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#song: don’t you want me
cryscendo · 10 months
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kurt hummel in every performance
2x14 - Blame It on the Alcohol
Don’t You Want Me - Rachel Berry and Blaine Anderson
“Okay, I think we’ve had enough of that!”
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midnightsslut · 25 days
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also what I find to be funny about the whole ‘let people have their wedding song!!’ discourse is that these same people will get mad at you for analyzing taylor’s songs within the context of her life. if you care so much about death of the author, why are you so bothered by taylor reevaluating the story of her own life? that shouldn’t change these songs for you if you never cared about their inspiration in the first place.
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jojo-schmo · 7 months
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Metadede Week Day 2: “First Meeting”
I thought working together would be a one-time occurrence
But here we are years later still dancing around each other
Repeating some of the same motions
But their meaning has changed
Song: “Infinity Repeating” by Daft Punk
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lavaflowe · 1 year
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drakaripykiros130ac · 2 months
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Does anyone else have a hard time taking Baela and Rhaena seriously on that show?
They have no personalities, they barely speak and are overall insignificant. They just stand there.
Wasn’t Baela supposed to have short cropped hair? Wasn’t she supposed to wear pants and act all boyish?
Why is she wearing dresses, acting all proper and her hair is all long? Is there some kind of rule that black women on screen can’t be boyish? Am I missing something?
Instead of catering to “political correctness” and “imposed diversity”, they could have made the effort to actually give them the personalities they were so clearly described to have in the book!
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thefiresofpompeii · 28 days
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i hope ruby gets a well-that’s-alright-then-style notdeath. on the one hand it will make haters mad because oh no not another companion with an impermanent end (and i like to see haters mad) on the other it would require creativity to depict this in a new way + i love all the implications i love the dark fairytale quality of these companion exits i love my un-undead schrodinger’s women
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with the way the legend of ruby sunday is titled… legends aren’t usually told about living people. legends are stories of the bygone past, of an age long since over, fictionalised and overgrown with folklore like barnacles sticking to an abandoned shell. there is such a thing as a living legend, but they’re exceedingly rare. the unmistakeable raven’s call in the 73 yards teaser, the trailer’s cut to fifteen crying alone after promising to cherry he’d protect her daughter… the foreshadowing is clear as day…
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and yet. there’s one massive HOWEVER. ruby appears in s15: millie’s been spotted on set filming it. which leads me to believe — the doctor isn’t one to take the time travel route and revisit companions that in his future are genuinely dead. that would hurt too much, it would cause unnecessary trauma and could break the timeline. that must mean ruby stays alive in some way. ish. she’s alive and a legend and a mystery. girl-ballad girl-song girl-paradox
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here she is, fading out.
p.s.: thesis statement on moffatgirls from the tags i left on somebody else’s post about charley pollard.. well it belongs here since it’s basically the semiotic hurricane swirling around ruby at the moment :)
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#on a personal level what interests me about these characters is precisely what gets them labeled as being subject to#misogynistic writing by pop-feminist video-essayists. as an autistic girl* (*ish) however; i find female characters that#aren’t quite ‘normal people’; women who represent an idea or concept or are a puzzle to be solved or a manic pixie dream girl to be#more and in a way far more interesting than a girl-next-door-type universally relatable protagonist#they make for more nuanced stories with more symbolism and more layers of interpretation usually. why should there be realism in a#fantastical narrative? similarly i like characters that are haunting the narrative or dead before it began (big locked tomb fan if you#didn’t know) and like. not to be tvtropes but the lost lenore archetype. dead woman who spurs the hero on to recklessness or revenge.#i identify with that dead girl. the laura palmers of the world. set the story in motion without#necessarily having agency. maybe it’s something to do with my#constant background radiation of passive suicidality. in a fun whimsical way :) i would never kill myself but i don’t want to be a real#person. i want to be objectified but not necessarily in a k*nky s*xual way (that too) in a princess in a tower way#the ultimate femme fantasy innit? there’s something about it. hashtag problematic hashtag conforming to gender roles#10000 tags be upon ye#ruby sunday#millie gibson#doctor who#dw#steven moffat#clara oswald#fifteen#fifteenth doctor#twelveclara#amy pond#charley pollard#river song#donna noble#ncuti gatwa#doctor who meta#jamie.txt#haunting
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happyheidi · 2 years
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(via)
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brunosaderogatory · 2 months
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Luca Time Period hints, from earliest to latest:
After 1952: Un Baccio a Mezzanotte (Quartetto Cetra) plays on Tomasso’s gramophone.
After 1953: Posters of Roman Holiday and La Strada are displayed in the background.
After 1954: A poster of 20,000 Leagues Under the Sea is displayed in the background.
(Iffy) After 1957: A poster of the fictional movie Attack of the Sea Monster could be a play on the real movie Attack of the Crab Monsters.
After 1958: Big Deal on Madonna Street plays on a television.
After 1960: Tintarella di Luna (Mina Mazzini) plays on Giulia’s radio.
During/After 1962: Andare al Centro Ora (Gianni Morandi) plays on Ercole’s radio.
(Iffy) During/After 1962: Ercole’s Vespa bears most resemblance to the GS 160, which began production in 1962.
(Iffy) During/Before 1964: The GS 160 stopped production in 1964.
Before 1969: Luca and Giulia watch the moon landing in the end credits.
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forourtomorrows · 11 months
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private discussions
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lesbianfakir · 4 months
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I thought it would be fun to compile all the tutu character themes into one post, especially for anyone who’s not as familiar with the music! I’m almost certainly missing some so please send in suggestions and I’ll add them to the post.
Princess Tutu Character Themes:
Duck:
Tchaikovsky’s nutcracker overture. Fun fact she sings her own theme in the first episode!
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Princess Tutu:
Tchaikovsky’s Waltz of the Flowers
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Fakir:
Beethoven’s Coriolan Overture (mainly when he’s either in a fight or antagonizing mytho or Duck):
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Rimsky-Korsakov’s Scheherazade: the Story of the Kalendar Prince (the main theme of episode 12, which plays as he and Duck search for Mytho. It’s also used in season 2 mainly in reference to his writing).
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Princess Kraehe:
Erik Satie’s Gymnopedie No. 1 (plays most notably when she first transforms into Kraehe in episode 7)
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Mytho:
Tchaikovsky’s Dance of the Sugar Plum Fairy (plays during our very first introduction to mytho! If you see him dancing a solo 99% of the time it’s going to be to this song)
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Richard Wagner’s Siegfried Idyll
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Richard Wagner’s Siegfried’s Funeral March (Raven Mytho’s Theme)
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Drosselmeyer:
Tchaikovsky’s Nutcracker March, often altered to sound more foreboding
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Miss Edel:
Delibes’ Coppelia: Musique des Automates. Notable because it all but spoils that she’s a puppet for those familiar with the plot of Coppelia
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memento-yuumori · 4 months
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This was inspired by @user-needs-new-hyperfixation’s post.
Happy Birthday Sherlock!!!
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cynningly · 5 months
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oh to have your story be told hundreds of times yet still be unable to change it
The Guardian, The Firebrand, The Damsel, The Voyeur; damned to repeat this cycle of torture until they all fall prey to it-
-only to begin it again
“THE GREAT FLOOD SHALL WASH AWAY ALL THE ASH, READYING THE WORLD FOR ANOTHER GREATER, CYCLE”
-HABIT
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oobbbear · 6 months
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Hohoho I just watched the hunchback of notre dame the Disney one hohoho why did they stop making movies like this why
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braisedhoney · 7 months
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some tragic love stories be like: if i could bottle the galaxy, i would pour it into a cup so it would be easier for you to drink. do you want them? do you want the stars? or do they suit you better as adornments for your eyes than glitter on your lips?
but they don’t want the stars. they don’t want the galaxy. but how can they not? is that not enough? (it’s too much, that’s the problem. it’s too much.)
#ney's idle chatter (random textposts)#me trying and failing to capture why hadestown has embodied Love in a way i don’t think i’m really capable of comprehending fr#but also this can be about whatever blorbo you want#when i think about that one line in chant#when hades says ‘brighter than the light of day’#‘look. look at what i can make for you—see?’#meanwhile the last thing persephone wants is to be reminded of this hollow echo of what their love is in her memories#when i think about that scene when eurydice tells orpheus they need to get food#but he’s working on his song and she makes the choice to trust him and go#to work harder and longer and search for things to feed them and trust he’ll bring spring back#THE WAY PERSEPHONE TRIES TO KISS HADES GOODBYE AT THE START WHEN SHE COMES BACK FOR SUMMER#AND HOW IT PARALLELS EURYDICE KISSING ORPHEUS GOODBYE WHEN SHE GOES TO LOOK FOR FOOD#and hades pulls away. because she’s leaving him and he’s terrified. he’s terrified and turns it into anger because otherwise he’s helpless.#and orpheus doesn’t respond when eurydice leaves because he’s working—he’s working and he’s going to give her what he promised.#but she needs his help. she needs his help now—she needs his support and he isn’t there.#thinking about the moment she takes the ticket from hades and#it almost implies she starves. that she dies. that she starves to death trying to find food for them both#i promise you however unhinged i seem about this musical i am being purposefully restrained so i don’t spam you all too much orz#holy SHIT these tags are LONG#even for me this is ridiculous there’s a whole other post down here#high five to you for reading it ig damn#hadestown
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dollsuguru · 2 months
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starting my curator!geto fic officially now! <3
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waveridden · 16 days
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i fundamentally think that it’s funnier when taylor swift haters are informed about the things she’s doing. like there’s making fun of a popular artist which is a time honored tradition, and plenty of legitimate critiques of her as a public figure and the private jet and all that. but then you get people making up fake lyrics when the real ones are much funnier. i know in my heart of hearts that if the right person got a hold of the song evermore which has the lyric “motion capture put me in a bad light” which is undoubtedly a reference to her role in cats 2019 the internet would never be the same
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