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#that sounds really hard I'm sorry
uncanny-tranny · 2 years
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The thing about assigned sex labels (AFAB/AMAB) is that a lot of its usefulness comes from discussions around medicine (though there are still issues with this). In a social sense, AFAB/AMAB isn't very useful to describe peoples' lived experience.
Assigned sex happens to people as babies, and "AFAB" and "AMAB" describe very broadly sex categories. Assigned sex acknowledges past assignment, not current reality with regards to one's sex and/or gender.
I find that when people try to apply sex assignment to social settings (e.g., "all AFABs experience this!"), it comes very close not only to misgendering, but also to sex essentialism in many cases.
I simply think there are too many assumptions made about what every person AMAB has (such as a certain body, a certain gender, and certain lived experiences) and what every person AFAB has. We cannot make sweeping generalizations about people, and I think a lot of people seem to forget this especially with regards to transition and/or "rare" sexes.
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subarashiihibi · 3 months
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my thing about izaya is that he's so strange and weird and i love that so much. i didn't want to ramble too much in the notes of that poor person's post but i find the way he speaks and the words he chooses so interesting so let me ramble a little bit. this may or may not even be coherent so bear with me here im just going to speak my thoughts.
ok this got really fucking long and all over the 0place so im putting this under a read more sorry.
so i have volume 9 of the novel in both english and japanese. i only have two novels in japanese and that is this one and yuuyake wo. so i'm pretty crazy about this izaya speech analysis shit. anyways i was rereading thru the jp ver the other day just to compare it to the eng and i kinda realized that like.
a lot of people you can separate their speech in either formal and informal speech right? someone like shizuo speaks really informally and uses a lot of rough, dragged-out versions of words and stuff (しゃーねえ vs しょうがない) and then someone like shinra who speaks in a ton of yojijukugo and generally sounds like a nerd emoji gijinka.
izaya on the other hand rly... doesn't fit in either? i mean sure he sounds like another nerd emoji gijinka but it's kinda different. it's not so much the words he speaks but rather the intonation and his tone...
and he has his moments where he speaks pretty seriously and whatnot of course, but in general he just... doesn't sound very human when he speaks? i don't know if that's a conscious effort or not. is it his attempts at distancing himself from his own individual humanity? or is it just because he's a weird guy? i dunno. but it's interesting nonetheless.
one thing i will note though is that despite his somewhat inhuman speech patterns, it's also pretty...dramatic? to the extent where it's really exaggerated but also very cute and charming. (this part is important.)
i think a lot of what makes izaya's speech so weirdly inhuman is because he doesn't really use a lot of slang or similar lingo that people his age would typically use. i know mikado said in the novels that he doesn't really try to fit in with his age group's fashion sense either so it makes sense but still. he's like an old hag it's so funny. and it's because of that that when he says stuff like 'i don't get all hot and heavy over headless women' or whatever he said to celty it's really amusing to me because like... why is the strange man saying this?💀
another example i kinda giggled about on my twitter when i read it it's not even crazy and i sound corny and cheesy and stupid but theres this scene in vol 9 where izaya messages celty for business and hold on let me just put it as a quote.
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he sounds so old saying 'video game' like 😭 idk it's just funny cause he barely even knows anything abt games like bro knows nothing im crying
in the jp hes like 「…ゲーム中なのかい?」 and then when celty tries to explain herself he says 「何を言ってるのか、良く解らないんだけど」 and im rly bad at tling parts of sentences and stuff but just know that the way he words it makes it sound like this gif to me
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i love both versions i think the original jp makes him sound like hes so lost and confused (hence why pw gif cause lord that man always looks lost LMFAOOOO) and then eng tl just blunt ass "I don't know what you're talking about." makes him sound like full on hag 😭😭😭
OMFG WAIT I HAVE TO MENTION THIS FUCKING SCENE WITH SHINRA ITS SO FUNNY.
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first i think it's funny the translation has izaya say fuck here cause he very rarely swears and i did read this one thing about how he only swears when his mask slips so to me this is like genuine bewilderment that he cant even hide LOL. second why is he so excited to hear about 'whatever sexual fetish' shinra has im crying he's so damn nosy . okay but this is not the funniest part let me add that now.
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???
ehy the hell is izaya orihara talking about foot fetishes???😭😭😭😭😭😭😭😭😭😭 im crying bruh i was so flabbergasted when i read this i was like WHAT did he just say? he says it in the jp ver too which just makes it even funnier. this goes back to what i said earlier but i always get so amused when izaya has something to say about sex or whatever cause he's so fucking weird and unsettling why does he know that
(i mean i also get so hard i nearly pass out thinking about izaya tlaking about sex but thats probably just a thing with my heart condition and stuff)
oh also another scene i think is really cute and amusing and funny is back when shinra was first still trying to get izaya to form the bio club w him.
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1. shinra is funny as fuck in this scene but also izaya's "Hmm. Can I punch you?" made me havbe a good laugh. in the jp he says 「んー。殴ってもいいのかな?」 which is pretty much the same thing just with the intonation of like 'hmmmmmmmmm should i hit u or not...' sorry like i said im just bad w explaining this stuff. but i felt the need to point it out not cause im one of those annoying ppl who praise the original jp ver and reject translations and localizations i just think it's important for izaya specifically cause i love him and i want to analyze his speech patterns as best as i can.
i was going thru the novel just now for other stuff i wanted to mention and i forgot abt this part but it's so funny.
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'Let's not get hasty. Type calmly, please.' its not even funny or nothing i just find it so amusinf whenever he talks like that💀 i will say though the english translation kind of makes him sound more weird and inhuman than the original. that line in the original was basically just him telling her she needs to calm down enough to at least type properly LOL. idk if im just being nitpicky cause this is izaya tho so feel free to ignore that. fwiw i like the eng tl bc while it's a different intonation than the original japanese ver i think if he did speak english it would probably sound smth like that anyways.
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this too made me laugh like ??? seriously he is really nosy when it comes to people's intimate affairs. in the jp ver he calls them an 'intimate couple' which just is like .. ok bro💀
does anyone else see my vision of izaya getting cucked by celty (does it count as cucking when celtys the one dating shinra) while he looks sad and pathetic and miserable that he never decided to shoot his shot w shinra back in the day
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if i were commenting on the actual stuff going on in this scene rn this post would be a lot olonger and even more terribly all over the place so im just gonna focus on how i think it's funny izaya says 'easy, man...' this is like one of the only times his words are somewhat natural and sound like smth you would hear someone else say. in the jp ver it's 「おいおい…」 which is somewhat less out of left field in terms of coming from izaya but still it's pretty surprisingly normal. i have to wonder if in that moment he's too worried about shinra to care about keeping up appearances.
this is just random and me making fun of izaya as usual but why the hell does he weigh himself after his showers💀💀💀 it's cute and endearing and only adds to his strong gap moe but still... it's strange...
speaking of cute things this is from a volume i forget but he says this one phrase a couple of times and it is just both really cute and also kind of idk... saddening. one of the times i can remember he says it is when namie was making fun of him or something and he replies 'Don't tease me. I'm only human.' or something along those lines and it's like . hm. ok.
i think it's cute he says 'dont tease me' a few times cause eughhhhhhhhhhhhhhhhhhh (trying to ward off severe brain damaged incoherent thoughts) but 'im only human' is like... are you really? even after you try so hard to escape your own humanity and individual self so much... im going to try and give my thoughts on it here but this is just based off my hc that izaya has bpd so yanno. im basing a lot oif this on my own experiences sorry. i do that a lot. (gestures over to all the posts i make abt fob/mychem fan izaya)
when it comes to just straight up acknowledging his humanity izaya has no problems with this because 'sure, i'm human. isn't that obvious?' is probably something along the lines of what he thinks. it's easy for him to just say that because it's just that. it's just words. it holds no real meaning and shows no true insight into how he actually perceives himself. but when it comes to actually having to come face to face with his own humanity and the fact that yes, he is only human, it's a lot more difficult because now it's out of his control. i wonder also if he has problems with perceiving his own self.
i say this a lot but i truly do believe izaya is so so so beautiful and i love him so much. also i just saw a funny post on twitter so i wanna say this here idk if yall know this but izayas actually a latina hes got chismosavirus❤ ok thats all i have to say sorry for rambling so much
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welcometogrouchland · 2 years
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SPOILERS FOR THANKS TO THEM (obviously)
hello i was reading this lovely post (by @lollytea) that gave a good breakdown of the writers intent behind this scene, and i thought to myself “gee, i love it all in concept, but i wonder if they could’ve executed it better by emphasizing all of the things hunter’s fighting for in the actual moment itself?”. then i remembered that i have the power of editing, and made this! complete with the cheesy white vignette toh likes to stick on flashback scenes that i love jgvhnfchgfc
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butmakeitgayblog · 8 months
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Okay so I tried watching TLFOAH and throughout the first episode I got this really crappy vibe (not from the performances) and it didn't match with the book. At all. I watched through to the end and walked away for a bit. It it hit me what the problem was. Male director. This series is not really from the point of view of any one woman or her experiences or her pain. It took the apologetic parts of the novel and centered them by making the suffering of the women especially Alice seem incidental. Nobody's fault. Generational trauma. Repetative. I know not everyone will share that opinion but the fact that they put a totally unnecessary sex scene in (none of it from Alice's point of view she's an object) nullified the whole story for me. Alice is a pretty object through the whole thing. She's an object to her grandmother. She's an object to the men around her. She's an object to herself. The series doesn't reckon with any of that, it just gives a patent "happy" ending. This really seems to be the trajectory of ADC's career too. Pretty object, patented storytelling. This story really could have benefited from a woman director who gets it what a shame.
I tell ya, I read this about 4 times, each time myself walking away for a but to kind of think it over, and I'm still just not coming up with the same conclusions you are. First and foremost, that line about her career? Totally unnecessary. It was tasteless, and I'm not sure if it was just rage bait or some personal bone you have to pick with women being unapologetically attractive, but frankly you can leave that shit at the door because I'm not gonna entertain it. She's an actress. Actresses by and large get paid to be pretty. If you don't like that, fair enough, but that's something you need to take up with Hollywood casting, not actresses trying to make a living. She's going to take the roles she likes (such as this one, which also happens to be the best role of hers to date), but also the ones she gets cast in. It's not like every actress has the luxury of turning down jobs no matter what your personal preferences are. You talk about being reductive and objectification in the rest of your message, yet really treaded the line on some sexist/misogynist sounding bullshit right there. Be better. That said, I'm not flat out saying you are wrong in regards to this show, but I don't think I got that impression of it at all.
I mean, it was stated from the start that the show is about generational trauma. It's about how victims of abuse can end up falling into and continuing cycles of abuse. I can't side by side compare to the book, but taking the show at face value, that's exactly what it did, so I'm not entirely sure what it is that you wanted from it.
Fundamentally, I'm not even sure what you're talking about the suffering being incidental and not painted as anyone's fault? It was. In her childhood years, it was Clem. In her adult years, it was June and Dylan. There was no ambiguity there. They were all shown as manipulative people who hurt those around them. June's motives may have been different, but she was still shown in a harsh light. In fact something I appreciated was that they didn't write Clem any sort of boo-hoo-woe-is-me sad boy backstory as a kind of way to write off or pseudo-excuse why he did what he did. He was just an abuser. He liked to hurt people, particularly the women in his life, plain and simple. He abused and took advantage of Candy, then June, then Agnes and his daughter, and there was no attempt to try and soften him to pull away from that fact.
Another thing that I appreciated was the fact that they didn't focus the show on the abuse itself, but rather the damage that's left it's in its wake, and the healing process that needs to be done. I don't think that approach lends itself to rendering the trauma itself incidental, but rather it shifts the focus from the violent acts themselves and more toward the victims left to pick up the pieces and move on with their lives. Too often in these cases people get so caught up in the story of the abuser and the whys and the whats and the white noise that comes with those high octane emotions. But the reality is that those scars last long after the dust has settled, and unfortunately by then usually nobody's really paying attention to the victims anymore because it all becomes about the sensationalism of the violence and the abuser. (*Cough* D3pp and Heard *cough* Tory and Meg *cough*)
That's what I think, in part, this show was trying to portray.
Now, switching gears here, while I had my own issues with the sex scene, I do somewhat have to push back on what you're saying here because while I could've lived without it, I do see what it was saying. I don't think Alice was being used as just a visual sexual object, but rather it was giving insight into where she was emotionally. Only, what? Days prior? A week or two at most? She had found out the man she loved - her childhood best friend mind you - had fallen in love with someone else. And that's after months of thinking he'd just left her behind, only to find out it was her own grandmother who had betrayed her and sent him away "for her own good". The girl was emotionally flailing and desperately searching for some sort of connection. She was desperate to find solace and comfort and thus, glommed on to whoever made her feel something that wasn't pain and betrayal.
That's a very understandable human emotion given the situation.
Enter Dylan, shithead extraordinaire, who she immediately thinks is hot. They have an instant attraction and he pursues her just as hard as she pursues him, and in the unstable emotional space she was in, it's entirely understandable that she'd latch on to someone like him. He makes her feel wanted and desirable, he's a fresh start and a way to leave behind her past. It would be so easy to fall into someone like him when you're already looking for a place to land to begin with.
However, really look at that sex scene.
Really evaluate it.
She's not even looking at him.
She's not holding him close or wrapping her legs around him, there's no prolonged eye contact or heavy kissing. Nothing that speaks of actual intimacy. She's disconnected from him and the moment. To me that is Alice's point of view.
You may take that as her being portrayed as just a sex object, but in my opinion it spoke volumes about what was actually going on with her internally, even if she herself was not entirely aware of it (although tbh I think she was.) Even the upside down camera shot leaves the viewer feeling off kilter, almost as though it's mirroring just how off balance and desperate she is, right along with how everything between them was from the start.
I don't think it's fair to reduce Alice down to just an object because at no time did I get that impression of her at at all. She is young woman who has had everything in her life ripped away from her over and over again. She's not stupid, just unsure of exactly who she is. She thinks she's a murderer, she thinks everyone who has ever loved her either hurt her, left her, or betrayed her. But even through that, she's cunning, and clever, she thinks on her feet and has a will to keep going. Just because she makes some bad decisions, that doesn't negate all those character traits.
And again, they don't soften Dylan as a character. I've actually had A Lot of conversations about the portrayal of Dylan and I think I've landed somewhere around: I didn't need to know much more about him. Would I have liked to maybe see more of the building blocks of their relationship? Yes. But in the same breath I think that might've only given them space to try and paint him in a more forgivable light when that did not need to happen. Because in the end this story isn't about the abusers. It's about the women who have to escape them. It's about the quiet after the storm and what they do to pick up the pieces. And I liked that they didn't try and make these women, Alice included, into these fake af perfect renditions of what we think victims should look or act like. Sometimes they're messy, sometimes they make bad choices, sometimes they're strong and resilient fighters who never turn back. Sometimes they do. One is not more worthy of sympathy or safety over another. They make their own choices and they're still allowed to be humans who are imperfect and none of that somehow diminishes what it is they go through even after the abuse is over.
And honestly I'm not sure of you and I watched the same finale. The whole point of June's letters and the Flowers burning down her statue that Clem made was about Alice and June and all the other women taking back their power and their stories from those who hurt them. It was point blank saying that not only is this June giving Alice back that power she had so mistakenly taken away as a family member who loved her and thought she was doing best but had gotten it so so wrong, but also it was her passing the torch on to Alice. Giving her the ability to literally burn Clem and Dylan, even June herself if Alice so chooses, out of her life and start over from the ashes (the Phoenix metaphor from the very beginning.) To start writing her own story.
I don't actually see that as a happy ending per se, but more a hopeful one. So very few times in life are we given the chance to wrap up our traumas and wounds in a pretty bow and have everything feel perfectly resolved. More often than not the people who hurt us don't ever have to answer for it. More often than not the worst people in this world don't suffer any sort of repercussions for their actions or are made to pay a price. What usually happens is we're left with the scars and the frayed edges of what we went through, and we do our best just to keep going, trying to make peace with it through the pain and injustice. I feel like that was a much more realistic - albiet whimsical for narrative purposes - ending than a lot of other options that I'm sure got tossed around the writer's room.
Now all that being said, yeah I think it would've been interesting to see a woman's directorial take on it. I'm not sure the changes they would've made but for the sake of it, it would've been interesting. Knowing what's been said though, I feel like this director cared a lot about the story as it was, not just what he wanted it to be, and added elements that I loved that weren't in the original script (such as the ending fire that tied up all the symbolism.) But also considering the author herself was hands-on through the entire process and the fact that the showrunner and producer was a woman (actually there were 6 women executive producers on this as well 3 women screenwritersand 2 women editors) worked closely with Holly, I think what got into the show was more or less what the author wanted. I don't think the director skewed what the overall message was, at least not in the author's eyes it seems. So while I may read the book down the line and adjust my views accordingly, for now I'm going to trust that Holly Ringland and Sarah Lambert had a very steady hand on the reins of this thing.
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blubble-lake · 4 months
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wanted to compile some more finale/other F&C grievances I'd been writing over the past few months before going into next year, some rant-like and some more coherent (under the read more)
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thedreadvampy · 8 months
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I tried listening to Olivia Rodrigo and I'm sure this is really good for its target audience of Teen Girls Going Through A Breakup but has she actually ever put out a song that isn't about a guy cheating, breaking up with her and moving on to someone else?
like babe he's not coming back it's been 2 years you gotta find something else in your life
#red said#it's not to my taste. tbh#content aside pop music is going through a very early 2000s breathy oversinging phase#hated it with xtina and alanis hate it with ariana and olivia sorry#it's a personal taste thing but to me however hard you go with the backing track that kind of soft pretty vocal style kind of#drags it back into midtempo sludge for me#also tbh it's just extremely normal music. like i went over to her yt bc people were talking about how Weird vampire is#it's not though????? it's super not????#anyway the only one I've got anything out of is good 4 u cause she sounds more involved and less self-pitying on it#every other Olivia song I've heard sounds kinda the same bc they all have the same earnest self-pity vibe#which is what a lot of people need out of music! music that makes them feel the depth of their anger and sadness!#but idk it's never done it for me i like there to be something of a tongue in cheek or a hysterical edge#i think most of the songs I've heard from her are just too controlled and polished for them to not sound to me#like she's the person who sees you crying cause your partner is in hospital and goes YEAH I KNOW HOW YOU FEEL#MY EX CHEATED ON ME 5 YEARS AGO AND IT REALLY TRAUMATISED ME AND I'M STILL NOT OVER IT and then you have to comfort her#like i recognise she's a 20 year old making music for teenagers so that is. appropriate.#but i struggled with the wallowing then too. were i a Teen at school with Olivia's character i would be so desperate to tell GROW UP#and it's not the lyrics it really is the music#heartbreak is a perfectly good theme to write on but oh my god not every song about it needs to be a mouthful call to arms
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gregoftom · 1 year
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scenes that make you go hmmm
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Genuine question. Why are comics from online only publishers discouraged? What is the goal behind discouraging paid webcomics?
sorry for taking so long to answer this!
i got really excited about answering this but also am not very good at communicating things clearly, i often get lost in the details in my passion about stuff like this, so i hope this is still interesting to read and intelligible lol!
i dont think there is any one thing that inherently defines what is and isn't a webcomic, it's an amorphous category that i enjoy the ambiguity of. but for me, what first led to my wonder for them as an 11 year old, and what has been a major factor in my passion for them even as an adult, was their low barrier to entry in both making them and accessing them. if you have internet access and time, almost anyone can make a webcomic if they want to! of course, without editors (or often even full story plans) or sensitivity readers or more people on a team to collaborate and contribute to the comic's vision, and the huge effort that it takes to do all the tasks of writing, inks, coloring, lettering, etc. all on ones own often without professional resources to facilitate that, that means that a lot of webcomics are really rough in some way or another. but a lot of people have interesting ideas they want to work with, but don't have the technical skill, desire or ability to market themselves or be beholden to external work deadlines, or connections in some way or another to be able to share those ideas through traditional publishing. regardless of skill or ability, a lot of marginalized people are barred from having their stories accepted by publishers due to bigotry and expectations about what kind of story is profitable.
as a disabled lgbt kid, i definitely read a lot of really bad webcomics i wish i hadn't, but also some of the media i was exposed to that most represented me back then was in the form of webcomics from people a lot like me. and i could read so much of it easily and for free without having to risk much to access it behind my parents' backs!
obviously that isn't the case for every webcomic, but for me and my history with them, them being easily accessible to both publish and read has been really important.
there are absolutely a lot of good points to be made about how publishing free to read webcomics isn't always the most accessible thing for a lot of people, especially for poor and disabled people. making webcomics takes a huge amount of time and effort, and sometimes even if people are passionate about making a comic, they just can't afford to find the time for that around all the other responsibilities of their day to day lives unless it can be a consistent income source. thats why even if paid online comics arent my platonic ideal of webcomics, i absolutely would never exclude them. i want small creators making stories i want to read to get the money they need to survive and keep telling stories without burning out!
it could be argued that online publishers who specifically focus on webcomics don't always present the same barriers to entry as traditional publishers, and many don't restrict the scope of marginalized creators' stories at all or to the same extent as people have struggled in other more mainstream avenues. and from my outside understanding of publishers like hiveworks, i'd absolutely agree with that! i love a lot of hiveworks comics and think its an awesome thing! (of course literally my icon is from a hiveworks comic, tiger tiger!) nonetheless however, part of my goals with this tournament is to highlight lesser known comics, and as publishers like hiveworks help advertise and promote their comics, even if i still want everyone to read all my favorite comics published by them, and certainly there are limits to those advertising resources, they still don't need as much help as other comics without that support. so its not as much 'try not to submit these' and more 'as you submit stuff like this, try to submit stuff with less advertising resources and popularity too!'
going into this tournament i also had a similar sentiment for stuff like webtoons originals. there was an added element to me in how i feel like i know a lot of people nowadays who read webtoons but don't have much awareness of other forms of webcomic, but even if in my love for webcomics i want people to come to appreciate all the breadth of ways they can exist in, thats obviously not something to make a huge priority. it's incredible the amount of forms comics can take (sidenote but reading scott mccloud's "understanding comics" a couple years ago was really formative for me in cementing how much i appreciate that, i'd highly recommend it!!!), and the way infinite scroll comics like webtoon style comics more fully make use of their digital medium, using time scrolling to pace things in place of traditional gutters and panelling, is really really cool. of course they're becoming more popular in a world where more people have smartphones, where webtoon style comics are a lot easier to read than many other forms. i love a lot of webtoons, and id feel regressive to discourage stuff like line webtoon original comics any more than stuff like hiveworks comics, just to go against current trends in what comics people seem to prefer. they have a similar low barrier to entry (through contests) as other online publishers, and it's cool to see creators get the opportunity to get paid for their work and get help from professional editors and stuff
but in the past couple weeks of running this tournament, i ended up reading a lot more about the behind the scenes of what its like to be a line webtoon original creator. line webtoon's expectations for their creators are incredibly unrealistic and exploitative, with grueling deadlines leading to a lot of creators to get repetitive strain injuries, all while working for well below industry standards. obviously a lot of webcomic creators make an inconsistent poverty level income out of it as independent creators, and that shouldn't happen either, but it's absolutely inexcusable for a company to profit off this labor and then manufacture these same conditions. without any organized labor movement surrounding that issue, that of course isn't an argument against reading or promoting these comics on its own, creators are more likely to get more income if their comics get more popular, and despite the promise of popularity by becoming an official comic, they absolutely still aren't all promoted equally. what has made me want to slightly more discourage (but still absolutely not disallow!) stuff like line webtoon official comics has been the combination of that along with learning that much of the editing of webtoons originals carries less of the benefits of having experienced creatives collaborating with creators to elevate their stories to new levels, and very often instead ends up taking the form of 'simplify this plotline and make this character look more attractive and fit this archetype more fully so we can market this better and have readers easily consume each update while they're scrolling their phone without having to think about it too much'. while obviously there are a lot of amazing webtoon official comics in spite of what i've heard anectdotally, hearing that just really went against so much of what i've most valued about my experience with webcomics!
i want creators to be able to tell stories no matter how weird and unmarketable, where they'll never have to worry about pushback for making stories with characters and themes that resonate for them as a member of any oppressed group, and where there's as little pressure as possible pushing them to work harder or faster than they healthily can or want to! so for me, even if i still love a lot of online published comics and want them to be celebrated and want their creators to be able to make a comfortable living out of them, i still just want to highlight stories that had that level of freedom that has created some of my favorite experiences with webcomics just a little bit more.
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tobiasrieper · 1 year
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wo long: fallen dynasty ► hidden village of mt. tianzhushan
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kevin-sedai · 5 months
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The vibe really deteriorated as the day went on, and now I'm sitting in bed, awake, feeling like garbage
#it was an okay weekend but i was jittery and numb for most of it#tried to write christmas cards for the first time in 2 years. cried while doing so and then had to lie down after i did 5#i got frustrated with the story i'm writing and considered dropping it or deleting the whole thing#spent friday alone pretty much all day which normally i'm fine with but for whatever reason made the loneliness really hit hard this time#spent all thanksgiving day waiting for a familial confrontation#got asked by my 6 year old nephew how old i was and then he followed up with 'well why arent you married what are you doing'#which i'm pretty sure is something he heard in a conversation someone else was having and he repeated it bc he's 6 fucking years old#which btw i don't hold against him or am mad at him about bc he's an innocent kid#but that made me feel really shitty#spent an hour today panicking about this dog virus#and in between all of that i was self diagnosing myself with mental illnesses#which made me feel awful bc it made gaslight myself in thinking maybe i wanted one?#which is so fucked up to the max and i'm so sorry for even putting that here#but i put this all here bc i could never have this conversation with people irl#they'd get too worried or they'd think i'm overreacting or i need to date or need to do something with myself besides read#i'm so sorry everyone#i'll try to be better#i just had to put this out somewhere#and i didn't put this in a journal bc my last entry sounds so teenagerish out of context i don't even want to look at it#anyway i have to try to sleep i have to go into the office early tomorrow#i'm sorry guys#i really am😔
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hyenahunt · 4 months
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saw u mention on twit that no one thanks fan tlers... which makes me sad. im very new to liking media that heavily relies on fan tl (ive been an es fan for like... ~6-7 months?), so i'm really grateful for the translations you have provided to the fandom!! they were some of the first i've read (bogie time was great 💘🥰) and im happy to be able to read stories i wouldn't be able to otherwise. thank you for your work 💝 (no need to post this by the way. i just wanted to say this)
thank you so much anon;;; i know you said there's no need to post this but i also wanted to be able to express my gratitude for this!! i hope you've been enjoying your time in enstars so far and welcome to the fandom! i'm sorry you had to see me lamenting but honestly ... just a simple thank you makes me super happy to hear so this really made me smile.
i'll take this opportunity to talk a little too.... i always translate for the sake of sharing the original stories, and never with the intent of wanting gratitude for it, i'm happy to just drop chapters and poof (which is basically what i do tbh haha) but when translations take up so much time and hard work - for example, to say nothing of how much time actual translation work alone takes, uploading the 15 chapters of saga the other day took me like... five hours from start to finish - just knowing people actually appreciate all the effort makes me feel better about all the time i spend.
we fan translators don't see a cent for our work, so really my payment is learning that people enjoy it.... and i'm sure people may post about it on their own accounts but i don't really get to see any of it without having to actively go looking for it, so it means a lot when anyone goes out of their way to personally let me know!! so that's why... thank you again 🥺❤
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oleander-nin · 7 months
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Me eating up your latest yandere content like a feral beast:
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It’s sooo good!! Much satisfy. Your turtle content is always amazing!!
Thank you😭
It's always so nice to hear this, I want my writing to be enjoyable. I'm so glad you like it<3
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paperlovesadness · 1 year
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Oh yeah. This is a thing that is worth a post.
Yes - Miles staying over at Alex's flat when he's gone on tour is (/was) apparently a thing. That happens. Happened more than once at least. And yeah - it's flail worthy, I don't care what you say.
I think there were times when he was inbetween two places/moving so he'd just stay at Alex's?
But also... Do I have to say what type of fluffy/longing fanfic-type images come to mind when you hear something like this???
Goodbye.
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hello! i saw your tags on /post/730907115184586753 and i would love if you could talk a bit about your thoughts on why the "applications for sainthood" line applies to dean because it's one of those few lines i've never really understood 🥲 very interested in what you think about it!
Omg my first ask! Hiiiiiii!
Okay so the line said by Leviathan!Dean is, "And he doesn't have relationships. No, he has applications for sainthood."
I feel like this describes Dean's self-sacrifice for the people he cares about. For example, he spent his childhood and early adulthood being John's main emotional support and taking care of him and Sam. He has wants and dreams but he basically gave them up for his family. Heck, he sold his soul for Sam!
I think there's also a factor that Dean tends to the one making the most effort in his relationships, and when others don't treat him right he still stays loyal and devoted. I'm not saying that Dean is so mistreated or that nobody loves him because that obviously isn't true, but I do think that he often ends up in the emotional crutch role in his relationships just because that's what he's used to because of John. John admits that Dean took care of him and comforted him, but he couldn't even pick up the phone when Dean was dying. And there's just kind of a trend where people expect care and loyalty and trust from him, but fail to return it (for instance Bobby's "boohoo princess" speech, all of Cas' late s6 behavior, Sam's s4 behavior, etc).
Basically, Dean often has push aside his own emotions and hurt to take care of those around him which is something that I'm sure a Leviathan would pick up on and mockingly refer to as "saintly."
Or you know, it's just a commentary on his relationship with Lisa and other women and I'm thinking about this wayyyyyy too much lol
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bluewinnerangel · 1 year
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top 9 albums you listened to this year? totally random question 🤪
Unlike last year I did listen to a lot of new music this year so 2022 albums this time weee it was even hard to pick a top 9 but in order of release (probably):
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Nilüfer Yanya - PAINLESS
ROSALÍA - MOTOMAMI
Kendrick Lamar - Mr. Morale & the Big Steppers
Harry Styles - Harry's House
Steve Lacy - Gemini Rights
Joost - Fryslân
The Snuts - Burn The Empire
Louis Tomlinson - Faith In The Future
Little Simz - NO THANK YOU
ramble in the tags
#yeah i totally did not basically beg to be asked this thank you for taking the bait askldlsakjskl#albums of 2022#Nilüfer Yanya - PAINLESS only discovered recently and it sent me into a zone a Z O N E do get in there do it#ROSALÍA - MOTOMAMI when that one came out it was blasting in the house like this only for a good while#Kendrick Lamar - Mr. Morale & the Big Steppers I feel like I'm listening to something not intended for me but i should be hearing ?#like it just wrecks me from a place that was never there just unknown and i cant begin to imagine what it can do for people where its known#Harry Styles - Harry's House I THINK IVE SAID QUITE A LOT ABOUT THIS ONE ON HERE#Steve Lacy - Gemini Rights what in the masterpiece is this ??? like????? seriously? SERIOUSLY WHAT IS PUT IN HERE#Joost - Fryslân THIS IS MY BABY he makes this variant of dutch white trash music that is horrid in the most delicious way#unserious but THEN he comes in hard with extremely painful honest lyrics in between utter crap LIKE#love it when music doesnt take itself seriously and still has a huge heart and soul and this is that#this dude is making me cry singing about the grief of losing both parents and minutes later interpolating crazy frog.#The Snuts - Burn The Empire obviously introduced by Louis. I didnt really take them in properly till we saw them at#Lokeren. I did listen to some songs here and there.. Glasgow was a fav. and that was kinda it. but then they came with this album#i always feel regret when i start listening to an artist bc they impressed me live like i should have known before.. which is weird.#that happens. but hearing burn the empire live i was like FUCK and then i was hooked#Louis Tomlinson - Faith In The Future I MEAN YOU KNOW WE KNOW I KNOW EVERYBODY KNOW WE ALL LIVE IN A FITF#Little Simz - NO THANK YOU this one was released this week! still taking it in but like? FUCK? HELLO? fav: No Merci#honorable mentions (sorry):#Björk - Fossora how the fuck you make an entire album sound like a heavily distressed mycelium network beats me but call me a shroom (idk)#Taylor Swift - Midnights had a bit of a meltdown over this (understatement)#IDLES - Five Years Of Brutalism okay okay it's a rerelease but THERE ARE LIVE VERSIONS
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e77y · 9 days
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Recently developed such a bad platonic/friendship crush (idk the word for it... I think there's a word??) on this one person I've barely spoken to 😭 Idk what is is... I just want to be their buddy... I want to do silly activities............ Send me memes and read my fanfics............................
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