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#solympe
sherwoodknights · 1 year
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Song 48 for Spotify Wrapped — any of the Scarpim or 1789 gang, delight me, horrify me, surprise me
48. You Love Who You Love // Olympe du Puget
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She has a knack for it, she supposes. It's a strange thought, and utterly unprovoked, but true all the same.
Olympe du Puget has a knack for falling in love at entirely the wrong time.
Ronan she could explain away. In a few years, she'd be able to look back and say that she'd been swept up in the passion, the excitement of it all, the fierce fiery thrill of a first love, a love full of danger and secrets, forbidden, and yet so addictive that she kept finding her way back.
But this? To fall in love with Ronan's sister, and in the middle of a civil war to boot, was most inconvenient.
It had begun on that fateful day, at the Bastille. Their grief for the boy who lay dead on the floor was shared by many that day, and the weeks that followed. But as the world moved on, and Ronan became little more than a symbol of courage, a life taken far too soon for the cause of freedom, the pain bled away. For all but two, it seemed. Only two souls, out of the mob that mourned him, that called on his name to cry for justice, justice, only Olympe and Solène, against all odds, united in their grief for the man, not just the name.
And it grew. It grew from acknowledgement, to understanding, to companionship, to sisterhood; a feeling of solid ground that they both seemed to crave. And just when Olympe felt the push to maybe something more-
The infighting was not just between the people anymore. It had spread to those who ruled now, in the name of the people, who seemed unable to decide what the people wanted anymore, and any safety Olympe could claim was falling fast from beneath her feet.
Which was how she ended up with Solène at her door in the dead of night, papers in her hand that she would not explain how she acquired, begging Olympe to take them and go, far away from Paris, away from the revolution that had gone too far. You must go now, before dawn, before they come for you both.
Won't you come with us? If anyone knew what you'd done for us, you'd be in such danger-
I'll make do. I always have. But you have a father to care for, and I have my brother's name to protect me, for as long as it still means something to them.
Please, Solène, don't leave me.
Perhaps one day we will meet again.
Hidden by the darkness of the moonless sky, Olympe does what she supposes she has wanted to for a while, pressing her lips against Solène's, and praying that they find no resistance.
Solène... I need you to know that I-
You must go.
Thank you. For everything.
Look after yourself, Olympe.
And you.
What a tragedy, she thinks to herself, as she and her father sit silently in the carriage, that you don't choose who to love.
~~~
My first time writing Solympe! I've had an idea of a similar scene floating around in my head for a while, and thought, what better time to finally write it. I ended up going more off the vibes of the song more than anything, but I think it turned out okay!
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margridarnauds · 2 months
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🪐 ❄️ and🍦 please!
Thank you!
🪐 ⇢ name three good things going on in your life right now
(1) I have a lot of conferences soon, which is a lot of work but also means that I'll be traveling! (The American invasion of Europe has begun.)
(2) I've been slowly working on building stronger relationships, especially in the field, as well as *trying* to de-toxify the environment. It's a long process, and it's an imperfect one when it's being done by imperfect people, but if I have any say, the next generation is going to be in a much better place.
(3) I am. SO CLOSE. To finishing my grading. SO CLOSE.
❄️ ⇢ what's your dream theme/plot for a fic, and who would write it best?
Oh, God.
The thing is, there are a lot of really ambitious ideas I have for fics, but, for the most part, they're all things (1) I've already started and (2) Are things that I'm already possessive of. I'm very much someone who fine-tunes what I write to me and my tastes. Would I like for someone else to take the responsibility of the Abomination off my shoulders after all this time? ...well. Yeah. It would be over. I would be Free. I'd love for my fic for BG3 to plop on my lap, totally finished and written with professional level prose, but it's based on the playthrough that *I* did; I'm the world expert on that specific playthrough and I'm the only one who could write it like I want, even IF I'm self-conscious about it. It was actually a problem when I was doing exchange fics back in the day -- it was never a matter of signing up for exchanges and offering fics to write, it was always a problem when it came to asking OTHER people to write fics for me because it was always a matter of "asking someone else to write something that I won't write but that I'd also like to see."
But also if you ever wanted to write a ~250k Peyronan childhood friends to enemies to lovers epic historical fiction novel that juxtaposes the events of the Revolution with their developing love story and that explores themes of loyalty, authority, child abuse, forgiveness, loss, grief, liberty and what it means to be free, and historical queerness, with a well-developed Solympe and Marie Antoinette/Olympe secondary plot, FREE ME. PLEASE. Since you are the only one BESIDES me I'd trust with it.
🍦 ⇢ name three good things about a character you hate
Ast@rion:
(1) He's funny! He's delightfully bitchy.
(2) He is genuinely grateful if you help him out and doesn't forget the favors you do for him. He has some great character development. If you are willing to tolerate his rancid personality.
(3) He's pretty? He's very charismatic!
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2, 9, 21!
i already did all three of these but i will rec MORE FICS for them
2. a fic that makes me laugh out loud
golden, hayden waveridden's solympic flame heist fic slash paula turnip/zack sanders romance! i haven't read it in a grip (literally just opened it to do a reread rn) but it puts a huge smile on my face every time i come back to it.
9. my favorite fic from post-season 24
hey do you want to be really sad about a dead crab god trying to protect her home at the end of the world? go read we are the things we leave behind.
21. a fic about a little-known player
a second is a century, kaylee's fic about nico sigh being trapped in a time loop of the blaseball tutorial, is so cool. i think about this fic a LOT
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fanfeline · 5 years
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@wildandwhirlingwords asked for Solène or Olympe
why not both though
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lehetsz-kiraly · 5 years
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"What's this between us" and/or "You know I have feelings for you" for Peyronan and "Yeah, I remember the drill" for Solène/Olympe?
This took absolutely forever! I’m sorry!
1. “What’s this between us?” Ronan asks. Lazare’sheart beats under his cheek, a steady reminder that they’re something, if only for this shortmoment. Ronan feels a warm hand run up his back, over his shoulder. It stops athis elbow and stays there, solid and heavy. For a moment, no one speaks. Ronanthinks they might drown in the silence. And then,
“You know I have feelings for you. But…” Lazaresounds resigned. Ronan thinks briefly that this isn’t what love should be like.Love shouldn’t hurt. Love shouldn’t make people sound so sad.
“There shouldn’t be a but,” Ronan complainsbitterly. “I love you.” God, if only he could take back time. But as Ronanlooks up, horrified, something soft lights up behind Lazare’s dark eyes. Hesmiles, warm and genuine, and pulls Ronan closer. Love, Ronan decides, doesn’thave to be painless. He’ll take the hurt, if it means staying like this forjust a moment longer.
2. “Yeah, I remember the drill,” Solène sayspeevishly. “We go in, we grab their flag, and we get out.”
“That wasthe drill,” Olympe corrects. She points at Ronan, who’s still on the groundafter a bad fall, clinging to Danton’s arm like a koala as he struggles topull himself up. “And then this dumbass twisted his ankle. We need tostrategize.”
“I wasn’t even part of the original strategy!”Ronan shouts indignantly. A paintball bursts against his shoulder-pad. “Fuckoff, Maxime! I’m out!”
“We’ve been playing five minutes!” Maximeprotests, voice muffled by his heavy mask. A pink bullet whizzes past him andhits the wall next to Solène’s head. Camille grins behind his gear.
“Fuck the drill,” Solène snaps. “Cover me.”
When they win, Olympe looks at her with shiningeyes and says, “I could kiss you, I really could!”
“Why don’t you?” Solène challenges.
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olympedupuget · 4 years
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Chapters: 11/16 Fandom: 1789 - バスティーユの恋人たち | 1789: Les Amants de la Bastille - Takarazuka Revue, 1789: Les Amants de la Bastille - Various Composers/Attia & Chouquet Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Relationships: Ronan Mazurier & Solène Mazurier, Past Ronan Mazurier/Lazare de Peyrol, Olympe du Puget/Solene Mazurier Characters: Lazare de Peyrol, Solène Mazurier, Olympe du Puget, Charlotte (1789), Françoise du Puget, Original Characters Additional Tags: Canonical Character Death, Implied/Referenced Suicide, Grieving, Someone give Solene a warm blanket, And by "someone" I mean "Olympe", Ronan's death is literally the only thing I'm taking from canon here, Complicated Sibling Relationships, Women's March to Versailles, Sex Work, Let ! Solene ! Have ! Friends !, Slow Burn, Pining, Sharing a Bed, Angst with a Happy Ending, No Smut, rating just to be safe, Hurt/Comfort Series: Part 6 of Between the Waves
Chapter Summary:
Marguerite and Emilie have a business proposition for the brooding Solène, one which could change everything.
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waveridden · 3 years
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14.1k. An incomplete history of the Solympic Flame, or: a love story that was supposed to be a rivalry, or: the ballad of Paula Turnip and Zack Sanders.
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claradwor · 5 years
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Peyronan and Solympe!
Send me a ship and i'll rate itpeyronanvomit / don’t ship / ok / cute / adorable / sexy / perfect / beyond flawless / hot damn / screaming and crying /i will ship them in hellSolympevomit / don’t ship / ok / cute / adorable / sexy / perfect / beyond flawless / hot damn / screaming and crying /i will ship them in hell
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margridarnauds · 1 year
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Rules: post the names of all the files in your WIP folder regardless of how non-descriptive or ridiculous. Let people send you an ask with the title that most intrigues them and then post a little snippet of it or tell them something about it! And then tag as many people as you have wips. (You can make your own post or reblog this one!)  I have deemed that this isn’t just for writing either. Sketch titles? Comics? Dnd campaigns? If you have an unfinished project, it counts!!
Tagged by @drewsaturday
So, my means of categorizing WIPs is....fuck’d. I have a lot of fics that just. Aren’t titled. And very likely won’t be named until I actually am in a position to publish them. So, in those cases, I’ll just post whatever they’re saved with in my WIP folder, which is usually the first line, which will be italicized. 
1789
1789 Reincarnation (Peyronan)
The Abomination: Les Amants (Peyronan)
AC Fusion (Crossover with MA) (Peyronan)
“Ah, Ramard,” Artois folded his hands in front of him, the smile on his face not entirely touching his eyes (Artois/Olympe)
Artois POV - PLP
Christmas Special 1/2
Christmas Special 2/2
Christmas, December 1789
Curl of Lip, Swirl of Gown (Peyronan)
Disneyworld AU
Fairy Tale (Peyronan)
Le Temps s’en va (Peyronan)
Peyrol Olympe Louise Ruin Artois’ Life
Peyronan Father Killing Angst
Peyronan Wedding Night
Pour la Peine (Solène/Olympe)
Olympe POV
Ronan Lives AU (Peyronan)
Solympe Forgiveness Sequel
They crossed the Tuileries, and the Rebels didn’t stir, still set into their insolence like the statues that dotted the gardens, who loomed like judgmental ghosts (Peyronan)
“Wait…Ronan,” Lazare said, and Ronan found himself stopping in his tracks, halfway to the door (Peyronan)
Vampire Ronan AU
Vampire Peyronan 
Aladdin 
Jaladdin 
Jaladdin 2
Arthuriana 
Sassy Mordred
St. George and the Dragon (Mordred/Galahad)
Fable 
Fable II
“I’m dying, Reaver.” Her eyes bored into his, black and sharp.
Irish Mythology 
Bres/Sreng Reincarnation
Claeg
Emer Leave Cú Chulainn’s Unworthy Ass
Ferdiad Lives
Happy St. Patrick’s Day
How did Magh Muirthemne come by its name? (The Dagda/Spoilers)
Modern Bres/Sreng
Sreng knew that there was something wrong when he opened the flat door and Bres didn’t greet him.
Mabinogi 
There are moments, when her mind is between straw and silk, when she wonders whether she did do it
Marie Antoinette
Assassin’s Creed AU (Morléans)
Bookshop AU (Morléans)
A Brace of Snakes (Morléans)
ghost one shot
Morléans Coachman
Morléans Couples Counseling
Morléans Ghost Angst
Morléans Reincarnation
Orléans Wins AU
Philippe Lives (Morléans)
Pride and Prejudice and Princes (Morléans)
Someone has to die that day (Morléans, with MA/Fersen and gen dynamics)
“We can’t keep doing this” (Morléans)
Resident Evil 
Door #2 (Wintersberg)
Luiza had said it herself (Wintersberg) 
Romeo et Juliette 
Escaliet
They hadn’t survived the Great Explosion by cowering, or by crying, but by moving onward, and it was how they had kept Verona running for three hundred years (Benvolio/Escalus)
The Tempest
Tempest wtf
Valhalla 
Eivor Kingfucker
It only seemed fitting that, when she left Sciropescire, Ivarr’s life-blood staining calloused hands, it began to rain
Misc. 
What am I doing? 
Lady Bess
Jane Seymour
Look...I could tag people, but I don’t want to count that many and I don’t know if I actually *know* that many people, so if you see this, consider yourself tagged. Yes, even *you*. 
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margridarnauds · 5 years
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001 olympe/solene please!!! (also i know i haven't answered in 8 years but please bear with me, i haven't forgotten i'm just very late)
Thank you! (Also it’s fine; I was just a little worried I’d finally scared you away!) The following thoughts might be slightly rambling, given my family’s doing our daily rewatch of Toho!1789 and Maniaque just came on, thus short circuiting my brain. 
when I started shipping it if I did: I seem to recall a conversation between you and @couldntgiveafox some ages ago where you were discussing alternative 1789s, and I believe I stumbled across it in my fall to 1789 Hell. I don’t think I really started actively SHIPPING it until I was writing Pour la Peine and the (still a WIP) Modern AU where they go to Disneyworld, since it showed off more how they would WORK as a couple. (Yes, really. In my defense, there’s something about Solène and Olympe working together to get Artois stranded on “It’s a Small World” that warms the cockles of my shipping heart.)
my thoughts: I think they have a lot of potential as a ship; I would REALLY love to have seen more of them in canon because I think that they’d have had a lot more potential than our canon ship. (Not that that’s SAYING much, but…) The two of them have two very different ways of dealing with things that really make them complement each other well. Like, Solène has a much more direct way of doing things; she probably had to shut down most of Ronan’s fights with the other kids in their village when they were younger, whereas Olympe…can handle herself, obviously, but she tends to prefer sidestepping it if she can and tends to prefer using the gun only as an absolute last resort. And Solène and Olympe both…fill in the gaps, with each other? Like, Olympe’s a woman who everyone sees as this simple little governess who can be walked over but has a spine of steel beneath those stays, whereas Solène is a woman who presents herself as being basically untouchable and unbreakable, but she has a lot of vulnerability beneath the surface. 
What makes me happy about them: Solène has this blunt, rough edge that really works well against almost everyone, but the second that Olympe enters the room? She melts. Even if she’s terrified of what exactly that means and trusting someone again. She’s basically the embodiment of “I’ve only had Olympe for a day and a half, but if anything happened to her, I’d kill everyone in this room and then myself.” And Peyrol. Even if he’s not in the room and had nothing to do with it, she’d still kill Peyrol for good measure. And for Olympe, she has someone who’s genuinely in love with HER and would be willing to bend over backwards for her. (It’s not that I dislike Antoinette or that I’m even particularly criticizing her, but I do think that she can be insensitive when it comes to Olympe’s crush right until the very end when she lets her go and that sometimes, she takes advantage of Olympe’s feelings without realizing it, causing Olympe to get into trouble. See: Je Suis un Dieu.) Like, Lazare and Solène would never ADMIT it, because fundamentally they have way too much between them, but they have more in common there than they’d ever admit. 
Finally: BLESS the Toho for giving me, like, five seconds of interaction between them. It might not have been much, but THEY TOUCHED HANDS. While watching Solène’s brother being brutally shot by his boyfriend, but hey, it’s not the WORST first date idea. And Solène’s CLINGING onto this girl she’s just met in that scene, after rushing herself in front of Peyrol’s line of fire to do it. 
What makes me sad about them: Obviously, the lack of interaction between them, even though, on the positive side, it means the show can’t ruin it for me. Solène is hard as a character to write, because all three Solènes are written so very differently from one another that it’s hard to get a grip on her, especially since it’s obvious that the French really didn’t…CARE about her, as a character, and that also means that trying to get their dynamic can be hard. Like, I still feel after all this time that I don’t have them down as well as I have L/R, which is something that I’m always trying to rectify. 
Also, from an in-universe perspective: I think…Solène is very like her brother, in the sense that she doesn’t see HERSELF as inherently inferior or incapable of love (the one thing no one has EVER accused the Mazurier Siblings of is a lack of confidence), but that so much has happened to her that she kind of takes it for granted that this isn’t going to end well. Our girl’s canonically lost her brother and father, she’s PROBABLY lost her mother (I mean, unless she’s just…living as a hermit somewhere since Ronan and Soléne ran away or left Papa Mazurier to become a famous adventuress, I think it’s a safe assumption), and it’s safe to assume she’s lost at least 2-3 siblings, if not more, and…as much as I’m against the idea of the Tragic Sex Worker, she’s also probably seen Things in her time on the streets. If nothing else, then sex work was very much a transitory job for many women, who would take it up in off seasons in-between other jobs (or marriage, for some women), so there are probably plenty of women who she knew and tried to get attached to who just…moved on. 
And I think that Marie Antoinette’s ghost is always kind of going to be there, in the background, even as Olympe moves on from the full force of her old feelings. And Olympe has her own issues when it comes to loss, not just with Ronan (who was a friend if nothing else) and her mother (if we’re going with the musical-canon where Charlotte du Puget’s been dead for awhile), but also with probably seeing Louis-Joseph die in front of her. 
things done in fanfic that annoys me: WHAT FANFIC? There’s so little of it available that it’s kind of impossible for me to find ANYTHING to really annoy me. The thing that annoys me when I’M writing them is that there’s this…odd tendency, with femslash, for things to be sanitized and clean and saccharine, as opposed to M/M and F/M ships. And, on one hand, I DESPISE that mentality, but on the other hand, I find that I’ve internalized some of that, even though realistically S/O have…so much that they could bicker over. If they wanted to. So I try to keep at least a realistic level of conflict in their relationship, without reaching R/O or even R/L levels. 
things I look for in fanfic: Existing is always a lovely thing. 
Who I’d be comfortable them ending up with, if not each other: Olympe/MA is always going to be a tragic crush for me; I’m not sure if it’d have worked in the long run as an actual RELATIONSHIP, but I’d be perfectly comfortable with Olympe being happy. Or accepting Artois’ offer, biding her time in London while slowly poisoning him so that she can retire in an obscene amount of wealth when the new king of France “tragically” dies only a few months into his new reign. 
Even though I’m pretty attached to Olympe being a lesbian and Lazare being gay and/or ace, I’m also not OPPOSED to them marrying each other as a matter of convenience post-canon, though…obviously. After the Takarazuka and Toho productions, there are going to be…issues with that one. (Lazare is incapable of being with someone when he hasn’t at least tried to kill their father.) Matthieu Carnot and Camille Lou in the original cast had HELLA chemistry with one another, and I’m not entirely willing to toss it all away.     
And for Solène…I’m not sure I’d go with ANYONE in the main cast. My main headcanon re: Solène and sexuality is that she’s bi, but the whole “Betrayal by her idiot of a brother” thing has really put her off the idea of being romantically involved with dudes for an extended period of time. Sexually? Sure, for the money involved. It’s her JOB, but she’s not going to go for anything that requires trust. Lucile is the obvious alternative, but I’m not sure how Lucile’s upper middle class upbringing would work with Solène and her profession, and the entire business with the engagement +…Lucile’s ultimate fate would work. (Also Lucile’s part in The Scene in the Toho version…it hasn’t put me off her as a CHARACTER, I still love her very much, but…it’s made me…less keen on her with Solène.) I also crackship her with Marie Antoinette. Marie Antoinette gets all the ladies in the main cast. 
My happily ever after for them: In the canon verse? They leave Paris, either getting out of the country or quietly running into the country, where they can live in peace without the Reign of Terror getting them. They establish a domestic life together, where both of them learn to trust again, even as Solène keeps her own funds Just in Case, because some things are a little harder to move past than others. Lt. du Puget knows, but he’s been too traumatized by his own experiences with the Bastille, as well as too grateful to the Mazuriers for all they’ve done to raise a fuss, and he becomes like a second father to Solène, with Françoise being a sister and partner in crime to her. Solène doesn’t lose track of her friends in Paris and visits them from time to time, even as she gets used to middle class life, and she never entirely loses her fire. They both die of old age, many, many years after the Revolution (because, as we all know, Olympe does not die at the end, and there has never been a time where she died at the end; it is her destiny to outlive the rest of the cast with her girlfriend.) And then, in the afterlife, Solène gets at least one slap in on her brother before they’re one big, happy family again. Because he does deserve it, tbh. 
Out of canon, I would honestly love to see a world where Solène/Olympe and Lazare/Ronan could have co-existed with each other as a family, albeit an insanely unorthodox one. I could see Olympe and Lazare having a marriage of convenience, with both of them having their own sections of the house that are just theirs, and with sex not even being a consideration. (Solène takes it more as a matter of course and the best possible option, even if she doesn’t LIKE Lazare; Ronan runs off and spends, like, a week crying somewhere before they can get him calmed down enough to explain.) Like, their wedding night is spent playing cards in bed until they can sneak out to their separate rooms, and at some point Ronan’s in-between them, drooling on Lazare’s shoulder while Solène glares daggers because if he hurts her girlfriend or her brother, she will not HESITATE to destroy him. Everyone knows that they’re gay AF and that a former under-governess to the royal family is sleeping with a former sex worker, mainly because Artois never shuts up about it (because if he can’t have Lazare under his thumb and he can’t murder the hypotenuse, he’s at least going to do his best to make his life miserable), but, does it matter? No. What are they going to do, not invite Lazare or Olympe to one of their salons? The horror, the horror. One year, for her New Year’s present, Ronan gives Solène a pair of earplugs so she doesn’t have to hear some of the ungodly sounds that come from his and Lazare’s side of the house. Everyone’s happy. 
who is the big spoon/little spoon: See, my GUT instinct is Solène for big spoon, since it gives her a place of security without her feeling pinned in, but also I love the thought of Olympe sometimes taking over, nuzzling into Solène’s neck and having Solène wake up and being like “Holy shit, this is real” even years later. 
what is their favorite non-sexual activity: Taking walks together, reading. I like to think that Olympe helps Solène learn how to read (which is one of the areas where I feel like they differ from R/L. Even though I think Lazare would read out loud to Ronan, I’m not sure he’d go through the trouble of TEACHING him, especially since that’s…giving Ronan some serious power as far as being able to page through any of Lazare’s papers.) Sometimes, Solène just prefers to hear Olympe read out loud, with her absently putting her hand on Olympe’s arm as time goes on and she relaxes, since Olympe has a very bright, expressive voice that suited her well when she was an undergoverness, and even if she doesn’t mean to, she finds herself taking on different voices for different characters, which makes for an entertaining reading experience,. The two of them also help each other with their daily toilette, getting each other’s hair and clothes prepared. 
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This? Is an Olympe innovation. 
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And this? Is a Solène. She Tries. And Olympe loves her for it. 
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olympedupuget · 4 years
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Chapters: 12/16 Fandom: 1789 - バスティーユの恋人たち | 1789: Les Amants de la Bastille - Takarazuka Revue, 1789: Les Amants de la Bastille - Various Composers/Attia & Chouquet Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Relationships: Ronan Mazurier & Solène Mazurier, Past Ronan Mazurier/Lazare de Peyrol, Olympe du Puget/Solene Mazurier Characters: Lazare de Peyrol, Solène Mazurier, Olympe du Puget, Charlotte (1789), Françoise du Puget, Original Characters Additional Tags: Canonical Character Death, Implied/Referenced Suicide, Grieving, Someone give Solene a warm blanket, And by "someone" I mean "Olympe", Ronan's death is literally the only thing I'm taking from canon here, Complicated Sibling Relationships, Women's March to Versailles, Sex Work, Let ! Solene ! Have ! Friends !, Slow Burn, Pining, Sharing a Bed, Angst with a Happy Ending, No Smut, rating just to be safe, Hurt/Comfort Series: Part 6 of Between the Waves Chapter Summary:
Solène makes her choice, but things never go according to plan...
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olympedupuget · 4 years
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Chapters: 9/? Fandom: 1789 - バスティーユの恋人たち | 1789: Les Amants de la Bastille - Takarazuka Revue, 1789: Les Amants de la Bastille - Various Composers/Attia & Chouquet Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Relationships: Ronan Mazurier & Solène Mazurier, Past Ronan Mazurier/Lazare de Peyrol, Olympe du Puget/Solene Mazurier Characters: Lazare de Peyrol, Solène Mazurier, Olympe du Puget, Charlotte (1789), Françoise du Puget, Original Characters Additional Tags: Canonical Character Death, Implied/Referenced Suicide, Grieving, Someone give Solene a warm blanket, And by "someone" I mean "Olympe", Ronan's death is literally the only thing I'm taking from canon here, Complicated Sibling Relationships, Women's March to Versailles, Sex Work, Let ! Solene ! Have ! Friends !, Slow Burn, Pining, Sharing a Bed, Angst with a Happy Ending, No Smut, rating just to be safe Series: Part 5 of Between the Waves Chapter Summary:
Soléne tries to sort out the latest developments in Paris as she finds herself being drawn closer and closer to the secrets of the Comte de Peyrol.
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olympedupuget · 4 years
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Chapters: 1/1 Fandom: 1789: Les Amants de la Bastille - Various Composers/Attia & Chouquet Rating: Mature Warnings: No Archive Warnings Apply Relationships: Solène Mazurier/Olympe du Puget Characters: Olympe du Puget, Solène Mazurier Additional Tags: Established Relationship, Alternate Universe - Modern Setting, Sexual Tension, So Much Sexual Tension, Triple Drabble Summary:
Soléne finds herself distracted as she tries to help Olympe get ready for an event.
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olympedupuget · 4 years
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Chapters: 10/? Fandom: 1789 - バスティーユの恋人たち | 1789: Les Amants de la Bastille - Takarazuka Revue, 1789: Les Amants de la Bastille - Various Composers/Attia & Chouquet Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Relationships: Ronan Mazurier & Solène Mazurier, Past Ronan Mazurier/Lazare de Peyrol, Olympe du Puget/Solene Mazurier Characters: Lazare de Peyrol, Solène Mazurier, Olympe du Puget, Charlotte (1789), Françoise du Puget, Original Characters Additional Tags: Canonical Character Death, Implied/Referenced Suicide, Grieving, Someone give Solene a warm blanket, And by "someone" I mean "Olympe", Ronan's death is literally the only thing I'm taking from canon here, Complicated Sibling Relationships, Women's March to Versailles, Sex Work, Let ! Solene ! Have ! Friends !, Slow Burn, Pining, Sharing a Bed, Angst with a Happy Ending, No Smut, rating just to be safe Series: Part 5 of Between the Waves Chapter Summary:
Soléne and Olympe make some unwelcome discoveries.
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waveridden · 3 years
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@919 replied: PAULA/ZACK ENEMIES TO LOVERS? PLEASE KEEP TALKING
okay so there’s an additional thing that i didn’t consider which is. tigerbeams. and also i don’t know a lot about tigers lore and where they stand on “is the sun a god” / sun cult stuff / etc. that being said here are several different pitches for stories that i like to call I Think The Plant Lesbians Should Fall In Love
important context here: the thing i was thinking of with beams/garages was the solympic flame which unfortunately seems to be an abandoned idea but the tldr is the sunbeams have a flame that they light and try to keep alight for the entire season, and the garages try to put it out because it’s an effigy to the sun/god (like a combined gaverle goat/olympic flame situation) so that’s the primary thing that i am using as the touchstone for the beams/garages rivalry: it’s like a little serious but nobody’s actually trying to kill each other(’s deities)
so with that in mind here are my misc ideas for zack/paula
friends to enemies to lovers: tigerbeams solidarity! zack and paula always got along as part of tigerbeams they were always close friends (and maybe... more) and then suddenly paula is on the garages who are trying to put the flame out and actively warring with the sunbeams. and paula gets swept up in it much to zack’s chagrin (depending how you feel this could be a very serious spiritual conflict or a very silly rivalry) and then they fall in love at the end despite their differences
friends to enemies: basically the above except they don’t make up at the end. sorry to invoke homestuck but they’re kismeses
you can also do either of the above as lovers first or friends to lovers first! a romance that is ripped asunder and then put back together. very sweet
enemies to lovers: honestly this is my choice. i think tigerbeams is a really nice sweet concept. i think sometimes you meet people you just do not gel with. i think it would be so funny if they never liked each other and they were, like, at tigerbeams parties gritting their teeth whenever they were within five feet of each other, and then paula gets swapped to the garages and she and zack are immediately like thank GOD we can be enemies. except then the ability to be emotionally honest and intense results in a lot of romance
BONUS ROUND: i have a LOT of thoughts about the beams after the sun was destroyed (the sun was the team’s coach) and i think it works really well as an inciting romantic incident here because it’s not fun fucking with your rival anymore after they experience a devastating personal/spiritual loss and there’s only so much joy you can take in someone’s legitimate despair. so that’s my pitch
also my serious legitimate pitch beyond vibes is: zack is an original sunbeam but she was ostensibly human before the hellmouth, at which point she became a were-sunflower-beast. she is contending with losing some of her autonomy and humanity in a very real way. and in contrast paula is a bog dryad, has never been human, but she avoided blaseball for the longest time, is only there because the spirit of violence chose her and now she’s not even on that team anymore, so she has lost any control/willpower she might have had in the beginning. so they can help each other contend with that, with personhood and being a player, with loss and change and gain. this has been Jamie’s Plant Lesbian Corner
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waveridden · 3 years
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☾ and ☽ for plesbians!!
☾: how i thought people would respond to the fic ☽: how people *actually* responded
i try not to go in expecting specific responses but i am always very very wary about posting things about teams i don’t know super well just bc i recognize i’m jumping into someone else’s sandbox, so i was a little worried about that? especially considering that i took QUITE a lot of liberties re: solympic flame lore (i believe the original lore is that it was an actual symbolic war instead of a vague nonsymbolic rivalry)
but everyone was very kind! it’s always so fun seeing what people’s favorite beats are in a given fic and i got a lot of lovely comments specifically about the “zack going beast mode” moment, which is a personal favorite of mine, and it was just delightful to see how much people enjoyed it!
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