Tumgik
#sugar hills
goryhorroor · 5 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
good (and maybe questionable) boys & girls of horror cinema
683 notes · View notes
60s-music-tourney · 3 months
Text
Tumblr media Tumblr media
297 notes · View notes
mernaroll · 1 month
Text
when your 1st teammate you were assigned when you were 19 and shy and weird who took you to his cousin's wedding and basically sugar daddied/ dommed you into being a real adult before abandoning you for ferrari and you try to act very grown-up and mature now but part of you will always turn back into that blushing 19 year old when he gives you attention but it's really just carlando
236 notes · View notes
readyforevolution · 19 days
Text
Tumblr media
I Remember visiting the Grand Master Flash & the Furious Five Concert in Düsseldorf, Germany in 1983 or 84.
The first-ever rap song produced was Rapper’s Delight in the summer of 1979. Three Bronx rappers named the Sugar Hill Gang recorded it and it was produced by Sugar Hill Records.
This is Sylvia ROBINSON then, the CEO and founder of Sugar Hill Records AND the Producer of Rapper’s Delight and a little later, The Message by Grand Master Flash and the Furious Five in 1982. It is said that Melle Mel did not want to record the seven-minute rap song that shared brutal honesty of social issues in the city at the time, but she insisted. And she was right. Both rap songs became instant hits that made history by putting rap music, created by the voiceless in the streets of NYC, front and center for the rest of America.
This woman started it all. This woman is responsible for the start of rap.
Mohamed Y. Heff Qurbale
49 notes · View notes
stonemags · 11 months
Text
SUGAR BABY AU
Ch.5 Champagne problems
Tumblr media
Characters in this series: Reader, Wanda Maximoff, Natasha Romanoff, Carol Danvers, Darcy Lewis, Maria Hill, Kate Bishop, Pepper Potts, Valkyrie, Shuri
Summary: Keeping your promises can be hard if you are being challenged on them all the time. You try to keep your face straight and enjoy one free evening, but are any of your evenings actually free? What are your actual feelings towards people around you? You can't figure it out if you won't stop to think about it.
Warnings: age gap relationships, sugar mommy/sugar baby relationships, swearing, mensplaning, all story is gonna be +18, you are responsible for your own ass. 
Word count: 9612
A/N: I appreciate everyone's patience. I hope you will enjoy this chapter just as much as I do. Thank you for all the comments. It really helps to get a new perspective on things and really motivates me to keep going. Big thanks to my amazing friend, this series wouldn't be here without you @charturnus. And big thanks to my forever judge of the chapters @sweetixsblog!
The flat is just a quick stop for both of you, and it's no surprise it's empty. At this time, everybody is probably already at Carol's house. After this emotional load of today you wish you could stay home, relax, unwind the stress, but promises were made, and you are not someone who breaks them. You tell Kate to take a shower first, and you go to look into Darcy's room for both your costumes. Nicely put dresses take you off guard but as you see just as beautiful a three part set for you with pants you take a breath in. You slowly touch the fabric, taking in the view. Kate will look incredible in hers. It's bigger than you thought but looks so light with the volume of it. The colour is lavender, and it's going to brighten Kate's face so much, the corset is black which is matching to yours, and it's going to be an amazing contrast to her bright look. 
“It's beautiful” You turn around at the sound of your friend's voice. She is standing by the door, covered just by the towel waiting for her primer to dry, so she can finish her makeup. 
“Yes it is. And you are going to look incredible in it, sweetheart.” You tell her and move to the side to let her see the dress in its all glory. 
“I was talking about yours, but I think we both will steal some glances after being so fashionably late.” She puts a tender hand on your shoulder, looking deeply into your eyes, trying to read your emotions of your irises as you are hiding something from her. She had this feeling all day. In moments like those, you are also wondering if you are hiding something from her, or yourself. You put a strand of her hair gently behind her ear so as not to disturb the primer in any way and when you are about to answer, your phone starts to ring. You pick it up, being sure it's Darcy calling to hurry you up, because no texts and no phone calls all day is a weird behaviour for her. Furthermore, you are grateful for the space she gave you and Kate, but it's 9pm, and you probably should head that way already. 
“Hey, we are getting ready and…..” You cut mid-sentence, making Kate look at you, quizzingly.
“No I…. Okay I understand but I can't right now. “ You look at her, a few lines appear on your forehead. Your voice sounds distressed and it shakes a little. 
“No…. The answer is no, I helped you enough for now.” You start pacing the room. Whoever is on the other side of it is definitely stressing you out, and Kate can see it. 
“HOW MUCH?” You didn't mean for it to come out so loud, but it ripped out of you. Right now, you know, Kate has questions. One hand is holding the phone while the second is in your hair, looking like you are going to pull all of it out in a second. 
“I'm sending you half of it. I don't have any more right now, and I also have to eat. I'm sorry….. Well, I'm sorry you are disappointed…. Sucks for both of us, I guess.” With that, you hang up a phone and take a breath in. You quickly type something on your phone and as you put it down Kate can see that you are really trying to figure out something, battling with yourself, she just can't figure out what it is about. She slowly closes the distance between you, searching for your eye contact. 
“Yn is everything okay?” You smile at her, and Kate hates it. As much as you know her, she learned a thing or two about you too, and this fake demeanour pisses her off. 
“Yeah …. Yes, it's just a client of mine not happy with his essay. He is going to pay me less.” 
“Oh.” It really didn't seem like it, your reaction was far too strong for some boy to put you off like that. As much as Kate tries to sympathise with you, she never struggled with money, so it really doesn't seem like a big deal for her, for you on the other hand every unplanned loss of money is a big hit. Kate decides to leave the topic and start collecting things to dress up and finish her look, letting you go to take a shower. 
“Kate?” She looks at you. 
“Can we take your car? I don't have money for a cab right now, and I'm not drinking, so I thought… I'm going to give you gas money back after the pay cheque if you are okay with that.” Kate smiles at you as if you are dumb, but this time in a cute way.
“Mom filled up the tank, so you don't have to give me any money back, and I actually wanted to ask you if you can drive, you are not drinking and being able to leave at any moment we want is a blessing.” This is exactly what you needed to hear, that's how you know it's not true, but you appreciate every moment when your friends are trying to make you feel safe and secure around them. As much as the phone call just added to the mental load, it's something you will have to take care of later, now you don't have time.
It takes both of you an additional 30 minutes to get yourself ready and start driving to the location. You can never get used to the way Carol's house looks like, her main house, you might add. You never thought that you would even have a chance to surround yourself with wealthy people, not talk about being friends with them. As you drive through the gate and park the car in order for both of you space, you take a quick look at the changes in Carol's garden. It's not too overloaded with greenery but the natural bushes creating a path to the entrance is something you fell in love with, the first time you visited her with Darcy. It's a little different at the moment, and you are grateful for that. Added lanterns in the ground help you and Kate find your way on a cold November evening. You hold Kate's arm under yours, soothing her hand to calm down her nerves, or maybe yours, as much as you don't think there is anything you should be stressed about you don't feel at peace. There is a vivid thought about Natasha and Wanda in your head, but you let it go past you as you hear Kate ring the doorbell. You can feel the vibration of music under your feet, it's surprising because to be honest you can barely hear it from outside. As the door opens up you expect Carol to be on the other side of it, you are surprised to be greeted by the waiter, who lets you in by giving each of you a glass of champagne in matching glasses. You always feel bad correcting any workers, you know how it is to be in their place, so you don't say anything. Glass looks amazing in your hand, reflecting all the lights in the room, bright enough to give you a headache at the end of this evening. 
“YN! , KATE!” you hear Maria's voice coming from the opened dancing space. She runs to hug you both and just in time you put down the champagne, avoiding any of it landing on your, well not yours but probably expensive clothes. 
“You. Both. Look. Incredible.” Maria makes sure to punctuate every single word. She loosely holds yours and Kate's hand in hers. You grab it harder and slowly spin her around. 
“Look at you! You look amazing.” She really does, the whole dress up concept suits her so much, she looks like taken straight out of Bridgethones.
As Maria puts her focus on Kate for a second, asking her how she feels and when did you both go, giving her a second glass at the same time, you take your time to drift off away for a second. Carol's interior design feels like visiting a museum in the best sense of it, but this time she has outdone herself. All the details to bring everybody straight into the new world make it all work together with her natural look of the house. The big living room is turned into a dancing floor. A big piano at the side of it gives amazing contrast to the size of this space. Kitchen is opened only for the staff, and you respect that, sitting area have new pillows and added decorations like tones of fresh flowers with almost overwhelming smell and red carpets as a 
guide to the bathrooms and balcony for people that want to smoke or just take some fresh air. Even waiters have their own costumes. Most of the work makes live music. It's amazing, and you can't wait to let yourself fall into it, watching the orchestra play relatively new music in a classical way. You are in awe how amazing everything is prepared. 
You chose a nice place for yourself a little bit more on the side, halfway to the first floor, where lights are dimmed. High ground is something you enjoy, it opens many more possibilities to observe. Also, you are harder to reach and that gives you the upper hand, literally. Darcy and Carol walk around still talking to some businessmen and other high hierarchy people. You can tell by the way they try to charm their way to Carol's ass, so desperate for her to choose them, that it's funny. You are still worried about Kate, so you follow along with your eyes in red carpet paths to find her in the crowd. She stands at the bar, drinking her, you hope, still second glass of champagne, her eyes are fixated on something, really focused on one space, or person. As you follow her line of sight, you see Maria dancing with an elegant woman who you remember as Pepper. Kate looks almost jealous, and you can't figure out about which one of them. As all your friends are located, you let yourself drown in thoughts about everybody around, who is the most shitty person in the room, who is the drama at the bottom of the stairs about and why the hell someone allowed this dude in sweats even come in here. Just as the thought flew through your mind, you saw a security guard pull the guy outside. You started laughing to yourself about the situation when someone interrupted your peace. 
“Would you like something to drink, ma’am?” The waiter asks you politely, and you swear to god you will never get used to people calling you ma’am.
“Non-alcoholic beer please and thank you.” With a nod, he leaves you once again to yourself. 
It takes him just a second to bring it back, service is incredible as always at this type of event. You go back to your favourite thing, looking around and as much as you don't care about two redheads, more worried about them annoying you all evening, you can't help but notice them at the edge of the bar. Wanda wears an incredible deep red dress that fully matches the colour of her lips, all her accessories are black though and as you look a little to her right you can see why, right next to her Natasha wears a black suit with red accessories. They are fully matching to each other, and you can't help but smile to yourself. It's nice to see this kind of energy between them. Natasha’s hand leaning on the small of Wanda's back, Wanda's hand reaching, in any moment they are alone, to hold her wife close. They both stand there with a glass of wine, from time to time talking to some important looking man, maybe clients as you assume. You are invested in observing them, probably a little too invested, because you didn't realise that you finished your beer that fast. You look for some place to put it down, but no waiters are around you right now, so you go back to leaning over the smooth, shiny handrail, trying to land your sight back on two women, unfortunately you find their spot empty. Searching through the crowd, you turn right, just to bump into someone standing really close to you. Bump is actually a light choice of words. You fully went into that person just to bounce back, and if it wasn't for their hand catching you, you would surely fall. These two seconds of you almost falling is enough to notice a strong grip on your waist, fingers digging into your skin in a protective manner. To catch some balance, your hand shoots up to grab whoever is in front of you by the side of their jacket with your right hand and the handrail with your left.  You pick your head up, and you see Natasha looking down at you, with Wanda on her left side holding you by your shoulder to also prevent you from stumbling back. The woman you went into has this sickening smirk on her face, and you would love to wipe it off, but you promised your friend to be nice, maturity it is. 
“I apologise, I didn’t see you there.” You say politely as you move out of their reach, placing your hand from Natasha’s jacket to her chest, pushing lightly to create a comfortable space between you. 
“Don't worry, sugar, we got your back.” Words spill out of her smirking lips, as her hands still linger in proximity to your body, and you need to compose yourself for a second. Don't be a bitch, you think to yourself, trying to keep your sarcasm at bay. Maybe honesty will be a good way of dealing with it, so you decide to try it. You clear your throat before speaking, a little too theatrical. 
“If you don't mind-’’ you start, but the waiter moves next to you, so you take the chance and put your beer bottle down on his tray, trying not to ruin his balance, before you continue. 
“I wanted to ask you something.” 
“Go ahead, we don't bite.” This time, Wanda is speaking, and you need to remind yourself to not fall for her warm voice. Her hand did not move from your shoulder, so you decided to gently grab her wrist and physically remove it from yourself. Her skin is soft, softer than you thought, her body is hot which is not surprising with so many people around, and the heating on. As a part of her makeup, she used body mist that smells like roses, and sparkles in the bright lighting of the room. Some of it stays on the tips of your fingers, and you tell yourself to not touch an expensive outfit that you have on, worrying it might ruin it. She gets the idea and actually looks kind of guilty of not letting you go herself after you moved back. 
“What's up with the pet names?” They look confused, but you don't mind clarifying. Always willing to go the extra mile if that means that people will leave you alone. 
“You saw me… hm… let's see…3 times in your life, you know basically nothing about me, except the things my friends said about me, and for some God knows what reason you feel comfortable enough to call me all kinds of pet names. I just find it weird. What makes you feel so comfortable?” It's funny, the picture in front of you. Two mature, adult and powerful women being taken aback with honesty and putting down boundaries, at least that's what it looks like to you. 
“We didn't think you would be against it. Nobody ever was.” Natasha lowered her voice, sounding really confident, which is not fitting for what you read off of her facial expression. Her brows furrowed in confusion and her lips without a smirk, which is not a usual view. 
“It's meant to be sweet, heart-warming, and usually it makes beautiful women like yourself feel special.” Wanda adds to her wife's statement, providing a little bit more of their point of view. 
“Usually.” You throw under your breath, not being able to catch your bitchiness at bay before your mouth betrays you. Your arms are crossed on your chest, not knowing how to stand or act in front of them. They make you nervous, and you don't enjoy the way your senses are tingling when you are with them. With the goosebumps on your forearms, the muscles on your back tightening, and your fingers twitching, your anxiety is up through the roof.
“Actually, yn, I find it weird that you don't like it. Why does it make you so uncomfortable? You are a beautiful, funny, creative woman, whose company we really enjoy.” Natasha gets a little bit closer to you, her hands lightly trying to reach you, get a chance to touch you again, just being close is all she wants. Pulling any physical reaction out of you gives her information that you yourself are not even aware of. She is really observant of your breathing, how your chest rises when they are close and as careful she tries to be with you, she is sure this is not hatred talking through your body. All of those signs tell her that you crave them, that you are attracted to them. That's what those reactions always meant to them, so it has to mean the same thing, right? 
“You see baby, we would love to get to know you a little bit more, but you seem to run away a lot from us. Do we make you nervous?” Wanda is still on your right side, her voice reaches your ear, and you swear to God you can feel the hair on the back of your neck standing up, ugh. Her hand moves smoothly, closer to your arm, the tips of her fingers drawing a pattern on your forearm, leaving a shiny trail behind and as your arm flexes under her touch, you are trying to think of an excuse to move out of their reach. 
“No!” You answer her question, probably a little too harshly and too loud. You step back, your body is covered in goosebumps making you feel nervous, cornered and not safe with them. Your arms flex with worry, and you cross them on your chest, informing them that there is a line that you won't allow them to cross. At the same time, your mind is trying to come up with any way to make them feel that you won't let them overpower you, anything to show them that you are not someone to be played with. 
“Do I make you nervous, Wanda?” This is the first time you called her by her name, and her eyes widened at the sound, only now realising that she feels much closer to you, than you actually are. It barely happens to her or her wife to feel a connection with people and for both of them to put that much interest in somebody, at the same time. Because of that there is so much need to understand what makes you… well you. The way your friends speak about you, the things they know, and they don't know, and how much of a saint you actually are. This is all Wanda can think about since she saw you at the coffee shop. This is all Natasha is talking about since her wife pointed you out, drinking coffee at a couple of tables next to them, with the most focused look they ever saw on someone. This is not something they are willing to lose, not when it took them so much time to find it. They were on countless dates, dinners, and one-night stands. All girls are similar to each other, most of them not even trying to hide the fact that they are only interested in their money. This doesn't bother them that much, but they decided it's not what they want. The fact is that Natasha and Wanda don't look for a sugar baby, but more of an actual addition to their relationship, someone who will make them feel more whole. Wanda is more patient about getting to know you, trying to make you like them or at least giving them a chance, Natasha on the other hand is impatient, she wants you now, in every way imaginable. Just as Wanda is about to nod at your question, her wife is speaking again, challenging you to reveal what you really think about them, but more in an inflated ego way. 
“Please yn, we can see how you act around us, how you squeeze your palms to control yourself, how you shiver when we are close, how you bite your lips at our every compliment.”
“Yes… yes, you are right. I need to bite myself to not be an ass to you. I promised Carol I would try, I squeeze my palms because I wanted to punch you at least 3 times in the last 5 minutes and I shiver because none of you respect any personal space, and it gives me high level anxiety, I would literally rather be in a metal cage in the middle of the ocean surrounded by starved sharks, profoundly bleeding.” Your face shows anger with every line appearing on your forehead, you step closer to Natasha, trying to make her understand that she plays the wrong game here, that you are nervous around them because…. Because they are…. They just….. You are…. Not sure why, and it just hit you. Why would you be, they are not trying to harm you, they are being obnoxious, but that shouldn't make you feel so emotional. This time Wanda is speaking and her voice is so much softer and calmer than Nat's.
“I don’t think you hate us, yn. I think you really want to, but you don't. Let us get to know you, let us show you who we are, and then decide. Give us a chance.” Her hair falls softly on the side of her face, her smile gracefully invites you into her idea, you want to listen to her, and you almost do. 
“Exactly, yn, we all know that you would fold for us if we wanted to.” You go straight back to the ground after Natasha's comment. A smirk appears on your face as your eyes meet hers. 
“You are so full of yourself. If the whole world is at your feet, then why can’t you find anyone suitable. If you are so confident, why won't you make me fold for you…. Sugar.” With each word, you get closer to her, close enough to look up at her eyes and put a finger at her chest as if it proves your statement. She is a little taller than you, and you look so innocent and sweet from up close. Her jaw is tight, her eyes fixated on you, and she fights with herself not to reach out for you. But Natasha sees more than you are aware of. She sees the way your breath shakes when you lock your eyes with hers. She sees how your body leans to the right when her wife is standing, witnessing the dynamics between you two. Before any of them can react to your comment, Maria comes to your rescue, pushing her way through two women,
“Yn, I need you.” Your friend whines while pulling your arm around her waist. Her face is red, her dress is creased, and she is out of breath. As a good support, you immediately follow her thinking that something happened, leaving two redheads behind, without a second thought. She doesn't ask about what she just witnessed, and you are so grateful for that. You let Maria drag you to the middle of the dance floor, basically making you dance with her because Pepper got tired. You don't blame her, Mia can be a lot sometimes, but that's exactly why you love her, you let music take over and find pleasure in the rhythm as music got a little bit more current style. Lost in having fun with Maria, none of you notice the rest of the group watching you carefully from the resting area. Wanda and Natasha joined Darcy and Carol on the couches, and Pepper brought some drinks over to them. Kate sits close to them but is too shy to attend the conversations. Alcohol is slowly making her loosen up, but it's still not the time. 
“Carol-” one of the red heads calls for her, taking her attention off of Darcy on her lap.
“Is there something between Maria and Yn?” Natasha asks boldly, not even trying to hide her motive. 
“Actually, I would also like to know.” Pepper chimes in, clearly showing her interest in your friend, she even sounds a little jealous. Darcy opens her mouth to speak but stops herself before it's too late. In this kind of social situation, energy between her and Carol shifts. In public, it's still held in some slow movements and gentle whispers between them, but as the house slowly clears up, only few groups left, they get more and more comfortable with their dynamics. Darcy knows that she should ask permission to speak before talking to her partner's friends, so she waits for her cue. Carol squeezes her thigh and gives her non-verbal permission to answer.
“Yn and Mia were always close, they have known each other a long time now, and sometimes I think they can read each other like a book. There is for sure some sexual attraction between them, but I don't think even they are aware of it. But to answer your question, there is nothing going on between them other than friendship.” Carol takes Darcy's hand into hers, reassuring her that she did good. 
“Hm, thank you, sweetheart.” Pepper hums and takes a long sip from her drink, finally taking her eyes off of the dance floor. 
“And you-” she stands up, her dress flowing behind her when she does, to add volume to her outfit. She moves to the couch in front of her, occupied just by Kate, and sits beside her closer than socially acceptable. Her arm follows the back of the couch, dangerously close to Kate's face. 
“I know you, don't I? I think we met last week at a meeting with Eleanor Bishop.” Kate’s eyes widened at realisation and fear. Her mother doesn't know anything about people around her, and Kate would like it to stay that way. 
“I… yes, Eleanor is … my mother, I believe we discussed cooperation between our companies.” How Kate keeps her face straight is a mystery, Pepper definitely intimidates her and after seeing her dancing with Maria and now trying to get to know her, she is at least confused about her own emotions. Today was a hard day for her and wanting to just let loose, mixed with alcohol, gives her enough courage to fall into the casual conversation with a beautiful older woman. 
The house is emptying more and more with every minute, it's crazy how many people can fit in here. Everybody falls into light conversions and loosen up after a long party, which is unfortunately a big part of their job. Carol and Darcy are in their own world as usual, Wanda is giggling with her wife about some comment she just said, but when Maria comes back and takes her place next to Pepper and Kate joining in their conversation, Natasha immediately looks for you on the dance floor. You are standing next to the balcony, a few minutes of fresh air can do wonders on your anxiety. It's a cold and bright night. Moon is fully out, brightening up the garden, making it look mysterious and scary, mainly in a good way. A minute to yourself is something you have been praying for since you got here, you know that in just a second you will have to go back and still be fairly active with your friends, despite your exhaustion, so you are trying to enjoy this moment as much as you can. Suddenly, a long shiver goes up from your neck down to the tips of your fingers. You feel a presence behind you and as you turn around, you just wish it wasn't….. Natasha. She approaches you calmly, but there is a strange confidence in each step she takes, each look she sends you, every word she speaks. Because of it, it's harder to read which parts of her are true and which parts are a mask she developed for herself. She is studying your face for a second, taking time to herself to decide her way to approach you, calling out in her head the bullshit of your actions, parts you are not realising are true. She wants to help you with that. 
'You are lying to yourself.” You are stunned by her boldness, but you don't speak, allowing her to elaborate on the topic. Your body on the other hand flexes immediately, straightening up you try taking more space, showing her that you are not an easy target, for whatever she is planning against you. 
“And about what exactly, Natasha?” You challenge her, that one is obvious, or maybe she challenges you. Either way, you know that all of this is a game to her. She is a predator, and you are a prey, not in this reality you're not. Not in your reality. 
“I know you want this y/n, I see you shivering at my touch, I see you looking at me from the other side of the room. The way you looked for me and Wanda in the crowd. I know what you need, and I know what you want. We can give you that, all of it, me and Wanda. You just need to say it, darling.'' She comes closer to you, with each word she tries to lock her eyes with yours to make you truly understand. Her right hand is now lightly touching your left. Her fingers are stroking your palm and her touch is surprisingly soft, delicate, like she is afraid of hurting you while her eyes are saying that, that's exactly what she wants to do. You don't move back, why don't you immediately move back? While you have a second to study her you start to understand that all those words, all she does right now is projecting. She is so afraid of being true with you that she tries to make you believe that her emotions are yours. That has to be the case because you are not attracted to her. Two can play that game. 
She comes even closer, with her left hand she holds you around your waist, hand lingering on the small of your back. She doesn't set it down, but you can feel the warmth radiating from it. It travels through you, and you at the top of your head, causing you to shiver.  Her perfume is really nice, and it's overwhelming in the best way. It's stronger than Wanda's and so much different than hers, but just as they are together it mixes with each other in perfect harmony, a little bit like them.  Her lips are so close to your ear, the intimacy of it makes you weak…. Sick…. It makes you sick. You turn your head to her direction, again being shorter than she at first was annoying to you, but now after her reactions you know how to use it to your advantage, You bring out your innocent eyes, steering up at her makes Natasha grab your waist, and you keep your cool together to not react on that. Her fingers are digging into your skin, her grip, like she is scared you are going to disappear. With the proximity, you both end up with lips inches apart. You smirk lightly when her breath hitches and her eyes shift, they become darker, or maybe it's the lightning in the room, or the moon covered by a cloud, or maybe you just imagined it. Natasha grabs your waist harder, and you put a hand in front of you to stop her, afraid she will try to bring you closer. Your hand lands on her stomach, she is flexed, and it seems like an act all over again. Your left hand is locked with hers, your bodies barely apart, only your palm standing in the way. You can feel two buttons under your fingertips, and her belt at the bottom of your palm, thick leather digs painfully into your skin, so you push at it, causing it to be pushed down. It happens so fast, but you can swear you heard Natasha lightly moan at this action, so you push a little bit harder. She bites her lips hard, and you don't take your eyes off of them as you speak.
"I want..." she focuses more on your voice. Pupils dilated and breath caught in her throat. Only now you start understanding that it's actually you that has all control over the situation. With all her confidence and boldness, in this very moment, you are the one that has control over her. Maybe you judged your friends too harshly on the dynamics of their relationship and this is something you need to put more thoughts in, but for now you need to handle the situation at hand. You repeat yourself. 
" I want .... you.... to leave me the fuck alone, and get into your head that I'm not someone you can play with." You saw how her eyes went from lust to shock in a split second. You push her again, getting out of her tight grip on your waist, which you actually might be bruised from, and leave her dumbfounded. It feels like an award. 
Shortly after you join them your friend, all of you fall into light conversations between each other, with you actively trying to ignore Natasha and Wanda. They don't make it easy for you, their eyes linger on you too long, too bold for you not to notice, but you won’t give them the pleasure of giving them any reaction. The next rounds of drinks were served and as you try to keep Kate out of taking any more, someone interrupts the conversation of your small circle. 
“Hello ladies.” Everybody looked up at a man that decided that the after party is the best moment to shoot his shot with Carol and point her interest at his ideas. He couldn’t be more wrong. 
“Hi, excuse me, but the party's over and only the closest friends are staying at this moment, I hope you understand. Thank you so much for attending.” Carol is bold, Carol is confident, and Carol doesn't like to repeat herself. 
“Well, that's exactly what I hoped to become.” He is not getting the clue, even when it's served to him on a silver platter. Darcy leaned in to inform you that the man standing in front of you is an owner of a StarL industry and his name is Peter Quill. You heard him before at the party, someone called him Lord and you laughed at the commitment to the party. As it turns out, it's a real title that he tries to get people to call him. His company focuses on tech development, and you can help but smell a copycat of Pepper. His outfit doesn't fit into the topic of the party, his hair looks greasy, and the stupid grin on his face makes you sick. He looks like your high school teacher that you truly hated, who was released from his job, due to his inappropriate behaviour towards some of the students. 
“What are you ladies talking about?” Still, this man can't get a clue. He seems so desperate for Carol's approval and probably the rest of the “MILF sisterhood of really expensive pants” club, that you are pretty sure he actively chooses to be oblivious.
“Art, music, girly stuff, probably nothing that would interest you.” Wanda is trying once again to tell him off. Her hand is on Natasha's thigh, maybe to feel her close, maybe to comfort her, but the main reason, as you assume by Natasha's body language, is stopping her from taking the case into her own hands. 
“That's exactly the thing I love, especially the part about girls.” Well, that was creepy. 
“But I know a lot about art and music. Actually-” he continues, and you wish he didn't. “ I saw this incredible painting, right there.” He points to the place above the piano. The painting is framed with a wooden frame, covered in hand made golden little leafs. It's hard to distinguish from so far what it is, but you had a chance to take a close look at it closely, when you entered the house. The painting shows a beautiful view of nature. Big forest is dark with some light falling through the trees creating spots of breaks between the darkness. It's really detailed, so you can't figure out the real looks of it, if you did not study it from up close. Between each tree in the sunless ground, there is a horror looking creature, creeping from the depth of it, looking afraid of the bright spots. 
“Oh, do you like it?” Wanda speaks again, taking your focus off the painting. 
“Yes, very. It reminds me of Albert Bierstadt. It's so detailed, I could see every leaf and it's so calm and domestic.” You can't help but laugh at his bullshit. Clearly he learned two or three names just to impress somebody and if you had no knowledge whatsoever maybe you would fall for it, but you do, and you call it bullshit. 
“What's so funny?” His arms are crossed on his chest, challenging you with his domination. All eyes are on you. 
“Bierstadt is a realist, there is nothing realistic about this painting, and please enlighten me what's so domestic about it?” He seems to be caught in a moment. His hands grabbing the side of the couch with unnecessary hard grip. 
“What do you think about it, yn?” Natasha moved closer to her wife, embracing her in a side hug, allowing Wanda to rest her head on her shoulder. They are both focused just on you, somewhat like the men disappeared, like everybody disappeared. 
“Well-” you start slowly, not really trusting why they are even asking your opinion. “ I really like it, it's an unusual piece.” They take a sip of wine and wait for you to continue. 
“At first, yes it might look realistic, but it's really not. It's a nightmarish painting, showing the fear and struggle of staying in light, or maybe escaping it. It might be about the contrast between light and dark, maybe about how you can see what is really there until you actually focus on the darkness, which not a lot of people do. Not only that, but it reminds me more of Beksinski style than any other.” Wanda looks happy, Natasha truly impressed and Carol has this know it all smug on her face. 
“Well, Wanda here created this masterpiece and gave it to me when I bought the house. She has talent doesn't she?” The question is pointed at you. Peter left the group in the middle of you talking, before making an even bigger fool of himself. 
“Yes… yes she does.” You answer faster than you can think. You don't take your eyes out of Wanda, drowning in her focus on you, feeling pulled in before you can grab anything in reality to stop it. Your compliment makes her really happy, it's rare for her that someone truly gets her, and you…. You seem to do it all the time. She cannot explain this connection she feels, just as she can't stop smiling at you. Her nose is scrunching a little in the cutest way you ever saw. Natasha kisses her on the forehead, enjoying the moment between you too. 
“Well, yn is also an artist.” Oh, god, Darcy, why? You wish she hadn't said anything. She always does that, brings your hobbies or any achievements that you have at any possible moment. There is something irritating about it, and at first you had a big problem with that, but with time you understood, and you felt the love she has for you even more. You never got that as a kid, your parents praising you for grades, your art or internships, college, the list goes on. Darcy only wanted you to feel appreciated, and let you see how proud she is of all the things you did in your life, or simply with yourself. Watching you grow as she grows with you was one of the best things that happened to her, and she will happily remind you of it every day. 
“Now I need to know more, what do you do yn? Artistic, in life, work, relationships? Tell us something about yourself.” Natasha is pushing, and she knows she is, but it's harder for you to back up when you are surrounded, and she will take her chance, even if it means not playing fair. 
“Well, I'm studying language and literature at the university, working as an intern at a publishing company, and I'm having additional shifts at the bar. About artistic stuff, there are a lot of things, but I mainly write poetry.”
“She wants to put her own poetry book at some point.” Says Maria.
“She also writes essays for other students, she goes to the gym, she learns to play an instrument.” Kate adds, and you start feeling like an item on an auction. You appreciate your friends either way, you know they mean good. 
“Our yn is a really versatile person.” Darcy can't help but add her thoughts into the praising bucket. 
“Oh well, that's a lot yn, I'm surprised you have any free time.” Wanda talks to you in a more calm way, with no judgment, but you can't help but look for it in every statement. That's a little spice added to your personality.
“What about your family? Any siblings?” This topic shifts the conversation in a way you don't enjoy. It feels like interrogation now. You really want to finish this conversation, run, stop them from talking and asking questions, take all the eyes off of you, but you will try to stay on top as long as you can before your anxiety will drown you down. 
“I have a brother. My parents are dead.” You answer casually, like talking about the weather, or household duties on Thursday evening. Your voice is similar to a salesman who's been at the same position for the past fifteen years and doesn't know why he is still alive. 
“YN! They are not dead!” Darcy always corrects you, and you know that if she were closer to you, your arm would be hurting now. She calls it a gentle jab, but it's never gentle. 
“Might as well be. You know, I'm going to go check if they need any help in the kitchen, excuse me.” This has become too much. Air too thick, shoulders too heavy. You can feel each time your lungs are filling up with oxygen, and you feel like you have too much and not enough of it at the same time. You are too aware of your body, feeling a shiver traveling through your skin but never leaving. You are surprised after going to the kitchen to see it empty, but you couldn't be happier.It's after midnight, and the morning shift of Carol’s staff was going to take care of the after party mess. Silence makes you feel free, the lack makes you feel whole. Just for a moment, you can be yourself. It's not that you are not with your friends or around people, it's just… There are so many versions of you, and all of them need some space. You feel like you have been neglecting this one with the lack of time, and anxiety is her way to make you aware of her needs, of your needs. You decide to grab some iced water. Due to the high ceilings, all the cupboards hang higher than usual. It's so irritating, but you don't have a chance of grabbing one of the cups without getting on the kitchen counter. For a second you debate your choice, on the other hand you can go outside and grab your mug, but that would mean coming back to your friends and probably staying there. Climbing is it. You take off your shoes and jump to sit on the kitchen counter to stand on it slowly to look through the cupboards. The first cabinet is empty, the next one is filled with plates and the third with bowls. How many dishes do people need? 
“You need some help?” A voice behind you almost makes you fall, you lose your balance, but in the last second you smoothly land on the ground without any harm. Natasha looks at you and her smirk seems to disappear, at least for now. 
“Do I look like I need help?” 
“Yes… yes, you do.” Son of a-
“Well, I don't, thank you.” You really just want to be left alone, you want some water, some ice, and 5 minutes for yourself. 
“Yn… you're going to hurt yourself, let me-'' Natasha tries one more time as you climb the counter again, this time on the right side of the kitchen. 
“I-” first one is a beautiful set of tea and teapot, “-got-” second one is filled with plastic containers, “-this. Ha!” Third one is a jackpot. Yes, it has only vine glasses, but at this point you would even drink from a plastic container. You grab one glass by its thin leg and carefully try to get down. 
“Okay, I got you.” Natasha is right next to you in two steps, she grabs you by your thigh and waist trying to help you down, and it makes you jolt away. It was just a second, you would have been okay if it wasn't for her, but you slipped and as you try to get any balance your hand holding the glass slams on the counter, breaking it in your palm. 
“FUCK!” you harshly bite your lip to not yell, immediately grabbing your injured hand with the free one. Redhead gives you some space as you pace around, but she tries to grab your attention. 
“Yn, let me take a look, let me help.” Your hand is bleeding, and it's not a light one either. You stretch your hand in front of you in fear of ruining the clothes you are wearing. 
“You’ve helped enough.” You bark at her like all of this is her fault. It is, but it…. Isn’t. 
“If you would let me help you nothing would happen, why are you so stubborn. Ugh.” She is stressed and annoyed by your actions, that much you can tell. She doesn’t yell, but her tone is far from soft or tender. You weren't trying to be mean now, you just want to be alone. 
“I- “ You are trying to come up with some good comeback, but the pain makes you shift your focus. 
“You are doing it to yourself.” With that, Natasha leaves. She just left you alone as you sat down on a cold floor, bleeding from your hand, staining the floor red, which by the way you will have to clean. You can still feel that there is something in your palm, a piece of glass that causes more pain with every move. Okay, get your shit together yn. You tell yourself as you stand up and take a kitchen rug to try and stop the bleeding, carefully putting it around the piece of glass. You need to disinfect it and clean it from glass shards. Carol's wine collection is amazing, beginning at wines, through additional tools and ending on the glass, but when it shatters it's like sand. All of a sudden, doors open with force. 
“What happened?” It’s Wanda, Natasha went to get Wanda. You don't know why but the realisation, the fact that she came back makes you…. Feel something. You are glad that it's not anybody else, or everybody at this point, which you assumed would happen after the big noise caused by your fall. Her voice is worried, it takes you back to the evening when you met her and got a nose bleed. It's the same tenderness, the same soft tone you have heard then. The worry on her face makes you feel guilty. You don't like that feeling. 
“Natasha made a bet that I won't be able to juggle with 4 wine glasses.” You joke, you always do. It's light, it's making the situation less stressful and less stress means no arguing, shaming or attacking you. 
“She didn't let me help and she fell. I tried to take her down from the counter and I think I scared her. It's my fault, I'm sorry yn.” Natasha apologises and you… you don't know how to act. Why is she doing that? Is it because Wanda is here? She also seems worried but mainly scared, her hands don't seem to find their place, she looks at her wife like she is waiting for her to order what to do, to guide her through the next steps. It's new, and you didn't see that dynamic between them before. It’s like Wanda has all the power in here. 
“I just slipped, it's nothing.” You are not sure why you protect Natasha, it was her fault, but… you are doing this to yourself. She is also right about that. Maybe you just want to ease her worry, or yourselves, at the end it's the same thing for you. 
“Whatever happened, we need to take care of that.” Wanda points at your hand. 
“Do you want me to get Darcy for you, hon- yn?” She catches herself halfway of the pet name, and you appreciate her actually listening to you before. You sit on the floor again with your back to the cabinet while your legs are spread to avoid blood landing on your pants. She kneels in front of you, and you shift immediately when she tries to grab your hand. She looks hurt by your actions, and that makes you explain. 
“No, no. It's okay, she doesn't have to worry about me more than she is. Also, I still have glass in my hand and I don't want you to get hurt or dirty” Wanda nods in understanding. When it comes to Darcy, she would be here in seconds scolding you about your behaviour, followed by the most caring moments you ever receive from her. Wanda and Natasha bring you over to the staff bathroom. It's connected to the kitchen, so nobody will see you, and you don't want to be seen now. Natasha went to look for first aid while Wanda helped you take off the stained towel. When she comes back, you hear her speak.
“I have bandages and some plaster stitches, so that should work till we are going to get you to the doctor.” 
“No! No doctors, thank you, I'm fine.” You try to stand up and run away from them. You know you shouldn't, but you really can't go to the hospital or a doctor. 
“Baby it's okay.” Wanda tries to calm you down by tracing patterns on your forearm skin after she rolled your sleeves up. She slightly pushes you down, so you don't get up, scared that you might get injured even more. 
“No, you don't get it. Can we just finish it up here, please?” You don't want to argue, you are tired, in pain, with the lack of sleep, and projects to give tomorrow at school. You don't have time or energy for that. Ignoring Wanda, you get up and try to grab bandages from the other redhead.
“Okay yn, sit your ass down, now.” Natasha is demanding, but she is not aggressive. This version of her is much nicer. It scares you less than a smug version of her, the overconfident bullshit version of her. This one feels more real, and more real is safer for you, because you know what to expect.  You sit down and hang your head low. Slightly embarrassed, you let them help you.
“ I'm going to take the glass out and clean the wound, okay? Natasha will put some plaster stitches on you and bandage to keep it clean. Are you okay with that?” The pain is worse now, or maybe the adrenaline is wearing off, your eyes are glossy because of it, and you don't want to pick your head up at Wanda, so you nod. 
“Yn, why don't you want to go to the doctor? Can you explain?” She asks, while taking pieces of glass with tweezers, her voice is really gentle, scared she might push too hard. 
“I can't afford it.” You answer through your clenched teeth. 
“What do you mean, you can't-'' You don't let her finish, you're too embarrassed to even speak about it, but this is your reality? 
“I don't have health insurance, I can't afford to just go to the hospital, it would ruin me. I already have to pay for school, flat, my m-” You cut yourself off, clearly the rumble gets too fast out of you, it's better to stay quiet, you already said too much. Wanda finishes her part and after rinsing your hand with water, Natasha takes over. She takes your hand into hers and gently starts to put the stitches on you. Fortunately, the cut is not too deep, it should heal on its own. 
“I really think a doctor should take a look at this, and your headaches sugar. We could pay for it, that's no problem.” Natasha is gentle with you, and you can forgive the pet name slip this time. You look at your hand as she finishes, thankful for the help they’ve put in. You look at them and straighten your back, tears still lingering at the corners of your eyes, it still hurts, and you can feel it all now. Your red eyes betraying your poker face. 
“No, that's absolutely out of the question. I know you just want to help and thank you for what you just did, but I don't need you and I certainly don't need your money. You can't just buy everything.” Your voice is not accusatory this time, it sounds like you are in pain, but not the physical one. Both women in front of you learned a lot about you today, and they seem to put that knowledge into use. It doesn't matter how much they want to take care of you, spoil you, or be close to you, they don't want to cross your boundaries any more, or at least they will try. Natasha wants to try one more time to convince you, but Wanda stops her before she can, and she speaks up.
“We understand, hopefully it will get better soon. Can you please at least let us know tomorrow how you are feeling?” 
“Yeah, sure.” You answer, trying to sound casual. Wanda takes her wife's hand and Natasha takes out their card with her free one. She hands it to you, knowing that you probably got rid of the last one she gave you. She is not wrong. They leave the bathroom, giving you some time alone. You throw away all the rubbish from tending your wound and clean the kitchen floor the best you can. You go back to your friends and after answering multiple questions about what happened, you decide with your friends that it's time to go home. They grab their stuff and get into one car. Darcy and Carol are lost in their moments of goodbyes which are always so dramatic, but you hope it will never change. Kate and Maria are half asleep at the back of the car, leaning on each other. 
You check your phone seeing multiple messages and missed calls, sighing to yourself you decide to deal with that tomorrow. Cold air eases your mind a bit, and you appreciate the time of the day. It's late, but there is nothing better for you than the world at 2 am. 
“Are you sure you can drive?” This time Pepper checks up on you, Wanda and Natasha already left, and from what you've heard Pepper stays at Carols today. 
“Yes, I'm sure. It’s okay, don't worry.” 
“Take care of yourself, yn.”
“You to Pepper.” You go into the car and take your seat behind the wheel. Darcy opens the door and sits next to you, while her girlfriend knocks lightly at your window to pull it down. 
“Text me please when you will be home. Keep her safe for me.” Carol is always so protective over your best friend, and you couldn’t be happier about it. Darcy deserves nothing less. 
“Always.” You answer and go straight back home. You have to get up at 6, and you will make the best out of those 4 hours of sleep. 
Next chapter
tag list : @autorasexy @lizziejolsen @natashaswife4125 @sayah13 @romanoffskisser @lijo-8 @jjiiuuisssagcebrcw @natashaswife4125 @dumbassbitchwithnotits @teenybean, @marvelwomen-simp, @ripofflizzie
176 notes · View notes
fallauween · 7 months
Text
Tumblr media
Sugar Hill, New Hampshire — by julesdenby
84 notes · View notes
black-seance · 1 year
Text
Black Horror and Portrayal of Occult
Black horror has consistently been entranced with magic and mysticism, portraying African cultural aesthetics such as Vodou and ancestor worship. Many Black horror movies include themes of possession, occult, and ritualism which are portrayed differently from other horror because of a unique and stigmatized cultural lens. 
Tumblr media
Eve’s Bayou is interesting in its portrayal of Vodou and mysticism, as supernatural aspects of Black Southern life seem to be normalized. There are a range of different powers at play within the film, such as with Aunt Mozelle who is simultaneously blessed with foresight and plagued by a curse that has killed all her past lovers in varying gruesome fashion. The film’s main character, Eve, is also clairvoyant herself, and recruits the help of a Vodou lady in order to kill her promiscuous father. Eve is played by Jurnee Smollet, who also happens to star in Lovecraft Country, another show which centers itself around the occult. 
Tumblr media
Magic and mysticism is also very present in Blaxploitation horror, such as Scream Blacula Scream with its revival of Blacula via Vodou, or Sugar Hill, which makes use of the Vodou zombie trope through a thrilling tale of revenge. You also have the film, Abby, a horror film in which a woman is possessed by the Yoruba sex spirit, Eshu. Blaxploitation horror also includes portrayals of Black vampires and ghosts, heavy with themes of retribution, racism, and other social issues. These Blaxploitation films, while not really the best portrayal of African occult practices, are unique from other horror in that the horror is specifically of Black origin, again, an example of how Black horror looks at magic and mysticism through a cultural lens. This is in contrast to Western horror flicks, which seem to revolve around the general white sphere and look at magic and mysticism through a strictly gimmicky lens (vampires not as cultural figures, but as marketable boogeymen).
Tumblr media
Themes of magic and mysticism can also be found in films such as Get Out, Candyman (both the originals and the sequel), and His House. Get Out’s usage of the mysticism is much more subtle than the rest, but it can be found in the beginning with the usage of the song, Sikiliza Kwa Wahenga, a Swahili song which Jordan Peele states is mean to represent Chris’s ancestors warning him to “get out”. Candyman’s usage is a bit more obvious, with magic and mysticism represented through the oral passage of Candyman as urban legend, which is explored in the 2021 sequel as a simultaneous representation of oral traditions of old, as well as generational trauma from racialized killings of Black men. Lastly, His House makes use of the apeth, otherwise known as a Night Witch in Dinka culture, a creature by which they must repay a debt to after abducting a child and getting said child killed. 
Tumblr media
488 notes · View notes
wanderingnewyork · 9 months
Text
Tumblr media
Houses in the #Sugar_Hill_Historic_District, #Manhattan.
123 notes · View notes
cyarskj52 · 6 months
Text
68 notes · View notes
meep-meep-richie · 2 months
Text
DETECTIVE AU || DEAL WITH GOD [lips like sugar fanmade trailer]
30 notes · View notes
gomzdrawfr · 7 months
Text
˖⁺。˚⋆˙🖤💙 ༘ ─── Day 11
➳ Candy
Tumblr media
bonus with my oc Raven:
Tumblr media
64 notes · View notes
60s-music-tourney · 3 months
Text
Tumblr media Tumblr media
Had to restart the poll to make it a week lonh
193 notes · View notes
consul-valerius · 7 months
Text
Tumblr media
The Duke welcomes home a new partner he met over seas—no, he doesn’t resemble the dead count of Vesuvia at all. This guy’s name is Lorenzo.
Originally was just a mushy kiss kiss between the bastard men, but then I wanted to attempt to draw out an idea for a new arm customized by Sam for Lucio in an “upright” ending scenario for them (ie Lucio is properly banished from Vesuvia and gets to shack up at the Pearl Isles to avoid all his problems and woes 💕💕) The pros of having a magic rich boyfriend is you DON’T need to sell a child’s parents for a sick new prosthetic arm, he’ll just give it to you in exchange for kisses lmfao✨✨
58 notes · View notes
newyorkthegoldenage · 10 months
Text
Tumblr media
The wading pool, Carmansville Playground, July 1935. Carmansville was an old name for the West Side neighborhood extending from 140th Street, just north of City College, to 158th Street. The area is now known as Hamilton Heights (southern part) and Sugar Hill (northern part).
This new era of active recreation was thanks to the Departments of Parks harnessing the labor force of the Works Progress Administration, which employed millions of jobless people to carry out public works projects.
Photo: NYC Parks Dep't via the Daily Mail
97 notes · View notes
bleaksqueak · 1 year
Text
Listening to music on Youtube Obscure Problem 947 like: "Just because I put on TENDER SUGAR doesn't mean I want you to autoplay into a "SILENT AND CHILL" playlist of the NARCOLEPTIC ASS DEPRESSION FEST THAT IS THE INCIDENTAL MUSIC. I love the Silent Hill OSTs but I'M WORKING NOT LAMENTING IN A RUSTING BATHTUB FOR 6 HOURS"
How many times have we been through this, old man. I tell you not to play these mixes, and you manage to find 50 more. I'm begging you, good people. Stop making Silent and Chill compilations. You're too powerful already. I have to be in the Right Mood to listen to Not Tomorrow and you can't just do this to me while I'm trying to draw some cute shit with Lyra and her ménage.
86 notes · View notes
Text
Eddie is the type of guy to be obsessed with watching you get yourself off. Like he’s perfectly happy to watch you laying back amongst the comfort of all your soft pillows and blankets on your bed whilst you work your favourite dildo inside yourself. He watches with wide eyes and a hazy, lust-addled brain as your chest rises and falls with moaning gasps, and he doesn’t miss the way your other hand has snaked down between your thighs to rub circles over your sensitive clit. 
His cock is achingly hard in his boxers, but he can’t bring himself to care about his pleasure right now, not when you look so pretty laid out like this.
“Sugar, you’re so pretty like this, fuck…M’so fucking hard for you, sweets…”
246 notes · View notes