relationship - both on a narrative level and even a visual one - revolves around Hades. Persephone is just an accessory, to the point that none of their children can resemble her in any major way, only through very miniscule references, such as the vines coming out of Melinoe's back and her pink eyes (whereas "Brimos" doesn't resemble her at all).
4.) This goes hand-in-hand with #3, but Dionysus and Thanatos are not present in any of these visions. I'm willing to give Thanatos a pass because he's an adult man (although it does just go to show how little Hades views him as a child), but what about Dionysus? Does his absence from these scenes tell us that Persephone found other accommodations for him? Or, more likely, is it because Rachel never planned to include Dionysus in the first place? And of course, Dionysus' design is also inherently linked to Hades, because while he has purple skin (referencing wine/grapes/etc.) he's got white hair that's explained as a genetic trait that's been passed down through Hades.
All that said, the baby plotlines in LO are a mess in and of themselves, and you can tell just how much of it revolves around Persephone "fixing" Hades or being the solution to all of his infertility and relationship problems. Persephone is the most perfect woman of all who Hades is dependant on to solve all of his problems, everything is about what she can provide him and what he can stand to gain from her, even if it means dragging her down to his level.
Man. Minthe was right.
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(seriously in ANY other story this would have been FORESHADOWING-)
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marunalu · 5 months
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Okay so.... like I already teased before, here comes the post about the "afo red herring" hori put in the manga and I just realized yesterday evening thanks to JADE (I dont know if you have an tumblr blog and what your username is, so if you read this, this post only happend thanks to you!) from the afo discord server and I feel so dumb for not realizing it sooner. So to make it short JADE pointed out in one of their comments that in the scene when yoichi is killed afo actually reaches out with his hand towards yoichi, because he was trying to GRAB HIM! And when I did read that I was like "Huh? What? Didnt he use a quirk and it accidently killed yoichi?" So I checked and JADE is absolutely right!
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The way afos hand is drawn and reaching forward makes it look like as if he just used an attack on yoichi. This is what I believed myself. I thought he used an quirk on yoichi, because he was in a fit of rage that his brother was "leaving him" and that in his anger he used more force then intended and thats the reason why he is so shocked afterwards and in denial about killing yoichi. But the thing is: nothing in this scene actually confirms that afo really used an quirk on him! We dont see him use one. We dont see an energy beam, flash of light or an other more physical quirk used here. We only ASSUME afo used a quirk, because of the way his hand is raised and reaching out and yoichi falls into pieces! I also believed that myself! I was sure he used air canon on him or maybe decay but didnt intented the attack to be lethal and THATS why he is so shocked! But then JADE mentioned that afos hand is raised because he was trying to GRAB yoichi to stop him from running away! Afo DIDNT use a quirk on yoichi that killed him, it only LOOKS like it! THAT is the red herring!
Okay look, I know this sounds crazy, but please hear me out a little bit longer, because I will explain WHAT actually happend in this scene in a moment. But before I do that, I want to point out something else. Since we got the chapter about yoichis death, the whole flashback about their childhood and afos tendendcy to dehumanizing himself to the point that he is convinced that he was born evil, there was something that bothered me, but I couldnt pinpoint what it was. NOW i know! Afo is trying to portray himself as the ultimative evil. The flashback of him as a baby is from HIS narrative and he is trying to convince everyone (espicially himself) that he was born that way! But the thing is: despite his desire to be seen like that by others, he REFUSES to acknowledge himself as yoichis murderer. I thought he was just in denial and coping. But if he wants to be seen as the ultimative evil, WHY doesnt he acknowledge that he is indeed SO EVIL that he was even able to kill his own brother if he really did it? Murder is already horrible enough, but to murder your own family? Espicially in a family focused country like japan in which "family" is the most important thing EVER?! To be able to kill your own kin would make you look like the devil in human form. Its the very image afo wants people to see of him. But STILL he refuses any responsebility for yoichis death! And now I think I understand why: as incredible as it sounds, but afo refuses any responsebility, because he really DIDNT kill yoichi! Look at his shocked face:
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Look at his confusion afterwards and his inability to accept that his brother is dead. Look at the fact that kudou, bruce and the rest of their group managed to flee from afo after the incident which shows that afo didnt follow them after yoichi was killed! It was not just because he was in a state of utter shock. He simply couldnt understand WHAT THE HELL HAPPEND! And that only works if afo indeed never used any quirk on yoichi. Becauae no matter how much in denial he is after killing yoichi accident or not, its very suspicious that it was never mentioned by him or the narrative what kind of quirk he used in that moment. WE DONT EVEN SEE HIM USE ONE, WE JUST ASSUME HE DID, BECAUSE IT LOOKS LIKE IT!
But WHAT killed yoichi then? Soon, soon Im almost there guys. But to understand you need to look at this first:
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THIS is what pissed afo off! THIS is what his focus was on: yoichi and kudou "holding hands" while running away together from him. He wants kudou to let go of hid brother, wants them to stop holding hands, because he is fucking JEALOUS (from the flashback we got about their childhood, I think we can conclude that afo and yoichi NEVER did hold hands as kids) since holding each others hand is a very intime gesture you dont do with everyone. It fuels afos fear and anger that kudou is "stealing" yoichi from him. That he is losing his "most precious possession". And he also for the most part is pissed at kudou and even blames HIM for yoichis death later. But still its yoichi who dies not kudou. If afo indeed used a quirk, why was it directed at yoichi he clearly just wanted back and not at the person who was "stealing" him? It doesnt make any sense. And now I want you to look closely at the picture of kudous and yoichis hands again. Do you see the glow around their hands? Do you understand what this means? Because THIS is the very moment ofa got transfered from yoichi to kudou! Look at their hands and you can see that they are a little bit brused and dirty, so its not to farfetched to assume that this is how ofa was transfered, because we know blood contact between 2 people works just like how in the movie "heros rising" ofa was transfered from izuku to bakugou through blood contact.
And now back to the most important question: if afo indeed didnt use a quirk on yoichi and to us readers and kudou, bruce etc. just looks like he did, because of the way his hand is reaching out towards yoichi and he falls apart, then WHAT really killed yoichi? Guys... its so simple, I cant believe how I didnt get it sooner. Yoichi wasnt killed by afo, he was killed by OFA!!!
Okay listen, before you freak out and call me delusional or something similar, lets remember a few facts we know. Ofa was created when yoichis "give" quirk fusioned with the stockpike quirk afo forced on him. That means, while it was still an very weak quirk in that moment, it already got his first powerboost. We know that ofa is an incredible dangerous quirk that can kill its owner if they cant control it. We know ofa shortens its owners lifespan (except all mights and izukus). We know that if the owners body is weak ofa can KILL them! We know when ofa is transfered and used at the same time between 2 people it sets an huge destructive energy free (again look at heroes rising when izuku and bakugou both use ofa at 100% after izuku just transfered it). You may wonder now WHEN did kudou and yoichi use ofa though? And the answer is they actually used it without realizing (since they didnt know of its existence yet) the moment it was transfered from yoichi to kudou by trying to outrun afo. It was still an pretty weak quirk at that point, but yoichi was born with a WEAK BODY! The exact thing the owner of ofa SHOULDNT have because its a DEATH SENTENCE! Its the very reason why all might helped izuku to train his body before he gave him his hair to eat. Izukus body needed to be tough and strong enough, otherwise he would have immediately killed himself with it when he used it the first time (which he still almost did!). And now look at this:
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"Your limbs would fly off and youd be BLOWN TO BITES!"
Here you have it everyone! THIS IS WHAT HAPPEND TO YOICHI! THIS IS WHAT KILLED HIM! Afo never used an quirk on him, it just looks like he did TO US! It wasnt air canon! It wasnt decay or any other of afos quirks! He was simply trying to grab his brother! THAT is the red herring! Hori is a fucking genius!
And its the whole reason why afo looks like as if he just got punched in the guts with a wrecking ball when kudou tells him "you killed him". Because just this one time afo really didnt do it!
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serpentarius · 4 months
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been trying to wrap my head around the cancellation of "Our Flag Means Death" and why it hurts so fucking much. lots of folks who are much more eloquent than I have summed it up perfectly, but I still think it’s important I add my voice to the matter. 
It really, really sucks that the hurt is being compounded on us every time another queer/minority-led show gets prematurely cancelled. and for a long while, we also had to deal with the many shows that deliberately queerbaited us, which was a shitty and traumatic experience unto its own. And even though we’ve largely surpassed that early-‘00s-flavoured brand of queerbait now, mainstream queer media is still predominantly white-led. With the cancellation of OFMD, we've lost one of the very few intersectional queer shows in the mainstream. Shouldn’t we be beyond asking for crumbs at this point? Shouldn’t we get unabashedly intersectional shows helmed by and starring queer, BIPOC, and trans folks without them being axed for no rhyme or reason?
It’s exhausting at this point, honestly. OFMD has done so well in terms of viewership and engagement and fan response—almost entirely due to word of mouth and little thanks to the Max marketing team, mind you—and even still the show got cancelled? Can they make it make sense????
For me, the thing most akin to this OFMD situation was when Sense8 got cancelled. And yes, the fandom fought, and we eventually DID get a movie that wrapped things up years later! That gives me hope for OFMD, that maybe another network will pick it up, or maybe they’ll be able to make a movie someday. But what makes me sad about cases like Sense8 is knowing that the creators still had to force the narrative around the amount of time they were given. That the corporate overlords who only care about numbers and profit dictated how much time they had to wrap up their story.
And it fucking kills me that DJ only wanted one more season. One more season to complete the vision.
I'm just so mad that queer people are constantly being jerked around and used for profit and then left high and dry. And then we're given excuses like "oh there's no budget" or "oh there's not enough viewership, that's all it is". like, sure, maybe those are contributing factors, but then I look at all the useless garbage shows that have little viewership and high budgets that keep going forever and then I think "hmmmm, the math ain't mathing." It's fucking transparent; the corporations can spew all they want with their rainbow capitalism and talks about diversity, but the evidence is clear, and they can't convince me homophobia/racism/transphobia/etc. is not a factor in these decisions.
Anyways, back to OFMD. OFMD made me fall in love with fandom again. I drifted away from fandom for a while in my 20s, and while OFMD wasn't the first fandom that drew me back into the madness, it's certainly the largest. The sheer amount of creativity both within the show and outside of it has blown me away; I've read some of the best fics, seen some of the best art, and witnessed some of the most incredible creativity from people in this fandom.
And let's not forget the role of the show's creators and how they've interacted with us fans. They made us feel seen. And made us feel loved and valid, even when we were being weird and loud and horny. It's so fucking rare to see that. But they understood; understood that the show they made was for us, for any of us who've been marginalized or made to feel Othered or different or stuck in life or unsure of our identities. And they gave us so much love for it.
The story... man. The unique combination of quirky humour and bright visuals and dark, introspective moments, the gorgeous costumes and soft, lovely, unabashed queerness, and veteran actors and new actors all getting to shine, brilliant comedic actors getting to show off their dramatic chops and vice versa. For me, seeing Rhys Darby - an actor I've loved for a long time, but who I never thought I'd see in a leading role - getting to be the romantic lead in a queer role? And seeing acclaimed director/producer/screenwriter/actor Taika Waititi play opposite Rhys, as an indigenous Blackbeard? Fucking incredible. OFMD Edward Teach you will always be famous to me.
Anyways... despite my long ramblings here, I still don’t think I've been able to get to the root of WHY exactly this show has inched its way under my skin and stayed with me in the way it has. Maybe I'll spend years trying to understand it. But I DO know that it's in part to do with seeing both older queers AND a diverse range of queerness onscreen, in a way that I've never seen in media before. I DO know that OFMD has forced me to look inwardly, and allowed me to realize some important things about myself. About my own queerness, my own identity, things I'm still figuring out. I've cherished being able to see myself in Stede, in Ed, and each of the crew members. In Roach’s love for cooking, in Oluwande’s ability to mediate; in Jim’s quick temper, in the way Izzy builds walls to guard his heart. In Buttons’ quirkiness, in Wee John’s sass, in Frenchie’s ability to turn pain into humour; in The Swede’s silliness, in Lucius’ bluntness, in Pete’s soft heart beneath the skepticism. Lastly, OFMD has inspired me. To create, to write, to draw, to devour other peoples' works and worlds while I sit in sheer, overflowing joyousness at their talent.
so yeah. the news of this cancellation is upsetting and hurtful and disappointing. And it's making us cry, and it's making us grieve, and may make us hollow and numb at times because we've lost yet another thing we love so deeply before it was meant to go. It's so much more than "just a TV show". It means more to us than any passive mindless idiotic mind-numbing bullshit - because even though there's a time and a place and a purpose for that type of media, it's the thought-provoking work, the work that creators pour their entire hearts and souls into, that hit us deep in our own souls. The work that changes our lives. The work that has the ability to save lives, as I know OFMD has done for so many. 
please know I'm sending immense amounts of love and strength to those of you who are also hurting. we'll get through this, one way or another, and I'll keep up with the hope that we'll get more someday; but in the meantime, I'm holding you tight. ❤️️🫂
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transmascissues · 3 months
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I know that saying T turning twinks into otters and bears is supposed to be positivity, but it feels excluding of those of us that didn't get those effects from T. Trans men can look all kinds of ways and I keep seeing posts that almost belittle the idea of trans men remaining like that after T, but some of us do. Lift up the ones who do turn into otters and bears and those that don't. It's already a point of dysphoria for a lot of people
it is not humanly possible for me to include every single possible transmasc experience in one post, nor is it my responsibility to try to. positivity for one experience does not equal negativity toward other experiences. if you want a positivity post for people who don’t get those effects from t, by all means make one and i’ll fully support you in that, but don’t treat other kinds of positivity as wrong just because they’re not for you.
i am a trans man who went from a twink to an otter on t, and i put that line in because that’s an aspect of my transition that i’m incredibly proud of. i’m allowed to do that, and i’m not required to fulfill some sort of quota of positivity for other people to make that okay. me showing pride in my body and bodies like mine isn’t belittling other kinds of bodies, and i would challenge you to really ask yourself why you interpreted positivity for other people as automatically negative toward you. sometimes some things just aren’t for you and that’s okay. i’m sure there are other parts of that post that did apply to you, as well as plenty of other positivity posts that do. and if not? make some! send them to me, i’d love to reblog them! every positivity post you see is just a trans person making the posts they want to see more of, and you can do the same.
not to mention, hair growth and weight gain on t are incredibly stigmatized. people constantly talk about how bad they think all the hair looks or how gross they think it is when we don’t shave, and gaining weight is something that’s pretty much always framed as a negative side effect instead of a desirable and euphoric change. people literally try to convince us not to go on t by saying “you’re not going to stay an androgynous twink, you’re going to be hairy and all your fat will move to your stomach and you’ll just look like your dad.” that’s a horror story to a lot of people; that’s the thing that they think will disgust us enough to decide we don’t want to go on t.
so if you see a lot of posts hyping up trans otters and bears, it’s not us saying other kinds of bodies aren’t as good, it’s just us pushing back against those narratives and saying “no, our bodies are good too, actually, and i’m glad t made me look this way.” that’s not to say there isn’t also a lot of negativity toward trans men who are smaller and less hairy; no matter how we look, people will find a reason to hate our bodies because they hate us. but you really can’t put the blame on trans otters and bears who just want to send a message that our bodies aren’t bad.
if seeing positivity for trans bodies that aren’t like yours makes you dysphoric, please understand that that’s a personal thing you need to learn how to deal with and not the fault of the people who just want to feel good about their bodies as much as you do. it’s okay to want positivity for your kind of trans body and i promise you those posts are out there, but you can’t expect every single one to cater to your specific experiences.
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tacroyy · 9 months
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losing my shit about the two times vimes gets slapped by a woman in the guards books (night watch and snuff; spoilers for both below). terry pratchett is completely goddamn brilliant.
both times, it's near enough to the beginning of the plot that vimes is partially convinced he doesn't know what's going on and is still information gathering (so, working a little on autopilot, although thoughts are starting to coalesce). the women he encounters show up after a watershed moment—major transformative plot points on both occasions—and both help him and help move the narrative along with the information they provide. and this is my favorite detail—he's tired both times, too, and just needs to think, because of the amount of new information he's processing.
from night watch:
"I think perhaps I lost my memory when I was attacked," he said. That sounded good, he thought. What he really needed now was somewhere quiet, to think.
"Really? Perhaps I'm the Queen of Hersheba," said Rosie [Palm]. "Just remember, kind sir. I'm not doing this because I'm interested in you, although I'd admit to a macabre fascination about how long you're going to survive. If it hadn't been a cold wet night I'd have left you in the road. I'm a working girl, and I don't need trouble. But you look like a man who can lay his hands on a few dollars, and there will be a bill."
"I'll leave the money on the dressing table," said Vimes.
The slap in the face knocked him against the wall. /end quote
and from snuff:
She [Felicity Beedle] turned to Vimes. "It would seem, commander, that providence has brought you here in time to solve the murder of the goblin girl, who was an excellent pupil. I came up here as soon as I heard, but the goblins are used to undeserved and casual death. I"ll walk with you to the entrance, and then I've got a class to teach."
Vimes tugged at Feeny to make him keep up as they followed Miss Beedle and her charge toward the surface and blessed fresh air. He wondered what had become of the corpse. What did they do with their dead? Bury them, eat them, throw them on the midden? Or was he just not thinking right, a thought which itself had been knocking at his brain for some time. Without thinking, he said, "What else do you teach them, Miss Beedle? To be better citizens?"
The slap caught him on the chin, probably because even in her anger Miss Beedle realized that he still had his steel helmet on. /end quote
vimes makes mistakes. he makes mistakes all the time, and he knows this, and pays attention to them. vimes spends a lot of time thinking about thinking (engaging in productive, internally motivated metacognition well within his zone of proximal development, my master's in teaching insists i say). he thinks about his thinking, and he thinks about other people's thinking through the lens of his own.
in both instances, vimes is coming to realizations about the true nature of things.
in night watch, this would initially seem to be more surface than deep: he's getting to physical grips with exactly when and where (and who) in the past he is; he's learning the ground, mapping, figuring things out—but vimes is also trying to settle himself back in to what he knows, and what society is in these different times, to see if that fits. plotwise, in vimes's present, the seamstresses have a guild, rights, safety, standards, rules, regulations, and even societal respect—although certainly not close to what they deserve, it's much more than what they had before vetinari made their guild a reality. but in the past, where vimes is now, the seamstresses don't have this level of security, and are subject to violence (although it is shown to be societal and legal violence [being arrested for working during their profession's peak, etc] rather than interpersonal or sexual violence [the agony aunts exist and, it is clearly stated, dispense the same justice that they do in the future, specifically to individual clients rather than to larger institutional structures]).
so, when vimes puts down rosie by making a disparaging joke about her profession—oh, you're actually not important to me or to men or to society at all; your labor is not to be respected; i got what i needed from you and will of course pay you, but in the most insulting way possible—he's not only communicating what society thinks, but a moral issue of the novel as well. night watch, after all, is about revolution: who gets to be in power, and who gets to control who gets to be in power? it's frankly revolutionary for pratchett, a mainstream english author, to treat sex workers and sex work as positively as he does (of course, his depictions are not without flaws). he makes it clear that, after all, shouldn't we view sex work as physical labor? isn't it true that anyone who is employed is engaging in physical labor? how is a seamstress really different from a "seamstress"? (it's the power dynamics and misogyny standard to western/european/american/christian society: women and sex must be controlled by the patriarchial majority, kept small and afraid and in chains.) pratchett legitimizes the seamstresses in vimes's present. in vetinari's ankh-morpork, the seamstresses have just as much power as the merchants, the armorers, the assassins—and vimes knows this, but he did grow up in the past he's in now.
in snuff, vimes's approaching anagnorisis is more obviously manifested. brilliantly, pratchett begins vimes's encounter with the goblins by talking about vimes's childhood teacher, mistress slightly, who "taught [him] how not to be afraid" and made him blackboard monitor, "the first time anyone had entrusted him with anything;" vimes thinks he'll put a bag of peppermints on her grave if he gets out of this alive. all positive, and in fact clearly transformative, praise from our hero. but vimes is in a goblin cave, and pratchett has brought up mistress slightly because vimes is remembering his first (educational, not physical) encounter with goblins. this paragraph is worth quoting in full:
"[Mistress Slightly] had one book in her tiny sitting room, and the first time she had given it to young Sam Vimes to read he had got as far as page seven when he froze. The page showed a goblin: the jolly goblin, according to the text. Was it laughing, was it scowling, was it hungry, was it about to bite your head off? Young Sam Vimes hadn't waited to find out and had spent the rest of the morning under a chair. These days he excused himself by remembering that most of the other kids felt the same way. When it came to the innocence of childhood, adults often got it wrong. In any case, she had sat him on her always slightly damp knee after class and made him really look at the goblin. It was made of lots of dots! Tiny dots, if you looked closely. The closer you looked at the goblin the more it wasn't there. Stare it down and it lost all its power to frighten. 'I hear that they are wretched, badly made mortals,' the dame had said sadly. 'Half-finished folk, or so I hear. It's only a blessing this one had something to be jolly about.'"
a near-perfect depiction, unfortunately, of the educational experience. encounter something that scares you and makes you uncomfortable, examine it with the help of a pedagogist, examine it on your own, take it apart so that you are not afraid anymore, and instead understand what it is and how it is made: that's the experience from the first word of the quote all the way until "Stare it down and lost all its power to frighten." and then, a heel-turn: your teacher shows that they completely misunderstood the lesson they were teaching—and that you, the child, understood both parts of the lesson perfectly: you absorbed the critical thinking skills and that this existing societal prejudice is, in fact, totally correct and should not be examined using the skills you just learned.
thus, pratchett has vimes, our hero, our moral center, spout the violent, ingrained, dehumanizing, incitement-to-genocide nonsense of the society in which he has been formed. vimes does this tiredly, without thinking, without making the connection between how things are and how they ought to be, missing the direct relationship of that required moral reevaluation to the case and situation at hand. and pratchett throws that directly back in vimes's face, physically. both times, pratchett says: even if you're tired, even if there's shit going down, even if your worldview is being turned upside down, even if you're in the dead middle of processing everything you've so recently learned, you cannot make the mistake of dehumanization/depersonalization. and you, of all people, have to know that, vimes. not one drop of alcohol passes your lips, not one minute after six goes by without you reading to your son, not one arrestee is subjected to even small or casual police brutality. and not one person—seamstress or goblin—is to be insulted and discriminated against and excluded from deserving to live. to do so, to make that mistake even once, is to face the immediate physical consequences of it from someone deeply and fundamentally in the know. you need the sense smacked into you.
from night watch:
"Consider that a sign of my complete lack of a sense of humor, will you?" said Rosie, shaking some life back into her hand.
"I'm... sorry," said Vimes. "I didn't mean to... I mean... look, thak you for everything. I mean it. But this is not being a good night."
"Yes, I can see that."
"It's worse than you think. Believe me."
"We all have our troubles. Believe me," said Rosie. /end quote.
from snuff:
It was a corker, nonetheless, and out of the corner of his stinging gaze he saw Feeny take a step back. At least the boy had some sense.
"You are the gods' own fool, Commander Vimes! No, I'm not teaching them to be fake humans, I'm teaching them how to be goblins, clever goblins! Do you know that they have only five names for colors? Even trolls have around sixty, and a lot more than that if they find a paint salesman! Does this mean goblins are stupid? No, they have a vast number of names for things that even poets haven't come up with, for things like the colors shift and change, the melting of one hue into another. They have single words for the most complicated of feelings; I know about two hundred of them, I think, and I'm sure there are a lot more! What you may think are grunts and growls and snarls are in fact carrying vast amounts of information! They're like an iceberg, commander: most of them is where you can't see or understand, and I'm teaching Tears of the Mushroom and some of her friends so that they may be able to speak to people like you, who think they are dumb. And do you know what, commander? There isn't much time! They're being slaughtered! It's not called that, of course, but slaughter is how it ends, because they're just dumb nuisances, you see. Why don't you ask Mr. Upshot what happened to the rest of the goblins three years ago, Commander Vimes?"
And with that, Miss Beedle turned on her heel and disappeared down into the darkness of the cave with Tears of the Mushroom bobbing along behind her, leaving Vimes to walk the last few yards out into the glorious light. /end quote.
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"Izzy Canyon dwellers just want to turn him into an innocent victim who did nothing wrong!"
Actually my problem is that, in hindsight, Izzy didn't do enough wrong to justify the common interpretation of his relationship with Ed. In my book, the first time in the series he legitimately crossed over to villainous antagonist territory - someone you actually loved to hate for it even if you understood his reasons - was when he set the British Navy on the Revenge. That way he not only betrayed his integrity as a pirate by consorting with the common enemy of all pirates, but risked Ed's life too - cause, like, come on, that "plan" to send CJ to convince Ed to leave Stede was so far-fetched it barely counts as a plan. I don't buy Izzy ever looking at CJ and going "yep that seems like a smart, responsible, trustworthy man I could rely on for a delicate mind games operation like this". It was an act of sheer desperation on Izzy's part, but he still chose to do it. IMO this was actually worse than what he said to Ed in S1 finale. Although of course that was very nasty, too.
But the thing is, we don't actually have any info on what their relationship used to be like before S1. We were only ever shown, not told - and both times from Izzy's perspective: the first time in S01E04 during his resignation rant, which was very heartfelt and I'm sure a lot of it was true, but it's still one-sided, and the second time during his deathbed speech, which was, again, one-sided and this time biased in another direction - instead of airing his pent-up grievanced Izzy was putting most of the blame on himself.
Other than this, the entirety of Ed and Izzy's pre-S1 relationship gets extrapolated from one single episode, S01E04. The narrative itself seems to want us to see it as a microcosm of their usual long-standing dynamic, at least on the surface. We see Ed being depressed and suicidal, trying to open up to Izzy about it, and Izzy shutting him down and making him act like Blackbeard again. Since it's already clear that Ed and Stede are the main characters, we're primed to see Ed as the victim here and Izzy being an annoying, insensitive nag.
Except the context of those interactions changes everything. The context being that they are literally about to be attacked by the Spanish - something Ed knowingly brought on them with his decisive power as captain - and Ed is deliberately withholding crucial information from his own first mate and the rest of the crew, making them all think they're going to die and he isn't doing anything about it. Izzy wasn't just being a boring buzzkill not being excited for Ed when he showed him that ship model. He was actively panicking and trying to do his job asking Ed for orders so they don't all get slaughtered.
So, yeah, those are some very exceptional circumstances that don't say anything about their typical day to day interactions go when they're not in immediate mortal peril due to lack of communication. Was this the first time Ed ever told him about not wanting to be Blackbeard anymore? Izzy didn't seem very surprised, so probably not, but we don't know, and if Ed had confided in him before, we don't know how Izzy reacted - but I'd like to point out that this time he didn't ridicule Ed in any way, he simply pointed out that they were about to die if Ed didn't do anything. Does Izzy usually indulge Ed in the stuff he finds fun when they're not about to be killed? Again, we don't know, but Izzy's playfulness during that first confrontation with Stede in S01E02, and his whittling and jokes in S2 showed that he wasn't always as grouchy and joyless as he's made out to be. We actually saw him smile when Ed got excited about Buttons, too. Pretty sure if Izzy always shut him down about things like that, Ed would have stopped trying to share it with him long ago.
And, finally, there's one piece of this puzzle that doesn't seem to fit in with the rest at all. The show both told us and implied that Izzy couldn't let Blackbeard go because his own identity was too tied up in it, and because he idolised the glory of violent pirate lifestyle. But if that's the case, then why did he have no problem with Ed wanting to retire? Izzy literally gave him an enthusiastic thumbs up on the whole "kill Stede and steal his identity so he could live the rest of his life as a rich aristocrat" plan. If Izzy only admired Ed as a pirate, and was so hell-bent on keeping the Blackbeard persona alive, why was he ok with Ed retiring? How does this square up with the idea that Izzy had been keeping Ed chained to piracy?
I'd honestly hoped we would get some flashbacks of the two of them in S2, and then S3 before that hope died too, because there's still so much we're missing.
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lurkingshan · 25 days
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Every time I see a Wedding Impossible GIFs on my dash I keep thinking that when it's over I'd love to read your take on what went wrong with this show. In a form of a very spiteful rant preferably.
(the show probably doesn't deserve too much of your time but I am just very VERY curious and had to share)
WELL! I was considering just letting this show go quietly into the night, but I will take this excuse to do a good rant instead.
*cracks knuckles*
You asked what went wrong with this show, but truly, nothing went right with it. From top to bottom, it's an utter waste of a good premise and a total destruction of the rare opportunity to get some positive queer rep into a het kdrama for a broader audience than will ever be reached by a ql. Let me list the most glaring problems:
They made Do Han a supporting character in his own narrative. Do Han, his sexuality, his desire and need to hide who he is to protect himself, and his desperate plan to avoid a life he doesn't want is the core of the story. Despite that, the story treats him like a minor supporting character with limited screen time and virtually no interiority or character development that made any sense.
The relationships were poorly written and the bonds were not believable. Ah Jeong was meant to be Do Han's ride or die bestie, but nothing in their scenes together or her behavior towards him suggested this was actually true. They seemed more like acquaintances who were friendly enough but had no real loyalty to each other, or even like she was a random actress he hired to play his wife. And Ji Han and Do Han had no brotherly bond or affection to speak of; their relationship consisted entirely of Ji Han throwing tantrums and demanding things for no reason other than he wants them, and Do Han trying to avoid being forced into them.
The leads were terrible people and the show did not realize that. Do Han's brother and best friend entered into a romance while she was engaged to Do Han. Ji Han thought it was a real relationship and did not seem to feel any guilt about pursuing his brother's lover. Ah Jeong was under a contract she agreed to as both his best friend and as a job to protect him and did not seem to care that she was breaking her commitment and threatening his safety. They gallivanted around flaunting their relationship in public with no regard for Do Han or his reputation whatsoever. And the show tried to convince me that Do Han was the selfish one in this scenario for the great sin of being gay and not just fucking off and getting out of the way of their relationship. Ji Han and Ah Jeong were never held accountable for what they did to him; instead we got to watch many scenes of Do Han being shamed and berated. Anyone who contributed to the writing and depiction of this can get fucked.
Every element of the story was poorly written and the resolutions were either unearned or so badly set up that they fell flat anyway. Do Han was being harassed and stalked and the story only barely cared about this. The family drama was boring and the grandpa character was a mess of contradictions who changed on a dime depending on the demands of the plot. There was no chemistry to speak of between the leads. The romance was utterly unbelievable and developed so poorly that it was impossible to care about whether these two assholes got together. The show used romcom tropes randomly to fill time even if they didn't fit. The final episode was stuffed with cameos by actors with personal connections to the cast and crew in the hopes it would distract us from what an unsatisfying conclusion it was, and the whole thing ended on a bizarre wedding gag that didn't work at all. The only good part was Do Han coming out on his own terms and leaving to go live his own life in New York, but the way they framed that was so gross I couldn't even enjoy it.
Most importantly, the messages of this show were deeply, unforgivably homophobic. This story went out of its way to tell us over and over again that Do Han is a selfish coward for being closeted, that his sexuality is a burden for his loved ones, that his family and friends are the real victims for having to deal with him, and that he was the one in the wrong for trying to protect himself. At no point was he allowed to get truly angry at the way his family and friends were treating him; he remained benevolent and shouldered the guilt and blame for everything, despite doing absolutely nothing except try to live an authentic life. At every turn the show depicted his siblings and grandfather and friend being hateful and/or careless with him, but then told us it was Do Han's fault for being who he is. They wanted us to blame the gay character and sympathize with a brother who resented him for not being the straight business leader he wanted him to be, and a friend who betrayed him without a second thought. The show argued passionately that the lies Do Han told to protect himself were the real problem, not the homophobia and hatred and rejection he faced every day of his life. It was an abysmal and offensive message and exactly the opposite of what a responsible piece of media would be trying to communicate.
I don't know if the people who made this show are actively malicious or just deeply incompetent, but they had no business telling a story involving a queer character if they were going to do it like this.
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sapphic-agent · 8 months
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Let's Talk About Bakugou's Apology
Jfc, I swear this wasn't meant to be an MHA blog but whatever. Let's get into this.
I wanted to give Bakugou stans the benefit of the doubt. I wanted to think that they would only hype something up if it was groundbreaking. I wanted to believe that Horikoshi was a halfway decent writer and would put actual effort into such a pivotal, revered moment in the series.
I was left sorely disappointed for multiple reasons.
1) A List of Excuses To be completely fair to Bakugou, he does take some accountability which was more than I expected. He does acknowledge that what he did was wrong a few times during his little speech. I have to give him credit for that. However, it's overshadowed by the narrative making sure to stress that it was the people around Bakugou who were at fault for that behavior. Which isn't true because even before he got his quirk, he still treated Izuku like garbage. He gave him the name Deku and acted like he was above everyone way before Izuku was deemed quirkless.
(I'd also like to add that the only thing that literal pre-school teacher said was that Bakugou's quirk could make for a fine hero. He was the one who ran with it and decided that it made him better than everyone and that he would be the best)
There's also the fact that every time he does point out what he did was wrong, there's always some kind of justification behind it. "I did... because I felt..." It undermines what's supposed to be a genuine apology because it's not about Bakugou's feelings, he wasn't the one hurt (more on this later).
2) Timing
So many people have brought this up and they're absolutely right; that was the worst possible time for this to happen. Izuku was injured, starving, and dirty. Not to mention his mental state is practically in shambles. He's been isolating himself for weeks in his attempts to walk a selfless, lonely path. The absolute last thing he needed was this shitty apology.
This was supposed to be an effort for Class 1A to show Izuku that they care about him and to convince him to share his burden and come back to UA with them and rest and heal. Instead that genuine effort is highjacked by Bakugou rambling on about something entirely unrelated. He could have done this during the bath scene or even right after that. Instead, it's shoehorned into Izuku's actual friends trying their best to help him.
Iida's words should have been the final ones. They had enough impact and were way more powerful. There was no reason for Bakugou's apology to be the finishing lines.
3) The Insults
It's wild to me that Bakugou apologized for insulting Izuku... right after purposely insulting Izuku.
This is something that has been detrimental to Bakugou's entire character "redemption". "Oh, he's changing!" Except he's still doing the same shit he's always done. It undermines the entire point of redeeming him.
(I hate to be pro Endeavor in any way, but at least when he decided to change he made the genuine effort to stay that way and didn't relapse into old habits)
Not only did him mocking Izuku do absolutely nothing to change his mind, it's just so shitty to do to someone who's clearly struggling. If you are incapable of showing empathy and kindness at a time like this, shut up and sit down because there's no reason for you to open your mouth. You're not helping, you're only making things worse.
And then he says, "I don't expect this to change things between us." Like bro, that's completely on you. All you have to do is not be a dick and act like your apology actually meant something by refraining from hurling insults at someone who did nothing to deserve it. But even after this apology, he continues to yell at and insult Izuku. Sato and Tokoyami even call him out on this, only it's just played for laughs.
Word to the wise kids, an apology means nothing if just keep repeating your bad behavior.
4) No Autonomy for the Victim
Not once do we get to see what Izuku's thinking. Not once do we ever see things from his point of view.
This moment is entirely about Bakugou. It's only a plot device to develop his character and make him come off better. And Izuku who was the victim gets no attention. He doesn't even get to respond, he just faints by the end of it.
In fact, the closest thing we ever get to an insight into Izuku's feelings is All Might saying that he wouldn't hold what Bakugou did against him. That's such a copout considering a) nothing Izuku did ever indicated he felt that way and b) another person is speaking for him. He doesn't even get to say this himself.
Horikoshi does this consistently. Izuku is never allowed to voice how he feels. We never get to see how things are affecting him. The only time he's ever permitted to show strong emotions is when it's in favor of someone else. You would think that by this point in the story that would be rectified. But no, everything has to be about Bakugou. Not even in his own rescue story can Izuku ever be the center of attention. No, it's all about making Bakugou better.
(Again I hate to be pro Endeavor, but at least Shoto, Fuyumi, and Natsu get to respond to Endeavor's attempts at atonement on their own terms. Natsu is allowed to be angry. Fuyumi gets to make the choice to forgive him. Shoto is allowed to ponder the decision. Both cases are terrible abuse narratives, but at least the Todoroki kids have a say in how they feel and are allowed to express it. Izuku doesn't even get that)
It feels like Izuku isn't even allowed to be a victim in any way, shape, or form. He's just there to prop Bakugou
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superbat-lmao · 3 months
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A young Bruce Wayne asking Alfred what he did before working at the manor and learning that he was an actor. Where do you think Bruce learned the skill from?
The separation and performance level of Brucie Wayne vs Batman is completely intentional and NOT Alfred’s plan at all. He did not realize that Bruce would use it for secret identity/isolation purposes, but Alfred would definitely discuss his past performances/roles or other actors and their acting choices with Bruce. They would sit together and watch movies, plays, operas, anything where people were pretending and discuss the performances, believability, what factors leant to a credible performance or seamless one, and what things were a dead giveaway.
A lot of it comes down to studying the nuance of emotion and behavior, and then replicating it. People ask about “motivation” when acting, but what they’re really saying is that a character has to feel an emotion and there are different ways of making people feel something as well as the multitude of ways people react to those feelings. Why is the character sad? Are they only experiencing sadness or is it complicated by another emotion? Most people don’t feel single things, they are a summation of experiences. So Bruce would come up with narratives, explanations for characters behaviors and feelings so that he would be consistent in his performance.
Bruce would often watch a performance done by someone else, and work towards replicating and improving on it. Everything is an approximation of real emotions and behaviors in order to be convincing. And it is continually refined by Alfred, until he’s unable to assist with this insane level of mental separation necessary to turn all actions into a performance.
Maybe it started as a coping mechanism to distance himself from his feeling about the deaths of his parents, to try and separate himself from that pain, but now he seems able to convince everyone that anything he does or says is a performance or a cover.
Except Clark. Sure, he knows Bruce puts on a show often, even most of the time, but there are certain physical responses that can’t be controlled, not so quickly that Clark can’t catch them. So for every signal Clark is sure he’s giving off, he catches 3 that Bruce is actively trying to suppress and smiles even wider. This means that every active signal that Bruce is giving off is a choice, that Bruce is choosing Clark, that he has recognized his own emotional and physical responses to him and is allowing them.
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