ONCE UPON A TIME, THERE WAS A KNIGHT...
the visual inspiration for this was a combination of Frederic William Burton's Meeting on the Turret Stairs and also Bernardo Cavallino's The vision of St. Dominic receiving the Rosary from the Virgin
this was supposed to be just a one off illustration to get the thoughts out of my system, but then I started thinking about medieval politics and warfare and plagues and a castle and home as both a place of refuge, a prison, and a tomb, so perhaps they will end up as ex voto characters as well.
you may say, hey! that rosary looks like it has too many beads! it's a fifteen decade rosary, probably. dominicans are really into marian devotions. it works out.
also. spiral style stair cases. oh boy. it was that unexpectedly more difficult than I originally thought it would be to draw. the more I think about it, the less I understand them, even though I had a million photos of the stairs in front of me while I was drawing it.
⭐ I have a tip jar (ko-fi)!
⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app
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Good reveal au, where after learning phantom's identity and realizing the atrocities that the GIW have committed (or alternatively, ethical science au, where they find out the GIW plagarized them), the fenton parents decided to create the 'ultimate ghost-ending weapon' and sell it to the agents.
They go absolutely overboard, describing to the agents in meticulous detail how it evaporates any ghost it hits near-instantly and describing it quite ruthlessly in the blueprints, and soon the GIW have raplaced all their main weapons with the new gun.
Except it doesn't actually kill ghosts. It's the Fenton Bazooka. You know, the one that creates a portable portal to suck the ghost back into the ghost zone? What they actually did was retool it slightly to make it look more grusome than it actually is. They even added a beacon in Phantom's Keep, which all Fenton Bazookas will target when they open a portal, so the ghosts are always delivered to the keep.
From there, Phantom stationed an emergency medical team at the keep to treat the many injured and ragged ghosts that the GIW 'destroyed,' and to explain what just happened.
What they didn't anticipate was that now that the GIW have a mass-produced weapon that they believed would effectively eradicate ghosts, they would go on the offensive. They have a number of cities they've been monitoring but didn't want to get involved in without better tools.
One of those cities is Gotham.
And the Bats are ectocontaminated enough to register as ghosts.
Batman witnessed several of his children get evaporated by green energy weapons within mere moments of each other. He's absolutely gutted. Devastated. They didn’t even stand a chance.
He'll get his revenge, and it's frighteningly easy to track the weapon to private subcontractors. The Doctors Fenton, in Illinois. Their research calls for the genocide of all ghost kind, and apparently, that war started by killing his own children.
His children will not die in vain.
He gets to Amity Park and finds the Engineer's Nightmare of a building that is Fentonworks, but that night, before he can hack through the security and break in, one of the windows opens.
It's one of his kids that he had watched evaporate before his very eyes. They give him a silent signal of one of their identifying security codes and gesture for him to come inside.
Is it a trap? A prank in poor taste? Utterly genuine?
He goes through the window.
All of his dead kids are there, wearing borrowed pajamas and only their dominoes to conceal their identities. Daniel Fenton (son of the Fentons, this is his bedroom, has voiced a few arguments against his parent's views, but still an unknown) is among the crowd of teens and young adults, twirling on an office chair and obnoxiously sipping a capri sun.
"First thing you need to know, Bats," Daniel says after finishing his drink, "is that my parents are absolutely NOT genocidal ectophobic scumbags, and that is the reason why your kids are still alive."
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Surely that can't be a bad deal...
First part - Previous part < >> Next Part
Also oops, looks like they're not alone...
I really wanted to have this one done before monday! Phew so many backgrounds...
You can find the pages as soon as they're done and some exclusive art/extras on my Ko-fi!
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It has been 14 hours since I found out that, according to Kubo, Byakuya calls Renji by his given name "because Rukia does" and I am obsessed with this information.
This is both the best and worst possible answer to this question. I feel like if you asked Byakuya, this is exactly the reason he would give. However, if Rukia were present, she would lose her damn mind. While I do think Rukia's assertion that Byakuya didn't look at her even once in 40 years is hyperbole, over that time I can imagine Renji's name coming up in conversation once, maybe twice tops.
Like, two weeks before she goes on her fateful mission to the Living World, B's been shortlisting Vice-Captain candidates, and over dinner, real casual:
B: Rukia. You know your friend?
Rukia: My who now?
B: That friend of yours who shouts too much. The boorishly tall one. With the red hair. Is he in Squad Eleven now?
Rukia (wracking her brain frantically for people Byakuya would consider 'her friend'): You mean Renji?
B: Yes, him.
Rukia: What about him?
B: Is he in Squad Eleven? The Sixth Seat?
Rukia: ...maybe? ¯\_(ツ)_/¯
The next day, Byakuya's office, Renji shows up for his job interview.
B: You must be Renji.
Renji: uhhhhhhhh sure why not?
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[Image ID: A digital illustration of Maya Fey from Ace Attorney. She is drawn with sketchy, pixellated line art and colored with hatched lighting and cell shading. She wears a look of focus, her eyes closed and her fingers pressed together in front of her. She stands on a small patch of grass, from which tiny flowers sprout, along with three large, detailed sunflowers that frame the lower half of her body. A light, wispy form wafts behind her and curls around her head. End ID.]
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