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docrotten · 10 months

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IT CAME FROM OUTER SPACE (1953) – Episode 155 – Decades Of Horror: The Classic Era

“Where are you? What do you look like? What am I supposed to be looking for? I know you are out there hiding in the desert. Maybe I’m looking right at you and don’t even see you. Come on out!” Doesn’t the song go, “Who are you? Who, who, who, who?” Join this episode’s Grue-Crew – Chad Hunt, Daphne Monary-Ernsdorff, Doc Rotten, and Jeff Mohr – as they set their eyeballs with relish on Jack Arnold’s It Came From Outer Space (1953).

Decades of Horror: The Classic Era Episode 155 – It Came From Outer Space (1953)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

ANNOUNCEMENT Decades of Horror The Classic Era is partnering with THE CLASSIC SCI-FI MOVIE CHANNEL, THE CLASSIC HORROR MOVIE CHANNEL, and WICKED HORROR TV CHANNEL Which all now include video episodes of The Classic Era! Available on Roku, AppleTV, Amazon FireTV, AndroidTV, Online Website. Across All OTT platforms, as well as mobile, tablet, and desktop. https://classicscifichannel.com/; https://classichorrorchannel.com/; https://wickedhorrortv.com/

A spaceship from another world crashes in the Arizona desert and only an amateur stargazer and a schoolteacher suspect alien influence when the local townsfolk begin to act strangely.

Director: Jack Arnold

Writers: Harry Essex; Ray Bradbury (film treatment)

Produced by: William Alland

Music by: Irving Gertz, Henry Mancini, Herman Stein (all uncredited)

Cinematography by: Clifford Stine

Editing by: Paul Weatherwax

Costume Design by: Rosemary Odell (gowns)

Makeup Department:

Joan St. Oegger (hair stylist)

Bud Westmore (makeup artist)

Jack Kevan (makeup execution) (uncredited)

Art Department: Joseph Hurley (conceptual artist) (uncredited)

Visual Effects by:

David S. Horsley (special photography)

Roswell A. Hoffmann (special photographic effects / visual effects optical printing) (uncredited)

Selected Cast:

Richard Carlson as John Putnam

Barbara Rush as Ellen Fields

Charles Drake as Sheriff Matt Warren

Joe Sawyer as Frank Daylon

Russell Johnson as George

Kathleen Hughes as Jane

Virginia Mullen as Mrs. Daylon (uncredited)

Dave Willock as Pete Davis (uncredited)

George Eldredge as Dr. Snell (uncredited)

Bradford Jackson as Bob – Dr. Snell’s Assistant (uncredited)

William Pullen as Deputy Reed (uncredited)

Robert Carson as Dugan (uncredited)

Edgar Dearing as Sam (uncredited)

Alan Dexter as Dave Loring (uncredited)

Whitey Haupt as Perry (uncredited)

Casey MacGregor as Toby (uncredited)

Dick Pinner as Lober (uncredited)

George Selk as Tom (uncredited)

Robert ‘Buzz’ Henry as Posseman (uncredited)

Kermit Maynard as Posseman (uncredited)

Ralph Brooks as Posseman (uncredited)

Ned Davenport as Man (uncredited)

Calling all “Monster Kids!” The Grue Crew tackles the sci-fi, 3-D, Jack Arnold classic, It Came From Outer Space. This one’s got it all: groovy alien eyeball monster, body-snatching shenanigans, coming-at-ya 3-D fun, and… The Professor from Gilligan’s Island. What else do you need? The Grue Crew discusses all this and much more.

At the time of this writing, It Came From Outer Space is available for streaming from the Classic Sci-Fi Movie Channel, the Classic Horror Movie Channel, and multiple PPV sources. The film is also available as a Blu-ray disc from Universal.

Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Up next in their very flexible schedule, as chosen by Daphne, is The City of the Dead (1960), released in the US as Horror Hotel and featuring Christopher Lee.

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the Gruesome Magazine YouTube channel, the site, or email the Decades of Horror: The Classic Era podcast hosts at [email protected]

To each of you from each of them, “Thank you so much for watching and listening!”

Check out this episode!

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issanicksblog · 2 years

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Virtual Sketchbook 1

1. I was assigned slide #26, which is James Turrell's "Aten Reign" (2013). The art piece has variable dimensions, depending on the time of day and refraction of sunlight. The piece itself is created by using LED lights and natural sunlight.

James Turrell is an artist most known for his works involving lights creating beautiful architectures.

The "Aten Reign"was specifically created for the hall of the Guggenheim Museum in New York.

The artwork is purposely meant to be the ideal meditation place for its visitors.

All of the artist's work is meant to reveal how vision intersects with the brain.

The art piece is surrounded by a core of daylight which is followed by five elliptical rings of shifting, colored lights.

After doing research on the art piece and the artist himself, my perspective is surprisingly similar to my initial impression. The varying dark blue colors presented the art piece as relaxing and somewhat somber at first glance. After doing research, the piece is meant to serve as a safe meditative place for its viewers all while it reimagines the rotunda of Frank Lloyd Wright's iconic building. Overall, the viewing experience is the main emphasis of the art piece as the vibrant colors are meant to influence the thought processing of the viewer.

This paining has existed inside of my house for as long as I can remember and although I do not think it is visually appealing to look at, it serves a purpose. I personally believe the painting is symbolic of showing people can act different behind their fake smile since the clown is covered in makeup. I believe this painting may have been created by the artist using oil based paints. The painting is also messy when it comes to blending and lines and a reason to this could possibly be to symbolize the imperfection of what it means to be actually human.

3. Hello, my name is Nicholas, sometimes called Nick, and I am currently 19 years old. My primary gender is male and I was born and raised here in the Bradenton/ Sarasota area. My ethnicity consists of a combination of primarily Filipino and then part Greek and Scottish. For fun I like to either cook and bake or work out. As of right now, I am not apart of any group organization; however, I used to be in various medical and math clubs in high school, as well as marching band. As for a job, I work part time as a server. What makes me unique is my extroverted introvert personality. I naturally like being around other people, but at the same time I prefer to be quiet.

This picture encompasses my lack of creativity, sorry. In my defense however, the picture reveals my appreciation for vibrant and exotic colors and art overall as this picture was taken at the art fairgrounds in St. Pete.

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soggycheesefry · 5 years

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Happy Pride y’all! This bi bitch was in the St. Pete Parade walking with Deadly Rival Roller Derby! I LOVE this look to bits!

#happy pride #pride month #gay pride #bi pride #st pete pride #makeup #makeup artist #my makeup

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orcnumber1 · 5 years

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So now I'm gonna give you guys a rough idea of what my oc's look like. I can't draw so I'll be using photos of real people. I know, lame and unoriginal but I do what I can 😃

Shawn Ravish - Ex Savage Heart lead vocals/keyboardist, current Voodoo Army keyboardist/vocalist. Age - 46

Yes, I know this is Axl Rose. But the character is based on him so yes, he's physically modeled after him as well. His hair is more blond than red, however. Also Shawn didnt age as rough as the real Axl did, he still looks pretty young and fit for a 46 year old man. The backwards baseball cap, sunglasses and facial scruff is 100% Shawn though.

Huffy St. Clare - Ex Savage Heart guitarist, current Voodoo Army guitarist. Age - 48

Again yeah I know it's Pete Wentz. But it's the closest I can get to what's in my head. When I first came up with this character he had really shaggy, unkempt brown hair that hung in his face. Well it still does, but it's hard finding a pic like that, plus Pete has the tat sleeves I imagined for Huffy. The only confusing thing is that he and Shawn are around the same age, actually Huffy is a couple years older but here it makes him look like he's way younger. Oh well, it says their ages in the book at certain points.

C. Dwayne Blackburn- ex Demon Embryo drummer, current Voodoo Army drummer. Age - 28

His hair is a little lighter than this guy and he's a lot stockier but this is pretty close to Dwayne. Mostly it's the facial expression and the stance that hits the nail on the head here - Dwayne comes off as a sarcastic dick at first but soon you find out what a good guy he is, he just has no real filter.

Jesse "Mouse" Hensen - ex Demon Embryo guitarist, current Voodoo Army guitarist. Age - 25

Yeah this guy is pretty muxh dead on what I imagined Mouse looking like in the book. He's a gigantic nerdy goofball just like Mouse too. This pic is perfect.

Quinn Faulkner - ex bass and vocals, Demon Embryo, current lead vocals and bass, Voodoo Army. Age - 26

This one is pretty close, even though Quinn's features aren't quite as delicate and feminine as this girl's. Quinn actually describes herself as "orcish" and she plays an orc barbarian in D&D. But she's attractive (she must be for Shawn to have an interest in her) so a lot of that is in her head. Also she's half Choctaw Native, and I think the girl in the photo is Asian but I'm not sure.

Tegren Robinson - makeup artist for Voodoo Army, ex groupie. Age - 44

So this is a character I haven't really revealed yet but she's one of my favorite characters I've created so far. She's based on Tawny Kitaen from the Whitesnake "Here I Go Again" video (the chick on the car, that's her in the pic), and her backstory is that she was a groupie back in the "80's and one of the only people Shawn felt like he could trust. She was his side chick for years before Shawn swore off women and they just decided to be friends. But she's like a really nurturing type of person, takes Quinn under her wing when Quinn gets stranded in LA with no money or place to go, helps her find work and encourages her not to give up music. There's a lot to this character but I don't want to give too much away.

So those are most of my characters. There are more but for the sake of your dashboards I don't want to make this any longer of a post.

#my ocs

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jerseydeanne · 6 years

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OPINION: Can we talk about Jessica Mulroney?

I appreciate you might not be aware of her existence, unless you're Canadian. From what I can tell, many Canadians are heartily sick of Jessica Mulroney – but sucks to them, because it appears she's en route to world domination. Indeed, if I'm aware of her in Karori (which at times feels less plugged into cultural currents than Scott Base), then she's achieved it already. Achieving things, or as her therapist might term it, actualising her best self, seems to be her unique selling point.

Indeed, Jessica does many things. These include PR, and content strategy (nope, me neither). She's a stylist of clients, including Canada's First Lady, Sophie Gregoire Trudeau. She represents brands. She co-founded a charity providing makeup to women in temporary accommodation.

READ MORE: * Leah McFall: Meghan Markle has personality. Is that going to be a problem? * Leah McFall: Megan Markle, Princess Sparkle * Leah McFall: Meghan and Harry's cake is not just a cake * 'She wanted to be Diana 2.0': Meghan Markle gets the Andrew Morton treatment

She has an ardent Instagram following. She's married to a TV host who is himself the son of the former Prime Minister, so she's often referred to as one half of Canada's leading celebrity "power couple".

No phrase gives me the trots more than "power couple". It implies one of these two people is probably more than enough, but no – they had to weaponise their potential by getting together. This is mutually beneficial, but also denies people with rather less going for them the chance to hitch their wagon to a star and better achieve their goals.

For example, imagine what you could have done for world peace if Daniel Craig had chosen little old you, instead of gorgeous movie star Rachel Weisz? (More to the point, what could Daniel have done to you?)

WPA Pool

Jessica Mulroney was resplendent in blue on the day of Meghan Markle's wedding, on the steps of St George's Chapel, glossy, leggy, hard-bodied, styled to the last of her cells – a matron of honour in all but name.

Jessica Mulroney was doing just fine before she met and befriended Rachel Zane – I mean, Meghan Markle – but since Markle became engaged to Prince Harry, Jessica's become the planet's most powerful BFF.

Apparently, she helped cultivate their relationship by providing a Canadian safe house for the lovers when their relationship was secret. It's said she helped pick Markle's outfits as the affair became public knowledge, and guided Markle to choose the perfect wedding look. And she was right there on the day, on the steps of St George's Chapel, glossy, leggy, hard-bodied, styled to the last of her cells – a matron of honour in all but name.

Remember those twin boys, holding up Markle's veil? They're Jessica's! Incidentally, I liked the idea of boys doing something thankless that usually falls to bridesmaids, because it was weirdly feminist; in the same way that Beauty reading a lot of books while incarcerated by the Beast is weirdly feminist.

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It represents an inch of progress.

Fascinated by what it takes to be a self-made woman in the digital age, I dipped into Jessica's Instagram this week. Unless you are already one half of a power couple, DO NOT DO THIS.

Jessica and her trainer were in the press up position, their ankles suspended in mid-air by resistance bands which dangled from the ceiling, performing a series of painful contortions. THIS WILL CHANGE YOUR AB GAME, it's captioned. Jessica is grimly determined in the video. Her manicure is unaffected.

Watching it will give you reflux. If I was dangling like that, the sphincter dividing my stomach contents from my windpipe would throw up its pink, gristly hands and huff: "You know what? You do you and I'll do me," and release a burning rivulet of acid into my mouth.

As I don't have that level of commitment to actualising my best self, I'll never be a famous woman's BFF. Jessica reminds me what I am, which is ordinary. Her Instagram is the opposite of inspirational and, in a way, this is her genius. YOU DO YOU, Jessica might as well be telling me. IT'S THE ONE THING YOU'RE GOOD AT.

Chris Jackson

Since Maghan Markle became engaged to Prince Harry, Jessica Mulroney has become the planet's most powerful BFF.

I'm not especially interested in Jessica, per se. I'm more intrigued that to be truly culturally powerful, a female public figure needs an equally ambitious fixer – think Michael Cohen and Donald Trump – to make strategy under the guise of sworn friendship.

As Cohen is on Trump's payroll, and because Trump is as skilled at human relationships as a boiled whelk, there's no real suggestion of friendship between them. But strangely, celebrity women are always pictured cuddling their fashion designer (Julianne Moore and Tom Ford), makeup artist (Kate Moss and Charlotte Tilbury) or personal trainer (can Gwyneth Paltrow please let go of Tracy Anderson, for the love of Pete?). It's as if a famous woman can't just pay the invoice for a professional service without also offering friendship. She can't just transact. She has to feel.

Anyway, Canada stands to benefit enormously from Jessica's ascendancy. It seems Harry and Meghan will honeymoon there, confirming it as the coolest little country in the Commonwealth. We need to change our ab game, New Zealand; it's our only hope.

#Jess Mulroney Newzealand

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auroraaboraaborealis · 5 years

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The New York Times

The Queen of Change

With “The Artist’s Way,” Julia Cameron invented the way people renovate the creative soul.

By Penelope Green

Feb. 2, 2019

SANTA FE, N.M. — On any given day, someone somewhere is likely leading an Artist’s Way group, gamely knocking back the exercises of “The Artist’s Way” book, the quasi-spiritual manual for “creative recovery,” as its author Julia Cameron puts it, that has been a lodestar to blocked writers and other artistic hopefuls for more than a quarter of a century. There have been Artist’s Way clusters in the Australian outback and the Panamanian jungle; in Brazil, Russia, the United Kingdom and Japan; and also, as a cursory scan of Artist’s Way Meetups reveals, in Des Moines and Toronto. It has been taught in prisons and sober communities, at spiritual retreats and New Age centers, from Esalen to Sedona, from the Omega Institute to the Open Center, where Ms. Cameron will appear in late March, as she does most years. Adherents of “The Artist’s Way” include the authors Patricia Cornwell and Sarah Ban Breathnach. Pete Townshend, Alicia Keys and Helmut Newton have all noted its influence on their work.

So has Tim Ferriss, the hyperactive productivity guru behind “The Four Hour Workweek,” though to save time he didn’t actually read the book, “which was recommended to me by many megaselling authors,” he writes. He just did the “Morning Pages,” one of the book’s central exercises. It requires you write three pages, by hand, first thing in the morning, about whatever comes to mind. (Fortunes would seem to have been made on the journals printed to support this effort.) The book’s other main dictum is the “Artist’s Date” — two hours of alone time each week to be spent at a gallery, say, or any place where a new experience might be possible.

Elizabeth Gilbert, who has “done” the book three times, said there would be no “Eat, Pray, Love,” without “The Artist’s Way.” Without it, there might be no adult coloring books, no journaling fever. “Creativity” would not have its own publishing niche or have become a ubiquitous buzzword — the “fat-free” of the self-help world — and business pundits would not deploy it as a specious organizing principle.

The book’s enduring success — over 4 million copies have been sold since its publication in 1992 — have made its author, a shy Midwesterner who had a bit of early fame in the 1970s for practicing lively New Journalism at the Washington Post and Rolling Stone, among other publications, and for being married, briefly, to Martin Scorsese, with whom she has a daughter, Domenica — an unlikely celebrity. With its gentle affirmations, inspirational quotes, fill-in-the-blank lists and tasks — write yourself a thank-you letter, describe yourself at 80, for example — “The Artist’s Way” proposes an egalitarian view of creativity: Everyone’s got it.

The book promises to free up that inner artist in 12 weeks. It’s a template that would seem to reflect the practices of 12-step programs, particularly its invocations to a higher power. But according to Ms. Cameron, who has been sober since she was 29, “12 weeks is how long it takes for people to cook.”

Now 70, she lives in a spare adobe house in Santa Fe, overlooking an acre of scrub and the Sangre de Cristo mountain range. She moved a few years ago from Manhattan, following an exercise from her book to list 25 things you love. As she recalled, “I wrote juniper, sage brush, chili, mountains and sky and I said, ‘This is not the Chrysler Building.’” On a recent snowy afternoon, Ms. Cameron, who has enormous blue eyes and a nimbus of blonde hair, admitted to the jitters before this interview. “I asked three friends to pray for me,” she said. “I also wrote a note to myself to be funny.”

In the early 1970s, Ms. Cameron, who is the second oldest of seven children and grew up just north of Chicago, was making $67 a week working in the mail room of the Washington Post. At the same time, she was writing deft lifestyle pieces for the paper — like an East Coast Eve Babitz. “With a byline, no one knows you’re just a gofer,” she said.

In her reporting, Ms. Cameron observed an epidemic of green nail polish and other “Cabaret”-inspired behaviors in Beltway bars, and slyly reviewed a new party drug, methaqualone. She was also, by her own admission, a blackout drunk. “I thought drinking was something you did and your friends told you about it later,” she said. “In retrospect, in cozy retrospect, I was in trouble from my first drink.”

She met Mr. Scorsese on assignment for Oui magazine and fell hard for him. She did a bit of script-doctoring on “Taxi Driver,” and followed the director to Los Angeles. “I got pregnant on our wedding night,” she said. “Like a good Catholic girl.” When Mr. Scorsese took up with Liza Minnelli while all three were working on “New York, New York,” the marriage was done. (She recently made a painting depicting herself as a white horse and Mr. Scorsese as a lily. “I wanted to make a picture about me and Marty,” she said. “He was magical-seeming to me and when I look at it I think, ‘Oh, she’s fascinated, but she doesn’t understand.’”)

In her memoir, “Floor Sample,” published in 2006, Ms. Cameron recounts the brutality of Hollywood, of her life there as a screenwriter and a drunk. Pauline Kael, she writes, described her as a “pornographic Victorian valentine, like a young Angela Lansbury.” Don’t marry her for tax reasons, Ms. Kael warns Mr. Scorsese. Andy Warhol, who escorts her to the premiere of “New York, New York,” inscribes her into his diary as a “lush.” A cocaine dealer soothes her — “You have a tiny little wife’s habit” — and a doctor shoos her away from his hospital when she asks for help, telling her she’s no alcoholic, just a “sensitive young woman.” She goes into labor in full makeup and a Chinese dressing gown, vowing to be “no trouble.”

“I think it’s fair to say that drinking and drugs stopped looking like a path to success,” she said. “So I luckily stopped. I had a couple of sober friends and they said, ‘Try and let the higher power write through you.’ And I said, What if he doesn’t want to?’ They said, ‘Just try it.’”

So she did. She wrote novels and screenplays. She wrote poems and musicals. She wasn’t always well-reviewed, but she took the knocks with typical grit, and she schooled others to do so as well. “I have unblocked poets, lawyers and painters,” she said. She taught her tools in living rooms and classrooms — “if someone was dumb enough to lend us one,” she said — and back in New York, at the Feminist Art Institute. Over the years, she refined her tools, typed them up, and sold Xeroxed copies in local bookstores for $20. It was her second husband, Mark Bryan, a writer, who needled her into making the pages into a proper book.

The first printing was about 9,000 copies, said Joel Fotinos, formerly the publisher at Tarcher/Penguin, which published the book in 1992. There was concern that it wouldn’t sell. “Part of the reason,” Mr. Fotinos said, “was that this was a book that wasn’t like anything else. We didn’t know where to put it on the shelves — did it go in religion or self-help? Eventually there was a category called ‘creativity,’ and ‘The Artist’s Way’ launched it.” Now an editorial director at St. Martin’s Press, Mr. Fotinos said he is deluged with pitches from authors claiming they’ve written “the new Artist’s Way.”

“But for Julia, creativity was a tool for survival,” he said. “It was literally her medicine and that’s why the book is so authentic, and resonates with so many people.”

“I am my tool kits,” Ms. Cameron said.

And, indeed, “The Artist’s Way” is stuffed with tools: worksheets to be filled with thoughts about money, childhood games, old hurts; wish lists and exercises, many of which seem exhaustive and exhausting — “Write down any resistance, angers and fears,” e.g. — and others that are more practical: “Take a 20 minutes walk,” “Mend any mending” and “repot any pinched and languishing plants.” It anticipates the work of the indefatigable Gretchen Rubin, the happiness maven, if Ms. Rubin were a bit kinder but less Type-A.

“When I teach, it’s like watching the lights come on,” said Ms. Cameron. “My students don’t get lectured to. I think they feel safe. Rather than try and fix themselves, they learn to accept themselves. I think my work makes people autonomous. I feel like people fall in love with themselves.”

Anne Lamott, the inspirational writer and novelist, said that when she was teaching writing full-time, her own students swore by “The Artist’s Way.” “That exercise — three pages of automatic writing — was a sacrament for people,” Ms. Lamott wrote in a recent email. “They could plug into something bigger than the rat exercise wheel of self-loathing and grandiosity that every writer experiences: ‘This could very easily end up being an Oprah Book,’ or ‘Who do I think I’m fooling? I’m a subhuman blowhard.’”

“She’s given you an assignment that is doable, and I think it’s kind of a cognitive centering device. Like scribbly meditation,” Ms. Lamott wrote. “It’s sort of like how manicurists put smooth pebbles in the warm soaking water, so your fingers have something to do, and you don’t climb the walls.”

In the wild.CreditRamsay de Give for The New York Times

Ms. Cameron continues to write her Morning Pages every day, even though she continues, as she said, to be grouchy upon awakening. She eats oatmeal at a local cafe and walks Lily, an eager white Westie. She reads no newspapers, or social media (perhaps the most grueling tenet of “The Artist’s Way” is a week of “reading deprivation”), though an assistant runs a Twitter and Instagram account on her behalf. She writes for hours, mostly musicals, collaborating with her daughter, a film director, and others.

Ms. Cameron may be a veteran of the modern self-care movement but her life has not been all moonbeams and rainbows, and it shows. She was candid in conversation, if not quite at ease. “So I haven’t proven myself to be hilarious,” she said with a flash of dry humor, adding that even after so many years, she still gets stage-fright before beginning a workshop.

She has written about her own internal critic, imagining a gay British interior designer she calls Nigel. “And nothing is ever good enough for Nigel,” she said. But she soldiers on.

She will tell you that she has good boundaries. But like many successful women, she brushes off her achievements, attributing her unlooked-for wins to luck.

“If you have to learn how to do a movie, you might learn from Martin Scorsese. If you have to learn about entrepreneurship, you might learn from Mark” — her second husband. “So I’m very lucky,” she said. “If I have a hard time blowing my own horn, I’ve been attracted to people who blew it for me.”

https://www.nytimes.com/2019/02/02/style/julia-cameron-the-artists-way.html

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wallpaperpaintings · 4 years

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15 Reasons Why You Shouldn’t Go To Pirate Face Paint On Your Own | Pirate Face Paint

Few bank towns accept it all, but Clearwater is one of those attenuate and adored jewels. Nestled on Florida’s west bank abreast Tampa, the breadth averages 361 aces canicule of sunshine per year. And it akin holds the almanac for after ablaze canicule at 768—that’s added than two years of beeline sun!

It’s no admiration why visitors from about the apple (especially snow birds) army to Clearwater to bathe in–you estimated it–crystal ablaze water. A connected aculation of balmy acclimate (temps ambit from low 70s in the winter to low 90s in the summer) and abutting adjacency to two airports (St. Petersburg-Clearwater All-embracing Airport and Tampa All-embracing Airport) accomplish planning a vacation actuality a no-brainer.

Main attractions accommodate lots of chargeless and family-friendly bank activities, fresh-from-the-Gulf seafood, abundant bank bars, an agitative year-round contest calendar, a alternative of hotels that fit any budget, and of course, afar and afar of drop-dead-gorgeous beaches.

You can’t accountability the ociation at Visit St. Pete/Clearwater for touting their best et: the beach. One attending at their Instagram approach and you’ll see absolutely what we mean. It’s all about that arenaceous white bank and aquamarine water. And the sunsets. Oh, the sunsets.

The best accepted atom on the sand, Clearwater Beach, offers lots to do. Stroll the

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jessajaguar · 4 months

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New Year, Same Me! I hope you all find joy and happiness in 2024 😘

📸 Luke Arnold Photography

#makeup artist #model #clearwater makeup artist #st pete makeup artist #tampa model #tampa makeup artist #clearwater model #st pete model #green eyes #girls with freckles #girls with curls

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janthonygarnica · 6 years

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Loved the flowers and sunset backdrop at St. Pete's Beach @grandplazaweddings gracious @WeddingsByJAnthony #headshotphotographer #nails #HMUA #boquet #GayWedding #flowers #DestinationWedding #Weddings #Wedding #Bride #WeddingPhotographer #WeddingPhotography #BrideandGroom #InLove #SpecialDay #TheKnot #BridalMagazine #Gown #WeddingGown #Ring #WeddingRing #WeddingMusic #WeddingDJ #OutdoorWedding #ChurchWedding #CountryWedding #LGBTWedding #Officiant #WeddingCoordinator #NonTraditionalWedding #Love I am a... LIFE Photographer LIFE Officiant LIFE Event Coordinator www.WeddingsByJAnthony.com @WeddingByJAnthony Photo by JAnthony 719.200.5937 Specializing in Weddings, Quince, Senior Portraits, Head Shots, Model Portfolio and more! ♧Patient. Creative. Affordable. ♧Every event tailored to your life ♧Willing to Travel ♧Open to Creative Themes, Personalized Celebrations ♧Bilingual (English & Spanish) ♧LGBTQ friendly ♧Team includes: Photographers, Videographers, Florists, Jewelers, DJ's, Hair and Makeup Artists, Caterers, etc. Weddings & Engagements by JAnthony 719.200.5937 In the relatively short time that one has used the power of photography to educate, inspire, and shape modern culture, I have captured some of the most powerful and poignant moments ever witnessed. Evoking emotion and provoking thought, long after first view -- a powerful photograph can render a poet's adjectives pallid; here then is such an image, "a picture is worth a thousand words." I look forward to telling your story. ♧JAnthony 719.200.5937 Based in Colorado, passport ready...willing to travel! (at Grand Plaza Beachfront St Pete) https://www.instagram.com/p/BpVcmOsgw9f/?utm_source=ig_tumblr_share&igshid=18rss67ceqhtw

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beaugachiscosmetics · 6 years

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REPOST - We’re so excited to be collaborating with #makeup and #FX makeup artist Hendrickje in her upcoming workshop on March 4, 11 - 4:30 in St. Pete, Florida where she will be teaching a variety of beauty tips and tricks for an everyday look as well as latest trends. We will be doing a few Facebook lives, so be sure to tune in! . . . . . . . . . . . . . . #beaugachis #makeupbrushes #smallbusiness #beautifulmess #femaleentrepreneur #supportsmallbusiness #mua #makeupartist #makeupclass #makeuptutorial #stpete #tampabay #facebooklive (at Saint Petersburg, Florida)

#beaugachis #makeup #tampabay #makeupbrushes #fx #makeuptutorial #supportsmallbusiness #femaleentrepreneur #makeupartist #makeupclass #facebooklive #mua #beautifulmess #stpete #smallbusiness

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aaronvargaphoto · 7 years

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We officially kicked off our 2017 wedding season! Kelly & John were married in the beautiful St. Rosalia’s Church in Greenfield and followed it up with a reception at J. Verno Studios in the South Side. After the ceremony we swung by Oakland for a few photos at the iconic Mellon Institute pillars, then headed to the South Side Works for some more shots on the Hot Metal Bridge. I love Kelly & John’s story… a good love story should always involve a flip-cup ass kicking :) Here is their story…

“Kelly: John and I actually went to the same high school, but we never met each other until a few years after college, in 2012! We were both living in Pittsburgh at the time, and our friends were each others roommates. They had a party during March Madness and John and I finally crossed paths. After I kicked his ass at flip cup, he asked me to have dinner with him. Even though he tried to kill me on our first date by running a red light, I had a great time and was incredibly excited to go out with him again!

John: Once I got her ring I knew I wanted to propose to Kelly in Pittsburgh. So I decided that the next time we were in town I would get us reservations at our favorite restaurant, Meat & Potatoes, and ask her afterward. This worked out great because it turned out to be an unseasonably warm day for December so I suggested that we take a walk over the Clemente bridge. She definitely suspected something since it was it was totally out of our way, but she went with it anyway. After walking most of the way across (and avoiding some unsavory characters) I found a minute of solitude to ask her with the city skyline behind us. Luckily she said yes, otherwise walking across the bridge to Pirates games would have been pretty sad for the foreseeable future…”

Here are a few of my favorites from Kelly & John’s J. Verno Studios wedding!

Hair Artist: Lisa Nicklow Makeup Artist: Jillian Scruggs Invitations: Wedding Paper Divas Wedding Dress: Justin Alexander, from Bridal Beginnings Bridesmaid Dresses: Nordstrom Tuxedos: The Black Tux Engagement and Wedding Rings: JAB Jewelry Designs Florist: Pete Donati & Sons Ceremony: St. Rosalia’s Church Reception: J. Verno Studios Cake Artist: Christine Dixon DJ: DJ Digital Dave Catering: Monteverde Catering Honeymoon: Ireland and Croatia Wedding Photographers: Aaron Varga Photography

Aaron Varga Photography is a top Pittsburgh wedding photography studio serving downtown Pittsburgh and all surrounding areas. We specialize in creating modern, glamorous, and timeless photographs and providing an unmatched photography experience. Contact us for information and availability for your wedding or engagement session!

The post Kelly + John | J. Verno Studios Wedding appeared first on Aaron Varga Photography | Pittsburgh Wedding Photographers | Blog.

#wedding #wedding photography #photographers #aaronvargaphotgraphy #avp

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