#sorry um. got feels again
People should make more doomed by narratives siblings relationship.
Like with lovers you can just sever it and not have it related to you ever again but with siblings how could you?
You grow up with them you raise them or they raised you you both know how unforgiving the world is to both of you? You would die for them but will hate them for doing the same and yet none of you would regret it and both of you know it. They could be the person you loath the most and miss the most cause you still remember how they sneaked a candy into your hands. You can sever the tie but you can never look away at what you've lost, at whom you've lost because fate doesn't allow you to be together, eating dinners in quiet peace, if only there's another life, another time, where i can make you another plate of pancakes i would im sorry im sorry im sorry —
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Come back home when you have some sense
You can throw your life away just not at my expense
You’re not the son I raised
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hello! i can't remember if you answered this in your wonderful astarion romance meta [THAT I CANNOT FIND AGAIN FOR SOME REASON...], but when he propositions us for a second time -- with the series of pick-up lines that we can cheekily call him out on -- do you think he's still in the 'i'm just trying to keep you on my side' stage, or is there maybe some interest in us beyond that?
Hello!! Ahh thank you, you might mean this one? I have another one where I broke down a separate scene so if it’s that one, I can dig for it! But!!!!
I’m currently phone-bound so I can’t grab my usual quotes screencaps BUT I DO have thoughts on that scene, so let me ramble—
for the scene you’re referencing in particular, I really do think there’s a degree of projection from the player (ie what you think this scene means for astarion and your tav is up to you) and personal interpretation for the pacing in here—so if someone else sees it differently or sees it paced differently for their tav, I can definitely get that. however, for me, this scene sort of represents this very interesting shift in the relationship, but not because astarion is developing interest, but because of how he’s acting around tav now that he knows he has tav’s interest secured.
in short: I do think this scene happens still mostly in “I’m manipulating you to keep myself safe,” territory BUT. What’s interesting is that astarion isn’t making any attempts to disguise that anymore. prior to this scene, his two potential propositions (both the one he initiates pre-goblin camp and the one that happens during the goblin party), while not necessarily “natural,” and most certainly not rooted in the first bloomings of a crush, or whatever, there’s a conscious effort to disguise his routine and, in essence, genuine seduction through appealing to Tav, trying to incite desire, etc. — he’s lying and when you know he’s lying it’s obvious, but there’s wiggle room for Tav to genuinely think, hey, this guy is interested in me. but the scene you’re referencing—“here’s my little treat with their cheeks all flushed…” “three little words. everyone’s favorite. I love you. (that would be a lie.) but a very sweet lie,” or whatever he says at the end there—descends very quickly into teasing (almost taunting) that is VERY heavy handed and very gleeful in how he almost …. dangles the falsehood of it in front of you.
there’s multiple ways you can interpret that. is he getting more egregious in his flirting because he feels like he doesn’t have to try as hard, but still TRIES? is he revealing the truth behind the facade because he’s starting, on some level, to feel comfortable enough to reveal THAT if nothing else? I’m less convinced by the second, more convinced by the first, but myyyy personal interpretation of that scene is one that kind of….. is within the romance but removed from it in terms of. I don’t think it’s about tav here, really. I think it’s about astarion.
to elaborate, I think that there’s a kind of thrill in this moment — astarion has been an object for sex and desire for 200 years, and he’s still doing that, still playing that role, but now he’s doing it without the overarching crushing influence of cazador behind him; his safety within the group is relatively secured now; there is less..... external (or perceived external) pressure to keep up the act, but he still does it. which I think results in him almost……. outright telling you that it’s false? like a kind of release, to say that the I love you is a lie, and you know that, and I know that, and I don’t have to FULLY pretend so, in his own way, he doesn't--he tugs and pulls at emotion, and kind of .... invites Tav into the lie, in a sense (thank god there's no option to say "I love you too," here, I worry that fans would take it and mean it sincerely. like. AUCK). maybe there's almost a vindictive thrill to getting to basically display his exaggeration. or maybe he's pushing at the boundaries of what tav & he have here, seeing how far he's sunk in. playing the role still, but at the end, you know it's at least partially an act. either way, poking and prodding like that, to me, isn't motivated by blooming squishy feelings. rather, it's something less sweet, less romance-y to boot, but more interesting for the character as a whole. or maybe that's just my own bias--I tend to find the Soft Squishy Romance to be the least interesting aspect OF the romantic dynamic. also, to be clear, I'm not trying to soften it up with elaboration here. taking away the context of astarion's history and past, what he's doing here is really just mean. it's a kind of cruel thing to so starkly display that you dont really give a fuck about the feelings of the person in front of you--enough to throw flirting and emotional barbs of "I love you," at them just for the laugh of it. it's a bitch move, but it's an interesting one, and I rarely see the conjunction of His Meanness discussed with how it manifests due to his history-- it makes complete sense and it's FASCINATING.
there is ONE thing I'll say, and that in the dialogue branch where you say, "Are you having fun?" or something along those lines, he says, "I am! It's hard not to, with you." and that, I do believe to be sincere, in its own way. I do think Astarion is having fun with Tav out on the road, being with them, being with the group, enjoying the show so to speak, and exploring his newfound freedom--all of which is wrapped up in proximity to Tav. there's arguments to be made that there's pacing issues here, but I actually interpreted the fact that we don't really have another romance-specific scene before the "you're wonderful"/drow confession to be intentional. to me, the trust bond with astarion isn't developed in moments where he's putting up the act or where you're expressing interest or attraction to him (he already knows, he's already removed from that, there's no trust to grow in these moments because sex/attraction is the last thing associated with trust to him), but rather, trust is reinforced over time on the road, through shows of support out and about during crucial, but NON-ROMANTIC moments (such as killing yurgir for him--a nonromantic act, but one that solidifies that he can trust you.)
all in all, after such longwindedness... I guess my answer is that. while I dont think he LOVES tav at all, and maybe he isn't even romantically there yet with them, I do think he likes Tav by this point, and enjoys their company and their presence. what that means to YOU is up to you! as I said, I think it's a scene where the pacing and emotional weight is partially up for interpretation. you can just as easily imagine that he's got unaddressed growing feelings there as you can not--especially since if you turn him down here, what he'll say is "I've gotten on my back more times than I can count [...] most of them I don't even remember. but you, I'll remember." <- possibly implying that there was the start of a potential something here, ultimately ended, which he isn't really sad about because it removes the overall pressure of putting up a show, but at the same time implies a fondness for tav the person; again, not necessarily romantically oriented, but positive emotion regardless.
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guys we need to give wlw fics more support and attention!!!! [posts uncredited writing] [posts uncredited writing] [posts uncredited writing] [posts uncredited writing] [posts uncredited writing] [posts uncredited writing] [posts uncredited writing] [posts uncredited writing]
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Daisuke's Notes on Venom's Concept and Design:
Like Millia, he was raised in the Assassin's Guild from an early age. He adores Zato.
He was set up to be a long-reach character and flier. I wondered what kind of character I should make. Originally, he had a cello.
He actually had a fan for a weapon before Anji did. He also had a large cross, which I thought was the best concept, however, we were told that it was OK to have it as a part of his design, but not to hit anyone with it.
When I was struggling, I went out to play games as a distraction. One time, as we were playing billiards, we talked about how interesting it would be to have a fighter who fights with a pool cue. But I thought the character would be too boring with just the cue alone, so I made it so that his hair also covered his face and added a mark on it with a bit of paint.
Since the head had such a strong personality, I wanted to keep the body simple. However, I wanted to change the overall shape of the body to make it similar to Zato's, so that's why the legs are like that.
As for the pants design, if I wanted to keep it simple, I would have made each leg the same color, but that would've made his figure appear more naked. To find a way around this, I made one leg light and the other dark to add more of a mysterious flair.
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wait omg i’m curious about your unpopular thoughts about temenos writing wise.. i love when people discuss octopath writing it’s really enriching to see what we all have to say about certain story elements. plus you’re like a temenos representative to me. your thoughts about temenos make me go “so true!”
Aw, thank you! It took a while for me to decide on what to write here, since honestly I could go on for… frankly any aspect of this guy, especially in regards to treatment in fanon. But for now, I'll focus on my thoughts regarding how people treat tragedy in Temenos' story— namely, Crick's death— and why I personally dislike it as a writing decision and why I disagree with the idea that it is necessary.
Note: Goes without saying, but this is my personal opinion. If you believe otherwise, then that's all good. I'm not writing this to say that any one person is wrong, just to talk about an issue I have with the game's writing itself.
To start, I'll say that my main reason for disliking Crick's death in SH route is a matter of practicality. Killing him off causes Temenos to lose the main person that he had a fantastic relationship and banter with, and in my opinion, Temenos works best when he's bouncing off another person; not unlike most under the Sherlock-archetype.
Also, genuinely? It works wonders to keep Crick alive, if just because it provides a fantastic avenue to explore Temenos' institutional trauma. Having a character that's lived a different experience but within the same harmful institution opens up ways to explore the scope of its harm. And yes, this is for Crick specifically; not Ort, not the travelers, but Crick.
I think it really adds something that Temenos was raised by the church while Crick converted as a teenager during a really difficult time in his life. These two are good for each other. Crick sure as hell makes it a lot easier to write Temenos in fic.
(If you have a different experience, again, that's cool. I'm glad for you. I, however, will never fail to take the easy way out.)
(This is a lie, I'm over here making up fantasy church law for fic stuff but that's not related to this answer.)
I won't pretend that disliking Crick's death is an unpopular opinion. I mean, "Stormhail Fix-it" is an entire genre of fic on the OT2 Ao3 tag. What I do feel tends to go unaddressed though, is the fact that the idea that Crick's death is canon, therefore it is necessary, therefore it is the best decision; an idea that I wholeheartedly disagree with.
Within the text itself, Crick is killed off in order to give Temenos a personal reason to pursue Kaldena, thus putting him at odds with Kaldena's motivations being driven by her ideology and worldview that, "because humans committed the massacre, it was the gods' mistake to put us here". I also won't pretend that Kaldena's writing here isn't fucking awful, because Crick's death is also a device to make the player want Kaldena defeated even though she is just as much as a victim of the church; and that's to say nothing of her portrayal as an indigenous and dark-skinned woman.
These decisions are ones I disagree with. Killing Crick off was unnecessary to give Temenos reason to pursue the culprit, because Temenos already had someone close to him killed; and that's Pontiff Jörg. He raised Temenos from infancy, but due to the lack of focus on him outside of banter conversations, it's never relevant to his motivations outside of the desire for truth because a crime was committed.
We also didn't need to kill Crick off to show that the church was a terrible institution, because Roi already went missing in action. The Sacred Guard is the main body of law within Eastern Solistia, it's not unreasonable to think that the reason why Temenos dislikes them is because they clearly didn't do shit to investigate his disappearance.
However, one thing I really don't agree with is the idea that Crick's death is necessary because Temenos' story is a tragedy. And if you asked me why, I'd ask this in turn: why is death the only form of tragedy? Furthermore, why must a tragedy contain only tragic events? That in mind, what gives anything value in a tragedy, then?
Pretend we cannot completely rewrite Temenos' story. Even then, changing Crick's death to a permanent injury, a coma, or whatever is still a tragic event; and that's nothing to say of living with the consequences. Isn't losing your faith a tragedy? Isn't losing something you worked for years to do a tragedy?
Similarly, I'd still argue that it's more valuable to make Stormhail a near-death experience because not only does it show Temenos succeeding in making someone question the church but also the terror that is feeling like you're doomed to repeat tragedy. Even if you really aren't, it's hard to dismiss that feeling; especially when it has to do with being victimized by institutions.
And before someone says, "but bad things happen to good people in real life", I'm not treating these characters as living, breathing people who are subject to things like gravity, hunger, and exhaustion. I'm treating them as choices, and choices made that I disagree with.
It's why I make different choices. I choose to make Crick have to deal with chronic pain onwards. I choose to make Temenos realize change is still possible. I choose to let them both leave Stormhail alive. Are these better choices? I don't know. But I'll never stop questioning the ones made by the writers regardless; much less stop disagreeing with them.
So, in summary: I dislike Crick's death. I dislike Temenos having to spend the rest of the story without someone he can talk to so easily because Crick's absence weakens a lot of his scenes in Temenos 4. But more than that, I dislike the idea that tragedy is necessary on top of the idea that it is superior. Tragedy's good, I adore the genre; but written in mindful doses and all that.
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can you describe matthias and theo night routines? and their sleep schedule
<3 ly
Theo doesn’t get a lot of sleep since he’s either out partying into the long stretches of the night or up studying until the words begin to blur on the page. I’d say he normally falls asleep around 3AM-4AM and doesn’t wake back up until 7AM. Four-ish hours is pretty average for how much sleep he gets a night… maybe less at times if he’s more stressed than usual. I should add that he does sleep more when he’s staying over at Matthias’s or vice versa, but generally he tries his best not to let Matthias distract him from studying before bed… which only ever works out about a quarter of the time. Matthias can be... very persuasive.
In the case of Matthias, well… he’s a chronic insomniac whose insomnia is exacerbated by hallucinations and nightmares. Unsurprisingly, his sleep schedule is terribly inconsistent, but if he does sleep then I think he normally manages it sometime around noon and will stay asleep for about an hour or two. It’s actually very rare that he falls asleep during the night—especially after Theo begins to sleep over, as Matthias prefers to read and watch over him at that time instead. Theo has fits in his sleep (from nightmares that he never remembers…) and Matthias gently calms him so he doesn’t wake up.
The only time they fall asleep at around the same time is when they’ve been at it for a while and both need a break. Matthias doesn’t stay asleep for long, though… maybe an hour at most. He does sleep easier around Theo, but that’s mostly just when Theo is awake. I think Matthias finds a lot of comfort in knowing Theo is there watching over him. He went through a lot at the reformation school and there were many times within those years where sleep would be abruptly interrupted and then he’d be back on the killing floor, so to speak, so having someone there to watch over him… I think it really helps. Then, on the other hand, Theo sleeps pretty deeply after they’ve been having sex. There’s never a time he feels more cared for and adored than when Matthias is making love to him, so it's... a relaxing experience. It puts Theo's mind at ease and I think it’s probably when Theo feels the safest. So he'll sleep for a long while after, feeling cradled in Matthias's presence, his anxiety finally snuffed out.
As for their actual night routines… hm. They’re very different, especially before and after the start of Echthroi.
Theo’s night routine stays pretty much the same throughout the story. He’s not one for self-care, like, at all. Because of that, he doesn’t necessarily have a routine… Theo’s honestly only really meticulous in his studies and everything else suffers for it. However, Theo physically cannot fall asleep unless he’s checked the locks on the windows and doors and closed all of the blinds and curtains. That’s the one routine of his he’s always sure to follow through on, even when he’s intoxicated or sleep deprived.
Otherwise, what else he does as part of his “routine” is up in the air. Sometimes he showers before bed, other times he showers after waking up. Sometimes he combs through his hair all nicely and other times he just impatiently rips his fingers through his hair and shrugs. Sometimes he forgets to brush his teeth, other times he forgets that he’s already brushed his teeth and ends up doing it again. He’s a bit of a mess. If he’s actually aware/awake enough to put himself to bed, then he’ll messily wipe any makeup off his face post-clubbing and/or he’ll shower post-hook up (if it’s the pre-Matthias part of Echthroi). If he’s tired from studying he’ll put all of his materials away and then flop down on his bed. If he has to see his parents in the morning then he’ll wind up in the bathroom for too long, brushing his teeth until his gums bleed. If we’re talking about Theo in the post-meeting Matthias part of the story then he might take a cold shower to try and get Matthias out of his head for a little bit, or he’ll find himself laying in bed staring warily at his phone. Hm… and in general Theo will hum lullabies to himself so he can fall asleep easier… it’s a childhood habit.
By nature of Matthias’s insomnia, Matthias doesn’t exactly find himself preparing for bed during the night like most people. He does, however, still run through his personal care routine at around 8pm. He showers, brushes, flosses, cleanses and hydrates, primps and preens, and then he’ll usually find himself entertaining guests or a partner for the night.
For Matthias pre-meeting Theo, he’s often not alone after dark as he has a string of men with whom he takes to his bed or a list of faceless people to call on whenever he wants to be surrounded by bodies and chatter. There are still quiet nights where he’s by himself or just with Imani, but they’re relatively few and far between. For Matthias post-meeting Theo… woof. He did sleep around here and there still, but I think he gave it up pretty early on… his mind was always swimming with thoughts of Theo and he couldn’t focus on nor did he find himself interested in the men he’d have under him. So after meeting Theo his usual night circuit changes and he often finds himself staying home and reading with some wine and the occasional glance at his phone, waiting for a response. Matthias does a lot of waiting when it comes to Theo.
If they're together at night (when they’re dating), then Matthias will usually make dinner for Theo. He likes feeding him (by hand, even, though Theo often protests). Normally Theo will have a few textbooks with him that he can study from while he waits for dinner and he always winds up going "give me a minute" when the food is finally done. They'll enjoy each other's company just fine at home or they'll go out for a drive or a walk. Theo often winds up getting roped into following along with Matthias's night routine and will poke fun at how fussy Matthias can be as Matthias does skincare beside him in the bathroom. Theo tries to get away with studying again later in the night, but Matthias likes to distract him as he’s personally offended whenever Theo whips out his textbooks past, like, 11PM. In general, they'll wind up having sex at some point, or multiple points, and then they'll shower together. After they towel off and Matthias dries Theo's hair, Matthias will most likely end up reading to Theo until Theo falls asleep. If Theo wakes up during the night, Matthias simply kisses him back to sleep.
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THE LOVES OF MY LIFE OH MY GOD!!!!!!!!!!!! 🥺🥺🥺🥺🥺🥺🥺 it's been so long since I've rly felt love bursting in my chest for any F/Os and I am feeling so so so so much for my girlboss girlfriend and my horsegirl boyfriend 😭😭😭💖💞💓💓💗💖💕💕💕💟💝
Her smile!!! god!!!! HIS smile!!!! god!!! these two are fucking saving my life I can't believe how much these characters are helping me get through the worst time of my life. THESE TWO are helping me get back into self shipping and helping me feel safe again when I really thought I'd never ever recover. I'm collecting screenshots of these characters and sighing with hearts in my eyes every time... I haven't done that in over a year... I'm making gifsets and writing fics and doodling again... it's all because of them and I'm such a weepy mess over it
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I keep forgetting about how people actually use pronouns for me instead of just referring to me by name. Like sometimes id get she/her'd or they/them'd and it always feels so trippy because i have never been called that in my head!!!! Its always just been 'Dude' 'You' 'Man' 'Me' 'Girl' and 'He' but idk. I feel like id get tripped out if i start going by he/him too.
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watched tbosas today. needless to say i am obsessed with the red uniform skirt and they should have been wearing those the whole movie. thank you.
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Consider: Fem!Jamiazu as Kuromi gf x My Melody gf dynamic. No I don’t know anything about sanrio characters, I just know the aesthetics of the two characters and how they are almost opposites. Anyway hopefully you understand this because its so silly to me
-Snake Anon
considered :3 i think jamil would also keep a diary of 10,000+ instances where azul was mildly irritating.
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tell me your failed/embarrassing flirting stories to make me feel better, i’ll go first: today i said “get out of my way” forgot to say “i’m kidding” then immediately said “bye”
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1 and 22!!
1. Could be a lot of characters really but I guess the main two are both good candidates here
though of course everyone's interpretations are gonna be different and headcanons influence that a lot too!
I think a lot of people tend to write off the depth of these two though, and not necessarily on purpose...
A lot of people think of Moon as being the sweet type who's secretly scary when mad and super strong blablabla but...like
she wasn't able to stand up to her own brother until it was too late...She's a very passive person. She kept trying passive means of getting him to stop until she finally forced a communication that just resulted in him getting mad at her and blaming her for ruining everything...as an admin over Pebbles she realistically had the power to try to stop things much sooner or more forcefully
but she just isn't really a forceful person...she isn't secretly really powerful and strong and someone you shouldn't mess with...she's just tired and sad and irritable and frustrated and hurt but trying her best to be happy and live as well as she can
She tries really hard to be kind and good and fair and do her job properly and be helpful...
And maybe that's good enough, idk...it makes me feel better at least
That maybe you don't have to be secretly really strong or whatever for people to take you seriously and respect you. Maybe it's okay to be weak and kind. idk
And Pebbles...he has a lot of remorse for his actions. The guilt is literally eating him up from the inside. He's not just mean and angry and hates everyone!!!! He just is incapable of asking for help. He's too prideful. But he's prideful in the sense that he cannot stand anyone looking down on him or pitying him...and he can't admit he was wrong. So he just kinda gives up. He resigns himself to his fate without even trying to reach out to his local group again and apologize...
He is clearly very pained thinking about what he's done. Even in arti's timeline, he remarks he hopes that [the rot] won't spread to moon. He's generally concerned about how she is doing, but he doesn't have the courage to ask. He's very scared, I think. He tends to internalize things and withdraw into himself. It makes the rot really fitting lol...
By the time he is able to accept asking you for help, his structure has started collapsing. It takes him a REEAAALLLY long time to overcome that flaw of his.
But I also really don't like the idea that he's some helpless little baby or whatever...it kinda diminishes the inner turmoil he is experiencing and the weight of his guilt. He did this. He hurt himself and his sister. He damaged things irreparably. To try and absolve him of his sins rubs me the wrong way. Pebbles is such a great character because he is flawed. Because he is not a good person. Because he does bad things and hurts others. Because that's how real people act. The exploration of his feelings of guilt and how he represses his emotions to try and cope with them would be far less interesting had he not done something substantial enough to warrant this sort of reaction...
So please don't try and take his agency away!
Of course I havent played saint yet (though ive read somewhat about it) and I can't always remember all the dialogues off the top of my head so take it with a grain of salt haha...
everyone will have different headcanons and views and stuff though haha once again...
lemme make another post for the other one...
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people are mean asf to all might what did he ever do to you. he's just some guy ... i think he's funny ...
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if u have milk and butter u can make a heavy cream substitute :3
i think i actually have heard of this one!! i did also just look it up just now and immediately got frightened by the amount of butter (which is: literally the same amount of fat if i just ate straight up whipped cream but somehow it being put into butter format really illuminates the fat content) but regardless thank u for the ask mwah <3
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ive inherited a copy of lolita from my parents (i.e. i stole it from the library in our basement and started treating it like its mine) with the 1989 vintage international cover and i think its actually not that bad. better than the 50th anniversary one with the lips anyway imo (which is the cover for the library ebook vers ive checked out).
like i think any cover that incorporates the "only convincing love story of our generation" quote anywhere kind of sucks on principle, and the fact that it features a photo of a girl at all really goes against nabakovs instructions, but compared to other covers that break those two rules, the haziness of the photo creates a really evocative atmosphere i feel matches the book more or less.
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