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#six the musical cast
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Y'all!!!!
😭😭😭😭
Out FRIDAY!!!
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sabeedraws · 8 months
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visualized the late-night thought "what if they were blonde tho???"
honestly? anne looks a bit odd to me- but catherine? DAMN! I'm obsessed
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altarwaiting · 4 months
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'Cause we're so much more than...
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redladydeath · 4 months
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You know, for all the Six chaos we’ve had and will continue to have far into the future, it’s kind of a shame how we’ll never again reach the heights of absolute batshit insanity that was Toby Parrlow
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wylanslcve · 11 months
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The piano scene in S2E3 is somehow talked about SO MUCH but also not enough, and I know that doesn't make sense but hear me out. Wylan has been in the Barrel for how long with nothing from his life before, only the decency he stubbornly clings to (hence why he initially refused to make bombs for Kaz, but his desperation got the better of him) and, if we use the information from the books, his flute. And we know the significance of music in Wylan's identity: he used it to hide his disability by setting whatever was read aloud to him to a melody in his head; the music room was the only place in his father's house he was ever happy in; and, in Crooked Kingdom, he recalls sitting at the piano bench with his mother, and it's one of the few memories he has of her because she "died" when he was young, so of course his memory of her is going to be a bit foggy.
Music wasn't something he got so good at to win his father's approval the way science and maths were - music was always his. It's what makes him Wylan and not Jan Van Eck's son, and being in the Barrel has tried to separate him from that part of his identity. Yes, he plays his flute in S2E1, but he plays it out of desperation. How long has it been since he's played music because of how connected he is to it, not because he needs money? It's something he yearns to do, and so when he and Jesper break into Pekka's country estate, Wylan doesn't take his eyes off the piano when he notices it - not even while Jesper is talking to him. He yearns to feel the press of the piano keys beneath his fingers, for the comfort playing music always gave him, and I think this is beautifully signified in that frame where presses the broken piano key: he so desperately wants that comfort and security, but can't have it.
Even though it looks like he sits at the piano to encourage Alby to keep playing, it's more so because he couldn't pass up the opportunity to do what he's yearned to do for so long. It's only 30ish seconds, but he loses himself in the music he plays, in that security he's sought since he first arrived in the Barrel. He's reliving sitting at the piano bench with his mother, and a show headcanon I have is that this little piece of music was something Marya taught him or wrote for him or something he wrote for her. Either way, it's made him lose himself in those happy childhood memories of him playing the piano with her.
Then that momentary peace and comfort is snatched away from him as he snaps back to reality. He's not at his father's house playing piano with his mother: he's in the Barrel, wrapped up in the company of literal criminals, and his mother's been dead since he was eight (well, we know she isn't dead, but he doesn't). His guard goes back up, and he goes back to being Wylan Hendriks, the demolitions expert keeping a privileged past and childhood traumas close to his chest, the boy who was desperate enough to start playing criminal with a band of thugs and thieves.
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(gif by me, scene credits go to @/autumnspacks on ig)
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izloveshorses · 11 months
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Oh, we could make a good thing bad.
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wizzard890 · 2 years
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One of my biggest pet peeves is when books or movies are like "what if it’s the past but with things like selfies and shutter shades and yas queen" and don't....have anything to say with that. I’m not talking about comedies, I’m talking about historical anachronisms that get deployed in dramas. 
Like, this is a stylistic choice, and thanks to things like Hamilton, it’s one that’s becoming more and more common, so I get all sorts of opportunities to think about why some examples are so shallow and annoying, and why others work so well. 
I think of it as the difference between Sophia Coppola’s Marie Antoinette - an enormously sensitive and successful example! - and the Broadway musical Six, which is the poster child for “doing an anachronism to make the Notorious RBG crowd cheer”. 
In Six, Anne Boleyn is portrayed as a ditzy party girl who didn’t think anything could touch her until something manifestly did. She’s not into politics or long-term plots, she just wants to fuck around and have a good time. The creators cast her as a dumb popular chick in way over her head. 
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Now, do I find that an enormously boring take on Anne Boleyn? Obviously. But the real question is why have they chosen these specific anachronisms? The phone, describing her letters with King Henry as “texting” and “replies”. It’s a sort of SNL take on history, lazily swapping courtier with influencer; her “lol”s and “sorry not sorry”s don’t bring you any closer to the emotional truth of her situation. 
(And before you say “but Six is a comedy!” it’s a: not really, and b: a musical that contains a harrowing song* about a woman’s experience of being sexually assaulted as a child, and then again at multiple points throughout her life**, so I do feel they had the range, had they chosen to reach for it.)
Dramatic anachronism, when employed well, gives us touch points to recognize. It renders a world that may feel alien as legible to a modern audience, who come in with their own associations and biases. And so the best anachronisms are specific.
“Wouldn’t it be kind of funny if Anne Boleyn was a party girl because she was a big deal in court and everyone had hard opinions on her?” That’s a sketch idea, not a thoughtful deployment of anachronism to deepen an audience’s understanding of what’s happening in front of them. 
Contrast with this famous shot from Sophia Coppola’s 2006 movie Marie Antoinette. 
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Now, what is the point of those Chuck Taylors? What do they communicate to an audience, especially in the mid-aughts? What do they think of when they think of out of touch rich girls who spend all their time shopping and drinking and spoiling their little dogs and wearing pastel colored high tops? Oh right:
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The movie is not asking: what if Anne Boleyn was sort of like a girl who shops at Revolve? It’s not even asking: what if Marie Antoinette was a girl like you, who probably owns high tops?
It’s asking, directly: what if Paris Hilton, someone you all already hate, with her baggage and inadequacy and shallowness and mean-spiritedness and humanity and probably genuine unhappiness -- what if she had an angry, starving, justified mob at her door, who blame her for something that is, in part, her fault. Would you feel sorry for her? I mean, people chase her around all the time in real life, and make her miserable, and she’s starving herself to death in front of us and everyone calls her a slut and an idiot. And maybe she, Paris Hilton, is an idiot. Anyway, focus on the screen: should this gluttonous, unprepared, wasteful, shallow Austrian woman be tormented unto her ultimate demise for being an idiot? 
That’s what successful, thoughtful anachronism does. It asks you to make connections between yourself and the past, your social impulses and the things that governed people long dead. It wants to help you recognize the ways that we are different and how in others we never change. 
It’s a powerful tool when employed directly, and I think it’s a huge bummer that writers rarely seem to understand that. 
--
*All You Wanna Do is the only number in the show that actually works, because they use the tee-hee pop princess conceit to pull the rug out from under you and reveal something genuinely horrible.
**Six has a tone problem. 
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thewingedwolf · 9 months
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i like six so much bc i like the rhymes in it. you have the pop sound but the rhythms and syncopation of theater and it’s crack for my ears lol.
So i picked up a pen and a microphooooone, history’s about to get overthrOWN
“Histor-emix” is genius fuck you
Put your hands up get this party buzzin’ you want a queen bee? well here’s half a doZENN (also the harmonies on that one)
You say it’s a pity cuz quoting Leviticus i’ll end up kidiless all my life!
Don’t be bittAh cuz i’m fittAh. He doesn’t want to bang you SOMEbody hang you!
My horses can trot up to twelve miles an hour, let me explain, I'm a Wienerschnitzel, not an English flower. No one tells me I need a rich man, doin’ my thing in my palace in rICHMOND.
“Please me, squeeze me, birds and the bees me,” just flowwwwws
that’s not my storyyyy there’s so much more reeeeemember that i was a writAh i wrote books and songs and meditations fought for female education.
Cause in hisTORY I’M fiXed. as. ONE OF sIX!
We’re one of a kind no category, spent too many years lost in HIStory
i am constantly singing random lines to my dog and he has had enough of me!!
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ENOUGH with the stuntcasting either hold an honest open audition or pick your next cast member via an insanely convoluted poorly produced reality tv show as god intended
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sixcostumerefs · 8 months
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when will Danigon return from the war.....
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lorillee · 1 year
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lorillee??? drawing warrior cats in 2023????? its more likely than you think . also if you remember the dumbest po3 au you receive a veteran lorillee follower award
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thexwives · 6 days
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people calling ‘swingo’ when us/canada alts complete their 3/4 covers really bugs me for some reason
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ethereal-maia · 8 months
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My design for Katherine Howard!!
shes just so 💗💞💗
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THE CASTING CHAOS JUST KEEPS ON COMING OML.
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This makes me so happy though because Jana is such an underrated alt, well deserved for sure.
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redladydeath · 9 months
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i feel like we don't appreciate just how influential andrea macasaet was on the role of boleyn. she pioneered so many little details (the "i'm not sorry!" riff, "don't be bittah cause i'm fittah," and so on) that have become standard for the role four years later and she deserves a lot of credit for that.
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janedances · 1 year
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NATALIE PARIS AND COURTNEY MACK ARE THE BRAND NEW SEYMOUR AND HOWARD ON THE ARAGON TOUR WTF
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