The brothers, Day's anger, and Night & Mork
Disclaimer: not a native Thai speaker, still learning 🙏
This is in part inspired (brainrot-induced? brainrot-fuelled?) by @chalkrevelations's post about the brothers and Day's behavior (go read it first if you're reading this!!) and in part just my usual language rambles observations.
Let's establish a few facts first
(all pronouns presented as A/B are to be understood as I/you)
Night is older than Day - by enough that he's older even than Mork! (Mork and Porjai both call Night พี่ /phi/ while referring to Day as น้อง /nong/)
The brothers use กู/มึง /guu, mueng/ with each other, despite their age gap. These are informal pronouns that are actually pretty rude outside of using them with people you're close to because they're overly familiar
-> for reference, Day, Gee and August all use these with each other, and Mork and Porjai use them with each other
Between ep. 1 and 2, Night and Mork go from the polite formal ผม/คุณ /pom, khun/ in both directions to Night using กู/มึง /guu, mueng/ and Mork using ผม/พี่ /pom, phi/ - they're friendly with each other!
-> for reference, that's the exact same as you hear P'Aof and JimmySea using in the bts- P'Aof uses กู/มึง /guu, mueng/ while Jimmy and Sea use ผม/พี่ /pom, phi/ with him
Same as I've said that Mork and Day's way of speaking is getting sweeter, Day and Night are. uh. kind of the opposite. But also, they barely talk directly to each other anyway.
So let's look at that fight in the car in ep. 8
Night tries to engage Day and an awkwardly-caught-in-the-middle Mork takes up the speaking instead. When Day opts to use Mork as a middleman (just one of many instances of both brothers not speaking directly with each other), Night keeps on trying to engage him to no success. And then he just kinda- 🥴
ส่วนห้องน้ำคนพิการอยู่ทางขวา /suan haawng naam khohn phi gaan yuu thaang khwaa/
-> คนพิการ /khohn phi gaan/ = disabled/handicapped person (don't let the /phi/ in the romanization fool you, it has nothing to do with the pronoun พี่ /phi/)
I wonder since when they've been this distant because Night here isn't looking at Day like he's a person, he's almost looking at Day only through the lens of 'person I need to take care of' - because of the responsibility their mom has put upon him and because he's the older brother - anyone who's the eldest child among siblings and feels seen please raise your hand 🙋♀️
Night means well, he cares about his brother - but he's also ignorant and a bit of a klutz with his words. It's being singled out as disabled and the implication of needing special treatment in everything that tick Day off enough to speak directly to Night and start getting rude:
The word here is เหี้ย /hiia/ and it won't be the last time or the only curse word he uses.
Night is saying all the wrong things of course, while Mork is sitting in the back having to witness it all (and maybe being reminded of fights he's had with his own sister).
มึงรู้ปะ ตอนนี้กูเห็นเหี้ยไร /mueng ruu bpa, dtaawn nee guu hen hiia rai/ = You know what the fuck I see right now?
กูไม่เห็นเหี้ยไรสักอย่างไง /guu mai hen hiia rai sak yaang ngai/ = I don't see a fucking thing!
แล้วทุกอย่างแม่งก็หนักขึ้นเรื่อย ๆ /laaeo tuk yaang maaeng gaaw nak khuen reuuay reuuay/ = And it's all damn getting worse.
แล้วเพราะกูรู้ว่าแม่งแค่ฝันเนี่ยะ /laaeo phraw guu ruu waa maaeng khaae fan nia/ = And because I know it's just a damn dream,
แม่งยิ่งเหี้ย /maaeng ying hiia/ = that's even more fucking shit.
Oof. Calm down, kiddo, this is your brother ;;
Day speaks with bitterness and resentment and viciousness. I don't think this started when Day started losing his sight but long before that, the way Day talks to and about his brother:
The only one who's looking out for Night is Mork
We actually get a lot of reaction shots of Mork silently watching and trying to parse the family dynamics, reaction shots of Night looking melancholic because of or happy for his brother, and sometimes it even looks like Night and Mork make sympathetic eye contact via reaction shots:
Night defends Mork several times in front of their mother and later tells Mork that they're grateful to him for making Day happier! And Mork does the same, he mentions Night to Day positively. Day doesn't realize it, for some reason, but Mork and Night talk to each other. And they see how Day interacts with the other one.
So it didn't surprise me at all to find out that Mork had gone behind Day's back yet again, after the brothers had that huge fight in the car. Of course Night knows where they are and that Day is safe. Of course Night knows. Night is constantly making sure that Day is okay without actually showing his involvement - he is just as invisible as Day and Mork were in parts of the story.
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i drew this maid dress ianthe as a gift for a friend and honestly i had SO much fun its insane
this got away from me (read: i was gonna do a bust doodle and this ended up being a rendered full-body illustration) but fuck, i think this is one of the best pieces ive done in a long time
[ID: A digital illustration of Ianthe Tridentarius from The Unwanted Guest short story. Her expression is mischievous, with her right eye closed in a wink. She is wearing a maid dress, with a deep V-cut and short puffed sleeves. The collar, the white belt, and the bottom of the skirt have lace on them. She is sitting with her legs folded under her, with her skeletal hand pulling back the slit in the skirt. Her other hand is pulled up to her face, making a "shh" motion. The inner lines are coloured, with added violet rim lighting.
The background is a dark purple, with a black fade towards the bottom. Above and to the left of her head the background is light purple, giving an appearance of a halo. The signature "allie-the-ally" with a small rose is written above her legs.
The second image is a close-up of her face. End ID]
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In an ideal world, DJenks could build on Lucius’s poly ideas in “we don’t own each other.” and Stede and Izzy’s (super limited) abilities to compromise with each other (via hostages) and they could both be with Ed and everyone in the love triangle is happy, but that seems super delusional at this point, even if it’d be so cool. So, what do you think a realistic happy ending for Izzy would look like?
I think I pulled up a link I wanted to include to answer this like a day or two after it was sent, and then I promptly got distracted and didn't actually type anything. Oops.
Anyway... happy endings.
So here's a post where I kinda speculated on this before that's worth reading. It brings up some tropes that I think are in the mix of possibilities and how I personally feel about them.
For an answer to your question... The way I kind of see the "compromise" situation coming out of S1 is that all the characters are falling on a sliding scale between two not-ideal extremes of piracy philosophy. One end has Izzy firmly planted as the extreme of Edward's default approach - iron fist, emotionally closed off, total focus on skill and discipline, ruling things through a balance of fear and awe that makes them really good at piracy but emotionally and interpersonally a disaster. The other end is probably Lucius as the extreme of Stede's approach - all focus on interpersonal relationships and emotional fulfillment, wanting to have fun and do no work, flaunting hierarchy, and generally failing piracy in favor of self expression.
(Note it's important that Edward and Stede can't truly hit their extremes - Edward is too seeking of attachment and frivolity even as he bristles at vulnerability, and Stede is too emotionally locked up like a clam to practice what he preaches and now has no money to fund a permanent enforced vacation. They don't really want what they perceive as their culture goal, which is good because both their goals kind of suck in different ways. The Kraken is doomed to collapse because it's further out than Izzy.)
The whole crew, Izzy included, needs to make their way toward the midpoint (which, given this is a romcom, is probably not a true middle but skewed a bit toward Stede and silly hijinks) in order to be successful AND emotionally fulfilled. And I think they can do it!
Like Stede's whole vacation boat and enforcing his own unskilled, atypical piracy in the early eps has already caused friction with his crew. They want to be badasses, face challenges, complete raids, etc. The fact they've grown to like him doesn't mean they've decided Stede's hobbies are better than theirs now, it just means they are more open to doing something silly with him and enjoying it than they were in 1x01. I don't think the show is going to end with "retirement" because I don't think any of the characters really want to retire (including bored-as-hell Edward). And if they are still being pirates - in fact, trying to be good pirates - then it's not unrealistic to think Izzy can chill out a bit via character development and get in on the fun.
This is a guy who met Stede and sliced his shirt up as a hello, and then did literally everything he did in 1x06. He's not an inherent buzzkill of a person lol. He's just stressed.
Izzy and Edward working out their shit is probably going to be a extended part of Edward's general character arc, but once they get through that I feel like Izzy's happy ending will be just moving from lurking on the stairs to being in the circle. Give the man a friend, a knife game, probably a boyfriend for the middle aged love parallels... and throw in a real, much scarier antagonist for S3 just to cement him on the Revenge side (*crossing fingers* please be Hornigold).
He'll do just fine.
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