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ratingtheframe · 3 years

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10 Films to watch this Valentine’s Day if you’re single as hell.

If anyone or anything is making you feel worthless on the Capitalist Holiday that is Valentine’s Day because you’re single AF, then don’t fret because it means one of two things;

You’re happy enough with yourself to not need anyone else.

You’re allergic to people.

Though mine is both the former and the latter, I can still get down to a good romance movie now and again. Now I’m not talking about those horrendous rom coms that Netflix seems to be churning out every damn minute, but those emotionally invested, earthy and well written dramas that has you ugly crying into your bathrobe for 17 minutes straight (me at the end of Her.). Here is a compiled list of some of the best romance films I’ve seen over the years and how each one doesn’t showcase an abundance of clichés and brands them as “acts of love”.

A Star is Born (2018 or 1953, take your pick)

I’ve found that both the 1953 version of A Star is Born with Judy Garland and the 2018 newer version to be a perfect and well rounded love story. What makes this love story so fierce is the vulnerabilities and downfall of its characters, which even though there are many sad moments, it perpetuates and strengthens the acts of love shown in the film. Both versions are similar in that they follow a woman who’s rise to fame as a performer becomes overshadowed by her jealous partner, who is also a notable celebrity. In the 2018 version starring Lady Gaga and Bradley Cooper, Gaga’s character Ally is helped by a country singer, Jackson Maine to become a successful singer and icon amongst the music industry. As she rises, Jackson falls and the character dynamics and intensity between them is a fitting love story. I was thoroughly bawling at the end and I guarantee you will too as Lady Gaga’s rendition of Love Again was the true scene stealer of the film.

Call me by your name (2017)

I have an incredible bias towards this film and it has nothing to do with the film’s context or characters or even Timothée Chalamet The reason why I feel so connected to this film and proclaim it as my favourite film of all time is because of when I watched the film. It’s almost like seeing a film about a political event right after it's happened; you have this rush and connection towards something that’s actually affected you in the real world. I had the same feeling with Call me by your name after going through a rough and confusing patch whilst trying to get over someone I thought I truly loved. Turns out I didn’t (thank god) and yet Call me your name was almost like a shoulder to cry on. It’s a film that’s taught me to love and love hard but most importantly, not beat yourself up or try to distinguish the pain felt by true love. If you haven’t been fortunate to catch this beauty of a film, it follows two men, Elio (Timothée Chalamet) and Oliver (Armie Hammer) and their brief relationship in the summer of 1983 in Northern Italy. 17 year old Elio lives with his parents and his father (Michael Stuhlbarg) is a scholar who invites students from outside the country for the summer in hope of passing on his wisdom to them. This is when Oliver arrives, a handsome twenty something American who becomes the infatuation of Elio.

I’ll never forget the first time I heard the monologue that Elio’s father gave his son at the end, explaining to Elio why he shouldn’t feel embarrassed by the pain he felt after loving Oliver:

“We rip out so much of ourselves to be cured of things faster, that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to make yourself feel nothing so as not to feel anything - what a waste”

That, ladies and gentlemen and all in between, is what love is.

Her. (2013)

Once again, another film about love that had a profound effect on me because of when I watched it. Her. follows the story of Theodore (Joaquin Phoenix) and his search for a story using an A.I to help him write. However, after getting to know this A.I named Samantha (Scarlett Johansson) and hearing the way she adapts and shows emotions, he soon falls in love with it. Some may deem this as rather sad (which it is) but I think it speaks to bigger constructs like internet dating and letting go of people you loved thus diminishing the fantasy and world you created for the two of you. This part of the film got to me a stark way as I felt the pain of letting go of not only a person, but a fantasy, just like Theodore had to do in letting his past partners go. Her. is truly beautiful, with some great production design, cinematography and acting.

Portrait of a Lady on Fire (2019)

The absolute queen of love stories would be Céline Sciamma’s Portrait of a Lady on Fire, a film about the romance between two women in the late 18th Century. Definitely not a narrative you see every day or one that’s been painted in such a way (pun intended). Marianne (Noémie Merlant) is commissioned to paint the beautiful and stubborn Héloïse (Adèle Haenel) and the portrait is to be gifted to a suitor of Héloïse’s from Milan. But instead of getting the painting done and sending it off, Marianne and Héloïse unexpectedly fall for one another at a subtle and well timed pace that had me gawping at the screen the entire way through. Slow, sensual and moving is Portrait of a Lady on Fire and I would definitely say is one of the best LGBTQ plus films ever made to date.

Broke Back Mountain (2005)

Ang Lee scooped up a BAFTA, Golden Globe and Oscar for his direction on his adapted screenplay of Brokeback Mountain. Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) form a romantic bond after shepherding alone together on the side of a mountain. Once their time herding sheep comes to a close and they return back to their respective lives, it's clear that their bond is stronger than they had anticipated. They live in constant fear of their relationship becoming apparent to those around them, which leaves one of them taking matters into their own hands. A controversial yet extremely successful film of its time, Brokeback Mountain does a fabulous job of showcasing the consequences and despair of love using two of Hollywood’s finest actors.

Carol (2013)

It’s difficult to fully appreciate LGBTQ plus films set in the past as they mostly focus on the persecution of homosexuals as opposed to the love they wish to express. However, this was pretty accurate of the time and it's only very recently that we have begun to accept one another’s sexualities and genders fully so much that we play these stories out on screen without the persecution part. Carol is a film directed by Todd Haynes and stars Rooney Mara and Cate Blanchett. I found them to be an extremely intense pairing whilst they unravelled as their characters on screen. Therese (Rooney Mara) works in the toy department of a department store when one day she lays eyes upon Carol Aird, a beautiful and elegant married woman who becomes the infatuation of Therese. Therese throws all caution to the wind in order to be closer to Carol and because of this and the 1950s society they live in, their relationship is doomed from the beginning. I was in complete awe of the way Carol had been shot and created into this sensual and rich drama set in the 1950s. From the costumes, to the lighting to the acting, everything about Carol held weight to it showcasing the devotion of a truly talented director.

Eternal Sunshine of a Spotless Mind (2004)

Usually I’d pass on a Charlie Kaufman film, seeing as they make no sense, however I felt that it was time I delved into this cult classic starring Kate Winslet, Jim Carrey, Kirsten Dunst, Mark Ruffalo and Elijah Wood. It’s a really well made film with a clear and distinct message to it that’s represented in some phenomenal filmmaking techniques. The plot line of this film follows a man trying to erase a past lover and his memories of her get wiped away physically before your eyes on screen. It made me wish that I could do the same with people I’ve liked in the past, but the contradictory of this would be the trauma of eventually ending up with someone you had already met in another life. I haven’t experienced a break up nor felt the pain of one, though I could judge that this film tells that experience really well.

Moonlight (2016)

Moonlight is one of few films that I would genuinely worship if it were a religion. It's also one of the films that I outwardly shame people for not having seen, as it is truly a masterpiece and film lover’s film. Deep, emotionally connected, colourful, harsh, moving and eye opening, this film takes you on an emotional rollercoaster through the eyes of Chiron and the three stages of his life that have carved out his essence as a human being. Not only that, but he falls in love with another boy at his school, and when he does, he’s hurt rather badly. Literally. Moonlight is the definition of profundity and was awarded the top prize of Best Picture at the 2017 Academy Awards.

Loving (2016)

When I think of a truthful and honest testament of love, the film Loving comes to mind which is a fitting title for such a delicate yet strong story. The film is based on a true story of an interracial couple, Richard and Mildred (Joel Edgerton and Ruth Negga) being banned from Virginia in the 1950s for choosing to be together. If that ain’t a true sacrifice of love, then I don’t know what is. Choosing someone you love over your own home is an unfathomable thing and certainly shows the strength that this couple had in facing the judgements of others whilst remaining emotionally truthful to themselves.

The Shape of Water (2017)

The Shape of Water is a strange yet enlightening love story between Eliza, a deaf woman (Sally Hawkins) and a creature being tested on in a laboratory. Awards season went mental for this back in 2018, winning four of the THIRTEEN Oscars it was nominated for. I would categorize it as quite the niche film and wouldn’t usually think that such a film could be garnered with Oscar success. However everyone who worked on this film really pulled out the stops in creating an entire new world and perspective that has many layers to it, as well as an abundance of conflict and dynamics for audiences to lull over. The relationship between Eliza and the feared swamp monster that’s being cruelly tested in the laboratories where she works, is heartfelt and honest, which is strange seeing as Eliza’s virtually in love with a monster. The casting in this was outlandish yet it really worked as all actors in this melded well into the story as their prospective characters. It also has one of the most touching endings to a film I’ve ever seen.

And there you have it, ten Romance films for you to enjoy this Valentine’s Day. Watch them all at once, or maybe just watch one. Whether you watch it alone or with someone, it doesn’t really matter!

Lots of love

Ang x

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oddsnendsfanfics · 3 years

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Unraveling in the Sheets

Genre: Fan Fiction

Pairing: Henry Cavill/OFC

Warnings: Language, Sexual Content, NSFW

Rating: M

Length: Short Story

Disclaimer: a strict work of fiction, I own nothing except the original characters and the plot line. In no way am I affiliated to any of it.

A/N: Spoiler Alert, there is smut. Be warned. It's there.

Also, I am no longer doing tags on posts. Since my list exceeds the tag limit. Please feel free to join the chat in place of the tag list.

Henry Cavill Master List

“How did you do it though?” Gliding the car into a free parking space, Henry glanced at Nell in the passenger's seat.

“How did I do what?” Eyeing him curiously, she tried to hide her gloating smile. She could be a terrible winner, even if she wasn't the winner, she had came ahead of Henry.

“You know what I mean, Nelly.”

He looked so silly, his new mustache curling when he laughed or smiled. Nell had to admit, if any man could wear the 'stache Henry did it well.

“Oh, you mean how did I suddenly leave your ass behind and finish nearly 50 positions ahead?” She laughed, crinkling her nose. “I told you, I've been working hard for this. Besides, you're too big. You move slower than I do. It's that simple. Maybe next year, you will finish ahead of me.”

“You're impossible.” Unbuckling his seat belt, Henry hurried to get out of the car and around to the other side, before Nell could open her own door. Nearly there, he frowned when she opened the door, stepping out of the Aston Martin. “You were supposed to let me open that.”

“I am supposed to do a lot of things that I do not.” Nell grabbed her hand bag. “I'll let you open the door, next time. You big dork.”

Henry was always the gentleman, even when Nell would rather rip his eyes out than speak to him in a civil manner. Not that she ever felt the former much, but on the rare occasion. Sometimes that's how things went for ex-lovers. The mid May air was growing cool, leaving a few goosebumps on Nell's exposed arms. She had expected to be back before now, which is why she'd left her sweater in the hotel.

“Well, happy late birthday. It was nice having dinner with your family. I've missed them.”

“They've missed you, too. I could tell that dad was happy you came along. He hasn't talked that much during a dinner since the last time you came over.” Henry smiled fondly. "I'm glad that you came, Nelly." Hands in his pockets, Henry sauntered along beside Nell. Approaching the main entrance, he held the door allowing her to enter.

When he'd invited her for the weekend, he wasn't confident that she would come. Wrapped up in work, Nell didn't take too much time away from Dublin these days.

"It was a nice break from work." Tucking a piece of hair behind her ear, Nell bit her bottom lip. "I know that you are busy, but do you have a few minutes to talk?"

"I always have time to talk with you." Scanning the hotel lobby, Henry tried to find a spot for them to sit and chat privately. "Should we have a seat at the bar?"

"We could, but I would really like to change. Do you mind coming up with me? We can just talk in the room. It's probably more comfortable anyway."

"Is this about the wild boy?"

"Isn't it always?"

Laughing, Henry pushed the call button for the elevator. Their son was truly something else. One day he would surely take over the world; Henry could see that coming from the day he was born. To say Ivan was Henry's pride and joy would be a massive understatement. He lived for their son. This weekend having Ivan, and Nell, in Jersey had been fantastic. A short glimpse of what life could have been. The ding of the elevator brought Henry back from his brief fantasy.

He and Nell had split up several years ago, there wasn't much chance she would feel the same as he did. Lost in the thoughts of happy little family. Allowing Nell to step onto the elevator first, Henry stood silently with his hands clasped in front of him.

“So, Ivan has been doing well in school?” He may as well get this under way.

“Define doing well,” Nell snickered. “I get a call nearly every day from his teacher. The woman is impossible, but knowing our son, he isn't making it easy for her.”

“I was like that in school. Right up until the day I left.” Henry shrugged. The elevator gently bumping to a stop, he stepped forward to hold the door for Nell.

Muttering a thank you, Nell dug for her key card, leading the way down the hall. She loved this hotel, it was the only one she stayed in, if she could help it, while visiting the Island. A great view of the water on one side, the other dazzling with a fantastic look out into the city. The first time she'd ever been to Jersey, she had stayed in the hotel and fell in love with the charm. There were days when that felt like a life time ago.

Opening the door, Nell paused to allow Henry in. “Have a seat. Anywhere you'd like. Sorry it's kind of a mess. I'm going to change.”

The hotel room was anything but a mess, minus the few sketch books that Nell had dropped on the bed. Always working. Henry took a seat on the edge of the king sized bed, casually glancing at the colour coded notes and designs that Nell had in one of the open sketch books. Costumes. A few notes detailed leather armor and Viking era clothing. She'd done well for herself, since he'd met her. The same shy costume apprentice hiding out on set of The Tudors, was now helping drive forward the details of Vikings.

In the bathroom, Nell pulled off her dress. The fabric had became clingy after a while and she needed to be more relaxed. Running shorts and a tshirt would do the trick. Sighing at her reflection, she bit her bottom lip glancing down at her top. The worn coral Nike tshirt was her favourite, it was showing the love and wear in a few spots. Perhaps she should have picked something less frumpy? She was a busy, single mom she didn't have to look the part. Ah fuck, who cared. Henry certainly wouldn't.

He was here to discuss their son, not flirt with her until she gave in to that smile. Or got lost in his eyes, those gorgeous blue eyes – the left with the flecks of brown. His charm alone was enough to make anyone weak in the knees. Damn it, she needed to get over it. He had moved on. She needed to do the same.

Blowing out a breath, Nell reached for the door, pausing when she heard Henry talking. His tone told her that he was speaking to Ivan. Quietly slipping out of the bathroom, she smiled.

“Hold on, just a sec.” He pushed the screen of his phone, allowing the speaker to connect. “Alright, wild boy. Say goodnight to your mum.”

“Mum, momma, mum.” Ivan's voice filled the room. “I love you.”

“I love you, too, Ivan. Are you being a good boy?”

“Uh huh. I love you. Good night.”

“Good night, wild boy. I love you.”

“Night dad.”

“Good night, I love you. I'm going to be back soon, you go to bed and I will see you first thing in the morning.”

“Okay. Oh, dad, can Kal sleep in my room tonight?” Ivan was fond of the large black and white American Akita. Henry laughed.

“Of course he can. You and Kal go to bed, now.”

“Okay, bye.” A little too quickly, Ivan hung up the phone. Henry laughed at the eagerness, he would talk to his mother when he got back to the house. Making sure that Ivan and his dog had gone to bed as they were told, with no fuss.

"Can you believe he is growing this fast? My god where has that time gone?" Henry rubbed his hands against his face. His mustache and subtle stubble scratching his palms.

"Time is a cruel mistress." Rubbing her hands on her shorts, Nell stood. "Drink? I have a bottle of Johnnie Walker."

"Of course you do." Smirking, Henry shifted on the side of the bed. “I had a look at some of these designs, by the way. They're magnificent. My god, Nell, you are so talented.”

“You're saying that to be nice,”

Shaking his head, Henry accepted the glass, resting it on his knee. “No, I am saying it because its true. You are one of the most talented costumers that I had ever met. Are you enjoying the job?”

“I love it.” Nell smiled, leaning against the large wooden desk in the corner. “The work is great, the people are amazing, and Ivan is really enjoying it. I'm glad we went.”

“Good, that's good. He talks about it, a lot. He really seems to love being there. I'm glad. Once things settle, I am going to try and come visit. I kind of miss it, Dublin.”

“You should.” She smiled fighting the urge to scoff and roll her eyes. Henry was always busy. He'd make it to Dublin, when Hell froze over. “So, how is work coming on this new character.”

“I can't say much, but I can say that I will be happy when I can shave.” He rubbed the mustache expertly. “It's not as bad as some of the beards that I've had to grow, but it's not my favourite look.”

“You look good with a beard. I know you hate them, but you do.”

Leaning forward to set his glass on the bedside table, Henry licked the whiskey off of his lips. “I'm glad to have that compliment.”

“Sure.” Nell nodded, tipping her glass to finish the drink. “Another?”

“Uh, I'm good.” Henry motioned to his glass. Rubbing his hands across his jeans, he furrowed his brow. “I've been thinking, since I am fairly busy the next few months, what if I keep Ivan for a few extra days? Once you leave, I will take him back to London with me, until I have to go.”

Shifting on the bed, her face warm from the second glass of whiskey, Nell sniffled and cleared her throat. “What about school?”

“What about it? He isn't going to miss much, is he? They're nearly finished up and I don't know how long it will be, until I see him. Possibly not until Christmas.”

All he wanted was to spend a little time with his son, was that so hard? His next move would have to be calculated, Nell had been known to stat arguments over less. If Henry wanted to avoid a shouting match, he would have to go about this carefully. Reaching for his glass, he downed the remaining contents in one large gulp. Sighing.

“I want to hang out with him a little. It wouldn't be more than three days extra. Then you get some time alone, as well. Nell, I know that you need a bit of a break. You work so hard and take care of Ivan, please.”

“If you want to, then I suppose I can't really say no. What kind of mother would I be, if I didn't let you see him?”

“Don't say things like that, please.” Henry reached out, his hand taking hers. Gently stroking the back of her hand with his thumb. “You are a wonderful mum. You know that.”

“Sometimes, I feel like I could do better. I really do.” Nell shrugged, allowing Henry to continue holding her hand.

“All parents feel that way, I am sure. I know that I feel like that, all the time. I guess it's natural, always wanting to do better, to be better, for our children.”

There he went again. There were times when Nell could not stand to be near him, other times she wanted to be as close as possible. Damn it. Watching him talk about Ivan and the few extras days they would be together, Henry's eyes lit up. His smile broad and the enthusiasm in his voice was one that dictated proud father. Nell nodded, only because she felt it was appropriate to the conversation.

Henry continued to chatter about how he wanted to take Ivan to a new exhibit at the Natural History Museum, in London. Leave it to the father and son, finding a day at the museum to be high on the list of fun. Nell sighed, continuing to half listen, half gaze at Henry in awe. One thing she loved – well love could be a strong word – adored? Enjoyed? About Henry was how much he loved Ivan.

Mid sentence about some Sir David Attenborough documentary that he'd watched with Ivan; Nell couldn't help it any longer. Leaning in, without warning, she grabbed Henry's face turning it to her and kissing him. Lips connecting, she stopped and jumped back as if hit by an electric shock.

Clearing his throat, Henry rubbed the back of his neck, but not pulling back. “I didn't know that the National Geographic was that exciting.”

“I'm sorry.” Hiding her face in her hands, Nell shook her head. Oh that had been a mistake. She had absolutely no right. None. Henry was crazy, if he didn't get up right now and walk out. If he was angry, then she deserved that.

Blushing, Nell shook her head. “Henry, I shouldn't have.”

“I'm certainly not going to complain.” He shrugged, leaning in his arm sliding around her shoulder. Nell glanced up, getting the nerves to look at him. Oh she had fucked up. “Next time, I would like some warning though.”

“Warning? Next time?”

“Hmm, yes. Kind of like this, close your eyes.” Henry instructed pulling her closer and kissing her. Nell sighed her body melting against him. She loved the way his lips felt on hers. Soft, with a slight force.

Straddling his waist, her arms wrapped around his neck, Nell's fingers laced together. Her lips leaving his, tracing along his jaw, nearing the sweet spot below his ear. A slight nip and he was an unraveling mess. Henry nuzzled his face into her hair, she smelled amazing. Comforting and warm. A groan erupted from deep in his throat, as predicted she had gone straight for that spot.

“Nell, Nell,” Henry cleared his throat, holding her at arm's length, “Janelle, stop.” Looking for any sort of sign that she truly felt that this wasn't a good idea, he sucked in a breath. “Are you sure about this? Because if we continue, I won't stop until...”

“I am.” She nodded firmly, “I don't want you to stop. I don't want to stop. Oh god, Henry. Please.”

“I need to know that you truly, absolutely want to do this.”

“If you don't stop talking and bend me over, I am going to kick you out and do this myself. Please, stop talking. If I didn't want this, I wouldn't have started it.”

A deep rumbling laugh followed, Henry rolled his eyes. God, she was something else. Who was he to deny a gorgeous woman what she wanted? Would this come back to haunt him? Probably. Did he care? Not much. Come morning they would once again go their separate ways, but that didn't matter right now. Right now, he could pretend that he had everything he wanted. And what he wanted was her.

Pulling her to him, Henry kissed her hard. Nell moaned, the force of the kiss was nearly dizzying. Arms around his neck, she rubbed her body against his, trying to grasp the friction that was created when she started to grind herself against his thighs.

“Henry,”

“Hold on, you need patience.” He brushed a bit of hair out of her face, “all in good time.”

Nell squealed when he stood, her legs desperately scrambling to hold onto him. In a futile attempt she huffed, when he let her go, standing in front of him pouting. Unbuttoning his shirt, Henry smirked giving her a heated stare. “Well, are you going to get on the bed or make me do all the work? Shorts off.”

Sliding the mesh shorts down her ass and along her legs, Nell made a bit of a show letting them pool at her feet. Stepping out, as slowly as possible, while lifting the old tshirt from her body. Allowing it to go where it would, as she dropped it. Sitting back on the bed, she could feel her heart in her throat and her stomach where her heart should be.

“Lie back.” Henry instructed, kneeling at the edge of the bed. Arms around her thighs, guiding her to him, he studied her for a moment. She was trembling as his fingers slid across her thighs, positioning her in just the right way.

“Oh god, Hen-Henry.” Nell's mouth was suddenly dry and her voice hoarse. His hot breath between her legs was tormenting her, in unimaginable ways. In anticipation she bucked her hips forward, trying to clench her thighs. Holding her knees with his shoulders, Henry chuckled.

“Eager.”

“Please.”

“You are...” He lingered, kissing the inside of her leg. “Gorgeous. Look at you.” He brushed his thumb against her. Nell whimpered trying to push further. “Hold on, hold on.”

“Why are you teasing me?”

“Because I want to enjoy the view, for a moment.” He shrugged, her legs lifting gently. A hand on her lower abdomen, as if holding her in place, he used the other to gently tease and trace along her calf. Without warning, his lips attached to the most sensitive part of her body with his mustache adding an extra sensation, Nell bucked her hips hard, shoving his face further between her thighs.

Nell's head was swimming, it had been a while since she'd felt this good from such an act. Sure, she'd had the odd date here and there, semi-serious relationships, but nobody could do this the way Henry could. He was a fucking magician, she was certain of it. Humming against her mound, Henry couldn't hide the laughter in his eyes, when she began to squirm and wiggle against his face. She was desperate and he was going to prolong this as much as he could.

Sucking her clit, his tongue generously lapping at her, he thoroughly enjoyed the show. Pushing his head as far down as she could, Nell was nearly in tears each time he leaned in, his mustache tickling in just the right way. Oh god, she gasped trying hard to find release. Henry was cunning, backing off at the right moments.

“Henry,” She whined, threading her fingers through his hair. “Don't tease me, I really need you to finish.”

“Stop being so impatient.” He was teasingly stern. Pushing her hands away, he locked his fingers with hers, holding them at her side. Lifting his head, he smirked, kissing up her body ending with another dizzying kiss. Nell sucked on his tongue, freeing her hands from his, she tugged him closer, pulling at fistfuls of hair.

Cleaning herself from his tongue and lips, she sighed. “I'm going to need more than that.”

“You're sure?” Henry paused, holding his weight on his forearms, resting above her. His jeans still on, he could feel the strain against the denim.

“Jeans, off.” She demanded, sitting up to watch. Shivering against the slight chill, her breasts on display giving him the perfect view of her erect nipples. Nell blushed under his gaze. She was not the tight, toned, and perky body she once was. She wasn't out of shape, by any means, but compared to Henry...

“You are gorgeous.” Henry complimented, his jeans on the floor, boxers being pushed down to join them. Stepping out of his pants, he stood at the side of the bed, in all his glory.

Nell licked her lips, reaching out to take him in her hand. Hissing under her touch, Henry involuntarily bucked his hips forward into her hand. Rubbing the head, Nell intently watched Henry while she leaned in taking him fully in her mouth.

“Fuck, Nelly.”

“Hmm,” She hummed, sliding her head back along his length. Hand wrapped around him, stroking in place of her mouth. Bobbing her head back down, she swirled her tongue around the base. He nearly choked her the first time she'd ever gone down on him. Oh how long ago that felt.

Dragging her tongue against his length, she felt her core tighten, with each moan Henry gave. His slight salty taste mixed with the aftertaste of the Johnnie Walker, Nell inhaled deeply through her nose, hollowing her cheeks around him. Gripping the back of her head, Henry tried to not force her too hard, as he began to guide her movement.

Happy to go along with what he needed to feel good, Nell allowed him control over her guidance. Her finger nails grazing the back of his thighs, she mentally checked the small victory when he threw his hips forward at the sensation of her wrapped around him and her nails on his skin.

“Good girl,” Henry mumbled, his head lulling back, his chest rising rapidly. “Keep it up, just like that. Oh shit,”

Nell's chest swelled a little, she could still make him feel good, even after all of this time apart. That was not something she would take lightly, even if this shouldn't be happening. Oh fuck, who cared? They were two consenting adults. Henry's legs quivered, his hands unsteady stroking the back of her head.

“Nell,”

“Hmm?” She glanced up at him. His face soft and his jaw slack, she could feel him tightening. The perfect time to stop her actions. “Not yet,” She smirked, wiping her hand across her chin, drool gone. “Fair is fair.”

“Jesus,” Henry grumbled. He had been so fucking close, the knot in the pit of his stomach clenched Slowing his breathing, he took a moment to think of anything else. Laundry? Running? How much longer until he had to renew his passport?

“Henry?”

“Yeah?” He snapped his head to look at Nell.

“Are we going to stand here all night, or...” She shrugged, a devious smirk on her face. Laying back on the bed, she curled her finger beckoning him to her.

“You're still sure about this?” Henry asked. His eyes on her, waiting to see if she had any hint of doubt or hesitation.

“I don't have a condom, but I'm clean. It's not like I'm getting pregnant, so....” If she were to get pregnant, there was going to be on hell of a hefty lawsuit against that surgeon.

“You're sure? I know that I'm...but I don't have.”

“if you don't want to, then I understand.”

“I do, though, but...”

Nell shook her head. “No buts. If you want me, then I'm yours.”

“Fuck, you're making this hard.”

Giggling, Nell glance down. “I think we're beyond things being hard.”

His body betraying him, Henry cleared his throat, she certainly had a point. Fuck it. What did they have to lose? Unless this, some how, came back to bite them. No, no he had to stop that. Give in, enjoy what was happening. It had been too long since he'd been able to watch her in such bliss. Bliss that he was responsible for.

“You're sure?”

Nell nodded siting up, opening her arms, “Come here.”

On the edge of the bed, Henry sighed, his large frame leaning into her. Nell held him for a moment, stroking his hair, the feel of his warmth against her sent shivers through her spine. Pushing him back on the bed, she bit her bottom lip, waiting for the go ahead. Henry gave her a slight nod, adjusting himself on the bed to get comfortable. Straddling his hips, Nell lifted herself to slowly take him.

Sheathing him inch by inch, Nell groaned at the fullness. This was her favourite part, taking him to the end, feeling him stretch her. Rocking her hips forward, she countered the motion sliding them back in the same tantalizing pace. Henry held her hips, pushing his up to meet her. Nell squeaked and giggled. She loved the way he hit all the right spots.

“You can touch me, don't be shy.” Nell winked, lifting her arms and crossing them above her head, allowing him a full view of her breasts. “Go on.” She encouraged.

His large hands cupping her breasts, Henry softly rolled her hardening nipples between his fingers, giving on a slight flick when she moved herself up on his length. Close to letting him slide out, she moved back down, her ass grinding against him.

The way her body moved against his was mesmerizing. Massaging her supple skin, from her breasts down her sides, one hand settling on her ass and the other on her hip. Henry loved the shape, even if she had changed a little since having Ivan. God she was stunning.

Hastening her pace, Nell rocked back and forth, up and down. Henry closed his eyes feeling every bit of movement, each clench. Taking in the sounds of her breathing, mixed with his, her small moans not going unnoticed.

“Henry,” She whispered, biting her bottom lip, leaning forward to touch her lips against his. “Please,”

Without having to be asked twice, he moved swiftly, turning them over to pin her beneath him. Nell sighed and stretched her arms over her head, the pull of her muscles caused another shiver. Her head now against the pillow, she reached, tracing the lines of his face with her fingertip.

“I don't know that I can be as slow as you were.” Henry nipped her finger. Holding back on his desire to pound her into the bed.

“Then don't.” Nell batted her eye lashes at him.

Somehow that was all he needed, that tiny bit of permission. Picking up the pace, Henry grunted. Nell moaned drawing her knees upward, allowing him an even better vantage to this position. As if the pent up emotions from the last few years, hours, minutes had been released the couple were lost in the sensation of skin on skin. The feeling of sparks and electricity coursing through them. Connecting them.

“Fuck, Janelle.” Henry hissed, his arm locked into position on either side of her head, keeping him from tumbling on top of her.

“Henry,” She squealed splaying her hands against his chest, tugging at the soft hairs. “Oh god. Please, don't stop. My god, oh fuck.”

“You are fucking amazing. Fuck, look at you.” Kissing her roughly, he sighed, steadying his pace. His hips slapping hers, Nell shook slightly her soft sobs of pleasure were enough to send him to an end.

Shaking with pleasure, Nell gasped trying to bring herself down from the high. Henry moaned, his head back and chest heaving. It had been a while since he had felt that good. Nell laid with her legs hooked around his thighs, no desire to move. Collapsing with his head on her chest, Henry allowed his body to rest. Sweaty and sticky, they laid tangled together. Neither one wanting to break the feeling.

Dosing in and out, Nell was the first to move. Her body growing heavy with Henry still on top of her. She needed to move, before seizing up. Pushing his head to the side, she giggled and kissed the tip of her nose when he lazily looked up.

“I need to pee,”

“Hmph.” Henry nodded, slowly rolling over. Allowing her to escape. Laying flat on the bed, while she scurried off to the bathroom, Henry pushed himself up off of the bed. He should be getting back to his parents, back to Ivan.

All thoughts of moving were squashed, when Nell came back, climbing in beside him. Her clothes still on the floor. Her body was comforting against his. “Hi,” she whispered, sliding in under his arm.

“Nell?” Henry laid with his arm around her shoulder.

“Huh?” Nell grunted, her face buried in his chest.

“I should head back.”

“If you want to. You can stay, I don't mind.” Nell yawned. Her eyes closing.

“Okay, but only for a little while.” Henry agreed, closing his eyes. In a few minutes, he would get up, shower, and head back.

With a start, Henry woke, a loud banging noise rattling him. Looking around the dark room, he squinted to find the source of the noise. Hearing someone whispering at a distance, Henry laid in bed, listening. Against him, Nell stirred, but didn't wake. Someone in the hall was talking, no doubt they had been the source of the banging. He had fell asleep, Nell wrapped against him.

Looking at his watch, Henry frowned. 4am. If he left right now, he could be back before anybody woke. If he left now, he risked Kal barking and waking the house. If he waited, he would risk walking in and having to explain himself to one or more person. Of course he could tell them that he'd ran into some old friends, had some drinks and stayed on a sofa somewhere. Too drunk to drive.

Shifting in bed, Nell sighed, her arm around his waist she snuggled in closer. She was content, who was Henry to try and disturb her sleep? He would wait an hour or two, before he made his departure. So what if he waltzed in, being faced by one of his brothers, or even his mother. He was an adult, if he wanted to stay out all night enjoying the company of a fantastic woman, then he would do just that.

Kissing the top of Nell's head, Henry smiled, sinking down further into the covers, closing his eyes.

Tag List Chat

#henry cavill #henry cavill fanfiction #henry cavill smut #oddsnendshenryfics

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allsassnoclass · 3 years

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oh okay WELL! back in 2016 when the only musical i really knew was hamilton, i was strongly in favour of hamilton sweeping. but now with (1) a more diverse taste and (2) more appreciation for the other shows in that season as well as (3) a general loathing for the american theatre wing, i'm a little more reticent about the whole sweeping thing. just in general tbh. i feel like hamilton's sweeping win kind of kickstarted a thing with the ATW where they would just pick One Show that would win everything each season (deh the next season, and then band's visit) and i did not particularly care for that. not to say they didn't NECESSARILY deserve these wins but i certainly think they didn't deserve all of them (also i still harbor a grudge for the fact that falsettos won NOTHING. NOTHING. but that's a separate thing). so that's where i'm at lol

oh god favourite words... i have quite a lot (i keep a list sort of) but uhh here's a few: i like saying crisp. i like defensible. likewise. indefatigable. trounce. decimate. snazzy. intricate. vibrant. darling and sweetheart are also both good. i have weird Things about words if you can't tell

preferred writing utensil is a mechanical pencil!!! pens tend to smudge because i'm left handed and i like that you don't have to sharpen a mechanical pencil cos who the fuck has the time these days. in this economy? no

oh boy uhhhh okay i'm gonna say for me, maybe telepathy? slash mindreading? bc i think i'm good at communication as well as reading or getting a feel for people's emotions. so i think if that translated into a superpower it'd be that. not sure what my name would be! Ms. Communication maybe that'd be funny lmao but it's a little gimmicky and... third-grade-youtube-video-esque. must reflect further on this. i am open to suggestions. i feel like it's weird to choose your own superhero name anyway

also while i'm here i'd like to say that i understand all grievances with waitress, i have some problems with it as well (ogie... nope. not the vibe) but i did see waitress when it was on broadway (betsy wolfe!!! loml) and i really loved it overall. also i cried at the take it from an old man scene. a whole lot. some of the music is really nice. but i respect your opinion!! xoxo bella

yeah I have A Lot that could be said about why the atw is not good. I also have beef with sweeping like while a show may be good there are always Multiple good shows out there and the overall best musical might not have the best lighting or costumes or featured actor and it’s infuriating that lately one show has been getting all of the credit and recognition when so many others also deserve it. when the band’s visit swept I believe mean girls and spongebob had 24 nominations between them and only one win, which is ridiculous. don’t get me wrong: I love band’s visit a lot and if one of the shows had to sweep I'm glad it was that one, but it shouldn’t have. this also could start a whole different conversation about commercialized musicals and the shift in the state of theatre and how the atw has reacted to that but I am attempting to be concise

those are pretty good words heck yeah! and mechanical pencils are really valid especially since you’re left handed like my mama. I used to hate writing with pens but tbh I was converted by a boy I liked :/ however I really only like these specific pens, otherwise I would take a mechanical pencil over other pens.

I think telepathy works for you. I almost feel like your name needs to have nothing to do with your power because tbh there’s not many good names that connect to telepathy that aren’t already taken in comics. however I have no suggestions for you lol

spoilers for waitress below! I'm going to talk in more detail about why I didn’t like it (which you don’t have to read if you don’t want)

okay so first off I just really struggle with infidelity plots and there was a lot of infidelity in this show. Jenna I could understand but the doctor? Becky? like there was just a lot and I have a hard time feeling sympathetic towards cheating characters, especially when there isn’t really any karma for them in the show. there were no consequences for those actions

everything with Ogie. yeah. no. big no. nope nope nope. he literally stalked Dawn and her friends were like “yeah he’s the guy for you :)” and this is written off as completely normal and fine! very creepy. 0/10.

bad idea (reprise) was very uncomfortable for me to watch. I actually just now looked up a bootleg to see if it was the same staging and it looks like it is but yeah I just really couldn’t do that scene and even my significantly more sex positive classmates were uncomfortable at the kind of sudden turn to "a sex romp.” it really put me on edge for the rest of the show.

perhaps my opinion would’ve been changed if I had listened to the cast recording beforehand, but none of the songs really stuck with me except she used to be mine, which I had heard before. the issue it that you don’t get that song until near the end, so musically the show didn’t grip me for the majority of it. if I re-listened and re-familiarized myself with it I could probably find more songs I liked (it’s been a year since I saw it and I haven’t listened to any of the songs since), but in general I nothing really stood out to me or left a big impression

also this is a really picky thing but the set design had the horizontal line of death all the way across it which is has been drilled into me as being Bad and is generally uninteresting

I will say that Joe was my favorite part of the show, hands down. I think I teared up too but I do that very easily so!

#ask #bella #great responses I love them #and I love you <3

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krolock-in-the-snowlock · 4 years

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I watched Broadway’s Dance of the Vampires so you don’t have to

Ever wondered how bad the broadway version actually is? Now’s your chance to find out, my friend...

So about a month ago, I came across a bootleg of the broadway show and, because it was late and I am a Certified Idiot, I decided to watch it and write down my thoughts. Having heard how bad it was, I knew to expect a train wreck, but I had no idea just how much of a train wreck it was going to be until I pressed play and witnessed something that truly cannot be described in words.

I was originally just going to post my whole list of thoughts but it ended up being over 5000 words (many of which were me screaming NO and wHYYY) so I’ve put it in a separate post, so click that link if you want to read it in its entirety!

Instead, I’ve decided to do a (slightly) shorter summary of ‘highlights’, if they can really be called that, with a kind of silly score for each ‘category’. A review, if you will. I’m sure I’ll have missed some things, but this should hopefully at least give you an idea of what exactly they did to poor Tanz der Vampire. Still, I apologise for the length of this in advance - I just had a lot of thoughts, okay?

A quick disclaimer: While I have seen clips of producations of Tanz from various countries, I’ve only seen the whole production once - the Berlin bootleg from somewhere around 2009-11 - so I’ll mostly be comparing with that!

I know the broadway musical is a big taboo subject, so I’m not expecting many, if any, to actually read any of this. But if you ever wondered how bad it was and didn’t want to have to actually watch it, this post is for you!

So, without further ado…

The Characters: -7/10

Let me begin by saying that many of the characters bear almost no resemblance to the originals. The worst case, of course, is with Giovanni von Krolock. A cringeworthy caricature, his awful faux-Italian accent, terrible jokes and horrifying bat form make him the polar opposite of what Krolock is supposed to be. In my notes, I actually referred to him as Giovanni rather than Krolock, because this is not Krolock; where Krolock is mysterious, aloof, powerful, and occasionally slightly sarcastic, Giovanni is silly, makes puns in nearly every line, and commands no respect or fear whatsoever. I resent that I began to ironically enjoy mocking him by the time I’d finished watching it.

Alfred is absurdly confident and confrontational, and narrates everything he writes in his journal (and tbh is probably a closeted bi). Sarah now apparently has friends and is allowed to leave her room. Koukol doesn’t exist, and is replaced by a man that Krolock hypnotises, who sometimes acts like a dog. Herbert is French, ridiculously stereotypical, and there is a very poor attempt from Krolock at pronouncing his name in a French accent. The other characters are fortunately mostly the same as the originals, although not entirely.

The Music: 2.5/10

Oh, the music… how do I begin?

Long story short, it was generally horrible. Multiple songs were cut entirely, and others were mashed together into strange frankensongs. The opening song, for instance, is completely different (and was what immediately made me realise I’d made a terrible mistake in deciding to watch it). The lyrics were mostly not as interesting as the original German lyrics, and often had less syllables, so the songs often felt empty and drawn out.

Many of the songs had slightly different overall meanings/purposes to their German counterparts, and I though that songs like Total Eclipse and Invitation to the Ball were way too sappy and romantic, lacking any of the drama and tension of Totale Finsternis and Einladung zum Ball. Krolock had been so ridiculous the whole time that Die Unstillbare Gier sadly could never have worked, even if the lyrics had been better. The singing itself was actually pretty good from what I remember, which was the only thing that saved the music, but Krolock’s horrible accent ruined many of the songs he was in. There was so much potential for it to be good if they’d just done a faithful adaption…...

I could go on forever about the music (as I do in my full commentary) but that would probably need a whole new post! So instead let’s move on to…

The Costumes: 2/10

Boring. Sarah’s red ball gown is nice enough, but all of the other vampires’ costumes are painfully simple and poorly designed. Krolock lacks a cape for most of the musical (which is a crime), Herbert is dressed in a hideous bright blue coat and an aggressively yellow wig, and the finale costumes are just simple black leather coats. It all lacks any of the detail or, in Herbert’s case, sparkle, of any of the other versions of the costumes that I’ve seen. While I should probably note that this was in 2002, it is still noticeably simpler than other productions of Tanz around the same time. Krolock also lacks his usual makeup, and Herbert’s is just ugly. And Krolock’s top hat in the opening? Why???

The Staging: -5/10

When they aren’t dancing, most of the ‘staging’ is just the characters at opposite sides of the stage facing each other. It doesn’t matter what is supposed to be happening in the scene, or the message of the song; they just... stand there. Occasionally, if you’re lucky, the characters might stand next to each other, but such close proximity is a rare occurrence in Dance of the Vampires, saved mostly for Alfred or Krolock with Sarah or Herbert and, in a strange duet about books, Krolock and Professor Ambronsius.

Krolock does pretty much nothing in Die Unstillbare Gier, and the staging for Einladung zum Ball was very confusing, at least when they weren’t just standing still. Sarah’s bedroom inexplicably becomes a cloudy place with no floor, and it was never quite clear whether the scene was a dream or not. Considering the rest of the musical, either possibility is honestly equally likely. At one point at the start of the first act, Krolock literally rises out of the ground in a huge coffin. I could go on. Also the sponge Krolock gives Sarah is a fraction of the size of the one he gives her in the original, which I like to think is a metaphor for the broadway production itself.

The Sets: 3/10

While not accurate to any other versions at the time or since, a couple of the sets were admittedly quite pretty (though still not quite on Kentaur’s level). However, there was no inn structure for the first act, and some of the sets were quite limited. One of the most popular (and nicest) sets in the second act is a huge stairway covered in a frankly impractical number of candles.

In the finale, despite the characters on multiple occasions declaring that the story takes place in Transylvania in “18something”, the background is for some reason Times Square with all of its neon signs (which I’m pretty sure did most certainly not exist in the 1800s). Whether a huge location change and time skip of a couple hundred years has taken place or whether the directors and set designers finally gave up trying to make the story make sense, I have no idea.

Worst Moments:

I just had to include this section! These are only a few of the worst and/or most bizarre moments I could pick out. I’m sure there’s more that I forgot but here are some (read: quite a few) of my favourites:

Krolock, wearing a top hat, rising from the ground in a giant coffin before saying, “God has left the building”

Krolock appearing as a hideous animated bat thing

Sarah and her friends getting high on mushrooms in the opening

The fact that Sarah’s birthday is on Halloween at midnight during the total eclipse of the moon

Krolock offering Alfred a sponge shaped like a penis then slowly tilting it down when Alfred says no

Ambronsius decorating Sarah’s room in Halloween decorations to scare off Krolock

Krolock genuinely being convinced that Sarah is a literal princess until he visits her room

Krolock and Ambronsius harmonising about books together

The big grey winged gargoyle demons dancing on the bed during Carpe Noctem

Krolock repeatedly dressing in a big grey dress and pretending to be his own mother/wife/who even knows what

Alfred angrily threatening Krolock, followed by Krolock physically attacking Alfred (this happens on more than one occasion)

The nonsense ‘prophecy’ they randomly introduce

“I use my body as a bandage, I use my body as a wound” (and this is instead of “Ich will frei und freier werden, und werde meine Ketten nicht los”) WHAT DOES IT MEAN

Koukol-replacement saying, “Okay, here he is, the man you’ve all been waiting for, his excellency… the Count von Krolock!) and Krolock waving and pointing like a rockstar as he kisses people walking down the stairs to the ball

Krolock dramatically dying on the stairs at the end of the ball for a solid minute

The Good Parts

Surprisingly, there were a few redeeming features!

Firstly, the couple of songs where they kept things very similar to the source material (such as Knoblauch) were actually quite good at times. Unfortunately, this isn’t to say that they were necessarily good, but compared to the less faithful parts they were a nice surprise, even if Knoblauch was never my favourite song from Tanz.

The singing itself was generally pretty good too! I also hate to admit that I did at times find myself laughing a little at the awful jokes.

And... uhh...

...yeah, that’s about it...

Some Highlights From My Notes:

And finally, here are some out of context quotes from my notes that I feel sum up the musical quite well:

It sounds like he’s about to start a really sad rave

I was gonna roast the lyrics some more but I’m gonna be honest I’m not sure what he’s saying

This feels on the same level of what kind of acid trip hallucination parallel universe have I landed in as seeing the Cats film in the cinema

Is this actually Deadpool in disguise with all the fourth wall breaking

Crawford looks like he regrets everything and can I just say Michael so does everybody else

He looks like a potato or a rock or that neutral nicolas cage face that people put on the sequin cushion

This sounds like a poorly written Krolock/reader wattpad fanfic

Giovanni would highkey be like lol arent i so random rawr xd on myspace

He might as well have said, “Itsa me, Mario”

They’re just stood there like two pigeons aimlessly squawking at each other

Alfred is like a chihuahua with small dog syndrome barking at a bigger dog, except Giovanni is barely bigger and is a flea-infested Chinese Crested dressed in a cheap Halloween costume

The throne glides like a magic carpet only it doesn’t leave the ground so I suppose it’s actually more like a chair with wheels, which is much less exciting

He just stands there like a poorly-dressed rock

-22/10 would not listen again

Final Comments:

So, if you’ve made it this far, thank you for reading and I hope that was somewhat informative and/or entertaining for you! It took me weeks to get through the whole musical because I couldn’t stand watching it for too long at a time, and maybe you can see why! Like I said at the start of this monster of a post, there’s probably a lot that I’ve forgotten to mention, so if you’re unfortunate enough to have seen any of this car crash of a musical, feel free to add your thoughts! :D

#tanz der vampire #dance of the vampires #watching the broadway production was a good 4 hours of my life that I’ll never get back #was it worth it?#honestly I’m not sure #but here we are

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amplesalty · 4 years

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Halloween 2020 - Day 3 - Bram Stoker’s Dracula (1992)

The Apocalypse is Now for me!

Even without getting into the Universal sequels the way I have been with their Frankenstein franchise, I certainly have managed to get through a fair few Dracula related movies over the years; the 1931 version (and it’s Spanish language counterpart), Nosferatu, Shadow of the Vampire, Dracula: Dead and Loving It, Dracula 2000, Van Helsing, Monster Squad, Hotel Transylvania and the BBC production from earlier this year. Never did a recap on the final episode of that though. This one has been on the list for a while, along with the 1994 Frankenstein movie, and it recently turned up cheap on blu-ray so why not? It is on UK Netflix at the moment so could have saved myself a few pounds but, eh, it can sit with the Universal boxsets and I am curious to look at some of the extras.

This is directed by Francis Ford Coppola and, for someone widely regarded as one of the great filmmakers of all time, I’ve never seen any of his work so this is a first. I do have the Godfather boxset here though that I should get around to a some point. Looking at his filmography, Jack really sticks out like a sore thumb.

Looking at some of the various Dracula adaptations though, one that stands out is an animated Batman movie called The Batman vs Dracula that came out in 2005. I kinda need to see that, along with the TMNT cross over they did last year. There’s actually more Batman/Dracula movies out there apparently, including a lost Fillipino film called Batman Fights Dracula and Batman Dracula which was produced and directed by Andy Warhol, both without permission from DC Comics. I wasn’t expecting one, let alone three of the things.

This version seems to be much more in line with the original source material, featuring a lot of scenes told from diary entries, letters and ship logs. Plus it features Quincey Morris and a more dramatic finale where Dracula faces off against a group consisting of Harker, Van Helsing, Seward, Holmwood and Morris before nearly getting stabbed to death. More interesting at least than sneaking in whilst he’s asleep and staking him through the heart.

It adds to an overall feel of sympathy that it feels like the movie is trying to build for Dracula. It opens up by showing his heroic feats in battle, fighting off the Turks and defending the Order of the Dragon, only for his wife to commit suicide when she receives fake news of her husband’s demise. When Dracula is told that his bride’s soul cannot be saved for she has sinned in taking her own life, he renounces God and drives his sword into a cross which proceeds to have blood gush out of it which he laps up. Even when he goes to turn Mina into one of the undead, he hesitates, reluctant to saddle her with his same fate.

Then when Harker arrives to conduct business with Carfax Abbey, Dracula laments the passage of time, how his great race is now but a distant memory and, when learning of Harker’s fiancé Mine, mourns his own departed wife.

That wig is really stupid though.

Even in the face of that, the movie still managed to win Oscars for Best Costume Design, as well as Best Sound Effects Editing and Best Makeup. It lost Best Art Direction to Howards End. The visuals truly are the high point of the film, particularly early on with the gothic scenery of Dracula’s castle or the surreality of all the blood in the chapel in the aforementioned origin scene for Dracula.

There’s one gorgeous moment on Harker’s journey to Transylvania where he’s writing in his journal and the scene fades between an interior shot of him, to this shot of the train seemingly travelling atop his diary admist a dusk skyline. That same orange skyline is in effect in the scene where Dracula fights the Turks, with everything playing out in silhouette.

Dracula’s armor is quite unique there as well. Has this ostentatious feel to it, I don’t know how protective it would be but it’s very striking. It’s something I’ve seen out of context before seeing the movie and it always made me think of the human body without skin, all the muscles and tendons and what not. Like Frank in Hellraiser before he’s fully reformed. It feels like the kinda thing you’d see as a unique armour set in Dark Souls.

I really like the lunatic asylum where we find Renfield and Dr Seward, even if it is underused. Renfield is always my favourite part of these movies but we start with him already mad and it’s Harker who has to take over his accounts and go seal the Dracula deal before being targeted by the Count and his mistresses in the castle. The whole asylum has this very grimey, industrial feel to it.

The guards have these head cages on and Reinfield has these odd hand/finger braces? For some reason the Dracula: Dead and Loving it version is coming to mind where everything is much cleaner and looks like some stately home. There’s that scene where Seward invites Renfield out for a spot of afternoon tea, only Renfield is more interested in the passing insects than any sandwiches or pastries on offer. Absolutely a world away from his surroundings here.

The cast is very strong, with Gardy Oldman as Dracula and Anthony Hopkins as Van Helsing standing out, even amongst the lesser parts you’ve got Richard E. Grant, Cary Elwes and even Tom Waits as Renfield. Keanu Reeves and Winona Ryder are also noteworthy, mainly for their English accents. It’s kina hard to see Reeves in this role personally as I’ve just come off the back of rewatching the first two Bill & Ted’s, as well as the new one, so I keep expecting Harker to be like “This Dracula dude is totally keeping me locked in his castle and intends to turn me into one of his undead groupies, that is most heinous!” I find Harker tends to just blend in by the end of the movie though as he’s often in these group settings along with Van Helsing, Holmwood, Seward and Morris and it’s the former two that often stand out most due to Van Helsing’s eccentricity and Holmwood being the comparative straight man who’s always confused as to what the devil is going on.

Certainly for the spectacle alone this is worth watching, beyond that, I’m not so sure. I think anything once Dracula leaves Transylvania I’m not as interested in, this version like the BBC once this year focuses more on the initial meeting between Harker and Dracula and spends more time within the castle, looking at their interactions and Harker’s suffering.

#Halloween 2020 #Dracula #Bram Stoker's Dracula

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violent-optimism · 4 years

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Ranking/Analyzing Rey’s Outfits

Hello everyone!

Since this Quarantine situation has got me a little bored, I thought it might be fun to make a post that I’ve been meaning to write for a little while now. Ever since I became a huge fan of Rey from Star Wars I’ve always been super fascinated by her outfits/wardrobe and what they symbolize for her. I’m going to be talking in-depth about each outfit that we see her in the Sequel Trilogy. I hope you guys find this interesting!

Outfit #1 - Scavenger Garb (The Force Awakens)

While this may be my least favourite outfit of Rey’s wardrobe, this is the costume that will define her wardrobe for the rest of the trilogy. This outfit contains a lot of the classic “clothing traits” that we see on Rey throughout the story, such as the bindings on her arms, the criss-cross sash, the shin-length pants, etc.

Designed to be more functional than fashionable, Rey’s scavenger garb has clearly seen some wear and tear. The clothing is faded and dirty; proof of her scavenger excursions on fallen star ships. It is probably a very comfortable material for Jakku’s harsh temperatures, and is ideal for someone with Rey’s rugged lifestyle. The outfit is a faded white, perhaps symbolizing Rey’s ability to survive and overcome the odds in such a brutal environment.

Overall this is probably Rey’s most iconic look. It’s the outfit that she started her adventure in after all. The reason why this costume is at the bottom of my list is because I think the outfits to come are far more interesting.

Outfit #2 - Island Wear (The Force Awakens/The Last Jedi)

Moving on to her next outfit in the story, Rey acquires her Island Wear before setting out on a mission to find Luke Skywalker on the elusive island of Ahch-To. For all intents and purposes, this outfit appears as a desperately needed upgrade from her Scavenger garb. It still has the arm bindings, the shin-length pants and the felt boots, but the sashes are replaced with what looks like a wool vest. She is also wearing wool coverings from the elbows down.

This outfit screams “adventure”. Here, Rey is ready to brace the island elements while also being able to take off layers as needed when the weather gets warmer. Notice the different colour tones in comparison to her Scavenger garb. The Last Jedi is a story of transformation for Rey. She is starting to explore the darker side of the force, and her outfit shows it. However, the white shirt underneath shows that she is still pure at heart and still very much aligned with the light side.

While this is also not my favourite look, I really like this outfit. It takes her original costume and steps it up a notch. It’s functional, looks good and works well with symbolizing the journey she is going through.

Outfit #3 - Grey Jedi Clothes (The Last Jedi)

In my opinion, no outfit of Rey’s (past or present) will ever look as good as her Grey Jedi wardrobe that she wears in the latter half of The Last Jedi. After leaving the island to find Ben Solo and turn him back to the light, Rey acquires these robes from an unknown source, presumably somewhere on Ahch-To. This outfit is a big departure from her last two for obvious reasons.

As mentioned previously, Rey goes through a big transformation in this movie. This outfit teases a Jedi influence, but not in the traditional sense. The Jedi in the prequels almost always wore white and brown tones, which makes this look very unique to that religion, hence, Grey Jedi. This is the first (and only) outfit of Rey’s where she wears full-length pants and longer boots. You’ll also notice this is the only time her hair is held long at the back; a look I personally love but was later reversed. I also love the grey/blue sashes and the darker garment that sits as a middle layer. There’s a certain maturity to this outfit. The Scavenger influence is almost gone, symbolizing Rey’s turn towards a different path.

This is by far my favourite look of Rey. While I understand the need and appeal to change her look in the next installment, a part of me does wish she had continued to wear this outfit for the rest of the trilogy.

Outfit #4 - Jedi Apprentice Outfit (The Rise of Skywalker)

Despite how much I gushed over the 3rd outfit, I do like this one quite a bit. Some time has passed since the events of The Last Jedi, and Rey is now wearing an outfit that is in stark contrast with her previous one. All grey tones have disappeared, revealing whiter than white material covering her (with the exception of brown boots). Sort of like the Island Wear, this costume also looks like an upgrade from her Scavenger Garb. Simply put, it basically looks like a more pristine and pure version of her original outfit.

Despite the familiar traits that we have grown to expect in Rey’s outfit, there are in fact a couple new things going on here. While you can’t see it in the image, Rey’s outfit now includes a Jedi hood which has an Alderaan influence according to the film’s visual dictionary. This is no doubt a homage to Leia, Rey’s new Jedi teacher. You’ll also notice other changes such as the high collar and much shorter arm binds.

The colour of Rey’s outfit is actually quite interesting considering her journey in the film. I won’t go too far into it but basically the “purity” of her outfit is ironic considering the dark truth about her heritage. I think that juxtaposition was 100% on purpose, and by the end of the film the wardrobe choice is very much justified. This is the perfect outfit for the last Jedi, a symbol of hope and light for the galaxy.

Bonus Outfit - Empress Palpatine (The Rise of Skywalker)

I thought it would also be fun to include Rey’s Sith outfit that we get a tiny glimpse of in The Rise of Skywalker. It’s hard to fully critique this outfit because of how little we actually see, but from what is shown this is a really cool outfit, especially for anyone who is more drawn to Sith wardrobes.

While collecting the Sith Wayfinder in the ruins of the second Death Star, Rey has a vision of her Darker self and briefly engages in a fight with her. Perhaps unsurprisingly, this outfit is very different in comparison to Rey’s usual attire. Almost no skin is being shown, with Empress Rey wearing long sleeves, a hood, a cloak and long dark robes. The outfit is entirely black by the looks of it, which certainly applies to the traditional Sith costumes we’ve seen in previous Star Wars films.

While we don’t get to see what Dark Rey’s hair looks like, I’d be really curious to know how she is wearing it underneath the hood. Or maybe she shaved it all off? Notice how much paler she is and how her skin almost has a sunken, unhealthy look to it. Even though we only see Sith Rey for a brief moment, it’s clear a lot of effort and detail was put into her design. What the image doesn’t show is a ring with a red gem on her left index finger. I’m not quite sure what meaning this ring has, but I thought it was an interesting detail.

Well, there you have it folks! My thoughts/analysis on all the outfits that Rey wears in the Sequel Star Wars Trilogy. I really enjoyed writing this and I hope you got something out of it. Thanks for reading! :)

#Star Wars #Rey #Rey's Wardrobe #my thoughts #my analysis

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eggoreviews · 5 years

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Nintendo Direct Feb 2019 BREAKDOWN

So, that direct was pretty okay right? If you missed it or even if you didn’t, I’m gonna be taking a look at everything announced and giving it a vague excitement rating! Enjoy!

Super Mario Maker 2

This was a pretty great way to kick off this direct. With the promise of a host of new features coming in this entry to build upon the first, including the introduction of slopes (finally) and a new texture pack based on Mario 3D World, I reckon this is definitely one to mark in the calendar. Mario Maker 2 is slated for a, gratefully soon, June 2019 release.

Excitement Rating: YEEHAW

Marvel Ultimate Alliance 3: The Black Order

The long awaited third entry in the MUA series, to the surprise of many, is in fact a Switch exclusive. For those who don’t know, this is a hack-and-slash fighting game, of course tied heavily to Marvel comics. This entry seems to be riding in off the back of Infinity War, with Thanos and the Black Order showcased as central villains. Honestly, this game looks like it could be fun, especially with friends, though I don’t think it’ll turn out to be anything special.

ER: Sure, why not!

BOX BOY! + BOX GIRL!

This adorable little puzzle platformer is making its debut on Switch this spring, with the promise of local multiplayer and more levels than ever before. Looks to be a goodun for fans of cute, minimalist art design and box-based puzzles and the like.

ER: Cool! Those boxes can move!

Super Smash Bros. Ultimate - Ver. 3.0

Nintendo sort of slapped us in the face with a lovely, welcome announcement of a new Smash update! Oh boy! New features! And then they turn around and say they aren’t gonna tell us what they are.

Oh.

Kind of makes me question the point of putting this in the direct a little, but I’m sure whatever they’ll add will be cool! On top of that, a tentative release window for Joker was given (before the end of April this year) and we got a cheeky look at some of the new spicy amiibos, being Snake, Simon and the Pokemon Trainer lot.

ER: Yay?

Captain Toad Treasure Tracker Updates

Here’s one that definitely caught me offguard, but I’m more than happy with it considering I just picked up the game. Part of the new Captain Toad content is free, adding in proper 2 player co-op where you can both play as Toad. The paid ‘special episode’ stuff struck me as a little odd, considering this game was already a Wii U port that’s now getting even more paid DLC. Regardless, it’s not too pricey and you can even pick up the first DLC course now, with the rest coming March 14.

ER: That’s cool!

Bloodstained: Ritual of the Night

This not-quite-Castlevania game could easily be mistaken for a knock off of that franchise, but seems to have some defining elements of its own. The art style is bold enough to make it unique and the game seems to have an interesting variety of puzzles and side quests to make this more than just a run of the mill 2D platformer. An obvious choice for those with a Castlevania shaped hole in their hearts.

ER: You go bouncy vampire lady

Dragon Quest Builders 2

What is basically just Dragon Quest Minecraft with a story mode apparently, this oddly charming sandbox game was seemingly popular enough to warrant a sequel. And I won’t lie to you, it got me a little excited. As a fan of Dragon Quest its art style and general building-ness, I think I might have to pick this one up. And it’s got a cool retro map!

ER: I’m not excited, you are

Dragon Quest XI S: Echoes of an Elusive Age: Definitive Edition

In case you hadn’t guessed, I literally adore Dragon Quest. The bright colours, the developed characters, the expansive world, awesome monster designs, great soundtrack and lame sense of humour, it all just gets me. It just sort of sucks I already own this on the PS4, where I can’t access all this new content. Oof. But yeah, pick this up if you can. You won’t regret it if you’re a JRPG fan.

ER: More like echoes of an exclusive age amirite

Disney Tsum Tsum Festival

Oh.

I won’t lie to you right now, nothing screams ‘soulless’ to me more than small Disney plushes with all the personality taken from them being stuck into totally random minigames. Don’t get me wrong, I love Disney (mostly through Kingdom Hearts but that’s besides the point) but I don’t think this elicited much excitement in anyone.

ER: I guess this exists, huh?

Starlink: Battle for Atlas - Spring Update

This was another one that surprised me. Considering how mind meltingly badly Starlink bombed, partly down to its odd reliance on the whole ‘toys to life’ craze that died out in 2013, I really didn’t think there’d be any further support for the game and they’d just sort of slip it under the rug. But nope, we’ve got some more Switch exclusive missions involving some more Star Fox characters, as well as the introduction of Wolf’s buddies. Honestly, I think Nintendo needs to do themselves a favour and just release a new Star Fox game.

ER: Great, if for some reason you bought this!

Rune Factory 4 Special & Rune Factory 5

Here’s a series I’d literally never heard of until last Wednesday, but the only way I can describe it from what I’ve seen is it looks to be a cross between Animal Crossing and kind of also Dragon Quest. You cook stuff, you farm stuff, you fight things and you can get married if you want, so definitely cool if you’re a fan of the series. But also cool if you’re someone who wished Animal Crossing was a bit more JRPG. Alongside the announcement of a remastered Rune Factory 4 later this year, as well as confirmation of Rune Factory 5 sometime in the future.

ER: Cool! Plants and stuff!

Oninaki

An action RPG with an intriguing premise and a rich, dark colour scheme, Oninaki seems very eager to set itself apart from other JRPGs on the market and still manages to stand out just a bit, even in a direct that’s basically been packed with JRPGs. Oninaki explores themes of reincarnation and grief, following the story of one grey-haired dude saving lost souls from a place called the Upside Down the Beyond to stop them from turning into monsters. Another one to add to the list if you like edgy RPGs!

ER: Edgy and cool

Yoshi’s Crafted World

Another update for this adorably cardboard entry into the long running Yoshi series, we’re finally getting close to actually being able to play it. Nintendo showcased some of the more interesting variants of gameplay, with the use of rafts, cars and planes definitely making this seem that there’s some substance here to go with the style. Alongside this, a demo released on the eshop so go play that if you haven’t already and decide if it’s for you!

ER: Wow, this game has a Labo costume! I’ll definitely grind for that!

Fire Emblem: Three Houses

Finally some more info about Nintendo’s latest instalment in their anime Game of Thrones series Fire Emblem, we got a big ol infodump about some of the stuff to do with the game. While the video itself will explain everything better than I can, this time players will be able to interact with three kingdoms and three main protagonists, all of this centralising around one academy the game is set within. Overall, this game certainly looks interesting to play, but one I’m not quite sure I’ll be picking up just yet. Basically, if you’re unfamiliar with the games but love a tactical RPG, this one is a no brainer.

ER: Edelgard’s design is pretty cool. If one of them has to get into Smash, I hope it’s her.

Tetris 99

The game many have been calling Tetris Battle Royale, this is the very first Nintendo Switch Online exclusive offering and it’s totally free if you’re a member. It’s Tetris and you have to win against 98 other people, also playing Tetris. Nice!

ER: Tetris block for Smash

Dead by Daylight

As a game I got for free through Playstation Plus, it should be fairly obvious that this port isn’t one that excites me greatly, especially after seeing the quality of the graphics in the trailer the direct showed us. While the concept of an online match with several survivors and one killer sounds good on paper, it seems as if the quality of this port may leave a lot to be desired. But still, this could still only be early development footage and we really have no idea how it’ll look by the end.

ER: Tentative

Deltarune

Undertale is one of my favourite games of all time, so of course it excited me to find out I’d finally be able to play the sort of sequel, Deltarune, which Toby Fox has taken in the interesting direction of splitting the game into chapters. The first of these chapters will be free (yay I like free) and it certainly seems like the same abstract sense of humour and charm present in Undertale has been carried over to this sequel. Definitely one to watch.

ER: Always excited about cartoon doggo

Daemon X Machina

This mech-fighter has been floating around in various Nintendo directs for a fair while now and it’s encouraging to see the game come close to release. In a commendable move, the producer of the game has offered a free demo of the game allowing you to pilot your own custom mech and experience a boss battle in the demo known as ‘Prototype Missions’. The aim of this to gain feedback from potential players in order to make the game as good as it can be, which is amazing! It’s honestly a bit of a dream world where every game developer and publisher is as open and transparent as these guys, so kudos to them. As well as this, the game looks pretty heckin’ fun so it’s definitely worth picking up the demo off the eshop and giving these guys your feedback!

ER: Big ol’ robots hell yeah

GRID Autosport

As of yet, the Switch has lacked a realistic racing game. Enter Grid Autosport, which seems to be packed with a variety of cars, tracks and game modes, including all DLC from the original release of the game. Not one for me, but I’m sure there’s plenty of Switch owners out there whose racing fix isn’t quite satisfied by Mario Kart.

ER: V big if ur a car person

Hellblade: Senua’s Sacrifice

This game was notably created in collaboration with neurologists and those who experience psychosis in order to properly portray the main character and her mental health struggles. Following the quest of Senua as she fights to save the soul of her dead lover, this game created a huge wave through the industry when it first launched and won major awards for its artistic design and performance. While this isn’t one I’ve had the chance to try yet, it certainly looks as if it provides a brilliant, emotional experience from beginning to end.

ER: A lot

Mortal Kombat 11

This was one everyone basically already knew about, but this direct gave us a reminder of the release date and various features such as custom characters. For fans of this long running, brutal fighting game, get April 23 in ur brains.

ER: Cool

Unravel Two

This adorable puzzle platformer sees you and, optionally, a friend take control of two little creatures made of yarn as they navigate a colourful world and help each other pass various obstacles. For those fans of platformers like the Yoshi series, Unravel is definitely one to consider.

ER: Cool

Assassin’s Creed III Remastered

This is the iconic stealth fighting series Assassin’s Creed’s first outing on Switch, but if this footage is anything to go by, it’s not looking brilliant. While this once again could be put down to unfinished development, the first look at a game is often the most important, and a slow frame rate shown during the direct could mean this game isn’t what fans want it to be.

ER: Tentative

Final Fantasy Release Dates

For fans of the legendary and slightly intimidating JRPG series, several games in the series both new and old will be coming to the Switch in 2019:

Final Fantasy VII on March 26th

Chocobo’s Mystery Dungeon EVERY BUDDY! on March 20th

Final Fantasy IX is out now!

ER: Cloud is my favourite twink

Astral Chain

Admittedly, at a first glance, this title in a brand new franchise didn’t particularly excite me. But after having another look, I can definitely see where all the hype is coming from. This looks to be a hack-and-slash sort of action RPG with all the edgy story elements and setpieces of that ever so popular steampunk genre that players seem to love these days. With all these mechs, explosions and edgy voiceovers, it makes me think that Xenoblade Chronicles and Deus Ex had some kind of torrid love affair. On top of this, with a dev team that has Bayonetta, The Wonderful 101 and NieR: Automata under their belt, this is a game that will almost certainly impress when it finally comes out on August 30. Platinum Games might just have another winner here.

ER: Big yes

The Legend of Zelda: Link’s Awakening

oKAY, let’s be real, this is the one that really knocked it out of the park. At least for me it did. As the final reveal, this made me scream a little tiny bit. I think we’d all heard the rumours of a 2D Zelda coming to Switch, but I was highly skeptical to say the least. But a wonderfully charming and artistically bloody P E R F EC T remake of Link’s Awakening?? HHHHHH. They even kept all the Mario enemies for some reason! Oh boy, whenever they release this in 2019 apparently really can’t come soon enough.

ER: AAAAAAAAAAAAA

That was all for this direct! I hope you enjoyed my silly, unplanned breakdown of all the cool things that happened. Til the next direct!

Oh and if you’ve got a craving for more game news, be sure to check back on my blog March 1st for the second ‘issue’ (lol) of my monthly viddy game mag!

Stay hydrated my dudes.

#nintendo #nintendo switch #Nintendo Direct #zelda #the legend of zelda #mario #super smash bros #super mario #astral chain #Final Fantasy #dragon quest #deltarune #eggoreviews #gaming

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topkoality · 5 years

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here’s my oscar winners review that absolutely no one asked for (keep reading)

have i seen enough films of 2018 to actually be doing this? am i an actual film critic? no, of course not, but i’ve got lots of opinions and that’s why i’m posting this! in bold are the winners, in italics are my pick of what should’ve won, and if there was a category that i really knew nothing about, it will not be included. also we’re saving the best for last so if you want my hottest and fully developed takes you might as well go to the end of this post

Best Animated Short: Bao, Animal Behaviour, Late Afternoon, One Small Step, Weekends

i did not see any of the other animated shorts on this list but bao, which maybe says something, but i remember seeing this in theaters along with many other trailers/adverts while waiting to see bohemian rhapsody (wow...) and it was so, very emotional. perhaps it even took the spotlight of that whole movie experience? the animation was beautiful, the story was heart-wrenching, and i believe every parent and those who want to become a parent one day should take the time to watch this.

Best Animated Feature: Spider-Man: Into the Spider-Verse, Incredibles 2, Isle of Dogs, Mirai, Ralph Breaks the Internet

well deserved, the animation in this movie was— and i’m being very serious when i say this— groundbreaking. in the least, it has shown animators that realism is not always the goal, and being experimental can certainly pay off. the concept this movie has with all the inter-dimensional spidermans joining our protagonist miles was genius, and when i realized that there would be multiples of them due to the multiple sets of intros we were given, it was hilarious and perfectly entertaining. i don’t think anyone can go into this movie and not enjoy it. i honestly thought incredibles 2 was going to win, just simply due to my lack of faith in the academy, but thankfully that did not happen. as far as the others, they were all definitely deserving of their oscar nomination, but the oscar win had to go to spider-verse.

Best Film Editing: Bohemian Rhapsody, BlacKkKlansman, The Favourite, Green Book, Vice

i mean... bohemian rhapsody? surely there’s something else... that was maybe even a little bit more deserving... than that. surely academy, surely you can do better. or can you? bohemian rhapsody had some of the worst editing in a major film that i’ve seen. i mean, did you just like how the movie made you FEEL, academy?! be honest you can say it. i loved we will rock you. but that’s not editing! i mean, this alone made me seasick: https://twitter.com/jesssetaylor/status/1097712834643984390. i would’ve loved to see the favourite win, as the editing in that movie represented it so well. the editing created a fully immersive experience, and the short, witty, snappy quips that were highlighted by the editing made the viewing experience all the more hilarious. the title sequences alone that were edited in gave me a purpose to watch the scenes a bit more closer than i initially would’ve; searching for the line that was given the status of the title for that section. i haven’t seen blacKkKlansman but if that had won, i wouldn’t have been mad about it, as i’ve heard great things. but ultimately, the favourite deserved this oscar.

Best Visual Effects: First Man, Avengers: Infinity War, Christopher Robin, Ready Player One, Solo: A Star Wars Story

i’m just glad avengers didn’t get this

Best Sound Mixing: Bohemian Rhapsody, Black Panther, First Man, Roma, A Star Is Born

now best sound mixing, i suppose i can understand. the sound in this movie WAS the movie. i felt like i was actually in concert, experiencing queen live, so i understand. it was very good. i could have seen ASIB taking this oscar as well, due to everyone raving about the music, but perhaps this was the one oscar that bohemian rhapsody actually deserved.

Best Sound Editing: Bohemian Rhapsody, Black Panther, First Man, A Quiet Place, Roma

nope, nope, nope. again, mixing i understand, but editing? all they did was edit in the songs mate... roma should have won this. the sounds in that movie made me feel like i was actually there, experiencing the water dripping down from the buildings, creating a puddle. washing the floor, witnessing a protest, being outside when i’m actually inside— watching the movie with my family. it was so realistic; i was completely taken. dissatisfied completely with this one!

Best Original Score: Black Panther, BlacKkKlansman, If Beale Street Could Talk, Isle of Dogs, Mary Poppins Returns

nicholas britell i’m so, so sorry. everyone was talking about how great the score was for black panther, and while there were some good songs, i don’t think it deserved the oscar win. definitely deserved a nomination, but a win? i’m not so sure. if beale street could talk, now that was a score that was truly deserving of this. very disappointed that if beale street could talk’s only win was for regina king’s performance. it definitely at least deserved this oscar as well.

Best Production Design: Black Panther, The Favourite, First Man, Mary Poppins Returns, Roma

i definitely understand this win, black panther was breathtaking in terms of the beauty of the production. congratulations hannah beachler and jay hart! i would’ve been happy to see the favourite also win this category, but black panther deserved it!

Best Foreign-Language Film: Roma, Capernaum, Cold War, Never Look Away, Shoplifters

now, at first, BEFORE best picture was announced, i was confused as to why roma was even in this category. should a foreign-language film that is also nominated for best picture even be in this category? i mean, obviously it would win! and it did. i fully expected roma to win best picture (more on that later) but due to it not winning best picture, i’m very glad that it at least won best foreign-language film. but cuarón, just go ahead and give the oscar to yalitza aparicio!

Best Costume Design: Black Panther, The Ballad of Buster Scruggs, The Favourite, Mary Poppins Returns, Mary Queen of Scots

again, the costume design was amazing in black panther, and this was a win that was very deserving. but would i have liked to see the favourite win? yeah, but that’s just my own selfish gay opinion— black panther winning was definitely the right choice

Best Cinematography: Roma, The Favourite, Never Look Away, A Star Is Born, Cold War

roma deserved this, period! the cinematography was immersive, it was emotional, it was everything that it needed to be. do i even need to say more?

Best Original Screenplay: Green Book, The Favourite, First Reformed, Roma, Vice

okay, i didn’t even see first reformed and i know that it should’ve won. i mean, first reformed should have been nominated for best picture. i also would have been completely happy with the favourite winning. roma, i should mention, i would not have wanted to win because cuarón really just stole a woman’s story and made it his own, completely disregarding the feelings of the woman it was based on

Best Supporting Actor: Mahershala Ali (Green Book), Adam Driver (BlacKkKlansman), Sam Elliott (A Star Is Born), Richard E. Grant (Can You Ever Forgive Me?), Sam Rockwell (Vice)

i mean, best supporting actor? mahershala ali? he should be considered the lead actor of green book, but due to the movie just being terrible and racist and inaccurate, i guess he’s the supporting actor! other than that, i love mahershala ali so i’m just glad he got an oscar.

Best Supporting Actress: Regina King (If Beale Street Could Talk), Amy Adams (Vice), Marina de Tavira (Roma), Emma Stone (The Favourite), Rachel Weisz (The Favourite)

well deserved! i would have loved to also see stone or weisz take this as well, but i think the fact that they were both nominated from the same movie just goes to show that this movie had amazing acting, which makes me happy. i’m glad if beale street could talk and regina king’s superb acting abilities are being recognized, as well, therefore i’m pretty happy with this.

Best Actor: Rami Malek (Bohemian Rhapsody), Christian Bale (Vice), Bradley Cooper (A Star Is Born), Willem Dafoe (At Eternity's Gate), Viggo Mortensen (Green Book)

willem dafoe... maybe next year, huh? i don’t understand the appeal for rami malek winning. i used to love the man, but things he has done has shown his arrogance, so i’m a bit unsure of him recently. i’m not mad that he won, and it’s a great win for the MENA community (that i am apart of), so for that reason i’m satisfied.

Best Actress: Olivia Colman (The Favourite), Glenn Close (The Wife), Yalitza Aparicio (Roma), Lady Gaga (A Star Is Born), Melissa McCarthy (Can You Ever Forgive Me?)

olivia colman you earned it, fair and square. this was the big win for the favourite last night. as the night got closer to this announcment, i was losing faith and just expected gaga or aparicio to go ahead and take it. and as it got even closer, i just thought aparicio would win. but olivia colman, whew. her acting was stunning in the favourite. her character consumed the movie, as she should have, and she depicted queen anne’s tragedy perfectly. yalitza aparicio’s performance in roma was very good, but i did not feel the emotion from her character as viscerally as i did from olivia colman’s performance. i really thought the night would go on with the favourite winning absolutely nothing, so thank god that they got this, because olivia colman was the clear choice! that film was fantastic, and i’m glad it got a least a little bit of recognition, even though it definitely deserved at least one other oscar (cough) best flim editing (cough). queen anne was hilarious, she was maddening, she was infuriating, she was miserable, she was everything. also sorry glenn close... maybe next time?

Best Director: Alfonso Cuarón (Roma), Yorgos Lanthimos (The Favourite), Spike Lee (BlacKkKlansman), Adam McKay (Vice), Pawel Pawlikowski (Cold War)

okay cuarón, just give your oscar to yalitza aparicio. no? okay. well then, yorgos lanthimos you deserved it. the favourite was edited perfectly. the delivery of the lines was perfect. the panning from one character to the next, everything about it was done with eloquence. and don’t get me started on the music— every time viola d’amore concerto in a minor, rv. 397 i. vivace started playing just as weisz or stone did something to piss off the other, it was SO SATISFYING! of course i was only rooting for only one of them (especially by the end), but either way i felt what they were feeling in those moments. the music, the editing, the camerawork, the acting, the script... it all worked harmoniously in order to create the masterpiece that was the favourite. also, from a viola player, thank you for making the main theme a viola concerto, yorgos. also in a minor? that’s taste. this directing deserved an oscar win, not just a nomination.

Best Picture: Green Book, Black Panther, BlacKkKlansman, Bohemian Rhapsody, The Favourite, Roma, A Star Is Born, Vice

okay here we go... here we go. green book? GREEN BOOK? no. nope. literally any film besides this one please. okay let’s get started... green book is inaccurate, it’s a white savior story, it was a movie that was supposed to be about don shirley, the world class pianist, but instead is about this random fucking cab driver? and don shirley’s family have said that it was inaccurate and that it poorly represented actual events of shirley’s life. as a piano player... i am disgusted. also if you were going to give the oscar to a flim depicting racism... why not give it to blacKkKlansman? you know, the movie talking about racism that was actually created by black people and not just a team of white men? fuck you, green book! i fully expected roma to win, and oh, how wrong was i. roma deserved best picture. green book is a joke. i obviously would have liked to see the favourite win, because a gay movie about GIRLS! would have been nice to actually get some recognition. roma, the favourite, blacKkKlansman. these were the choices that should have gotten best picture. the others, eh. also why was black panther even in the nominations? like, seriously... that should have been replaced with if beale street could talk. and also, since they had ten slots anyway, first reformed should have gotten a nomination as well. this was by far the most disappointing win of the night AND confusing, for me personally (more confusing than bohemian rhapsody winning best film editing, which says something). just a terrible choice. this movie should not have even been nominated, but the academy is dumb. seriously though, NOT roma?

okay that’s it folks, those are my opinions. all in all, not a great oscars. some really good wins, though, like olivia colman’s win and spider-verse. also roma for best foreign. basically everything that was bolded and italics on this post were pretty good wins. but despite that, there were some VERY bad ones.

#oscars 2019 #i'm not sure that even one of my followers will care about this but i had to post it just to get my feelings out fhdjksg #it's fine. i don't care #but like where else was i going to post this if not my BLOG. you know?#also it's not like i had nothing better to do... i definitely should have been doing homework but also i just love movies #and have strong opinions #i did NOT proof read this by the way #memory

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haroldgross · 5 years

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New Post has been published on Harold Gross: The 5a.m. Critic

New Post has been published on http://literaryends.com/hgblog/oscars-2019-final-call/

Oscars 2019 - Final Call

Since the nominations, there have been a slew of awards given out that may or may not be predictive. The Annies, The Eddies, PGA, Art Directors Guild, SAG-AFTRA, Directors Guild, BAFTA.

I will say it is one heck of an open field in a lot of categories, which is exciting. It speaks to a volume of talent. Of course, this also means a lot of people who are really good at what they do will not be going home with statuettes. But that’s the biz.

THE MAJOR AWARDS

Actress in a Leading Role

Yalitza Aparicio, Roma Glenn Close, The Wife Olivia Colman, The Favourite Lady Gaga, A Star Is Born Melissa McCarthy, Can You Ever Forgive Me?

This is one of those rare times where I wouldn’t be upset by any one of these people winning. They were all great performances, and all very different. To my mind, it is between Colman and Close. But McCarthy was also excellent and Aparaicio may have some momentum (and was a wild card for me in terms of getting on the list). And, of course, Gaga. Close has yet to win, so that may get her votes, but Colman’s performance is just so funny and powerful, it may win the day…and her movie was much better received.

My choice: Glen Close Likely win: Olivia Colman

Actor in a Leading Role

Christian Bale, Vice Bradley Cooper, A Star Is Born Willem Dafoe, At Eternity’s Gate Rami Malek, Bohemian Rhapsody Viggo Mortensen, Green Book

This is by no means a lock for Bale, but he so disappears into his role that it is astonishing. I am not a huge Bale fan, but he had me utterly mesmerized and not even able to see him under all that makeup. In terms of the field, only Dafoe’s name surprised me, though that last slot was somewhat open.

My choice: Christian Bale Likely win: Christian Bale

Actor in a Supporting Role

Mahershala Ali, Green Book Adam Driver, BlacKkKlansman Sam Elliott, A Star Is Born Richard E. Grant, Can You Ever Forgive Me? Sam Rockwell, Vice

Supporting roles are hard to pin some times. These were all good performances, though I think Elliott isn’t necessarily to the same level (and I didn’t expect him on the list over Chalamet), nor was Rockwell’s performance that brilliant, though it did win me over as it went on. But Mahershala Ali was incredibly affecting and Richard Grant, equally so, but with much less screen time. That said, Green Book is hitting headwinds due to aspects unrelated to the movie…but which are likely to affect its chances in any category. And while Driver is excellent, the character just never really got to fully develop for me.

My choice: Mahershala Ali Likely win: Richard E. Grant

Actress in a Supporting Role

Amy Adams, Vice Marina de Tavira, Roma Regina King, If Beale Street Could Talk Emma Stone, The Favourite Rachel Weisz, The Favourite

This is a brutal field. Stone and Weisz should have to mud wrestle for the win here and that is likely going to split the vote. Tavira was solid, but it wasn’t break-through and I was surprised to see her here rather than Clare Foy. Adams was also really good, but felt in the background most of the time…even though she really wasn’t.

My choice: Rachel Weisz (but only because I had to pick one) Likely win: Regina King

Adapted Screenplay

The Ballad of Buster Scruggs, Joel Coen & Ethan Coen BlacKkKlansman, Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee Can You Ever Forgive Me?, Nicole Holofcener and Jeff Whitty If Beale Street Could Talk, Barry Jenkins A Star Is Born, Eric Roth and Bradley Cooper & Will Fetters

Again, so much to consider here. BlacKkKlansman was a great movie, but, like Green Book, it remade the facts freely. Which is fine, but that is being used as a wedge against Green Book, so not sure how to parse that effect. Star is Born is a great reinvention of the story, but it isn’t brilliant, however entertaining. I am surprised that Black Panther didn’t make it on, even though I didn’t think it should. I’m still behind on the other two at present, but hope to close that gap…but in the meantime I can make some guesses.

My choice: Can You Ever Forgive Me? Likely win: If Beale Street Could Talk

Original Screenplay

The Favourite, Deborah Davis and Tony McNamara First Reformed, Paul Schrader Green Book, Nick Vallelonga, Brian Currie, Peter Farrelly Roma, Alfonso Cuarón Vice, Adam McKay

Another interesting field. Green Book was one of the best films I saw this year. It was unexpected and complete. Favourite is hugely popular and darkly funny, but I think flawed. Was expecting Stan & Ollie and Eight Grade over Roma and First Reformed, but that was a tight race. However, of the remaining choices, Roma’s script is just too spare in comparison and Vice a bit too political and nauseating, while First Reformed is just too dark. So…

My choice: Green Book Likely win: The Favourite

Cinematography

Cold War, Lukasz Zal The Favourite, Robbie Ryan Never Look Away, Caleb Deschanel Roma, Alfonso Cuarón A Star Is Born, Matthew Libatique

Roma for me. Hands down just a beautifully shot film. The others are nice as well, but Cuarón’s use of the camera was just brilliant and the result gorgeous.

My choice: Roma Likely win: Roma

Directing

Spike Lee, BlacKkKlansman Pawel Pawlikowski, Cold War Yorgos Lanthimos, The Favourite Alfonso Cuarón, Roma Adam McKay, Vice

I’d have said this was Lanthimos’s to lose if it weren’t for the ending of his latest film. It is a brilliant bit of satire; just not a perfect one for me and some of the movie just doesn’t fit well together. Roma is brilliant on so many levels, but a bit self-indulgent in its direction. Vice is great, but mostly about the editing and script (and some performances). BlacKkKlansman, however, is really all about the performances, keeping you engaged without making you turn away. Lee had the hardest task and executed it well…and it’s been years since he’s had a shot.

My choice: Spike Lee Likely win: Spike Lee (though it may well go to Lanthimos)

Best Picture

Black Panther BlacKkKlansman Bohemian Rhapsody The Favourite Green Book Roma A Star Is Born Vice

I don’t even know what this category means anymore. Is it by what’s popular, what’s fun, what’s brave, what took the most skills? So, crap shoot.

My choice: Green Book Likely win: Roma

THE NEXT TIER AWARDS

Animated Feature Film

Incredibles 2 Isle of Dogs Mirai Ralph Breaks the Internet Spider-Man: Into the Spider-Verse

Nothing in the intervening time between nomination and tonight have changed my opinions. Add to that its near sweep at The Annies and Spider-Man should walk away with this award.

My choice: Spider-Man Likely win: Spider-Man

Foreign Language Film

Capernaum (Lebanon) Cold War (Poland) Never Look Away (Germany) Roma (Mexico) Shoplifters (Japan)

Shoplifters would have been my early bet here, but Roma is truly a great film and has huge momentum and a ton of noms. Those who have no interest in voting for it for Best Pic are likely to balance that by voting for it here. It may well cost Roma as Best Pic ultimately that the safety valve exists.

Likely Win: Roma

Documentary Feature

Free Solo Hale County This Morning, This Evening Minding the Gap Of Fathers and Sons RBG

How Won’t You Be My Neighbor and Three Identical Strangers missed this list, I don’t understand. However, this is the field we have to work with. But I’ll also admit I’ve not seen the majority of the nominees. Given the current state of politics, however, I’m going with our SCOTUS rep.

My Choice: RBG Likely Win: RBG

Documentary Short Subject

Black Sheep (The Guardian) End Game (Netflix) Lifeboat A Night at the Garden (Field of Vision) Period. End Of Sentence

Likely Win: no clue yet

Animated Short Film

Animal Behaviour Bao (Disney) Late Afternoon One Small Step Weekends

Likely Win: no clue yet

Live Action Short Film

Detainment Fauve (H264 Distribution) Marguerite (H264 Distribution) Mother Skin

Likely Win: no clue yet

THE TECHNICAL AWARDS

Production Design (production; set)

Black Panther, Hannah Beachler; Jay Hart The Favourite, Fiona Crombie; Alice Felton First Man, Nathan Crowley; Kathy Lucas Mary Poppins Returns, John Myhre; Gordon Sim Roma, Eugenio Caballero; Bárbara Enríquez

My choice: Black Panther Likely win: Mary Poppins Returns

Costume Design

The Ballad of Buster Scruggs, Mary Zophres Black Panther, Ruth Carter The Favourite, Sandy Powell Mary Poppins Returns, Sandy Powell Mary Queen of Scots, Alexandra Byrne

Period pieces abound in this list, but so do some inventive futures.

My choice: Black Panther Likely win: The Favourite (though Mary Poppins could sweep in)

Film Editing

BlacKkKlansman, Barry Alexander Brown Bohemian Rhapsody, John Ottman The Favourite, Yorgos Mavropsaridis Green Book, Patrick J. Don Vito Vice, Hank Corwin

I’ll say again, all of these films have solid editing, but only one lived and died by its edits: Vice. However. Vice wasn’t even nominated for an Eddie this year, so the fact that Bohemian Rhapsody and The Favourite won there wasn’t much help. And, of course, this is one of those which could become either part of a sweep or a consolation prize. But I’m sticking to my guns on this one. From a story-telling point of view, I didn’t think either of the Eddie winners came close the impact editing had for the remaining nominees. And of those, Vice was the only one to use the craft to enhance the story rather than to just shock or move it along.

My Choice: Vice Likely win: Vice

Original Score

Black Panther, Ludwig Goransson BlacKkKlansman, Terence Blanchard If Beale Street Could Talk, Nicholas Britell Isle of Dogs, Alexandre Desplat Mary Poppins Returns, Marc Shaiman

If old-school Hollywood wins out, Mary Poppins will be a runaway. It is certainly one of the more classic and evident scores in the field, and complex while trying to maintain and reflect on the original. Music certainly pushed along the tale in Isle of Dogs in an engaging, if repetitive, way, and the others were more subtly supported.

Likely win: Mary Poppins Returns

Original Song

“All The Stars” — Black Panther “I’ll Fight” — RBG “The Place Where Lost Things Go” — Mary Poppins Returns “Shallow” — A Star Is Born “When A Cowboy Trades His Spurs For Wings” — The Ballad of Buster Scruggs

There is only one song here that has any traction to my mind. It isn’t perfect (and story-wise it shouldn’t be) but just try to get it out of your head.

Likely Win: Shallow

Visual Effects

Avengers: Infinity War Christopher Robin First Man Ready Player One Solo: A Star Wars Story

Despite the wealth of blockbusters here, one is infinitely better than the rest in scope and seamlessness…

Likely win: Avengers: Infinity War

Makeup and Hairstyling

Border, Göran Lundström and Pamela Goldammer Mary Queen of Scots, Jenny Shircore, Marc Pilcher and Jessica Brooks Vice, Greg Cannom, Kate Biscoe and Patricia DeHaney

Typically, I’d stay the period piece would get this hands-down, but Vice has magic in its blood with its makeup and hair, completely remaking its actors and capturing the period perfectly.

Likely win: Vice

Sound Editing

Black Panther Bohemian Rhapsody First Man A Quiet Place Roma

My choice: A Quiet Place Likely win: Bohemian Rhapsody

Sound Mixing

Black Panther Bohemian Rhapsody First Man Roma A Star Is Born

My choice: Bohemian Rhapsody Likely win: Bohemian Rhapsody

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