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#she's too fit to not write for
lovinpelova · 2 months
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that girl on kerstins ig story is actually me!! i'm the mystery forehead kiss receiver🫶🏼
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starrysharks · 7 months
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"may god have mercy on your wretched soul! ...that is what i should say when i kill them, is it not?"
vivica, one of the key supporting characters of reassassination. a scythe-wielding overachiever, her primary goal is to defeat octavia under the orders of the clear crucifix organisation.
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buqbite · 6 days
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I like to imagine that her gentleness is genuine
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hailsatanacab · 1 year
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@the-ghost-trader - ooooh, i love this! it has the potential to be so incredibly sad, too, like poor Damian just trying to carve out something normal for himself only for it blow up in his face
BUT, shockingly, i'm not about the angst today! not yet anyway 😇
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“So, how was your day?”
Despite his answering groan, Damian likes this. This. This whole… thing he has with Danielle. With Ellie. 
And, yeah, he’s not exactly told any of the others yet, but can you blame him? For wanting to keep something, anything, to himself. Wanting to keep this small little slice of goodness he’s managed to carve out, untouched and unmarred by his family, by their other lives, by the rogues, the vigilantes, the assassins, everyone.
“That bad, huh?”
Being with Ellie is freeing. That’s the best way to describe it.
She knows. Damian surprised even himself when he told her—not about the others, mind, but he supposes it’s not hard to put two and two together and Dani has always been smarter than most—but it’s the best decision he’s ever made, and no matter what the niggling little voice in the back of his head says (the one that sounds suspiciously like Father), he can’t bring himself to regret it.
He won’t. Because having Ellie know gives him freedom.
She’s a safe place, a hand to hold, a warm, welcoming presence when things inevitably turn ugly. It’s the freedom to just be normal when everything else in his life spirals into stranger and more stressful missions.
“Richard is being insufferable again. I do not understand his incessant need to know everything about my life.”
“Oh? What’s he done now?” 
“I was subjected to an hour long interrogation about my love life, like it’s any of his business. It’s infuriating!”
“Ugh, tell me about it. I get the same thing from Jazz, constantly. It can be suffocating.” Ellie says as she curls herself tighter into his side. “But it’s just how they show they care.”
“Yes, well, sometimes I wish he wouldn’t—”
“Hey!” Ellie pushes herself up to glare at him, punctuating her shout with a soft whack to his arm for good measure. “What have I said about using that word?”
“Yes, yes,” he placates with a roll of his eyes, “‘Be careful what you wish for.’ I apologise, it won't happen again.”
“Damn straight it won't.”
She maintains eye contact with him for a second longer before tucking herself back into his side, squirming around with a long, contented hum that Damian can feel rumble through him. He smiles and doesn’t complain even when he has to shift to give her more room after a particularly strong elbow jabs him in the ribs. It means leaving the warm patch on the couch, but he’s rewarded with another long, happy moan as she settles and Damian can’t bring himself to mind.
Ellie constantly makes noises. Little mews and hums and laughs and songs known only to her. It reminds him of a cat, sometimes. He likes it. It calms him down; it means she’s happy, so he's happy.
They settle back into the cushions and Damian lets the subject drop, not wanting to spoil the moment. Outside, the wind changes direction and from where he’s laying he can watch as the snow starts to come down thick and heavy. Hopefully it’ll mean a quiet night's patrol.
“Is that why you haven’t introduced me yet?”
“What?” He can't help it, he stiffens at the thought of losing his secret, of the scrutiny he'll be inviting if he lets anyone know.
“Are you worried I’ll embarrass you?”
Damian’s eyes snap down quick to reassure her, only to see her light, teasing grin. He lets out a breath of relief. It figures she wouldn't worry about that.
“Of course not, don’t be absurd. You could never embarrass me.”
“I don’t know,” she muses, her voice taking on a dangerous lilt, “that sounds like a challenge.”
“Believe me, having been subjected to Father’s Brucie persona at every gala I’ve been to, it would take a lot to embarrass me.”
“Alright, bet. I’ll get you, just you wait.”
“You’ve already got me.”
She flicks him on the nose. “You’re such a sap.”
He hums his agreement, enjoying the tinkling sound of her laughter. And then, before he can think otherwise, he asks, “Is that why you haven’t introduced me?”
“That’s different,” she scowls. “You know how hard it is to get there, there’s no signal, and Danny only gets a break like—oh, Ancients!”
Damian gets another elbow to the ribs as she bolts upright, a manic grin on her face that has him laughing.
“What is it?”
“It’s the holidays! It’s nearly Truce Day! You know I said I had a family thing around Christmas?”
“Yes?” 
“Well, do you want to come to it? I can introduce you then! I mean, it’s going to be a bit formal and you’ll have to meet everyone, not just family. There’s going to be some banquets, you’ll have to sit through some long speeches and you have to be on your best behaviour at all times, okay? Absolutely no fighting, it’s called Truce Day for a reason!”
“What?”
“Yeah, it’ll be perfect! I think Jazz is going in a couple days earlier to help with the preparations, so I’ll get her to let Danny know—and fair warning, he will try to give you the shovel talk, but this is great! It’s Truce Day, so he can’t actually do anything about it!”
“I’m sorry, but you're going to have to explain a bit.”
“Yeah, I know, it’s a bit much—but that’s family, right? Danny can get pretty protective over me, which is why going on Truce Day is the best time to do it! He can’t even command the Fright Knight to stab you! It’s genius!”
“Ellie, what?”
“Like, yeah, sure, he’s the king, but even he has to obey the rules of Truce Day—and then once you’ve spent all day with him, he’ll see that you’re a fantastic, wonderful, kind, brilliant, smart, strong, capable person and he’ll get over himself and everything will be good!"
Damian collapses down onto the couch, the wind knocked out of him. This is… He had not expected anything like this at all. For all that Ellie talked about her family, she had never mentioned this.
“Did you… did you say your brother is a king?”
“Yeah! High King Phantom, have I…” The manic grin slips off her face as she turns round and notices Damian. “Have I not mentioned that before?”
“No. No, you have not.”
“Ah. Sorry. Probably should clarify that I’m also a princess.”
“Right. Yes, that follows.”
“And I’m not really his sister, I’m his clone.”
“What?”
Damian blinks and tries to say more, but he has no idea what he’s meant to do with… any of this information. 
Normal. He thought she was meant to be his normal. Nothing could have prepared him for this.
Not that it changed anything, of course, of that he was certain. It’s just… a lot to take in. Overwhelming. But it's okay! He takes a deep breath, and another, and a sense of calm washes over him. Ellie makes one of her little hums as she cocks her head to the side to consider him and he can't help but relax at the normalcy of the sound. It'll be okay, he's dealt with stranger and he can deal with this.
“I’ve, uh… I’ve told you that we’re half ghosts, though, right?”
“What?”
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i take my whiskеy neat my coffee black and my bed at three you're too sweet for me
-too sweet, hozier
It’s about him, your honor:
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and what if i wrote about my married!javier snuggled up in bed thinking of how his partner is too sweet for him but indulges in her anyway? what then?
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presiding · 5 months
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high chaos/low chaos/join the chaos in my dishonored 2 rewrite
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dailykugisaki · 3 months
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Day ninety-five | id in alt
Long time no Nanami💥
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queen0fm0nsterz · 5 months
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thinking about the Lady again and she actually is the Character Ever.
Starting off with her design. How ridiculously simple it is, right? Her yukata is plain brown and has a single layer, her wig (and yes, I am positive what she wears is not her hair but a wig soley because of how easily it comes undone... that kind of hairstyle is meant to STICK when done with actual hair) has no decorations befitting a woman of her powerful status and her mask is nothing but... empty. You could mistake her for a mannequin and you wouldn't even be wrong. It's by design, after all: she is as insanely important, as a figure, as she is anonymous as a person.
But then, it's with amusement that you note that that boring, unexpressive mask is called the "Rascal's mask" when unlocked. It's such an oddly affectionate nickname stemming from a person so utterly despicable. And then you notice her hair. Her long, black hair that should be hidden under her wig, as the hairstyle goes, but are instead hanging out freely. Not very traditional at all, right? You could almost read it as a small act of defiance of... something. Now, what that thing is, I doubt even she knows. Maybe it's just her way to seek individuality without having to step into zones she does not want to touch.
And then, of course, the lack of shoes. It's not uncommon for people to wear slippers in the house - especially for the Japanese - but she just... doesn't. In that small, small way, she is similar to Six - and every other child in the Maw running around barefoot. Except she's above running, of course. She's got the privilege of floating like a ghost so that she may never touch the ground.
(The only time when this rule is broken is when she fights Six, poetically enough. You can see her visibly step back.)
These strange little things are the first things that push you to wonder about her as a person. Not the title, not the Lady of the Maw: the individual behind the mask. Who is that person? What is she like? Is there a way to answer these questions? I think yes, if you know where to look - but is it worth to ask these questions considering what she does?
That depends on you. Me personally, I think there is narrative worth to be found in what she has to hide. Her foil, Six, finds value in the aspects of herself she does not hide: she is very unapologetic in her selfhood. The Lady isn't, for the most part.
(I wonder if that would make her envious of her younger counterpart in a different context?)
Frankly, looking back on her choice of attire, the fact that her personal bedroom is barely decorated is not surprising. She only has the essentials: a bed, the vase with the key, a few pictures of importance (of people long forgotten, herself included no doubt) and... an ungodly amount of misplaced clothes all over her quarters. All the same yukata, repeated over and over, maniacally folded and arranged in towers, but never where they're supposed to be.
A bedroom is the reflection of yourself. Of your inner world. The fact hers looks so barebones is quite telling about who she is. Or isn't. She herself may have some trouble trying to figure that one out.
I think that, in a vacuum, it's easy to assume that the reason she's so displeased by her reflection is soley out of vanity. That is definitely part of it, but I don't think that's all there is. Because after seeing the mannequins that all look just like her, the four women in the picture who also wear her same exact clothes... and that hidden quote.
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This quote, which is from Alice in Wonderland. Specifically from a conversation in which Alice expresses how she doesn't recognise herself anymore because of how many times she grew big and small during the course of the day. She is not the same person she was before entering Wonderland.
I find the way she clings to the dolls and the music box to be much more... sombre when keeping this in mind. In a way, that scene is reminiscent of Monster Six clinging to her music box in the chaos of the Tower; an attempt to attach to something safe. For the Lady, it's even more personal. Those are her toys. Her song. No one can take them from her and claim them as theirs. These materialistic tomes are physical proof of her identity. She likes dolls, and she likes to sing that song from her music box. Surely, that much is something.
But a ceramic toy and an old music box are not really enough to placate the inner turmoil. Hence the broken mirrors, the hidden statues... the hung down portraits with their eyes scratched out - from times of the past. There is a person looking back in the mirror which she does not recognise. That can't be her, right?
It isn't. The reflection is but a faux image of her outward appearence. The inside, however... much like this concept art shows, she is melting away. Rapidly decaying no matter how much she tries to stick to her youth.
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Because at the end of the day, that's what she's doing, no? The toys, the music box, her appearence... all of it, just to cling a bit more to the person she used to be. Point being that I doubt even she remembers what she used to be.
You'd think a person like this would be inclined to feel at least some sympathy for all the lost children wandering the Nowhere. A sense of kinship, perhaps, or even just... basic human compassion. She has proved to have very human emotions, after all. This is where she proves you wrong. Whenever you think she's stepped the lowest, she always goes lower.
In her humanity, she is brutal. Relentless, ruthless. She offers no sympathy to anyone and has no empathy to spare either. She is very much aware of what's going on under her roof: she not only allows the Maw to continue being the way it is in spite of having the power to change things, but she actively engages in its despicable practices. She has petrified children in her quarters, as well as their ashes - of which the use is unclear - and then she is responsible for the Nome population and exploitation being so large and so eerily heavy. She's twisted necks, broken bones, murdered innocents.
The Shadow Children are, to me, one her greatest offenses. I don't think they serve any particular purpose other than... being there because she wanted to make them. Children ripped away from their life because of her whims. Not even in death can they rest because she can get her hands on their souls. They're nameless, forgotten shadows with blank masks: they're just like their creator, in that way. Ripped of all individuality and devoid of everything.
Everything she sees, the Lady devours. Not a creature is safe from her shadows and her wrath, especially if they come and actively intrude in her activities. She's twice as aggressive if the Maw is at stake.
The Lady's personal bedroom has another motif piece which I did not previously mention: the Maw wallpaper. While Roger and the Chefs have wallpapers that portray them with her, the Lady... does not. She only has the Maw. She's not part of that picture.
The Lady can't let the Maw change its ways. She is the Maw. The Maw must survive: so must she. To change the Maw would mean challenging herself enough to bring about a change; to her, who does nothing but lament what she lost, that would be too much effort. Too outside of the comfortable zone where she can survive in peace. Miserable, but unbothered.
... For the most part. Until Six comes around.
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soulinkpoetry · 2 months
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The ones who love you get a little bigger box so you can fit in their life.
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theragethatisdesire · 8 months
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hello!! 🥰 could i please get #359??
i literally do not care who it's with, i trust you to give us a tasty meal 😫 go nuts bb
hiiiii tiff <3 so i'm gonna modify this one a bit to be more in line with my personal writing style but like....why is this screaming gojo to me...and to think i'm so afraid of writing him but i think it's unavoidable here ...
359. "So desperate for it, aren't you? If you want it so bad, you'd better take it then."
nsfw under the cut per usual
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Gojo Satoru is the Strongest.
This is a sometimes annoying, sometimes relieving, always indisputable fact, one which he never tires of reminding you. Usually when he says it, it's in reference to curses or cursed energy. On occasion, he's referencing a drunken arm-wrestling competition or a punching-bag-machine you stumbled across in a bar that he couldn't resist winning just for the hell of it, he's an asshole like that.
When you're the girlfriend of the Strongest, it's easy to feel lesser than. Sharing a bed and a goodnight kiss every night with the closest human equivalent to a god can be taxing on the insecure little part of your brain.
Satoru does what he can to alleviate the toll his teasing and status take on you, from showering you with compliments to being as much of a sweetheart as he is a menace (and that's saying something). But when you're behind the closed doors of your bedroom, spread out before him and panting, Satoru loves to remind just how unequal the playing ground you're both on is.
"So messy," Satoru hums, dragging two long fingers through the slick folds between your legs. He loves having you like this, bare before him with your legs spread while he stays fully clothed, chastising you.
"Satoru," you beg, canting your hips up towards him, seeking the touch that he's suddenly become so stingy with.
"Watch it," Satoru snaps, eyes narrowing behind his sunglasses, "thought you were going to be good, what happened to that?"
"I-I'm tryin'," you whimper, curling in on yourself in the face of his disdain. Satoru loves when you misbehave, you know that realistically, but here, in the heat of the moment, the threat of his ever-creative punishments has you squirming.
"Could have fooled me," Satoru says with a disappointed tut, pulling you to your feet and sitting on the edge of the bed. You stand between his legs, watching him curiously, until he pats his thigh, a criminally smooth smile gracing his face.
"Sit?" You go to sit across his legs, but Satoru all but shoves you back to your feet, frowning.
"Sit," Satoru says with a note of implication, gesturing to his muscled thigh again. You catch his meaning, frowning.
"But your pants-"
"But nothing. If you want it so bad, you'd better take it while you have the chance. You know how moody I can be," Satoru lowers his glasses to smirk at you, menacing and cruel.
You straddle his thigh without another thought, the threat behind his words ringing in your ear. The friction from the rough fabric of his slacks is an instant relief against your pulsing core; you shudder as soon as your hot, sticky cunt makes contact with the cool cloth. You tentatively roll your hips once, twice, a broken moan falling out of you.
"There you go," Satoru says, saccharinely sweet, "that better?"
"A- a little," you admit, eyes rolling back in your head as you begin to grind down onto him harder, already having been teased to the point of breaking.
It's shameful, really, how wantonly you moan for him, how quickly you manage to stain his pants, how harshly your fingernails are digging into his shoulders. Satoru watches you, the faintest hint of amusement on his face, and if you were just a tad less fucked out, you would consider smacking him.
But not now, no. Not when you're so close to the release you've been aching for for the last hour, not when your thighs are beginning to shake with the effort of getting yourself off, not when Satoru lands a harsh hand on your hip, dragging you against him harder.
"Sa-Satoru!" you gasp, choking on the syllables of his name, "please, please-"
"So desperate for it, aren't you?" Satoru chuckles, pinching your cheek. "I've barely even touched you pet, how are you this needy already?"
"P-please, I just- so close," you whine, recognizing all too well the chiding tone, the easy cockiness that suits him so well. He's already made himself busy edging you all night, surely he won't-
"Aw," Satoru pouts at your cry of frustration, "something wrong?"
You fruitlessly roll your hips against the cold, unyielding barrier of Satoru's infinity, unreal and unsatisfying beneath your needy cunt. You glare at him through hooded eyes, chest still heaving.
"You're so-"
"Mean? Is that really what you want to call me right now?" The amused sparkle behind Satoru's glasses glimmers out into a look of cold cruelty.
"No, I-"
"Think I'm not going to make you cum?" Satoru tosses you off onto your back, hovering over you with something dangerous and dark playing on his face. "What, are you going to tell me I can't play with my little pet anymore? Can't take it?"
"No," you feel your bottom lip tremble.
"Am I too much for you? If you can't take my games, baby, I don't know how you're going to take everything else I want to give you."
"No, I can- I can take it," you grab at his shirt desperately, eyes shining, "I need it- please, Satoru."
"Sh sh sh," Satoru shushes you, pinching at your cheek, "pathetic little thing, aren't you? So needy for me."
"Mhm," you hum, canting your hips up towards the thigh he slots between your legs, "I just need you, please, Satoru-"
"That's right," Satoru smiles down at you, a tender thumb rubbing over your lips, "just me, right? I'm the only one that can get you this fucked out."
"Just you," you whimper pitifully, trying to roll your hips up into him to no avail.
"That's what I like to hear," Satoru hisses, the first break in his composure all night, "all for me."
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yazs faith in my fic mostly amounts to no alcohol and vegetarian jelly babies and vague religious anxiety on occasion, partially bc i dont know a lot about islam so i dont really have a lot to work with and partially because the show doesnt really give us a whole lot to work with either
but i do kinda like how, especially in this current fic where i give her a sort of explicit eating disorder past, that like, the main ways that god ends up playing a role in her daily life this way is through what she puts in her mouth or not
if the doctor is restrictive, emotionally psychologically nutritionally, and the master is excessive, yaz sort of hovers in the middle, pulled at from both sides
seduced by restriction vs seduced by excess. swallowing your anger vs spitting it out. desire and consumption and the way the human and the holy meet in the fallible body. you can become the doctor by acting like the doctor. you can make yourself holy by Doing The Right Actions
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hello helloo! i just read through your modern au and I'm in love (shocker), i wanted to ask if you'd give some more info on poppy? apologies if there's already a dedicated post to her, looking is not my specialty
there is not! i will gladly ramble!
~
in this au, Poppy is slightly less fearful than canon. this is for several reasons! 1) years of therapy. 2) anxiety meds. 3) teenage years of her friends dragging her out for Shenanigans & hyping her tf up! but she's still a worrywart! she's very cautious! she can and Will see the bad/dengerous side to every situation. but! now she has the tools to not only cope with but combat her intrusive thoughts & fears <3
i think i mentioned it before but she Did Not Realize she was trans until highschool! specifically, when she met Sally! Poppy had to stop by the theater department after school for some reason or another, and Sally noticed her looking longingly at the costume dresses (Poppy thought she was alone lol)
and while Poppy was mortified at being caught, Sally was delighted. they only knew each other in passing and from reputation but Sally started holding up dresses to Poppy and complimenting how well they suited her. (i could joke about how Sally could sniff out the lesbian in her before Poppy even knew she was a girl!) Poppy, flustered by the sudden attention and apparent acceptance, didn't know how to handle it and fled. then started avoiding Sally in the halls. but! eventually she had to go back for Insert Reason Here, and ofc Sally was there. this time around Sally is a little gentler and less assertive, but manages to coax Poppy into checking out the more ~feminine~ costumes again. thus begins their little meetings where Poppy tries on costumes and Sally is her biggest hypeman
it takes a while for things to Click in Poppy's mind! it isn't until she tries on a dress that Sally custom-made for her, wearing some makeup and a wig, that Poppy has her oh moment. unfortunately, some of their ~mutual friends~ (Wally, Barnaby, Howdy) walk in on them. there's a short, terrifying moment where Wally is all "who's your friend, Sally?" and Barnaby has to lean over to let him know "that's Poppy, bud". before Poppy can fully freak out, Wally immediately goes OH! and starts complimenting how pretty she looks. Barnaby chimes in next to ask if the dress is home-made bc it fits Poppy beautifully, Howdy nabs a necklace from the nearby gathered accessories and put it on her to "tie the outfit together". in short! Poppy finds nothing but support from her buddies & they're more than happy to help her figure out this new internal crisis / revelation
then of course eventually she's found out by her family, which goes very well (im using sarcasm! it goes terribly!). Poppy isn't outright disowned or kicked out or in immediate danger, but her relationship with her family is ruined by their transphobic bigotry. her friends have her back throughout this, and the guest room at the Beagle farm is always open to her! Sally continues to make custom clothes for Poppy (something that becomes a love language for the two of them <3).
honestly, this period in Poppy's life is part of what like... idk... strengthens her, in a way? her continuing to be herself and actively rebelling against her family, i mean. Poppy becomes a pretty stellar liar lol (lying to her parents about where she's going, who she's hanging out with, what she does after school, etc). she's very cautious about all of it, but she does it! she's determined to pursue and discover and Realize the woman inside her! i have this sweet scene in my mind of the Group at the Beagle farm chilling on the floor with notebooks, brainstorming on possible names. (Sally enthusiastically says a variation of 'exquisite' to each one, and then when Poppy says 'im not sure about that one' Sally - still enthusiastically - says a variation of 'horrible terrible how could you suggest such an ill-fitting name'). despite everyone's efforts, i like to think that Poppy finds her name entirely on accident! maybe during the Gap Year Road Trip! maybe they stop by a SoCal poppy reserve in superbloom and the flowers Resonate with her! who's to say!
but Poppy begins her (medical) transition in college! she, of course, gets shit for it, but she also begins to find community and enjoyment in the local queer community. and of course, she has her buddies <3
but anyway! i like to think that Poppy participates in local farmer's markets with her crochet work & baked goods, the latter of which is a complete hit! that, plus her first experience with going to a tearoom inspires her to strive towards owning her own! tearooms are right up her alley, i'd say - calm, quiet, and Poppy can make peoples' days a little brighter with a tranquil atmosphere & delicious treats! i swear i have a reason between 'Poppy british = she goes into tea business'. honestly! tearooms are more about the tiny sammies & tasty cones w/ cream! and feeling Fancy while chatting!
i think it takes a while for her to actually be able to start up a tearoom. I'd imagine she starts by holding a small, single-table reservation-based one in her own place once the Group decides on what town to move to. it's successful, slowly (but steadily) grows, until she can get an actual House and transform the ground floor into a full tearoom. lil shop by the checkout counter, several different rooms, a sizeable kitchen. staff! the tearoom is a humble one, but it's a killer holiday & tourist destination! the high ratings even bring in people from out of town!
and when it comes to Poppy & Sally, bc yall know i'm a sucker for Popstar - i like to think that they start dating after (mostly) all of them move into their new town. & after they both have been in prior relationships! and then they never stop dating. well, they do, but that's so that they can upgrade to Wife Status. and then they never stop being wives so there <3
but Poppy is successful and happy! she had a rough go of it but she Makes It! and she continues to make it!
#i hope this Suffices!#ofc the ~lore~ in my mind is a lil more complex#but its Too Much to fully write out yk yk#giving her a tearoom was uhhhhh a bit of Personal Indulgence i will admit!#i used to have a tradition with my mother/grandma/sister where we'd all go to a tearoom once a year#but then grammie bit the dust (or rather - got turned into it) and that tradition uh. kinda stopped#i have very fond memories! i'd like to go to one again someday! perhaps with friends!#so when i was thinking 'what modern day profession would suit poppy' i do think owning a high english tearoom would fit#theres also just a level of personal influence to that ahaha#also if i went to a nice tearoom and the owner was a gorgeous 6'8 woman. ough. thats all im gonna say about it. ough <3#rambles from the bog#wh modern human au#sally likes to waltz into the tearoom while poppy is working to buy One (one) little box of tea and also flirt over the counter for an hour#and there's an upstairs room reserved for Poppy & her friends!!#it's free for them to use at any time!#though they still always pay. they have a lil game with poppy where she tries her best to refuse#but they manage to sneak the payment past her anyway#or they so happen to 'leave a tip that just so happens to be the exact payment' on their chair#on top of the tearoom she also supplies some baked goods for Howdy's shop#it was something they started when she was first getting her lil business off the ground#it evolves into just 'poppy bakes a batch of muffins as her morning ritual and sends them to howdys'#she supplies more when she can! or when she stress bakes! or when she and frank stress bake together! the entire group gets fresh tasties!
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kyouka-supremacy · 3 months
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#This is about the last thing I could have imagined happening to me but.#A girl just slid what pretty realistically is a love letter under my door and. I really don't know what to do about it#God. I like her a lot but I also really just love her as a friend??#I don't. I have no idea what to reply because on one hand if I said something like#“yeah every second we spend together is precious to me too I love you <3 ” I would probably. Definitely come across wrong#But at the same time I can't just reply coldly I don't want to be rude. I do enjoy the time we spend together.#I just feel that if I don't reply with the same love and dedication I will come off as rude and make her sad and I really don't want to#But also I'm like. 100% sure I'm not into her romantically#It's just. The way she talks to me in the letter makes me feel... Odd in the bad way.#She spent words of admiration on me I really feel like I can't own you know.#She seems to look up to me a lot and I don't think I should be looked up to at all.#“You're a wonderful‚ very strong‚ and intelligent person” HOW DO YOU EVEN REPLY TO THAT.#“Uh I disagree but you're entitled to your opinion”... ?#Thank you?#This is. Ugh. I'm really not fit for this kind of stuff.#I LOVE exploring characters being in love and putting them in awkward ridiculous situations that make them miserable.#I HATE to be in such situations#As if exams weren't enough. How do I deal with that#Posting this just in case anyone has genuine advice btw. How do you reject a girl you actually like a lot#And how should I even write her back. Because she said to and I'm the WORST at writing back#Sis this is stressing me off so much. I want to dig a hole and disappear in it. I'm not getting out of my room for the next six months.#(For context we live in the same students dorm)#random rambles#I'm so distressed right now this is the absolute worst.#Like I was pretty fine with where we were at but now I feel like I really don't want to spend time with her again for a long time.#Deleting this soon hopefully
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rocksanddeadflowers · 5 months
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Been thinking about applying the myth where Thor has to pretend to be a giants bride to get his hammer back (you know the one, right??) to the TBI characters. Doubt I'll write it out but I have SO MANY THOUGHTS ON IT. My main thought atm being that, from what I remember, Heimdall was the first person to suggest Thor cross dress. Which is just. The excuse to right out Heimdall's involvement is almost as enticing as getting to write out Tyr. He's just. So silly to me. But so badass. I love him.
I can see everyone in the TBI setting at some grand meeting table for the Aesir (and co.) with Thor freaking out about his poor hammer (which, yes seems tricky to write in TBI context but. We'll just patch that plothole it with something later, I have a loose thread idea or two.), Freya desperately trying to avoid involvement in the entire debacle, Loki concerned but still trying not to giggle at the absurdity while Sigyn kicks her under the table to tell her to stop laughing. Heimdall leans over the table towards Thor, trying to remain stoic but his small smirk and gold eyes glittering with Loki approved mischief somewhat gives him away as he suggests, "If we don't want to risk our dear stunning lady here, and you need your hammer back, why don't you be Freya?"
Loki loses it laughing and most of the table can't help but laugh or giggle quietly, including Sigyn. Thor is immediately against the idea, but Loki is already signing up to be his handmaiden in between gasps of giggles (because she would never miss out on such good mischief), and really the idea is such a hit that Thor is sorely outvoted.
The story is still brought up for years to come, typically for a laugh at Thor's expensive. Still no one could deny he looked damn good in that dress.
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ohitslen · 4 months
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I have it bad for a woman that kicks ass and is an exorcist
(Hong Ji Ah from “Sell Your Haunted House” (대박부동산))
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sugarsnappeases · 4 months
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i've been... engraving sybill into my brain today. if you even care
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it’s the constant confusion, the flimsiness of the border between her reality and her visions, always struggling to differentiate between what’s real and what’s in her mind, and even then, within her mind there’s still the chaos of what’s impossible, some imagined horror, and what will happen in the future, the future where there’s a war and where imagined horrors can become reality.
it's a miserable place, endless waking nightmares as she tries to separate her physical reality from that which her mind conjures for her, reliving her past failures and seeing symbols that don’t make sense to her yet, flashes of images like lightning strikes and she can’t pick out the important ones, she can’t pick out the ones that she needs to understand, until after the fact, until people she knows are dead and she could’ve stopped it if she’d only figured out what the images meant.
she’s drowning in guilt, seeing ghosts everywhere, their hands always accusing her, clawing at her, because she as good as killed them - it’s the struggle of whether the future is determined or not, whether things happen just because she predicted them or because they were always going to, no matter what she did.
in her mind, with the ghosts and the horrors, she’s the one to blame, always; she’s to blame when she can’t figure out the meaning of the visions she sees in time to warn anyone of their future; she’s to blame when she thinks she understands something but can’t explain it well enough to make anyone believe her; she’s to blame when she can’t stop time from rolling onwards incessantly, when she can't thwart her own predictions somehow.
she’s trying every method of divination under the sun to try and find the answers, she’s drinking copious amounts of alcohol to try and open her inner eye further, hands shaking, desperately trying to decipher the mess in her mind before it’s too late, pushing herself to the edge and over it to make sure she doesn’t fail her next victims in the way she did all the others.
she’s isolating herself bc it’s worse when it’s people she knows, it’s worse when she can remember both what they look like when they smile and what they look like when they’re tortured to death. but that leaves her alone with all of these ghosts and a very tenuous grasp on reality that feels like it’s slipping through her fingers, impossible to grasp.
she’s spiralling and miserable and still trying so desperately to help, to find an answer, a way that she can assuage her guilt. she’s incredibly highly strung, she’s constantly on edge because if she lets herself relax for even one moment she’s scared she’ll lose track of who, where, when she is, she's scared her world might just collapse around her.
and on top of all that fuckery, there are all these expectations from her family, bc she’s inherited her great-grandmother’s famed inner eye, they expected her to be just as successful, just as renowned as the legendary cassandra trelawney and she doesn’t know how, doesn’t know how to make the visions work like they should.
and then there’s the ridicule from everyone else because no one believes her, she tries so hard to warn people about the things she thinks are coming, the things that she thinks she understands, and she’s met with laughter, laughter that rings in her ears until she hears about her predictions having come true, then all she hears are screams, screams and guilt because she didn’t do enough, she didn’t try hard enough to make them understand and now they’re all dead.
and the one time she is believed, the one time she’s taken seriously, her first official prophecy, and she thinks that maybe she’s starting to find herself, starting to live up to her great-grandmother’s legacy. in the end, all she manages to do is kill another two people she went to school with, all she manages to do is orphan a little boy and place him at the forefront of a new war that’s a thousand times bigger than him…
all that she has left at the end is a handful of Real prophecies that only serve to harm people, hundreds of deaths on her conscience, their ghosts screaming and scratching at her - your fault, your fault, they say in an undying chorus - and still there are visions that she doesn’t understand, still pushing and pulling her between fact and fiction, the hellscape that is her mind, her life. and still she’s trying to understand, trying to cling onto reality, trying to live up to her family name, trying so so hard to save someone, anyone, just once.
she’s a ship in a storm, knocked about on the waves like a ragdoll, and looking up at the stars for guidance, for a way to shore that they cannot provide for her, hidden by the thunderclouds.
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