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#spoiler: he's trying to scare her
skoulsons · 1 year
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Thinking about winter and their physical affection and now literally none of these happen under happy circumstances.
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GIF by toastcrime
this scene, man. the way nimona instinctively lifts her arm to protect herself but immediately relaxes when ballister comforts her, believes him when he tells her she's safe, and goes back to sleep. there's no moment of hesitation. she trusts him completely. and then later when she wakes up again and says "i have not slept like that in forever" she slept better after he'd comforted her i- 😭
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pink-november · 5 months
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was thinking bout this post ever since i first saw the tags cuz i didn't know the shifting mound can actually give you the resist option in the tower route if you did the adversary to fury route beforehand... needless to say i tried to do the thing and proceeded to try it with the other merging chapters just to see something new and ummm...
how curious that only hero seemingly hears the shifting mound's comment to you. not even the other voice present or the narrator acknowledges it.
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WIP its-not-Wednesday-but-close-enough
tagged by @autistic-sidestep! thank you for the tag :D i have,,, so many wips rn. pulp stop starting a million projects challenge. all of these are very rough, and a lot of them feature other steps, but i wanted to share a few :]
for writing, ive got these:
“What the hell, man!” Mitchel hisses. He’s let go, but he hasn’t bothered lowering his voice. Too loud, but real. Caine groans, pulling themselves up from the mattress. At least it wasn’t the floor– this could’ve hurt a lot worse. They wince at the throb in their shoulder as they reach for the wall, probing for a light switch. When he flicks it on reality re-establishes itself once more.  It’s Caine’s room, familiarly bare-bones. There’s only a singular twin sized bed in one corner of the room and a desk just across, with a heap of laundry they haven’t bothered to do taking up the chair. Mitchel stands on the mattress in the middle, both parts pissed and bleary eyed. His cheek is a lightish colour that’s a telltale sign it’s going to bruise, and a portion of his blanket stubbornly clings onto his shoulder. There’s no threat in here, or at least nothing more threatening than Mitchel annoyed. The knowledge doesn’t stop the blood pounding in their ears.
-caine wakes up and gets jumpscared by @hyper-pixels mitchel. they react to this calmly.
Marshal Steel has hair stuck in his finger joints. That's the first thing Daniel noticed when he came in to work this morning. Steel has his civilian hands on, which is normal when he has admin work. Those civilian hands will usually have hair in it too, mostly from Spoon. That's also normal. What's not normal is the colour; because instead of the odd tufts of grey fur Daniel's used to seeing scattering Steel's joints, this is a single, longer strand that he's sure wasn't left on purpose. Because the hair strand is brown. Suspiciously similar to Ortega's own brown hair.
-herald is suspicious that his boss is having another secret relationship with a pretty old man, but its none of his business! not at all. thats why hes eavesdropping on them from the breakroom pantry.
“What are you two talking about?” Ortega jerks, nearly spilling coffee all over Wei, tearing a curse out of him as he yanks his head to the direction of the voice.  Speak of the devil. Caine glances between the two, head cocked. When did he get here? Ortega doesn't remember inviting him, and nobody told him he was coming either. Not that Ortega isn't happy to see him, but the timing… “Dios mio, Spot, how long have you been standing there?” he mutters. He gives his coffee a once over, but nothing's spilled.  He turns back to Caine and double takes. The poor guy looks like he's just run a marathon– he's drenched in his own sweat. He's not wearing his raggedy sweater, for once. Instead, he's got a skintight suit with a simple white tee over it.
-a multi-pov fic featuring the same conversation, but told from the perspective of ortega, chen, and caine. trying to practice voices with it, and so far its been fun digging into each of them!
as for art wips:
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-arde and vera based on the song "the villain i appear to be"! i actually made this today after playing the new revelations demo lmfao. i do not remember what arde looks like 😔 im so sorry ive done you a disservice
the next two have blood+mild gore in them, so im throwing them under the cut!
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-cyrus gets Fucked Up by a dream version of fawn from @villainsidestep, based on this absolutely vile(/pos) soul read of him:
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because why not fuck him up even more??
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-mitchel painting i have yet to put down colours for that i am lovingly dubbing "cannibalism (NOT ROMANTIC)". chew it out with your teeth mitchel!!!!
ill be tagging everybody mentioned in the post, plus @idlenight, @disastersteps, and maybe @euelios if you all wanna give this a shot?
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hanzajesthanza · 10 months
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if i thought the witcher was painfully realistic. i was wrong. it is a very clear fairytale that comforts and soothes. even in its realistic take on the genre, it inspires, even in its tragedy, it comforts.
evil is defeated epically in a final battle in the darkness, the valiant heroes fall together, the lovers die united, and all pass into legend and are remembered for ever and ever. and the spirit of our hero returns now and again to save and deliver us from evil… they become legend and in that legend they are immortal…
#txt#the witcher books#OK HUSSITE TRILOGY SPOILERS IN TAGS:#like i cant say that evil WASNT defeated in the hussite trilogy because he definitely was but not in an epic final battle but#the fact that its like in the very penultimate bit and its not reynevan who does it but his NIECE it is just so…#we came all this way and there was no ultimate showdown#i mean there kind of was but not in a big castle but in some plains with a windmill and#it wasnt really a final battle but a kill-eachothers-girlfriends bit#birkart didnt even get his hands NEAR samson before he died#scharley and reynevan just left… at the end… just like in the beginning of the first book EXCEPT NOT because everything has changed them#well has changed reynevan. kind of dandelion and geralt in that way as the second man remains a constant#reynevan no longer being like a young man but a. man. but this didnt come with grand heroism and valour. it just came with. pain and#the eventual wearing down and tarnishing of his zeal and belief and love#thats … literally so fucking dark but also so realistic and it scares me lmaooooo#and people say the witcher was anticlimatic and sad at the end LMAOOOO OHHHH NOOOOO#lux perpetua like damn that dude really was walking in darkness groping along like a blind man after losing his eternal light#ohhhhh i get it now so god has abandoned us and he also never really existed ohhh okay#his love died as he was helpless to save her and he didnt even avenge his brother and his friend trio crumpled#like like. just trying to put this all into perspective
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Title: willingness to bend
Rating: PG? Nothing much but some arguing further in. Abby is stubborn and not thinking straight, and Nate isn’t helping his case.
Pairing: Detective Abigail ‘Abby’ Brùn/Nate Sewell
Word Count: 3.6k
Summary: how the post-forest argument would have actually gone between Abby ‘fiercely independent and stubborn’ Brùn and Nate ‘worries SO MUCH but terrible about talking through things’ Sewell. Also known as ‘these two care a lot about each other they’re just bad at saying so’
I was disappointed there was no sort of conversation or confrontation with these post-trapper, especially picking the dialogue option that gets you the famous “i won’t allow you to endanger yourself” line. so I’m rectifying it by making things worse <3 no spoilers really this all takes place in the timeframe of the demo, but I’ll tag it just to be safe.
Abby wasn’t expecting Nate to be waiting for her.
She’d lingered behind at the Facility after the debriefing. Longer than she probably should have, given the circumstances of…everything going on. But she’d needed some kind of respite, a little time to process without Unit Bravo looming over her shoulder.
Getting food with Vieno had been the perfect excuse for some time away.
Unit Victor had been an unexpected surprise, but ultimately a pleasant one. The group had no problems dragging chairs over and making themselves comfortable. Willing to talk about everything and nothing, they had little regard for personal boundaries.
Apparently news about her traveled far, and she wasn’t sure how she felt being at the center of it.
It seemed positive, at least.
The conversations were light. Nothing more than gossip to fuel the rumor mills. Was Adam as hard headed as everyone claimed, something Abby only gave a noncommittal shrug to because the last thing she needed was her answer somehow cycling its way back to him. They’d reached a tentative peace, she didn’t feel the need to argue with him at every comment, and he seemed to tolerate her being around. No need to upheave that progress.
They’d asked about Nate afterwards. About her relationship with him, and she couldn’t bring herself to answer around the sudden lump in her throat. Vieno steered them off by calling them a bunch of ‘nosy gossips’, and it was all Abby could do to give them a grateful nod at the intervention. Conversation still flowed afterwards as they all talked amongst themselves, and she happily let herself drift to the background.
But the lump never eased.
It’s- ridiculous. Selfish, even. Everything that’s happened in the past 24 hours, and it’s her own personal problems sitting on her mind like lead weights, something she couldn’t shake off. Added salt to the wounds of everything else.
Maybe it stung because Nate had been her point of peace. Someone that could help keep her afloat even when it felt like she was spiraling. She didn’t have that now and she felt- she felt alone.
Too lost in her own mind to be considered anything remotely close to ‘good company’, she gave a distracted good-bye before excusing herself and somehow managing to find her way to her car.
The drive back, trapped in the silence, hurt more than it helped.
She couldn’t stop herself from replaying everything over in her mind, trying to pick out where she’d gone wrong to make him so frustrated. Outside of the level of danger that was becoming a regular occurrence in her life, she’d come out of the attack fine. Stressed, a little shaken, but unhurt. She hadn’t even fought, technically. The thorny mess of underbrush had done the work for her; she’d just taken advantage of her…familiarity with the area.
Not that it mattered. Nate still hadn’t been happy she wasn’t willing to let him hide her away while everyone else fought in her place.
So, he yelled. Sort of. As much as Nate ever raises his voice.
And in turn, she yelled back at him. And if she hadn’t been so caught off guard, she would’ve been embarrassed that it all happened in front of the rest of the team.
No, that didn’t settle in until afterwards. After the chaos settled and the adrenaline faded, forced to sit through a debriefing with as much distance as she could manage between her and Nate. It mixed with the slow burning anger she’d tried to swallow down until it formed something toxic that left a bitterness in her throat.
It wasn’t Nate’s frustration that stung. Or the yelling - though that hadn’t helped. That, alone, she could have taken; sat with and picked apart into pieces of something that made sense, given enough time.
I won’t allow you.
No, the anger came even before they’d been reduced to shouting at each other. It was the declaration of what she was allowed to do, as if that’s a decision he had the right to take away from her. One sentence, buried in her mind like a splinter. The more she dug at it, the more raw she’s left afterwards.
It’s not rational, not really. One panicked phrase, said in the heat of a dangerous situation, shouldn't have struck her as hard as it did. But whether or not it was sane or fair didn’t matter - it left her feeling angry and constricted.
She doesn’t register the drive until she’s sitting outside the chain link fence of the Warehouse. It takes effort to uncurl her fingers, idly rubbing out the cramps brought on by the white-knuckled grip she’d had on the steering wheel. Staring up at the decrepit facade, with her headlights painting shadows in the gloom of the night, a part of her considers turning around. Peeling out before she has to face anyone, although…she has nowhere to go besides here. A stray thought passes through her mind about crashing at Tina’s, but she squashes it before it has a chance to take root. It’s well past 2 in the morning, and while Tina would open her door to her, Abby wouldn’t put her out like that. And she isn’t sure she wants to deal with the line of questioning that would bring on, either. And, Adam had been clear about her order to come directly back to the Warehouse afterwards.
Another order. Another decision made for her. Only this one smarts less, because she’s used to Adam telling her what to do.
So, against every nerve in her body, she forces herself to shut the car off and climb out. Mentally talking herself into taking each step forward, more mechanical feeling than anything natural. She’s not in the right headspace to handle anything more than collapsing into bed.
It’s late, anyways. Maybe she’ll be lucky and everyone will be busy doing whatever it is that keeps vampires busy throughout the night. They’ll hear her arrival, she’ll be able to get to her room and push off dealing with anything for at least a few more hours.
She wasn’t planning on Nate being up and about. Even if she shouldn’t have expected anything less from him.
“You’re back.” He startles her out of her thoughts. Perched on the couch in the living room, a book in hand, it’s clear he’d been waiting for her return. He’s smiling, doing his best to look relaxed, but she knows him too well for him to hide the tension in his body. The concern in his eyes as he looks her over.
Both get worse when she chooses to stay rooted to her spot by the door instead of moving to join him.
“I was at the Facility.” She says, words stilted and awkward as she debates her chances of making it if she were to just rush through the room and leave. She’d thought- a part of her hoped her aggravation would ease, if she gave herself time, but seeing him has it trying to claw its way to the surface again, settling like a burning coal in her chest.
Maybe he’ll let it go. Maybe he’ll just say goodnight and let her go-
“I was worried.”
He means it, that’s the worst part of it all. A passing remark made with nothing but genuine care in mind, because he always worries when she’s away. When he can’t be around. He just wants her safe. And there’s a small, logical part of her that knows that. The part that’s fighting and failing to pull her temper back knows it’s meant in kindness.
But the threats she’d been desperately grasping onto snap, all the same.
“I was with Vieno. And another Unit.” Her tone is flat, bordering on harsh. “Do I need your permission so you can allow me to go anywhere without you?”
She’s lashing out now. Feeling twisted up too tight, throwing barbs in the hopes of something sticking. There’s no pleasure when her words hit their mark though, no enjoyment in the way she sees him flinch. Just a building pressure under her skin, a rolling nausea in her stomach.
She hates this. Hates everything she’s feeling, but is too far in to pull back now.
He sighs as he pushes up from the couch, and she shuffles the rest of the way into the living room to take a place in front of the fireplace. Just- to give herself somewhere to stand besides the front door, so it didn’t seem like she was seconds away from bolting. She keeps her eyes on the ground though, just to find something to look at that isn’t him. Still, she feels him take a place beside her, even with the deliberate space he’s kept between them.
“I suppose we need to talk.”
“Yeah, we really do.” As if drawn by a magnet, her eyes flit in his direction, unsure of what she’ll find. Frustration on his face? Exasperation in his eyes at her attitude? She’s not being kind, it would be deserved.
She isn’t prepared for the deep crease between his pinched brows. She isn’t prepared to find him looking so incredibly sad.
“I know I didn’t handle the…situation with the Trappers properly.” He starts after a brief pause, clearly trying to gather up his thoughts. She lets herself relax, just a little. At least this seems like a step in the right direction. “Seeing them close in on you, while I was too far to help, filled me with terror. Every worst case scenario went through my mind, and I shouldn’t have raised my voice.”
He sounds properly contrite, at least. His shoulders are drawn, hands pushed deep into his pockets. It's only her own stubbornness that keeps her from reaching out to him though. “It worked out, though.”
“That it did.” He smiles, but it’s a wobbly thing. Brittle. “All it takes is once, though. As I said, they will stoop to whatever means necessary to take you and I- I cannot bear the thought of that happening.”
“And I can’t handle sitting back, doing nothing while everyone else fights my fights.” She turns to face him now, and he mirrors her movement. “And I can’t handle you telling me what I’m allowed to do.”
“It’s our job to protect you, and we don’t mind-“
“But I do!” She snaps, cutting him off. She knows they’re making no progress. Two steps forward, three backwards. Unlike before though, she can see him trying to figure out a way to diffuse the rising tensions before they can come to head.
“We’re getting off point, and I’ve upset you again. I apologize, for then and now.” His apology soothes her annoyance, if only a little.
“Thank you.” He takes a few tentative steps forward at that, trying to close the distance. “But again, Nate, it’s not just the fight. It’s you trying to tell me what you’ll allow me to do.”
He pauses then, and she realizes he’d been hoping she’d just pass that point over in favor of being angry about everything else. “I shouldn’t have phrased it that way,” He says finally, carefully, and she narrows her eyes. “I misspoke, I’m not trying to make every decision in your life.”
Just certain ones, the thought is a cranky, nasty little one. “You’re going to have to let me help. If I’m going to be part of the team, let me act like it.”
His brows furrow at that. Reaching out, hesitating just long enough to give her a chance to push him away, he cups her face in his palm. Cradling her like she’s something precious, she can’t help but lean into him as his thumb traces her cheekbone. “Being a part of a team also means accepting your limitations and allowing us to help you, though.”
Any warmth from his touch vanishes then, chilling in her veins as she shakes him off. “What does that mean?”
“I told you to hide because, at that moment, that was the best thing you could have done to help us.” His tone is gentle, but Abby knows him well enough now to know he’s picking his words with care, working up to his point in a very Nate-like way. Kind, always so kind, but unwilling to budge. “Your safety is my priority, always. At times, that means you have to be willing to let us protect you.”
He’s not listening. He’s not hearing a word she’s saying, and she can feel her anger rising again.
“I handled myself though.” She’s trying to be reasonable. To quell the part of her that wants to snap, and snarl, and fight. “I didn’t even fight, I was able to handle it my way.”
“And what if you couldn’t? What then?” Nate crosses his arms, as if he isn’t sure what he’s supposed to do with his hands now that she’s out of his reach once again, and Abby has never thought he looked more stubborn. “I just wish for you to be safe, is that a bad thing?”
“It is when you expect me to sit back and let my family fend for themselves!” She won’t let herself focus on the fact that was the first word that came to mind, slipping out before she could stop it. Not here, not now. Not with so much tension, or with the storm of emotions making her chest ache. Or with Nate’s face lighting up, even in the midst of her yelling at him. She’ll dissect it later, with nothing but four walls watching her and the safety of an empty room around her.
“I’m simply asking for you to trust us,” He says slowly, as if to placate her, though all it does is further stoke her temper. “I- We can handle threats against ourselves, but you-“
“You almost didn’t before!” She shouts, throwing her hands up in exasperation. Memories of Nate, battered and bruised, laying in his own blood, flash in her mind, too quick for her to block them out. As if sensing her distress, he reaches out on instinct, but she jerks back before he can make contact.
She can almost pretend like the flash of hurt on his face doesn’t make her ache.
“I was taking care of myself long before you guys showed up.” As soon as the words are out there, she wants to snatch them back. Bury them, stuffed away in the dark where they belong. Panic and embarrassment has her pacing now, too much of something buzzing just under her skin. She was prepared for fighting, yelling she- she’s not ready to see pity from him.
Because maybe, that’s the true, awful core to all of this. Why Nate’s protectiveness feels like an ill-fitting coat, clinging too tightly. So long with no one, pushed to grow up too fast. She doesn’t know how to let somebody else care for her.
Would she even want to? To let herself be that vulnerable with someone else?
And Nate knows. Of course he does. Even with ehr pacing, and her stubborn refusal to meet his eyes, she can feel him watching. Picking up on every little thing she wants to hide from him but can’t, because he’s always seen too much of her. He’s close to hovering, she’s sure, wanting to provide comfort but unsure how. The thought makes her cross her arms, as if she can make herself a smaller target.
That’s what makes him finally move, though. A gentle hand on her arm to stop her in her tracks, providing a warmth she can feel even through her layers of clothes.
“You shouldn’t have had to.” He sounds so soft, so sure of himself. Steady, where she’s drifting. “And if I could, I would mend that for you. But you don’t have to now.”
Let me care, the words are there. Unspoken, left to hang between them, but there nonetheless. I would if you’d let me. I want to.
And it would be so easy to let him. To drop her guard and let him in. To let him take the few final pieces of her heart she has hidden away, because he’s already taken the rest. Given to him willingly the first time they’d kissed
She could.
She wants-
I won’t allow you.
But she won’t. Can’t.
“Well, I did.” She cuts through the silence that had grown between them with sharp precision. Squaring her shoulders, she turns to face him, trying not to miss his touch as his hand slips away, and forces herself to meet his gaze head-on. Whatever he sees when he looks at her has his shoulders slumping, ever so slightly. “Which means I don’t need you panicking over every little thing that could potentially go wrong, or you deciding what I’m allowed to do.”
There’s a rare flash of frustration in his eyes, there too fast for him to be able to tuck it out of her sight. “It’s not about permission, Abigail.”
“That’s exactly what all of this has been about!” She snaps, barely resisting the urge to yank on her hair in frustration and instead settles for pulling at her sleeves to give her something to dig her nails into. Her tone is rising again and she can’t stop. This is falling apart in front of her, too fast for her to do anything but embrace the inevitable crash waiting for her at the end. “You’re trying to tell me what you’ll allow me to do, stressing over things that might happen. None of this is going to work if you don’t trust me to know my own limits.”
“You ask me to trust you, yet you have an alarming pattern of paying little regard to your own wellbeing. So forgive me if I’m inclined to doubt your choices.” His tone is harsher than she’s ever heard it, words sharp enough to make her wince. He notices, immediately softening as he scrambles to backtrack. “I care about you Abby. So much.”
That’s all this is about. Everything it boils down to. But it’s not enough to fix anything. And that realization has her deflating, a sadness creeping in to replace the anger.
“But I’m human.” It’s a quiet sort of admission. One that hurts, because it doesn’t matter what she does in the end. How much she prepares herself, or tries to help. She’s still the weak link, and Nate will always treat her as such.
Half a dozen emotions flicker across his face in that instance, almost too fast for her to recognize. Fear. Frustration. Affection. Something- something heavier, deeper than the others, and she feels her heart thumping painfully against her ribs.
“That-“ He cuts himself off, tearing his gaze away to look at the wall. There’s something more there, that much she’s certain of. Something he’s barely bitten back, and part of her wants to grab him. Shake him and demand an answer, an explanation, anything to tell her she’s wrong. “You are.”
Nothing more. No deeper answer. Just a heavy hearted agreement, that hurts more than her own words had.
A bitter part of her wonders why she expected anything any different.
The fight leaves her as quickly as it had come. The exhaustion of everything suddenly presses down on her with such a fierceness that she’s left aching. So she crosses her arms again, like she can hold herself together a little while longer as she shuffles backwards. Desperate to space between them.
“I can’t do this right now.” She’s speaking more to herself than to him at this point, turning towards the door. “I can’t- I need to go.”
“Abby?” There’s a thread of alarm in his voice now, and she hears his muffled footsteps on the carpet as he keeps pace behind her. “Wait, we can talk-“
“All we’ve been doing is talking, Nate. And I’m done.” There’s a hollowness in her, like something carved out a piece of her, and she rubs her chest as if she can massage the ache away. A chill has seeped through her clothes, settling all the way down to the tips of her fingers, and she chooses to blame it on the lack of sleep.
“Please.” It’s one word, practically begged, but it’s enough to make her stall. Enough to have her spare one more glance at him. Frozen halfway from touching her, panic and desperation have brought a sheen to his usually warm eyes. Torn between having her stay, and afraid of pushing her further away has him teetering on an edge. “Please, stay?”
It hurts. So much, more than it should, and it isn’t fair. Leaving him like this, when a part of her wants to turn around and let him soothe away everything. Let herself be lost in him awhile and pretend like everything is fine between them. To take the easy path.
But she knows how that will end. Another fight, sooner rather than later. She knows she can’t keep burying things away, as much as he wants to when things get tough.
So she shakes her head, pulling the door open and forcing herself to look away before he can notice the tears she can feel burning her eyes. “I just need some time, okay? Give me some space.”
She doesn’t wait for him to answer. She can’t, not if she’s going to keep her resolve. So she leaves, letting the door slam closed behind her. And maybe, everything will feel a little less painful when the sun rises.
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oldshrewsburyian · 7 months
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Even though I continue to be a wimp about horror, I am increasingly into Chapelwaite (and halfway through the series, which turns out to have 10 episodes instead of 6. Still more chances for people to become Less Okay! Help.) It's primarily a gothic horror show, but the characterization is so interesting. For instance:
the hypocritical minister™ is also genuinely trying to be a good man, and to fight for a version of his community where neighbors are more genuinely loving to each other
the dour minister's wife™ is also a grieving mother who is depressed and anxious and who feels estranged from her husband and doesn't know what to do about any of this
Honor, the sweet and solemn eldest of the Boone children, is negotiating her own place on the cusp of adulthood, but still possessed of a childlike innocence, even impulsivity sometimes. Also it turns out that she will fire a rifle at a crowd of racists trying to kill her dad (#goodforher)
I also love her siblings: Loa who is grieving and angry and not quite in her teens yet, and Tane who runs wild in the barn and garden and fights in school but also is still young enough to hold his dad's hand. I'm feeling guilty for preemptively deciding these kids were Unnecessary Additions To The Narrative because now I'm invested. And at the halfway point, Charles is practically trembling with the nervous strain of trying to protect them from isolation, grief, racists, vampires, and his own incipient madness. I am not okay about it.
Also, the acting is strong all around, and when Jennifer Ens gets her breakout role I will say aha because I love her so much as Honor. I was glad to see that Adrien Brody was nominated for an award in this because I can't decide whether watching him in this role counts as therapy (Aristotelian theory of tragedy) or requires an invoice for therapy (Tumblr theory of tragedy) but either way! There was a scene in the latest episode where we see him, in a long shot, confronting... something, we know not what. And we see his breathing change. And I started saying "nonononono" out loud, because whatever was making him look Like That...!
#chapelwaite#this has been out for years so i'm not worrying about spoilers#also i won't give away horror spoilers™ for those who might... uh... want to be scared by surprise vampires? and body horror?#not me!!#i'm presuming that charles won't die in precisely the same way as in the book but. uh.#i am not expecting him to survive#i continue to be irritated by anachronistic dialogue#at one point honor says of her father 'he hasn't grieved'#aside from that being a silly way to frame grief in any period: GIRL#your father is still in a non-minimalist definition of full mourning#he is not sleeping well#he is. um. high-functioning and trying not to burden his children with his emotions (good job charles!)#but grief is the atmosphere through which this man MOVES#it absolutely affects his readiness to threaten to kill a bunch of racists (good... job... charles?)#and beat a racist up before spitting the man's own whisky into his eye (extremely sexy of him. not. um. extremely well-advised.)#this man is gaunt and pale; trembling and hollow-eyed#'he hasn't grieved'??? what else is he DOING in the long lamplit hours of his solitude?#anyway as i was saying: adrien brody. therapy. some relationship to.#my insomniac chapelwaite diaries#loa suspects her dad of having feelings for the governess. i do not#but somewhat to my disappointment (narratively) it turns out she does have feelings (of some sort??) for him#she says 'he's the most interesting story that ever walked into my life' and yeah! sad possibly-cursed possibly-insane widower sea captain!#but that does not mean you are in love with your Solitary Employer miss morgan. even if he does have devastating bone structure.
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ma-lemons · 2 years
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*Spy x Family Ch 66 Spoilers below*
Melinda Desmond is so interesting.
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When she said “I do hope they can stay friends” to Yor concerning Anya and Damian, I couldn’t read her expression at all. She’s muttering, blushing, but her eyes look overly amused. Her lips are held together like she’s trying to suppress laughter. I don’t know if she’s being sarcastic about their potential friendship, or not.
What does that even mean?
Is she amused by Damian and Anya’s potential friendship? Does she scoff at it as in “My son, friends with your daughter? Unlikely.”
or does Melinda know/suspect about Yor and the Garden and instead she’s like “How can our children be friends? I know who you are, and I know that your marriage and family are fake and I find it funny that you think I’m offering friendship when I’m just trying to get close to you to expose you/bring about your downfall.”
or does she know about Anya and Project Apple? Does she know about it’s origins and what their latest projects were? Is she like “Damian and Anya won’t ever be friends, I’m just using you to find out more about your daughter and the laboratory she came from”. Or implying that she knows they won’t stay friends because the scientists from the lab are going to take Anya away?
I don’t know. The Lady Patriots and Melinda kept hinting that Melinda has a close inner circle and doesn’t really trust many people. But for her to just immediately accept Yor into her circle and admit that she pretended to forget to introduce who she was… it all seems very calculated. Is she working with her husband? Or is she the one behind curtain, holding all the strings? Does she go against her husband’s values and politics? Does she know the Garden, and is she an ally or an enemy to them?
edit: does it look like she’s nervous since she’s sweating? like either way, whether she has good intentions or not, she’s hiding something
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tea-kettlezztoo · 6 months
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Honestly, I'm really happy to see Nichelle has something going on for her this season. I was worried they wouldn't have followed up on it, and I'm glad to see she could actually be a strong competitor. She didn't do a lot last season, but seeing her be very cringefail made me start thinking some thoughts on what they could do with her
But I also do think it would have been interesting to see them have Nichelle find a different skill. Instead of using her athleticism, she uses her charm or maybe even manipulation this season. If she can't be tough enough, she CAN be smart and charming enough
Though maybe it wouldn't really work, given nobody would believe her. Her whole career she was lying to everyone. Which I don't fully fault her for and think it's ridiculous she lost her career for it, given she is literally a child star. Ik its Total Drama not that serious, but whatever. It's mildly messed up when you're me and look into the dumb reality TV cartoon too much
Idk I do think it would have been interesting to see Nichelle find a different skill that still makes her a strong competitor in her own way
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gmaybe666 · 1 year
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I’m literally puking blood (joking)
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weewoobrainrot · 2 years
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thinking about how mike saying "what did you do" in 4×02 directly parallels 1×05 like wtf i am feeling emotions
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jaanii · 2 years
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okay i only had time to watch the first episode now but AHHHHHHH
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navysealt4t · 1 year
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currently reading ellie and joel fanfic at 4 am. jesus christ. man. :(
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killmebythebeach · 2 years
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They didn't lie. That episode can 78
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Me watching Steve, Nancy, and Robin bring in Eddie into the mix of supernatural weird shit going on that kids are involved and we gotta also figure it out but we’re also here to Protect Our Kids™ with my qpr gaze
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vaugarde · 2 years
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ive seen get out the movie now... goddamn
#spoilers for the movie in the tags bc u should watch it urself#it was very different from the screenplay like more than i thought and i like the changes that were made#like fun fact rose and jeremy swap places in the climax and i love the movie version wayyyyy more#like originally it starts w rose trying to wheel him into the surgery and chris kills her first#and jeremy literally shows up to kill him 3 times. yeah i like that hes not that in the actual movie#bc in the screenplay i was like ''wtf why wont he go down why is he the main threat''#and in the movie jeremy goes to get him and hes attacked. comes back and THEN gets blugeoned#which i like better bc we get the scene where rose is trying to find her next victim andshes like cold and calm throughout the climax#which is infinitely scarier and more thematically fitting bc SHE did this to him SHE sethim up SHE is the main antagonist#idk its very different but a REALLY good change that i really really like#the one rose related change i didnt care for is that they took out the bit where she manipulates him with a fake pregnancy#tho ig i get why it was taken out. ig ppl wouldve gone ''omg he killed a pregnant woman'' and that wouldve been annoying#idk if youve seen the movie i recommend reading the screenplay the changes are really fascinating#also the gore didnt scare me as much as i thought it would. i think i psyched myself out too much#+ its more descriptive in the screenplay. huh. maybe i CAN handle breaking bad. just if i read all the scripts beforehand#if anything like that is possible tho idk#echoed voice
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