#that they have to fully kill the sacrifices & I was like…did we not already know that? girl r you stupid what do you think sacrifice means | Explore Tumblr Posts and Blogs

kisskiss-slashslash · 1 year

Note

Slashers chasing their victim (their future s/o) and in the middle of the chase their s/o just stops to grab and protect a little animal thinking they were going to hurt them (like a pup or kitten) how would they react

Can you also make their s/o chubby?:)

Plz and Ty

I didn't quite know how to bring up that the reader is supposed to be chubby in this one but I definitely imagined a chubby reader while writing it.

Slashers when their future s/o is protecting a small animal from them

Warning: Animal Death/Animal Cruelty (not described in any detail but it is mentioned and implied)

Jason Voorhees

He has been chasing you around for a few minutes now, and you are slowly starting to get winded. Then there is the small stray cat, dirty and terribly malnourished. There are a few of them living around the lake, you know that much. And the cat is right between him and you.

Oh no, he’s gonna crush the poor thing, you think, and your protective instinct overrides your self-preservation. You rush to the cat, pick it up and run away again, not noticing that Jason stopped following you and is just staring after you with wide eyes.

You hide in one of the cabins, hoping to be able to catch your breath for a few seconds before having to run away again. Your new companion is meowing at you.

„Hush, you’re gonna give us away“, you whisper hectically, when a huge shadow falls over you. You look up, and your heart drops into your stomach.

That’s it, you’re going to die. Jason is already reaching for your neck… then his hand slips lower, gently patting the cat’s head.

„H...huh?“

He saw what you did, how you risked your own life to save that little creature… and he admires that. Maybe you’re not so bad after all.

Vincent Sinclair

The creature you try to protect ends up being Jonesy, ironically. You see her in the Sinclair house and you’re to stressed and scared to even consider the possibility that she belongs to the people chasing you.

„Come on, please, they’re going to hurt you too if they find us“, you say to the dog while desperately trying to get her to follow you. „Come on, little one, I won’t hurt you, I promise-“

Vincent appears from the next room, looking at you for a long time. Jonesy happily runs up to him, tail wagging.

„...Oh. She’s your dog. Well don’t I look stupid now.“

His shoulders begin twitching, accompanied by a suppressed chuckle. He manages not to fully burst out laughing, but he can’t help himself; your awkwardness is just so *endearing*. He may want to keep you around just for that. Alive, of course. You won’t be half as entertaining if you’re dead and covered in wax.

Freddy Krueger

Really? You’re willing to sacrifice your life for an imaginary *hamster*? He thought that letting you see a bit of his past would be fun, and of all the fucked up things that happened in his life, him killing the class hamster when he was a kid is the only thing you take issue with? Not the fact that he murdered his foster father? Not the fact that he murdered *children*? No? The hamster it is? Okay, then. You got damn weird priorities, but Freddy likes weird. Maybe killing you would really be a waste, so he lets you live… for now.

Brahms Heelshire

„Brahms Heelshire, you let that rat go right this instant!“

Brahms actually flinches and does as he is told. The rat quickly disappears somewhere; you’re not sure where.

Once he gets over the shock, he gives you a sour pout. „Why? It’s just a rat.“

„It’s a living, breathing, feeling being.“

„So are cows and we still eat them.“

„Oh I’m sorry, is this household doing so poor financially that we have to resort to eating rats now?“ You cross your arms in front of your chest. „Well?“

„No“, Brahms says between gritted teeth.

„I thought so.“ You know that scolding Brahms is a delicate task; being too lenient with him means he won’t learn his lesson, and being just the slightest bit too harsh with him will result in an angry outburst. And those can end deadly. But that’s what you signed up for when you agreed to become his nanny… right?

„Rats carry diseases though. They shouldn’t be in the house“, Brahms continues to argue.

You pinch the bridge of your nose. „Yes, that’s why we have the traps out in the garden, and another reason why you shouldn’t touch them. I don’t particularly like having to kill the rats at all, but the traps do so as quickly and as painlessly as possible. So even if they have to die for our safety, there is no, and I repeat, NO reason to torture them. Understood?“

Brahms has his chin pressed firmly onto his chest now; the tension in his body shows that he is getting frustrated. „Yes.“

Okay, time to ease off a little.

„That’s my good Brahms.“ You smile at him.

Bubba Sawyer

Another case of mistaking your would-be-killer’s pet for another potential victim. In this case, it is a chicken. When you saw the poor thing in this room, sorrounded by human bone furniture, you didn’t dare imagine what this family would do to it.

„Hey… nice chicken… good chicken…“

At first you don’t see Bubba lingering at the entrance of the chicken room, looking at you gently speaking to his favourite.

When you notice him, you immediately grab the chicken and nudge it to the questionable safety behind your back.

Bubba looks at you and licks his lips. You are so nice to his chickens. He likes that.

You flinch when he comes inside and kneels down in front of you, pulling the chicken from behind your back into his arms and holding it up to you to pet, like any proud pet-parent.

„Oh… they chickens are yours? They look pretty well taken care of, actually…“ That, and this one is so calm, despite being held by this behemoth of a man.

You reach out and run your hand over the soft feathers, making Bubba smile, delighted.

#slasher x reader #jason voorhees x reader #vincent sinclair x reader #freddy krueger x reader #brahms heelsire x reader #bubba sawyer x reader

2K notes · View notes

deelavis · 6 days

Text

I'm sure that some has talked about this before, but I have always been confused about Mello's reasoning for kidnapping Takada. I finished a read through of the Death Note manga recently and I FINALLY feel like I understand why. I'm going to break this down into 2 sections: Why he did it, and Did he intend to die?

Why he did it:

While I think it's meant to be kept somewhat vague for narrative purposes, the thing that I never understood fully was the wording in the scene:

Why specifically "his" name? Of course this line always made my little Meronia heart flutter, but before my manga read through I never quite understood it. If Near's plan to catch Kira went wrong, all of the SPK would die, not just Near. So why the emphasis on him? Especially if we are looking at a completely surface level reading of DN where Mello purely hates Near? But then I found this moment a few chapters earlier:

To summarize what is happening before and after these pages (Chapter 90), Near tells Light that there are 4 members of the SPK and that he is in Japan. He says they might meet soon. This is all coded language to challenge Light to an in person meeting. At this point Near admits that he doesn't have a concrete plan in place for confronting Light. But he knows they must meet Kira face to face and prove his identity by having a name written in the Death Note. This is prior to the SPK starting their investigation into Mikami. The part that stuck out to me was " When we meet Kira, the first person he'll write down is me, so..." To me this means that prior to finding Mikami and adding fake pages to the death note, Near planned to sacrifice himself to catch Kira if they didn't have any other options. This DIRECTLY correlates to Mello's line (read right to left):

Mello kidnapped Takada because he knew that if he didn't there was a good chance Near would die. This is literally the only reason that the text give us. Which leads me to our next part.

Did he intend to die?

While I've seen a lot of different takes on this, many of which I find very interesting, I now believe that yes, Mello kidnapped Takada with the intention to be killed by the death note. Here is my reasoning.

Mello knows better than anyone else investigating Kira how the death note works. Like L wanted to before his death, Mello used his time in the mafia to experiment with the rules of both the death note AND the shinigami eyes.

In the manga, Mello has one of the mafia members Kal Snydar (a.k.a. Jack Neylon) make a deal for the shinigami's eyes. Rod and Mello use Snydar's eyes to kill others for an extended period of time. This would give Mello at least a basic understanding of how they work; what face coverings inhibit the eyes, etc... And then after his encounter with Soichiro Yagami he becomes aware that there is always a chance that anyone associated with Kira could have the eyes. He also knows that Kira knows his name but not his face after the explosion. Meaning that he would know that the ONLY thing stopping Kira from killing him would be his face. Given that Mello never uses the death note himself but had other's use it for him, I believe that he also would theorize that Kira would do the same (such as X-Kira/Mikami, Misa, and Takada). Because of all of this he would be especially careful around anyone he knows has connections to Kira, such as Takada the spokesperson of Kira.

Moving on to the kidnapping. Mello wears a motorcycle helmet that appears to be tinted, but is clear enough to fully discern his face through. We know from previous instances that a dark tinted visor will block the shinigami's eyes from seeing your name, which most motorcycle helmets already have. Here is a comparison of a helmet used to block the face vs what Mello wore:

Mello specially chose one with a clear enough visor to see through. You could argue that he did this to show Halle who he was, allowing him to take Takada. However if this was his intention there were many other ways to make his identity clear to Halle without revealing his face. There is also the line on this page that intrigues me. "She's connected to Kira... Unless I do this..." The sentence structure implies that there is a direct consequence Mello envisions. Unless you do this...then what? Given everything else I have outlined above to me the implication is "Unless I do this then Near will die." You could argue that he’s thinking something like “Unless I do this then Near will win!” However, Mello has always been outspoken in his desire to be the one to catch Kira. If that’s what he was thinking wouldn’t it just say that? Whatever his reason is is something he can’t bring himself to say even in the privacy of his own brain.

If you were to argue that Mello didn't realize that his helmet was clear enough to see his face, this is then made moot when he takes it off in front of Takada. There was no reason for him to do this, in fact, there were a multitude of reasons not to. Even if Takada didn't have death note pages on her, Mello knows that if she escapes, Kira could easily ask her to write his name in the death note because she knows his face. You may then think "but why does Mello take precautions to not get followed and killed by Takada's men? He takes away and ships off anything that could be bugged and tracked including her clothing." This just further proves that he is trying to be killed specifically by the death note. The kidnapping is planned to a T, but he doesn't take the simplest precaution of concealing his face from one of Kira's biggest supporters.

So what was Mello’s plan? We know that Mello is someone who plans for a lot of different contingencies. We see this when he plants bombs through out his safe house in the event that he’s backed into a corner. Because of this I believe he had a few different plans. But no matter what his goal with kidnapping Takada is to force contact with Kira. In fact, Near thinks that Mello’s goal is to use Takada as bait.

What his exact plan was up in the air for me. He may have intended to be killed by her, thinking that she had access to a death note when kidnapped which would explain why he didn’t check her over before giving her the blanket to cover herself. He states that his intention of taking her clothes is to removing any tracers so her bodyguards didn’t find them. They make a deal that he will give her the blanket before taking off her underwear, where she’s hiding her pages of the death note.

Even if Mello didn’t know that you can used pages torn out of the death note, there are a few time in the series when a person hides a full death note under their clothes (Near being my favorite example). So it’s not out of the question that she could have had one tucked into the back of her underwear.

His plan also could have been to release her in some way so that she could get back to Kira and use the death note. Mello knows Kira has his name, now with Takada having seen his face Kira would have her write Mello’s name for him. Or it could have been that he intended to use her to draw Kira out and get killed by the death note in the process.

Going back to our first example from the manga, Near says "The fact that we replaced the pages in the notebook and the notebook happened to be a fake… I find it hard to believe that Mello thought that far ahead." I do agree with Near here. I don't think that Mello had figured out that the notebook was fake. But I do think that Mello could see that Near's plan had holes in it, and any mistake would result in Near getting killed. His solution was to be the name that was written in the book instead. You can argue in a lot of different ways why it was important to Mello that Near lives. Such as, Mello knew that with Near dead he didn't have any hope of catching Kira by himself with all of this resources and allies depleted. Or my favorite reason, despite his protests Mello deeply cares for Near and was willing to die if it meant Near would survive.

Please let me know any of your thoughts!

#Death Note #mello death note #near death note #meronia #mello x near #death note headcanons #death note brain rot

68 notes · View notes

mikami · 3 months

Text

"Did Light love his family?" Anon - Catch-All Answer

Since these are six asks that are all about in the same vein, I am gonna just put the responses into one post for organization's sake.

Light begs his father to kill Mello because he wants his father's death to have been good for something. Nothing pains him more than the idea of having let this happen without it even accomplishing his goal.

Light is the physical manifestation of the lost cost fallacy: he needs to keep going because he sacrificed too much to stop and allow those sacrifices to be rendered meaningless.

And Light rationalizes. It's one of his most prominent character traits: instead of acknowledging his own emotions, he tries to filter his thoughts into nothing but emotionless pragmatism.

This is consistently portrayed through the 'hidden eyes' visual key - Light is excellent at lying to himself, in his own thoughts, which is why Obata gave us this clever way of seeing when this is happening even as Light's own internal monologue doesn't reflect it.

I have an incomplete list of these instances here, especially as pertaining to his family.

Ultimately, if we disagree that Light rationalizes his feelings rather than allowing himself to fully feel them, then none of my arguments are ever going to make sense to you and vice versa.

As a short addendum, here's Ohba's own words on this chapter (HTR13 p.80): "Even if there was acting involved in Light's tearful performance, I don't believe the tears are 100% an act." (もし月の涙に演技入っていたとしても、100%演技の涙では到底ないと思います。)

Soichiro already made the eye deal, which is an absolutely horrifying sacrifice to have made. Light wanted it to be as useful as it could possibly be, in order to justify the magnitude of the price.

I hate to say it, but you're really gonna have to take this one up with Ohba himself. On Page 65 of HTR13, he literally says that he picked Sayu as a kidnapping victim because Light loves his family and wouldn't kill her. (Unlike Misa, whom he would have just killed in this scenario rather than letting the plot progress.)

The panel you are thinking of is this one, where he is panicking, but you're not putting it into perspective.

In a previous chapter (62) Ide was about to inform the whole police force that Sayu Yagami was kidnapped. Soichiro was about to agree to this.

If Light had let this happen, he could have killed Sayu without narrowing down the suspect pool at all. They already know that Kira has ties to the police. He would have removed the leverage the mafia had held against them and gotten off entirely scott-free.

He does decidedly NOT do that. It's LIGHT personally who stops Ide from giving him the perfect alibi. EVEN RYUK CALLS OUT HOW ODD THAT WAS AS A MOVE.

And sure, Light says 'oh yeah, now nobody will suspect us!!' but nobody was really suspecting them to begin with.

This is what I mean - Light never allows himself to just feel things, he always rationalizes himself to justify his actions to himself.

His father dying. Dude.

.... literally why would he? Like, even if they don't accept Kira they also pose absolutely no threat to Kira.

I've covered all of this above, but I am including the ask to say that yes, I've seen it. The core issue here is that we disagree on Light's relationship to himself - you take his internal monologue at face value, while I think there is ample evidence that Light manipulates himself most of all. (As made completely manifest in the Yotsuba-Arc where he literally mindwipes himself into an incredibly emotionally and physically painful experience just to use himself as a pawn.)

#answers

68 notes · View notes

whateverisbeautiful · 3 months

Text

♥️ Ranking Richonne

#26: We Should Go To Washington (S5E09)

This moment - Powerful. Pivotal. Romantic. I’ve said before that I believe Rick and Michonne more fully fell in love with each other by the end of season 4. And to me, how they interact with each other throughout season 5 just further confirmed my theory, especially in this stunning episode 'What Happened And What's Going On.' And part of what's going on is Rick and Michonne falling for each other even more as they make a big game-changing decision rooted in the love and trust they've developed. I love that this is where Rick shows he would truly go the distance for Michonne...

(Sidenote: Now this scene ranking might be my most controversially-placed one because I know this is a very beloved classic Richonne scene that would understandably make a lot of ppl's Top 10s and even Top 5s. It’s a super significant moment between Rick and Michonne and I love it, I promise. Richonne's journey is just that abundant with top-10 worthy moments so I had to make some sacrifices on my list because I adore every second of every moment they’re on screen.😅)

So I already just love the way Rick and Michonne are color-coordinated in their brown outfits. So much of season 5 really established how R&M are a pair and each other's match.

And in this ep, Rick touches her, I believe, for the first time since she told him never to touch her again in s3., showing their growth and the strengthening of those magnets.

Something I appreciate about the Richonne 5B scenes that occur before they arrive at ASZ is that they really did an effective job of confirming the depth of their bond. During this period, we consistently see just how much Rick and Michonne's attraction to each other is more than skin-deep because they've built a genuine love and trust with each other.

They cement their partnership in so many ways during this time of searching for a home, and it's important to see this depicted before they enter ASZ because it lets you know that while there will be situations that could potentially cause a divide between them at Alexandria, it's 5B scenes like this Washington one that tell you Rick and Michonne's bond was too strong, too battle-tested, and too important to them for anything in ASZ to break it.

It’s also very clear throughout this season 5 mid-season premiere how much Michonne’s well-being is on Rick’s radar and really matters to him, and it becomes extra clear in this #26 scene here.

Michonne is making her case for why this place could maybe still work as a home, only to find that the community clearly was brutally attacked as severed body parts lay scattered around. Michonne is quietly disappointed as she walks and observes, and Rick’s attention immediately shifts to her as he follows behind her. It’s one of the clearest cases of their damn-near literal magnetic connection. 🧲

She doesn’t leave his sight. Even when Glenn says, "it doesn’t matter," Rick stays staring at Michonne. I love that their “you're okay, I'm okay” interconnectedness is so visible. Michonne isn’t okay, and that so clearly doesn’t sit well with Rick, so she’s top of mind for him in this scene.

Glenn starts speaking, and Rick peels himself away from looking at Michonne to hear Glenn share a very bleak perspective on how it wouldn’t matter who killed Dawn. Michonne turns around and pitches that they go to Washington. At the end of this season, a very special scene will have Rick admitting the way Michonne can influence his decisions, and this moment in 5.09 is an example of that.

Michonne turns to Rick and tells him they're close, and it's 100 miles away - and one thing I love about this point in their relationship is that she and Rick have established enough trust with each other that Michonne can be vulnerable enough to really show some raw emotion here and speak her mind.

Rick listens as Michonne questions what if there are people there and what if it’s a chance to be safe. “It’s a possibility. It’s a chance” This is the season of Michonne really wanting tf to find a home and I know so much of that would be rooted in the fact that she was one of the few who knows what it’s like to extensively wander out in the woods and go a bit mad. She doesn’t want that for her and her new family.

Michonne gets more emotional but still with such poise as she suggests going to Washington is better than just being out there and just making it since making it looks like all those bodies sprawled on the ground. I love that she’s pouring her heart out to him. And what a great man that Rick is so ready to not take this lightly and to really hear her.

And we get another one of those long lingering looks from Rick as he stares right at her, listening. The arresting effect she always has on him is gold, and I appreciate that he lets her words seep in. Especially when Michonne asks, “Don’t you want one more day with with a chance?”

Danai again slays the vulnerable delivery of that line and it’s also deep for Michonne to pose this question hoping Rick also wants to live and not just survive. This is important for her to know too because her last man had given up on trying to have one more day with a chance and so it’s great she gets this confirmation that Rick is different and far more aligned with her.

(Also watching s1 back, in the finale, Dr. Jenner asks what they want, and Rick says, “A chance.” which just further indicates how he and Michonne are cut from the same cloth)

Then I love the romantic way this next part plays out cuz the walkers draw near, Rick says we should go, and Glenn and Michonne think he means we should leave the area. So Michonne turns away thinking her words fell on deaf ears, but then Rick reveals no I heard you and I will go where you lead, when he repeats her words and says, "It’s 100 miles away...We should go to Washington."

Hearing this gets both Glenn and Michonne to stop in their tracks and turn to look at Rick Cuz this isn’t a choice Rick would make this quickly for just anyone. And Michonne’s look of surprise is so touching. I was just looking at this moment thinking - that’s right girl, he’d do anything for you.😊

I’ve always felt like in this scene Glenn is an adorable third wheel to the Richonne bubble because Rick is completely facing and staring at Michonne solely when he says this. It just makes it clear that he is declaring this because of her. Like of course he wants to secure a home for his whole family, but in this moment what's especially evident is Rick wants to give a home to Michonne.

So Rick makes this big decision for the group fully based on what Michonne thinks is best and once again it really was giving romantic when he looked right at her and said, "We should go to Washington."

And then Michonne's subtle smile...that’s an “I love this man” reaction, y’all. Better yet, she's looking at Rick like...

I appreciate how Rick and Michonne’s love for each other makes them do things differently, because while in the past it was said by Lori that Rick would never just go somewhere on a hunch, here he’s showing that he would go somewhere and bring all of tf with him if Michonne’s instincts say it’s a good move.

I love that here Rick can’t help but be so focused and in tune with her and Michonne can’t help but look at him with so much love. Again she gets confirmation Rick is different from her past and cut from the same cloth as her. The way Rick looks at her and looks away, I really feel like it’s a brief moment of him knowing that he so swiftly agreed to this for and because of her because he loves her. Whipped in the best healthiest way.

It's also great watching scenes like these back and knowing Rick is looking at the woman who he will go onto happily make his wife, and Michonne is looking at the man she will fully embrace as her husband. 🥰

All of Rick and Michonne's s5 scenes suggest that they had fallen for each other and were becoming more and more aware of how special and influential they were in each other's lives. And this moment was a beautiful illustration of what Richonne means to each other and what they’ll do for each other. Scenes like these - weighty, quiet, but full of love, just solidify that this is a beautiful love story for the ages. 😌

#richonne #top 30 #number 26 #rick x michonne #reveling in richonne #twd 5.09 #twd towl #the ones who live

71 notes · View notes

ccspostagebox · 26 days

Text

Okay I'm just going to dump my thoughts here on Spooky Month 6 and it's ending.

SPOILERS BELOW.

Alrighty. So. From what I can tell and what others have already said, it was implied that Father Gregor had become a sacrifice for The Eyes after the cult practically threw him to the wolves.

However, I feel like there might be one of possibly two ways this goes.

1. He's actually been killed off. (And why I think that might not be likely. I am a death denier at heart </3)

* Since Father Gregor is starting to uncover aspects of the town that may begin to unnerve some of the residents there, it would be wise of them to get rid of him to prevent backstabbing and to prevent suspicions of what's really going on behind the scenes.

* Nobody seems to really trust Father Gregor except Skid and Pump (even though they do seem rather hesitant to trust him as well, said trust likely majorly broken when Moloch was turned to stone/dust.). And, well, nobody is going to bat an eye about a guy they barely know, right? However, this can create issues as the residents may be suspicious of where the "random guy" has gone.

*I suspect The Eyes may have a bigger part for Father Gregor to play in the cult or in the town, yet I cannot begin to speculate what that role may be yet.

2. He has been...changed.

*I personally feel like some people focus on the more physical aspects of being "sacrificed" when it comes to this scene near the end. While being a sacrifice can mean being physically slaughtered or killed, it can also mean giving up something of extreme value to you or surrendering, which is more on the mental or emotional side of things. I feel like Father Gregor may have been harmed partially physically, yet had the most damage done with "sacrificing" his own faith to surrender to The Eyes. This would be evident in his expression and body language. He is looking into the face of what is practically a god himself. If you were in his position and saw a being in much higher power and control than you, tell me you would not be scared shitless. I guarantee most of us cannot claim as such.

* In his body language, he doesn't really appear to me as if he is offering himself up to be killed. It seems more like an act of peace. He knows he cannot win with any use of protest or violence like he did with the demonic possessions of Moloch using the residents. He is getting on his knees and opening his arms as a sign of peace, a sign of surrender. This man has seen the face of God, and is not going to risk anything by a simple wrong move or action. It looks to me more like a plea for mercy, a plea for The Eyes to have a speck of pity for him. Dude is fucking terrified, and he knows that his plea may go fully unanswered as he is left to be lamb to the slaughter.

*In this absolutely beautiful credits art in the ending, it depicts Father Gregor clearly reaching towards The Eyes, as if seeking for help or assistance before he is possibly brought to Moloch's underworld. The contrast of the cult being a "heaven" vs Moloch's underworld being clearly "hell" makes me wonder if The Eyes may actually decide to have mercy on Father Gregor. He has clearly been shown to have mercy on the misguided and naive (E.g. Skid and Pump.), yet also displays traits of being poor on judgement of whom to "save" (e.g. Bob Velseb), making them practically insane by the end of their run or course. The way Father Gregor has wings and reaches for The Eyes makes me think that perhaps The Eyes plans to make him a secondary leader or main spokesperson for the cult. After all, even though nobody knows him that much, would you not take a highly respected man of a God's word as the truth? Many people, especially the residents of the town, may be much more likely to give into the cult's demands after its been "approved" by a man of faith.

Of course, these are just my thoughts, nothing is concrete. We can only go off of the tidbits we are given so far.

#spooky month #spooky month 6 #sm 6 spoilers #sm 6 #father gregor #the eyes #sm the eyes #moloch #sm moloch #spooky month moloch #spooky month father gregor #spooky month the eyes #spooky month theory

43 notes · View notes

atalana · 7 months

Text

so i've been doing a doctor who rewatch with my flatmate, which is giving me whole new avenues to think about doctor who meta from

and i wanna talk about this moment

the dalek emperor asks "so prove yourself, doctor. what are you, coward or killer?"

and i think the full context of his response goes a little underappreciated

because especially if you know a lot about doctor who, this line seems fairly obvious. still poignant as hell, but we know the doctor, and we know he's the man who'd always make that choice, it's built into his very mythology

except this is nine

and the choice he's being offered is whether or not to use a weapon that will kill every living thing in its radius - it'll wipe out the daleks, but the range of it also includes the entire earth. you can finally stop the war, but you have to sacrifice a planet you've come to call home, and all of its people, in order to do so. and you'd better act fast, because the daleks are waging war right now, people are already dying - if you don't do something, they're going to wipe out the human race anyway

logically, he should. logically, he has to.

but this is a doctor who is fresh of the heels of making that same choice! he already did it! not too long ago, with his own world in the balance, he proved himself killer, once and for all. what's one more planet, compared to all that? one more planet, to prove it wasn't all worthless? if you let them go now, you killed your own people for nothing

i don't think he knew, until he got his hands on that trigger, what choice he would make. he was certainly planning to be able to do it. and it's not like he stopped being a soldier after the war, when he met that one lone dalek he did everything in his power to kill it, to make the war finally over, to make it worth it. nine doesn't want to be a killer, but he knows that he is. and he's proven it many times this season

until right now. staring down his worst enemy, his worst nightmare, knowing that if he acts with mercy here he'll condemn the universe to destruction, he does it anyway. throws everything aside to give the devil itself the kindness neither of them deserve

this isn't just the moment he declared himself the man who never would. this is the moment he became the man who never would

and time lord regeneration's a funny thing. same man, new man. same memories, new personality, new goals, new ideals. and sure, some aspects of that are random, but there's still a chain of connection. each new incarnation becomes who they are in response to how the last one ended. the 50th enjoyed going into the differences between ten and eleven, how eleven ran away from everything that the doctor was before, played up the childish and the trickster and never fully looked at all the horrors in their past, because ten couldn't help but take responsibility. he considered responsibility the only moral option, but at the end was still so angry that this weight never stopped dragging him down, that he could never make the selfish decision. the world isn't fair and i don't want it to end like this, i see so much of that in eleven

and that defining moment of nine's that birthed ten, that's right here

the man who never would is a line stolen directly from the doctor's daughter. ten is the doctor who holds up genocide as the worst crime someone can commit, no matter the circumstances. ten who will let a dalek go just to avoid causing another. ten who won't touch a weapon of any kind unless absolutely necessary. who doesn't even want to be in the same room as a gun. it all comes down to this moment, with nine against the end of everything, in the final hours of his life

handed an identical choice to the one that changed his life forever and saying never again.

#this has been sitting in my drafts for a while whoops #i got very passionate about it and then i forgot i hadn't posted it yet until i saw that post like don't skip nine #and i was like YEAH DON'T SKIP NINE HE'S VITAL TO TEN'S CHARACTER #and then i realised i hadn't explained that yet #but ye! i have many emotions about this. and genuinely you can't fully understand ten without looking at this moment #also nine good #doctor who #tenth doctor #ninth doctor #eleventh doctor

102 notes · View notes

iwritenarrativesandstuff · 1 year

Text

First of all, I just want to say. I called it lol

Finally an sskk face off since the sacrifice. I am going insane. I can’t articulate all my thoughts rn but something about the way Atsushi aimed a kick at Akutagawa that he fully expected the guy to block (because they know each other’s usual fighting styles!!!) only for it to connect and hurt him; Atsushi begging Akutagawa to recognize him because even if he still can’t consciously admit it, Atsushi has become convinced that Akutagawa wouldn’t be attacking him like this if he knew it was him; pleading for him to snap out of it and demanding to know why he saved him aghhhhh I’m going feral we know the reason Atsushi we know whyyyyy

I can’t believe it actually. We are at the point where sskk do not want to genuinely hurt each other. Atsushi attacked only out of self defence and was taken aback by actually breaking his wrist. Akutagawa refused to kill Atsushi in the Fukuchi fight and Atsushi is now convinced he’d stop attacking if he recognized him. Holy shit. Oh my god.

And Sigma badass moment! My boy, he pulled through! Either him or Chuuya had to break the stalemate; hell yeah, validation. Wasn’t there a meme someone made? “Prison arc -> prison arc if Sigma still had a gun”? Well Sigma’s got a gun and things are picking up babyyyy! His retort to Fyodor was quite possibly the funniest thing he could’ve said in response. Just completely shut him down. Using what he’s learned running the empty home Fyodor previously tried to buy his trust with. Beautiful. ADA Sigma real??? (I think the story will have to acknowledge his very public involvement with Taneda’s shooting and the acts of terrorism the Hunting Dogs now know he is responsible for… so I’m not sure how that will go but I’d like to see him end up with the Agency tbh… so long as it makes sense.)

Things I did not expect:

Mysterious note left in Russian??? It could be Mykola I suppose but… why? What happened? If he’s actually in trouble I doubt he’d need help escaping. Is it a trap? But what for? Alternatively… could it be Pushkin? He was in Meursault initially right? We never found out what his connection was. It could be a new Russian author too! Intriguing! There’s also the matter of it being written in Russian in the first place - who is it meant for? Sigma specifically? Or is it meant for someone else who speaks Russian?

Dazai is actually injured! I was certain he had something ready to get out on his own but I like this much better. Tbh I know this sounds bad but I’m actually way more invested now that Dazai has a broken leg and Fyodor was just shot. There’s higher stakes, you know? Damn though. I think Dazai’s injuries are. Worse. He’s being terribly self-sacrificial, and is apparently going to face off against Chuuya next time we see him. I do think now the stakes would be too low if Chuuya was completely free of the brainwashing tbh… I’m hoping for a double “I know you’re in there” fight between skk and sskk. Not that Dazai can do much physically but his strength has always been with words anyways, and I am certain Chuuya’s already fighting back. And I know Atsushi will reach Akutagawa. Manifesting sskk reunion where they challenge Fukuchi again and win this time via the power of unbreakable trust (delusional).

Sigma asks Fyodor “WHAT are you?” Which is interesting, and I’m hoping will acknowledge the way Fyodor doesn’t seem to age… but also intriguing is the “getting closer” part on the side which implies he’s not quite right. I think Fyodor will still turn out to be human tbh (it’d be weird otherwise, thematically), but now I’m starting to lend a little more weight to that theory about a Fyodor double…

Well anyways. This was a lot. I’m going to helplessly whir about it for a bit now.

#bsd #bsd spoilers #bsd chapter 107 #storyrambles #I just want an incredibly homoerotic showdown between skk and sskk where Dazai and Atsushi snap their partners out #of the brainwashing so Chuuya can wreak havoc while Dazai watches him with stars in his eyes as he’s crumpled on the floor #and Akutagawa can immediately go off to fight Fukuchi so he doesn’t have to answer Atsushi who is behind him #relieved and irritated and asking him why he chose to save him on repeat #‘I am asking you a question here!’ ‘I cannot hear you jinko we have more pressing matters keep up’#aya leaning over to bram: ‘he-he’s dodging the question!’#I take my theorizing very seriously thank you very much :P #wait. Hold on. What if. What if dazai can nullify the vampire curse but only when he’s in contact.#what if chuuya has to carry him everywhere while dazai is in physical contact with him constantly. think of the comedy. think of the gay.#actually I’m going to cry that’s so funny to me. they’d be complaining about it constantly #meanwhile you just know chuuya is worried about the extent of dazai’s injuries and dazai is still livid about the mind control #hi this is unbelievably funny to me

236 notes · View notes

masterqwertster · 13 days

Note

Ok don’t publish it if you don’t have to but man this weekend is bumming me right out with this “

Yeah, there is certainly some aggression going on against people wishing for resurrection because others find it a poignant narrative that a sacrifice can't be undone, that it lasts and has consequences, that it puts weight to the stakes. And they think that coming back to life after specifically doing something you know will 100% kill you cheapens sacrifice.

Personally, I think that being brought back after you willingly and knowingly and successfully gave your life for others tells a story of how much you're loved. It's your friends saying "Fuck that. You're going to live. We're all going to live. We'll keep dragging each other back until we can't anymore, so fucking be here and fight."

It also adds another level of desperation to be stronger, smarter, to not be caught like that ever again because who knows if you can get them back next time (and however many times you fail after that). Resurrections get harder ever time a person is brought back. This is part of what bit Scanlan's ass right before Bard's Lament: the Revivify didn't take, so the rest of Vox Machina brought in his daughter to call him back during the Resurrection (which he hated) and got the chance to be dicks about bringing him back with the dumb pranks, all of which led to setting Scanlan off. And sure, Bells Hells had that desperation to keep each other alive from the Bassuras fight, but that doesn't mean that the sentiment can't be further sharpened even when you've managed to steal back all the lives of your party members that she took.

Honestly, I think that just having Chet and FCG die against the Murder Machine of Otohan after Bells Hells specifically and successfully went to efforts to get stronger still ups the stakes even if both end up revived. "All our might and we still faced that loss. It would have been all of us if FCG didn't make that play. We still cannot face the enemy leadership head-on as we are. We must get stronger still."

And I really think there's some fun character development to be had in giving FCG a flesh body. Will he actually like what they've envied about the others? How does one handle a completely new body that they're grateful for (that they should be grateful for, otherwise they'd be dead) but is just so different from what they know? Yes, FCG had that last moment clarity that he was in fact already fully alive, but there's definitely some "alive in the flesh" things to explore.

And more faith to explore too. Like, did he get to meet the Changebringer and talk with her in the afterlife? The Raven Queen? Speaking of just being in the afterlife, what about meeting Eshteross again? The other members of the Division of Public Benefit that he killed?

Also, I'm not sure how big a fan I am of the heavy breakdowns that will happen if FCG isn't resurrected. Bells Hells is suffering pretty good as is and I'd like them to have some happiness inbetween all the Moon Bullshit. Conflict drives a story, but you need soft moments to wind it down between heavy moments.

Because truthfully, most of what you get from keeping FCG dead is a bunch of breakdowns in the party without it's most optimistic member who actually advocates for communication, which they all suck at for various personal reasons. And a push towards the Villain Arc path that, honestly, a few are walking just fine without FCG staying dead and/or can still be pushed further down it just by the fact that he decided to kill himself to save their asses when no one wants to let any of the others go.

I do think that as far as martyrdom goes, what FCG did took a nice step away from "giving my life because it's worth less than any one of theirs and I think dying for a cause will give me absolution for the people I rage killed" and into "giving my life because it will save them and I don't know what else to do that will save them." There are certainly posts that get into the distinction between those choices better than I have. Which is where I think the "best ending for FCG" idea comes from, as it happened under the "best" reasoning for FCG to martyr himself. And to a certain degree, people have decided that martyrdom was unavoidable for FCG or that he was just highly prone to it and this was a good time/way to do it.

Still doesn't change that a self-sacrificing character did in fact sacrifice themself, though. Or that it didn't have to be the end that FCG met.

And I understand to some degree how Everyone Comes Back to Life if You Try can feel like it undermines the stakes. Because if no one stays dead, what do you have to fear from walking into mortal danger? Everyone will be fine right? Which is wrong. There is still trauma in dying, even when you're brought back. The realization of mortality, the struggle to steal back a life when it's not just a quick prayer in the heat of battle. And the ever looming possibility that you do it right and it's still not enough to steal them back.

Also, from the wider in-the-game-world's perspective: Resurrection is rare as shit and only people with immense wealth, connections, and/or power even have a shot at it.

Even mechanically it's not easy. You have to mind time limits, expensive costs, body conditions, spell levels and slots, not to mention that the dice can always say no.

So yes, Bells Hells probably needs to go to less effort to Reincarnate FCG than they did to resurrect Laudna because all they're missing is components while they have the likes of Keyleth who kind of owe them for Moon Scouting and killing Otohan and should be able to provide.

#I don't know if this covers it right #but like. there are reasons to leave FCG dead (mostly Sam's wishes) and reasons to bring him back #both are valid and we won't know which way it swings until the next episode(s)#and it's not hating consequences to want FCG back. it's knowing it's possible and wanting that sequence of consequences #like Sam could take FCG back and impose some new limit on them. play “didn't come back right” beyond the new body for consequences #so. ya'know. trust the cast to tell the story and don't get on each other's asses about different hopes for what comes next #MQ&A #critical role #cr speculation #cr spoilers #fcg

24 notes · View notes

greyskyflowers · 3 months

Text

Finally caught up on Bleach TYBW (anime) and a need to discuss a potential idea.

~ More Ichigo and the Visored ~

⚠️ Please scroll past this if you're worried about spoilers for the anime ⚠️

So because the idea that some of the visored die so soon after they've finally gotten back to normal devastates me in ways I can't fully put into words, and because I will never get enough visored and Ichigo interactions/relationships, I think a canon divergent/AU type fic idea towards the end of the 2nd season would be so fun to explore.

As always I'm gonna add in some more instinctive traits that I like to imagine the visored have.

So, I'm really into the idea that Mayuri can save Rose and Kensei but he's not going to do it out of the good of his heart. He's got the thing he's doing with the zombie type stuff already so let's imagine he's can save them still somehow. Or that they're going to be fine and everything's fine, totally fine. They're all good

However, Ichigo would be a prize that would make saving them worth the trouble. This would be perfect opportunity. He'll heal Rose and Kensei if Ichigo agrees to go with him, they negotiate x amount of time. Maybe a week or whatever.

Even better, Ichigo agrees to this. No one can even say that Mayuri had taken him against his will or done something worth being stripped of captain because when Ichigo agreed. And Mayuri is even going to honor the time frame agreed upon. He knows that he's already pushing it with the deal tbh.

I personally can't believe there aren't more fics about Mayuri trying everything he can to get Ichigo in his labs for testing and observation.

But I want to focus on the visored and Ichigo with this.

Rose and Kensei wake up to the others and they all have a little time for themselves as a group because the idea of losing any of them is devastating and they almost did.

And maybe people still aren't panicking about Ichigo yet, everyone assuming he's with someone else, but that quickly changes. Because Ichigo isn't with Chad and Orihime, or Rukia and Renji, or Urahara, Ganju, etc. And people start to panic because where the fuck is Ichigo?

I like the idea that Mayuri just tells people when they get smart enough to side eye him after he's been strangely quiet about wasting resources on searching for someone like Ichigo.

He didn't do anything wrong, after all. He and Ichigo had made a deal. They will get Ichigo back after the allotted time is up.

So everyone is stuck waiting for the time to be up, hovering outside the 12 division in shifts, trying to keep Kisuke from destroying his old division in a breathtaking rage and attempting to convince Kenpachi to wait until they have Ichigo before killing the clown.

No one quite gets what happened though. What could Mayuri had offered that Ichigo wanted so bad?

And maybe only a few people figure it out, or maybe everyone does, but somehow the visored put together that Ichigo saved Rose and Kensei specifically.

What would that mean to people who were used to betrayal? Who probably only truly trusted or loved each other?

Sure, Ichigo is one of their. And I wish we got to see more interactions with them. Bleach has so many great relationships and dynamics that we never really dig into as much as I'd like. But he was so young and there was a slight disconnect between them because Ichigo hadn't been betrayed like they had, he hadn't been left to simmer in his anger for years like they had.

They're fond of him, more so than they are about most people, but they would never had asked this of him. Or ever have even expected it. And that makes it even worse because Ichigo didn't need them to ask, he just did it.

There are certain people are Ichigo's, his to protect and love and sacrifice for. His sisters, Chad, Orihime, Uryu, Rukia, Kisuke, the Visored, and more.

So Mayuri had the ability to save people that Ichigo considers his and he didn't even have to think about it.

Of course he'd let Mayuri do his experiments on him, as long as Rose and Kensei would be okay. Because Ichigo also knows that it's going to destroy the other visored to hear that they're gone.

When the time period is up, Ichigo comes stumbling out of the 12th like he's drunk, clearly hurt, and starting to fall only to immediately be swept up and away by one or more of the visored.

There are many people who want to see Ichigo, to check on him and make sure he's okay but they all step back and allow the visored a chance to have him first.

They have a wildness to their eyes that doesn't have anything to do the gold in them and they seem darker, right on the edge of being cruel if they deem it necessary.

No one is going to touch Ichigo when he's hurt and vulnerable because of them.

So everyone steps back and lets them be the ones to get him first.

They have a room they consider safe and comfortable, far enough away to have some privacy but close enough that no one was going to throw a fit about Ichigo being too far away.

They hover when someone from the 4th comes in to check Ichigo and they make their intentions of being alone with him known to anyone who's brave enough to check on them.

They settle around the room with lips curled back to show teeth and eyes glowing, looking like the monsters they try so hard to not be. Their bodies sink into the shadows of the room and golden eyes focus on their youngest, hurt and passed out on a little futon in the middle of the room.

And to add to it, I think something about not being able to heal everything because they don't know what Mayuri gave him and how it will react to kaido, so he's just bandaged up for the time being.

Chad, Orihime, Rukia, Kisuke, and others keep everyone away and guard the room. Even though they would love to see Ichigo and make sure he's okay, they know that the visored need him more right now.

They make sure food and water is regularly provided and try to not look when the door opens enough for a hand to reach out and grab the supplies.

They looked once when the door cracked open and they just saw darkness and gold, a growled warning that went all the way down to their bones and had them snapping back around and pretending they hadn't seen anything.

Ichigo smells like blood and salt and hurt. It burns their noses because he's supposed to smell like warmth and power and Ichigo. Like pack.

He eventually wakes up and, because it's Ichigo, the first thing he focuses on is how happy he is to see Rose and Kensei are okay. How happy he is to see that they're all okay.

He smiles but it doesn't sit quite right on his face because he's still bruised and hurt. They yell at him, calling him everything they can think of and trying to make sure it's drilled into his head that he should never do something like that again.

He knows they've been staying there with him though, can tell by the state of the room that they haven't left him. They look rough, exhausted but with a fresh burst of energy from him waking up.

He can hear the thank yous in-between their lectures and complaining. He can feel the affection in the way they keep looking him over, all of them close enough to jump into action if he needed them. He knows they say don't ever do that again but they mean we will never put you in that position again, and god you're a fucking idiot but they mean god you're our fucking idiot.

There's still a small smile on his face, and he says he'd do it all over again.

-------------------

1.) I'm fucking obsessed with Senjumaru. She's perfect. Her character design is beautiful, her bankai is incredible, and she could stab me with needles and I'd say thank you.

2.) I'm also enjoying Askin a lot? I've honestly found most of the quincy characters annoying as fuck but I'm enjoying him so far.

#bleach #ichigo kurosaki #bleach tybw #rose otoribashi #kensei muguruma #kisuke urahara #shinji hirako #visoreds #visored #au ideas #canon divergent au #my babies deserve better let them have a happy ending please #i know the manga is further and i need to catch up but this idea wouldn't leave my head #idk i just want Ichigo to be loved on #reaping souls with greyskyflowers

26 notes · View notes

fishtail-tavra · 6 months

Text

Dreamed of 1980’s animated adaptation of Age of Resistance (in the style of the last unicorn) and to be honest it was super fun

They pushed everything into one, hour and a half movie, so a lot of things that were secrets weren’t anymore and the set up got changed to move things right to the climax-

So everyone knows the Skeksis are evil and eating people, but the Skeksis are holding everyone hostage saying the Dark Crystal will die without them (taking all of Thra with it) and THEY will die without Gelfling essence, so from the very start tithes include sacrifices and the retuning of the drained people and

In my dream I cared more about the gays though, meaning Tavra and Onica.

Tavra got introduced arriving late to some big party Mayrin was hosting for the visiting Skeksis- no actually, it was for Brea? Some kind of coming of age thing?- anyway, Tavra trips and falls on her face coming in the doors and everyone’s very O_O; except her sisters who are already running over to say hi

She tripped though bc she saw ONICA in the crowd, disguised, and there were a lot of shots of her in the background during the main action of the party, looking worried and discreetly talking with Totally Not Onica while spilling things on herself absentmindedly or having to get tugged out of the way gently by Onica before she runs into/got run into by someone else

(there’s a morning scene later where we see them in bed together- very PG- both still fully dressed bc Tavra was up most of the night worrying- but Onica is watching Tavra sleep now, reaching out to touch her recently shortened hair (more on that later), and Tavra wakes up from that, smiling, and it’s the first time in the movie we see her really smile so)

In my dream I was mostly busy looking at screen caps and gifs of these two, but there was other changes I had fun with, like BADASS ARCHER NAIA

Naia showing up at the last big battle-

(right before the Skeksis get spooked into unleash the garthim and the clans all scatter desperately hoping at least one Gelfling survives the slaughter long enough to fulfil the Far-Dream that Onica led them into dreaming together blah blah)

-with this MASSIVE bow, bigger than she is, (lots of cool shots of her arms and back muscles whenever she drew it) and to fire the thing she actually needs to be either standing on something (usually her brother) (or one time both Kylan and Amri stood in for a single Gurjin) or she needs to be airborne

She and Gurjin had this trick where he’d kneel down and she’d run and jump on him, he’d boost her up, and she’d use her wings to slow her fall long enough to get off a shot or two before landing again

She didn’t used it to kill anyone (except Arathim) bc movie Naia still was big on not having the Mystics as collateral damage for stopping the Skeksis,

But she did get a few really dramatic shots- once shattering a Skeksis’s jeweled staff when they were using it to hypnotized and then almost kill someone- and another where (after her own bow got broken) she picks up urVa’s bow (MUCH bigger than hers) and uses her legs while lying on the ground wounded to shoot a flask of essence out of a skeksis hand before they can drink it

In this adaption though Brea is the one who really gets the rebellion kicking, still by reading something, but not a book this time

The movie had Brea going through the trial by wing that her grandmother started as like a coming of age/proof of power to rule kinda thing, where the women who lead the Vapra have to fly the dangerous winds of Raunip’s Pass alone, reach this one high spot where Raunip left an inscription, read it and bring back a stone from the pile siting nearby

This rock pile and inscribed stone is actually the movie version of Lore,

only this time Lore was created by ye oldie Tavra (Raunip’s Friend) to keep her friend Raunip company long after she was dead, and as a way to show no hard feelings for the fight they had over the UrSkeks.

But when Raunip left for the last time (passing through the mountains of Tavra’s home and what would later get named Raunip’s pass) he left Lore behind in the cliffs overlooking Ha’rar, so the Dream-Stitched stone could watch over Tavra’s people even after he was gone

This choked me up every time dream me saw a dream post about it ngl

Anyway, Seladon the 1st, Mayrin, Seladon the 2nd, and Tavra had all just flown up there, seen some old oddly etched rocks, the dedication from Raunip to his friend Tavra, shrugged and grabbed a rock before leaving

(the size of the rock you could manage to haul back was also part of the trial and Seladon was feeling both worried for ‘airheaded’ Brea and insecure knowing her little sister was probably going to bring back a larger stone than Seladon- with her crooked wing- had felt safe carrying)

Only Brea actually takes an interest the ancient writing and the symbols and the odd carvings and she gets distracted clearing away some dirt and rubble

underneath she finds the Dream-Stitching, activates it, gets a lore dump from ye oldie Tavra’s memories AND gets Lore itself to wake up, when it turns out to be able to play recordings of Raunip’s voice etched into stone- Tavra’s real gift to him, a way for him to Dream-Stitch his memories and be remembered even without vliya- so Brea ALSO gets all of RAUNIP’S fears and confessions about his involvement with the second great conjunction and the UrSkeks and the shattering and how things have gone downhill since then and

Brea’s family is getting increasingly worried she’s taking so long, what if she got smashing on the rocks by the winds, what if she’s hurt and needs help-

and the Skeksis get a chance to be evil and manipulative commenting that if Brea isn’t strong enough to follow in her grandmother’s flight path then maybe it’s the will of Thra that she fails this challenge and never comes home

I think I remember this being one of those moments where you can see everyone’s different reactions in a single frame, and it went something like Mayrin: devastated, Seladon: flinching and cringing, Tavra: looking absolutely murderous.

This is when Tavra steps forward and when questioned says she’s going to go look for her sister, since it was the will of Thra that they BE sisters in the first place, and Seladon hesitates before also saying she’ll go with Tavra

But that’s when Brea comes home with an entire rock monster and sort of accidentally starts a rebellion by asking questions, so

The night BEFORE this, the party scene, with the tithing and the prepping Brea for her big day, there had been this moment when the drained Gelflings were returned home, and Mira was one of them

And so Rian had come too, because up until this moment the “crystal anointed” were kept in seclusion, hooded and veiled, to keep a general panic from breaking out, and they only were released back to their own family in the clan they came from

(an information isolation tactic, to help the Skeksis spread rumors of each clan paying more than the other, or of their offered Gelfling being less worthy of the Crystal’s light and THAT’S why they are Like That Now, but the other clans aren’t being effected, no no no it’s totally just you, and you’re also having to give more people because the richer clans are paying more in tithes to send fewer offerings, so really the ones you should be mad at are the OTHER CLANS, not the Skeksis, the Skeksis don’t care how they get their sacrifices, the Skeksis only care about maintaining the Crystal that maintains all life on Thra obviously-)

Rian followed them to Ha’rar (with Gurjin) (and Naia because Naia’s not letting her twin go off into maybe danger without her) to finally reunite with Mira, but she’s been SO badly drained he barely recognizes her and she DOESN’T recognize him,

Cue very sad scene of Rian trying to help her remember, and after a bit she does reach out to dreamfast, like its instinct, only nothing happens, and Naia (the healer) checks and declares she doesn’t have enough vliya to dreamfast with- in fact, she doesn’t have enough to stay alive with, even. She isn’t just old and drained looking. She’s dying.

Rian is horrified, Rian breaks down, Rian shouts at the Skeksis while crying and holding Mira close,

The Skeksis don’t like that and we get a fun dramatic party screeches to a halt scene as the General gets up and draws his sword

Dream me thought it was very fun that Gurjin still got his hero moment, causing a distraction by taking on the castle guards that came here with the Skeksis so Rian could get Mira away

(also callback to the first movie, with a drained and totally out of it Mira still managing to break her and Rian’s fall with her wings when he has to throw them off a cliff)

(he totally thought they were gonna die together and was fine with that)

(instead they land on a Sifa ship and WOOO YEAH TAE AND ETHRI ARE HERE totally not because Oinca had a feeling it would be good and convenient if they parked their ship in this very specific spot)

Back in Ha’rar, Gurjin is captured by the guard, a pissed Naia challenges and fights the general about it

(there was a scene were the Skeksis realize Naia and Gurjin are twins and get Excited about that)

So they make a deal with Naia, if she wins, her brother will go free, if she loses… they both will go to the crystal together.

And while all THIS was happening, BREA ran off to fetch Tavra, who’d slipped away at some point, and runs in on the secret that her big stern sister is very much kissing a Sifa, which these days is Very Very illegal, but Brea’s just shocked to see very serious soldier Tavvra actually kissing anyone-

She remembers to tell Tavra what’s happening at the party, Tavra dives out the nearest window to get there faster, Onica suggests she and Brea take a detour along the way

(the detour is to set up a small tricky sabotage that will let Naia escape in moment)

The first time we see Tavra do anything cool in the movie is when she breaks through a window, sword drawn, and slashes at the General’s hand to make him drop Naia when he has her by the throat

Tavra and the General duel, Naia uses this distraction to attack the guards holding Gurjin and they exit stage right pursued by more guards, Seladon is freaking out and Mayrin calls for Tavra to stand down-

And in the tags of one post about this, ppl talk about how earlier in the movie it was set up how Gelfling don’t normally cut there hair short, since hair is kinda like tree rings or roots to them, so getting rid of it is like throwing away your life up till then and wanting to forget/distance yourself from it

(a thing traditionally associated with criminals, outlaws, Gelflings who went against their families)

BUT lately short hair has ALSO been used by rebels, the rumored Gelflings who refuse to pay tithes or offer up people to the castle

So this scene comes up, Tavra's duel, where the General says something like “blah blah traitorous Vapra, blah, oath breaking Gelfling scum”

And Tavra’s just like, it’s not breaking a vow to defend the people I’ve sworn to protect- which makes the General so mad he tries decapitating her, only she just kneels in response and bows her head-

So the sword cuts off her braid of hair instead. Big crowd reaction shot and gasp

(also revelation that Tavra’s hair is really wavy/curly when it’s short and not tied back, I don’t know why dream me thought that detail was super fun)

(tags on this post point out that this is kinda like, symbolism of how the Skeksis have being cutting Gelfling’s off from their actual old laws and traditions while making Gelflings bow to them instead)

And the other Skeksis sees this, hears the murmurs and muttering, sees the very bad PR image of a Skeksis about to kill a princess who is kneeling on the floor before him WHILE ALL THEIR PERSONAL GUARDS ARE MISSING and rushes in to pull the General back before he can split Tavra down the middle

The party ends… awkwardly, with the Skeksis placating the crowd by commending Tavra (through gritted beaks) for withstanding their ‘test’ of her loyalty and duty to her vows as a paladin, which they totally did on purpose, never would have actually killed anyone nope

They just barely restrain most of their rage when the guards come back (covered in odd powders that make them sneeze and slipping on boots covered in grease) to report that the three ‘criminals’ have escaped with their ‘abducted’ ‘prisoner’ (Mira)

annnnnnd they’re forced to accept Mayrin’s offer of Tavra leading her soldiers on the search, since they’re the only ones who know Ha’rar well enough to do it

(quick scene of Tavra directing her paladins to search the mountains and the cliffs and the village and the valley, and… no, not the seashore or the coast. Without the help of a Sifa they wouldn’t survive long there and would have to turn inland soon anyway. it’s not like there are any Sifa up here right now. Right? Right.)

I think I also remember that Deet gets introduced while she’s dreamfasting a giant taint-maddened nebrie-

(she can’t heal them, but as long as she’s dreamfasting with them SHE can take on the pain and horror of the taint, and when she sings while doing that they fall peacefully asleep, letting anyone nearby get safely away)

And it turns out she’s been working so hard to find out what’s going on with the tainted creatures of Thra she’s become sensitive to the presence of the taint, AND good enough at listening with her vliya that she can hear and understand what the Trees are saying, even though their voices have almost gone quiet

The trees lost contract with each other as the taint spread (some of them being taken over by it even) so Deet got sent out by her clan’s Tree to contact / warn / bring messages to the other trees and their clans

There was still that cool moment of Kylan dreamstitching the warning onto flower petals and everyone watching them fly off in a cloud so I guess Deet recruited him at some point… or no… maybe that was to summon the clans to what ended up being the big final battle?

I feel like there was a ‘lighting the beacons’ scene where all the clans lit their blue flames and a moment (echoing the opening of the tv show) where we saw their leaders all standing together in dreamfast on a map vision of Skarith land, reaching out to each other around a shared blue fire….

Anyway taking on the suffering of the taint was slowly tainting Deet herself, and she kept lashing out in pain more, or getting lost in the nightmare visions of the crystal’s breaking

She got one cool scene at the end though.

After the Gelfling come together to Far-Dream the prophecy of how the Skeksis might fall and the Skeksis see this and, in a panic, unleash all their Garthim before they can even control them properly, leading to many Gelfling being killed instead of captured for draining-

Deet is one of the ones caught and brought back to be drained, but she’s laughing when they strap her into the draining chair, and when she calls out,

all the tainted creatures she’s helped over the movie wake up in time to cause havoc on any nearby garthim-

and so do the Trees, reconnected briefly THROUGH the spreading taint BY Deet as she’s being DRAINED by the crystal, and the connection lasts just long enough for their roots to soak up as much of the taint as they can while tearing up the ground around the castle, breaking the crystal (and the taint’s) direct connection to the rest of Thra-

The trees all die, burning up in a last blaze of vliya along with Deet, but the tainted creatures aren't tainted anymore, and outside the barren land around the castle everything else starts growing in healthy again

Turns out it was the world that was feeding life to the crystal, not the other way around

(another skeksis lie)

Which makes the skeksis ultra SUPER unhappy the garthim rampage killed off so many useful Gelflings before their essence could be drained

The stinger ending was Kylan finishing writing all this down and hiding the book just before garthim burst in, the shot of his hand desperately tucking the book away-

-jump cutting to Jen’s hand gently pulling it’s crumbling pages out of hiding who knows how many trine later

Final shot being a slow pull back and pan out of Jen calling to Kira about what he found, and her excitedly calling back that she thinks a small nearby sapling might have just talked to her, so maybe he could read the book aloud to both of them?

end credits roll over the scene as Jen reads and Kira clears away weeds from a young baby tree, while fizzgig gets chased around the clearing by a whole pack of little angry baby fizzgigs

And that’s it, that’s the movie adaption that doesn’t exist but I got to be in the fandom of for a few glorious minutes

The last unicorn animation style REALLY went well with the vibes. loved it.

#the dark crystal: age of resistance #tdc:aor #tavra #brea #naia #rian #gurjin #deet #onica #adaption #au #non-canon

47 notes · View notes

imustbenuts · 7 months

Text

Kiran is luck itself. And that luck is causing problems in FEH, an analysis. (Part 1!)

(Disclaimers first. One, I’m drop kicking my Kiran is a deity theory from this post, but elements of it will pop up bc it’s hard baked into the game now. Two, my understanding of Norse mythos is very limited and I might get some stuff wrong. Am doing my best, but if there’s any hiccups I apologize ;; also Part 2 is here.)

Luck in FEH is a big big thing.

It's in gacha, which is the core mechanic of the game, but it's in the story too. And I think this luck is causing massive fucking problems as time goes on, but specifically to Kiran as well.

In the original Norse mythos, Odin/Alfador knows the future to come. His best buddies are Loki and Thor, who together make up the Norse Trio. Surtr is meant to bring about Ragnarok, and end the world.

But something is weird in FEH's story, and we can safely say now that Ragnarok is averted or subverted after the events of Book 2 and everything that has gone on since. FEH's story has derailed so hard from Norse mythos that we can't predict anything anymore, and it's thanks to 1 Summoner allying themself with Alfonse & co.

Bc see, Kiran's real power is half from their ability to summon heroes, and other being their incredible fucking luck. In fact, here’s a brief overview of how each book was won in Askr’s and their allies’ favor real quick. (Feel free to skip over this segment under the read more if you don't need a refresher.)

Book 1: Kiran gets dropped into the world of FEH after Alfonse & co seeks out the legend behind Breidablik. Their situation immediately turns around from being helplessly invaded to invasion repelled. OoH gets fully established as a result of Kiran’s presence. Lucky them!

Book 2: OoH travels to Nifl then to Muspell, fighting against a tyrant named Surtr who is unkillable due to his Rite of Flames. Helbindi intervenes by removing the sacrifice needed for the rite, and the Order drop kicks his ass into the aether. Lucky for everyone!

Book 3: Hel invades Askr, but one of her generals, Lif, turns out to be an Alfonse from an alternate world who wasn’t so lucky and everyone died. Passing that dead Kiran’s Breidablik to our Kiran, we luckily gain the power to kill that which cannot be killed, Hel.

Book 4: Freyja seems to be keen in trapping Kiran in the dream world through a bluff, but Kiran decides not to believe in the bluff and kills her and wakes up to find that Alfonse is actually still alive. Lucky them!

Book 5: Reginn is the luckiest here, in that finding out she’s the real successor to the throne of Niðavellir. By accepting and allying herself with the OoH, they do the difficult task of killing her brothers and taking out Eitri to bring peace to Niðavellir.

Book 6: Thanks to Kiran preventing Alfonse from cutting down Bruno all the way back in Book 1, Bruno eventually pulls off the ultimate sacrifice and helps Askr and Embla achieve peace. Lucky, but tragic.

Book 7: The Kiran we know happens to pick up a glowing Breidablik which has been +1’d and can break everyone out of a perpetual time loop. Lucky them, since the other Kirans did not make it.

So. Kiran is not winning necessarily by having incredible power. They are winning by being in the correct place, with the correct people, under the correct conditions, and having the correct power-ups.

And even if you want to argue it's about raw power, the ability to summon powerful heroes is also dictated by luck in the gacha mechanic.

In short, Kiran and whoever allies with them is surviving by sheer luck.

The problem here is that, despite preventing Surtr from causing Ragnarok, Kiran is now... effectively causing Ragnarok.

OKAY to be fair it's more like preventing a meteor from impacting the earth directly by shattering it into a billion pieces, but having to deal with the small bits and aftermath. The Ragnarok was the meteor, and while Surtr was going to be the trigger, a lot of things were already in motion long before Kiran's arrival. Askr and Embla's 'feud' for example. Taking out Surtr only seems to change the trigger and cause smaller explosions instead.

Kiran is definitely helping, but in doing so have gone from being a curious insignificant interloper to a outright formidable entity in the world of FEH. In fact, the more they seem to fix, the more things change, and the more the world reacts to their actions and accepting their presence. And also, drawing attention to them and theirs.

Which. Causes problems. More so for one guy who knows everything. Alfador.

If I were Alfador, I would be interested in paying super close attention to this cryptid the moment they landed, more so because they don't fully belong in the world of FEH.

There's some evidence of this. Loki and Thor immediately puts them on a watchlist as early as Book 1. As part of the trio, they would know some things about the prophecy, especially Loki. Since Loki LOVES chaos and fun, it's entirely possible she's very invested in Kiran's ability to fuck shit up.

Loki even seems to give Kiran and co a chance to break fate in Book 2 by letting them mess with Surtr's Rite of Flames. And once that they've proven they can, and again in Book 3 by killing death Herself, all bets are off.

Kiran. Can. Kill. Gods.

Which then kind of makes sense for what happens in Book 4. From what I can understand, it seems like 4 was a whole ploy by Freyja to keep Kiran trapped in the dreamworld through a bluff. In Book 4 chapter 15:

Freyja: I don't suppose you CAN remember what happened... If you could recall, the dream would likely collapse. Be that as it may, the truth is that this mortal you care so much for, Prince Alfonse, defeated death... And with that, He Who Created Everything, Alfaðör, has decided... Prince Alfonse could no longer be allowed to exist. A decision made by the Creator is absolute. His will is truth—and as you know, truth is inescapable. Yet here you are, fleeing... Soon you will have no choice but to accept it. Prince Alfonse is gone. You will never see him again!

The bluff itself is very interesting, since it's the first time we see the name Alfador be dropped directly in Kiran's face. It's also a hint that Freyja and Alfador may be working together, since Freyja doesn't have a real gain out of trapping Kiran in the nightmare realm aside from for the hell of it otherwise. (And maybe also to kill her brother. Is she in on it?)

PLUS, Alfador in FEH is the CREATOR. Which adds to Kiran being something he did not create, and seriously does not bloody belong in the world of FEH!

AND now in Book 7 Gullveig seems to have been brought into existence because of Kiran in... a way. It's ambiguous here but that luck works, in weird messed up ways sometimes.

So to reword this in another way...

Kiran's superpower is LUCK itself. And they are actively breaking fate with it, in doing so causing ripple effects which drastically alters events. Alterations which one Alfador may or may not like.

And the more they survive, the more gods die, the more things change, the more aggro Kiran will draw unto themself and their allies. Which means, Kiran could become a Surtr replacement in the worst case scenario, but will likely crawl out of the carnage. Through luck. Again.

So in summary....

Alfador has high blood pressure now.

Edit: a part 2 has been written!

#fire emblem heroes #summoner kiran #kiran #analysis

47 notes · View notes

randomnameless · 3 months

Text

Reverse uno card : Jugdral edition

2014 : "yay, i can't wait for a Judgral remake, with updated graphics!!!"

2024 : "gods please no remake"

What happened in ten years to make me dread the remake I would have sold my soul for back in the days?

Well... IS's policies and new writing, mainly.

While I was joking about "Genealogy of the Holy Self Insert" in 2015, I still had faith in eventual Jugdral remakes. Sure, we were in the big Fateswakening era where the only things I could frown at IS were the "writings" worshipping self inserts (Ryoma being jealous of Corn's talents, when Corn was like, 5?) - but I still had hope for a more "serious" FE, and I first I was very delighted by FE15 - no self insert, a more "serious" setting, no hyperbolic time chambers to try to explain in watsonian words why second gens exist, etc...

But there was still something ringing dead wrong with FE15, which I only noticed thanks to FE16 and its years of discourse - at one point, IS's writing went in a certain direction that makes it impossible, imo, for us to have a "correct" Jugdral remake, as long as IS still follows this direction.

I'm not talking about uwufest - even if it is part of the larger problem - but back in FE15, I remember being really pissed at the schizophrenia of the plot : saying one thing and the inverse at the same time.

The narration reminds us of the classic Kaga lesson : whatever madness exists in dragon/gods, a greater madness/evil lurks in the heart of men.

And yet, we have the Hero (who was so cajoled by the plot that, at times, you have to wonder if Alm wasn't the devs's self insert, he's lavished with praises almost as extensively as Ike was!) saying nonsense - without being contradicted by characters at all (or when Celica does it, she admits later she's wrong) - like Duma being responsible, mainly, for the events that transpired in Valentia and, novelty that wouldn't have been in the original game since the character was made for the remake, Berkut's fall and madness.

By that point in the game, the player saw that Berkut hunts low class people for what he sees and perceives as sport, is the textbook classicist asshat noble, but has a lot of pression on his shoulders due to his role of being the heir of the Empire, pression that isn't alleviated at all by his Uncle who mocks him and refuses to give him a third chance... to fight against a person said uncle very well knows cannot be defeated by Berkut himself, especially as said Uncle pretended to "care" for him, only to pit him against his trueborn son whom he names his heir just before dying.

Point is : Berkut feels betrayed by Rudy and goes mad - because of this betrayal : Rudolph named him heir when he fully knew Alm was alive and was the true heir he always wanted, in Berkut's eyes, no matter what he did, it wouldn't have mattered to Rudolph since Rudolph planned on giving Alm his throne since day 1 - of course, without telling him a thing and making him believe he would one day become Emperor.

Is it Duma's fault that Berkut went off the deep-end in Part 4? Because Rudolph's shit gambit involved playing with the life of his nephew and crush it in a bid to have Alm unify the continent against Duma ? Or... it's just Rudolph being an asshole, not curbing the worst of his nephew tendencies (and in a larger part, of Rigel in general) ?

Now, Rinea. She too, is called one of Duma's victims, and yet, who pushed her in Duma's magic pyre that turns women in witches? Duma himself?

No.

Berkut, who already, when pissed tells her "silence woman" pushes his fiancée and love of his life in a pyre to sacrifice her, because in his grief and rage (caused by Rudy!!!) Rinea is only a pawn to be sacrificed to gain more power to kill Alm. Sure sure, Berkut is redeemed in death and Rinea - in a classic Kaga style writing that wasn't here made by Kaga since this plot is basically new so where the fuck does this sexism come from - forgives him and they both die and ascend to another plane of existence.

The point is, despite what Alm says, Berkut and Rinea's fates weren't caused by Duma's degeneration - but by Rudolph and Berkut's own actions.

Heck, I remember when I was sort of live-blogging my run back then, Desaix's greed and lust for power wasn't fueled by Mila's apathy : it wasn't Mila who burnt Celica's house and tried to cook Conrad, it was Desaix, and why Desaix did it? Because he wanted to become king. That's it, and that's all.

So why FE15 - while giving the Kaga message - still tries its hardest to pin the blame of everything "wrong that happened" on... dragon gods, refusing to acknowledge the own responsibilities of humans in their suffering?

I think we had that lunar dialogue at the end of FE15 (or in part 4?) where Clive (i think?) tells Alm without gods giving their blessings, people in Valentia will starve, and Alm saying that may be so, but ultimately Valentia will survive and work hard through those upcoming harsh times to demonstrate how humans, when they work together, can achieve things without needing to rely on Gods - basically, King Alm tells his people to starve now because Humanity will come out stronger afterwards, since they will have learnt to grow their own food without needing magic dragon blessings to make the ground fertile.

... yeah. That's definitely going to work.

FE15 took the Kaga lesson to try to hammer some "humanity fuck yeah!" Square JRPG message and it completely messed up what FE2 tried to say.

(I confess, retconning Duma'n'Mila in dragon gods like Naga from Archanea was a big part in this shitstorm - that was also retconned to explain Grima from FE13! - i mean Duma'n'Mila have to die because they're degenerating, but they didn't get the memo from Gotoh living overseas that degeneration can be stopped by using dragonstones, instead of being a fatality that must be dealt with death...)

Humans cannot be held responsible for what they did, everything BaD that happened is somehow due to the influence of dragon-gods : even if it means "suffering" and sacrificing a part of your population, this choice is a good one to get rid of the obviously nefarious influence of dragon-gods.

So, is it so surprising that FE16 - the most popular title in the franchise uwu - went in the same direction?

Even if it tried to mitigate the "gods BaD" spiel because the avatar - Billy - is the Goddess reborn, the thing is the CoS - aka the dragon - is blamed for humanity's mistakes through each route (AM dodges the question completely) and all routes end up with the dragon going away (her skull being cracked open, or she retires, or she dies off-screen, or she dies because the plot commands so unless you want, as the player, to shag her).

"But in VW, Claude reconsiders his initial stance!"

And yet, it is only off-screen that he seemingly becomes aware that Fodlan people are not superpals with Almyra because Almyra raids them, not because Rhea told them Almyrans are BaD, that's why he tries to negotiate - off-screen and post-game - some sort of ceasefire between the two parties, or at least make it so Almyra doesn't try to raid Fodlan every Thursday for their weekly dick measuring contest.

No matter the ending, Rhea retires and in the worst support, muses on her failings for "having turned a blind eye" to Fodlan and its people in her quest to resurrect Sothis : aka, Rhea (and the game, since Billy doesn't tell her anything) believes Fodlan's state is due to her inaction and not, you know, the action of the humans who lived in the continent and ruined it of their own volition.

Which is also what fuels the endless discourse about what kind of power she has - or not : Rhea BaD for using her power, but also BaD for not using it and letting humans to their own devices.

Supreme Leader's memetastic line from the trailers ring even more true : in Fodlan, Crusts are to blame for everything. For Adrestian being attracted to young women because otherwise without crests they surely wouldn't seek to bed a 12 years old Doro, for Miklan trying to murder his younger brother (and not because, at least FE16 wise, Miklan is a terrible person who is very jealous and not afraid to kill even a child to get what he feels like he deserves), and for people basically killing their wives/letting their daughters die to get a "suitable" heir.

Humanity/Humans can get a pass for doing horrible things (Berkut burning his fiancée alive) because those horrible things can sort of be linked to "dragon-gods", and so, the blame exclusively lays at their feet.

I am always reminded of that Obi-Wan reply to Anakin when Ani accuses him of having turned Padmé "against" him, Obi-Wan basically tells him he brought this upon himself.

Now, what would Obi-Wan tell a non-recruited Doro who blames the Goddess for the War, the leader she is actually protecting, started?

Billy is no Obi-Wan, so we are left in this limbo where characters are telling you everything wrong that happens in Fodlan is due to "dragon blood" aka their existence and presence, even dragons who blame themselves for "being blind" - but not once do we have the Kaga message, or an Obi-Wan reminding people that they have to take responsability for their own actions : Hanneman will blame crests (dragons) for having killed his sister, but not the man who forced her (marital abuse?) to bear him many heirs until one was "good enough" for him.

Claude blames dragons for creating, both literal and metaphorical walls between Fodlan and Almyra - and it's only in his best ending, after the game credits and off-screen that he seems to realise that those walls were built by Almyrans raiders.

"enough about the fodlan rant, what about jugdral?"

Jugdral was sort of unique for not having a giant eldritch abomination as a boss, unlike the later FE8, we never fight Loptyr in his "original" form, Loptyr is fought through his host, Julius.

And I love Jugdral because unlike Fodlan, the local evil death cult might stage a few skirmishes and manipulations here and there, but Jugdral people are... asses, in general.

Elliot will mount an army to seduce Raquie while Eldie is away - and it's not because Manfroy told him to seduce her, no, Elliot does it from his own will.

Reptor'n'Langobalt'n'Andrei rebel against Kurth and Azmur? Sure, Arvis is pulling some of their strings, but Reptor'n'Langobalt are ambitious, even without Manfroy whispering anything.

Arvis pulls out his gambit... with Manfroy's help (and blackmail?), but also because he genuinely thinks he can sacrifice lives to make HIS world a reality because HE has great ideas about how the world should be and will torch anyone who opposes him.

F!Lewyn, as much as I dislike the character, reminds the cast that while Travant's actions might seem justified to him and to the Thracian people, he is still a man who assaulted a bunch of randoms + non-combattants in a desert, amushed them and slaughtered them : no matter his reasons and how justified he was, Travant is still a criminal to Jugdral people.

In Jugdral, people do things and have to take responsability for it - Oldvis basically dies after losing everything he had - by Seliph's hand (and with his own participation!!) because Oldvis has to take responsability for what he did in Barhara. Ditto for Travant, who accepts to die if it means the peninsula will be united (tfw his son doesn't understand what he meant !).

Dragon blood and Dragon people are never blamed for the shitty state Jugdral is in in the 1st or even 2nd gen, if Danan turned Isaach in giant brothel, it's not Julius-Loptyr who asked him to do so, nor Manfroy.

At least, that was the case for the pre FE15/FEH/FE16 Jugdral.

Now...

While I want to blame FE16 for this shift, I know the roots are more ancient (FE15?), IS's writing seems to favour a certain narrative, aka people having sad and or complicated fates because of their brands and Holy Blood - when the ONLY case of having a fate tied to Holy Blood was the Curse of the Gae Bolg, aka a sibling quarrel between Dain and Noba that will eventually "curse" Noba descendants, but through the events of the game we know that curse is more like a prophecy : Quan doesn't die because he had Noba Holy Blood, Quan dies because Travant kills him in Yied. Why Travant kills him? FE5 reveals Quan and his forefathers are basically letting Thracians starve and refuse to "give" them arable lands, or even export food.

Now, did Travant kill Quan because Quan had major Noba Holy Blood, or because Quan (and his forefather)'s policies made Thracians so desperate that their king feels like he has to resort to murder to "save" his people?

The issue is more complicated than "he has Noba HB so I had to kill him".

Come FEH and we had, in 2018 (before FE16 but after FE15) this :

My blood has granted me gifts, it's true. I have expended every effort to be worthy of those gifts. That same blood makes it impossible for me to live a peaceful life. That's a lesson I learned from my mother...

Now, even if I was dissecting and hc'ing and posting about Saias a lot for 5 years, I fully understand Saias is a character with maybe 20 lines in FE5, so you can only dissect the script and theorise and read between invisible lines to get something about the character.

But this?

It might be a reference to Cowen's last words who basically tells him his job is to "pass on" his Fjalar HB, and how having major Fjalar HB was the reason why Manfroy tried to kill him when he was younger (his mother Aida died to protect him).

And yet, FEH here seems to imply Aida died because Saias had Fjalar HB, and not, y'know, died because Manfroy wanted to kill him due to this HB.

It wasn't HB who killed Aida, but Manfroy!

FE5 never reveals why - but if Fjalar HB was the reason why Manfroy targeted Saias, then why the fuck wasn't Oldvis iced earlier, since he has the same brand and blood?

In a way, Saias blaming HB here as the "reason" why his mother died and why he cannot live a "peaceful life" is similar to a Leif who would blame Quan'n'Ethlyn for being the reason why Travant and the Empire were after his life : what is to blame, their "blood" that makes people want to kill them, or the fuckers who want to kill them?

Granted those lines from FEH completely miss the point of Saias as a character - FE5!wise Saias is in a class that cannot use fire magic, when his HB automatically gives him the highest rank in fire magic, and he is funnily enough the only character who "retreats" in his death quote -> Saias doesn't "expend" every effort to be worthy of HB, he hides and doesn't use the abilities given by said HB!

We can say, mkay, this was just FEH trying to fit their "gods and their influence BaD" narrative and missing the real culprits, aka humans themselves (Manfroy is one!) - from FE15 - in Jugdral, even if it meant retconning a character no one cares about.

But then, last year, we had Galzus' FB :

You speak of the blood of the Sword Saint Od. Perhaps. Is that the reason you have been set on a path of violence and bloodshed?

Nyx says Galzus' "curse" isn't tied to his HB, but it's basically his regret at not having been able to save his daughter.

So far, it's completely the inverse of what I decried, so this was a good FB, right?

There is no doubt that the blood within you compels you to lead a cruel life. However, the loss of your daughter was the wedge that split your life into pieces and let the curse in.

Damn it Nyx, why???

Why Galzus's brand "compels him" to lead a cruel life - when it was just established that Galzus fell to despair and became a mercenary who kills for money after the loss of his daughter?

Before losing Mareeta, Galzus, at least per this FB, wasn't killing people right and left as the merc he now is (or was in FE5).

Now, much like Saias...

Why was Galzus left to roam around Jugdral with a toddler to begin with?

I had a daughter. When my wife died, I brought my daughter with me as I traveled around Jugdral.

This FB establishes that Galzus settled with Mareeta's biomom for a while, but when she died he "traveled around". Why Galzus couldn't return "home" and had to "travel around"?

You know the Ribaut family was devastated by our own House Isaach.

Timeline wise : Ribaut is already demolished during the prologue of FE4, and Mareeta is no older than Leif himself, which means she was born after Galzus' grandfather and Ayra's brother, aka, his uncle, beheaded his dad and demolished his kingdom. Galzus, in exile, had Mareeta, and then had to "travel around" Jugdral because his home had already been demolished by "House Isaach" -

Note how Ayra talks about the Ribaut (i prefer rivough but meh) family when she talks about her very own sister - Galzus' mother. Jugdral family trees being what they are, Shanan, Larcei, Scatach and Galzus are actually cousins, Galzus is Ayra's own nephew, just like Shanan!

Anyways, in FE4, the reason given behind Ribaut's destruction is their attack on Darna, so the Isaachian royals killed them.

Galzus' "cruel life" wasn't compelled by his HB, Galzus' life took a turn for the worst when his Uncle and Grandpa knocked at his door and slaughtered his entire family, destroying their Kingdom.

So why FEH tried to fit his backstory in some sort of "dragon blood is to blame" Fodlan narrative?? They at least acknowledge the bad blood (lel) between Isaach's royal family and Ribaut's, hell, Ayra even wants to say Mareeta is a part of Isaach's royal family in her FB with her son, so it's not to whitewash the Isaachian royal family because their units are more popular and would sell more...

Contrary to Saias, Galzus's writing and his FB seem to have been made by people who cared and didn't completely ignore what the character was about so... why this emphasis on his HB ??

Are we bound in post FE16 releases to have, at least with the current writing team, the excuse of "dragon blood is to blame" ? Galzus cannot blame the Isaachian Royal Family or even the slavers for his (and his daugher's!) fate, but he can blame his HB, aka, a non-entity?

Will HB be now used as a "responsibility free" card, because the fate a character suffers or their actions are only tied to said HB? Arvis will get a pass because his HB compelled him to save the world (tfw Victor prefered to "seduce" women instead), Lewyn will be lightly chided by his mom instead of receiving the beatdown he has in FE4 because his HB now makes him unable to stay in place? Ditto for Ced, Karin won't chew him out for abandoning his mother and sister because his HB compelled him to travel around, so in the end, dragons are to blame for him abandoning his sister and mother?

That's what I'm the most afraid in future Jugdral remakes, that had humans characters with human flaws in a crapsack/shitty verse, the insertion in a future remake of a very Squenix "but aksuhally gods and church bad" when Jugdral is the pinnacle of "the world sucks because people living in this world suck". No need for secret sects manipulating everything in the shadows like FE16's Agarthans, Chagall is a horrible person without needing Manfroy's help, and Hilda will not say "Holy Blood is to blame" when she tortures Tailte to death.

When Tailte is caught and Hilda'd, it's because she participated (or even commited) in parricide, and because her camp/army lost the battle. She doesn't die because of her HB, she dies because Hilda kills her, most likely, for having killed Reptor (Hilda wants to avenge her "father" when fought, i'm pretty sure she means her father in law aka Reptor!).

As befits a game called "Genealogy of the Holy War", people aren't targeted because of their HB, but they are targeted because they are part of a genealogy - see the Leif comparison earlier on : Leif is hunted because he is Quan's son, even if he doesn't have Noba major blood. Seliph is hunted because he is Siggy'n'Deedee's son, not because of his Baldo HB.

In FE4, Manfroy tells Julius Arvis was a thorn at their side because "Fjalar's ways" ran too strong in him - implying he had some moral fiber that would make him oppose the return of Loptyr (but those same "ways" didn't prevent him from torching his own brother and conquering the world...) - I will have to check the translation and og script, but was Saias targeted because he had Fjalar HB, or because he could develop the same moral fiber Arvis does in his later years, or just, because he is Arvis's son? Cowen seems to suggest it is FB, but we know Fjalar HB cannot harm Loptyr so... what was the true reason?

Blaming dragon-gods reduces the complexity of Jugdral's setting and characters - and in a post FEH world where tropes win character contests and sell a lot of alts if they are flanderised enough + a post FE15/16 world where characters, to be likeable enough, have to ditch their responsibilities or at least have the plot elude them to pin them instead on vague and non-important (gacha wise) gods, what is going to happen to Jugdral?

Fanfics are fanfics and people are free to write whatever they want - but I wonder (especially after Nopes and the plethora of 'golden endings' fics that ended up with the CoS as the big bad lol) if fics where Mareeta and Ced blaming their HB for their various hardships is going to become the new canon...

I seriously hope it will never, and it if happens then...

I guess I'll still yell at cloud and nerd about the 1990s versions of those games, completely ignoring the new releases (save for maybe updated artwork).

Tl;Dr : FEH makes me afraid Judgral remakes will borrow the "humanity fuck yeah" page from FE15 and FE16 and put the blame of Jugdral's shitty situation from Jugdralians to... Holy Blood and "dragon-gods", completely missing and rewritting the point of those games. IS already said "fig" to Kaga once or thrice, but this might become the most contentious "fig" they ever give him if they decided to write a Jugdral remake this way.

#rant #heroes salt #fe series salt #at least the few last games #FE17 is a breath of fresh air #will it become the new standard or will we have more and more shit like those FBs?#jugdral stuff #at this point i'm afraid of that fandom syndrome #where you put much more thoughts and love and care about a setting than its own authors #so when said authors develop it you're disappointed #because you feel like it's a downgrade to what it was before #like star wars maybe?#i'm very worried about the writing of future games especially since the faux issues raised in Fodlan games apparently #made people want more writting as consistent as pudding #as long as has a veneer of being solid and realistic

23 notes · View notes

lansplaining · 4 months

Note

Protagonist-centric readers will do anything but admit that their MCs did lie and impact other characters' decisions. It's not the side-characters fault that they did not know the whole truth because *drum roll* they weren't told anything and/or was deliberately lied to.

LQQ being hated bc he impaled XL in a coffin for a long time but like... XL admitted to killing the King of Yong'an and committing the bloody massacre so what was LQQ supposed to do? Sit down and ask his Guoshi for the truth when we know damn well XL will just continue to admit to it? XL didn't want to tell LQQ the truth to protect LQQ and the two groups of people, and that's completely admirable, but what LQQ saw was his Guoshi stabbing a sword through his father's chest and admitting to everything so him reacting the way he did was completely valid. The single act of killing the king was treason 100x already, and as the son of the king, LQQ's reaction was not out of the ordinary. we don't want XL to suffer and be even more traumatized, but XL already knew that the consequences wouldn't be pretty and lied anyway. idk why fans can't grasp that.

Or for JC's case, HE IS LITERALLY THE ONE PERSON ALIVE IN THE ENTIRE WORLD WHO ACTUALLY DESERVES SOME KIND OF EXPLANATION FROM WWX HIMSELF, THE MAN WHO ACCIDENTALLY CAUSED WN TO KILL JXZ AND INDIRECTLY KILLED JYL DESPITE CLAIMING THAT HE HAD EVERYTHING UNDER CONTROL. These two aren't strangers to JC at all; they're his sister and his brother-in-law, or more importantly, his sister's beloved husband and father of his nephew. He deserves to be angry and bitter at the one person who did all that, and there is no time limit for how long he should remain bitter and angry about it. The GCT was a whole mess and they both made HUGE sacrifices out of love but the only one whose sacrifice is made invalid is JC because one, it was short-lived and two, they already didn't like JC so no matter what he does for WWX, it will be seen as something negative.

I don't even want to get into the hell-hole regarding LXC but... damn...

the revelations after a character found out the truth should be "oh man, so that's what really happened" not "this character was a dick because they didn't know about the major sacrifice the MC made for them that would only be revealed many years later, and it's not even voluntary because someone else told the truth, not the MC themself"

I'm not the first nor am I the last person to say this but a protagonist is just a character we see, mainly, from their POV or the character that we follow the story through. That's all there is to it. I feel like a lot of danmei readers have yet to read a variety of stories about an MC that's completely shit but serves to tell a story just as important and interesting.

okay, first of all-- people hate LQQ?? The sweetest, most violent himbo of all????????????? even Xie Lian doesn't hate him for what he did??????

i have nothing to say to such people

i'll be honest, it is really only relatively recently that i've fully come to realise how completely Jiang Cheng deserves an explanation or even just acknowledgement of any kind from Wei Wuxian, and how cowardly and selfish it is that Wei Wuxian refuses to give it. and I say this with a heart full of love for WWX-- he is dealing with Some Trauma (tm) but that doesn't mean his refusal to even speak to JC isn't hurtful and unfair, even if it's what he needs... but man everyone in fandom and fanworks is focused on WWX taking what he needs in this situation and not even remotely considering that just maybe he also justifiably owes something to someone he harmed and who he supposedly (formerly?) cared about (i think he still cares)

the lan xichen thing is literally inexplicable to me and i will never understand it

#ask answered

33 notes · View notes

sserpente · 7 months

Text

Loki Season 2 – Episode 1 RECAP

HERE WE GO AGAIN! FINALLY! LET’S DO THIS, SHALL WE?

As always, HEAVY SPOILERS FOR EPISODE 1 BELOW THE CUT!

Also from now on, as usual, in addition to the keep reading tags, I will tag posts that contain spoilers with the hashtag "#loki season 2 spoilers" and "#loki spoilers" so you can filter them from your dashboard until you're ready!

Did I stay up until 3 a.m. to watch the first episode again? Yes. Yes, I did.

We are starting off so damn STRONG. Damn it, I just wanted to hug Loki so bad. He’s been through so much shit and he was so heartbroken and desperate! Imagine you get to cup his face and just tell him to take a deep breath with you! What made it even more painful was the moment he fully realised that Mobius didn’t recognise him—his one friend, the one person who likes him for who he is… and he doesn’t remember him… and then the relief on his face when was in the right place again!

Loki was so panicked about the impending war. For good reason, obviously but it truly shows that Thor: Ragnarok lied. Loki wouldn’t be a bad king, now hear me out—in The Avengers, Thanos had the upper hand. You all remember that one scene where he sort of backtracks and says “It’s too late… it’s too late to stop it…” but can’t join forces with Thor because The Other was watching him? Loki understands the sacrifice for sure and in the first Thor film, when he tried to wipe out Jötunheim, what I believe is that he wanted to prevent the war that Thor himself had started by attacking those Jötuns. Loki’s not about violence and causing pain and destruction, he just got caught in the middle of it several times, and circumstances forced him into choices that were not heroic. We knew that already, of course… but it’s nice to see that reflected in the series. Besides, we don’t need him to be a hero. We just need him to be Loki. 🥰

The jokes were spot-on, not too silly, not out of place, in my opinion, but sprinkled in just right so far. Skin? Also, can we please talk about the warning on the floor that said Spaghettification? Come on! 😂😂😂

Now in that sense, O.B. is indeed brilliant. A lovely and light addition to the serious bureaucracy of the TVA for sure!

I really wasn’t worried about Loki making it back safely, somehow. Let’s face it, they wouldn’t have killed him in the first episode of Season 2. With that being said… I hope for their sake he stays safe at the end too, otherwise, I will hurt a lot of people! 🙂

X5… X5, what are we gonna do with him? I hate him. Of course, I do. He’s got something about him that just makes you want to slap him in the face. 😒

Now there are two questions we immediately ask ourselves, right? Where, or rather, when did Sylvie come from? And who pruned Loki? Was it another Sylvie, or another Loki? Another Mobius? B15? An antagonistic character who realised their wrongs? A new character? A Kang Variant? They’ve definitely left us some loose ends! 🤔

And lastly… it’s absolutely heartbreaking to see how much Loki cares for Sylvie despite what happened at the end of Season 1. She basically betrayed him! For reasons Loki understands, of course, but still… it broke his heart… and hence it broke mine. He was so ready to stop the others from going after her even though he was facing the very gruesome time slipping problem. 😭

If you’ve seen the video I posted earlier, you’ll know that I have already seen Episode 2 as well today. I won’t lose a word about that one until next week though! 😉 All I’m gonna say is that we’re in for a treat. 😏

PS: I want that TVA handbook as a notebook for my writing.

#loki season 2 #loki series 2 #loki series #loki #tom hiddleston #loki disney+#loki spoilers #loki season 2 spoilers

33 notes · View notes

beauty-and-passion · 6 months

Text

Attack on Titan: the eternal circle of life and war

It’s hard to talk about Attack on Titan. Not because there’s not much to say, but because there’s too much to say. And if you spend your free time watching videos about it (like I did in the past 3 days), you will hear all sorts of analyses, explanations and comments.

So, instead of talking about all the great things in this anime, I just want to give some of my thoughts on a story that accompanied me for 10 years. A story I never talked about here, not even when season 4 came and gave us some of the most wonderful episodes ever. Not even after Memories of the future, which has the most majestic plot twist in a series that has a ton of incredible plot twists already.

But If I want to talk about the finale, I have to talk about the series too and I will inevitably end up spoiling something.

So, if you never watched AOT before, just listen to this: if you want a story with fights, character growth and science-fiction/drama, trust this story. Trust the words these characters say. Trust their growth, because there will be one. Trust the plot, because it knows where it’s going. And even if seems like “urgh, that’s the typical structure of a shounen”... wait for it. This story is much more real than you think.

_________________________

Ten years together

I’ve always been an AOT anime watcher, not a manga reader. The only time I spoiled myself something from the manga, was between season 2 and 3, when I feared this story would never be fully animated and I wanted some goddamn answers, instead of waiting forever for something that would never come.

I made the mistake of not trusting the plot. And so, when I found out what was in the basement, I was a bit taken aback. Uh, that sounds forced, I thought.

Then season 3 came and, okay, maybe this plot point can go somewhere. Wait, if I look at the story in retrospect, maybe it goes somewhere. Maybe it explains Reiner’s character a lot more.

This is when I realized the story knew where it was going. There were no fillers. It was all connected.

And so, I trusted the story. I stopped looking for spoilers, I detached myself from all videos and explanations. The story had a direction, I wanted to see where it led to.

It was a… well, not completely unexpected finale. I mean, I knew Eren would die. But back then, when he took the Warhammer Titan, I thought he wanted to get all Titans inside him then kill himself - thus ending all Titans and Ymir’s curse at the same time.

Then, he started acting all alpha male gigachad I-don’t-care-about-my-friends I-want-to-destroy-the-world and I realized: oh, he will sacrifice himself. But he will play the Lelouch card and become the world’s enemy. That’s where it’s going.

And yes, this was where it was going. However, knowing where a story is going, doesn’t automatically mean the story is shit. It all depends on how you reach that ending.

And the way we reached it, was perfect.

_________________________

The inevitability of destiny and the power of friendship

The conversation between Eren and Armin is one of the most beautiful parts of this finale. I feel kinda sad for the manga readers, who got a weird conversation and Armin telling Eren stuff like “Thanks for becoming genocidal”, which sounds very questionable.

In the anime conversation, it’s very clear Eren is wrong and pathetic. He’s so pathetic, he himself says it.

And even if some people say this is the lowest point of Eren’s character, this is not. This is what Eren has always been. A child, because he is. He’s 19, not 30 or 40. He is a child.

But he’s not just a child: he’s a child soldier. He grew up surrounded by war, he fought and killed. When he looked at the sea for the first time in his life, he didn’t see a beautiful sight: he saw another barrier overcome, to reach the people on the other side and kill them. And he did all of this because Eren has always sought freedom and never reached it.

Just like he said, Eren is a slave. Of freedom, sure, but also of destiny. Eren cannot escape from the destiny he himself threaded for him. He put all the pieces in place, from the very first Attack Titan, so he would inherit that role and start the Rumbling. His destiny - and everyone else’s - is inevitable and inescapable, no matter how hard he tries to change it.

So when Eren breaks down with Armin and admits he doesn’t want to die and wants to spend his last years with Mikasa… that’s not Eren’s character assassination. This is Eren showing the most human parts of himself. The human who doesn’t want to die. The human who wants just some peace. The human who doesn’t want to follow the predetermined destiny, but has to.

I don’t really believe in the inevitability of destiny, but oh boy if it’s not fascinating in its tragedy. And in AOT is even more fascinating, because it’s Eren who wrote it for him. Because once he realizes what the future holds for him, he still keeps following it. He keeps putting pieces in place. He keeps up the façade. And only a few times, he lets that façade slip, to reveal the scared boy hidden underneath. The boy who doesn’t want to die.

And yet, he keeps going, because he wants this destiny. He wants to destroy the world. Because, just like when he saw the sea, he thought that if he killed everyone on the other side, his loved ones would finally be free.

That’s absolutely, terribly tragic. And I felt pity, by watching this young boy, who thinks everything could be accomplished only by killing, who knows he has to do that to ensure peace for his loved ones, who knows he has to die and doesn’t want to. He’s pathetic, he’s tragic, he’s caring, he’s human. He’s imperfect. And that makes him interesting.

But what’s even more beautiful about this part, is how friendship prevails. Because after admitting his fears and sins, Armin doesn’t leave Eren behind. He acknowledges his own sins and promises he will meet Eren in hell.

And that proves Armin is amazing. He doesn’t try to justify his actions because he’s on the right side of the story. He killed too. He took a lot of innocent lives. And if he won’t pay for them now, he will pay in the end.

And so, he reassures Eren: he is condemned, he will die, he will pay for his sins, but he won’t do it alone. Armin will be with him. Their friendship will overcome death itself and the inevitable destiny. As he said, they will be together, forever.

That’s what friendship truly is. Not to justify your friend, but to promise to be there. Not to say “but you’re good”, but to say “you’re bad, but I’m bad too. Let’s repent together”. For me, that’s way more powerful than a simple “let’s atone our sins” or “we’re besties”: it’s the sum of them both.

_________________________

Love as a chain and love as freedom

I’ve never been a fan of Eren and Mikasa as a couple. It reminded me too much of the Japanese trope of “step-parents being lovers” which is illegal and also urgh.

But the way Isayama handled this love is very clever. It’s not the typical “I love you baka” or Mikasa with heart eyes or other stuff. Sure, there are moments when she simps for him and that’s annoying. But in general, it’s very subtle and not thrown in your face.

So when we reach the end and Mikasa asks herself if she should kill Eren or not and cries and doesn’t know what to do… well, that’s realistic. That’s what every real person in love would think. That’s not Eren’s fangirl talking, that’s a real girl who is torn between doing the right thing and the guy she likes.

And in the end, Mikasa does the right thing, freeing the world, Eren and Ymir. And by doing that, she showed her that love doesn’t have to be a chain. You can love and still be your own person. You can still love and be free to do the right thing.

This is also why I like the credit scenes a lot: it wasn’t fair to let Mikasa spend her entire life sitting on Eren’s grave. It was fair to let her mourn him for as long as she wanted, then move on with her life. Again, that’s human. That’s realistic.

And that’s what Eren wanted too. Because along with the more childish idea of wanting her to think about him only forever and ever, there was also a more adult mentality - the mentality of a man who truly loves: to see Mikasa moving on with her life.

That’s true love. Not keeping someone with you, locking them with you forever because of your egoistical need. It’s letting them go. Because if they truly love and care about you, they will come back.

Like Mikasa does: she get married, has children and grandchildren, but still, she comes back to visit him. She moved on but didn’t forget. That’s one of the most beautiful, real representations of love and the reason why, in the end, I appreciate how their relationship was handled.

_________________________

The meaning of life

The conversation between Armin and Zeke is another masterpiece, especially because one of the characters involved is Zeke. You know, the man who always saw life as pain, mistakes and doing wrong things and the only happy moments he had were short and with his fatherly figure, while his real father didn’t care enough about what Zeke needed.

So when he realizes that oh, life doesn’t have to be just perpetration of life itself but also experiencing that life…that was great. Loved it. One of the few moments that almost made me shed a tear.

Personally, I also think that’s the true meaning of life. Sure, life is stubborn and loves to multiply and that’s what we keep doing from the very first bacteria that developed in the ocean. But we’re not just bacteria. We have a brain and memories and conscience. And we don’t see life just as “have more kids to pass your genes”: we search for something more.

And what could this “more” be, if not life itself? What the meaning of life could be, if not to live it?

This makes Zeke’s last scene even more beautiful because, for probably the first time in his life, he looks around, enjoys the world for what it is, takes a moment to appreciate everything. And then, he accepts to die and atone for his sins. Truly a great conclusion for his character.

Another scene that celebrates life and its importance, is the baby’s scene. A desaturated scene, where the only pop of color is the red of the baby’s cloth and the reddish pink of his face. Definitely wasn’t expecting an anime to refer to Schindler's List, but here we are.

But that’s what makes this scene even more impactful: because in both works, the red and the young child are a symbol of hope and desperation, of the strength of humankind and the importance of life.

The baby was condemned, just like all the people on the cliff. Moving the baby away from the edge of the cliff wouldn’t have saved them. The Titans were there, these people were destined to die.

And yet, the stubborn humanity pushed that child towards safety. Why?, Zeke would’ve asked. Why save a baby, when the end is there? What would be the point of fighting, if the final goal is to die?

Because that’s how we work. That’s how life works. Even if the end is there, even if the child will die, the goal is to keep the baby alive as long as possible. It doesn’t matter if it’s one minute or two seconds: the goal of life is living. Living for the sake of life itself. Because life encloses all the possibilities and the younger a human life is, the bigger the possibilities are. So ending one life is like ending endless possibilities. And life doesn’t like to waste anything.

_________________________

The neverending cycle of war

Isayama didn’t offer us a perfectly good ending. The “and they all lived happily ever after” ending. It gave us something real - which is, by comparison, worse than a tragic ending.

After the Rumbling, Paradis became a fascist state, while Armin and the gang turned into peace ambassadors. And, somehow, there was peace. And there was peace while Mikasa was growing old. And there was still peace for a long time after her death - 20.000 years, according to the ending song.

It’s very ironic that Eren’s genocide really managed to let his friends live in a peaceful world. But hey, I suppose that a massacre that led to the death of 80% of the world population is something humankind remembers for a very, very long time.

However, what do we see after all this time? World peace? People living all together and dancing in a circle? No, we see another war. After all this time, humanity fell for another goddamn war.

If this sounds realistic, it’s because it is. That’s the story of mankind. That’s what we are: imperfect beings who keep fighting and do horrible things, so we promise to remember, to not make the same mistake again - until enough time passes for us to forget our mistakes and repeat them all over again.

Just look at our current time period. Just look at how long peace lasts. In Europe, we managed to keep it for less than 80 years, before starting another war. And in other places all over the world, war never stopped.

AOT’s ending is darker than any tragic ending, because is real. Because it’s the real world within a fictional story. Because it’s a crude, realistic warning: war is easy to achieve, peace is hard to protect. And if enough time passes, humankind will give in to the easiness of war again.

_________________________

The neverending cycle of life

The ending of AOT tells us that this story is a neverending cycle: it starts, grows, dies and starts again, over and over.

However, the ending is open too, so it’s up to the viewers to decide how this next cycle is going to be: will it be the same? Will the boy and his dog get the power of Titans again, to start a new cycle of terror, fear and war? Or will something change this time?

This reminds me of something very specific, so please be warned: I will make a HUGE spoiler of The Dark Tower series by Stephen King. If you read it/don’t want to read it, you can keep going. Otherwise, skip the following paragraph.

In the last book of the series, once Roland enters the Dark Towers and climbs its steps, he finds out that everything is a cycle. He already climbed those steps. He already reached the end, only to start all over. And so it does: in the end, he’s back at the beginning of his journey, searching for the Tower again. But this time, he has his friend’s horn with him. This time, something is different. And maybe the outcome will be different too.

The last time, Ymir was scared, wounded, alone, chased by dogs, escaping her assailants, fearing for her life. This time, there is a young child, who is walking around, exploring the place accompanied by a dog. He doesn't look wounded, nor sad, nor scared: just a little tired.

Maybe that’s not enough to assure us everything will be fine, this time. But the elements are different. Something changed. And maybe, the different conditions will lead to a different outcome. Maybe the neverending cycle of war will keep going, but the neverending cycle of life will keep going too.

And if we think about it, between the two, in the end life always won. War destroyed, but life reclaimed everything. After the Rumbling, nature reclaimed the earth. After 20.000 years and another war, trees reclaimed the island and grew taller than ever. War may come and destroy but, in the end, the true winner is life.

And, again, this is real. This is what the world truly is. Just think about how easily nature reclaims what we made/still make. Once again, that’s our world in an anime series.

At the end of the day, this is probably what makes this story so impactful. AOT is real, despite taking place in a world of monsters and incredible powers. AOT shows us the good and the bad of our world and our nature and does it cleverly. I don’t think world peace or total annihilation would’ve been as good as this ending. This was just right. This is what it was supposed to be and, for once, I’m glad my expectations weren’t subverted with a resolution that could’ve been a lot worse.

So after ten years, all I have to say is that it was worth it. It was worth watching this anime and enjoying the fights, foolishly thinking that what was outside the walls was the biggest mystery. It was worth it for the plot twist, the characters' growth, the devastating deaths. It was worth it for the realism and the deep themes.

AOT changed a lot of things and I’m glad I was there to witness it until the end. So thank you Isayama and thank you to all the people who made this. It has been a long journey and it has been great. I will never forget it.

#attack on titan #eren jaeger #armin arlert #mikasa ackerman #zeke jaeger #aot #shingeki no kyojin #snk #aot end

29 notes · View notes