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#the implications this one scene gives us is insane
jellycass · 1 year
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austin's wife and kids comment being set up as a running gag only to then get thrown back in showfalls face when he breaks away from them for a moment and immediately says "I don't have a stacy" in the most unsure, anxious voice before snapping back to a monotone reassurance "I have a stacy" is something I can be soooo normal about (lying)
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humornaut · 1 year
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Hey, @basil-daisy here.
I just wanted to drop by because there's something that has been eating my insides for a long time and I can't get it out of my head.
I wanna talk about the scenes in Black Space, more precisely the scenes in the Church of Something, both the Sunny route and Omori route, although the Omori route one was really the one that made me think.
Have you ever thought about how the scene where Omori finally finds and "saves" Basil in the Omori route feels strangely like... A wedding?
It's not only the bridal style way Omori catches Basil. It's the way Basil lightly complains about Omori being late, the way they stop as Omori gives Basil his flower crown back and how directly after the act is interrupted by Stranger, who objects the whole "thing". A spectacle a bunch of "guests" witness.
I was always really curious about the church symbolism. For example the way Basil is stuck at the top of the church. I've tried really hard not to think about what usually is in the same place in churches because that comparison is making me die inside, even if it weirdly makes sense (Basil died for your sins U^U).
Besides that we have Sunny's interesting relationship with religion. Mainly that he probably feels insanely guilty. He feels judged by all the religious statues, moreover the snow angels, which are also one of my favourites, don't need to have the game tell us Omori feels judged by them. You feel it just by looking at their eyes.
The fact that Basil is in a church of all places is so telling too. Besides masses churches are known for holding weddings and, well, funerals. And in case of Faraway town's church is has a graveyard right behind it, where Mari lies.
I wonder if the scene in the Omori route is supposed to feel like a wedding but also double as a funeral (considering it marks the end of Stranger and his admittance of defeat that is actually a premonition of Basil's death in real life). It's one of the few scenes between routes that changes drastically and what it represents is absolutely fascinating.
What is really interesting also is that in the Sunny route the scene feels is completely different. It no longer feels like wedding. If anything it is just Basil begging for forgiveness, which does of course ties well with religion. But he's not begging for God's forgiveness, no, he's begging for his best friend's forgiveness.
I imagine this might be another way of showing us that Basil idolises Sunny as well as telling us that Basil feels really bad (what an understatement).
I also question if the Omori route scene is there to mirror the Sweetheart marriage scene somewhat, but I think I would need to dwell a bit more on that to come reach a proper conclusion.
Anyway, I hope you're having a lovely day! 💜
Wow, this is a really good ask! I'm going to break it down into a few different parts.
The Symbolism of the Church of Something
I think you are right on the money in how things go down in the Church of Something in the Omori route. The entire scene does almost play out as a wedding! Not just as a marriage to Headspace Basil, but as a final marriage to Headspace in general. After Sunny moves, whether or not he ever finds out about the fate of the real Basil, he has wholly become Omori. Stranger's objection does represent the last vestige of Sunny's mind trying to stop him from doing this; after all, saving the real Basil is the only loose end that Sunny really feels a responsibility for in a way that he can fix. He may want to see his other friends again, but he doesn't feel guilty for not doing so, because he feels he doesn't deserve it. Basil's a different story, because he knows he did Basil wrong for the selfish reason of protecting himself from his past.
To deepen the significance of this "wedding to Headspace Basil, and with it, a marriage to the concept of Headspace itself", I also want to point out that there is an implication that the end of Black Space in the Sunny route is not an end to the loop of Headspace, which won't happen until Sunny decides to shatter the light bulb on the next night. There is Stranger dialogue in the hub area that makes clear that killing the Basil that has seen the truth in Red Space is something that usually happens, and when you go there, you can find multiple of Basil's bodies littering the area. Instead, it's the Omori route that "breaks the loop of Headspace", via Stranger choosing to attack Sunny for abandoning Basil and the others.
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That's not even mentioning the things that happen after this in the Omori route.
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The flower crown that Headspace Basil gives to Sunny in the last Headspace Night in the Omori route provides twice as much HEART as the next best charm in that department (with those charms being the the Pretty Bow, a charm tied to Aubrey, and the Tulip Hairstick, a charm tied to Omori). The use of the word "precious" is also used in the Sunny route, in the description for Basil's Photo Album:
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All three of these charms are only accessible in the Omori route, as well. The Pretty Bow item is only receivable after defeating Abbi, and is explicitly described as "too flashy for your taste".
Finally, so long as we are talking about weddings in Headspace, there is another thing that we would be remiss not to talk about. To go along with your mention of the Snow Angels (who have another interesting connection that I will go over later), the charm that you get from completing this area is the Wedding Ring.
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As I've mentioned before, there are three different charms that allow the wearer to start happy, and they generally have fairly romantic connotations. First is the daisy, which both you and I understand is likely tied to Basil, but also has a romantic connotation due to the context of being a reward for assisting a character acquire a gift for their crush.
The second is one that I would also tie to Basil.
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The Heart String is such an interesting little item, and the way it is tied to Basil isn't as immediately obvious as the Daisy. First off, this item is really easy to miss. You have to grab it during the chase section within Humphrey, and you can't go back to grab it afterwards to get it. There is also another item in the same area: the Blender weapon for Hero. This item immediately sets off alarm bells in my head, because smoothies (the only snacks in the list that are made in a blender) are snacks that are pretty clearly tied to Basil. Why make these two items into two of the only completely miss-able items in the game? And it doesn't evade my notice that shortly before Humphrey, where you find these charms, you have the Branch Coral, who makes another connection to Basil using the romantic image of a string.
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Finally, the wedding ring is tied to Basil in another way, and that is what's going on in the area that you find it. Obviously, there is a negative association between Headspace Basil and the cold/snow, but there's also the fact that the ascent up Snowglobe Mountain is reminiscent of the leadup to the Church of Something in general, with the stairs and the snow. And regarding the Snow Angels, aside from the religious connotations behind them, there is another neat association. Take a look:
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this was pointed out by someone in a discord server that I am in, and I unfortunately do not remember who at this point. Let me know if you see this and want credit!
I would argue that this similarity was intentional, as an older version of the game had White Egret Orchids looking much different, though I can't find a beta picture of Basil's house at this exact moment. These Snow Angels serve much the same purpose as Stranger in this route: being embodiments of Sunny's guilt for abandoning Basil and refusing to take responsibility for his sins. This takes place on the final night before Sunny moves, the same night that the real Basil chooses to end his own life. These are his final thoughts following Sunny into his dreams (whether you take this as literal or figurative).
One last thought on Basil in the Omori route before moving on: the Basil Rush, and how it’s the most explicit the game ever gets about how Sunny imagines his Basil's closeness.
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Like, oh my goodness. The TAG photos didn't even need to exist, but they were put in anyway! And a little detail that goes unnoticed a lot, is that the hand-holding TAG photo is one in which Omori has initiated it! I think part of the tragedy of the Omori route is that it is most player's second playthrough (if they ever play it at all) and it is when the idea of Sunny and Basil having romantic feelings for each other starts being implied way heavier than before. Congrats! You got some heavy romantic subtext between the two boys. One of them is dead in the real world because you didn't save him.
Moving on!
The Religious Connotations of Headspace Basil
You didn't want to go into it very heavily, but I will: among other things, Sunny's dreamworld has turned Headspace Basil into a Christ-like figure.
Of course, there is his position in the Church of Something, but that's not all. He constantly wears a Flower Crown (crown of thorns, anyone?). In fact, Omori has to give Basil the Flower Crown back in the very first Black Space area, the Watermelon Area, seemingly as a preface for what's going to be happening with Headspace Basil throughout that portion of the game.
Look at what he says during the hide and seek game:
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There's also the fact that in the Sunny route, we are looking at a game that takes place over three days and three nights after Basil disappears from Headspace, which I'm sure I don't have to point out the significance of.
This is a connotation that Sunny is making himself. Basil did not choose to take on Sunny's sins in real life, he expected that they would always be together. It was Sunny that decided to throw the responsibility of both of their sins on Basil, by choosing to forget. Basil will literally die for Sunny's sins in the real world.
Which brings us to the Flower Crown that Basil gifts to Omori after being rescued. Whether Sunny knows it or not, Basil has decided to end his own suffering in the real world. By gifting the flower crown to Omori, Headspace Basil has symbolically indicated that the situation has been reversed. Basil is no longer suffering for Sunny's sins, but Sunny is about to start suffering for Basil's. We are told numerous times throughout the game that Headspace is on its last legs. It's running out of places to hide the truth. We see Black Space leaking through almost everywhere, and the Basil Rush ends in a direct reminder of the day of the incident.
All that is to say, Headspace is seemingly going to fail, and soon. Black Space has grown too strong. If you ask me, it's only a matter of time until news of the real Basil's death has reached Sunny in the real world, and that will be the tipping point. From there on, assuming Sunny even decides to go on after that point, he will be living with the same weight that Basil did for those four years after Sunny left him, and there won't be anyone to save him.
The Sunny Route and Sweetheart's Castle
Finally, you mentioned how the scene goes in the Sunny Route. It should be noted, right after Stranger merges with the version of Basil there is the first time in the entire game that a version of Basil in Sunny's head refers to Sunny exclusively as his best friend, and from that point on, we will see that repeated in Sunny's mind. The room that Omori and Basil fall into prior to Red Space is one that we will see during the truth sequence, but it also appears in the Omori route, in a manner that we should discuss, as it ties into what you said about Sweetheart's Castle being connected. After all, the room that Omori and Basil falls into is the same room that Sweetheart's Castle turns into once you accept the Keeper of the Castle's deal, as I noted in my post about Sweetheart's Castle previously.
Sweetheart herself represents Sunny; both in his quest for presenting a perfect version of himself and his broken understanding of love, both of others and himself. Spaceboy represents the more "Omori" part of him; someone claiming to be above his emotions, but ultimately ruled by them. He even changes his name while he is in a relationship with Sweetheart. From this interpretation, we can extrapolate that their wedding in the castle is a representation of the Omori route's ending, right down to ending up on Snowglobe Mountain.
I also want to point out what happens right after this. You don't immediately just jump on down to the Lost Library. You try to leave, but right before you exit the area, you get the cutscene showing Stranger on the stage, leading you into the hole, meaning you literally need to walk down the aisle of an area explicitly designed for a wedding to follow Stranger into the Lost Library.
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Whether or not you interpret Sunny and Basil as having romantic feelings for each other, this seems very symbolic of the fact that accepting and following Stranger (who I have previously described as the individual in which Basil's love of Sunny resides, be it romantic or platonic) is how you get to the truth. It's as if Sweetheart and Spaceboy's wedding represented the ending of Black Space in the Omori route, while what happens right after represents the ending of Black Space in the Sunny route. And like most of the ways Sunny remembers aspects of his history, the library is tied to Basil. Where the real Basil would provide books for Sunny to read, Stranger leads him to an entire library filled with books depicting his memories, both good and bad.
I hope you found all this interesting! I haven't really gotten the chance to talk about these things before, since I haven't really found the motivation to talk about them in their own post before! I hope you have a wonderful day as well! Time to go back to packing for my flight tomorrow!
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lunar-wandering · 6 months
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things about the Boboiboy series that drive me NUTS (this list is written solely from memory)
the fact that the first three elements, Wind, Earth, and Lightning, didn't really start out as having different personality's from Boboiboy himself (at least, not by much/it wasn't extremely noticable) but then, Lightning, after being split for too long, losing his memories completely, and achieving tier 2, becoming Thunderstorm, suddenly goes all Edgy(TM). and then Wind eats a mood-changing potion and goes manic, and not only does that unlock his tier 2, making him Cyclone but that becomes his personality. like. hello??? the implications.... and then later on, Fire, Water, Leaf, and Light manifest WITH their personalities pre-set. what??? the vague implication that the elements are sentient and the personalities started becoming more obvious when Boboiboy's mind started slipping/letting them have freer reign haunts me every day.
speaking of Fire's manifestation. he initially manifested from the stress of exams and walked around accidentally burning shit down in the middle of the night. what a mood tbh.
if the elements are sentient, the implications of Retak'ka stealing them from Boboiboy and using them- without having his personality change, is INSANE. like bro. he used them as a weapon instead of letting them be actual people..... and then later on in the comics Thunderstorm gets taken away AGAIN and is trapped in a sword, a literal weapon, and is used. again. HELLO????
both of the first times Thunderstorm gets summoned (both the obvious first time and the first time after they all got reset to tier 1 due to Complications) involving his phobia kills me every time why the FUCK did they do that. they didn't even address it the second time around but they animated Lightning looking like he was in distress anyways. WHY DID THEY DO THAT TO HIM. i know he's the fave but like. was this necessary.
BOBOIBOY JUST DECIDING "Y'KNOW WHAT??? I'M GONNA INVENT FUSIONS NOW HERE WE GO" IN THE SECOND MOVIE AND PROCEEDING TO ABSOLUTELY WIPE THE FLOOR WITH RETAK'KA
i could list so much Thunderstorm stuff tbh he's definitely the fave they give him so many cool bits of animation. he does the "teleports behind you" move SO OFTEN and it's SO GOOD
Leaf's deadpan "Fashion Tragedy" line
that one time Boboiboy split into Fire, Wind, and Leaf, and EVERYONE agreed he shouldn't have done that and should never do it again cause those three have negative braincells when in a group together
the songs??? like. the opening songs. the insert songs used in the movies. the OST. why the hell are they so good. i mean i know i personally like em cause they tend to use rock. but like. its SO GOOD.
Yaya and Ying being arguably the two most powerful/capable members of the friend group as they should
that one time Thunderstorm and Fang fought and they paused right before hitting each other and the objects behind both of them exploded from the force of the other's attack
in the first movie when it hinted that we'd see Boboiboy without his hat for the first time ever throughout the entire movie and then it FINALLY HAPPENED when he caught a giant hammer right before it could hit him and punched the dude away with a blast of energy. he has a white streak in his hair and it's visible in the series from this point onwards.
I KNOW IVE SAID A LOT OF THUNDERSTORM SCENES BUT THAT POINT IN GALAXY WHERE HE WAS USING TIER 2 BEFORE HE SHOULD'VE BEEN USING IT AND HE KEPT SWAPPING IN BETWEEN BOBOIBOY AND THUNDERSTORM THROUGHOUT THE FIGHT??? THAT WAS COOL AS FUCK I LOVED THAT
i could list so many of the really cool shots from this series tbh. that one time Light slow-mo backflipped over a bunch of debris and then activated laser eyes to shoot at the villain is a highlight.
literally everything about the fact the plot of this show went from "aliens come to earth to steal chocolate" to "boboiboy nearly fucking dies on an almost daily basis"
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cocogum · 20 days
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The Great Wave - Chapter 5 Review
‼️ SPOILERS FOR THE CHAPTER ‼️
I’m not going to lie, this was the best chapter of the first volume so far. Not only was it better than the old chapters because we had much more to see and think about, but it’s also because it had some soft intimate moments mixed with happy scenes and not to mention felt longer than the others.
I would like to point out that I was completely in the right to explain why it was perfectly reasonable for Amalia to be worried that Aurora would take her place. In my chapter 4 review, I mentioned how Aurora had no right to lead the kingdom without Amalia even if it was in her legal right to do so. Aurora doesn't fully grasp the beliefs of the Sadidas. If she banishes Amalia, the final member of the royal Sadida family, from the kingdom, she will lack crucial insight into the kingdom's governance, particularly regarding the functioning of the Tree of Life.
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It's important to note that while Yugo may not be a Sadida or a Twelvian, he has at least demonstrated the bare minimum level of cultural understanding and interaction that surpasses Aurora. Having lived among the Sadidas and rescued them multiple times, he has even communicated with King Oakheart without difficulty. However, it's worth noting that not all Sadidas may fully accept Yugo despite everything he has done. A good example of this would be what @vinillain has said about the topic in their post. I actually recommend you to see what they have to say about it.
Aurora has told Amalia to go back to her adventures, implying that she doesn’t need Amalia IN HER OWN HOME. Not only is the blue cow trophy wife a dumbass, but she’s also extremely unaware of the consequences she could receive if she lets her go.
It’s completely ridiculous but insane to kick the only remaining royal family of the Sadida kingdom if you don’t know how to keep the very living thing that keeps its people breathing.
This just keeps me wondering what the hell is Aurora’s goal besides ruling another kingdom other than the Osamodas one. Is there even another goal? Because if there isn’t, you gotta keep the only member of the royal family around you if you don’t want to fuck a kingdom up babes.
Aurora is legitimately an embarrassment to all blondes out there. They are already tired of hearing the annoying stereotype of “being dumb blondes” so don’t make it worse for them.
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I hate what this is implying and I hate how Amalia explains it to Yugo.
Amalia already told Yugo in Season 4 that the sadidas protect the trees with their lives. And now, she’s here specifying to him that once a Sadida dies, they are still very much present in other ways.
Tot I swear on my ass, if this turns out to be some kind of foreshadowing for Amalia’s death, I’m booking a plane ticket straight to France. However, if this turns out to be some sort of implication that Amalia will replace or be the official guardian of the Tree of Life, I might be into it. We’ll just have to see where her words will go.
I loved how Yugo immediately went to console her and brought her into his arms. My guy doesn’t hesitate at all anymore and I’m so proud 🥰 He’s now able to give her the love she deserves 💕
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This is the first time he mentions the past, and I'm glad he remembers how she used to be and can see the good in her, even when she was less mature.
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Look at how he admires her in this very moment! He’s absolutely smitten 💕💕
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“But already full of courage.” Yeah, the fearless sassy adventurer is definitely his type lol
I’ve been seeing a lot of people talk about the pregnancy situation with Aurora and with Amalia as well. The recurring references to pregnancy in certain chapters have led some to speculate about their significance. They are so vaguely placed in some instances but still present that the mentions almost appear like they’ve been strategically placed, leading to the belief that they may play a crucial role in upcoming events.
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Here, we have Amalia crying her tears out at the idea that Aurora is perfectly justified to regain her position as queen simply because of her alleged pregnancy.
Just this scene alone makes me believe that Amalia has all the right to get pregnant as well. This is literally the scene that’s pushing the idea of her getting a kid.
Amalia. Get pregnant already. YUGO HELP HER-
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I genuinely hate the fact that Amalia believes Armand would’ve let Aurora become the leader in his place because she’s harbouring his “child.”
Like no babe that doesn’t make any sense.
Throughout Season 4, we were able to clearly understand that Armand and Aurora did have feelings for one another but that didn’t mean Armand thought she was worthy to take his place if he was gone.
There’s a reason why there was only one throne in the Sadida kingdom.
There’s a reason why he was the only one conversing the most with other symbols of power or influence such as Master Joris, Yugo, and the cow king.
There’s a reason why he only addresses himself when he’s talking about the sadida leadership.
There’s a reason why he says “my people” rather than “our people”.
There’s a reason why he told Amalia, straight to her face, that she’s got it from here right before he sacrifices himself.
Armand never thought about Aurora when it came to any kind of leadership.
And sure, even if the child is real (because I still do not believe that wench), that doesn’t mean Armand was expecting the child to take over for him, much less Aurora, when Amalia was still in the picture.
Man was just horny that’s it.
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Oh oop- drama???
Omg no this is genuinely such a good moment.
Amalia accidentally tells Yugo that he’s a stranger in the eyes of the royal Osamodas family and supposedly the other leaders as well and Yugo simply accepts this fact while she’s over here internally cursing herself for saying that to his face.
Because Amalia knows she’s right. And Yugo knows it just as much as her, if only more. Despite how Yugo wants to help Amalia in the situation she’s in, he’s aware that his very existence is a disturbance to the other leaders. (Which is a parallel to what happened with the Eliatrope goddess and the other gods around her.)
It greatly bothers Yugo to not be able to help his wife because of what he is and it is pretty understandable. There are people who are clashing with Amalia so he’ll obviously want to fight back.
While we're on the subject of who’s more of a stranger than the actual alien, I’d like to point out that even the royal Sadida staff treats Yugo like he’s part of the family. When Yugo and Amalia were having their moment, Renate (or Canar, I can’t remember who is who these two are just always together) enters the sacred grounds and calls for them, reminding them to be a part of the wedding their friends are having. But the way Renate (or Canar) addresses them is not by their royal status, but simply by their names.
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This is an important detail to be aware of because Renate/Canar had no reason to justify why he called them by their names alone.
It just goes to show that some royal servants can be comfortable calling Yugo and Amalia this way without receiving any consequences. It also implies that only the servants who have interacted and gotten along with Yugo and Amalia when they were younger, are allowed to address them by their names.
And I love that fact so terribly much.
Amalia is a queen who understands personal relationships with servants and doesn’t think the idea is a bad thing. She has always been looking forward to speaking to her servants and befriending them since she was a child. Renate, Canar, and Evangelyne are examples of this.
Another detail that can be pointed out in this scene is what Renate/Canar said next: there was a wedding the two are supposed to attend later in the day.
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This wouldn’t have been such a big thing to think about if it wasn’t for the fact that Yugo mentioned to Grougal that the two people in question who are getting a wedding, are two of his and Amalia’s friends.
Literally what? Who?!? Who are those friends??? That literally came out of nowhere!
It can’t be Eva and Dally because they already got married ages ago. So who could they be? Some friends who the brotherhood of the tofu met during one of their adventures? New characters that we’re going to see in Season 5 if it ever gets released? Or simply new characters that we’re going to discover in the manga? I’m throwing all the possibilities in the air because these two individuals cannot be normal civilians that Yugo and Amalia decided to plan a wedding for. Yugo precisely stated that these people are their friends.
Because of the Brotherhood’s lack of presence, one might assume that the couple getting married could consist of a Sadida and an Eliatrope, which would explain why Yugo and Amalia are familiar with them.
The Eliatropes and Sadidas depicted in this panel appear to be getting along, as they are all gathered in circles surrounded by Sadidas who seem to be accepting of their presence.
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@aphilayx circled the exact amount of small groups that contained sadidas and eliatropes conversing together.
We can also believe that the marriage is unlikely to have any of the brotherhood’s friends who they met in their adventures take part in the ceremony, as was the case with Tristeva and Yumalia’s weddings. It appears that only Alibert, Adamaï, and Chibi, who are not from the kingdom, will be participating.
All of these points only encourage the idea that the marriage Yugo and Amalia would participate in could be between a sadida and an eliatrope.
…if the eliatropes weren’t children.
The eliatropes are not adults yet. Only a few months, or possibly a year, have passed between Season 4 and the webtoon. The eliatropes are not ready to marry anyone.
But then again, an interracial marriage would still make sense. Because why would any other race be here? I don’t see anyone else. The room we were shown only displayed sadidas and eliatropes. The only other person who isn’t an eliatrope, a sadida, or even a dragon, is Alibert (poor guy’s the only Enutrof there lol). He sticks out like a sore thumb 😭
Speaking of the room, we finally get to see Chibi and Grougal! It's great to have more opportunities to see them, especially since they were only featured in the first episode of the Ovas and one episode of Season 4 until now. In both of those times, they barely spoke or said a line. But here, we can finally see them having more moments and SPEAKING.
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Well, only Chibi is talking but I think that’s pretty understandable since Grougal seems to be less talkative than him cuz he’s…well a baby dragon.
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Grougal chews on wood when he can’t eat anything else…
Honestly, that’s relatable for all human babies. And then we got Chibi over here who decided to snitch on him for trying to eat Az. I never thought the future inventor would be able to snitch like that, how embarrassing.
DUDE WHY ARE YOU BRINGING DOWN GROUGAL LIKE THAT?! BRO’S JUST TRYNNA BE A DRAGON-
I’ve never seen Yugo get this mad at Grougal damn. I only saw Adamaï acting like that in season 2...daddy’s mad.
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Yugo gives off the vibe of being the responsible older brother who had to act mature to help the parents handle the younger kids. He’s such a big brother to them both to the point where he’s making me think he’ll be such a good househusband father.
He’s even compromising with them!! Telling Grougal to wait a bit until the food can be ready.
Please that is such a fatherly thing to do!! They usually do this when the mother isn’t watching lol. Yugo’s over here telling Grougal to wait just a bit longer so he could be able to eat whatever he wants at the banquet.
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By the way, I bet the feast will only be filled with drinks and fruits based on the food we’ve seen in the webtoon trailer.
Ruel had once complained that all the sadidas ate were soups so I guess that’s also another thing these people eat. The only time I’ve seen a sadida eat meat was Amalia in the first episode of the Ovas cutting a cooked animal in Ruel’s contraption.
So yeah, Grougal’s gonna starve either way lol
Also I’m definitely using this panel as my lock screen 💕💕
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Look at him, he’s about to ground him before Alibert can.
Just cuz of this scene alone, it made me think that’s how he’s gonna act if he ever gets a kid(s) with Amalia. So if his kid misbehaves, he’d make that frowning face lol
And now we’re back to these imbeciles.
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It irks me that these two blue-skinned clowns are being served and taken care of by the sadidas. They got THEIR OWN SUITE ARE U KIDDING ME-
The blue cow king even had some food prepared by the sadidas for his goofy ass ride! Stop treating the sadida servants like they are your own ones!!
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Aurora is as unlikable as always, ordering the people to prepare her room.
I swear not even younger Amalia used to order her people like that. She used to get along with them and even talk to them as if she was about to spill some tea. But Aurora? Cow is so entitled that she’s even acting like that to people who are not even from the same race as her.
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Blue cow mentioned that the chest the Sadida servant was carrying, had a “kougnard” in it (in English it’s a “skrot”).
We couldn’t see what it looked like but it clearly scared the shit out of that sadida woman. So I took the time to search up what a “Kougnard” was and it turns out it was actually a very ugly bat creature.
A “kougnard” is an animal you can use for transportation or a companion you can bring around while adventuring. Their main use is transportation though so they carry you from point A to point B if you can’t find a zaap gate near you.
They originally came from Ecaflipus, the Ecaflip God’s dimension. The kougnard that Aurora has is a newborn one which would explain why it could fit into a chest.
For a visual example, this is what a kougnard looks like in its adult form 👇
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So yeah, pretty ugly.
Like ew wtf no wonder the sadida woman shit her leaves. Sorry for any player who uses these things but I don’t see how you can even touch one of them, let alone look at them for more than fifteen seconds. They look like ugly crusty bats that are fighting for their lives just to breathe.
Also what’s up with Aurora keeping familials in chests?? Wtf?? Isn’t she pro-animal or whatever?? Literally what’s up with that?? What’s so special about a living baby kougnard that she has to keep it in a chest???
That thing is even ugly as a baby, just look at how that sadida woman reacted when she saw it. Literally freaked her the hell out.
Apparently, Aurora wears the animal on her head in the next chapter according to what the next chapter’s cover entails. She seems to have something in her head and @geekgirles deduced that if we focus our attention on the top of her head, we can see claws.
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I swear if that blue cow is actually looking down on people in that panel while having an ugly crusty-ass bat on her head, I’ll be laughing my ass off at this goofy behavior.
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genericpuff · 6 months
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I simply don’t agree that Aphrodite sleeping with zeus was coercion. Eros was rightfully going to be punished for doing the same crime as persephone. Aphrodite was the one manipulating zeus into sleeping with her again to lessen his punishment. (And they had a previous relationship/fling considering Eros is his GRANDSON and Aphrodite definitely hurt Hera in that process as well) if Eros was innocent I would understand the viewpoint but Zeus was doing his job and he is scummy for being so easily swayed but Aphrodite was perfectly scummy as well using sex to get her son off the hook.
I don't entirely disagree with some of the points you raise (that Eros had committed an act of wrath that led to this whole thing to begin with). That said, I think that more proves the point that Rachel's framing could have been more clear, as it's why the debate of "is it coercion or not" even exists in that scene. Yeah, she was totally attempting to get her son off scot-free from committing an act of wrath, but then the plot expects us to also root for Persephone to get off easy, who still gets a trial. It might not be a fair trial, but the implication with the Eros / Aphrodite / Zeus scene was that Zeus was just gonna go straight into punishment without even bothering to give him a trial to plea his case. And unlike Persephone, Eros didn't go to insane lengths to hide it from Zeus and Hades (which was more why Zeus took such offense with Persephone's Act of Wrath in the first place - he didn't care that she killed people, he cared that she killed people and then hid it from him and his brothers.)
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Apparently Artemis and Apollo were outright celebrated for committing an act of wrath.
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(notice how Zeus shifts the goalposts from it being about the death of 300 mortals to it being about Eros harboring a mortal?)
In the original Greek myths, acts of wrath were common. Poseidon would drown sailors at sea, Aphrodite and Eros would toy with the emotions and lives of mortals who had wronged them, and Demeter has created an entire dang season that resulted in the starvation of mortals en masse.
So in LO, which is it? Are acts of wrath something that need to be taken to trial? Or are they not that big a deal and Zeus is simply an asshole who picks and chooses who he punishes? Because when taking how he treated Persephone's act of wrath into context - as well as Artemis and Apollo's - then him deciding to punish Eros right then and there seems a little unwarranted, I don't blame Aphrodite for trying to think on her feet. I'd like to think if he was willing to offer Persephone a trial, he could do the same for his grandson, but evidently not. He didn't even know Apollo and Artemis were his kids yet back when he rewarded them for murdering people, so his relation to them can't even be used as a "well clearly he's biased towards his kids".
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If it's meant to highlight how unfair of a king Zeus is, then flipping the script from Aphrodite to Zeus offering sex as a bargaining chip would have made the intention a lot more clear. That said, I do still agree with the notion that Aphrodite was clearly backed into a corner here knowing fully well that her son was about to be unfairly punished for something that wasn't even being given a fair trial or route to defend himself. That's why I argue that Aphrodite is still a victim of coercion, even if she's the one who "offered first". It says more about Zeus that Aphrodite even felt the need to go that far in the first place IMO.
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snikt111 · 20 days
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hi hi hi hi I found out about Hal Jordan TODAY and am going so autistic over him it’s insane can you please give me a rundown on what his deal is I think you’re the Tumblr Green Lantern guy
omg hi, insane compliment btw, tysm! i'm glad to give you a rundown!! also definitely check out @katmaatui for more hal info, red is SUPER knowledgable abt him. @rillette, @catboyollie, @halcarols, @starsapphire and @yellowcorps (along with so many others that i cant think to tag off the top of my head) have some great hal takes too! (edited the post just to tag more ppl)
apologies if this is a bit rushed/messy, i'm doing this while i smelt stone in minecraft LMAO
that being said... i think this will be a long one, so more below the cut :3
(cw for light mentions of pedophilia, abuse, canon typical violence)
okay, so hal jordan is the first human green lantern of the GREEN LANTERN CORPS. it's important to note that there was technically a human green lantern before him (alan scott, originally from earth two/the justice society, but integrated into main DC canon after crisis), but his power comes from a different source- which is a whole different ballpark that would take ages to explain, lol, so i'll move on from that.
hal was originally introduced in a showcase issue in 1959, but ended up getting a solo run in the mid 60s because of his showcase issues doing well. he's been a test pilot, middle brother, compassionate, rule follower (although being surprisingly liberal for the time) with an interesting relationship with star sapphire carol ferris since those first appearances. for the first 20 odd years of his appearances we had no information on his parents, but we got a lot from other family members, such as uncle titus, cousin hal jr (aka airwave), younger brother jim jordan and older brother jack jordan. through the 60s and 70s those members of his family were developed along with him; with the audience learning that jim's wife sue thought jim was green lantern, rather than hal, and hal himself training his cousin, hal jr.
the most known version of how hal got the ring in the first place is probably based off of geoff john's rewrite in the mid 00s, reiterating the original story of abin sur crashing onto earth and dying, leaving hal with his ring to be trained by sinestro and the rest of the glc, while also changing miniscule details that had been developed in emerald dawn 1 & 2 (which was released in the 90s, more on that later). the main premise of abin sur's crash has stayed the same, but the story around hal's current life, job, family and stability keep changing. for instance, the original comic with abin sur in showcase only showed hal getting the ring, the guardians choosing him. the first rewrite i can think of was emerald dawn volume 1, published in 1989 and continued in emerald dawn v2 (1991). here we get the classic hal watches his father die in a plane crash with carol ferris beside him as a pre adolescent, and some of the biggest implications of the mistreatment from his father. we also get introduced to hal, despite his stick to the rules, straight edge attitude, making some serious mistakes and putting people in danger and even death- with the implication of alcohol abuse. the audience HAS known hal used to be in the air force since sometime in the late 60s or early 70s (sorry, i don't remember the exact issue!), but emerald dawn shows us that hal's moved on from the air force and into test piloting, and that his mother keeps having to bail him out for making mistakes. emerald dawn vol 1 shows the abin sur moment, followed by fights that cost hal's friends life, and is followed up by sinestro training hal in emerald dawn vol 2, where we get to see the iconic scenes of hal finding out about sinestro and his... dictatorship.
along with that; how the guardians and rings are treated and hal and the glc's perception of them is vastly changed over time. in the early days of gl in the 60s, the guardians were really never to be seen. hal was repeatedly summoned to them and then had his memory almost fully wiped- only leaving a vague notion of his orders. the guardian's called hal to them at seemingly the worst times, ending up with him almost getting injured, getting in trouble at work, and even ending up jobless and homeless. the chaos of being a green lantern has been around the WHOLE time, but originally, the green lanterns didnt really... fight it. the guardian's were their masters (and even father figures, to hal) and not to be questioned. the rings in the 60s were also much more powerful, despite the yellow weakness (the yellow weakness is the notion that from about the 60s to the mid 90s the green lantern rings were completely unable to be used against anything yellow). time travel, phasing, teleporting, etc were all very viable and common things- as well as forceful shapeshifting, invisibility, mind control, mind reading, etc etc. these days, writers have dampened these powers down to mostly shooting light and constructs.
okay, it's parallax time. the emerald twilight arc from the mid 90s wasn't an arc that was as thoroughly planned out over a long period of time as it probably should have been. a lot of fans at the time (and even now) hated what happened there, and claimed it ruined hal's character entirely. i can understand why! but, at it's core, the parallax arc is a story about a broken man pushed to the limit, fully grieving his home and family (originally, he lost his brother jim in the destruction of coast city, along with a lot of other family members) and being goddamn fed up with how his "masters" treated him and the rest of the corps. the so called "perfect lantern" (no, he wasn't that much of a rebel, despite what johns wants you to think) snapped and essentially tried to gain as much power as he could to bring back coast city. when the guardians stripped him of his powers so he couldn't, hal became enraged and took down every lantern in his path, just to get to the guardians and that power. long story short, he kills the guardians and absorbs all the energy from the central power battery on oa, becoming parallax- essentially a god. this marks the start of zero hour, an event made by dc to restructure and reset; giving the comics a new generation of heroes. hal destroys the world and remakes it, but is ultimately taken down by kyle rayner, the new green lantern, with the help of the jla, jsa and associates. there are a few more run ins with parallax after this, before kyle convinces parallax/hal that he can make up for all of this by reigniting the sun after it went out- aka killing himself. hal does it, is stuck in limbo for awhile and then becomes the spectre to continue to make up for the horrible things he did as parallax. the spectre is the spirit of god's wrath and vengeance, a weapon used to drag sinners to their very own, self made hells, and scare the shit out of people. the spectre, from it's very first appearance, is a ghost like spirit that takes on a host, and is primarily described using christian terms and is used in a very... christian ideology. HOWEVER, the spectre 2001 confirms that hal is jewish (jewish mom, catholic dad) and that belief system, plus his personality as a whole, literally makes him change the spirit of vengeance into the spirit of redemption, for at least as long as they are bonded. the whole parallax to spectre arc is about grief, pain, cycles of abuse and terror, redemption and guilt. it is NOT about a fear bug that possess hal. (im so serious though, the spectre 2001 is one of the best comics ive ever read. amazing. changed my world view) but... geoff johns changed all of it, decanonized the spectre, and ruined the legacy of parallax and hal's growth as a person by releasing green lantern: rebirth in 2004/2005. this retcons hal's breakdown and journey through grief into him BEING POSSESSED BY AN ENTITY CONTROLLED BY SINESTRO THAT FULLY CHANGES PREVIOUS GREEN LANTERN CANON AND IMPLICATIONS. also, fucks up the importance of kyle becoming ion, but whatever. geoff johns writes hal (and even more so, carol) so very wrong, and change their stories so vastly in ways that go against the stories very meanings.
SIGH.
now... time to get started on some rougher stuff. hal jordan misconceptions. i'm saving that arc for last.
- hal jordan wasn't much of a rule breaker or rebel until the 70s/80s, where he BEGAN (very slowly, mind you) to be radicalized by oliver queen during denny o'neil's green lantern/green arrow. hal was painted as more of a conservative during this period (which, admittedly, kind of goes against previous canon... he's always been relatively central to liberal, not to any extremes like ollie though, lol) but gets more and more understanding of how power structures work and how lower classes are mistreated during this time- which ends up opening his eyes a bit to how shitty the guardians are. (this is helped by the guardians literally just. leaving. the green lanterns and kind of disbanding them so they can go fuck the zamarons, lmao). geoff johns tried to change this narrative into making hal a very... maverick-from-top-gun type of character, who punched his way out of the military (when, in reality, the original story during emerald knights in the late 90s was that hal had been framed for stealing a jet and was dishonorably discharged, which he took the punishment for because he knew someone had to) and hits on women constantly and gets ladies and allat (which, funnily enough hal was awful at getting carol to like him for a long time, since carol fell for green lantern rather than hal. not to mention the awkwardness of carol's proposals or hal's many, many failed relationships). hal has always been insecure and lowkey boyfailure, he is NOT a top gun maverick tom cruise sorta guy! fuck you jeremy adams!
- hes not that much of an idiot asshole. hal can be a real dick, he's had that going for him since the beginning, but he isn't what you read in batfam fics. he's not stupid and shouldn't be the laughingstock of the justice league. i assume this idea started from the obsession with batfam and the fact that the jla has quite the history of ignoring hal and his issues (as well as. all of their issues. theyre not so great at work life balance), but it's gone too far. hal isn't making fun of the robins and pissing bruce off bc of that. hal isnt fooling around on the job 24/7 (he takes being a gl and pilot VERY seriously, although he does enjoy some danger and high stakes) or slacking off to get girls. again. not top gun maverick.
- hal has not been a creep since the beginnings. hal was not weird with carol in the 60s. things were weird between them, yeah, but that's based off circumstance and the craziness of star sapphire and green lantern. he was NOT being horribly sleazy! i hate that i even need to say this, but i see this take too much not to
- going off of what was said above, lets discuss the arisia arc. if you want to be a real hal fan, this is unfortunately something you need to know about. in action comics, after crisis and the guardians left to go fuck the zamarons, most of the green lanterns fell apart and seperated. a small group went to earth- led by hal and consisting of hal, john stewart, katma tui, kilowog, salaakk, ch'p and arisia rrab. (also sometimes guy gardner, but that's complicated) previously to this arc, hal treated 14 year old arisia like a beloved little sister, welcoming her and leading her into the corps just like everyone else. things started to change once the timeline gets closer and closer to crisis, where arisia starts showing that she has a crush on hal (who is roughly 30s at this point). any advances made by arisia are shut down by hal at the beginning, because she's a child. now, it's unfortunately a common thing to just call hal a "pedophile" because of what happens in this arc- but it really isn't that simple. still weird and icky, but definitely not to the degree of which some fans like to act like it is- esp to attack hal fans for, which is... an odd choice regarding how many fucked up things every character (esp male characters) did back in the day. arisia ends up using her power ring to artifically age herself up, making her body AND MIND into that of a young adult (the comic makes this very clear). once this happens... hal stops rejecting her. they get together, they kiss. the only person in the group of green latnerns who actually has an issue with it is john (salaakk is meh about it, but he just doesn't like human-esque romance no matter what), and katma even directly encourages their relationship. kilowog ends up crushing on arisia as well, and guy gardner hits on her repeatedly throughout the whole period. eventually, hal and arisia break up, but this legacy (thank so much englehart, for wrtiting this. /sarc) is a big controversy among the comics crowd. "is hal jordan a predator?" personally, and i know a lot of friends/mutuals/other gl fans choose to erase the arisia arc entirely (versus how canon ended up retconning it to be 14 earth years is equal to that of an adult and she didn't really get super ages up, or whatever) and go with the familial relationship between hal and her. that's my preferred version! i know red (@katmaatui) has explored that version as well as an alternate version where the arisia arc did happen, and how it affects arisia in particular, which is really depressing but super interesting. anyway, it's complicated and weird and nuanced, but that whole occurence doesn't mean hal's a bad character or person (cause yk. retcons) and it's certainly not bad to like his character. (definitely ignore any guy gardner fans who try to bitch about this arc. cough cough. guy was ALSO into her and hit on her repeatedly. smfh) most people who bring this up to demonize fans didn't even read the arc, and don't know the nuance or the other weird shit that happens in it. (hal is not a horse, sigh)
OVERALL NOTES!
hal jordan is a super complicated character with an extensive history spanning from the 60s to his worse written appearances in modern age. it's okay to like any version of the character, but it is important to note the changes that have been made, the storylines butchered and lost, and more. he has quite the legacy, and he's particularly interesting as from a moral standpoint. hal's a real sweetie though, when it gets down to it! he's neurodivergent coded (imo at least.. his dad very much gets onto him for being disrtracted, hes kinda shit at social interaction (and then amazing at it the other half of the time) etc etc. "spacecase") and his dad is an abusive asshole, who he desperately doesnt want to be like but thinks he NEEDS to be like!
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directdogman · 9 months
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Hey dogman, idk if you answered this
Who, out of both DSAF and Dialtown, was your favourite to write and/or create?
It's very hard for me to pick favourites with my characters because I don't tend to give characters a lot of screen-time unless I find a character interesting or fun to write. You've caught me in a talkative mood, so warning, there's an onslaught of text coming!
DSaF: Dave was the most fun to write for, as I remember it. I mean, the guy is the walking personification of chaos and even when he's being constructive (eg, rigging robots to do insane stuff), it's usually in a destructive capacity. Dave will do LITERALLY ANYTHING but contribute to society in meaningful/valuable ways.
In terms of what character-writing I was most 'proud' of, I was also pretty happy with Dr Henry Miller, as a villain. Namely the research he embarked on, described in his logs in DSaF 3 (which the fandom evidently agreed with, as I got really strong feedback on those logs.)
One issue a lot of people (including myself) have with canon William Afton is that he's this kind of mad scientist character but his research doesn't really seem to be... idk, going anywhere? Other than using remnant (soul nectar?) to make kids possess robots, it's kind of a mystery how he got to this point he did from running a bad fast food restaurant. William gets fleshed out motivations in TSE and even then, it mainly revolves around his relationship with Henry Emily, iirc. It's actually pretty accurate to how real serial killers think, imo, but there's a pretty wide berth between this kind of serial killer and becoming a sci-fi fast-food mad scientist... So, I decided to try to bridge that gap.
DSaF Henry's logs actually mention where the idea for his research came from, namely the fact that he existed in a world with normal scientific rules just like ours and seemingly discovered something supernatural, and he approaches it like an amoral scientist would - trying to figure out how to figure out more about the fabric of reality using the newly discovered phenomenon of possession. The 'joy of creation' phrase people pulled from Golden Freddy's phone call in FNaF 1 is given context - Henry is trying to find out what's on the other side (and eventually, how existence itself formed.)
There's other aspects to his character that make him more interesting too, like the implication that his research is partially an excuse for him to act on an underlying sadism (with scenes implying that he inflicts damage on others than can't be justified as assisting with his research.) His background as a dissident/quack laughing-stock scientist (thanks to pushing his soul theory in a best-selling book, which is considered pseudoscience) BEFORE he embarked on his journey to become a fast food tycoon also makes it less farfetch'd that he'd be capable of y'know, harvesting human souls intentionally to continue his research?
I had more for the character on paper that people haven't seen but some of it wasn't revealed due to it feeling a bit too disturbing to publish. None of the contents would've been all that controversial, more just too tonally disturbing when written about in detail (like a omitted part from his backstory/lore post where he managed to pick up a hazy audio of his wife + son's crying from the radio of the car his wife/son drowned in and reacted with genuine elation upon realizing he'd discovered a new scientific phenomenon (as this was the first time Henry witnessed soul-possession.)) Yeah.
I don't feel much of a need to revisit Henry as a character because as a series villain, he was pretty thoroughly-written and he did his job effectively... And his fate was well earned! (He even got an epilogue short-story a few years back, further cementing his fate!)
Dialtown: From the characters/writing that the fandom has seen? Tough to say. I genuinely really like every DT character. Gingi and Mayor Mingus are two of my favourite characters to write for because they're both really insistent and react to adversity in a really comically indignant way. Mingus is more like Gingi than she cares to admit in very specific ways, which is the core hypocrisy of her character - she's one of the most abnormal things IN Dialtown, and spends the game on a quest opposing abnormality that she, herself, can't stand.
Many absolute rulers have debilitating physical and/or mental cruxes and despite that, usually have the final say on what is/isn't okay, often guided by arbitrary preferences. It's funny to remember all of the ancient kings and emperors who dictated how others should act, talk and even think, when very many of them themselves were anything except a good reflection of their own subjects! It's an irony I quite enjoy and leads to a fun character to write for!
My favourite DT writing is probably some of my Callum Crown speech drafts. I have a definite bias here since Crown's character is based on many figures I've encountered in my own reading (and his story relates to topics I enjoy reading about.) A lot of that is real nerd shit that wouldn't be interesting to 99.9% of DT fans (like a long conversation where Crown + Milt discuss a campaign speech Milt wrote for Crown and they bicker about if the wording/arguments used are truly honest.) Again, not super relevant to Dialtown-proper, but it explains a lot about why the world of DT ended up the way it did.
Realistically, the story of Dialtown itself is basically a weird little epilogue to a story that ended decades upon decades ago, centered around a bunch of small-town nobodies circling around the carcass of the last surviving main character of the old story.
I'm also very happy with Gingi's character partially because I know more about Gingi's past/future than you guys do. Gingi has such rotten memory that Gingi's backstory before DT's story begins is basically a complete mystery. Thanks to Gingi never getting close enough to any humans before laying its eggs, there's nobody in Gingi's life that can fill in the gaps. Companionship means so much to Gingi because prior to meeting The Gang, Gingi is aware of a massive and unknown block of time that's a complete mystery precisely because Gingi had nobody in its life. To Gingi, this time was basically akin to being non-sentient or dead, and Gingi would never go back.
While I was making DSaF, I drafted a ton of other stories on paper. I considered making most of them, but decided not to for various reasons, despite getting some solid feedback from collaborators. Bits of almost all of those project ideas made it into DT, with Gingi having traits from several other main characters I prototyped years and years ago. This includes where Gingi came from and what exactly Gingi is. I don't want to mislead people into thinking Gingi is more important than it is, like Gingi is the key to unlocking DT lore (I promise there's a LOT of aimless scuttling/devouring in Gingi's past and relatively little else!) BUT: Of everything from those old scrapped projects, Gingi is what I decided deserved to survive the most. And that has to count for something.
One day I'd love to make sequels to DT and perhaps explore some of the stuff I've described above, like why the hell the world of DT is the way it is or maybe where the hell Gingi spawned from. Thanks
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caramel-flan · 1 year
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🏮 3.4 LANTERN RITE EPILOGUE 
// SPOILERS AHEAD
There’s so much to unpack here regarding Venti and Zhongli but can we talk about this exchange at the end:
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Going insane because the way the scene is framed and how the conversation pans between the two of them... it seems like Venti is speaking indirectly about himself and Zhongli.
If we take a look at some of the previous scenes:
What’s interesting are the moments after the dinner, when Hu Tao and co. are gathered to re-light the incense.
While Hu Tao makes her speech we see Venti looking contemplatively at Zhongli while everyone else is looking at the incense.
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He applauds Hu Tao for her idea before nominating Zhongli as the most distinguished guest
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This part is hilarious, to the humans present it sure is strange that Venti would immediately nominate this person he’s just met and chatted with briefly as opposed to one of his equally accomplished “old friends”?
But Venti gives his reasoning and finally this leads to another scene we aren’t talking about enough:
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For the majority of the night Venti and Zhongli have been so un-serious with each other. At the dinner table they’re having fun with their ridiculous 4d compliments battle slash game of ‘Hey stranger’.
And it’s understandable that the masks are up tonight, the two of them can’t speak openly about earth-shattering plot-moving topics without giving away their identities after all.
But it’s here that we the audience get a glimpse of Venti and Zhongli at their most plain and honest about each other:
“If knowledge were a form of power, one could even say that you’re a wielder of unlimited strength.”
“But when it comes to having a way with words, the notable bard is certainly one cut above the rest.”
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 Zhongli is genuinely impressed that his ‘new friend’ can spin such an ‘unexceptional skill’ into an ‘unparalleled talent’ and he humbly downplays the claim. 
But Venti is absolutely correct. Having a photographic memory is an extremely powerful and valuable skill to have in the world of Teyvat if we recall the events of Sumeru, and the purging of knowledge from Irminsul. 
Zhongli likewise acknowledges Venti’s exceptional literary skills as a bard. We know now that fiction can be used to depict knowledge that has been erased from Irminsul, anything that can be recorded into song or ballad is ‘safe’ and therefore can be retrieved later.
For all their bickering, Venti and Zhongli recognize each other’s strengths in the effort to record Teyvat’s history, and preserve the ‘truths’ of the world.
It’s easy to see then why both of them would be so important and invaluable to each other as friends, and why they’ve stuck together for so long.
- 🏮 -
At the beginning of Lantern Rite Zhongli tells Traveler: “Setbacks are inevitable over the course of a long journey. If you wish to share what's troubling you, allow me to lend my ear. There is no need to shoulder all burdens by yourself.”
Through lore and gameplay we know that Zhongli and Venti are the last surviving members of the first iteration of the Seven.
Both have yet to personally reveal anything about their origins before the Archon War, only scattered hints that implicate Venti having strong connections to the God of Time Istaroth, and that Zhongli may not originally be from Teyvat.
But regardless of which theory you subscribe you, it’s clear both of them understand all too well the hardships of being on a long journey, and the importance of having someone there by your side to help shoulder those burdens.
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I've been reeling over Spike's speech in s7e2 all day, so here's my shitty attempt at an obsessive analysis:
"Why does a man do what he mustn't? For her. To be hers. To be the kind of man who would nev- To be a kind of man."
Something that really grated me about Riley and his departure from the show is how good of a reason he had to leave Buffy, but how poorly he explained it to her. Xander literally had to come in and re-explain it to Buffy, so she could understand. But, that reason was that he felt like she could never love a human. She was crazy about Angel the vampire, completely in love with him, body and soul. She wasn't the same about Riley. And maybe she couldn't be. Because how can a normal living guy ever compare to the flame and thrill of a centuries-old vampire?
The point I'm getting at is that I find it interesting how Riley didn't work out with Buffy because he was human, while Spike hasn't worked out with Buffy because he's not a human.
I don't think Riley understood Buffy. Not on any deep, intrinsic level. He was jealous of her past and assumed she would see him as boring because of it.
Spike's different. He understands (eventually) that flame and thrill isn't actually what Buffy wants. She wants someone she can trust and rely on. She wanted Riley so badly because he was supposed to be normal, reliable, trustworthy. But inevitably, she couldn't give him her all because she also wanted the flame and thrill that farmboy just couldn't give her. But spike can. He endures hell to get his soul back because he wants to be someone Buffy could love- a man.
"She shall look on him with forgiveness, and everybody will forgive and love. He will be loved."
Spike saying this while staring intently at the crucifix leaves a heavy implication of death/suicide. It almost sounds like something he's repeated before, possibly to comfort himself. Because maybe no one will ever forgive him. Maybe he will go to hell like the voices tell him to. At least there, he will be loved.
"Can we rest now? Buffy, can we rest?"
I'm just using this to add on to what I said above. In death, there is love and a final repose. Spike's so tired. Everything he's done is eating him dead alive and all he wants is to rest with Buffy.
I also really like how he uses we instead of I because no matter how insane or sick he is, he wants to be with Buffy.
anyways, I'm done rambling now. I will be rewatching this scene a million times.
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It bothers the hell out of me when no one talks about what George stacy? (whatever his name is) (gwens dad) pulling out a gun and was (probably) going to harm his own kid?? why is no one talking about? why is that scene so overlooked?? it's so fucking overlooked, call me whatever, but my gut has been screaming to me about it, it's so weird how overlooked it is, And I know it's not just me, but I also feel kike I know why and it sucks, I feel bad for gwen, I don't think she'll ever look at him that way and it's not being talked about as much.
NO DEADASS REALLY FOR REAL DEADASS
Like the implications of that scene are insane - if we question what he would've done, like it gets sickening.
Because he let out a warning shot, he's going by procedure. So if Gwen hadn't complied, what would he have done? If she 'resisted arrest' is he really ready to use force - A GUN on his own daughter.
He KNOWS she Spider-Gwen now. He's see what she can do - Gwen could probably dodge a bullet if she knew she was being shot at. Knowing that, he was doing that to get her to submit in fear, that hopefully his place as a cop would scare her into WHAT?? Giving herself up.
Gwen CAN'T.
This is NYC mind you.
If you get arrested in NYC they send you Riker's Island while you wait for trail. Riker's Island being the jail that inspired ARKHAM ASYLUM.
It's considered one of the foulest facilities in the country. Gwen is what, 16-17? Wanted for murder - the cops HATE her, the courts could easily trial her as an adult.
Was he REALLY ready to throw his 16 year old daughter into the most dangerous neglective hellish place the city has to offer? Was he ready to shoot her or worse?
WHAT WAS HE GONNA DO??? CAUSE WHATEVER IT WAS...HE SEEMED COMMITED TO DOING IT.
SIR WHAT WERE YOU GOING TO INFLICT UPON YOU INNOCENT CHILD - HOBIE GET THE GUITAR
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No wonder she was gonna leave without talking to him. If Hobie hadn't come over, she would've rather been homeless on the streets rather than try and face her dad again - knowing it can end up MUCH worse.
Not knowing if he's looking for her to apologize or throw her in a cruiser he makes me SICKKKK BRUHH ITs NOT EVEN FUNNY AT THIS POINT
As soon as he started talking she had an attitude because she's still pissed about there. There's so much sadness there but anger too, cause like
How you deadass pull a gun on your only family??????????????
How you deadass about to send your daughter to a detention center or a jail OR MORE LIKELY COMPLETE SOLITARY. Consider her powers.
Like..... These movies want me to pat him and Peter B. on the back for a job well done when they BOTH let Gwen down. And Gwen has to come TO THEM to fix it (which I understand for her dad but Peter r u deadass)
Meanwhile Jefferson is doing TWENTY THOUSAND TIMES BETTER WTF
FUCK GEORGE STACY ALL MY HOBIES HATE GEORGE STACY JEFFERSON DAVIS IS A KIN
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DO YOU THINK HED EVER PULL A GUN ON MILES NO!!!!!
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favvn · 3 months
Text
Something that I've been processing since Errand of Mercy is that line of Kirk's about being used to the idea of dying. I take it to refer to his experiences on Tarsus IV rather than a willingness to die for Starfleet/some loyalty-to-the-death type deal. Like, he saw a leader make themselves into a dictator in a time of famine and suffering, and said dictator used "personal eugenics" on the people he was meant to aid. Kirk himself was selected to die. Regardless of if Kirk was a young child or teenager when it happened, that event has shaped him (and I can not believe no other writers for the show used it explicitly to develop his character, so now I get to feel like the Pepe Silva It's Always Sunny meme always. It's fine. It's cool. It's fun, even. Thank god for fanfic writers).
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But in the episode before Errand of Mercy, The Devil in the Dark, Kirk says that--as individuals--Spock and himself are expendable. The implication is the chain-of-command based on Kirk's rank as Captain and Spock's rank as First Officer. Should Kirk die, Spock assumes command and etc. If both are killed together, there's a larger ripple effect in the chain and more issues to get positions filled, so Spock and Kirk together as a pair are not expendable. (To say nothing of the larger risk of endangering two lives vs one and Kirk takes calculated risks.)
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I point this out because in Operation: Annihilate, Kirk doesn't give a single care about the chain-of-command and who is expendable once Spock is made host to one of the creatures.
(As an aside: yes, I know the usual considerations. Inconsistent writing on the show's part. Nobody would want to work under Kirk if he didn't care deeply for the safety of his crew. Etc.)
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Nowhere in Operation: Annihilate does anyone suggest a replacement first officer (despite idk the weirdly vivid memory that it was a conversation Spock and Kirk had in the episode? Did I write my own fanfic while watching the episode and give myself a case of the Mandela effect? I have tried rewatching it and reading transcripts, and I am getting no such scene and I am feeling truly insane, oh my brainworms have gotten worse) after Spock is made a host to the creatures. McCoy comes close in wanting Spock to stay in Sickbay rather than go out to collect a sample, and McCoy also reminds Kirk that Spock is "the best first officer in the fleet" before they put him under enough light to rival the sun and fry his optic nerves, leaving him (temporarily) blind.
(As another aside, while it is one big facepalm that these 3 geniuses in their respective fields failed to conduct their experiment properly--Nurse Chapel, you are due for a promotion!--dare I say that it is still a compelling and entertaining drama? The time-crunch scenario of if Spock can't withhold the pain and insanity anymore, of if Kirk's nephew wakes up, and of when the creatures will successfully leave the planet to infect a new one, so they will gamble and risk Spock's eyesight rather than enact a plan that would kill 1 million people.)
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It's just. Interesting to me. Almost as if Kirk believes that so long as he and Spock are together, regardless of what may injure them, they can do anything.
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cripplecharacters · 23 days
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(2/3)
The second character is the MC's father and he is the one i am moderately worried about
Bit of info:
His parents where high nobility, they where also perfectionist, violent narcisissts obsesesd with their bloodline who belived themself above all other humans, and where up to their neck in the more unsavory parts of organized crime. This leads to him being obssesed with being the best possible father to his son and a good husband to his wife. He also uses his influence as a duke to benefit and protect the common people as much as he can since the servants of his parents did their best to protect him and give him a better childhod when he was still living and he holds commoners in a high regard because of this among other things.
So for the bad part:
He does his best to do good lawfuly but he has no problem with using violent and/or unlawful methods to protect the vulnerabel. Whic most sane person wouldn't consider a bad thing, i know, but its still moraly ambiguos. especialy He also manipulates other nobels and uses bribery when things call for it (most nobels in his kingdom do the same, but coruption is coruption.) He also strugels with anger isuess and has a tendency to violently lose his temper if someone threthens or insults his son or wife even in the slightest. He mellows out a lot as the story progreses and eventualy completely stops with any unlawful activities or bribery and his temper improves a lot but his last, and most severe outburst and its consequences lead to him losing an eye and suffering several moderately sized second and tird degrre burns on his back, shoulders, feet and on the front of his lower legs.
A quick run down of that: the crown prince beats up the MC, breaking his nose and causing him a concusion, cuts his face with a dagger and trys to stab him in the neck. Dear old dad arives on the scene, loses his mind, and beats the crown prince into a pile of bloody mush ( the Prince lives, i am on the fence of giving him a disability especialy a facial difference due to the injuries he suffers. It would be realistic since MC's dad fully intended to murder him there and only stoped because his son called out to him. But even if he improves criticaly once his dad is put out of comision and attacking the MC was not his idea, he is still not a great guy at this point and i would like to avoid unfortunate implications of him deserving what he got / impliying that disability is a punishment that some people deserve instead of something that just is/ perpetuating the bad-old trope of bad or moraly grey character with a facial difference. Is there any way i could do this while avoiding these things or should i find a way for him to fully heal from his injuries? It can be done, but it would be convoluted)
Back to bussines. This performance earns the MC's father several things
His son's survival of the encounter with the prince.
The king's unbribeled attention and anger aimed at his family.
A nice indefinite stay in the deepest cell of the castle dungeon
A bat- shit insane offer from the king to save his own life at the price of the MC being executed in his place (MC has a claim to the trone, its stronger than the princes, he has no intention of ever claiming the throne, the king doesn't care) This is on the basis of "eye for an eye tooth for a tooth, heir for a heir" (even if the prince recovers completely he would still find him uselessafter the public humiliation, his failure to make the MC "unfit to rule" and the mental trauma he suffered due to the incident. ). The MC's father finds this repulsive
The first treason charge in a century after he unsuprisingly refuses said offer.
What transpires at his execution is what leads to his scars. There is a law i made up for this fantasy country that a man executed for threason shall be publicly hanged and left hanging untill the ravens gouge out their eyes and then whatever remains of them shall be burned ( i did this partialy because of a saying in my mother tongue i found a great potential in for being even harsher an insult and partialy becasue it makes for great horror pushed either way. If its a problem i am willing to change it ) One of the gods decide to interveen. Fyi: They are the god of death,the dead, the afterlife and rebirth. And he is the most unanbiolugusly good character among the few gods who are mentioned by name and given any amount of "page-time."They are also much more eager to help humans directly since he adores them. The gods also have a rule that each time they interween and change fate it leaves a permanent impact on the world, the bigger the change the bigger the impact. Revealing himself to a populace whose greatest contact with gods in the last milenia was recently meeting their curent envoy to declare his intentions has a significantly higher cost on the world-changing scale than sending a raven to remove one of his eyes and pinch a piece out of his face near enoug the other to conceal it and then putting out the pire with a thunder storm before their newly minted charge burns to a crisp. Also it still gets the divine intention across nicely.
The MC's father is actualy pretty positive about his situation and he actualy likes the scars since his parents would absolutely loath that he isn't "perfect" anymore and also considers them a a badge of honor since he saved his with gaining them. The only reason he dislikes them beside the pain is because he is incapabel of filling his position as the leader of the army and on field comander of the branch of the army responsible the magical fires and the king forces his son to take it and leave the one he curently fills as the leader of the other branch.
To clear some things up related to the previous ask: He did manage to escape from joining the militia when he was younger.
The millitia in this world is used against monsters and not rival kingdoms, and joining it is not mandatory for any member of the populace.
Leadership is suposed to be based on merit not bloodline.
He ended up in the position he is in along with his son as leaders of the army against both of their will due to a deal he made to ensure steady dose of medication the MC's mother needs to survive.
By this point in the story (post "execution") she no longer needs it because the other MC and her family helped treat the injury so it was not life threatening anymore and it requers medication she can easily make herself.
The king has other things to blackmail the family with that are more than enough to jerk them around.
Is this aceptabel as it is? Is there a way i could make it better? Is there anything i must change no matter what?
I am worried about the two implications i mentioned with the prince, but also the story takes a turn for the worse for a good whileafter this happens and that could be another can of worms i dont want to imply . And honestly there could be things that completely slipped my attention. How can i avoide those? I am unsure if this character is someone who would even make for good representation instead of harmful but its important plot-vise that he is incapacitated after this and this is the thing i been planing on using for a while and it fits his story but i am wiling to change this if it would cause harm.
Thank you in advance.
Hi again!
Before I get to the actual ask - please don't equate violence to "narcissism". Narcissism is a mental health term (Narcissistic Personality Disorder) and it doesn't cause a person to be violent or abusive. Same for the use of "sane/insane" later in the ask - please try to look for a different word in the future.
I don't think that being morally ambiguous is necessarily a bad thing, but being violent does encroach on the ableist stereotype territory. It would be a good idea to expand on how his family's values have affected him, rather than just to put the Aggressive Man character on the pipeline of ending up with a facial difference as if it's some kind of natural progression (because it's not).
As for the villain becoming disabled - I mean, if he was almost killed then it makes sense, but does it have to be a facial difference? Maybe instead he gets his legs broken and has chronic pain afterward, or gets double vision from being hit on the head (two random things that I also have, and in my opinion they would cause way less tropey connotations?). And if he has to have something happen to his face, why not nerve pain or trouble breathing through his nose, or something? Try to think of other injuries than just FD if that's what you're specifically (and reasonably) worried about.
Re: healing his injuries - sometimes people heal, sometimes not, often they heal some but not all. It all depends on the specific injuries and what you decide would make sense to happen with them. Just don't cure permanent disabilities that don't get better; stick to injuries that could be improved with things like physical therapy or medication.
I'm not particularly worried about "disability as punishment" here because it's more of a "fuck around and find out" or "foreseeable consequences" event rather than if, e.g. God cursed him for his actions and the curse was that he was disabled or something.
The scenario of him being burnt seems actually fine to me. Normally I would be iffy on a character being well, literally punished for something he has done with a disability, but here it's pretty clear that coming out of that with a disability is the better option (as opposed to being dead). Pushing this point would be a great subversion of the dreaded "better dead than disabled" trope that gets used way too often. I do like that he doesn't mind his scars (being bothered by pain is completely normal), and it seems that it would make sense for his backstory to feel like that about them. I presume that his parents' beliefs are framed as unquestionably ableist, so I won't dwell on that.
I'm not sure about the second reason he dislikes them though - apologies if I'm just misunderstanding - but why would his scars make him unable to be an army commander as opposed to being charged with treason? It would be good to make it clear in the story because I feel like his scars are probably irrelevant here, unless there's some sort of law against disabled people being in a position of power (?).
My general recommendations would be:
Have characters without disabilities/facial differences that are violent, or have anger issues, etc.
Have more characters with facial differences who don't fall into the tropes at all - non-aggressive, non-fighter characters even. I'm sure there are nobles or servants who are mostly occupied with boring stuff who could have facial differences while popping up in a chapter or two?
There's a difference between one character existing and that one character going into ableist territory, versus five characters existing out of which only one goes into that. 20% is a coincidence that doesn't mean much, 100% is a pattern that's hard to not notice.
For including more characters with FD "naturally", I will try to write a longer piece in the third part - for disabled characters in general, I recommend this post!
I hope this helps, and that I understood all the questions correctly!
mod Sasza
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fights4users · 7 months
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please give us the badger hair essay
I need to get better at answering these faster! I’m “I’ll wait till I have the time to give it my attention” and forget I get asks! Sorry anon!
Ok so— hair is sort of essential even if the first film largely has everyone in helmets (apart from select programs and during the love scene). I think it’s especially important when portraying Tron in the legacy era as well as no one seems quite able to get his hair right… it should look like Alan’s, if not a little bit scruffier compared to his “straight and narrow” style.
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The most important aspect to this is the bangs. I swear to god no additional Tron media ever gets his bangs right or gives Tron a military/police officer cut which is a whole other level of don’t- but it’s. You don’t realize it but by having the bangs, making his hair a bit fluffier it gives- young , idealistic and confident. The excited and fiercely loyal program we see in the film— he’s Alan’s best traits personified as well as being his own person simultaneously (there is mirroring but it stops at a certain extent it’s complicated)
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I’m not saying he doesn’t “age” (not physically anyway) or go through things that would change his personality and demeanor but his core traits remain. The fluff should remain, he’s sort of stuck as a young romanticized Alan? I sound insane but there’s a point to this, his hair gives away the softer features— oh sure he’s deadly efficient but he’s also a complete goof!! (Any moment with Yori or Ram shows you he’s all smiles and loves to quip). Future installments ignore this-
Cut the bangs and sort of cut out a massive part of his character only leaving the deadly efficiency and stoicism. Ok being “Mr.Moral” is all well and good but you forgot the heart of gold and soft side part—
This goes through with the “Badger hair” too, or uh- what Bruce calls it.
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Besides being a “zany” thing to highlight the inhuman nature of programs (one of the easiest way is always wacky hairstyles) it’s also literally tied to this sort of pure love ™️ aspect to their relationship. It’s tied to his goofier and softer side who 🧍‍♂️”it looks terrible” etc etc
The additional implication of this being apart of a “true form” (he has more free flowing light lines added with tape that aren’t featured here) also sort of hints at a — depriving the lighter and sweeter side of him because this is a boys action franchise now rahhhhhh
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thenamesblurrito · 2 months
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To bring some positivity to TFOne coming out, what stuff did you like about the trailer? I'd love to hear your thoughts!
oh man im still digesting it a lil bit but whoof lets go-
ECOLOGY
WE HAVE ROBOT ANIMALS!!! FLORA AND FAUNA!! WE SEE MORE THAN JUST CITIES WE SEE LANDSCAPES AND GEOGRAPHIC FEATURES AND A BLEND OF CIVILIZATION AND WILD SPACES AND A PROPER ALIEN PLANET!!!!!!!!!!!!!
ANIMALS!!!!!
like don't get me wrong the cities themselves rock and are gorgeous, but we only ever see like... just a bunch of grey metal and blocky greebled buildings and rust. Cyberverse was probably my favorite properly alien planet as a whole instead of just a really big sci fi city named Cybertron and i'm so excited to see what they do with it in One, ESPECIALLY with how it seems to be heavily technoorganic and hooooooooooooooooooooooooooooo Quintessonsssssssssssss eeeheheheheh give me the SQUIDS
actually for that matter the aesthetics?? this is such a fascinating artistic direction that i'm really appreciating like the vaporwave sunsets, the fractal moving mountains and aurora horizon, those busy neon city scenes and the upside down underground towers and... whoof it's all so incredible?? and it manages to be visually stunning WITHOUT just being a bunch of, yknow, greebled nonsense. it looks designed, it looks like it has Culture and Life and Intent behind it instead of being a mess of vaguely robotic detail slapped on. i keep wondering what the significance of the tower on the poster will be. the train things are fascinating. the little hints and implications of society and oh how interesting that could be expanded on. the mecha themselves too are like, halfway in between uncanny valley and stylized tin soldier toys for me in a way that took a bit of getting used to but i'm appreciating more and more how it's visibly and joyfully animated instead of trying (and failing) to be 'live action' like the Lion King
the SCALE. THE SCALE!!!! DO YOU KNOW HOW RARE IT IS WE GET SO MANY NAMED KNOWN CHARACTERS PACKED INTO SCENES LIKE THIS. tf canons usually have core casts of characters both for storytelling and budget reasons and yet here we've got so many shown off in just the trailer, it makes it feel like a real populated planet instead of a handful of robots and some set dressing like Aligned feels like to me.
i've got some insane questions like why does D-16 already have a Decepticon brand on him??? why is Alpha Trion alone and sad and did he rip those tcogs out of the corpses of other primes to give to them and why is he some kinda mossy gorgonopsid unicorn?? why is Sentinel getting tentacled and will we see him be ripped limb from limb (positive)?? what are Vehicons here and how do they differ from regular bots and what is their purpose???
the only real issue i have is Hasbro being predictable and shoving Bee in when someone else would really better fit this movie as he's typically not meant to be in this time period/role but eh. disappointed but not surprised and willing to let go and laugh at him being comic relief anyway. there's literally not enough information on anything else for me to say if i don't like it or not yet bc i have no idea how they're gonna execute it, but what is there has me eager and hopeful it'll be good
i guess the biggest thing is. it looks fun. it looks FUN!!! the world looks fun, the characters look like they're having fun, it just seems like a movie that wants me to ENJOY it!! i'm ready for a fun movie in a franchise i love!!
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solaroppositesyaoi · 11 months
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Hold on ,,, i kinda fell out of the fandom a while ago
Is Tervo canon now?? Like... earnest canon? Not just in that limbo between homophobic jokes and queerbaiting but like... Actual committed, loving relationship that they're both working on and they don't just sometimes kiss for laughs?
Because in that case i might start watching again
(I fell off just before the christmas special)
OH BOY ANON YOU JUST ACTIVATED MY AUTISM
So the short answer is yes though not 100% and I understand if that’s not what you’re looking for but if you have time you can listen to me go off:
So they pretty much do everything except stare directly at the audience and announce that their in a relationship but the show pretty much tells us they’re in relationship
We’ll start with the Christmas Special since you stopped there.
There’s only one “tervo” scene where Terry reveals he’s been practicing punching for Korvo’s Christmas present and they share a kiss which is the best kiss we’ve gotten from them.
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It’s very sweet
Now onto s3
I’m linking my own video if you want to watch the scenes yourself but don’t worry I’m gonna break into them: link to video
There’s a lot of little things through out the season the word “husband” is thrown around a lot, in episode 2 Terry refers to Korvo as babe a personal fave of mine. There’s also huge implications they’re having sex with each other which you know helps.
The main episodes with the biggest Tervo moments are episode 3 The Pupas Big Day and episode 8 The Cubic Lattice Crystallizer
The Pupa’s Big Day features jealous Korvo in the best possible way (this is my personally favorite episode in the series by the way)
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I don’t want to ruin the episodes for you but Terry is buddy buddy with a new character and it drives Korvo crazy. In the end the episode ends with with this line:
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Tervo for the soul
The Cubic Lattice Crystallizer starts well with this:
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After the fam goes on vacation and a few shenanigans happens until Terry and Korvo end up a museum of betrayals which features an animatronic of Korvo getting banged by Chris the red goobler
This sets off Terry who shows quite a bit a jealousy from the situation I’m not going to show it cause of tumblr’s nsfw rules but the animatronic says something along the lines
“I’m coming harder than I do with Terry”
The final scene I want to talk about come from the season finale The Fog of Pupa. Ms. Frankie reveals the cunnilingus Korvo gave her in the s2 finale and Terry give him this look:
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It’s just screams Terry’s pissed at Korvo for this but why would he be if they weren’t in a relationship??
Outside that we have the Halloween special where it’s revealed Korvo gave Terry bj coupons for Valentines Day
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Cute
Also found this excerpt article with Mike McMahan (here’s a link for the entire article)
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In the s4 preview (youtube link) Terry pretty much is the sole reason Korvo is British now because it made him horny, he also calls Korvo sweetie in the clip.
We also have a Valentines episode to look forward too which a lot of people are speculating a tervo wedding as “something big” is suppose to happen to two characters hmmm…..
So are they in a relationship? I like to think so but I’m also autistic and a little insane and I eat up all the scraps they give me. Maybe I’m delusional but i feel there’s a ton of evidence here. If you think this is just queerbait material I understand but I think it’s pretty clear they’re in love with each other. Either way I can't wait for s4 and more tervo content for me to tear into and analyze the death.
Anyway thanks for sticking with me here and I hope this answered your question!
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Text
Saying that I hate Nolan's Batman in a room full of man just to feel something
But here's a random list of my rating of different Batman that nobody asked because I love giving my opinion
The Dark Knight Trilogy: Solid Batman, hate the Bruce Wayne. Brucie, the public persona, is supposed to be a bimbo that cares for the city, not a rude arrogant prick that sinks the Wayne name. It completely butchered his relationship with Harvey too for... *checks notes* Rachel? Nahhh 2/10, a male fantasy movie but it gets one point for showing his training years and another for some cool one-liners
The Batman (2022) – I love the movie and that's top Batman to me, especially the last scene. Batman is a symbol of hope, compassion. I had the same problem as the Nolan's one for the larger portion of the movie: instead of using the Wayne Inc. to do good, he doesn't care about his parent's heirloom and drowns into being Batman. HOWEVER, it's pretty clear how raw and wounded he still is, and after the whole Riddler deal, I can see him turning this around and doing good as Bruce Wayne too. My fav live action movie but it gets a 8.5/10 on characterization
The Long Halloween, Comic – classic Batman, I like his personality and how he lets Batman and Bruce work together to do better to the city. A inspiration for the 2022 movie too. 9/10
The Long Halloween, Tomorrowverse – butchered the storyline and I shit you not Bruce says "I never thought I would need to do detective work to be Batman". Made him all muscle and no brain. Cool art but it doesn't even get a point for it, couldn't bring myself to watch more than 20 minutes of the part two. I kinda liked how he acts with Selina though. Yet, keeps it at -10/0
The Arkham Games – I watched the Arkham Knight gameplay like it was a movie and then watched scenes from other games on yt. That's the ideal way Batman operates to me. Thing dreams are made of. Also balanced on his public facade. 9/10
Batman The Animated Series, Timmverse – can't ask for better. Always offering rehabilitation to villains? Showing empathy for freeze and ivy and Harley!? and his friendship with Harvey? 10/10
Justice League: Unlimited – The timmverse gets him right and I love to notice how he progressed as a character. Love how they write Bruce's friendship with Clark and true partnership with other Leaguers. Also love his relationship with Diana, wonderbat forever. 10/10
Batman, Tv animation (2004) – The story is tailored to be palatable to kids so they changed some elements. It's fun to watch tho, 7/10
Batman Vs. Superman – guilt-ridden, PTSD older Batman? Pretty solid on the premise and I could see any Batman acting that way with enough groundwork. I just don't like the whole marking criminal and sending them to prison to die. Bruce wouldn't, doesn't matter how grief stricken he is. 8.8/10
Gotham (Tv Series) – Eh. Young chaotic Bruce. The focus of the series is on the villains and I didn't even pay too much attention to him tbh. I love a disaster teenager Bruce tho, 7.6/10
Young Justice – Gets points for bonding with Dick earlier in the series and for later showing him operating with a larger Batfam. Also accurate on the way Batman operates. He would leave the League because he's not about being part of a society or the status that come with it. The League had a purpose, which was facilitating saving people. Than he couldn't save people with it? He left. 9/10
Superhero Girls – exploring him being Kardashian-level celebrity?? Hilarious. But I don't like the other implications the show makes about him as Batman. 3/10
The Killing Joke, animated movie – something about how he acts throws me off. Older Batman but done badly. I think they don't work enough to drive him to murder. Should have left him kill Joker when Jason died. 2/10
Ninja Batman – The writers had LSD to write it. Insane. Hilarious. Didn't like that he was "oooh I don't have tech what will I do? :(" Batman is a survivalist so be for real. 4/10
Year Zero (comic) – hate that buzz cut. He wouldn't. Otherwise solid. Also another inspo to 2022 movie. 6/10
Year One (comic) – classic backstory, can't ask for anything else on personality matter. The fact he hallucinated a bat while he was concussed and thus made himself Batman because he thought it was rad? Peak characterization. 10/10
Harleen (comic) – He's not the focus of the story but I do love when they show how much sheer power the Wayne name carries. He has a steady hand over Gotham, a background influence constant and unwavering. Also that dialogue on the end where he's blaming himself for everything that happened even though it's not his fault? Yeah, it tracks. 9/10
Turning Points (comic) – the way he acts... He's such a theater kid. Also accurate on how Robin happened and I love he doesn't try to fight Gordon but humbly accepts Jim is going to hunt him if something happens to Robin. 9/10
There's a black and white one shot comic that Dan Mora made that I can't rember the name but?? Bruce adopting Jason, Dick and Tim in one go?? Can't go wrong for me. I am also not immune to how Mr. Mora draws Bruce. 100/10
The goal of this year is to watch more timmverse and read more comics with the batkids
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