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#the horrors persist but so does he
annqer · 2 days
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hes witnessing the horrors
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daydreampirate · 8 months
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GOOD GLORETH the blueberries are full price again
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ladeaeveld · 7 months
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remember law the loaf? he has mittens
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rozugold · 8 months
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happy birthday to protegeinnit! i wish him much suffering on this momentous occasion <3
AKSHSHSJ
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murcielagatito · 10 months
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btw i love your icon and have been meaning to tell u, the batman ‘04 was str8 up the first fandom i ever interacted w so it has a special place in my heart
ahhhh thankyouuuuuu!! it was my favorite batman cartoon as a kid like i loved them all and would continuously cycle between watching tas/batb/beyond but the batman will always just be one of my favorite portrayals of batman himself <3<3<3
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mezzomorendo · 27 days
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I'VE ONLY HAD YOUR ZACK FOR LIKE A SECOND BUT CHADLEY IS ACTIVATING COMBAT MODE IF ZACK OR HIS DOGGOS EVER GET HURT. Both Chadley and I, if I'm honest (featuring MAI)... GOOD JOB making Zack the lovable boy he's always been. I am so glad you're portraying him and allowing me to interact with him! Keep it up!
[ how's my portrayal? ]
🤗
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beeapocalypse · 7 months
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trying to craft a funger oc like aughhhh i can see him i can picture him in my head right now [image of the most off putting little man possible]
#he does not have a name yet but he DOES have a vague concept. author from the eastern union who got drafted into the military and--#--met another guy during the 1 week he had b4 getting shipped out to basic training. they immediately develop a WAY intense relationship--#--and constantly send letters to each other. author is a total chickenshit and comes to cope w the violence of war thru--#--alcoholism and a complete retreat into his obsession w the other man. gets a couple wires crossed and has his lust morph into more + more#--violent fantasies that the other man plays along w bc its Fun+Wild (at its core its the authors desire for CONTROL. if hes the one--#--bringing the pain then hes safe. even better if its with the single person in existence he feels like he can trust during that--#--period of time). manages to live throughout the rest of the war and rushes back to his lover. spends a slowly degrading week w him where-#--the man comes to realize what he thought of as simple metaphor+exaggeration was TRUE desire from the author + the author flounders--#--without the then expected+familiar terror day in and day out. culminates in the man demanding the author leave and never try to contact--#--him again (saying their romance was wild and exciting and unlike anything hed ever experienced but the only good way it couldve ended--#--was if the author died out on the front and forever left him Wanting without the actual reality of those desires realized) and the--#--author either tries to shoot himself or the man (fails to do so. lol) b4 running off to the first train out of town. worlds messiest guy#ya it leans a bit into samarie territory but hes fun. his theoretical ending b would probably have smth to do w sylvian worship + marriages#even more vague idea for his moonscorched form is a sopping wet pathetic red wolf ('red wolf' being one of the mans terms of endearment--#--thru their wartime love letters) w its legs tangled up in barbed wire so it has to drag itself around. red bc its incredibly--#--thin skin (<-- do you get it .) splits and bleeds thru with every movement. a lot of whining and incoherent babbling as it hesitates to--#--ACTUALLY attack anybody. should have some cock horror element but ive no ideas on that front LOL#skill ideas are persistence predator (more melee damage dealt the less mind hes got- a backstory choice where he focuses entirely on the--#--love letters rather than splitting focus on his on-pause career with short stories) and an unnamed one playing into his terror/lust deal-#--where he gets a buff to either melee damage or speed when his phobia is active. want to come up with at least one more though#mmmaybe him being an author doesnt play that well into his concept as a whole but hes my strangeguy so whatever
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lrndvs · 10 months
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Cowboy-ifies my fave by putting him in the chaps and the boots with the spurs (with the spurs)
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oh lmfao edited to add. the thirty tags are maxed out but i have to work in the wordplay of: call this post-it notes
speaking of [happening to think about, then for a separate reason talk about, the film “stand by me,” an adaptation of the stephen king short story “the body”] last night, & tumblr ads reminding me, i did turn around after listening to the podcast ep extensive, research enhanced analysis / discussion of specifically the book like hey yeah yknow what. i’ll watch the It films; not the miniseries / the one with tim curry, which i saw the first half of but wasn’t really inspired to commit to the latter half. and you Know like yeah i’m truly interested in the choice to build on [stephen king kicking his legs like “whaaat are some Problems kids could have.....um being a girl.....being jewish.....having a stutter.....”] with “what if someone was gay or some shit” like yeah right on, which idk that steve ever wrote into any vaguely primary characters even though it’s markedly made textually relevant. and the cultural alignment for kleinsen enjoyers is still very funny. i forgot about even the arm cast business till halfway through. even the [break it again] joke kind of manifested lmao
anyways the point is i’m like, my two primary modes of [this experience] being expressed via [mad men meme In The Cinema seriously considering the material] and [the shot of that guy in the alternate titanic ending where he’s like ahahahaha throwing his head back and the camera is overhead zooming out a little bit] and the like Oh Hey. This Is All Coming Together? kind of [that madman cinema meme] moment hit in The Second Part because it’s like, it’s Remarkable for a stephen king story to have Adults Who Are Friends. which is where it can be cross referenced with Stand By Me, which is about kids who are friends, but Framed by like, this story is written in the future by the main kid, who wanted to be a writer & now is, mostly about his friendship with this one other kid who was like “hey man you can & should be a writer. believe” and that classic [stephen king High Concept stories] central plot impetus / definition which is “the one where some kids go on a trek to find/see a dead body” and then ending with Adult Main Kid with that classic / standout remark “i never had any friends like the ones i had when i was twelve. god, does anyone?” which is included even in the film via seeing him type it out on bulkier ye old computer terminals while his kid is now twelvish i guess and talking to a friend. after also musing on like, yeah that bestie who hyped me up the most and who i saved in turn, with a gun, tragically died. iunno where those other two kids in the group are, living kind of underwhelming lives out there probably but whatever. lmfao like man i dunno write them a letter, call them, you could do a little digging here and get in touch. but yeah it’s not gonna be Exactly The Same as when you were kids, nor exactly the same as it was when things aligned to have a brief but dramatic adventure, nor when you Could just all spontaneously decide you wanna go walking & camping to find a body & then just up & do that. but like, you can consciously make & maintain friendships i prommy my man lol. like “it’s great when things align so you Happen to have these friends when you’re twelve and you all like offer each other emotional support and can understand each other like nobody else can. but then you Will all just drift apart” like, i mean, will you. you can have friendships beyond what you just Happen to have / hope that the magic alignments will just continue falling into place for you so that those friendships still exist
and probably part of it is that it’s really mostly About the two kids who are friends even though there’s four of them, i.e. the protagonist & the moral support bestie, as well as the fact that this is a short story so there’s presumably only so much time to focus on characters at all really or delve into any setup and bg lore and whatever all else, i dunno. but thinking how it’s like, oh hey, in It it’s kind of its own serendipitous alignment of elements there to be like, here’s a group of adults where it’s peak relevant that they’re friends, for once. because afaik that really just doesn’t happen in sking stories, like, yeah adults kind of have friends but it’s Not Very Deep / it’s just kind of convenience about working together moving plots along & it’s like yeah uh i don’t fucking know i guess we see each other / hang out for dinners or post dinner drinks together or join forces about whatever fucked up shit and just talk about that, mostly....and probably people are just dropping off like flies eventually, the protagonist man of that [sooo many protags who are just some fuckin middle aged guy who’s a writer] type, and it’s also in part just because like, characters don’t really matter that much / have to be particularly distinct / Are Disposable when plenty of the point is to go “was that fucked up or what?” about whatever’s happening, so yknow you go “there was once just some fuckin guy, i dunno, he probably has a wife he’s paternalistically protective of but maybe also resents and maybe a kid or two or something, whatever....” like, being the main character doesn’t really matter, it’s just this avatar through which we are told a story of some fucked up shit and to whomst any fucked up shit can even happen, being other characters also really doesn’t matter
so it’s like huh, stand by me / the body as obviously this Ode To Twelve Year Olds’ Friendship And How Your Emotional Support Of Each Other Defines The Entire Path Of Your Life Though Mostly For The Main Character, Everyone Else Fucked Off Or Whatever like right yeah, but with that difference of how like clearly as an adult this isn’t gonna be about this guy going like “hey yeah where are those still living scamps today,” he’s reminiscing only, he’s talking about how he now doesn’t have any friends like the ones he had when he was twelve....then what changes in It is like, hmm how are these adults where the fact they’re friends actually is peak relevant? how does one remain friends with even Any childhood friends there huh. and then the fact it works out like that is like aha, well it’s because they don’t lmfao. that everyone happens to scatter to the winds at some point when it maybe will eventually rear its head amongst even their own adult guardians like hey, yknow, maybe let’s not live in murderville. or coincidence. whatever. where the point is that like oh also, everyone just magically forgets the goings on as kids including the existence of their friends, but is about to be reminded of them / remember all that, for a specific external reason rather than [adults are like hey let me try getting in touch with that mf] and already plot and magic is relevant to all of this. they’re not going to have gotten together for the shittiest high school reunion if not for the connection of Friendship, this is about adults but it’s about that childhood plotline still, so Twelve Year Olds’ Friendships still stands / is relevant, so we can even fathom these adults having a connection, b/c yes they Didn’t have it as they got older there, but now they’re jumping back into it actually, b/c magic, and because also this is Directly About (Childhood) Trauma which was also like, hey damn, even outside the stephen king oeuvre & its tendencies (solid & wretched), this is also transcending grievances i so often have with Horror, as someone who likes horror and doesn’t like horror but likes horror but doesn’t like it, and just like. questionable employment of [you Are bothering to focus on Character, and their emotional arcs being entirely relevant to the story here] when sometimes it’s like, do you need a story? the strength of horror shorts to just go “was that fucked up or what.” do you need the characters with the emotional arc relevance at all, or is it just a little avatar walking around with enough vague motivation to have / see / make fucked up shit happen? are they particularly characterized to play into some Metaphor, what’s that metaphor, is it shit, is the execution of it shit. and oftentimes Trauma is just like, idk, it’s like well here’s this person’s Weakness, and it being horror that’s more likely to make it into a Fatal Flaw, like way to have trauma you dumbass, if you were so weak as to fail to just get over it already / Overcome it, you just might be killed for it
annoying, shallow and hackneyed, insulting, etc, and it’s also like, the Individual Focused emotional journey like and here this character who’s been weakly propped up by the Stronger people supporting them will have to go through the crucible of being alone, facing down their Issue like their trauma, and getting through it in this big dramatic one and done way so they can finally stop being a pussy and an obstacle to others. or else fuck it up & die. and it’s like do you know how this works lmfao (no) why shouldn’t the support help. why should it Have to go away. why shouldn’t everyone be crowdsourcing their emotional support amongst their group lmao and never needing to “overcome” it Forever, alone. and that’s at least mostly what gets to go on in It lmfao, like, so obviously this is About Childhood Trauma. whereas It = any of the forces that make people act in ways that create, facilitate, or simply passively allow trauma. (or just some shit that really fucks shit up sometimes i guess.) and you have kids who get caught Alone getting got. but then you have a larger group of some twelvish year olds who are like alright fuck this then, and that’s enough to get through it, the same way that naturally in the less magical / more literal realm of their lives, that friend group & joining forces & providing this like actually (relatively) safe and supportive environment amongst themselves is what protects them & makes everyone a lot more of a force to be reckoned with than they are when out / caught on their own. and it just doesn’t happen to be about choosing to write about like, and then all these kids got picked off one by one anyways, despite their efforts, f. which like i guess it could be, but when the Point is so Directly about the emotional support some kids get from each other / that they Are crowdsourcing protection re: their individual vulnerabilities, that wouldn’t really emphasize that Point so much if regardless of the [having a friend group] everyone was fucked anyways. or the fact that like, again, this is About trauma and what can create it and how that can persist and all, the Magic Rules are about the emotional component of it all, when it’s like, oh this just so happens to be a magic murder entity that’s picking off kids but also prefers to torment them and/or like idk takes the route of going “oh you’re gonna hate this” and hooks up their consciousness via usb cable to the zillionth dimension void & then sips their life force through a crazy straw, or, as it would be to clown entities, a normal straw, and i dunno, that if the usb is unplugged vs eternal living death then the torment juice can give people the interdimensional premonition / telepathy across space & probably time shine(tm) like good for them i guess. call that hypervigilance?
and then that like, into the Adults timeline, not only is there this cheat like woops a stephen king story where adults are friends b/c they’ve reconnected the usb cables where the [friends like the ones i had when i was twelve] has now become immediately relevant and active again, i was like, mad man cinema contemplation meme a bit confused going into the second half until i realized some particular fact of the plot And it was slowly like....we’re kind of goofin huh, is this Being Funnier? b/c i mean, the first one wasn’t not ever funny or like otherwise not super solemn & heavy, and also i’m just Used to horror to the point it’s not gonna like bother me probably, i was watching alone and turned off the lights b/c i couldn’t adjust my screen’s lighting levels & the overhead light in here was gonna create glare via the mirror behind me, and i didn’t think anything of it at any point, i had to also be like “@ me, okay stop saying ‘me’ the moment you realize anything [A Scary Moment] is transpiring for no especial reason,” and yknow, it’s like a roller coaster to me, or i’d say like being tickled except actually i hate that one & will start physically fighting lol, where it’s like yeah aaaaaa but it’s fun & i’m Humored really, i’m experiencing the [horror & comedy are two sides of the same coin], when i’m startled or going like oooh that was, to be sure, creepy, it’s still like, ahaha, i’m figuratively tickled, going :] at the screen, i especially liked the same [ooh hehe yeah that’s eerie] type of moments in both halves like yeah very [your standard marble hornets enjoyer] of me....but anyways so then it did take me an extra few moments maybe in the second half like oh is this Markedly More Humorous? oh it is, then....sort of unexpected but then it immediately makes sense and was Fascinating like, oh, this is so In Conversation With the first movie and with the Overall Story here lmao. like, we are illustrating the Perspective Shift, the [kids timeline] is still relevant and defines everything that’s going on, but they Are adults now and That itself is relevant. b/c otherwise it’s like, it Is just the same situation played over again lmfao like damn we were the [kids fight & defeat a murder sewer clown monster] and now we’re the [adults fight & defeat a murder sewer clown monster]. and Of Course It Makes Sense for there to be overall more Drama for the kids, who are more so just living & immersed in their normal lives in that storyline, and of course, Are Kids, where like anything “was that fucked up or what” that’d happen would be more intense & threatening, and sure applying that perspective like, not only “yeah i’m just experiencing some media, but if that was really happening in life that’d be fucked up, if it was happening for real to me, i’d be like, whoa uh oh holy shit aaaa” lmao, and then an Additional layer of “and if i was twelve” like “yeah aaaa oh shit” way compounded by that, naturally. 
but then i’m Also like, listen, i’d be more like halfway through my 27 yr time jump but i’m the adult with cptsd lmao and so i’m Madmen In The Theatreing because of this angle as well, and intrigued, positively, by the uptick in levity about everything. wherein it’s like okay, it’s sure Also true that like, undo the [and if you were twelve] angle, but The Same kind of fucked up shit happening would of course still be like well this sucks, and is startling, to Anyone who’s an adult, right. But Also like, again the way it’s relevant to touch base with the [kids] timeline, because that’s Defining Everything, this isn’t just “and they’re adults which means everyone’s just tougher than they were when they were kids” and That’s That, it’s like, these are adults who were these specific kids with specific experiences vulnerable to and exposed to bonus trauma, and now this is a “time to jump back in to a head on confrontation with that” plotline but As A Group again rather than this being just the story of like any individuals, or just the main kid/guy, who is now to be sure the [the middle aged writer guy of a stephen king story] lmfao, congrats....and you had [repressed memories but like, magically extensively encompassing] as the device here to as what allows for this outlier scenario of like “but how can adults possibly maintain friendships formed organically in their youth? well, they didn’t lol. but now they’re back.” and the past Has to be relevant and freshly Active because again, this Is directly about trauma lol, not just about whatever broader thing and anyone might secretly have this Hangup or two that’ll get them got. and they all Know this lol, this may be some exclusive knowledge more broadly, but this is Not a secret amongst this group of adults like ah yes my marinating issues that nobody suspects i have....which is a bonus to [even though they’re adults in a stephen king story they don’t all or even mostly have to die] and then like, as i am trying to get around to, that it’d be Different being just any adult approaching this as a new situation to them vs being an adult With Trauma(tm) lol like. the way that one might go “well, this would suck for anyone, but i have a different vulnerability b/c [cptsd involving this shit]” but Then Also the resilience that nobody should have to have and it’s technically a “strength” even though then actually people interpret their [lack of honed ability through direct life experience to cope indefinitely with traumatic experiences] as the strength, a la “wow why’s that person put up with that, i wouldn’t stand for it b/c isn’t it So Clearly Bad & Unpleasant?” victim blaming mentality and people “used” to that shit “putting up with” said shit, which other people would throw up their hands like Wow Just No and walk away from. which in turn isn’t a “weakness” lmao like, there’s no moral judgments to being someone w/trauma or someone without it. that people shouldn’t Have to have cptsd or Resilience, of course, but then that they do. i’m certainly relating to like, yeah it’s Magic Rules / Exaggeration the way that only people young enough can detect & deal with this shit directly, the first time around, and then that they still have access to it as adults presumably b/c of that exposure as kids and because [the childhood trauma doesn’t just Go Away b/c you grew up, even though Also people just think that it ought to or like wow so immature or wow you’re Letting it affect you too strongly still, huh] etc. and anyways, relating to like, yeah enjoyed the way some adults would just be cool & generally supportive, but i also only had so much access to such adults, all Through parents or via school where it’s like, yeah but all the adults there have to Make Sure You’re Behaving Properly in various ways that lead to [punitive] ends and if anyone’s being like particularly supportive / understanding that’s a personal individual choice & they’re probably going Above & Beyond. kind of impressed how useless, and actively unhelpful / counterproductive, any adults were later on when i was dealing with it all the more / had it coming to a head in ways lol, didn’t have an epic friend group i hung out with at twelve or ever who Knew Me that well or i shared anything with or got lifechanging emotional support from, but there Were occasions of like, yeah these peers get it, huh. and now with the perspex of [cptsd having adult] it’s like, yeah, i’d have repeated dreams of parents showing up & i start physically fighting them off with like a shovel and shit lmfao. even now when i rarely have dreams ft. like a more general monster / menacing figure, like i did last night, go figure, Dream Me is always like Oh Okay and immediately physically charges them unarmed lmfao. (also had a dream cameo where some guy on a home computer who was making up like building / engineering schematics? was a Wrole like omg hey buddy. unfortunately a limited interaction, that plot got quickly waylaid by the one where i launch myself at some entity. booo) i can be like “ah, here goes the adrenal response” mostly only noticing sometimes when it’s like, my physical tension has gone to the point of [i can notice my legs/knees shaking], i can also Not Notice It / not think of it b/c you know, it’s like this is truly mundane / everyday shit, in the Relative / Comparative way that it can be. it can be stealth mission time to do some ordinary shit like you live in a survival horror game. it can also go “yeah i could very easily see how if, say, there was this manifestation of trauma / the shit that causes/facilitates/sustains/allows it, i’d go sicko mode on that shit just immediate physical attack” lmao. i know if i’m startled it’s like, that can be a) ordinary, and/or b) unpleasant, and probably c) immediately followed by my being ready to go sicko mode, possibly being a bit pissed off lol. like i can’t even be worried like oh no it’s nighttime what if something was menacing. like yeah that’d be scary and suck, i might get got, i’d also immediately be pissed off like fucking try me you asshole. and it’s like, again the way comedy is A Framework, it’s not what happens when a situation is Lighthearted, Unserious, Frivolous, etc. the like, obvious fact like wow people who are funny can be sad? can have had some fucked up, Serious experiences? can even joke about that? like yeah of course humor can be Deliberately Employed To Cope, including to even communicate about shit, where you’re cueing hard like, i’m not necessarily collapsing under the weight of this right now but it’s a reality and when i’m telling you about it with Humor it’s not in turn asking for you to fix it or even do anything about it at all except be listening to / comprehending the info i’m giving you. and that even looking back on shit can be funny To You because it’s just like, sure Elevated and can be a bit absurd. so it’s like oh yeah of course it’d be funnier, in a way characters are aware of & actively interacting with lmfao. like of course any adult would be like “jesus christ. yikes. aaaa” lol while also being more inclined and able to tackle bullshit right off, but Also being specifically an adult with the [this is your childhood trauma] can be like, yes i’m both still affected by and vulnerable to this shit, but i’m Also less vulnerable than some rando might be, actually, and prepared to / more used to this, and able to go “jesus christ yikes aaaa lmfaooo ahaha” about it. like, i feel that lol. 
paragraph break just because that one was getting Extra long: oh and also the matter of Genre Awareness, that this isn’t just some fucked up shit that happens to be scary and fuck your shit up, but this is expressly an antagonist coming after you with the intention to be scary to you, and you Know that, you are aware you’re in a Horror Genre situation lmao, so meta, surely helpful. and sure sometimes i felt the like comedy vs horror; comedy vs drama sometimes didn’t transition perfectly like, my kind of feeling ambivalent at this one point like uhhh is this scene more straightforwardly dramatic? hmm i guess it was. well anyways. but that’s fine, meanwhile continually delighted even to realize like, here we are going over this all again but with this Shifted Perspective / Framework, we’re clearly goofin a bit. and like how i can clap & cheer like ooh yeah that was creepy lmfao, i got Got comedically like idfk dozen times or what all. ahehe....not to mention the [i Am going insane. society] experience of scrungy expression spit take coughing laughter when overlaying [titanic guy going HaHaHaHaHaHaHa XD as the camera lifts away from overhead] upon [mad man serious contemplation of cinema png] while experiencing like wow the gay Text is more textual than i though, more extensive, turns out i had some things to go into entirely afresh without going “oh yeah, i remember what i osmosis’d about this” to then go :0 =0 about, or that i didn’t quite get Everything through osmosising that i did recall, to then spit take about and become titanic guy fifty times over. i Am a bit joker mode, you really just have to be. and laughing about [when stephen king and PPL go “you know this type of guy” and we all go “yeah i guess. i know Of them [possible knowing looks amongst ourselves, or to the camera]” and then they go “you know how they’re—” and then our answers of “maybe like gay or some shit” overlaps with their “just another heterosexual amongst all the rest of us, unless we’re gay, but we’re talking about how all the protagonists we write are cishet i guess?” like. haha. what an alignment, good for everyone in the overlap....oh and i was like ahahaha when the podcast discussion of The Book Specifically nevertheless had one guy knowing the lore already that the stephen king cameo here as Some Secondhand / Pawn Shop Type Place Owner Guy was someone who, in stephe’s (not a typo, making stephe as = steven happen, with particular enunciation of the ph vs v) own written text as the description of That Guy in the book, is like, this gay caricature who is like wearing some mesh or i think they said it said “fishnet” shirt and like clearly reading this gay porn mag. because how else would someone be gay lmfao? how else would you Know you’ve encountered one of them?? lmfao like, a) i also agree with the podcasters who are like, stephe’s a coward for not staying true to that specific description he wrote when cameo’ing as that person, and b) like, people are gay, stephe....but classic matters of [running down a hallway going Noooo and knocking shit down behind you while being chased by [the way stephen king writes about [take your pick] and/or just like, what do you think is going on in life re: [take your pick] exactly, stephen king, i swear] lol)
anyways This has turned into [gif of the guy emphatically pointing at a laptop and also at some unseen listener to this Serious Monologue] because i have endless things to say about anything. the point it it’s like, well hey i think that was remarkably successful re: choosing to have Characters with Emotional Arcs tied to a Metaphor in this horror media, when usually i’m like, the execution of this is so shit that it’s like, just don’t have characters lol, don’t try to make it a metaphor (although you know, difficult for it not to be tied to anything irl, so don’t be unaware of how it Could be), if it’s gonna be this kind of a mess. the fact that like, you can’t have [trauma] be a character weakness fatal flaw that gets them got b/c they weren’t individually Strong Enough, b/c this is All About a) having & interacting with that [trauma] first and foremost and b) how having a group of relationships affects that (helpfully). my pleasant surprise about how like yeah of course you can’t just make the exact same movie again but i wasn’t necessarily expecting a noticeably more outright comedic angle for round two, but duly kinda delighted by it, and that felt very Appropriate and Verisimilitudinous for the new angle of And You’re Completely Grown. that stephen king Rarely writes about relevant friendships and all the more rarely to never writes about relevant friendships between Adults but whoops, that happened here, b/c there was a magical workaround where “drifting apart” was not entirely congruous to the real life literal actual way that’d happen, and b/c the way this is about childhood trauma means that the Rest of that childhood is relevant to adulthood / adult identities, and he ends up with “god, does anyone?” being answered by “yeah, sometimes” lol. and yeah being a deh enjoyer / being haunted byer / analyzer means anytime something is About the connections someone, say a young person for one, might make and how that can be relevant to All Their Issues, i’m sitting up & taking notes like oh ya don’t say. that stephen king shit overall is like, well this is Interesting and i could talk all day but i’m also like, personally more ambivalent and bound to run over like hey stephe i’m shoving you around, bitch. until we form an unlikely, begrudging alliance to instead go after stanley kubrick, then boo the the shining movie, but whatever. the the shining book ending, one of the few things i particularly remember from actually reading that one, is true like, stephen king endings tending to be a hot mess that maybe aren’t super successful but here we are and it was like, why’d it get so goofy all of a sudden lmfao like i’m telling you with the schrodinger’s boiler that’s old and temperamental and if you don’t maintain it it’ll blow up probably, and that the way things end in the book is the [middle aged dime a dozen writer man protag] being possessed by a hotel is like oh fuck me lmfao, not the boiler i can’t maintain myself even though i’m possessing a hotel, it hasn’t been maintained, and then as always in any of these stories things go off the rails and yakety sax starts to play while after hanna barbera cartoon scrambling in place for a second, your haunted hotel avatar starts sprinting to the basement or wherever it was but Too Late, it blows up and the hotel dies kind of. and that’s kinda fun and funny lol but yknow, put it back in. beating up kubrick aside, i’ve seen all of? nigh all of? wasn’t paying much attention. the movie and it’s like oh okay whatever. but as with like [anything stephen king] and my not even being born till the 90s, it’s like, i can’t possibly experience this afresh, we can all agree that surely this is the best known stephen king work b/w book & film adaptation, even among biggies that really just permeate pop culture overall, who can know what i’d think if these things were New and pre [own significant influence on relevant genres / mediums] or also i was a younger reader/viewer at the times as people could often be. but i was like....expression where you scrunch your face up and look to the side like “are you seeing this” bemusement like...this is. fine i guess? it’s not really scary lmfao. and regardless, resurrecting kubrick to beat him up. but on that note it’s also funny that god knows why i ever mentioned the hypothetical of watching the shining once in passing to my mom, it would’ve been humorous / not in earnest b/c no way would i have been suggesting we watch that or even that i had watched it necessarily, so i Think i must’ve just been informing her of some things that were on tv at that moment with some goofy but technically accurate suggestions like that one, and she is a bit indignant like clearly disapproving of the general idea because, as she says, she doesn’t think it’s Right to tell kids they should ever be afraid of their parents. but between “but like. they go axe murder possessed by a hotel mode here, wherein i think it’s very appropriate?” and [someone who watches It and keeps looking into the camera one zillion times / is fascinated by the fact it’s like oh wow, any horror talking about What If You Had Trauma that isn’t like fundamentally misguided throughout and probably egregiously insulting about it] i take a perfectly comedically timed pause and then we freeze frame on my doing a spit take Laugh into my own drink. not actually in the real moment lol, i just Say Nothing and file that one away lmfao
oh and as a little postscript here i want to shoutout my going “just like Watch Your Step in goosebumps the musical the phantom of the auditorium” where it’s like, schrodinger’s warning about how a kid could just up and accidentally die via this trapdoor or like anywhere anytime, but you don’t really realize that b/c you’re kids, but I’m Telling You. and like, he’s right in general to be sure, you can just die, as well as unknowingly right of course like oops yeah some kid did just up and suddenly die via this trapdoor, grimly. and that’s Stand By Me / The Body handshake emoji It, like of course that mortality is ever relevant particularly in horror, but that also it’s like, kids realizing the reality and Proximity of that, like You Can Die, this could be you or could’ve been you. [horror, and it’s middle schoolers] wins again
#how long is this. and i could've gone on lol. if i have anything to say i Can [never shut up]#it#like what even addendums could there be for the tags....like don't even start b/c of course i could max shit out#i guess the Interesting Fun Fact that in doing research the podcasters were able to be like#''well i'm not Sure abt this; the source was maybe vague & it Would be vague; but that naturally ofc plenty of story elements in#stephen king stuff can be things where he's like yeah [xyz] was directly inspired by some real life shit [abc]'' and that like there was#Maybe this childhood event where he saw a friend / some other kid get hit by a train but then right off fully blacked out on that memory#which obviously would be pertinent here re: Remembering Litchrelly Nothing abt childhood till it all suddenly is brought back into play#but also like the part of stand by me included a scene like woops Almost getting hit by a train. dunno if that's in the short story though#but i'm gonna say Probably Yeah. plus learning again via the podcast like oh stephe got mega hit by like a minivan in '99? i was 5 lol#so i would not have been aware of that news. and i have not since Caught Up on the man's life history. nice not dying there#there was probably some other sidebar i wanted to throw in here but i forget and quick let's post this before I Keep Going On & On#scrolling up ''oh this isn't That long'' scrolling back down ''oh wait maybe it is kinda long''#it's all relative. i like horror i dislike horror. i said a lot i was so concise.#for one thing lmfao like sure is Interesting how; say; i was always Intrigued by horror as a kid even#like i think that's true for plenty of people & there's more than one way to enjoy a genre & s/o to Horror Expressly For Kids or anything#expressly for kids when it's like good & genuine & apropos it's Not just necessarily abt diluted or lesser versions of that For Adults#but anyways like i Also though def experienced like; this does freak me out & in an [i'm not having fun] way. But I Also persisted lol#like me thinking ''but i have to power through & build up a tolerance here'' when like; of course i really Didn't. why would i.#did that re: like thrill rides too sometimes; kinda liking them & the suspense; kinda really not; at least for a good while#i Did build up a tolerance &/or just how i got older & now i think all thrill rides are entirely Fun. except just straight drop towers maybe#haven't tried one lol but i've tried like roller coasters that are supposed to be Especially intense & i didn't even realize like oh. huh.#like it was fine actually lol we have fun...and same with horror; again how like yeah i'm not expecting Especially Intense but yeah ofc i'm#gonna fire this shit up alone in the dark & never think anything of that. munch crunch#like hmmmmm re: my being a little kid who Was bothered more by such shit sometimes while also intrigued / having fun#but who regardless was like Well I Have To Try To Be Okay With It / seek it out & power through. vs ppl who are just like well no i don't#enjoy or like horror stuff particularly and/or roller coasters lol. compare & contrast & contextualize w/me also being a little kid who is#experiencing trauma & trauma responses as what is for me some mundane / everyday / par for the course / Anytime shit lol and of course i do#not have the info / context / perspective / framework to realize this. so i get distressed by ''that Would be fucked up'' but what else is#new or what have you? why shouldn't i also go ''well i guess i have to Get Good at tolerating this / Enduring it'' lmao
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the-furies · 7 months
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Blorbingo Authority and Titus for me 👉👈
[Source authority obviously Pansy is a wonderful angel and we would all kill for her but that goes without saying]
- @mansplainmanipulatemalewife
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me when im gay↑
tbere us something so wrong with hiM‼️‼️‼️ and i lov that 4 him . he is so Funny. he is my silly rabbit. I am Squeezing him liek a stressball I Am Tucking him in2 bed etc. etc.. Im studying him like a labrat. I am picking his brain apart. I ajaiqoaksdkdjcjskalsmfjekd,.
i KNOW like Harry in general Needs Therapy but also Out of all the individual skills I Thuink Maybe Authority Wiuld Benefit From Therapy Also. Maybe. Possibly. Hopefully. Sit down and discuss your'e feelings and problems SIR you have lots of them !!,
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↑ WE NEED to hyperfixate and learn more abt this GUY we still don't know much abt him . RIP!! but he is also so NEAT so v interesting!!!! I want him also maybe 2 get therapy BUT LIKE i think every de character Would Benefit From That y'know!!
when I say Killing him with hammers I mean that Niceys. he looks Climbable I would sit on his shoulders and enjoy feeling Tall. these thoughts r unrelated outwardly but sit in the same area of my brain The meds haven't kicked in yet. JSJAJSDKDN
He is One of those dudes w the vibes of If ur on his good side he will Kill for You!!! but if u piss him off oh my fuckign god Run.!
10/10 guy I would lov to throw crumpled paper at his head 2 annoy him and He cannot hatecrime me abt it bc I said so.
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ickypuppi3 · 10 months
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oh no ! a moment of clarity !
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break up with your boyfriend
Yandere trans!fem cheerleader x fem reader
It was so shittily made but I need to pump out more fics or else my blog will die. Thank you all for 1k followers though! I'll rewrite this in the future maybe
Tw: mentions of blackmailing, nsfw, slight breeding kink, batshit crazy girlfriend,not proofread, another oc mentioned!?🌺
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💄Eva saccharine has been your girlfriend since she first started transitioning. You helped her style her hair, do her nails, pick her clothes, find good makeup, anything she needed to feel like the real her. So when freshman year rolled in, it came as no surprise to you she fit right in with the clique.
💐Ofcourse you had your fears she'd choose them over you but that wasn't the case, because she'd make you eat lunch with them and sit on her lap, not so subtly humping your ass while talking all about cheer practice
🛍️boys wanted to date her, girls wanted to be her. She just wanted you, to just be the two baddest bitches on the block. It didn't matter if you were just like her or the complete opposite, she gushed over you. Praising you for being her good girl, her sweet little princess, her obedient pocket pussy-
💄but at this current moment? She was busy bullying your insides, forcing her fat cock into your slippery hole as she held you steady by your waist. Biting and groaning everytime she'd feel you squeeze that certain spot on her dick
"fu-uuckkk.. baby cakes, 'yer squeezin' me so goood.. ah.. hah.. you wouldn't mind if I pumped a few babes into your tight cunny right? Wanna be my baby mama?"
💐that made you squeeze tighter, holding onto the bedsheets for dear life. She had you face down, ass up and damn near breaking your back with how hard she was going. Hearing the normally composed and playful eva turn into a drooling pussy-drunk mess had you feeling butterflies, just going plap play plap-
🛍️let's just say, by the end of it, you couldn't walk for days afterwards. But no amount of hickies and perfume would be able to scare away a rather persistent guy. He was on the football team, star quarterback, rich asshole. sam white. Eva hated his guts, he thinks he can just waltz in and steal her bitch? Not on her watch.
💄this little feud had been going on for a while, and more times than you could count you've been caught in the crossfire. Though it was kinda funny, seeing them screeching insults at eachother and bickering. Eva would sassily flick her blonde hair and grab you by the collar of your neck, Dragging you away while Sam hooted and hollered at your retreating form
💐you never questioned her morbid fascination with anything horror or paranormal related. She was just obsessed with regular girl things. wanting you to help her summon a demon once, but you aren't that stupid, making blood pacts with them could result in very unsavory ending's and you quite cherished your soul and body
🛍️Eva has more than one account on different social medias, pretending to be multiple different people and Stalking your posts. She'd slide into your dms and flirt, seeing if you'd really cheat on her. She's so happy when you instantly block the account, guess you'll survive not being sent to her basement for another week
💄she has the audacity to grab a frilly pink pen and make you wear clothes that purposely shows off what she wrote. In bright bold lettering, Eva's little cum dump ♡ . Maybe she'll let you bring a jacket, only if you beg her really hard with those big doe eyes she loves. She put a collar and leash on you too
💐don't try breaking up with her, she takes 'they go low, I go lower" to another level. Threatening to post pictures of you in rather compromising positions. When did she record all of this? Who knows. She won't refrain from spreading nasty rumors of you that just force you to come sobbing into her arms, if you try and get comfort from somebody else she won't hesitate to eliminate them. Don't you see? She's the final girl, and you're her love Interest
"I told you not to run pretty baby.. now look what you've done. I gotta fix your mess up~.."
moral of the story: be a loyal loving girlfriend and she'll spoil you rotten with her daddy's black card ♥️
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comradekatara · 2 months
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i feel like the reason aang isn’t as adored and beloved as he should be is because he’s the protagonist but he’s also not an archetypal western classical hero. i don’t agree with the entirety of that “avatar aang: feminist icon” essay because i think the role of patriarchy and gender in atla is more complex than what that essay posits, but he definitely complicates the masculine ideal of heroism and generally does not conform to patriarchal notions of masculinity. which is very deliberate, especially as contrasted with sokka and zuko’s explicit struggles with the imperialist/colonial standards of an aggressive, militaristic, and chauvinistic masculinity. aang is subversive because he represents an absence of war in a world ravaged by it. through his link to a (somewhat more) peaceful and harmonious past, he represents a better possible future. as katara would say, he brings people hope.
but people don’t like that he’s not visibly edgy or tormented like zuko is (even though he’s a far more tragic character than zuko is, just fyi), that he isn’t “cool” (even though he’s literally the coolest kid ever, just fyi), that he “gets the girl” (even though if anything, she gets him) despite being twelve and bald and nice (the horror!). katara is the more classical hero of the narrative, as its narrator and its catalyst, the adventurous revolutionary who gradually learns to control and use her powers and eventually becoming a force to be reckoned with. zuko is the classical anti-hero of the narrative, his “redemption arc” constantly hailed as one of the greatest character arcs in television. so people expect katara and zuko, as very obvious narrative foils who parallel each other every step of the way, to be the obvious couple, because based on every romance narrative we’ve been inundated with throughout our lives, within our patriarchal society, they “just make sense together.”
but as much as katara is a protagonist in her own right, aang is the show. the title quite literally represents the central thematic tension of the entire narrative, the colon illustrating the implicit divide between his duties to this brave new world in desperate need of justice and balance, or his duties to his extirpated culture as the last true voice among them. aang is the central figure because this tension represents the crucial ideological battle happening across the entire show. aang is the avatar because he is the only person in the entire world whose values have not been shaped by war.
people constantly laud zuko, in particular, for being the most interesting, complex character in avatar. but i personally don’t even think that’s true. which isn’t to say that zuko isn’t fascinating in his own right, of course, but rather that he’s certainly not the only complex character this show has to offer. he just happens to monologue about his anguish constantly. but aang wasn’t raised as an imperial prince, and so he approaches the world, and his own pain, in a very different manner. the reason he immediately goes to ride giant koi on kyoshi island, mailchutes in omashu, and otherwise goofs around after learning of the shocking ramifications of his people’s genocide is because that’s how he copes with his pain. unlike zuko, who never stops talking about his aches and yearnings, aang represses his trauma and hides his tears behind a mask of upbeat cheerful goofy twelve year old antics.
until he can’t anymore. until he snaps. both katara and zuko wear their hearts on their sleeves, and that includes their rage. but aang’s rage is dangerous specifically because it represents that he has been pushed past his limits, that the conditions of this world in which he is a perpetual stranger, temporally displaced and dispossessed, are intolerable. that peaceful reconciliation is impossible. and the fact that he persists beyond that breaking point, over and over again, to firmly and resoundingly establish his ideals even as they conflict with everything he has learned about this world, a world that is not his own even as he can never return to the world he once knew, is what makes him so unique, so powerful, so beautiful.
i know that aang isn’t the typical hero, neither narratively nor aesthetically, but really, that’s the entire point. the world, our world, needs something other than what we have now. we need someone who will not succumb to the ideals of domination and victory through violence to assert themselves. we need someone who stands firm in refusing to kill the firelord, even as everyone he knows tells him otherwise. we need someone who knows that darkness cannot be vanquished through more darkness, but can only truly yield to purifying light.
and sure, aang is a child, and often acts childishly. sure, he’s not conventionally handsome and alluring. but one thing i will never understand is how that somehow negates his appeal to the masses. because even if you don’t appreciate how crucial he is to the themes of this narrative you all seem to love so much, how can you not love his adorable little face? his precious little laugh, his zest for life, the infinite well of love and kindness he holds in his heart? people who hate aang are crazy to me. because you are, quite literally, hating the world’s most precious baby boy.
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What would be their ways of seducing toward MC in Bad Sanses?
Food. Horror uses food. He wants to get to your heart, he desperately wants to. But he can't 'seduce'. He can't carry a conversation, he can't flirt, he can't dress up all fancy, his twisted physique and alarming mannerisms are off-putting even to those who know him well. So he tries going through your stomach; he cooks for you any chance he gets, making anything you like, intently studying your face for signs of enjoyment and approval. He can't seduce - but if you love his cooking, at least you love something of him. That's a start.
Dust... he's effortless. You'll know when he's interested. He's a starer, his eyelights cut across a room, no matter how crowded. His constantly impassive face will break just to give you a dark, wolfish grin, like the two of you know something no one else does. He'll gently trace your back or arm when he walks past; you'll think you're alone, then turn around to see he's an arm's length from you. How long was he there? Watching? Who knows.
He knows the things you won't tell anyone you like. There's no shame in enjoying being his prey. He certainly enjoys it too.
Killer will literally just come up to you, prop his arm against whatever surface you're leaning on, call you a hottie then ask if you wanna go get drinks. Teddies and heart-shaped chocolates, big long sappy text messages once you make the mistake of giving him your number, sentimental gifts that made him think of you (like rocks that match your eye colour), he's a persistent little shit and if he smells even the slightest interest in him he will never let up his flirting. He won't rest until you're wearing couples shirts with him - and honestly, it's impossible to not feel good about being so wanted by someone.
Nightmare is, as we simps would know, very seductive when he chooses to be. He'll make you putty in his hands. A claw under your chin to keep your gaze from escaping his, a low voice and darkly playful tone, he delights in seeing you small and flustered by just his presence. Nightmare will be very clear on what he wants from you... are you going he his, or no?
... He does have a softer side, though. He likes giving you flowers.
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heartss4val · 9 months
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but i love her !
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summary: to say that leo valdez is absolutely enamored with you would be an understatement. so, why don't you like him back?
pairing: leo valdez x fem!reader
word count: 2.3k
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LEO VALDEZ does not just like you. no, it is much more than that.
leo's feelings for you surpass mere affection. his love for you is deep-rooted and unshakable, transcending the limitations of the heart and mind. he doesn't just love you with his heart, which can falter or stop altogether. nor does he solely love you with his mind, which may fail him one day. no, leo valdez loves you with every fiber of his being, every inch of his soul, and every essence of his existence. his love for you is all-encompassing, unequivocal, and forever enduring.
so why don't you like him back?
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when you first arrived at camp, leo was immediately taken with you. while he had a reputation for falling for girls completely out of his league, this time was different. he knew deep down that he would do anything for you, even if it meant risking his own life. he couldn't pinpoint the exact moment he realized this, but he was sure that you were the one he was meant to be with. despite piper's concerns, leo was undeterred in his pursuit of you.
as you sat at your usual table in the dining pavilion, enjoying dinner with your cabinmates, you were completely immersed in the moment. laughter filled the air as you chatted about your day and shared stories of past quests. just as you took a bite of your dinner, you heard your name being called out loudly and persistently. turning your head in the direction of the voice, you found leo standing right in front of your table. as you tried to recall any previous interactions with him, confusion washed over you. you've only ever spoken to the boy about a grand total of once, and you don't even remember giving him your name.
leo slipped into the empty seat next to you, his smile beaming as he waited for your reaction. gasps escaped the mouths of several of your cabinmates, because, well, isn't it forbidden to sit at another god's table?
“sooo, is this seat taken?” he asked suavely, and you mentally rolled your eyes at his attempt at charm, knowing exactly where this was going.
"well, it wouldn't matter if it's taken or not, because you aren't supposed to be sitting here in the first place."
he only smiled dreamily, seemingly unfazed by your response. the tension in the air grew thicker, and someone let out a snort, unable to contain their amusement at the situation.
it took you a moment to piece together what was happening. leo's sudden changes in behavior around you, the not-so-subtle glances, the smiles, and the way his eyes would light up - it all made sense now, although you didn't want to admit it. leo valdez had a crush on you, and there was nothing you could do about it.
leo leaned forward on the table, his chin resting on his hand. he was brimming with enthusiasm, and you couldn't help but feel just slightly uncomfortable in his presence. "can i ask you something?" he inquired eagerly, his eyes fixed on you.
you sighed inwardly, not wanting to engage but feeling obligated to respond. "do i have a choice?" you quipped, attempting to mask your discomfort. leo didn't seem to notice, too caught up in his own enthusiasm.
suddenly, he pulled out a metal rose from his pocket, presenting it to you with a flourish. "wanna be my girlfriend?" he asked, a hopeful expression on his face.
your siblings snickered around you as your eyes widened in absolute horror. your face felt hot with embarrassment as you struggled to maintain your composure.
"i practically just met you!" you protested, feeling the need to state the obvious.
he had clearly anticipated a different response, going so far as to prepare a metal bouquet in anticipation of impressing you. however, his efforts were in vain. "i'm sorry, but no." you replied firmly, not giving him any room for negotiation.
it was clear that this was not a successful attempt at romance.
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from that day on, it had become the norm for leo to actively pursue you, as he had made it his mission to win your heart. you couldn't deny that he put in a great deal of effort. and he was plenty consistent. for months.
you couldn't help but notice his constant presence, as he seemed to magically appear everywhere you went, making it impossible for you to ignore him.
despite his persistent efforts, leo never pressured you into anything you were not comfortable with. he respected your boundaries and always made sure that he did not cause you any discomfort. it was clear that he adored you, but he never allowed his feelings to dictate his actions towards you.
interestingly enough, it was the reason behind your initial hatred for leo that began to fade away. unfortunately for you, once that seed of doubt was planted, there was no going back. you found yourself unable to justify your previous animosity towards him, in fact, you began to feel guilty for the ill feelings you harbored towards the boy.
after leo's clumsy attempts at asking you out, things became quite awkward between the two of you. you did everything in your power to avoid him, convincing yourself that you loathed him. however, despite your best efforts to push him away, the universe seemed to conspire to bring the two of you together. in fact, you even found yourselves forming an unlikely bond that some might even consider a friendship. leo would somehow magically appear in the same places you happened to be (though he always insisted it was a coincidence), and you found yourself unable to shoo him away as you used to do. yet, despite this newfound closeness, leo's attempts to win your heart remained as elaborate and over-the-top as ever.
from writing your name in fire surrounded by a heart, to asking you out with grand gestures and signs, he never seemed to give up. unfortunately for him, all of his efforts were met with either an indifferent stare or a frown.
maybe your feelings towards leo had changed somewhat, but that did not make him any less unbearable.
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"i just don't get it!" leo complained to piper during free time that day. "i thought me and y/n were making progress, but today she didn't even look at me!"
piper paused from sharpening her dagger and looked up at leo. "what makes you think you were making progress?"
"she let me sit next to her yesterday."
piper couldn't help but let out a laugh, quickly covering it up with a cough. "that was for like two minutes," she scoffed.
leo's face fell. "but i swear i saw her wink at me a few days ago!" he protested.
"she was only blinking in your general direction."
leo mock-glared at the girl. "seriously, you're like an aphrodite kid, aren't you supposed to know this stuff?"
piper rolled her eyes. "shut up. okay, but seriously, come on. think about it. leo, you tend to get infatuated easily and your crushes never last. it's inconsistent. she probably thinks your feelings for her will change once you find someone new."
leo took a step back, not expecting her answer. "but that's not gonna happen!" he retorted, eyes wide with exasperation. "i love her, i swear!"
"prove it to her then." piper responded, running her fingers through her choppy locks. "go find her and prove it."
and that's exactly what he was going to do.
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it's been days since you last saw leo. the usual sight of him following you around, asking to hold your tote bag, or just plain flirting with you is now a distant memory. your tote bag, which he usually holds for you, is now slipping off your shoulder as you sit alone with a feeling of emptiness. you've only seen him run in and out of the workshop, waving at you with the same fire in his eyes but not speaking to you. you keep looking for his head of curly hair everywhere you go, but the inevitable disappointment strikes you every time it isn't him.
although you had been trying to deny it, the truth was that you missed leo terribly. despite his occasional obnoxious flirtations, he was actually quite easy to be around — even more than that, even. maybe you had developed feelings for him that ran much deeper than you ever anticipated. you've been grappling with your emotions for quite some time now, and you were certain that your mask of indifference had already slipped off without your knowledge. you slumped against the wall you were leaning on, feeling the weight of your emotions.
if leo were here, he would have moved you to somewhere you could sit more comfortably, instead of a damn wall. if leo were here, he would have taken your tote bag off your shoulder already, making sure you were not burdened with anything. the absence of his presence now makes you realize just how much he meant to you and how much you miss him.
you pushed yourself off the wall you were leaning against, making your way back to your cabin to sulk, when it happened.
you spotted leo approaching you. his strides were large and purposeful, and you could practically see the determination in his eyes. you could tell he had just emerged from the workshop, his face smeared with soot, but that didn't seem to bother him at all. before you could even react, he had his arms on your shoulders, shaking his head as he gasped for breath, clearly winded from whatever he had been up to. "i've been looking for you everywhere," he said urgently, not giving you a chance to respond.
"okay, look. you know i like you, y/n. you're not like anyone else i've ever met. you're kind, and smart, and funny, and beautiful. and i know that sounds like a lot of flattery, but it's true. i don't think i've ever met anyone who makes me feel the way you do. you make me feel alive, and happy, and.. stuff. and i don't wanna lose that. don't wanna lose you."
he took a deep breath, then continued, "i'm not going to pretend that it was always you, because i've liked other girls before, when i didn't really know what liking someone meant. what i felt for them is not even comparable to what i feel for you right now. it hasn't always been you, but from now on it will."
"i can tell you feel the same way too, even if you try to hide it. you always have a little grin on your face when i come around, and i know you still keep all the things i made for you in your cabin, even though you act like you don't care. but i get it, you're scared. that's okay. i'll prove to you that there's nothing to be afraid of. i'll be devoted and take on more responsibility, because you inspire me to try harder. if you could just give me one chance."
he took a couple steps closer, reaching for your hand, and intertwining his fingers with yours when you didn't pull away. looking deeply into your eyes, he adjusted his grip, his crooked grin indicating that he had rehearsed what he was about to say.
"i guess what i'm trying to say is..." he trailed off, and then pulled out a metal rose from his pocket, just like the one he had given you when he first asked you out. however, this one was special, its intricate patterns reflecting everything that reminded him of you.
"wanna be my girlfriend?" he asked, just like he had all those months ago.
you didn't even hesitate, you just pulled him in by the fabric of his shirt and slotted his lips with yours into a long-awaited, giddy kiss.
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a/n
ookaayyy it's been a while since i've read the books so leo may be a slightly ooc here?? or not?? y'all i don't know i'm trying. 😭😭
xx val
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eilidh-eternal · 3 months
Text
“I Can Fix Him” except you have no idea you’re doing it because all you do is annoy the shit out of him
Simon keeps choosing to come back. Makes the decision to return to earth over, and over, and over until he washes his hands of the sin of that first life. Untill the blood of a thousand lifetimes no longer stains his nail beds in damning red halos.
It never works. Something always goes terribly, awfully wrong.
His family. His mates. His team. All trails lead to the delta of a crimson river.
After several millennia, he thought he’d seen it all.
He’d seen the devastation of Genesis. The rise and fall of empires. The brutality of man. Simon Riley is Intimately familiar with the horrors of humanity. Has spent countless lives witnessing its atrocities.
This will be his last life, his soul weary, and resigned to a destiny penned in sanguineous ink.
He has given up, and so he does not try. He does not try to be an extraordinary man. He does not shoulder burdens that have set his shoulders in a permanent, severe slope.
He lives an unremarkable life with ordinary afflictions. A boring life with pithy, mundane troubles. He retreats into himself and stays there, content to spend his last days in the monotony of an ordinary human life.
And then there’s you.
To Simon, you’re the furthest thing from ordinary. You’re stubbornly persistent, deny yourself nothing, seem utterly unfazed by his nihilistic tendencies. And, worst of all—Simon has met every soul, encountered their each and every version across the history of the planet—he’s never encountered yours.
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