for the last time, the mcu had a strong start because it took enough from the comics to make a strramlined story, but without the wacky comic plots and convoluted storytelling. to read comics in depth you need LISTS and CITATIONS and it gets really really overwhelming trying to keep track of anything when you’re not used to it !! translating them into movies was supposed to streamline that experience into one cohesive narrative and THAT’s why it offered a unique take that made audiences engaged
recent mcu is NOT THAT!!! recent mcu IS all over the place, convoluted, and silly in a way that does not translate to the moviegoing experience well!! the mcu is not SUPPOSED to replicate the comic-reading experience so i have no IDEA why anyone would defend the mcu with “has anyone read the comics?!?!” because the mcu is not supposed to be like reading comics!!! that was the whole point !!!
if the mcu is trying to replicate the comics experience now …. Then why make movies at all. just read the comics in the first place then.
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Well someone she worked w could have leaked that taylor has a new album soon
Considering how meticulous Taylor is with the entire process of releasing music, I don’t think it is likely that she would work with anyone who would get in the way of that. With folklore, her label didn’t even know until a week before, which leads me to believe that she keeps things under very tight wraps until everything is done or very close to it. I don’t think a member of her staff would jeopardize their job to leak information and would even be close enough to know about what’s going on behind the scenes. The only people that would know about new music would be those directly involved with making it. I also don’t think another artist who understands the time it takes to make music and prepare for its release would do that. An “anonymous insider” is not a credible source taking in account the publication. The Sun is a tabloid, not a hard-hitting journalistic publication, they most likely put something together for the sake of clicks. Taylor has said that her main priority right now is releasing the re-recordings and that doing them takes up a lot in her creative bandwidth. The one to tell us about any new music would be Taylor herself, not an article from a tabloid.
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Alright, so: I want to explain a little more about this connection between the Twilight fandom, Fifty Shades of Grey, and seemingly, the self-publishing industry as a whole. It's a lot, so I'm going to have to chip away at it a bit at a time, and I think the best place to start is by describing the scene in late 2000s Twilight fandom.
In 2009, Twilight was one of the biggest fandoms in the world, although it was nearly invisible to outsiders because it
Was about a straight couple, while most other fandoms were predominantly gay, and
Was conducted almost entirely on fanfiction.net among a group of people who had little other background in fandom. (x)
That meant for many Twilight fans, Twilight was fandom. It was all they knew, and many had no path out. That also made it a corked champagne bottle with the pressure building.
Because of these community dynamics and the declining quality of the Twilight books themselves, Twilight fanfiction evolved to be mostly AUs so alternate they were more-or-less original romance novels that used Bella and Edward as broad character templates. (x)
Seriously, Twilight fandom got really crazy big for a few years there. It was not totally uncommon to get multi-million clicks on a semi-popular story. It's weird looking back on it and calling it "Twilight fandom" because it was really more like "Romance Novel fandom". For real, for a period there, calling a Twilight fanfic author a 'Twilight fan' would be the ultimate insult. But they never stopped writing about Edward and Bella! It's so weird. (x)
If you were in 2000s era fandom, you're probably aware of the phenomenon of Big Name Fans and the various social-climbing dynamics that happened around them. The Twilight fandom took this social power game another level:
This wasn't even just an author thing. There were Big Name Authors (BNAs) but there were also Big Name Readers. These were basically like... full-time rabid fans of a BNA. They devoted so much of their time to helping out the BNAs, reviewing their chapters, making them fanart, promoting their fics, kissing their asses with cringe-worthy intensity, you name it. Which is why you saw what looked like BNAs having 'employees', such as Moi, tby789's Director of Marketing. (x)
It became apparent that these power games weren't just for fandom clout. The fandom was proving that that social power could be translated into real-world dollars. You see, the Twilight fandom used to organize charity auctions where big name authors would auction off custom fanfiction, and the money generated was substantial:
Mostly authors would auction off stories. So if you donated in my name, I'd write you 10,000 words of porn in my Tattward universe, or something new, etc. That's how it worked.
The 2009 auction raised $80,000.
The 2010 auction raised $140,000.
The 2011 auction raised $20,00. [NOTE: this is likely a typo] (x)
A lot of these dynamics were not unique to the Twilight fandom, but it was the combination that created a perfect storm of opportunism. This would end up changing not just fandom dynamics but the publishing industry as a whole.
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