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#sorry I’m obsessed w colours on this show
waddles-ex-machina · 7 months
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I know maybe some of us are grieving the gang losing their signature colours but can we talk abt how frida is slowly shifting into kaisa’s colour palette
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fabraies · 1 year
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TR CHARACTERS AS F1 DRIVERS — FT RAN & RINDOU HAITANI, SANZU HARUCHIYO, MANJIRO SANO
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content — assigning each character an f1 driver & imagining what kind of driver they’d be + how they act at races w their gfs
notes —this is very impulsive and it stems from my recent obsession with f1 idk i thought it could be a cool concept and I don’t think anyone has done this b4 so here. as always reblogs are appreciated!!
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RAN HAITANI
totally max verstappen. i feel like ran would tend to be a very impatient driver if he happens to lose control, and while he outwardly maintains a professional and calm image, he is a very reckless driver nonetheless, and this trait could very well be his undoing. One the bright side, his habit of getting angered over seemingly trivial things is proof than ran constantly strives for perfection, and works extremely hard to be the best driver on the grid.
the way ran would treat his girlfriend is where the similitudes between him and max end. In contrast to verstappen, i think ran would actually be very open about his private life and would not hesitate to show you off and boast about you in post-race interviews, on his instagram, twitter, literally everywhere. lucky you!
RINDOU HAITANI
charles leclerc. technically, I don’t think they actually would have a lot in common, I’m just saying that because I’m 100% sure that even if ran and rindou end up on the same team, there will still be rivalry going on. i know many people talk about how they’re literally super close and all, but come on. they’re brothers. there’s absolutely zero chance that there isn’t at least a tiny bit of competition between the two. Aside from that, charles is a very calm driver that constantly owns up to his mistakes and never blames the team; while I don’t think rindou would go to this degree of sympathy, i definitely think he’d always have a second thought for his team.
this is actually pretty funny, because I think in terms of private life & relationships, rindou would definitely resemble max more. definitely super private about everything, and doesn’t really talk about it unless he has to. he still loves you to bits though, he’s only doing this to protect you from the media.
SANZU HARUCHIYO
lando norris. both of them have rather colourful personalities (not considering sanzu’s is only like that due to drugs), and like to have fun. Confidence, wit and charm are their trademark, and that’s how both of them got so popular. Lando has talked about how he felt he wasn’t serious enough at times, and joked around too much, and i truly believe sanzu would adopt this exact attitude, the only difference being that he would never admit to it. Sanzu is definitely the type of guy to speak is mind, wether people are happy about it or not, and I’m sure he would have as big of a social media presence as lando. Overall, sanzu is a laid-back driver, with little concern about winning. As long as he’s on the podium.
to be very honest with you, i really can’t picture f1 driver!sanzu being in a relationship at all. As already mentioned, sanzu is a very laid-back person, and tends to be very unserious most of the time so either, A) his uncaring personality scares women away, or B) he breaks up with them because they don’t give him enough “freedom”. sorry.
MANJIRO “MICKEY” SANO
okay he really hit the jackpot with this one but I swear this is all objective: lewis hamilton. think about it: in the bonten timeline, mickey becomes bonten’s leader. Lewis’ disdain for rules totally matches up with mickey who technically doesn’t have to obey to any rules at all. Both of them are very independent and polarising, and don’t take bullshit from anyone. The only thing that I would say differentiates them from one another is probably lewis’ flashiness and lavish lifestyle. Mickey tends to keep more to himself, and wears the most mundane clothes to ever exist all the while being extremely wealthy.
When it comes to partners, I think Mickey would be like rindou or max, but like times ten. To be honest I don’t even think he would disclose anything about being in a relationship at all. He believes your relationship is something private, and nobody has the right to stick their nose into it.
©234423zip ALL RIGHTS RESERVED do not copy any of my themes/works
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freesiriusblack · 1 year
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Get To Know The Blogger
Finally got the spoons to do this! Tagged by @sebastianswallows and @accioquill and @reckless-val I love you guys, thanks for being patient!
Share your wallpaper: I like space and fractals…This has been my desktop for about 2 years, sorry if it’s boring!
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The last song you listened to: Narcissus - Paris Paloma 
Currently reading: If it counts: Journey to the Radiant City (D&D 5e adventure collection), if not, I’m doing a casual 2nd pass on The Poisonwood Bible by Barbara Kingsolver
Last movie: The Meaning of Hitler (I like to have historical documentaries play while I cook and stuff)
Last show: Star Trek: Voyager S5 Ep5 “Once Upon a Time”
Craving: Eggs Benedict w/ bacon 
What are you wearing right now: Blush-colored button down dress w/ white polka dots
How tall are you: 5’5” = 165 cm
Piercings: 10 open, 5 more closed
Tattoos: 3 one on my foot, one on my calf, and one on my shoulder
Glasses? Contacts?: Glasses
Last drink: Coffee
Last thing you ate: oatmeal w/ peanut butter & honey
Favourite colour: a very specific shade of dark red/purple
Current obsession: Ominis Gaunt
Any pets: Huskaroni Lola, my 16 year old snake Alice, and a plethora of fish
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Favourite fictional character: This question is unfair and I refuse to answer without a more specific criteria. 
The last place you traveled to: New Orleans
Tagging: If you’ve done it already please forgive me <3
@roohuh @underthenightskydreamsneverdie @cranetreegang @nightlydream
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golden-astrum · 1 year
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I’m obsessed w your art style omg!! If you don’t mind me asking how do you shade skin? I’ve always struggled w over shading but the way you did it in your most recent piece is beautiful
ahh thank you so much!! i can try to show you a little step by step on how i shade skin ;0 though keep in mind that my art style is not the most consistent in the world but no matter the art style i choose the process is always the same!
before i start though, it's important to note that i use clip studio paint as my main drawing software, so most of the brushes used will be available on the clip studio asset store. however, some brushes i used are made to mimic paint tool sai brushes, so i'll be showing my settings for both
(also this isn't really a tutorial--this is just how i personally do it!)
step 1: base colour
what i do first is choose a base colour. the simplest part LOL.
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step 2: blush
next i like to pick a colour for the blush. the colour depends on the skin tone but in this specific example i went for a more orange-ish colour. i apply it on the cheeks, nose, eyelids, ears, and lips.
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the brush i used is Mitch's Smooth Blending
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this brush is the closest to the brush i used in paint tool sai 2, which is this one! the basic watercolour brush but slightly altered
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step 3: shading pt.1
so here i just take a colour slightly darker than the one i used for the blush and kinda go over where i think the shadows would be? the brush i use helps a lot because i can go softer on some parts (top of eyelids) and harsher on others, so there are some variations
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step 4: shading pt. 2
i take a cooler tone and softly go over some of the shadows w it?? dont rly know how to explain it but i started doing this once and havent looked back ever since LOL ... hope the visuals make sense tho
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extra: lighting + overlays and stuff
if the skin looks too dull i slap an overlay later on top of my skin layer and add more colour to it ^_^ also i like adding some lights and stuff idk its my fav part tho
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anyway thats it! its not the best example im sorry about that but i hope it was still interesting ^-^
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itsdelicate · 1 year
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omg i remember u mentioning getting a new tat and wanted to ask what u wanted to get but completely forgot dkjfns. so what did you get?
yes it isss!! it took me forever to properly get into music like the only reason i ever started liking specific artists was quarantine lmao. that is so wow omg. so like fearless era? that mustve been fun tho!! honestly i would love to spend half my life a swiftie lol. i was i was!! like omg the bad blood mv is prob one of the biggest "omg girls?!!?!??!!?" moments of my life like that scene w her velcroing on the boxing glove w her teeth,,, the hair, the makeup, just everything. i still scream a little when i see that scene lmao. and also like ybwm, love story, ikywt, blank space (another mv i was obsessed w), etc etc. the popular ones!! and my vocal teacher actually introduced me to cruel summer (which i loved) and also her cover of riptide. like now thinking ab it,,, how did he even know omg??? SO TRUE like inject ivy into my veins its so *chefs kiss*. YES YES YES mad woman is so scream in the car or into a pillow while crying i love her sm. LMAO YES i remember seeing it and genuinely thinking. huh. a happy song cool! and then its just pain for 5 mins which i absolutely LOVE.
AWWW THEYRE SO SWEET I CANT JKMDWMV i would cry if any of them did that to me. so valid so true shes just so !!!??!??!??!?!?!?
yessssssss. rapunzel is such an icon <3 she so issss!!!! OMG I LOVE MAMMA MIA SM!!!!! abba is obvs everything and meryl streep???!?!?!!!! AND amanda seyfried AND julie walters AND christine baranski???!!?!!!? AND colin firth and pierce brosnan?!?!?!?! its such a classic and i could watch it forever jkdmsfvjnm. yes omg i immediately stop the second i feel a bit annoyed w it. okok i def will!!
it is it is njskodjn. haha yea ik a lot of ppl dont really like it lmao but the second i heard it was obsessed. RIGHT??? makes me cry everytime. im very much a sad songs lover <3
yea me too!! like to go to a mall and seeing the massive tree and all the decorations?? so pretty so fun i love it.
glad i could be of service lol ajnsmf <3 yes it did thanks!! my friends and i are planning on watching the black panther movie together so that hopefully!! have u watched it? and wbu do u have any plans? also i realise that i totally spam u in these replies iwdkfvs im so sorry i talk and ramble a lot lmao
xxx ur secret santa
very rude of tumblr not to tell me i got your ask 😒 anyway! it’s a little mermaid rat!! it has the prettiest colours in it’s tail and the design was to raise funds for the mermaids charity who support trans, non-binary and gender diverse kids and families <33333
oooh gotcha i totally get it a lot of my friends aren’t into music like at all but i’m so glad you found a love for taylor’s music hehe yess fearless era!! but you’re here now!! you can be an honorary since-fearless-era stan 😌 love that for you omg the scene you’re talking about it,,, Yes whew on this topic i didn’t know it then but the story of us mv was a gay awakening for me ahdjfj and yes the blank space mv was SO good!! (is it your fav music video?) i will never not be upset that cruel summer didn’t become a single IT WAS RIGHT THERE!!! omgggg stop her cover of riptide is my fav thing ever i listened to it obsessively for ages your vocal teacher knew what he was doing 😌 help i didn’t even process that it’s over 5 mins long it’s so 🥲
EXACTLY EXACTLY!!! i had like post concert (convention 🤔) depression for days after lmao
YESSS it’s such a classic and so feel good i love it so so much!! my cousin introduced me to all the abba songs when i was like 7 and she burned them onto a cd for me under the instructions that id stop singing mamma mia at all hours cause i was annoying her 💀 and then i proceeded to audition with mamma mia the song for my school’s talent show and all the teacher’s laughed cause i was literally 8 years old singing about how i’d been cheated on and i was brokenhearted 😭 shfkgk i have to do that when i overplay taylor’s songs sometimes like ok i have to listen to another album now or i’ll burn myself out smh
it had such a different sound! but i love it now and omg i always find myself avoiding really sad songs 🤧
yeah!! it’s such a lovely time and i adore going to christmas markets <3
omg nice! no i haven’t ahdjf i actually haven’t seen mcu movies 🫣 i never got into them and my friend’s a huge fan who keeps asking to me watch them but it feels like there’s too much to get into now from the beginning shdjf and no omg i love it!! spam away 😌
i hope you’re having a good week!! 🥰
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touyaz · 3 years
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ride.
pairing shinazugawa sanemi x fem reader
word count 981
notes for snow ( @httptamaki​ ) bc they’re obsessed w me !!
WARNINGS thigh riding, slight degradation. reader is called girl, slut, princess.
MINORS, AGELESS & BLANK BLOGS DO NOT INTERACT. 18+ ONLY.
+
His lips trail down the column of your throat, nipping harshly at your skin, leaving behind bites that colour the surface with his love and lust. Your hands, weaving through his hair, clench the strands as he flicks his tongue over the blooming marks; you hold him so close you feel every pant, every inhale, as his heavy breaths cool the damp skin of your neck.
His own hands are gripping your waist hard enough to bruise, controlling the movement of your hips as he guides you back and forth, again and again, along his thigh. The fabric of his jeans is unforgiving against the sheer material of your underwear, and it does little to reduce the burning friction with each push and pull.
“Fuck, that’s it,” he groans into your ear, tugging at the lobe just before he starts kissing his way along your jaw. You can feel your arousal soak through your panties — most likely leaving behind a wet, dark patch on his jeans, but neither of you care at the moment — at the gruff, raspy tone his voice takes. “You’re making a mess all over my thigh.”
When you swivel your hips over his tensed thigh, you clit brushes deliciously against his jeans and you gasp his name, continuing the motion to stimulate yourself further.
“Fuck, Sa— Sanemi,” you whimper, “please— more, please.”
“More?” he repeats, “You think you deserve more when you couldn’t even let me finish my work? Here I thought you were my good girl.”
“I’m sorry,” you cry, breath hitching when he stops your movement, only for one of his hands to drop and start rubbing your clit. “I’ll be good now, I promise. I promise, ‘Nemi.”
“Yeah? You’re gonna be good for me?” he teases, gaze darkening as he eyes the way you jolt in his hold, bucking your hips into his touch. You’re nodding your head, digging your nails into the thick of his shoulders, eyes closed so all of your attention is focused on the way his thumb draws figure-eights on your clit. “Why don’t you show me how sorry you are first?”
His movement comes to an abrupt halt and your eyes shoot open, brows furrowing at his actions. A small huh? escapes you and he smirks at the absolute desperation lacing your slightly-glassy eyes as you silently beg for him to continue. When your hips twitch to start grinding on his thigh again, aching for stimulation, he holds your sides, keeping you in place so he can speak.
“I said,” he emphasises, a cunning smirk plastered across his face, “show me how sorry you are. Make yourself cum all over my thigh.”
He releases your hips, showing off how unbothered he is as he stretches his arms out on the sofa behind him, completely relinquishing all control. Your knees are already weak from moving back and forth on his thigh before, but you listen to him, knowing that, as long as you follow what he’s said, he’ll forgive you for interrupting him and treat you well after.
After long minutes of riding his thigh, skirting along the precipice of your orgasm, but never successfully pushing yourself over the edge, you whine his name, dropping your head on his shoulder.
“I— I can’t do it,” you complain, a pathetic whimper falling from your lips before you look up at him. “I can’t do it without you. I need you, ‘Nemi, please—”
“You wanted to cum so badly before and now you can’t?” he scoffs, continuing before you can apologise any more. “You stopped me from working and now you’re not even gonna cum? Are you that pathetic?”
“I’m sorry—”
“Quiet,” he instructs, dropping his hands to your waist. “Since you’re so useless, I’ll help you, but you cum when I say you can, got it?” You’re nodding before he even finishes speaking and he can’t hold back his smirk at your eagerness. “Good little slut.”
Then, he’s pushing and pulling you against his thigh again, and you have no idea why the move feels so much better when he’s the one controlling you, but you can already feel your orgasm build up steadily once more. He continues peppering kisses and hickies along your neck, licking over the marks and then blowing over them to send chills down your spine.
Now that he’s participating more keenly — and not just letting you use his body as you please — he’s teasing you as he brings you to your climax; he alternates between flexing his thigh beneath you and bouncing his leg, and the change in pace and movements has you edging that much closer to your release.
When his thumb joins the fray, rubbing over your neglected clit, your eyes roll back and you lose yourself in the euphoria, whimpering and whining for him to carry on “just like that, fuck, fuck ‘Nemi, just— just like that, I’m—”
You’re shaking in his hold as your orgasm wracks your body, toes curling, thighs quivering as he slows your hips, as he draws out the high of your release until you slump from all the stimulation. Now sitting quietly on his thigh, you’re suddenly aware of the stickiness pooling in your panties, the fabric clinging to your wet folds helplessly.
His eyes drop to his thigh, eyeing the stained patch where you’ve soaked through your underwear and he feels his cock jump at the sight.
“You good?” Sanemi asks, rubbing his thumbs over your hip bones, and you nod. He hums in reply before continuing, “Next time you interrupt me, I won’t let you cum at all, got it? No matter how much you beg for it, princess.”
You nod once more, a meek apology on the very tip of your tongue, when he cuts you off. “Now get on your knees, you still need to show me how sorry you are.”
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farmnap · 3 years
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Fluff Alphabet-Sapnap
A = Attractive (What do they find attractive about the other?) 
He likes your humor. He likes your beauty. He loves everything about you. Mostly, though, he loves your kindness. You are just so nice to him. You hold him, whisper sweet things to him, and make him feel like its all alright.
B = Baby (Do they want a family? Why/Why not?) 
He definitely wants a family, obviously not anytime soon though. He believes that he’d be a good father and that you’d be a good parent as well. He doesn’t tell you this, but sometimes he dreams about having a child, their little hands and feet. He goes through baby fever like every two months. 
C = Cuddle (How do they cuddle?) 
He prefers to hold you most of the time, it makes him feel like he’s protecting you. He will spoon you most nights or hold your head to his chest and wrap his other arm around your body. Sometimes tho he lets you lay on top of him and just sleep. He likes your weight on him, thin or not. 
D = Dates (What are dates with them like?)
i assume they'd be chill or more just hangouts. Like going to an arcade or an escape room. If it was a special occasion, birthday or anniversary, he’d take you to a fancy restaurant. He’d hate getting dressed up and eating food that isn’t worth the money, but he’d do it forever if it meant he got to see you happy. 
E = Everything (You are my ____ (e.g. my life, my world…))
My lifeline. You make his world turn and his heart keep beating. Everything he does is for you (In a non weird obsession way) he just wants you to be happy
F = Feelings (When did they know they were in love?) 
He knew he was in love when you showed up at his house to hold him after he sounded upset on a call. that's it, no questions asked, you were just there.
G = Gentle (Are they gentle? If so, how?) 
He’s so gentle it’s almost infuriating to you because sometimes he wont even touch you. Like when y’all first started dating, he wouldn't hold your hand because he didn’t want to squeeze to much. He wouldn’t cuddle you because he didn’t want to suffocate you. He treats you like a doll
H = Hands (How do they like to hold hands?)
after he got over the hand holding fear stated previously, he holds your hand tightly, almost afraid to let go. He holds your hand whenever he can: in the store, in bed, on walks, in the car, on dates. He always has his hand in yours.
I = Impression (What was their first impression?)
His first impression of you was probably about your appearance. He’s only a 20 okay so he probably looked at your butt or chest first. Obviously when he actually talked to you, he would realize you were funny and nice. But yeah, purely physical at first.
J = Jealousy (Do they get jealous?)
omfg yes. He gets so jealous. Sapnap’s not the kind of bf to get like toxic or rude when jealous tho. He just gets insecure and sad. 
K = Kiss (How do they kiss? Who initiated the first kiss?)
You kissed him first, he was way too nervous to make the first move. He kisses you softly and with his hands on your cheeks. He loves holding you when you kiss, holding you close. Once Y’all are more comfortable with each other he may even put his hand on your neck while kissing you. It makes him all giddy.
L = Love (Who says ‘I love you’ first?)
He would say it first, on accident. probably after being intimate and having you on his chest. Too lost in his mind, it just comes out.
“I love you”
“What?”
It scared both of you at first but then you smile and cuddled closer. It didn’t matter to him if you said it back right then or not, he knew you cared for him.
M = Memory (What’s their favourite memory together?)
When you guys stayed in on your 6 month anniversary. The plan was to go out and eat at this super fancy place but you guys missed the reservation. Instead of being sad, you guys stayed home and watched a bunch if princess movies and cuddled. It was sweet and the first time y’all actually just hung out.
N = Nickel (Do they spoil? Do they buy the person they love everything?)
He doesn’t spoil you too much actually. He knows you can buy your own stuff and doesn’t try to take over if you don't ask him too. BUT on special occasions you are getting everything you even look at. he once dropped about 2,000 dollars on jewelry as a gift on your birthday.
O = Orange (What colour reminds them of their other half?)
Pastel yellow. Its a color of friendship and trust, which is what your relationship is built on. 
P = Pet names (What pet names do they use?)
He uses the usual babe a lot, i cant see him using darling im sorry. He also 100% uses baby and sweetheart. Honey is also used. But mostly he would use variations of your name. 
Q = Quaint (What is their favourite non-modern thing?)
He likes castles and royalty. Obviously there is still queens and stuff but he loves the whole castle fantasy. He thinks about being a knight in shining armor to save you.
R = Rainy Day (What do they like to do on a rainy day?)
He uses this as an excuse to stay in bed and cuddle. Like that’s all he would want to do. No food, no responsibilities, just snuggling.
S = Sad (How do they cheer themselves/others up?)
When he was single he would just sleep or eat. We’ve all been there and there's nothing wrong with it. But now that he has you he would rant to you or cry. If you were upset he would listen to any and all problems you had without comment. He would just be there for what ever you needed.
T = Talking (What do they like to talk about?)
he talks about school, his family, his friends, and a shit ton of random Minecraft. Even if you got sick of it, you stick around bc he’s cute when passionate.
U = Unencumbered (What helps them relax?)
in the most respectful way, he likes to have sex. it makes him happy and calms him down. Obviously if you weren’t feeling it, he wouldn’t make you and would go for just kisses and cuddles, also watching Moana bc he loves that movie. 
V = Vaunt (What do they like to show off? What are they proud of?)
he shows off his set up and shoes. He splurges on those things and will be damned if the whole world doesn't know. 
W = Wedding (When, how, where do they propose?)
He wouldn't propose for a while and surely not until y’all are both out of college and stuff but when he does its a whole thing. He takes you to a beach saying something like, “I heard the boardwalk food is amazing” or something like that. He would probably invite dream along to record and also being there for the biggest moment of his life. Obviously, you say yes and its so cute.
X = Xylophone (What’s their song?)
(I’m sorry about this one I’m not a big music person)
"I'm Gonna Love You Through It" by Martina McBride is what i picked bc he would always be there no matter what, he just loves so much
Y = Yikes (Do they ever mess up in the relationship?)
Sapnap has made many many mistakes. He can be rude sometimes without even realizing it, he can spend more time with George than you, he can ignore you for a week for something petty. Thankfully, he comes to his senses after a while and talks to you about it. He tries to be as good as he can and communicate to you but he’s not perfect.
Z = Zebra (If they wanted a pet, what would they get?)
oml he would beg you for a dog everyday! he just wants a German Shepard named Bently is that too much to ask?
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murswrites · 3 years
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Fluff Alphabet ⎯ Harry Bingham
Character/Celeb: Harry Bingham Fandom: The Society MASTERLIST Request from anon: Hello! Can I please request fluff alphabet with Harry Bingham please? Thank you 😌
A/N Yes, he’s a dick in the show but he’s hot shut up. Also this headcanon is sorta in-between the whole thing where it’s just the teenagers and then the real world.
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A = Attractive (What do they find attractive about the other?)
Everyone thinks Harry finds the “standard of beauty” to be the deciding factor (plus status) in who he likes, but deep down he enjoys someone who makes him feel safe.
B = Baby (Do they want a family? Why/Why not?)
He’s never really thought about it and I’m sure even then, he’s not interested in having kids. I’m sure he’s worried about screwing up like his parents did.
C = Cuddle (How do they cuddle?)
Just laying/sitting beside each other is usually how it goes. But Harry enjoys holding you whenever you spend the night.
D = Dates (What are dates with them like?)
Harry’s a certified show-off, so before the field trip he’s definitely taking you out to expensive restaurants and on joy rides in one of his cars. But after everyone is stuck in New West Ham, your dates are far simpler. Usually just sitting under a tree during free time eating together or watching a movie on his projector at home.
E = Everything (You are my ____ (e.g. my life, my world…))
“You are my... favorite person.”
F = Feelings (When did they know they were in love?)
He doesn’t like feeling he owes someone something so he honestly doesn’t really realize the feeling of being “indebted” to you was... in fact loving you.
G = Gentle (Are they gentle? If so, how?)
Despite popular belief, Harry is very gentle. He may be a dick to the whole world but with you, he’s kind and genuine. May it be with his words or how he hugs you.
H = Hands (How do they like to hold hands?)
I feel like the gif above sort of explains it, he’s rather feel your wrist that your hand because (and don’t tell anyone) Harry has clammy hands all the time. It grosses him out and he’s afraid it does the same to you.
I = Impression (What was their first impression?)
He kind of thinks everyone who isn’t rich isn’t worth his time so honestly? Uh, Harry thought you were boring and not worth his time. Sorry, it’s not cute, I know.
J = Jealousy (Do they get jealous?)
Yes, Harry is that kid that would hog all of his toys on a play date because they’re his. It’s a little toxic how he reacts to certain situations but I’m sure he’d try to work on it if you asked.
K = Kiss (How do they kiss? Who initiated the first kiss?)
You initiated the first kiss. Harry a bad kisser when you first meet him, he’s only ever kissed like he’s seen in the movies and everyone who had been with him up until that point never said a word. So when you tell him “hey this kinda sucks”, he’s very confused. But you teach him how to kiss you in a way that works and he’s a quick learner.
L = Love (Who says ‘I love you’ first?)
You do, I feel like Harry is scared to trust someone completely so he probably holds back on saying that he loves you. But once you say it, he seems to be more comfortable doing so.
M = Memory (What’s their favourite memory together?)
Junior prom, definitely. It may have been chaotic and technically boring but you made it fun for Harry. You two danced the night away. Maybe Harry loves the memory more now since senior prom was a bust... he doesn’t really know.
N = Nickel (Do they spoil? Do they buy the person they love everything?)
Before the field trip, he would have bought you extravagant gifts and beautiful things. But after? Harry would probably feel ashamed that he couldn’t give you all and more since he’s been taught that material things = how much you love a person. It would be hard for him to unlearn this.
O = Orange (What colour reminds them of their other half?)
I think it would be a warm light pink, it’s soft and soothing. It makes him feel safe.
P = Pet names (What pet names do they use?)
He’s honestly basic, so things like “babe”, “baby” or an ugly nickname he chose to make you “angry” with. (ex: gremlin)
Q = Quaint (What is their favourite non-modern thing?)
Gardening, when he was younger his mother and him would plant flowers together. Harry hasn’t done it in years but he has fond memories of it.
R = Rainy Day (What do they like to do on a rainy day?)
Watch movies, order takeout. After the field trip it’s pretty much the same minus takeout.
S = Sad (How do they cheer themselves/others up?)
One word (kind of). A game of fugitive. He is weirdly obsessed with this game, but it brings together his favorite things. Fast cars and telling people what to do. (aka having control)
T = Talking (What do they like to talk about?)
Around others, he’s a bit of a meathead with no emotions. But with you he tends to actually open up a bit.
U = Unencumbered (What helps them relax?)
Long and fast car rides with the hood down. It’s weird how adrenaline helps Harry calm down.
V = Vaunt (What do they like to show off? What are they proud of?)
Literally everything, Harry will always be a rich kid at heart so it’s honestly in his nature to show off when he can. But despite how he acts, he’s not too proud of himself since his parents never really said they were.
W = Wedding (When, how, where do they propose?)
Harry wouldn’t make it over the top (surprisingly), it would probably be during a picnic or a movie and he’d pull out the box like “here” and then ask.
X = Xylophone (What’s their song?)
Indigo Night - Tamino
Y = Yes (Do they ever think of getting married/proposing?)
Sometimes, but he knows his parents are on the rocks so it makes him nervous.
Z = Zebra (If they wanted a pet, what would they get?)
I have a sneaking suspicion he’s allergic to like every animal on the planet. But I think he’d get a short hair cat. Probably the standard brown tabby.
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symphonicmetal101 · 3 years
Text
MC Struggles With Obsessive/Compulsive Behaviour
Ok, just to be clear.
I haven't been diagnosed with anything, which is why I refrain from writing "OCD" in the title. I've always known I'm a perfectionist- please be aware that there are some major differences between OCD and perfectionism, (despite what Youtube videos may say)- however I have had instances in which I have taken it too far and paid the price physically, mentally, and emotionally. Please be aware that these are all very real things that not only myself, but other people go through. I haven't had one of them in a long time, but my current circumstances make me feel like I might soon, so bear with me while I write another self-indulgent thing.
Or don't.🤷‍♀️
TW: compulsive/obsessive behaviour, a little self-deprecation as seasoning👌
Lucifer
At first, he's very happy to see that you are very organized and neat
One less thing for him to worry about
However, one day he walked past your room and saw you organizing your desk
He respected that, and continued on
The next day he passed by around the same time and saw you organizing your desk again
Odd, but perhaps one of his brothers had interfered and interrupted you, meaning you hadn't finished yesterday
It had been five days now, surely you weren't still cleaning your desk??
"MC, if my brothers bother you, you should close the door. Perhaps then you would be able to finish cleaning your desk properly. Unless you would like some direction in time management instead?"
Lucifer glanced behind you. To his surprise, your desk looked immaculate. He then saw your blushing face.
"Ah... well that's very kind of you Lucifer, however I'm afraid it's not an issue of time management or your brothers. Well, sometimes Mammon comes in and moves the pens around, so then I have to start over..."
"Start over?"
"Y-yeah." You explain your process to him, how you completely clear off your desk, to the type of cleaner you use, how many sprays, to how you like to stack your paper, to how you always have to have three paperclips to your right, and how the black pen is always in between the blue and the red.
"And when Mammon moves the pens...you start over?"
"Yeah. I do."
Lucifer has sympathy for you, put also struggles because it seems like a waste of time if he were to do it.
But he doesn't do it, and it seems to make you calm, so instead he buys you proper gloves for cleaning and a few more bottles of your cleaner
Mammon
"Come on MC, I wanna show ya something in my room."
Oh no
Nononono
You could feel yourself panicking a bit. Mammon's room was messy
Not messier than Levi's but still
But he looked really excited, so you reluctantly followed him
"TA-DA!!!"
Oh wow. His room was spotless!
"I-uh, noticed ya only seem to be comfortable in yours or Lucifer's room. It-it took a while for me to figure out why, but...whaddya think? Will it work for ya?"
He smiled at you and you could see a hint of nervousness in his eyes.
"It looks great! You even picked up the water bottles that were by your bed!!"
He instantly became more confident, his smile growing wider and his cheeks slightly flushed.
"Of course it looks great! Why wouldn't it?"
You gave him a withering stare
"Uh..yeah. Y'know, if ya had just told me ya didn't like it being so messy I woulda tidied up sooner. J-just make sure ya let me know if it gets too messy again. I want ya to be comfortable in more places than just your room, so my room seemed like a good idea."
His face was incredibly flushed
"Thank you Mammon. It really means a lot.
Levi
You had only been in Levi's room twice
But dear god
You really really really wanted to tidy things up for him
But you also knew what it was like to be very particular and have things "just-so"
Aksjsjshdgjak
"Hey Levi, can I make you deal?"
He took off one of his headphones to listen
"What's up?"
"This might be kinda weird. Can I take pictures of your stuff so I can reorganize and clean your room? That way if you don't like it, I'll put everything back?"
You could see confusion and slight panic that crossed his features.
"I'm sorry, I know it's weird, you don't have to say yes I-"
"Um, what exactly would you be doing?"
"Uhhh.."
He stopped his game to sit and talk with you for a bit.
"O-ok. Just that shelf is off-limits. And I'll stay in here to let you know if something isn't ok with me."
He watched in awe as you carefully rearranged his figurines by rarity as well as colour.
You crawled under his desk with velcro ties and made all the cords under there much more organized
You rearranged the pillows on his couch so that they were symmetrical on both sides, fluffing them and squishing them as you saw fit.
His manga was pretty organized, so you just straightened out the pile.
You organized his games in alphabetical order
The whole time you had been dusting stuff off as well
"There. That's better....what do you think Levi?"
"WOOOAAHH!!! I love it!! It looks really good MC!"
"Thanks for letting me do that."
"No problem...but w-why did you want to do it?"
You shrugged. "It calms me down? No, that's not quite it....I don't really now. As it is, I need to cut myself off otherwise I'll clean until I can't stand. Mind if I join you for a bit?"
He nods at you and hands you a control. As the game boots up he says, "Y-you're welcome to do that again if you need to...but that shelf is still off-limits."
You nod, grateful for his understanding.
Satan
He said he had a surprise date for you
So you followed him
To the Cat Cafe
Now, you love cats
And you love food
But the two of them together don't sit well with you
But Satan looked so eager and happy that you didn't hesitate much to go inside.
Everything was going really well until Satan asked if you wanted something to eat or drink.
You politely declined his offer, but he insisted on getting you something
You reluctantly chose a hot drink.
But as you watched the worker prepare your drink, you were horrified to see them carry a cat out from behind the counter, and then without washing their hands, snap the lid on your cup.
"Satan..I need to step outside for a bit."
He watched you in mild concern as you walked out the door and he waited for your and his order to be complete
You were pacing outside, trying to calm down.
Why did that upset me? I haven't even touched it yet. Besides, normal people don't usually care about stuff like that. And I can clean it??? Or grab another lid?? Fuck! Why am I like this?
Your train of thought was broken as Satan tapped on your shoulder, concern and curiosity apparent in his eyes.
"Are you alright? I noticed the worker didn't wash their hands after handling the cat, so I grabbed a couple lids on my way out. I was going to put it on for you, but I believe it would be best for all parties if you did it on your own."
You almost started crying as he handed you a paper towel with two lids in it.
"Why are there two?"
"Although it never particularly bothered me, I thought you may have wanted some solidarity. I can understand where you're coming from." He smiled sympathetically at you.
From that day forward, he paid extra attention to things while you were around to make sure you wohld feel comfortable. You two also managed to tackle the daunting task of properly organizing Satan's books so that you could spend more time in his otherwise clean room.
Asmo
"Darling, you look wonderful in that outfit!! And it's so hot outside, it's perfect!! I was just about to head out, do you want to join me?"
"That depends. Where are you going?"
"Oh, I'm just gonna do a little shopping. There was a cute top on sale at the mall yesterday, I just want to see if it's still there."
You told him you'd be right back.
When you got to your room you threw on a sweater, and then made sure you had your wallet and your phone.
You walked out of your bedroom, checking again, wallet, phone
As you approached Asmo, you checked again. Wallet, phone
"Are you ready to go?" You nodded and followed him out the door.
He made idle gossip with you until he noticed you were looking a little pale
"Oh my goodness, love are you alright? You should take this sweater off, you'll get much too hot!"
"I can't!" You panicked a bit, and he was caught off guard by your reaction.
"I- I'm sorry. But I use the sleeves to open doors and hold bags and stuff. I don't like touching that stuff. Even groceries are hard for me to touch, so I wash the groceries before I put them away when I get home. I enjoy shopping with you though, because you always know what kind of stuff I like just by looking at it, or feeling it for me. It's the same thing I explained before, where it's difficult for me to model the clothes for you until after they've been washed."
"Aww honey, I'm sorry. Next time I'll see if Mammon or Beel can come and help with your bags, m'kay? But you cannot stay in this sweater in weather like this. What about gloves? Would you be ok wearing gloves? I know a place where there's some really cute ones!! And I'll handle the doors for now, ok?"
You took off your sweater and tied it around your waist.
"Huh. I actually do feel a little better....thanks Asmo."
You two laughed lightly as he held open the door for the next shop.
Beel
You had waited for Beel to get out of one of his extracurriculars to walk home with him
You two were planning to eat together
However when you walked into the kitchen, you were greeted with a sink overflowing with dishes, and a sleeping Belphie on the island.
"Oh, uh, before I eat Beel, I'm going to clean that up. You go ahead though."
Belphie piped up, "Just throw what you can in the dishwasher....I'll do the rest later."
Beel looked concerned. "We were late getting home. Are you sure you're not hungry?"
"Oh...uh" you contemplated lying when your stomach gave you away.
"Just eat. I'll take care of the dishes. It's my turn anyways. I'll get to it soon."
"It's not a big deal Belphie, I'll just do them."
"But you're hungry, aren't you? Just eat first? Or did I do something? Is it something I can fix? I can go if it makes you more comfortable-" Beel looked disappointed. Of course it wasn't his fault.
You shook your head. "It's not you. It's me. I just- I don't know- ugh." You felt close to tears.
How the fuck were you supposed to explain yourself?
Beel pulled you into a hug. "Hey, it's ok. You don't have to tell us what's going on, but if you do it'll make it easier for us to help you."
He let go of you enough for you to step back and wipe tears from your eyes.
"I-I don't know what it is! But whenever I know there's something to be done, especially if I can see it, I have to do it before I do anything for myself. That includes eating, getting a glass of water, even going to the bathroom! And if I find another thing to do half way through he first thing, I'll just continue to postpone the thing I need to do for myself until I'm done or I forget about it..."
Silence settled across the kitchen.
"We'll help you do the dishes so it gets done faster, then you have to eat, ok?"
You smile and nod graciously as the twins helped you feel more comfortable
Belphie
"Come cuddle with meeee."
"Belphie, I need to study, please."
Belphie pouted. He was going to cuddle with you one way or another, even if he had to annoy you into it
Only what he didn't realize what he saw as "mildly annoying" was actually triggering for you
So he started messing with the postion of things on your desk.
"Stop it Belphie, I need to study."
"Yeah? Don't let me stop you, I'm just playing with your pen jar."
"But I asked you. To. Stop."
He huffed and put the pen jar down
But then he started to mess with your three pencils you had laid out, smallest to tallest.
"Why do you need three pencils?"
"Because. Now leave them alone."
He grinned.
"Because is hardly an answer and you know it. What would happen if I just took this one?"
"BELPHIE NO!" Your voice sounded between laughter and tears, butbhe figured it was just your way of begging.
"Belphie, please? I need that!"
He just grinned as he shifted into his demon form and passed the pencil to his tail and lazily flicked it back and forth.
Until he saw your face.
"Whatever. Do what you want, I'm done dealing with you." You walked out of your room, angry tears filling your eyes.
"W-wait! Shit! No, come back! I didn't-ugh." He groaned as he picked himself up to go after you, finding you on the outside steps of HOL.
"Hey, why're you crying? It was just a pencil. I put it back."
You pulled your head out of your hands.
"Yeah, but did you put it back right?"
Belphie looked at you perplexed...right? What the fuck was that supposed to mean?
"Look, I'm sorry for using that tone with you. It's really hard for me to focus unless I have things a certain way. It may seem ridiculous to you, but that's just how I am. I don't know what causes it, I just know that it's a part of me. I'm working on it, but if I say stop, I need you to stop. Please."
"....okay. I'm sorry."
Masterlist
217 notes · View notes
meltwonu · 4 years
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| 🎃 𝕸𝖔𝖓𝖘𝖙𝖊𝖗 𝕸𝖆𝖘𝖍 🎃 |
↪ ✦ baby ✦
this chapter pairing; yandere!the8 x reader
genre&warnings; yandere!au, softdom!minghao, ice play, wax play, blindfolds, shibari, sex toys, minghao taking ~pictures~, uh murder ☠️.
✖ That being said, I do NOT condone yandere-like/obsessive/possessive behaviour in real life. this is a work of fiction therefore I will indulge in it. If you do NOT like this kind of content, please just ignore it.
notes; the way yandere minghao would be fucking ✨pristine✨ when he's taking care of 😳business😳 if ykwim,,, WHEW the mind, she reels. also no I didn't make anyone suffer in this chap by killing off anyone important 😩😩 I know that hurts too much khjfkdjfh I've spared you all for the last yandere chapter LOL 💕💕 One more chapter to go!! Thank you, as always, for your kind comments and support 🥺 I love u 💕💕 See you tomorrow for our last Monster Mash chapter!! 🎃💕👻 
word count; ~2000
chapters; 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - x
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checking locks;
turning knobs
i’ve been circling for block;
and i’ll never stop.
like a moth to the flame;
when you’re calling out my name
and i’m on my way.
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A tear slips from your eye and immediately soaks into the blindfold over your eyes.
Where was Minghao? You think.
Your thighs tremble, soft cries spilling from your lips when you tug at the ropes that keep you only slightly suspended above the bed. The hitachi he’d placed against your clit had gotten you to cum twice now and your body was quickly reaching your limit as you tried to shy away from the vibrations of the toy.
Minghao had said he was going to take care of something and that he’d be right back, but it had surely been at least 30 minutes since then and the only thing you’d heard was the creaking of the rope suspensions and the sound of the hitachi vibrating against your swollen clit.
He’d really been gone for far too long.
You’re about to tug at your restraints a few minutes later when you hear the doorknob starting to rattle. Oh, thank god.
“Have you been good, sweetheart?”
Minghao’s sweet voice feels like home and you’re quick to reply; glad that he’d come back sooner than later. “A-ah, y-yes but, mmh, the--the toy…”
“Ah, is it too much?”
You nod, squirming slightly as you sway in the rope suspension. “I---I already c-came tw--twice, ‘Hao…”
He smiles at you, even if you can’t see. “Only? You’ve cum more than that before, when I’ve left you like this.” You can hear him laugh lightly and soon his fingertips run across your skin and the intricately tied ropes around your limbs and torso.
Minghao takes pity, turning off the Hitachi when he hears your soft whines. “I’m sorry I took so long, sweetheart. I didn’t intend for it to take so long.” Your body goes slack as soon as the toy turns off and you feel him tugging at some of the ropes as they loosen around you.
“Let’s get you into a more comfortable position, hmm?”
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When Minghao moves to undo some of the ropes and lowers you down onto the bed gently, he also takes a moment to take pictures on his film camera of your body covered in the indents from where the rope had dug into your skin.
It’s for my collection, he says. Just a personal one.
You always agree and he always lets you see the finished product as the two of you admire the way he captures you in his camera lens.
When you’d met Minghao through mutual friends, he wasn’t very talkative, admittedly. It’d taken a while for him to open up to you and you to him, but once the two of you had found common interests, you had found that he was quite the talkative person with a wide array of interests and skills.
He was incredibly meticulous and preferred to be in control whether it came to his craft or in bed, which you didn’t mind at all.
Minghao knew what he was doing.
“What’s your colour right now, sweetheart?” “Mmh.. G--green, Minghao…”
The blindfold is still firmly placed over your eyes even when he redoes the ropes into a more comfortable position; and this time, your head rests against the pillows with only one of your legs bent and tied and your arms tied neatly in front of you.
“Always so pretty for me.” Minghao coos. “I want to try something new, okay? Just tell me if it’s too much.”
“Okay...” 
You hear the clinking of a glass nearby and soon the chill of an ice cube meets your warm skin as you mewl. It makes goosebumps rise as he drags the ice slowly until he places it directly against your clit and your fingertips try to reach for his hands as you gasp.
“Oh, M--Minghao!” You writhe under him as he smiles adoringly back at you. He runs the ice cube through your folds, letting it melt slightly as he holds it to your soaking entrance.
“Is it too cold, sweetheart? Would you prefer something warmer?”
You shake your head yes, hoping he meant his fingers instead. “Please…” You feel the bed shift slightly and hear the clicking of a lighter and realize it's definitely not what you were hoping for.
“Colour?”
“Um… y-yellow…?” You answer; a little unsure. The lighter clicks stop. “Yellow? Tell me what’s wrong, sweetheart.” His voice is soft and gentle and you feel his fingers massaging your skin a moment later.
“I--I’m okay with it, just---it’s, um, it’s not going to b-burn, right?”
“Of course not, sweetheart. I would never do anything that hurts you. Would you like some water? Or do you want to take a break?” You bite the inside of your cheek, blushing underneath your blindfold that hid your pink cheeks and ears.
“M-maybe some w-water?”
Minghao helps you tilt your head enough for you to take some gulps of water, kind fingertips wiping at your lips and helping you ease back against the pillows when you’re satisfied. “Thank you, Minghao…” You whisper.
“Of course, baby. Everything okay, now? Still yellow?”
“Mm… ‘m green now~”
He gives it a second as his hands roam your skin, massaging your thighs and your bound arms before he positions himself back between your legs.
You hear the lighter clicking again, body tensing at the heat that you knew was coming.
Minghao tilts the small candle over your bound thigh, letting the wax fall over parts of your skin and the ropes as he licks his lips. “Baby, you’re so so good for me.”
You’re a little shocked that the wax wasn’t as hot as you initially thought it’d be; only a mild sting before it eased into a nice warmth and dried cold onto your skin.
He lets it drip a little more on your thigh before he moves it up; a trail of wax dripping from your thigh to your hip bone as you whine. “Ngh, ‘Hao it--it feels really g-good…”
“Do you prefer the ice or this, hmm? Which one feels better?”
It takes you a second to think; in all honesty, they both felt good in their own ways.
“Um, ah, I l-liked them both…” You pause, “They’re d-different…”
He hums in response, letting the wax drip onto your inner thighs as you tremble underneath him.
Minghao repeats this pattern a few times; moving from your thighs to your hip bones and even letting a little drip onto your arms before he blows the candle out and sets it onto the tray he’d brought onto the bed. He takes a moment to admire his own work, fingertips itching for his camera.
“Hold still, okay?”
“Okay, ‘Hao~”
You hear the camera shutter going off a few times as you lay still for him, waiting with anticipation if he was going to play with anything new after he’d taken his pictures.
“I can’t wait to show you these pictures, baby. You look incredible.” He mutters; too focused on getting the right angles.
“I can’t wait to see them too!” Smiling, you wished that Minghao would take the blindfold off of you, but you also knew to let him do his thing as he wanted it.
It needs to be perfect, he’d say. There’s only so many free spaces on film.
“Sweetheart?”
“A-ah, yes?”
This time, you jolt when you feel his thumb on your clit and you easily let out a choked moan as you slightly tug the binds. “You’ve been so good for me, baby. I think you deserve to cum one more time.”
You nod shakily, lips parted. “Pl--please… ‘m so sensitive a-already…”
Minghao doesn’t respond, instead, he rubs your clit harder; relishing in the way you squirm and buck your hips up to meet his hand. You clench around emptiness as you chase your high, simultaneously wishing he fucked you instead. 
“Ngh, Minghao...”
“You can cum, baby. Whenever you want.” 
You imagine Minghao fucking you, cock grazing against your g-spot. And it was a feeling you knew well; toes curling as you let your imagination run wild. You imagine him between your legs, tongue teasing your clit and your soaking entrance as you tangled your hands into his hair and his hands wrapped prettily around your throat when he made you feel fuzzy and lightheaded.
“O-oh, I’m---I’m cumming!” 
Your body tenses up one last time, back bowing off of the sheets as he continues to rub your clit; working you through your orgasm as his name rolls off of your tongue. 
Another tear soaks into the blindfold as you ride out your high and your entire body buzzes with electricity and mild overstimulation when Minghao doesn’t let up. 
“M--Minghao, I--I can’t...” You cry, thighs shaking uncontrollably. 
You hear him chuckle and he immediately takes his thumb off of your clit as you catch your breath. 
“I’m going to take the blindfold off now, okay, baby?” Nodding tiredly, you raise your head to the best of your ability as he reaches behind you to undo the knot and slip the silk material from around your head. 
You’re thankful the room was already dim as your teary eyes start to focus on Minghao. 
There’s still bits and pieces of wax on your skin and soaked into the ropes when you look down at your body. “Hi...” You whisper, cheeks hot. 
“Hi, baby. How about we get you undone from these ropes and into a nice warm bath, huh?” 
Confusion crosses your features, “What about you though?” He smiles gently, eyes twinkling with warmth. 
“Let me worry about you, baby.”
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Minghao makes sure the water is warm and to your liking before he helps you ease into the tub; bubbles spilling over and onto the floor. 
“I’ll be right back. Don’t fall asleep, okay? I’m just going to grab you some water.” 
You nod in return, resting your head against the porcelain. 
Minghao was so sweet.
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Minghao clenches his jaw once he steps back into the bedroom. Eyes scanning the dimmed space to make sure he hadn’t tracked in any unnecessary dirt or grime.
There was still so much he needed to clean before anyone found the body. 
And it was really foolish of your boss to try and fire you, honestly. And to send you home crying? Just unacceptable. 
Minghao wouldn’t let anyone get away with such actions. Not towards you.
Although, maybe it was a little foolish of Minghao to make such a damn mess in his fit of rage. 
Ah, well. 
He’d wait for you to sleep before he’d slink out of bed to finish what he’d started. 
After all, Minghao was very meticulous with his work. 
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mochiiwrites · 3 years
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🍁✨Autumn Troupe Headcanons!✨🍁
Hooray for more uncensored swearing! Sorry, this took so long! It’s hard to think of things for the Autumn Troupe since I don’t know them super well!
🍁🧡Banri Settsu🧡🍁
Whenever it's time for practice, Banri begins by smacking the back of Juza's head! (Not super hard, but enough for it to piss him off)
Diluc main, that is all. Before he got Diluc he was an Amber main, and somehow was good. Still uses her every once in a while!
Slightly intimidated by languages sometimes, I dunno how to explain it, so hopefully the dialogue does!
“Banri, come here for a second.”
“Hell no, I’m in the middle of a match right now.”
“Banri.”
“Sit your ass down and wait, Chikage! I’m busy!”
"Halika dito! Huwag kang humintay na papatayin kita at iwanan kitang dumugo sa lansangan! Inumin ng mga aso ang iyong dugo at kukunin ng mga uwak ang iyong laman. Gusto mo yan?!" ("Come here! Don't wait for me to kill you and leave you bleeding in the street! Dogs will drink your blood and crows will take your flesh. Do you want that ?!" ) I'm unsure of the translation, since the filipino was from Irumaaaaa_saaaaamaaaaa's comment on my Ao3! I just put it into google translate
“Damn! Fine, fine, I’m comin! Chill out!”
His older sister gave him a leopard plushie when he was a kid, which is why he’s fucking obsessed with animal prints!
Plays drums and almost broke the coffee table because he “jammed too hard” on it!
Constantly messing up Taichi’s hair, or he’s drumming to songs on his head.
*boom boom bap boom boom bap*
“Buddy, you're a boy, make a big noise, playing in the street, gonna be a big man someday! You got mud on your face, you big disgrace! Kicking your can all over the place, singin'-”
“We will, we will rock you!”
“Haha! Hell yeah!”
🍁💜Juza Hyodo💜🍁
Likes carrying Muku or Kumon on his shoulders! Sometimes they still parade around!
“Are you sure about this, Ju-chan?”
“Yeah, you’re real light, y’know.”
“What the hell are you doing, Hyodo? Practice is soon.”
Chews on things a lot when he’s nervous! He always has gum or a lollipop to avoid chewing on his shirt, his nails and other inedible things!
Uses shorter Mankai members as an armrest, but only the ones who are okay with it! He’s polite like that.
On nights where he just can’t sleep, he’ll go on walks or drive around on his motorcycle!
Terrible with eye contact and looking like he’s paying attention. Sakyo has to snap his fingers at him to make sure he’s listening!
Y’know the awkward sibling hug from Gravity Falls, he and Kumon have done that...a lot. It’s not actually awkward though, they just liked the show!
“Awkward sibling hug?”
“...Awkward sibling hug.”
*embrace*
“...pat, pat.”
....
“Hyodos, what the hell?”
🍁💖Taichi Nanao💖🍁
Cried twice when he got his piercings, the first time was because he was very, very afraid, the second time was because he was so happy that he looked good with them!
Has Heelys! One time, he tried to 'heely' into the rehearsal room, but he immediately fell over!
Plays the ukulele! He wanted to play guitar because he saw someone serenading their partner with it at school! He borrowed Masumi's guitar but bar chords suck and his hands are kinda small, so he settled for the uke!
"Aghhh! How do you play that! That hurts my fingies!"
"I have bigger hands and more experience."
"But you're only like an inch taller than me!"
"Height doesn’t really have anything to do with this."
Has a Tiktok! He doesn't post often, it's more for looking at memes or sick outfits. (He does the dances though! He's pretty good at them but they're all in his drafts since he's not super confident in them!)
Y’know how kids crawl up the stairs really fast. He does that. Constantly. Kazunari joins in, sometimes. It pisses Sakyo off a lot, but he gave up on trying to get them to stop.
"Taicchan, what are you doing?"
"Kazu-kun! I got the zoomies!"
"Nice! Can I join ya?"
"For sure!"
*Rapid thumping up the stairs*
"Aren't you gonna stop them, Sakyo?"
"...If I had that ability, they would've stopped a long time ago. Those idiots don't listen."
He LOVES Sk8 The Infinity! Langa's his favourite character! He's also probably a Reki kinnie!
🍁💙Omi Fushimi💙🍁
(It's blue like his regular shirt and Tumblr doesn't have any other colours ;-;)
Despite being tone-deaf, he hums a lot when he cooks! No one seems to mind it!
Enjoys scrapbooking! He kind of prefers scrapbooks to albums, since scrapbooks have a more homemade vibe, you know?
Gives the best hugs, and tends to hold hands with the younger members when they cross the street!
Regularly has this conversation!
“Banri, have you eaten?”
“I dunno Omi, have YOU eaten?”
“...I have. But that's not what I’m concerned about.”
“...I had a granola bar like, an hour ago.”
“...I’m making you something.”
When he first joined the company, he took notes on what everyone liked and didn't like to eat, plus if they had allergies! He still has it, he just doesn't need to use it anymore!
I feel like something like this has happened once!
“Ah, Omi! Can you help me grab something?”
“Oh, sure. What do you need, Sakuya?”
“Homare asked me to get some of that tea, but I can’t rea-”
*lifts Sakuya like Simba*
“Ah! Omi, haha! What are you doing?”
“Sorry, I couldn’t help it! Do you want me to stop?”
“Oh, no, it’s fine! It’s kinda fun actually.”
🍁💛Sakyo Furuichi💛🍁
Absolutely blind without his glasses, like it’s really bad. He walked into a doorframe without his glasses. Thankfully, no one noticed (he thinks).
He has a bit of bubble-wrap in his a pocket all the time and sometimes he uses it as a threat! (Hopefully that made sense...)
“Settsu, move over.”
“I literally can’t! Your fat ass is taking too much space!”
*pop*
“Just scoot your lazy ass over.”
*pop*
“I can’t I already-”
*pop*
“...Alright, I get it! I’ll shut up! Jeez, how is that so threatening...”
“...Asshole.”
*pop*
“...Sorry.”
Definitely told Azami that Santa wasn’t real when he was like 6.
Sakoda got him a mug that said #1 Dad but he crossed it out and replaced ‘Dad’ with ‘Aniki’! Sakyo still drinks out of it, sometimes!
Azami also made him a friendship bracelet when he was a lot younger. Sakyo doesn’t wear it (because it doesn’t fit him anymore) but he still has it! He likes rubbing the beads between his fingers.
Good at trivia! Like, really good. He somewhat enjoys Trivia Murder Party. (I just watched a play through and skipped to a random question, I have no idea if it’s actually hard lol.)
“Which body of water connects the Mediterranean Sea to the Atlantic Ocean?”
“Wh- How are we supposed to know that?!”
*Sakyo answers ‘The Strait of Gibraltar’ and is the only one who answers correctly*
“Fuck, my thumb slipped.”
“That shouldn’t be allowed. Sakyo’s shitty and old, he shouldn’t be able to know and remember things.”
“Oi, brat. I’m not that old. You’re not the one who got the answer right.”
“You’re not the one who literally never learned this!”
🍁❤️Azami Izumida❤️🍁
Has smacked too many cans/cups out of Itaru and Tsuzuru’s hands!
“Wh-”
“Drink actual water. And jeez, go take a nap or something. Your skin is even worse than I thought it could get. Aren’t you supposed to be the responsible one in the Spring Troupe?”
“Ah... I guess, you are right. Thanks for looking out for me.”
“W-well! W-we can’t have you on stage looking like a raisin! S-so!”
Often criticizes Izumi’s eyeliner and ends up just doing it for her. N-not that he minds or anything!
Played Love Nikki at some point, I do not take that much criticism.
Because I think the troupe/play themes are canon, he definitely helped with Shake the Shape and wrote some of RESPAWN!
Always has extra hair ties on him, even though most of the others don’t really need them. Most of the time, the hair ties end up being used for...other purposes.
“Ready.”
“What?”
“Aim.”
“Azami, I swear to whatever god is listening, if you fire that elasti-”
“Fire.”
“...You shitty brat-”
“Oh shi-”
Part of the ‘wears nail polish’ squad! He hates stickers. (Most of the time they somehow fall off) His go-to is an alternating pattern of black and red.
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ssavanessa22 · 3 years
Text
BMO (part 2)
Warnings: there’s some mentions about diarrhoea and throwing up I think. As always if there’s anything I missed pls tell me
Brief: after dr y/n Lewis admits she finds Spencer attractive what will happen next 🤔
"you are attractive if that what you were gonna ask"
------------------------------------------------------------------------
I don't even know what came over me to say something like that I mean in front of tara in front of all her co-workers IN FRONT OF HIM, I'm usually not that forward yes I have an outgoing personality and yes I'm confident but not when it comes to talking to guys I find attractive. they were a long moment of silence after I replied I don't think he expected me to say that and honestly me neither, he smiled back at me and was about to say something back before Rossi spoke.
"let's eat! we don't want to let my delicious pasta which I spent hours slaving over the stove to make get cold do we" Tara wasn't wrong Rossi's food is amazing, through the meal I asked tara's co-workers about their jobs their roles in the team and the cases they had done all of it was so interesting to me, continuously through the night I made great conversation with Emily and Garcia, I could tell they were the most fun if the group and I definitely planned to hang with Garcia whilst I was still in town. As the boys took all our plates going back inside to help Rossi with desert I was bombarded with a flurry of questions from the girls
“Ahhh you two are so cute together and can just see your babies being cute curly hair geniuses!”
"wow slow down Garcia she hasn't even had a full conversation with him yet" JJ replied
"okay well Garcia might be going a bit too fast but she isn't wrong you babies would be like smart cute hybrids with curly hair they would honestly be unstoppable"
"Tara you and Garcia need to slow down and calm down all I said is that he was attractive it's not like he freaking proposed to me or something, but if you all must know I think he's hot but like in the cute professor way where he's really smart and cute type of way and yes I did basically describe him and then proceeded to call him my dream man in front of you all but it's literally only been 2 hours so let's all slow down a bit okay?"
"okay okay y/n/n i’ll lay off it for a bit"
"thank you tara also where Is the toilet I really need to go"
when you walk back into the house keep walking straight until you reach the corridor then turn left and there should be a cream coloured door that's the toilet.
"okay thanks, ill see you guys in a min"
I began to walk out of the garden into the house
"wait tara that door leads to the kitchen, not the toilet," Emily said
"yeah I know if I'm right Spence will probably be rambling bout how much he likes her and that's gonna be fun"
"she is gonna kill you when she realises"
"I know but it will be all worth it and then she will thank me"
Spencer POV
"guys come on its not a big deal"
"uhh yes it is pretty Ricky you have a good looking girl who described you to a t calling you her dream man then she calls you attractive this is not a sign man this is a massive road sign telling you to go for it."
"morgens right I usually don't like to get involved with your love lives but its true she is female you and you should ask her out before she leaves for town." hotch said
"yeah but what if she ughh you know what never mind"
"no kid you were gonna say something what if -"
"what if she doesn't like me what if she thinks I'm weird"
"kid, I don't think she's gonna find she weird you shouldn't worry about what she thinks when you haven't even asked her out on a date yet"
"I know I shouldn't worry but you know how I am Derek I do this"
"look, Reid, I've been married three times so I know about asking a woman out you should just be confident and cool and just ask her"
"you guys know I'm not cool especially when its a pretty girl"
"okay spencer lets just start off with the basics what do you like about her"
"I mean what's there not to like shes smart shes funny and I can see her and tara are really close and I mean look at her she's gorgeous her eyes, her smile it's just so bright I couldn't stop looking at her face during dinner the way her skin looked so golden as it reflected of off Rossi's garden lights I mean she's the most beautiful girl I think I've ever seen."
just as I finished answering Dereks questions the kitchen door opened and she walked in
Y/n’s POV
"oh I'm sorry Tara told me this was the bathroom where is it actually"
"Reid go show Y/n where the bathroom is"
spencer gave a shocked look at hotch whilst he walked over to me form the kitchen table he muttered someone to the three of them that made Derek start laughing
"hey if you keep w..walking down to the right the toilet should be there, "he said whilst stuttering profusely
"oh ok thanks spencer"
I finished on the toilet and began to walk again to the kitchen I was gonna ask spencer out even I was fucking shitting it and didn't know what to do or how I was gonna do it I was
I walked into the kitchen and saw the cake Rossi was cutting into pieces
"omg is that chocolate cake"
"yeah, it is I made it myself you want a slice?"
"yes please Rossi tara hates when I eat chocolate cake because I'm lactose intolerant can i eat in here, Derek and hotch laughed when I said this"
"it will our little secret"
"uno Symptoms of lactose intolerance may include farting, stomach cramps or diarrhoea a few hours after having food or drink containing lactose, these effects often crop up 30 minutes to two hours after consuming dairy in people who are lactose intolerant. And the more milk products you consume, the worse you feel"
"Derek then hit spencer after he spoke only realising what he said after he looked at me I started to laugh and giggle"
"well then let's hope my bloating and diarrhoea are worth this cake"
"spencer looked at em first in shock the also started laughing as well"
"god I really shouldn't have sad that I just get really nervous and say stupid stuff around cute guys next thing you know I'm gonna start talking about my obsessions I with a doctor who and foreign films"
"you watch doctor who and you like foreign films"
"yeah, I do my favourite season is-"
"Season 5"
"How did you know that was my favourite season"
"anyone whos smart would say season 5 "
"yeah I guess they would"
"will you ask each other out already it's getting boring" Derek said
"spencer started to visibly blush and didn't say a word"
"spencer do you wanna maybe go on a date with me this week?"
"taken off guard he replied yeah yeah I would love that"
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aomine-ryo · 3 years
Note
Hello🤍 in love with ur works 😍 can I request a scenario with Kise where his gf (who is one of the top students of school) is a fan of anime, fantasy (like hp, the lord of the rings, the Witcher, got and etc) and sometimes gets obsessed with characters or actors. So then one day he finds out that she is reading some nsfw with one of the actors, gets a bit jealous and decides to remind her again who is the best lover here😂 sorry if it’s a bit complicated😅
Aww I’m so glad you like my work!! Also this request hit so close to home omg if only I had a Kise 😔 Anyways, hope you enjoy!! xx
Scenario: Kise walking in on his s/o reading smut
Kise was very well aware about how much you enjoyed anime and other fantasy books and movies. Whilst he wasn’t one to enjoy reading, he was definitely always more than happy to cuddle up with you and watch movies and anime with you together. Even though it was the hundredth time that you watched the same The Lord Of The Rings movies all over again, Kise never complained. In fact, he found himself enjoying them almost as much as you did. That’s what he thought so at least, but he didn’t realise the extent to which you liked these characters and shows.
You’d often find yourself getting attached to many of the characters in the shows and movies you watched. Kise knew this because you’d often end up talking about them endlessly. However, he found it quite adorable how passionate you were towards it, so he’d always listen intently, sometimes even voicing his own opinions on the characters if he was familiar enough with them.
One day, Kise was hanging out at your house, not doing much other than just spending some time with you. You initially planned to help him out with some homework, but that surprisingly ended quickly so you guys just relaxed after that. The two of you got a bit hungry so Kise decided to head out to get some food. Meanwhile, you found yourself scrolling through Tumblr, going through the tags of one of your favourite characters from Harry Potter. As you did so, you saw a post that recommended this fan fiction. Curious about the plot, you clicked on it and began reading.
You soon came to realise that it was an nsfw fic, but you kept reading because it was quite well written and interesting. As you did so, you didn’t realise that Kise had returned from his food run because the music you played through your headphones was rather loud. When Kise entered your room and saw you hunched over your laptop, he decided to creep up behind you and check out what had gotten you to be so invested in your screen that you didn’t even notice him.
Kise’s eyes skimmed through the words on the screen in silence. Needless to say, he was shocked by how you could read something like this so casually. For some strange reason, Kise had a feeling of jealousy stir up within him. “I’m hotter than that character, Y/N-cchi should be this interested in me,” Kise thought to himself.
So being the needy attention-whore he is, Kise pulled your headphones out and leaned in close to your ear. “You know, I can do that stuff to you if you want,” he whispered, startling you.
“Jeez! Ryouta! You scared me!” you jumped, your hand reaching to your chest to make sure your heart didn’t stop beating.
Kise grinned, “What’re you reading there Y/N-cchi? I didn’t know you thought of Malfoy like that.”
You quickly shut your laptop as colour began to rise in your cheeks. “Huh? W-What are you talking about?” you stuttered, pretending like you didn’t know what he was talking about because you didn’t know how long he’d been standing over your shoulder.
“Don’t act dumb,” he pouted as he crossed his arms. “Do you find that stuff hot?”
You stared at him blankly, “No? Yes? I don’t know how to answer that. I just read it for fun,” you rambled, flustered as ever.
“Well, I’m quite sure that I can be 100 times better than whatever is written there,” Kise said smugly, making you giggle— though it was partly because you were still embarrassed.
“Oh really?” you challenged.
“Of course, Y/N-cchi! You should know that better than anyone by now,” Kise huffed before composing himself and coolly leaning back in towards your ear. “But I don’t mind reminding you,” he whispered, sending tingles throughout your entire body.
His lips began to leave kisses on your neck, causing your breath to hitch. “I didn’t know you got jealous this easily, Ryouta,” you joked, a smile spread across your face.
“Well, I just want to make sure you know that no one can make you feel as good as I do,” he said, voice low and raspy, making you go absolutely feral.
You pressed your lips against his desperately, and you could feel his grin against you. Next thing you knew, Kise was hovering over you on your bed, shirtless with his toned body on full display.
“You know,” you breathed, “I’m aware that no one can make me feel as good as you do.”
“Is that so?” he smirked.
“Yes, but why don’t you show me again?” you replied softly.
God, you drove Kise absolutely crazy. “With pleasure, my love.”
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heeytwelve · 4 years
Text
"That’s practically my type”
I remember someone really smart in internet was debating that Draco Malfoy has 100% chance to be Harry Potter’s boyfriend, cause he is, in fact his type. And if we look at Harry’s girlfriends, we kinda see the pattern (quidditch, outspoken, bravery, and have I mention quidditch? ).
But anyway, this post not about those, this post about how Chosen One of Carry On universe has his type too and why Agatha wasn’t just mistake of adolescence and how he changes his views on Baz when he become actively infatuated with him.
“I’ve wanted her since the first time I saw her—walking across the Great Lawn, her long pale hair rippling in the wind. I remember seeing her and thinking that** I’d never seen anything so beautiful.** And that if you were that beautiful, that graceful, nothing could ever really touch you. It would be like being a lion or a unicorn. Nobody could really touch you, because you wouldn’t even be on the same plane as everyone else. Even sitting next to Agatha makes you feel sort of untouchable. Exalted. It’s like sitting in the sun. So imagine how it feels to date her—like you’re carrying that light around with you all the time.
Let’s elaborate. He doesn’t fall in love with her - because of her academic success or because her parents rich or because she’s kind and caring. The type of attraction that works for Simon is so called - aesthetic attraction, attraction to beauty. 
And before you blame him for being shallow, I say, having strong preference for beauty is quite common among the artistic people, who grew up in desperate poverty, in small provinces, poor houses where beauty is rarity (for instance, famous ballet dancer Rudolph Nureyev was obsessed with beauty and collected a huge amount of beautiful things, because his poor childhood traumatised him). And, contrary to popular belief, Simon might have artistic tendencies, he sees beauty even dark creatures (goblins, *cough-cough* vampires), movements, colours and music.
Beauty for Simon is not a static thing to watch and enjoy the view, it’s not something he just want to own, it’s a force. Beauty protects him, it makes him untouchable, like nothing from of his previous (poor and mundane) life can touch him anymore, because he carrying the light, darkness will never reach him again. Agatha is not only his future, but also his shield. But - maybe it’s the same thing? Having future all sorted kinda shielding you from whatever you bump into.
He always mention her appearance whenever he talks about her - her clothes, her skin (”sparkles like she’s fairy”), her hair (multiple comparison with sun, light and halo). And when he decides to ignore the fact, that she quite possible betrayed him, it’s not only because he fear uncertain future but:
“She’s beautiful. And I want her. I want everything to be fine.”
Beauty as an attraction, beauty as a shield. Beauty is stability.
Now, before we talk about what all of this has to do with Baz, let’s bring up this quote:
“Like when I used to dream about becoming a footballer someday—or that my parents, my real parents, were going to come back for me.… My dad would be a footballer. And my mum would be some posh model type. ...
But we always missed you, Simon,” they’d say. “We’ve been looking for you.” And then they’d take me away to live in their mansion.”
I know, you probably roll your eyes now, like it’s stereotypical thing for poor kid in care to dream of, but isn’t that interesting, that Simon practically give us description of his future boyfriend and girlfriend as his dream parents? Now, don’t get me wrong, there is now perversion here, it’s just people he dreams to be with. People who potentially get him out of this awful reality and of course he will imagine them as the best people he can imagine - hence attraction to exactly those people. Now, we already know, that Agatha is beautiful as a model and she’s posh -Simon dwells how she good with regattas, polo matches, galas and he’s not posh enough for it. And right there, in next sentence, he mentions the only person who’s fit this interior - Baz. And let’s not forget about this:
“Baz walked into our room, much taller than me—and posher than everyone.”
There’s two interesting thing you notice when you will read Simon’s view for Baz. Simon never hesitates to use bold colours to describe how good Baz is. He never even doubts it, and Simon is not in submissive mode by any means. It’s just with Agatha - he sees the beauty and he admires it. But because Baz is evil, a threat (and potentially because he convinced that he’s heterosexual) AND Simon can’t just go in “I want him” mode, like he did with Agatha.  There’s a big quote above about how Simon met Agatha and here’s one about how Simon met Baz:
“and Baz was walking towards me. Looking so cool. Like he was coming my way because he wanted to, not because there was a mystical magnet in his gut.”
Though, it is looks, Simon talks about, I want to emphasise, that while Simon is not in active infatuation phase with Baz, he still unleashes his other attraction type, attraction to power/strength. Here and in quote below he indicates one of Baz biggest powers - ability to look unfazed and perfect no matter what. Power of composure.
“but he looked fine to me—not a hair out of place. Typical.”
Back to father being footballer. One might wonder, why violinist and person so into academic success went to be the lead player in sports team? All popular movies tell us that you either this (nerd) or that (jock), and Baz suddenly both. Because he’s perfect. And because he has his personality and vampire personality. One might also wonder, had Baz overheard Simon’s obsession about being footballer/football in general before deciding to enrol to the team and collect all trophies... Anyway. Baz as footballer:
“He’s the same on the field as he is everywhere else. Strong. Graceful. Fucking ruthless.”
If you ask me, this is where Simon shows a bit his infatuation. Yes, attraction to strength, even ruthlessness (Simon is a fighter, he does appreciate good fighter too). But graceful - is about beauty. You see, I think, maybe because Simon carries traditional values he kinda does that thing: women’s modus operandi is beauty, men’s - strength, ruthlessness. Same with his parents - mum is model, father is fighter footballer. That’s ok.  BUT when he starts to consider (even at the back of his mind) Baz as a romantic partner (it’s all starts when he sees that Baz is not a monster, that he’s a boy), he starts to notice his beauty more, than strength.
“He floats out over the moat and lands on the other side. It’s the prettiest thing I’ve ever seen.”
Infamous jeans scene, where Simon talking about Baz’ clothes (like he did w/Agatha) and literally checking out his arse:
“they do look like really expensive jeans. Dark. And snug from his waist to his ankles without looking tight.”
He starts to watch him aesthetically:
“I put my hand on his chest. I don’t have to step any closer to reach him. ... Baz swallows and licks his grey-pink lower lip. .. “he throws one of his pillows into my face. (It smells like him.)
“I’m watching him read—I swear he sucks on his fangs when he’s thinking.
The culmination of this development comes with “vampire club scene”:
““Every one of them must be so jealous of him. He’s everything they are, plus magic. Plus he looks the part, like he was born to be some sort of dark king.”
“Those vampires were in awe of you,” I say. “They wanted to put a crown on your head.
He has the skills AND he is royally beautiful. And Simon projecting his feelings to those night club vampires. The longer they in relationships, the more Simon dwelling on Baz beauty, just to show you this development, I’ll quote WS for a moment:
“I’ll be damned if he doesn’t look half glamourous. Like a boy Marilyn Monroe.… My brain gets kind of stuck on “boy Marilyn Monroe” for a while.”
...
“Baz casts his eyes down and smiles—girlishly, I would have said, but on him it’s not girlish. It’s, I don’t know, vulnerable.”
To elaborate, Marilyn Monroe is depiction of feminine beauty in popular culture and description of Baz as a bit feminine is something that would never happen in the beginning of “Carry On” setting. Of course, Baz opened up more to Simon (and this is important), but also Simon willing to see, no, he actually quite hungrily looking for this beauty. He is attracted to this kind of beauty AND I think, might be cause of his somewhat traditional views, he automatically looking for this in Baz, when he considering him as a partner. 
BUT. Again as in WS - Baz being powerful and strong AND that being attractive (and arousing) to Simon is not going anywhere.  So Simon’s type qualities - strength and beauty. (Not smartness and kindness, sorry Penny) though he does appreciate it.  And lastly, let’s go back to Agatha. We talked about her beauty, but she’s also an athlete. A competitive one. 
“I smile again and jump up off the bed, grabbing a pair of jeans and a purple sweatshirt that says WATFORD LACROSSE. (Agatha plays.)”
This sweatshirt Simon will proudly wear even in WS (Baz haven’t confiscated them yet :D ) - and if you think about it, it’s the way to show admiration too. And don’t forget the horse sports, she’s even more into sports than Baz (Baz would spend his summer practicing languages and violin - I believe his main passion, and football is just to unwind and fuck w/Simon, while Agatha would harvest prizes or skills in competitions). OK, no, he does play tennis :D So yes - as absolutely legit Simon’s type - Agatha do has these two qualities. They both do. Though not exactly in same proportions. Agatha radiates beauty, feminine beauty, you don’t have to watch closely to see it, it punches you in a face. But Baz is more powerful, as with Agatha, you don’t have to search for his power, it’s just there. And maybe this shift in quality proportions is what Simon needs at the end. But he certainly needs both. And let me finish this lenthy dwelling off with Baz quote, where he accidentally compares himself tells us this qualities proportions in Agatha:
“Wellbelove isn’t very powerful, but she’s gorgeous.”
There is interesting awareness between these two, but I will have a mercy and talk about it later.
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soveryanon · 3 years
Text
Reviewing time for MAG197!
- I like how Basira and Jon immediately installed the setting (“Watch your step…! Long way down.” “It’s fine. The stickiness helps.”): big hole and strands of webs everywhere, funnel full of tapes going far down below, tapes probably unrolled a bit themselves, many tape recorders squeaking voices now and then and occasionally rewinding.
(I’m especially fond of the selected fragments of voice heard at the end of last episode and the tapes rewinds in this one, because it felt like a call-back to the beginning of the season, when Jon was obsessively relistening to the tapes that had been sent to him: stopping and rewinding and listening, again and again, to the fragment of Gertrude’s voice when she was telling Gerry she didn’t think it was possible to reverse an apocalypse.)
- I love that Jon&Basira are on good enough terms to share their shitty sense of humour with each other!! ;w;
(MAG197) BASIRA: Feeling better now, are we? Without those horrible sunny skies and fresh winds? ARCHIVIST: Yes, the colossal web stretching down into an endless pit is a significant improvement. BASIRA: [CHUCKLING] Don’t pretend like you’re joking.
Compared to season 4, it doesn’t sound mean-spirited anymore coming from Basira…
I also like that, same as them helping each other out on the lake in MAG195, we could hear that it was a mutual exchange – Basira ensuring that Jon wouldn’t fall into the hole by grounding him when he was getting too fascinated by it, Jon warning her about the threads. Jon was even counting on Basira to be an element of surprise, so it really felt like he indeed valued her as an ally ;_;
- I wonder if Jon looked into Martin’s head for that one, or if it’s how Martin looked like from the outside?
(MAG197) BASIRA: I’m guessing she’s waiting at the centre? ARCHIVIST: Naturally. [STATIC RISES] They both are. Martin is… he’s okay. He’s… scared, but also… frustrated.
Jon had promised to not look as long as he wasn’t in physical danger (which was precisely the case here) so…
I like how Jon pointed out that Martin was “scared”: from his exchange with Annabelle, he sounded mostly pissed, annoyed, frustrated indeed rather than afraid; he knows how to hide it!
- Jon’s fascination with the pit…
(MAG195) ARCHIVIST: No, it’s… I could look at it, but it… it was… it was like a… a hole. You know that feeling you get when you look down from a, a great height, like you’re being… pulled into the abyss? BASIRA: Kind of? ARCHIVIST: [GETTING LOST IN THOUGHT] Well, it was… was like that. Normally… I can see it, see the… webs, and feel the power of The Spider emanating from it, but… as I would look, i–i… it’s like… my mind…. follows the paths of The Web… [STATIC RISES] the strands going down and… out… [CATCHING SELF] I–it’s… [STATIC FADES] quite disorientating…!
(MAG197) ARCHIVIST: I know she has something to tell me and it… it’s about… the hole below us, her thoughts are… all down there, and… [TAPE SQUEAL] [STATIC INCREASES] And the threads are so closely woven, I–I follow them out and… in, and down, and through the strands of web and twisting tape, and down, and down, and down into the chasm into the emptiness that stretches– BASIRA: Woah! ARCHIVIST: –out– BASIRA: Woah! ARCHIVIST: –below– BASIRA: Careful! ARCHIVIST: Oh! [ARCHIVIST LOSES BALANCE BUT BASIRA STEADIES HIM] [STATIC FADES] BASIRA: Careful. ARCHIVIST: [DEEP BREATHS] … Thanks. There’s a–, sorry, there’s a s–sort of… pull to it. BASIRA: [SIGH] ARCHIVIST: Every time I get a glimpse, it, it draws me in…
… might be caused by Beholding? What is below is a complete mystery and, as Annabelle pointed out later, it probably led to many worlds (so far) untouched by the Fears: Jon’s appel du vide might as well be Beholding attracted to what is not (yet) under its dominion.
- I’m curious about the fact that Jon wasn’t able to categorically say what was the tapes’ deal:
(MAG197) BASIRA: … So. The tapes. They’re from The Web, then? ARCHIVIST: Looks like it. BASIRA: Were they always? Right from the start? ARCHIVIST: As far as I can tell. I–it’s hard to s–… If I look too closely at them, my own voice, things get… recursive. Hard to follow. BASIRA: I always assumed they were with The Eye. The whole “watching, listening, waiting” thing, you know? ARCHIVIST: No… They were always using them to spin their own web. Out of my words. BASIRA: Mine too. ARCHIVIST: True.
* On the one hand, his difficulty to tell what they are does explain why he couldn’t say they were Web until now. On the other hand… there is still that nagging doubt that there could also be something else, due to Jon’s inability to confirm even now. What would happen if Jon looked at a tape not holding his voice at all, like one with Martin’s?
* Basira’s assumption had been shot down starting with MAG114 (when Jon had pointed out to Tim that he didn’t think the tapes were from Beholding) and once again reminded by Martin in MAG170 (when Martin had a moment of clarity in the Lonely house, having him point out that Beholding had “won” and so didn’t need tapes to see what was happening to them)… but I like that Basira had her own ideas about them until now, linking them to the Institute’s motto.
* I like Basira’s reminder that the tapes didn’t only record Jon’s voice, but that she was also “used” in the same way…
- I love the contrast with Jon&Basira now compared to, say, their expedition in Svalbard in season 4:
(MAG197) BASIRA: Different question, then. How do we play this one? ARCHIVIST: You get Martin to safety, then I deal with Annabelle Cane. BASIRA: Right. … I think we should hear her out first. ARCHIVIST: Excuse me? BASIRA: Before you “deal with her”, we should try to get some answers. All of this, taking Martin… she wants to talk.
Back then, Basira was the one with the gun; now, Jon is quite clearly the powerhouse… but also grounded by Basira, who remained level-headed and tried to think about why Annabelle had done things in that way, what she wanted. And at the same time: Jon had reasons to be pissed, wary and distrustful – in his own perspective, Annabelle could have talked when they were at Upton House, and welcoming him in front of Hill Top Road with Mr. Spider’s tape was clearly a low blow, already colouring this encounter with a certain dynamic (the underlying idea that The Web had touched him as a kid, was inviting him in the house to devour him, and could violate Jon’s privacy whenever it wanted).
- Jon’s fear of The Web showed once again…
(MAG150) ARCHIVIST: Melanie, could you… could you describe your therapist for me? MELANIE: [CHUCKLING] What? You think I wouldn’t notice if she had cobwebs down her face? ARCHIVIST: … No? MELANIE: [DEEP INHALE] That’s it, isn’t it? [EXHALE] You… you really think I’m so stupid I wouldn’t have noticed if my therapist was some kind of monster! ARCHIVIST: I just… It was a worry. […] It’s just… The Web can be subtle, you understand? MELANIE: And? For all you know, its plan is to paralyse you with indecision…! ARCHIVIST: [SIGH] MELANIE: Leaving you… sitting here, terrified that… everything you do is somehow all part of its Grand Plan… And who do you think that fear is gonna feed? ARCHIVIST: Yes, well. [INHALE] You are… not the first, to make that point.
(MAG167) MARTIN: You said you could control it now. ARCHIVIST: I can, I–I just… It… [INHALE] You’re absolutely right. I will refrain from knowing anything about you. […] Did you… feel like she was… influencing your mind at all? MARTIN: I don’t think so, but I mean… who knows? ARCHIVIST: I could. MARTIN: But look. She didn’t control me into asking you not to look into my head, if that’s what you’re thinking. That’s all me. ARCHIVIST: Martin, I’m not… looking for a l–loophole. MARTIN: Well, good! ‘cause this isn’t one. [SILENCE] ARCHIVIST: … Methinks the Spider doth protest too much…!
(MAG172) ARCHIVIST: I was going to suggest that… I could… maybe… “know”. I could look. Just a quick peek, to, to see if it was just curiosity, or… something else. … Well? MARTIN: I don’t… If you look, and I was… “influenced”, then how can I trust anything else? How can I believe any of my thoughts and feelings are really mine? ARCHIVIST: U–uh, well… I–I–I’ll still be here to check, I–I’m not leaving you. MARTIN: Sure, but you’d be looking through the details of everything that ever crosses my mind? I don’t want that! Y–you know I don’t want that. ARCHIVIST: … I know. [SILENCE] … Don’t do this to yourself, Martin. This is what it wants, the, the paranoia. [SIGH] Trust me, I, I know. MARTIN: … Fair.
(MAG197) ARCHIVIST: She’s had plenty of chances. She didn’t need to kidnap him. BASIRA: Sure, but maybe she… What? What’s with the look? ARCHIVIST: How are you feeling, Basira? BASIRA: [SHARPLY] Do you want to look inside my head? See if it’s full of spiders? ARCHIVIST: I… No. I’m… sorry, I–I trust you. BASIRA: How are you feeling? ARCHIVIST: [SIGH] Yes, all right, you don’t need to make a point. BASIRA: Yes I do. You’re too close to this, and I need to make sure you aren’t going to do anything dumb. Situation like this, we can’t make rash assumptions. Right? ARCHIVIST: … Right.
I like (in a heart-breaking way) how Jon’s tendency to suspect that people might be affected by The Web has been so prevalent, and shows how deeply his childhood encounter affected him. When people behave in a way he didn’t expect or for reasons he cannot immediately understand, he’s very quick to blame The Web – it’s not coming out of nowhere, since there were statements about The Web pulling strings and getting people to do things they didn’t want to do… but it also goes in the way of Jon’s decision to trust people. I like that Basira immediately understood what Jon suspected and set things straight in that regard; Martin might be Jon’s “reason”, but other people have been really good at grounding him lately, too.
- BASIRA SEES MARTIN AS A FRIEND ;w; It used to be Martin clinging to the idea…
(MAG175) MARTIN: I–I know what you meant! I can still be keen to see our friends! ARCHIVIST: … True. MARTIN: Besides, we can help them now.
(MAG176) MARTIN: And the fact that we’re hunting our friend, in a domain of The Hunt isn’t getting to you at all? Not even a little bit? [TRILL OF A BIRD] Hm? […] BASIRA: What’s something only Martin would know? MARTIN: … What?! I don’t know! BASIRA: Fine! Then… [COCKED GUN] MARTIN: No–no–no–no–no–no, wait–wait, uh, I, God, I don’t know, we’ve never hung out much! I’ve no idea what you know about me!
… and having to admit that no, they didn’t know each other much. But now, look at Basira being concerned and protective of him ;w;
(MAG197) ARCHIVIST: [INHALE] But if she hurts Martin, all bets are off. BASIRA: If she hurts Martin, I’ll be right there with you. […] Martin, are you okay? MARTIN: [MUFFLED MMHMM] BASIRA: You know, we’d probably be more willing to listen if you hadn’t kidnapped our friend?
Martin got friends………
- I wasn’t able to parse which segments there were, but I could clearly hear Jon’s and Martin’s voices playing in the background tapes when we switched to Annabelle!
I did need the transcript’s indication that Martin was tied to the chair to realise that… indeed, we hadn’t heard him get up last episode. It had creaked plenty when he had sat last episode, it would have creaked if he had had the time to get up. Congrats Martin, you spent an episode and a half sitting, this time around!
- Martin likes Jon’s voice!!
(MAG197) ANNABELLE: I thought you liked his voice? MARTIN: I do when it’s his voice. I’ve never liked the statements. It always felt… Yeah. ANNABELLE: Well… you can trust me when I say you’ll be hearing his real voice very soon.
That’s an adorable little detail <3
- I love how Martin was such a bitch with Annabelle, at the same time very honest (pointing out that his situation didn’t make it easy to get relaxed, that he was afraid about the trap set for Jon, that he had already been told about dream-logic elements, that he was second-guessing what Annabelle wanted out of this) and blowing up in annoyance.
(MAG197) ANNABELLE: [CHUCKLE] On edge, are we? MARTIN: Of course, I am! You’ve stuck me in a weird interdimensional web, and threatened to fill me with spiders! ANNABELLE: No…! I said I had “considered” filling you with spiders. MARTIN: Yeah, whatever, the point is, there was a time when it was very much your go-to option! And this one time I chose to almost trust you, you’ve immediately turned around and used me as bait!
I loved how his voice SQUEAKED with that “spiders”. Resent and remember.
Also, games, in that apocalypse?
(MGA180) MARTIN: … I–I’ll start. I spy, with my little eye, something beginning with… T– ARCHIVIST: Tombs. MARTIN: … Cheater. ARCHIVIST: [INDIGNANT] I did not! MARTIN: … Your turn. [BAG JOSTLING] ARCHIVIST: Fine. I spy, with my little eye… Literally everything. [MARTIN LAUGHS] [THE ARCHIVIST LAUGHS] [A NEARBY TOMB LAUGHS] [LAUGHTER STOPS WITH TENSE SIGHS]
(MAG197) ANNABELLE: We could play a game? MARTIN: Uhhh… [SIGH] ANNABELLE: Twenty questions? Animal, vegetable or mineral? MARTIN: [SIGH] Animal. Does it have eight legs? Yes. Is it a spider? Yes. Oh, look, I win.
Never quite working.
- I loved Annabelle’s back-and-forth regarding Martin’s potential for The Web: at first saying that he could have been a good fit for it, then that no, he’s too impatient, then that ah, maybe his talent for interpreting the vibrations meant that he had something in him. It’s everything and its contrary, and it allows her to… always be right.
(But it cracks me up so much that the argument for anti-Web Martin basically came down to Martin being too ranty and impatient. I love Martin.)
- Sob about the set-up because:
(MAG197) ANNABELLE: … You don’t need to worry about Jon. MARTIN: You’re literally luring him into a trap. This trap. This one right here! [MARTIN MOTIONS AND TWANGS THE WEB, SETTING OFF STRONG REVERBERATIONS] ANNABELLE: Please don’t do that. Technically… yes. This is a trap. But the only one in actual danger is going to be me. If he chooses to kill me, I can’t stop him. Not even here. And you’re not bait, you’re just… an invitation.
Yeah, sure, an “invitation” when you’ve put the Mr. Spider tape right near the house to welcome Jon is an absolutely neutral and mundane “invitation”. It’s not flexing or trying to traumatise your guest even before he entered the house.
- Annabelle, PLEASE.
(MAG197) MARTIN: Oh. Wonderful. I can’t wait to attend the Annabelle Cane Show. ANNABELLE: Huh! You know, I did consider it once. MARTIN: Excuse me? ANNABELLE: A TV show. Reaching out into the homes of millions, giving the more vulnerable ones a subtle nudge towards terror. [TAPE SQUEALS] Probably something for children. … It never went anywhere, of course. These things rarely do. MARTIN: I’m, I’m sorry, what are you talking about? ANNABELLE: You’re the one that didn’t want to wait in silence.
* Things that are absolutely horrifying regarding The Web: the way it often targeted children. Mr. Spider was a picture book and got into Jon’s hands when he was eight (and given how Jon initially thought that the book was “insulting” his intelligence… it might have preyed upon even younger children if left unchecked). Annabelle had described her own Web encounter as a kid. Ray was taking care of children and preparing them for his god.
* It also tied nicely with another leitmotiv with The Web: the fact that it is invested in performances and artistic displays (a movie in MAG110, Neil Lagorio’s own original cuts and his last wish of dancing in MAG136, Francis’s theatre play in MAG172) – Annabelle was all about this, making various references to the fact that she was staging the whole scene.
* That “These things rarely do” reminds me of what she had mentioned last episode, that “You can’t be precious about a single strand”: how many discarded plans and ideas have there been to ensure that she would be right and/or that she would get her pieces where and when she needed? It’s not that The Web feels infallible – it’s that it seems to multiply its efforts to make sure that at least one would work out.
- I got the impression that Martin feeling that Jon and Basira were coming happened at the same time as Basira brushing the strands early on, hence Jon’s comment over it:
(MAG197) [BASIRA BRUSHES AGAINST A STRAND WHICH THRUMS AND ECHOES, AND THE CADENCE OF BUZZING SOUNDS CHANGE AS TAPE SQUEALS WITH THE REVERBERATIONS] BASIRA: Sorry…! ARCHIVIST: … It’s okay. She already knew I was here, I just… I hoped we might be able to sneak you in. […] MARTIN: W–, yeah, well– [CHITTERING, BUZZING AND TAPE SQUEALS CHANGE CADENCE] Wait… Wait, hang on… is that him? ANNABELLE: Yes! I guess you’re better with The Web than we thought. MARTIN: And… Wait, ha–, no, uh… Is that… Basira? He–he’s got Basira with him! ANNABELLE: Yes. I did wonder if that would be the case. Interesting. And unfortunate for me. That’s two heads we’ll need to keep cool. My odds aren’t looking good.
So it gave us a nice perspective on who was talking about what when!
I’m surprised that Annabelle indeed only discovered it at that moment – meaning that if Basira hadn’t touched the threads, she wouldn’t have known she was there… although she had been recorded more than once since Jon had left London. Web is not omniscient, uh.
- Annabelle’s taste for theatrics was hilarious, and Martin sarcastically following her request by trying out postures of the Main Love Interest In Distress And Held Hostage was incredible. Martin, PLEASE.
(I wonder if she spat in his mouth, to gag him? Where did that thread come from.)
- It still amuses me how dry Jon can sound in front of avatars, while he’s way more emotional (soft, annoyed, amused, desperate sometimes) in front of Martin! He really adapts his presence to the people in front of him, in this new world.
- Love how Basira pointed out that Jon shouldn’t do anything rash… and then he immediately went for a smiting attempt when he saw that Martin was positioned in a dangerous and precarious situation.
- Jon’s new “Fuck” means that he’s now The Biggest Sayer Of Fuck in the series!
(MAG154) ARCHIVIST: [SIGH] [SOFTLY BUT WITH FEELING] … Fuck.
(MAG158) DAISY: Oh, shit! ARCHIVIST: You gotta be fucking kidding m–
(MAG166) ARCHIVIST: Yes! Ashamed of the fact that I… destroyed the world and have been rewarded for it; the fact that… I can walk safe through all this horror I’ve created like a fucking tourist, destroying whoever I please; the fact that I… enjoyed it, and… the fact that there are… so many others, that I still want to revenge myself on! [EXHALE]
(MAG197) ARCHIVIST: “Free will,” she says, as we stand in the middle of her fucking web!
Martin (MAG154), Melanie (MAG131) and the Inspector (MAG185) are at 1; Trevor was at 2 (MAG176); Tim was at 3 (MAG065, MAG080, MAG104); Basira is at 3 (MAG148, MAG177, MAG178)… and now Jon takes the lead with four ;w; Who would have thought, when listening to episode 1!
(If taking “shit” into account: Martin explodes the counter because of his litanies in MAG163 and MAG179.)
- Oh Martin…
(MAG197) ANNABELLE: He came of his own free will. MARTIN: [MUFFLED POINT OF CONTENTION] ARCHIVIST: “Free will,” she says, as we stand in the middle of her fucking web! ANNABELLE: [LAUGH] A fair point! But that’s a debate for another time. I simply mean I did not bring him here through force, threat or false pretence. I made an offer, and he agreed. ARCHIVIST: Martin, is this true? [TAPE SQUEALS] MARTIN: [MUFFLED ATTEMPTED EXPLANATION, FOLLOWED BY MUFFLED SIGH AND MUFFLED AGREEMENT] BASIRA: Told you. ARCHIVIST: We’ll talk about it later. Once you’re safe.
I love how we could indeed tell his emotions at the moment, at first objecting, then slowly having to concede.
There is still a tiny possibility that Annabelle still pulled a string and made Martin keener to follow her, but I don’t feel like that would be necessary – the point was that he was out of options, that Annabelle had dangled the fact that she had one, and offered to give it while simultaneously threatening to not ever share it if Martin didn’t immediately come with her (as it was explained last episode). Of course, in retrospect, it sounds like Annabelle/The Web needs them more than they need it… but the point was that Martin was lacking options, that Jon was seriously thinking about replacing Jonah as Beholding’s pupil the last time they had talked (which would have meant: for Martin, still being stuck as a Watcher, so still planning to die rather than feeding on people’s suffering), and that Martin is “as bad” as Jon when it comes to self-sacrifice, as Also!Martin had pointed out. I like that Basira had been able to guess that Martin had probably made the choice to follow Annabelle, while Jon… apparently stayed stuck to his perception of The Web as a big manipulator which compels and forces people to do things all the time, without taking detours or subtler approaches.
- Regarding Annabelle’s “lesson” on the Fears, I like how it began on familiar territories, since it roughly followed Gertrude’s own perception of the Fears:
(MAG197) ARCHIVIST: … Fine. Speak your piece. Tell us about your… “way out”. ANNABELLE: As you wish. … The Great Fears, do you believe they think the way we do? ARCHIVIST: They don’t “think” at all. They just are. ANNABELLE: Almost true. In truth, it depends on the Fear. [TAPE SQUEALS] Some exist in an eternal moment, some make use of memory to reflect and corrupt, but for most, time is simply another thing for them to play with. To consider the future, to plan, is not something they’re capable of. ARCHIVIST: But not The Web? ANNABELLE: No. Not the Mother-of-Puppets, the Spinner-of-Schemes. BASIRA: Hang on. What about the rituals? Those were plans. ARCHIVIST: No. [INHALE] They were… desires, filtered and interpreted by people and the thinking creatures that they spawned. ANNABELLE: You are well informed, aren’t you? Exactly this.
(MAG145) ARTHUR: You never had to second-guess a god. ‘Cause that’s what it comes down to, isn’t it? We feel Its joy and Its… anger; It warps us, and changes us, and feeds on us, though not in the ways we expect. The one thing It never does is just… tell us what to do. It seeds us with this… aching, impossible desire to change the world, to bring It to us. Then, It leaves us to guess and bicker and fight over how the hell you can actually do it. … If it’s possible. Sometimes, I think They understand us as… little as we understand Them. We don’t think like They do. GERTRUDE: I’m not actually convinced they “think” at all. ARTHUR: You might be right. But Agnes did.
The idea that avatars had no clear idea about what they were doing had been confirmed by Simon in MAG151, so that wasn’t new. It did colour all of Annabelle’s speech, however, since she argued that The Web was different due to its own way of functioning and she was judge and party in that regard – isn’t she precisely projecting what she thinks The Web is to give it intention, when it’s perfectly possible that “The Web’s plan” might have been mostly inherited through its agents throughout history?
- Confirmation that Oliver might have said the truth in MAG168 about the fact that The End’s domains ultimately had to deliver a genuine death (or, well: confirmation that Jon was convinced that it was saying the truth). And Basira hadn’t been there back then, hence why she needed a bit more information:
(MAG169) ARCHIVIST: “When Danika Gelsthorpe reaches the end of her Corpse Root, she will die. This new world of Fear reviles death as a release, but the Coming End cannot exist without its reality. It is not a being of dangled promises and shifting torments; the certainty of death waits for all who travel the Corpse Roots, and that certainty… will be delivered on, without hesitation or consideration of any other factors. […] The others may take what actions they wish; they may plot and plan and tear themselves apart in an attempt to separate from the fate that they know they cannot escape; but they will fail. The currents of perception and reality may twist in whatever shapes they want; but none of them can ever render things truly eternal. […] I am too much of my patron now and my feelings cannot help but reflect the shadows of… anticipation that lurk within the grave. The End does not fear its own cessation, for it is the certainty and promise of all life, however strange, that it will one day finish, and that includes its own stark existence. […] All – things – end, and every step you take, whatever direction you may choose… only brings you closer to it.”
(MAG197) ANNABELLE: But only two of them could truly conceive of such. Terminus, The End, knows that in such a world they will ultimately consume themselves. And it desires that finality. ARCHIVIST: [REALISING] And The Web understands it as well. That eventually a successful ritual would doom them all. Leave them trapped and starving in a used-up world with no-one to feed on. BASIRA: Hang on, what? This is news to me. ARCHIVIST: We passed a death domain, of The End. The victims there do actually die, meaning even though it would take… I don’t know how long, eventually The End will claim everyone and everything. It’s inevitable.
Damnit, it means that Peter had kiiiiind of been right in season 4 when he had explained to Martin that The Web and The End didn’t appear interested in trying to achieve their rituals:
(MAG134) PETER: There are two Powers that, to my knowledge, have never attempted to fully manifest, never had followers set them up for a ritual: Mother-of-Puppets, and Terminus. The Web, and The End. The Web, I’ve never really been sure about: if I were to guess, I would say it actually prefers the world as is, playing everyone against each other, and so on. The End, on the other hand… The End doesn’t really need one: it knows that it gets everything eventually, so why bother. The End manifesting would not be a new world of terror; it would be a lifeless world. Devoid of everything. MARTIN: … Including fear.
The End was indeed fine with anything, while The Web indeed preferred the world as is – because it had an inkling that rituals would lead to the Fears’ own annihilation. Given how Annabelle pointed out how the escape route had been worked on for so long, I wonder if it had really understood that a successful ritual needed to bring all the Fears into the world a long time ago… or if not at all, and it was, until then, planning an escape in case any of the Fears were to succeed on its own.
- Web!Jonah, Web!Jonah, Web!Jonah.
(MAG197) ANNABELLE: And knowing this, knowing for centuries you would eventually be trapped, doomed to starvation, what would you do? [LONG CONSIDERED PAUSE] ARCHIVIST: … Plan an escape. ANNABELLE: Just so. […] ARCHIVIST: So The Web, it wants to spread? To escape into new realities? ANNABELLE: Yes. But not alone. Any attempt to separate the Fears is ultimately doomed, as you well know.
(MAG160, Jonah Magnus) “Why does a man seek to destroy the world? It’s a simple enough answer: for immortality, and power. Uninspired, perhaps, but – my God! The discovery, not simply of the dark and horrible reality of the world in which you live, but that you would quite willingly doom that world and confine the billions in it to an eternity of terror and suffering, all to ensure your own happiness; to place yourself beyond pain, and death, and fear. […] I am to be a king of a ruined world, and I shall never die. […] Beyond that, I was getting older, and mortality began to weigh more heavily on my mind. How much in this world is done because we fear death, the last and greatest terror?”
The way Annabelle presented it, The Web shared the same logic as Jonah and took the same horrible decision about it: desiring self-preservation, fearing their own end, fearing that others would doom them… and instead of taking active measures to ensure that no doom would happen, they chose to cause it themselves to be in control of it. Jonah could have gone on spending many more centuries body-hopping once he understood that other rituals would never work anyway, but he chose to work on this ritual thinking it would grant him domination and control over the result; and likewise, The Web could have worked to ensure no Jonah-like person would cause the big ritual… but chose instead to actively help him, to cause the apocalypse, thus dooming itself if Jon doesn’t help to make them hop into another world to contaminate it. Same fear of death, same thirst for control, same selfish thought process.
As mentioned above: given how Annabelle might have selected her information, I wonder if The Web had known for a long while that individual rituals wouldn’t work, or if it had discovered that fairly recently, alongside Jonah. It’s possible that the escape route had initially been planned for The Web itself and solely itself in case one of the other Fears succeeded, then The Web discovered that the Dread Powers couldn’t be separated and slightly changed its plan by accepting that all the Fears would need to be yeeted into the passage together?
- I can’t believe we now can answer “What does the Spider want?!”.
It does explain why The Web seemed to ensure Jon’s survival and support Jonah’s plan (Jonah even acknowledged the latter in his letter), and why Annabelle still wanted something out of Jon&Martin although the apocalypse had already happened. It also answered Jon’s own question from the trailer about the tape recorder:
(Season 5 trailer) ARCHIVIST: [SIGH] … What? What do you want? … The world is…! It’s over. You’ve won. What can you possibly still need to hear?
His question had even been followed by a “knock-knock” joke. It really felt like a Mr. Spider reference.
Regarding the tapes: it was indeed right to link them to The Web! I remember that pre-season 4, upon listening to the series for the first time, I was convinced that they were Web, but I had begun to doubt in season 4 because of a potential slight nuance: The Web was using the tapes, it didn’t necessarily mean that it was the thing listening behind the tape recorder. What I did not expect, and am delighted about, is that The Web required the tapes to exist as a hook for its plans:
(MAG197) ANNABELLE: We found the one we believed most likely to bring about their manifestation. We marked him young, guided his path as best we could. And then, we took his voice. ARCHIVIST: No… ANNABELLE: His, and those he walked with. We inscribed them on shining strands of word and meaning, and used them to weave a web which cast itself out through the gate and beyond our universe. So that when the Fears heard that voice, and came in their terrible glory, they might then travel out along it. [TAPE SQUEALS] Or be dragged. BASIRA: Is she talking about the tapes? ARCHIVIST: Yes. […] Do both at the same time, and… for just a moment, all that power rushes through their only remaining connection with reality: the tapes. ANNABELLE: And they would be swept along by it, dragged out of our realities, and into new ones…
And now I wonder about the reasons why the statements didn’t work on Jon’s computer in (and before) season 1, leading him to use the tape recorders. It had been pointed out in MAG065 that tapes were technically digital too, that the difference between a computer and a tape recorder wasn’t a matter of analogue vs. digital, so why did the statements resist computer recording? With the new information: it might have been simply that The Web was making Jon’s computer crash to push him to find another solution for his recordings – Jon indeed ended up relying on the tape recorder (found covered in cobwebs; spotted by Tim first according to the TMA liveshow, and then found back by Sasha according to MAG162’s tape).
Did The Web mostly require a story for their plan? The statements contain bits of Fears, some of Jon&co’s encounters were supernatural, but not everything that was caught on tapes was dealing with fear – we’ve had very mundane exchanges and conversations that did not contain anything supernatural. It, of course, asks the question of whether an audience in-universe is listening to the tapes that have been reordered chronologically: have the tapes already been sent into another world, with or without the Fears coming with them? The current labels on episodes are presented as “Case ########–xx”, a sign that time is not as reliable but that there is still a chronological and logical progression to follow. I wonder if the last episode will go back to having a date-based file number like episodes used to have (MAG160’s, “Case #0181810”, being the last one).
- The problem with Archivists really is their voices, uh? Gertrude and Jon both needed to read the statements aloud to feed Beholding, and the Black Forest tomb had the “For The Silence” coin. I’m a bit curious about whether the Fears would truly follow the tapes because they contain Jon’s voice… if Jon, with that original voice, is staying behind? Wouldn’t he need to go with the tapes, or to be deprived of his voice, for that plan to work?
- Annabelle’s offer was a bit more complex than redirecting their full apocalypse to another world, which I feared, instead presenting it as another world being subjected to this one’s previous and less intense fate… but I’m extremely glad that Jon immediately pointed out that it would likely mean a complete repeat of what their own world had experienced, apocalypse included eventually:
(MAG197) BASIRA: What are you saying? ARCHIVIST: … We can pass them our apocalypse. MARTIN: [MUFFLED DISCOMFITED REALISATION] ANNABELLE: Nothing so extreme. In these new worlds, they would exist as they used to in ours, lurking just beyond the threshold. ARCHIVIST: Until someone is stupid enough to release them there as well. ANNABELLE: Perhaps. Even the Mother cannot see the future. Only try to shape it. ARCHIVIST: And so they spread through realities like a disease. ANNABELLE: Perhaps. ARCHIVIST: … I won’t do it.
Jon even kept using the verb “spread” (“So The Web, it wants to spread?”, “for the Fears to spread into these new worlds”, “And so they spread through realities like a disease”) which really highlighted what it was: not a trade-off, not an equivalent exchange, but really allowing the Fears to possibly impact many other worlds to save theirs, causing way more victims in the process.
I like how it also put another perspective on the Mr. Spider tape welcoming Jon at the end of MAG195, ending with the “MR. SPIDER WANTS MORE”: in the same way, The Web is precisely trying to get more than what it used to have (from affecting one world to potentially hurting many more).
- I am curious about what would individually happen to avatars with that plan:
(MAG197) BASIRA: What happens to you if they escape? What happens to us? We’ve all been touched by them. ANNABELLE: I would either travel with them, or I would die. I do not know which. My life is only sustained by The Web. Most would simply lose whatever power they have been gifted. Jon would lose much of himself, the parts of him that are The Eye. But he would survive. And perhaps, more importantly, he would remain who he believes himself to be.
Would Simon turn to dust due to his old age? Would Arthur become inanimate wax? Would Oliver die (since he already died once)? Or would they be simply left in their current body? Annabelle is indeed a special case since it was pointed out many times that her head never healed from the injury during the experiments (MAG069) and is stitched with cobwebs – it’s possible that her “life is only sustained by The Web” in a strictly literal life-support manner, unrelated to her avatar status.
… I’m concerned about many caveats regarding Jon: Annabelle, what is your definition of “survive”? And what does Jon “believe himself to be” at this point? Jon had pointed out that he was intrinsically tied to Beholding by now, and that he doubted that Beholding leaving this world would mean good things for him:
(MAG191) MARTIN: Jon. If… When we defeat The Eye, the Fears… What happens to you? [SILENCE] ARCHIVIST: Nothing good. I think it depends on what actually happens. If we figure out a way to defeat them, banish them somehow, kick them out of our reality and back to where they came from, I might… survive? I think I’d stay more or less like this; w–weaker, but fundamentally… still an avatar in a world where the Fears are… once again lurking on the edges. MARTIN: … But I assume that’s the best case scenario? ARCHIVIST: Depends on your point of view, I guess. In the long term all we’d have done is… bought some more time. … If, however, we… find a way to destroy or, uh… eliminate the Powers… I’m not going to be okay. There’s… too much of me that’s part of The Eye now. I don’t… know what would be left of me without it. Maybe I just… die. Maybe I survive, but I–I lose… something. My identity? My mind? My… memories? I don’t know.
Which is making me suspicious of what Annabelle is saying, since she seems to go in the exact same direction as what Jon thought might happen to him in the “best” case scenario of the Fears disappearing but him not dying right away.
- Alright, it does clear up what I didn’t understand in Annabelle’s previous plan regarding Jon&Martin’s relationship, and the reason why she discarded it!
(MAG196) MARTIN: Okay, let’s try a different question. What was your plan? ANNABELLE: I was going to snatch you away. Lure you both into this web, and then take you. Drive him to despair, so that when you returned to him, bulging and talking in a thousand tiny voices, it would drive him to a final push. MARTIN: … And now? ANNABELLE: [SIGH] Your bond is too complicated. I couldn’t drive that kind of rift between you now. I’ve considered every angle, examined every cause and effect, and have finally come to the conclusion that I… [SIGH] I need to tell you the truth. To explain things.
(MAG197) BASIRA: What happens to you if they escape? What happens to us? We’ve all been touched by them. ANNABELLE: I would either travel with them, or I would die. I do not know which. My life is only sustained by The Web. Most would simply lose whatever power they have been gifted.
She might have initially planned to pressure Jon to go along with her plan by spider-ing Martin, since it would have meant saving him once the Powers would have left (instead of it being a permanent process). However, their “bond is too complicated” for that plan now because they talked and made a promise about not dooming the world in exchange for the other’s safety:
(MAG191) ARCHIVIST: Martin, when the time comes, I need you to promise me that you won’t try to stop me. MARTIN: … I promise. I love you, Jon. ARCHIVIST: [FOND HUFF] I love you too. MARTIN: But I’m not going to doom the world over it. ARCHIVIST: … Thank you. MARTIN: [INHALE] And you have to promise me that you’re going to do everything in your power to live. That you’re not going to… sacrifice yourself at the first opportunity, just because you feel guilty about what happened. ARCHIVIST: [BREATH] … I promise.
(… Well. Martin had promised to not doom the world over Jon. Jon himself had not done the same.)
It might be what caused Annabelle to change plans: before, she might have thought that Jon would have done anything to save Martin, including throwing the Fears into other worlds without any hesitation; but since that conversation, she might have been fearing that Jon would have refused to doom other worlds for the sake of Martin’s well-being.
- Although Jon apparently immediately interpreted it as Basira being likely to go Annabelle’s way…
(MAG197) BASIRA: … How would we do it? ARCHIVIST: Basira! BASIRA: We need to know, Jon.
… she really felt, to me, like she was trying to get all the information they needed to be able to manoeuvre with it all afterwards. Same as at the beginning of the episode, she gave me the impression that she was trying to stay in control while ensuring Martin wouldn’t get hurt (not being too antagonistic towards Annabelle, and getting her to talk), but it didn’t sound like she was approving.
- OKAY for Annabelle’s plan:
(MAG197) ANNABELLE: It’s very simple. Destroy the Archives, and cut out The Eye’s pupil. BASIRA: [SARCASTIC] Oh, is that all? ANNABELLE: Simultaneously. MARTIN: [MUFFLED DESPONDENCY] ARCHIVIST: I see. Destroy the Panopticon, and you release its power. Kill Jonah, and you cut the connection between the Fears and the world. Do both at the same time, and… for just a moment, all that power rushes through their only remaining connection with reality: the tapes. ANNABELLE: And they would be swept along by it, dragged out of our realities, and into new ones… BASIRA: And how exactly are we supposed to destroy the Archives?
* It kind of explains why she waited for them to reach London first before making them come to Hill Top Road: they needed to see for themselves that the tunnels had been mostly insulated from the apocalypse, and what state Jonah was in. (Plus, making it sink in that no, “killing Jonah” wouldn’t solve anything, so waiting for them to be a bit more desperate for another option).
* I’m… worried about the fact that Annabelle specifically stated that they needed to destroy “the Archives” but that Jon translated it into “the Panopticon”. Is it the same thing by now? We haven’t seen the Archives when we were in London – what did the statements and documents turn into?
* … And relatedly: Jonah had introduced the idea that Jon was “the Archive”. Is it really about destroying the Panopticon, or is it about destroying Jon…
(* It also explained why Annabelle had found “reassuring” that Martin was worried about victims on their way to Hill Top Road, since her plan relied on them agreeing to throw other worlds under the bus to save these people from this world. If they didn’t care much about random victims all around here… then they would be even less likely to accept her solution.)
- It reminds me that we still haven’t been told what is Jon’s domain and what is Annabelle’s domain. Annabelle’s could be Hill Top Road, but it was never stated! As for Jon, his only indication was that Martin&him had been walking “towards it” during their first journey towards London, so it could be the Panopticon itself… but we don’t know for sure either. What happens, when you destroy someone’s domain? (We have the case of Helen-the-Distortion, who was her own domain in a way… and it seems to have destroyed it entirely in her case.)
- HECK YEAH for the gas main not being done with /o/
(MAG161) GERTRUDE: [SHARPLY] We’re wasting time. Do you still have the Ruskin book? LEITNER: I do. Though I don’t relish the thought of using it. Makes it rather hard to breathe, like your chest– GERTRUDE: You know– LEITNER: –is being… GERTRUDE: –the gas main, little way out in the tunnel? LEITNER: I do. GERTRUDE: I need you to move it. LEITNER: I, hum… That’s… I mean, that’s not just earth, there’s pipework and all sorts of– GERTRUDE: Find a way. I need it to be directly under the Institute, or… at least, closer. LEITNER: I’m more likely to rupture it and fill the place with gas. GERTRUDE: Hm! That would also be acceptable. LEITNER: Hm… I’ll do what I can. When do you need it? [RUSTLING OF CLOTHES] GERTRUDE: If my guess is right, the Church’s ritual should be collapsing at any time now, so… immediately. LEITNER: And if you’re wrong? GERTRUDE: Then a bit of gas will be the least of our worries. LEITNER: Right… What are you going to do? GERTRUDE: Paper burns well. [GURGLING LIQUID] Petrol burns… better. LEITNER: Aha! I always forget about your pyromaniac streak.
(MAG068) ARCHIVIST: Supplemental. I’m in the tunnels. I was exploring and I got lost. I haven’t gone down any of the stairs and I– I think I’m still under the Institute. There were a couple of spiders, so I changed routes and found, I think it’s a gas main. Must be for the whole building.
(MAG197) BASIRA: And how exactly are we supposed to destroy the Archives? ANNABELLE: Many years ago, a draughtsman made an unfortunate and egregious error on certain city planning documents. As a result, an unusually large and dangerous gas main just happened to be constructed directly below the building you knew as the Magnus Institute, in a place where it would be protected by the tunnels of Robert Smirke, unchanged by the world’s reformation. [TAPE SQUEALS] You need only ignite it. ARCHIVIST: “Ignite it”? ANNABELLE: Indeed! And it just so happens that the perfect tool was once delivered to you as a token of appreciation. Though you really do need to learn to keep better care of it. Somehow, it always seems to slip your mind, doesn’t it? ARCHIVIST: What…? BASIRA: Jon, it’s that stupid lighter of yours.
I had been surprised that it had been narratively brought back at the beginning of the season clarifying why it was there – Gertrude had asked Leitner to bring it closer to the Institute, which is why Jon had seen it in season 2 (… while fleeing because of spiders… in the episode right before the one he heard of Annabelle Cane for the first time…), and it was still hanging out there.
Annabelle never confirmed whether or not she had been the one who had sent tapes alongside the package containing Jonah’s statement, but it really feels like she was trying to prepare Jon to the idea of burning the Archive down, since all the tapes (and the beginning of the statement Jonah used to cover his) had mentioned fire in some way.
(MAG160) MARTIN: Still, she did manage to talk them out of burning the whole place to the ground? Oh, ah! Actually, that reminds me. Hum… [PAPER RUSTLES] ARCHIVIST: Ah! These, these are the… statements. MARTIN: Uh, yes. Basira said last week she’d send some up as soon as the Archives weren’t a crime scene. ARCHIVIST: Yes… MARTIN: And she wasn’t sure which ones you’d read already, so she–she just said she’d send a bunch. [CLATTERING SOUNDS] ARCHIVIST: There’s… tapes in here, as well. D… did she say anything about tapes? MARTIN: She… didn’t mention it? But… I–I didn’t check it until after the call. ARCHIVIST: Mm. MARTIN: I assume it’s her attempt at a… a–a “varied diet”? Eating your greens, you know? ARCHIVIST: [CHUCKLE] Probably! I’m sure it will work fine.
(MAG161) ARCHIVIST: –yes, thank you, I do hope you’re not planning to light those candles…! TIM: … Oh, goodness! [SHAKES A BOX OF MATCHES] A source of ignition? In the Archives? ARCHIVIST: [SIGH] SASHA: [CHUCKLES] TIM: Uh oh! ARCHIVIST: Tim. TIM: Oh? Woops! [A MATCH IS LIT] Sorry; my hand slipped. And again. [CRACKLE OF A BIRTHDAY CANDLE WICK] And again. And… a couple more times, here – I’m so clumsy today; that is a lot of fire! ARCHIVIST: I’m really not comfortable with– SASHA: So blow them out, then. ARCHIVIST: Oh. [FIRE CRACKLING] … Right, yeah– ELIAS: And make a wish.
(MAG161) GERTRUDE: Paper burns well. [GURGLING LIQUID] Petrol burns… better. LEITNER: Aha! I always forget about your pyromaniac streak. GERTRUDE: Mm. Remind me to tell you about Agnes, sometime…!
(MAG162) GERTRUDE: Eh! [INHALE] You can probably burn it in the back courtyard, if you’re careful. GERRY: Yeah, will do! GERTRUDE: And for goodness’s sake, make sure no one sees you. The last thing we need is a letter to Elias about book-burnings. GERRY: Look, if you have somewhere better to burn these books, then– GERTRUDE: Of course, Gerard…! I just happened not to mention the network of sinister tunnels that snake beneath the Archive, where I keep all my darkest secrets…!
(MAG162) TIM: Well… Tell you what. If you get eaten alive [STAPLING] by improperly filed statements? Me and Martin will avenge you. SASHA: Myeah, aren’t you sweet. TIM: I mean it! We’ll burn this place to the ground, it’ll be all like, “Sashaaa! Saaashaaaa!”
(Adding to Rosa Meyer’s attempt to burn the building in MAG060, Gertrude likely destroying the Archives under Alexandria by blowing up a gas main in MAG053…)
So: whatever Annabelle said, Jon could lend it some credence since he had seen the gas main and knows where it is; he knows why it’s so close to the Institute; he knows it used to be part of Gertrude’s plan to take down Elias/Jonah in March 2015. Whether Jon will pursue that plan or not, we know what it meant narratively, same with the lighter.
It’s also really interesting that what Annabelle offered used to be exactly Gertrude’s plan:
(MAG080) LEITNER: I believe it was Elias. ARCHIVIST: What? Why? LEITNER: I assume he discovered we were planning to destroy the Archives. ARCHIVIST: Gertrude was going to destroy the Archives?
… and it’s exactly when Elias had strike and killed her. Did a spider whisper to his ear that it was way too soon to blow up the building?
(WHICH WOULD HAVE PREVENTED THIS APOCALYPSE, BY GETTING RID OF JONAH, WHO HAD JUST UNDERSTOOD WHAT HE NEEDED TO DO TO MAKE IT HAPPEN.)
- The lighter reveal was just comedy gold, and I’m so glad that the reccurring thing with “Jon isn’t able to pay attention to the lighter and tends (/is compelled) to change the subject when it’s brought up” led to this.
(MAG037) TIM: Um, apparently Martin, uh, took delivery of a couple of items last week addressed to you. Did he not mention it? ARCHIVIST: No, he… Oh, yes, actually. I completely forgot. He said he put it in my desk draw, hold on. [SOUND OF PACKAGE BEING RETRIEVED AND OPENED] TIM: Er, what is it? ARCHIVIST: A lighter. An old Zippo. TIM: You smoke? ARCHIVIST: No. And I don’t allow ignition sources in my archive! TIM: Okay. Is there anything unusual about it? ARCHIVIST: Not really. Just a sort of spider web design on the front. Doesn’t mean anything to me. You? TIM: Ah no. No. ARCHIVIST: Well… show it to the others, see what they think.
(MAG039) SASHA: So why hasn’t it gone off? ELIAS: Because there isn’t an actual fire. SASHA: Right, right. Can we set it off manually? I think Jon’s got a lighter somewhere. ELIAS: He’s not smoking again, is he? Anyway, it shouldn’t be necessary.
(MAG079) TIM: But he’s going to do something, and it’s going to be bad. And I don’t mean like “sneaking a cigarette” bad. Like properly bad.
(MAG111) GERARD: Nice lighter. You a spider freak, then? ARCHIVIST: What? Oh! Er, n–no. I–I, I never really, uh… I never really thought of it. I–I’m Jon. I’m with the Magnus Institute. … I–I’m the Archivist.
(MAG136) DAISY: [SCOFF] She’s… Web. Spider’s sneaky like that. [PAUSE] Like that lighter you’re always using. Where’d you get that? ARCHIVIST: Mm. [STATIC RISES] Good point. We should keep our eyes open. [STATIC FADES] Anyway, how’s Basira doing?
(MAG162) MARTIN: You said this place, the–the cabin was… [WOODEN CREAKING SOUND] It, it’s feeding on us, right? ARCHIVIST: Yes… MARTIN: … So should we… destroy it, before we go? […] We’re not even gonna try? We, we’ve got your lighter, maybe we could just– ARCHIVIST: We can’t fight the world, Martin.
(MAG197) ARCHIVIST: “Ignite it”? ANNABELLE: Indeed! And it just so happens that the perfect tool was once delivered to you as a token of appreciation. Though you really do need to learn to keep better care of it. Somehow, it always seems to slip your mind, doesn’t it? ARCHIVIST: What…? BASIRA: Jon, it’s that stupid lighter of yours. ARCHIVIST: [INDIGNANT] My what? I… [STATIC RISES] [PULLS THE GOLD LIGHTER WITH EMBOSSED SPIDERWEB FROM POCKET AND FLICKS IT OPEN] Oh? … Oh. [STATIC FADES]
Sasha remembered it, Tim had commented on Jon trying to discreetly smoke (though that might have been a figure of speech?), Gerry had first assumed that Jon was with the Spider because of it, Daisy had directly asked about the lighter and Jon had redirected the conversation elsewhere, Martin had pointed out at the beginning of this season that Jon still had that lighter with him… and now, Basira revealed that she had noticed it too. The static in MAG136 had made it clear that it wasn’t Jon’s fault, that he was likely supernaturally compelled to not think too long about the lighter, but I love that silly moment, that “My WHAT?! =<= … oh” was one of Jon’s best moments. ever.
- I really wonder whether Annabelle’s reaction was sincere when Jon threatened to let the lighter fall into the hole:
(MAG197) ARCHIVIST: I see. So… [FLICKS LIGHTER SHUT] If I were to throw it away– ANNABELLE: [GASP] ARCHIVIST: –into your little pit… MARTIN: [MUFFLED WORRY] ANNABELLE: [CAREFULLY] I would advise against that. ARCHIVIST: Oh, would you? BASIRA: Jon, she still has Martin. MARTIN: [MUFFLED REMINDER] [TENSE STAND-OFF] ARCHIVIST: Fine! … Fine.
* Jon going for the throat, taunting and threatening and relishing the power he thinks he has is terrifying but also incredibly hot. That condescension…! (And it kind of made a twisted parallel with Annabelle’s discussion with Martin earlier, when she defended that she had once thought about filling him with spiders but discarded that plan. It’s not the same power dynamic, but it still shows that… now, Jon knows how to handle the avatar-game better, and to revel in the power he can have over other terrible beings.)
* … What would have happened exactly? It can’t be just that it would have meant that Jon would have lost his way of igniting the gas main – that could be easily replaced by anything, getting a spark wouldn’t be hard and they have some supplies. What would have happened, if the Web artefact had been thrown into the pit…? Would it have deprived The Web of some of its power, would it have contaminated another world…? Why was Annabelle suddenly that tense over it…?
- Another JonMartin hug ;w;
(MAG159) MARTIN: [DISTANT, VOICE ECHOING] I see… [INHALE] I see you, Jon. [BREATHLESS CHUCKLE] [PRESENT, ECHO FADES] I see you…! ARCHIVIST: Oh, Martin… [FABRIC RUSTLES] MARTIN: [FRANTIC BREATHING] I w–I was on my own…! I was all on my own… ARCHIVIST: Not anymore. Come on – let’s go home…
(Season 5 trailer) MARTIN: You know I’m here for you. ARCHIVIST: [LONG SIGH] … Yes. Yes I do. [RUSTLING OF CLOTHES] MARTIN: All right. All right.
(MAG170) ARCHIVIST: Oh, Martin! Thank god, I, I was… I–I thought you were behind me. [FABRIC RUSTLES] MARTIN: I thought you’d left me behind…! Gone on without me.
(MAG177) ARCHIVIST: … I’m sorry. [SILENCE] MARTIN: [SIGH] It’s okay. I understand. [BAG JOSTLING] [FABRIC RUSTLES] BASIRA: Urgh… [SILENCE] You done?
(MAG183) ARCHIVIST: If you’re sure. MARTIN: … I’m sure I love you. [FOOTSTEPS] ARCHIVIST: I love you too. [FABRIC RUSTLES] Let’s go.
(MAG187) ARCHIVIST: [GROGGY] Oh. Martin, good! [BAG JOSTLING] [FABRIC RUSTLES] MARTIN: Wh–, wh–wh–what happened? Th–th–there was the hotel and then…
(MAG191) ARCHIVIST: Sorry. Not something I can help, I’m afraid…! MARTIN: No, I, I know, I know. I’m sorry, it’s okay. [SIGH] [FABRIC RUSTLES] ARCHIVIST: … Bad dream? […] Maybe I survive, but I–I lose… something. My identity? My mind? My… memories? I don’t know. [FABRIC RUSTLES AS THEY EMBRACE] MARTIN: [LONG EXHALE]
(MAG197) MARTIN: [COUGHING AND SPLUTTERING] Jon…! ARCHIVIST: Martin! [FABRIC RUSTLES] MARTIN: … Oh god, I’m sorry, I– ARCHIVIST: It’s fine. MARTIN: I didn’t realise that– ARCHIVIST: We’ll talk later.
(MAG159 was confirmed by Alex, and MAG187 wasn’t marked in the transcript but I definitely hear it!)
;_; Every time, I wonder if it will be the last one… but I’m kind of expecting a big, biiig dramatic hug for the last one so… not there yet.
- I come out of this episode still not knowing exactly what to think about Annabelle – it sounded like her last appearance (“Very well. We shall not see each other again, Archivist. But I eagerly await your decision.”), though it doesn’t mean we wouldn’t hear about her.
My feeling from this episode is that she’s mostly… a sort of vessel of The Web, a puppet herself (her use of “we” sounded like she was the spokeswoman of a greater conscience), and I don’t know what is left of who-she-used-to-be – contrarily to other avatars, she didn’t seem to cast much value in her own self-preservation, since she did point out multiple times that it wouldn’t matter if she got killed in the process of The Web’s plan as long as she delivered its message to Jon first. I’m crossing fingers for something more about Annabelle herself because… it was already the case with The Distortion using Helen as a face and the tragedy of Jon not having been able to know her (plus, when it comes to monsters taking women’s faces: The Hive had invaded Jane Prentiss, the Not!Them postured as Sasha, even Nikola was technically a being older than this particular mannequin), while we got male antagonists who were their own despicable selves like Peter or Elias. On the other hand, Annabelle’s theme seems to be a play with the fears and thoughts people project onto her, the things they expect from her, the role she is forced to play because of these expectations:
(MAG147, Annabelle Cane) “Now, I believe the tradition is to tell you the story of my life; the sinister path that led me inevitably to the sorry state in which I now find myself. Well, let it never be said I do not dance the steps I am assigned.”
(MAG196) MARTIN: I don’t know, like… something a bit more dramatic, I guess. ANNABELLE: We’ll see what we can do. [FOOTSTEPS, THEN CREAKING AS ANNABELLE OPENS THE DOOR] [DRAMATICALLY] Step into my parlour…! […] Let’s make the setting a little more… appropriate, shall we? MARTIN: Hey, just… ah, hah, p–put the camera down, okay? ANNABELLE: You said you wanted something more… “dramatic”. Right?
(MAG197) MARTIN: Oh. Wonderful. I can’t wait to attend the Annabelle Cane Show. ANNABELLE: Huh! You know, I did consider it once. MARTIN: Excuse me? ANNABELLE: A TV show. Reaching out into the homes of millions, giving the more vulnerable ones a subtle nudge towards terror. [TAPE SQUEALS] Probably something for children. … It never went anywhere, of course. These things rarely do. […] Now settle back. Try to look… intentional. MARTIN: What does that mean? ANNABELLE: They’re going to expect a suitably elaborate scene when they arrive, a monstrous tableau. I’d hate to disappoint them…! MARTIN: Rrright… [MARTIN GINGERLY TRIES TO ADJUST HIS POSITION] So, w–were you thinking something like this, or–? ANNABELLE: [SIGH] [ANNABELLE RELEASES A BURST OF WEBBING, GAGGING MARTIN, AND STICKING HIM FIRMLY TO THE CHAIR] MARTIN: [MUFFLED INDIGNANCY] ANNABELLE: My apologies for the inconvenience but appearances are everything, Martin. Now, if you’ll excuse me? I need to change into something more suitable. [BONE CRACKS AND FLESH TEARS AS ANNABELLE REVEALS THIS WASN’T EVEN HER FINAL FORM] [ANNABELLE’S VOICE IS DEEPER FROM HERE ON OUT AND TAPE RECORDERS CAN NO LONGER BE HEARD] [TWISTED STATIC CRACKLE] ANNABELLE: It is so very important to prime your audience. […] I’ve played my part to its completion. You get to decide how I exit the stage.
The entirety of her interaction with Jon was framed as a performance – the performance he expected out of her. Jon was expecting the worse out of Annabelle? He was welcomed with a tape reminding him of his childhood trauma, putting him in the position of the next “guest” who would be devoured by the Spider when he would enter its home. Jon was wary of Annabelle as being dangerous and harming Martin? Annabelle turned into a monster and threatened to harm Martin. Martin might have had some doubts and fears about turning Web, to the point of refusing Jon would look into his head to know what was happening with him in MAG172? Annabelle kept going back and forth about whether Martin was suitable for it or not, with any detail going in a direction and then the other (Martin calculating his behaviour with others making him a likely candidate, but his impatience showing that he wasn’t fitted for it, but his perception of The Web proving that he had what it took…). Annabelle even pointed out to Martin that he was prompt to make a judgement and distrust her before she had done anything to him (“Why? Because of what I say, or because of the assumptions you make about my motives?”): she kept feeding them the lines they were expecting from her. It can simply fit with The Web’s whole thing about making you second-guess and playing on your indecisions, on your uncertainties and doubts; it could also be that there is something more underneath…?
(Especially since… well, technically, Annabelle gave them a lot of information and left them free to think about it. If she were trying to sabotage The Web from the inside, that would probably be the best way to go about it: following the plan like a puppet, and ensuring it goes badly at the same time.)
- That’s FUN, we got the same annihilation as MAG160 for Jon by putting him as responsible of the situation, while at the same time taking the reverse approach regarding being “chosen”:
(MAG160, Jonah Magnus) “It does tickle me, that in this world of… would-be occult dynasties and ageless monsters, the “Chosen One” is… simply that: someone I chose! It’s not in your blood, or your soul, or your… destiny. It’s just in your own, rotten luck. […] You are prepared. You are ready. You are marked. The power of The Ceaseless Watcher flows through you, and the time of our victory is here. Don’t worry, Jon. You’ll get used to it here – in the world that we have made.”
(MAG197) ARCHIVIST: So The Web, it wants to spread? To escape into new realities? ANNABELLE: Yes. But not alone. Any attempt to separate the Fears is ultimately doomed, as you well know. ARCHIVIST: But how? ANNABELLE: We found the one we believed most likely to bring about their manifestation. We marked him young, guided his path as best we could. And then, we took his voice. […] ARCHIVIST: … I won’t do it. ANNABELLE: Possibly. You’ve seen your other options. […] BASIRA: … What about her? ARCHIVIST: [HARSH] Good question. As far as I can tell, there’s now nothing to stop me killing you. And throwing this lighter away forever. ANNABELLE: Nothing, except your own indecision. […] We shall not see each other again, Archivist. But I eagerly await your decision.
There are so many little differences between the ways they pictured Jon’s role! Both presented him at the centre of their plans, as a necessary piece: Jonah gloated about the way he had picked and shaped Jon’s fate, and his whole letter was about retroactively depriving Jon of his own agency (shaping the fantasies that Jonah had always been in control and had led Jon where he wanted to ultimately be); and surprisingly, The Web took another approach, no less hurtful – framing the apocalypse as the result of a sort of uniqueness which meant that, since Jon was a child, he was likely to cause the apocalypse, and presenting the outcome and destiny of their world… as his, leaving him the possibility to “decide”.
And as much as Jonah blew the idea that he had always been in control out of proportions (the idea to send Jared after Jon and then going pikachuface when Jared attacked the Archives without waiting…), he still felt more honest than what Annabelle said about Jon! I’m especially interested in this bit:
(MAG197) ANNABELLE: We found the one we believed most likely to bring about their manifestation. We marked him young, guided his path as best we could. And then, we took his voice.
Because… what bullshit, what with giving the impression that there would have been anything special about an eight-year-old boy making him the “most likely” to cause the apocalypse! Implying that it was even Jon’s choice by failing to remind that Jonah had been responsible for it! It’s easy to describe Jon as the person who was meant to Open The Door now that it indeed happened, and I’m absolutely ready to picture that there were actually thousands of potential people who could have done it in the world and it “simply” happened with Jon. After all, Annabelle had pointed out last episode that “People get so caught up on how intricate they are, how perfectly constructed. They never consider how flexible they can be. The sort of storm they need to weather. You can’t be precious about a single strand.”: how many discarded plans had there been in the last century or so? I also love and hate how it paralleled The Web’s use of tapes: individually, each segment might have been true… but not necessarily in the order Annabelle suggested:
“We found the one we believed most likely to bring about their manifestation.” => Web indeed did support Jonah’s plans, but when did it decide that Jon would be the perfect candidate?
“We marked him young” => Jonah pointed out that Jon already had The Web mark and that it contributed in making him pick Jon as the next Archivist for his project.
“guided his path as best we could” => The Web tipped Jon off here and there during the series (a spider led to the season 1 climax, strengthening Jon’s chances of survival since the worms weren’t fully ready yet; there were cobwebs on Jon’s first tape recorder; The Web sent Oliver to help Jon to “make his choice” and wake up at the start of season 4; a tape covered in cobwebs sent Jon on a quest for an anchor, it was specifically a Flesh statement so likely trying to direct him towards Jared…)
“And then, we took his voice.” => Pushing Jon in the direction of the tape recorder to record the “difficult” statements that didn’t work on computers.
Did The Web send Jon to the Institute, or did Jon’s curiosity push him to wanting to understand what had happened with the book when he was a child? Who knows! But it’s all about framing these various elements in a certain order to make it feel like there is a coherent, merciless narrative that had used Jon like a puppet all along, while potentially keeping the most important part under silence: that The Web needed someone to bring the apocalypse… but that it mostly needed someone who would hate said apocalypse and would try to reverse it. That was the part The Web needed above all, given what Annabelle had just explained.
- Maybe it’s a useless wish at this point (only three episodes left) but Annabelle pushing the idea that Jon was “most likely” to bring the apocalypse screams “destiny as a concept” screams “Agnes” to me ;; Someone involved with The Web, whose voice was hidden and who was only described through the eyes of men and/or people romantically interested in her, who was aware of the expectations and the “destiny” announced for her and who might have decided to go another way…
- Jon said they would talk:
(MAG197) ARCHIVIST: We’ll talk about it later. Once you’re safe. MARTIN: [MUFFLED DOWNBEAT ACKNOWLEDGEMENT] […] Oh god, I’m sorry, I– ARCHIVIST: It’s fine. MARTIN: I didn’t realise that– ARCHIVIST: We’ll talk later. […] MARTIN: So… what do we do now? ARCHIVIST: Let’s get out of here. After that… we’ll see.
And indeed, they ought to. Two things that have been established and that I could see coming back:
* Martin had forbidden Jon to look into his head, to be able to respect some privacy (MAG167) and because he thought he would second-guess everything if it turned out The Web had been manipulating him (MAG172). Basira just reminded Jon that he needed to trust them to have their own opinions, that having an opposite stance to his didn’t mean they were manipulated… but I could also see Martin asking Jon to look inside him again to have the absolute certainty that no, Martin wasn’t manipulated. (Or maybe was, even partially, being nudged in a direction he partially wanted anyway.)
* Martin still hasn’t shared that he planned to ask Jon to smite him if they couldn’t find any way to turn the world back. As things are, sadly, it would feel extremely pressuring (since the only way to not go in that direction… would then be to follow Annabelle’s plan to get rid of the Fears).
- Given everything that was thrown in his face with this episode? I want Jon to have a breakdown and cry :w
- There are two gigantic lines of small print coming with Annabelle’s plan:
(MAG197) ANNABELLE: It’s very simple. Destroy the Archives, and cut out The Eye’s pupil. BASIRA: [SARCASTIC] Oh, is that all? […] And how exactly are we supposed to destroy the Archives? ANNABELLE: Many years ago, a draughtsman made an unfortunate and egregious error on certain city planning documents. As a result, an unusually large and dangerous gas main just happened to be constructed directly below the building you knew as the Magnus Institute, in a place where it would be protected by the tunnels of Robert Smirke, unchanged by the world’s reformation. [TAPE SQUEALS] You need only ignite it.
* Destroying the Panopticon through the tunnels means that the survivors would lose their only mean of protection. Melanie had pointed out that her and Georgie’s own protection was neither total nor long-lasting for others:
(MAG190) MELANIE: I wasn’t exactly going to leave her there so… we grabbed her and legged it. And… that’s when we discovered that we can keep others hidden as well. MARTIN: Hm. MELANIE: Not completely, and, and, not for long, but… it’s enough to get them here to the tunnels.
So they wouldn’t be able to protect the other survivors on the outside, and Annabelle just destroyed the camera (which could have been an alternative way to protect them for a while). Going with that plan would mean evacuating them and them consenting to it, and… would they agree? On the one hand, they could firmly oppose that plan (nobody would want to be put back in the domains’ hells); on the other hand, they might agree if it seems like Melanie&Georgie believe that this option has a chance to succeed (and out of belief that this is the way to achieve Melanie’s “premonition” of the apocalypse stopping)… and at the same time, Melanie&Georgie would probably refuse because of that, since it would be abusing the survivors’ trust and security over such a big lie, when they have no way to know if it would work.
* … Igniting a gas main through a lighter of all things means that the person taking care of the ignition is absolutely sure to be engulfed into the explosion, since it requires the flame to get into contact with the gas – unless they still have some materials from the Gertrude era or from the Exploding The Unknowing plans back from season 3 down in the tunnel, like a fuse?
Jon had pointed out that he should be able to harm Jonah:
(MAG193) ARCHIVIST: You were right. MARTIN: About what? ARCHIVIST: His body is vulnerable. A–at least to me. MARTIN: … What’s the catch? ARCHIVIST: I could kill his body, sever the link, break The Eye’s power, and… Jonah Magnus would die. MARTIN: Okay, that sounds good but…? ARCHIVIST: But… that wouldn’t actually harm The Eye itself. And with him gone it would… it would choose a suitable replacement. MARTIN: Oh. ARCHIVIST: If we kill Jonah Magnus… I take his place.
Which means it would probably be his role to severe the link between Jonah and Beholding, which means someone else would have to take care of the ignition… aaaaaaaand we have a certain someone who already proved himself regarding fire, and who recently stated that he actually had a fear of it.
(MAG117) MARTIN: This way I finally get to do something. It’s gonna hurt but… I’m ready. And I want to. Also, I get to burn some stuff, so that’s cool!
(MAG118) [CLICK–] MARTIN: [EXHALE] Are you listening? [DEEP INHALE] … Good. [PAPER RUSTLE] Case, uh… 0071304. Statement of… Ivo Lensik. [EXHALE] [LIGHTER FLICKED OPEN] All right…! [LIGHTER BEING TURNED ON] [SMALL GASP] [SOUND OF PAPER BURNING] [DEEP EXHALE] [PAPER RUSTLE] “Statement ends”, I guess…! Hum… [PAPER RUSTLE] “Harold Silvana”! Number 0020406. Will probably do! [PAPER RUSTLE] [LIGHTER BEING TURNED ON] [SOUND OF PAPER BURNING] All right, then! 0140207, Dylan Anderson. [PAPER RUSTLE] Yeah? … Okay~ [LIGHTER BEING TURNED ON] [EXHALE] There’s plenty more on the pile~ [SOUND OF PAPER BURNING]
(MAG169) MARTIN: Will the fire feel hot to me? ARCHIVIST: Yes. MARTIN: Will it cause me lots of pain, if I touch it? ARCHIVIST: Yes, though not as much as– MARTIN: [SHAKILY BUT STRONG] Will it burn me alive, and kill me dead? ARCHIVIST: … No. It can’t do us any permanent harm; once we’re out, we’ll be fine. MARTIN: You are aware that intense pain can do you loads of harm, even if there’s no any physical injury! […] I know! I know, okay, I just… [SOMETHING SHATTERS] Look, I j–, I just don’t want to get burned, all right? It’s, it’s like my least favourite pain ever. ARCHIVIST: Is that… a joke? MARTIN: No, no! Okay? I… I legitimately hate burns, all right, they’re–they’re awful, and they scar horribly, and they just, it– It–it just makes me sick, I–I hate it. Hate it!
… It screams “Martin igniting the gas main” a bit ;; (I wonder if he will confirm whether or not Jon had lent the lighter to him in MAG118, or if that one was another, more mundane lighter?)
* Additionally: being at the top of the tower cutting the link between Jonah and Beholding precisely when the (under)ground level of that same building is being exploded with the goal of destroying the Panopticon/the Archives (since both words were used)… doesn’t bode well for whoever is at the top of that tower when it happens.
- Overall, I’m curious about what Jon and the others will do, concretely right now and after taking a decision, but I’m also not expecting them to follow Annabelle’s plan and presented binary at all.
Regarding what will happen immediately after the end of this episode: as much as Georgie’s last words (when she sent Jon&Martin on their way in MAG192) might have worked as a last appearance, Melanie’s (when she invited Jon to think about where Martin could have gone in MAG194) would be more surprising. Although there are only three episodes left, holy heck, I’m expecting Basira&Jon&Martin to regroup with Melanie&Georgie&the survivors in the tunnels to discuss what they’ve learned and their options? It will feel a bit weird to go back immediately to the tunnels but, at the same time, the framing device granted by the tapes has just been pointed out again – if the tape recorders don’t feel like the journey back to the tower (even with Jon pouring out a domain statement) is worth their while, if Jon&Basira&Martin don’t talk at all during that journey or don’t say anything that they find relevant, then they won’t get recorded at all until they’re back and ready to talk about things. (There is still a tiny possibility that they do talk on the way back and that Jon gives a statement… but since there are only three episodes left, I think we would all collectively lose it if one of them was used up for a domain statement.)
I’m curious about their individual stance on the whole thing. Jon was quick to point out that it would likely mean a rinse and repeat in another world of what they experienced – the Fears lurking at the border until they would be invoked in their fullest, dooming that world (these other worlds?) in turn. But on a personal level… they all know the amount of misery the Fears were able to cause even before the apocalypse: Jon was traumatised as a kid; Sasha’s whole life and existence were stolen; Tim had lost his brother because of the Fears; Georgie had lost her precious friend Alex because of them; Melanie had to gouge her eyes out to escape Beholding; Martin almost got swallowed entirely by The Lonely; and even the survivors: they were trapped in the domains, they know how bad it was, they know what inflicting the Fears on others would mean… but it would also be understandable for all of them to want to survive and save their own world. But what about the weight of responsibility? All of them in this world were subjected to the apocalypse by the decision of one person, Jonah (and the support he received from The Web), who manipulated Jon into opening the door: now redirecting the Fears on other people would mean making an active choice, being responsible for their misery. But what about the intrinsic bias in the fact that the people who would be able to make that choice and to act on it are precisely people who are not currently subjected to the domains? Choosing to sacrifice their world and the billions of people suffering for the sake of other worlds would be awful considering they’re not getting tortured alongside them at the moment. It’s all one big complicated trolley problem.
Thematically, I have trouble picturing them following Annabelle’s plan: Jon immediately refused, they have no guarantee that it would work exactly as she announced (and that there aren’t a few more caveats), and it would mean validating The Web’s plan, what it had worked on for so long, and which was based on the same reasoning as Jonah – the idea that someone would irremediably cause the apocalypse, and that it was better to stay in control of when and how it would happen to prepare its own escape rather than to try to prevent it. But at the same time, it might be a bit too hopeful to think that the group and the survivors would find and manoeuvre around a third way that would indeed nerf the Fears? ;; Technically, Annabelle’s instructions contained new information that could still be useful:
* The Fears are currently anchored through (at least) three elements: Beholding’s pupil (currently Jonah); the Panostitute/the Archives, vulnerable through Smirke’s tunnels; and the tapes, containing records of Fears. Annabelle didn’t mention Jon at all as a lynchpin, which is quite surprising given how the whole world had been able to identify him as someone special (as Simon had put it, “You might be the closest thing the universe has ever had to an important person”).
* The blob of Fears contains its own contradictions: some part of it wants to survive and is able to scheme for that survival (The Web), some part of it craves its own annihilation (The End) – technically, it inherently contains its own potential death.
(- I’m not sure what to expect about the survivors, whether they’ll be down with any plan or vehemently oppose or sabotage some of it. I know that personally, I would prefer them to just be… people who’ve been hurt, who are not nefarious, and who might even be able to provide out-of-the-box ideas? I fear that if they were the ones to “ruin” any plan, it would be an easy way to absolve our main characters of having made the final mistakes dooming everything, by redirecting the blame on random people, and give the idea that Humanity Sucks Actually, so it’s really not something that appeals to me.
I wonder if Rosie might join them in the tunnels? She would be another of the collaterals if the Panopticon were to get destroyed, since she’s trapped in that one…)
- I am really curious about how characters will now behave with the tape recorders, and whether we have learned everything there is to know about them. I’m onboard with the idea that The Web needed fragments of Fears woven onto the tapes, and had worked for the tapes to get created in the first place, but I’m still having some interrogations regarding what Annabelle said and how she acted around them.
* Characters had mentioned multiple times that something was “listening” through the tape recorders, or that they felt “watched” when it was on. However, Annabelle demonstrated that she doesn’t have an immediate knowledge of things as they were getting recorded:
(MAG197) MARTIN: And… Wait, ha–, no, uh… Is that… Basira? He–he’s got Basira with him! ANNABELLE: Yes. I did wonder if that would be the case. Interesting. And unfortunate for me. That’s two heads we’ll need to keep cool. My odds aren’t looking good.
If that knowledge had been instantaneous, Annabelle would have known for a while now that Basira was with Jon, since he picked her up in the lake in MAG195, on tape. Annabelle had taunted Martin about what was listening at the end of MAG196 but never clearly answered about that – her plan relies on the Fears hearing the voices and following… but are they the thing that had been listening through the tape recorders since the beginning? Could be that The Web itself is listening though the tape recorders? If so, that would also mean that Annabelle is not directly connected to it.
* The thing about the lighter having allowed The Web and the tapes to follow Jon… only partially works, technically.
(MAG197) ANNABELLE: A little anchor of our power, so that we, and our tapes, may follow wherever you go.
Season 2’s trailer had announced the tape recorder turning on by themselves, which is something we first witnessed in MAG080: the official transcript had two [CLICK] at the beginning of the episode (Jon taking Leitner’s statement); at some point, Jon, shaken, left the office to have a smoke (possibly compelled by the lighter), leaving Leitner alone; there was another [CLICK] when Elias entered the room and the “texture” of the tape spooling changed; Elias murdered Leitner, left the office; Jon came back and discovered the body and the recording stopped. What might have happened is that Jon was recording the event, but that another recorder had been sneakily double-recording everything by itself; when Elias entered the office, he turned off one of the recorders, unaware that there was another still running and catching everything on tape. Said tape was still in the Institute afterwards – Melanie retrieved it from Elias’s desk in MAG118, and it was the piece of evidence that forced Section 31 to arrest Elias in MAG120 (since the Inspector pointed out that it contains the recording of a murder – if it had been Gertrude’s, the secret of Elias-being-Jonah would have been known at that point).
It is true that the tapes had turned on and off around Jon after that point during season 3… but they did the same at the Institute when Jon was away, including when he was in America. In fact, the first times the tapes had begun acting up were around the Assistants (Tim didn’t want to get recorded in MAG082, and he&Daisy commented that it had turned back on; and it turned back on again at the end of the episode when Martin&Tim were discussing); by MAG114, Jon even thought that Tim was navigating through the tunnels because he wanted to avoid the tape recorders in the Archives. Chronologically, there are even a few cases where tape recorders might have been acting up pre-Jon: it’s unclear whether Gerry had accidentally turned it on in MAG162, and the recording of Gertrude’s murder in MAG158 had started when she was already busy pouring gasoline around.
I could accept that at that point, The Web had basically made its nest in the Archives (since Gertrude had her own connections with The Web through Hill Top Road and Emma had been working there for a while), but the point remains that the lighter had not been the (only?) thing allowing the tape recorders to act up. Actually, it’s even surprising that Annabelle kept talking about the “tapes” but not the “tape recorders”, and that neither she nor Jon ever clearly stated that it was The Web controlling or listening through the tape recorders themselves:
(MAG196) MARTIN: Wait… Wait. The tapes… ANNABELLE: A fine material to spin a web with, don’t you think? MARTIN: What? All this time, through all of this… it, it was just you spying on us? ANNABELLE: Oh, Martin! You have no idea who’s listening, do you?
(MAG197) BASIRA: … So. The tapes. They’re from The Web, then? ARCHIVIST: Looks like it. BASIRA: Were they always? Right from the start? ARCHIVIST: As far as I can tell. I–it’s hard to s–… If I look too closely at them, my own voice, things get… recursive. Hard to follow. BASIRA: I always assumed they were with The Eye. The whole “watching, listening, waiting” thing, you know? ARCHIVIST: No… They were always using them to spin their own web. Out of my words. […] MARTIN: I’d hardly call this silence. ANNABELLE: I’d stop them if I could…! […] We found the one we believed most likely to bring about their manifestation. We marked him young, guided his path as best we could. And then, we took his voice. ARCHIVIST: No… ANNABELLE: His, and those he walked with. We inscribed them on shining strands of word and meaning, and used them to weave a web which cast itself out through the gate and beyond our universe. So that when the Fears heard that voice, and came in their terrible glory, they might then travel out along it. [TAPE SQUEALS] Or be dragged. BASIRA: Is she talking about the tapes? ARCHIVIST: Yes.
So: was it always The Web controlling the recorders, is it still The Web? Or did something else happen, either from the start, either growing over the power that was being stored, and which led to the tape recorders also catching mundane conversations in the Archives…?
Regardless: characters might now associate tapes with The Web spying on them, which means that we could get a few more games of whack-a-tape-recorder or characters deliberately refraining from pouring their hearts out when they’re in the vicinity, or being unreliable on tape on purpose.
Only 3 episodes to go ;_; In previous seasons, at this point: Jon had just interrogated Martin about the lighter delivery (ha.), Jon had listened to Gertrude’s tape about the Not!Them, the Archive team had recorded their testaments and Jon had burned Gerry’s page with a lighter (ha.), Jon had read Adelard’s last statement to Gertrude explaining his incoming death and was panicking over Peter&Martin’s plan being set into motion, leading to Georgie&Melanie refusing to help and Helen gloating about it.
MAG198’s title is the WORST and doesn’t inspire me anything else than: shit going down soon TTwwTT
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space-------kid · 4 years
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hi there!! I really love your genya fics they make my heart feel so full 😭 i was just wondering if you could write kimetsu academy genya w the reader going supporting his shooting competitions + dragging sanemi along to prove that genya has incredible skill 💗 tysmm
Thank you so much!!! 😭💕💕💕
I’m sorry this took a while (this request is so cute OMG OMG OMG), but I hope you enjoy this! 💕💕💕 
Also, thanks to everyone who submitted a request! I hope I managed to put a smile on your faces with my writing! Thank you so much!  💕💕💕💕 💕 💕💕
༻﹡﹡﹡﹡﹡﹡﹡༺
𝓱𝓮 𝓭𝓲𝓭 𝓬𝓸𝓶𝓮 𝓪𝓻𝓸𝓾𝓷𝓭, 𝓼𝓮𝓮 𝒮𝒽𝒾𝓃𝒶𝓏𝓊𝑔𝒶𝓌𝒶 𝒢𝑒𝓃𝓎𝒶 𝓍 𝑅𝑒𝒶𝒹𝑒𝓇
༻﹡﹡﹡﹡﹡﹡﹡༺
               “The shooting competition’s gonna be next week, isn’t it?”
               Genya tears his gaze off the target to look at [Name]. She sits on the audience stands, elbows resting on her knees and her palms cupping her chin. The way she glows with admiration while she watches him during morning practice sends Genya’s heart aflutter, and he’s filled with the need to impress her even more. Shyly, he gives her a confirmatory nod and turns to face the target again.
               “Yeah,” he tells her as he lines up another shot. He pulls the trigger and the crack of the gunshot reverberates in the training area. He hears [Name]’s delighted gasp, clapping her hands while Genya smiles with pride upon seeing that he hits the bull’s eye a third time.
               “I’ll make another banner and little flags for you, then!” [Name] exclaims, hopping off the bench and making her way to him. She picks up his towel and offers to wipe the sweat off Genya’s forehead with another of her lovely, bright smiles. He leans down so she can reach his face.
               “You really shouldn’t bother, you know…” he tells her quietly, face red from the proximity and how gently she dabs at his forehead with the towel. “And besides, nii-chan won’t even come to watch like the usual… Remember what happened last time when the school gave me an award?”
               [Name]’s expression falls at the memory. Genya has been so shaken that day, humiliation and pain fighting for dominance on his face when Shinazugawa-sensei ripped the certificate and told the former that he ought to focus on his studies – especially Maths – instead.
               It hurt her, how Shinazugawa-sensei doesn’t even seem to care about his own brother. She remembers how full of confidence Genya has been during practices and the competition itself, and how he even forgot his shyness when he gave her a hug after being crowned the champion for all three clay shooting categories. He isn’t the type to brag, but [Name] recalls how Genya – lavender eyes shining with pride – wondered how proud Sanemi-san might be of his achievements.
               It all crumbles during that day Kimetsu Academy organized an event to award certain students for their achievements in different competitions.
               Genya’s sympathizers may have increased and showed their support openly since that day, but [Name] knows that only Shinazugawa-sensei’s matters the most to him.
               “Don’t worry, Genya-kun,” she consoles him with a reassuring smile, a plan already hatching in her mind. “I’m sure your nii-chan will come around.”
--
               “Oi, [Surname].”
               “Yes, Shinazugawa-sensei?”
               The white-haired Maths teacher gives [Name] an appraising look as she stands by the doorway of the staff room, hands folded in front of her and her [colour] eyes gleaming with a mixture of worry and curiosity at being summoned. She hopes she hasn’t done anything to earn his ire – not when she’s working hard with her plans to convince the older Shinazugawa brother to come to Genya’s shooting competition next week.
               “You’re the Public Speech Club’s ace, aren’t you?” Shinazugawa-sensei asks her, folding his arms over his chest while he leans against the doorway.
               “Um, y-yes…?” [Name] replies hesitantly, still unused to the sudden attention she’s been showered with lately. She has been one of the students who are awarded alongside Genya by the school upon snagging the gold medal Kimetsu Academy’s Public Speech Club has long coveted in the interschool public speaking competitions. Rengoku-sensei is assigned to oversee the club’s participation in competitions, and she wonders why Shinazugawa-sensei summoned her for it.
               “Rengoku’s on a sick leave and he asked me to take over your practices until he returns,” Shinazugawa-sensei tells her, frowning at her diffident response. “I want you to transcribe and give me a hard copy of your speech in your previous competition.”
               “Yes, sensei!” [Name] replies, inwardly thankful that Genya has taken a video of her performance when he came to watch and support her like she does with him. She will just have to ask him to send her a copy of the video.
               Speaking of Genya—
               “Um, Shinazugawa-sensei?”
               “Yeah?”
               [Name] fidgets, looking down in embarrassment to avoid her teacher’s piercing gaze. Genya has told her that his nii-chan already knows about their mutual feelings for each other, and despite not being an official couple yet, she suddenly feels shy about asking Shinazugawa-sensei to come and watch Genya’s competition in the upcoming week.
               “Spit it out already, [Surname],” the Maths teacher tells her but not – surprisingly – unkindly. [Name] meets his gaze and sees the impassivity on the usually ticked off older Shinazugawa brother.
               “I-I…!” she blurts out, now standing at attention. Her cheeks turn red at the amused look her future older brother teacher is giving her.
               (Out of all his students, Shinazugawa-sensei seems to be tolerant and kind enough towards [Name]. No one knows that the reason for this is that he sees how supportive, kind, and patient she is towards his brother – but of course he won’t tell anyone that.)
               “Sensei, Genya’s shooting competition will be held Thursday next week,” [Name] says, her expression seeming to say it’s now or never. “Do you want to come and watch–“
               Shinazugawa-sensei rolls his eyes at her and turns away dismissively. “You should be worrying about your own upcoming competition, brat. You’re dismissed.”
               “But sensei–!”
               He looks at her, eyes narrowed with an expression she can’t name. “Drop it, [Surname]. And tell that moron to quit already. He barely even passed last time’s quiz.”
               Worry fills [Name]’s entire being. It’s her first time asking, and she’s already been shot down! What will she tell Genya?
               She turns around and leaves, hands clenched at her sides. [Name] can’t believe herself – why does she think that way? The first is not the only opportunity given to her to ask. There’s still a second, a third! If she wants to see Genya happy and for Shinazugawa-sensei to witness how skilled the former is, then why is she being disheartened at being shot down?
               Heart set with fiery determination, she turns to the direction of the staff room and pumped her fists. “Telling me to drop it won’t do, Shinazugawa-sensei! I’ll ask you a hundred – no, a thousand times if I have to! I’ll do anything to prove to you that Genya is outstanding at what he does! Just you wait–“
               “No shouting in the hallways,” comes a cold voice from behind [Name], her face turning pale at the sight of the Chemistry teacher glaring at her.
               “I’m sorry, Iguro-sensei!” she yells and bows at him, sprinting off out of sight.
--
               The week-long saga of convincing Sanemi to attend Genya’s shooting competition ends with a shouting match between [Name] and the teacher during one of her practices for the public speaking competition. The topic given to her is familial bonds, and [Name] seamlessly and shamelessly slides in Genya – though anonymously – every three sentences, sometimes subtly or even openly telling her teacher to show his younger brother support by watching the competition.
               Monday comes, and the practice devolves yet again into another heated argument between teacher and student.
               “I told you to drop it already, didn’t I?” Sanemi bellows at her, finally losing the patience he reserves for her.
               “I don’t want to!” [Name] yells back, face flushed with frustration. She is alone in one of the classrooms with the teacher – she wouldn’t be yelling at him like what she is doing now if they weren’t. “And why are you being so difficult about it, sensei? Would it kill you to watch even just one event? Why are you being so stubborn?”
               “You’re the one to talk! I don’t give a shit about Genya’s fucking obsession with guns and joining shooting competitions!” the older Shinazugawa brother rages on. “Not when he’s close to failing my subject because he’s stupid!”
               “Don’t say that you don’t give a shit, sensei! And don’t call him stupid – not when he’s trying so hard to be good at something he isn’t!”
               Sanemi stops from spewing another heated comment when [Name] begins rubbing an arm over her eyes to stop the aggravated tears from flowing down her cheeks. His arms drop uselessly to his sides, suddenly feeling so clueless at the sight of the crying girl in front of him. Genya has good friends, that much he knows (he still hasn’t forgiven that Kamado boy from frowning disapprovingly at him when he rudely commented on Genya’s quiz results). He knows as well that something is up between his younger brother and [Name], but to actually see her crying in Genya’s defence lifts the heavy fog of neglect in the teacher’s heart.
               “You’re always telling Genya-kun to quit, and you look like you don’t even care when he looks hurt by your words! Why do you keep doing that to him? B-Because… Because he’s bad at the subject you’re teaching? Because he’s not as good as Maths as you? Sensei–“
               Sanemi knows what his constant discouragement is doing to Genya. As much as his heart clenches at the look of hurt on his little brother’s face, the older between the two has to do it for Genya’s sake. He’s doing it because he truly believes that the reason why Genya keeps on nearly flunking the subject is because the latter focuses his attention too much to his club activities. Sanemi is harsh because he genuinely wants for Genya to focus on his studies so he graduates with good grades. With good grades, Sanemi knows that the big universities in the city would send invites for his brother to enroll – and soon enough Genya’s future would be as bright as Sanemi has always dreamed of it to be. But to hear from [Name] herself that his little brother is trying hard to be good at Maths despite not being gifted like Sanemi…
               He knows that [Name] is always at the shooting range with Genya during the latter’s morning practices. He even sees the two hanging out with Genya’s friends in the library, the group patiently helping each other with subjects they find difficult.
               Sanemi smiles and softly places a hand on top of [Name]’s head, prompting her to stop crying.
               “You’re a good kid, you know that, [Name]?” he quietly tells her, gently stroking her [colour] hair. “Now I know why Genya’s so smitten with you.”
               The red on her face deepens, and [Name] hides it with her hands with an embarrassed squeal.
               “Sensei!”
--
               The day of the shooting competition finally comes, and Genya’s heart sinks when he doesn’t see [Name] among the audience.
               He knows that she also has an upcoming competition, and he’s even surprised to learn from her that his nii-chan becomes her temporary coach in the absence of Rengoku-sensei. Anxiety slowly creeps in his chest, dread weighing him down where he stands.
               What if… what if nii-chan has stopped her from coming to watch and made her practice today instead?
               A purple banner saying “KIMETSU ACADEMY’S UNBEATABLE ACE! GO GENYA!” pops out from the stands and Genya’s doubt leaves him as soon as they came when he spots his friends (aptly named the Kamaboko Squad because of Inosuke’s penchant of getting people’s names wrong) waving at him in support. Aside from the banner, they wield flaglets depicting his shotgun and his name. Smiling, he lifts a hand to wave at them but freezes when Inosuke puts the banner down to reveal–
               “N-No way…” Genya mutters in utter disbelief, eyes widening and filling with tears.
               Sitting side by side are [Name] and Sanemi, the former holding onto the latter’s arm and excitedly pointing to where Genya is. A huge smile splits [Name]’s face as she waves cheerfully at him. Sanemi, on the other hand, looks like he’s trying not to look too annoyed or bored with the proceedings. He faintly hears her shouts amidst the crowd’s din, his heart leaping up in his throat at her words.
               “GENYA-KUUUN! LOOK WHO I MANAGED TO DRAG HEEEEEERE! YOU BETTER SHOW SENSEI YOUR TOP-NOTCH SHOOTING SKIIIIIIILLS!”
               Genya is reduced to an embarrassed, blushing mess as he follows the other competitors in the first shooting location for the first event, all the while thinking of ways on how to express his gratitude to [Name] for managing to do the unthinkable.
--
               Skeet shooting, the last of the three clay shooting categories, comes to an end with Genya remaining at the top of the leaderboard.
               To say that Sanemi is astounded by his little brother’s shooting skills is an understatement.
               Judging from the categories of the shooting competition, Sanemi is quick to deduce that a competitor is required to have quick reflexes and flash judgement, not to mention a sharp eye, accuracy, and precision. The way his little brother handled all three categories with ease proves that Genya possesses such skills, and maybe even more.
               Despite his distance from the audience stands, Sanemi can perfectly see Genya’s posture and the way he holds himself. When holding a shotgun, Genya seems to transform into an entirely different person. He is so steady, not even a hint of trembling nor exhaustion evident regardless of how long he has been holding the shotgun up and constantly aiming at a clay target flying at approximately 30 seconds per meter. While there have been contestants who merely grazed their targets, the ones Genya shoots always end up shattering mid-air.
               His little brother doesn’t half-ass these competitions, doesn’t he?
               In his mind’s eye, Sanemi can clearly see Genya raking gold medals and trophies for Japan in international competitions.
               He trails behind Genya’s friends when they swarm his little brother right after the awarding ceremony. As expected, the younger Shinazugawa brother is sporting gold medals for each event. Sanemi blinks and looks down at [Name] when she tugs at his sleeve, her face glowing with pride as she gazes up at him.
               “Well, sensei?” she asks him, and Sanemi fights the urge to roll his eyes at the smugness in her voice. He settles for poking her cheek and shooting her a proud grin.
               “N-Nii-chan…?”
               The two look at Genya with varying degrees of pride on their faces. Sanemi places a hand on his brother’s shoulder, now openly showing the latter his brotherly love and support.
               “Well done, Genya,” he simply tells the younger Shinazugawa before resuming his task of poking [Name]’s cheek. “And tell this idiot that she can call me nii-chan outside of school from now on.”
               The (still not official!) couple’s faces explode into a brilliant shade of red at the blatant implication of Sanemi’s words.
               “NII-CHAN!”
               “SENSEI!”
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